Podcasts about spanish baroque

My - Ziemowit Klimek, Hania Rani - My - U Jazz MeHar døden taget noget fra dig så giv det tilbage - Aarhus Jazz Orchestra, Janne Mark, Arve Henriksen - Har døden taget noget fra dig så giv det tilbage - Jaeger Community MusicBelle-Île-En-Mer +Alone for You - Richard Galliano, Jan Lundgren, Paolo Fresu - Alone for You - ACT MusicYo soy la locura - Henry du Bailly +Tarantela & Canarios - Carles Blanch +Ay, amor loco - Luis de Briceño +Folías de España - Fahmi Alqhai, Accademia del Piacere, Quiteria Muñoz - Spain on Fire - Divine and Human Passions in the Spanish Baroque - Challenge ClassicsSeguiriya Electroflamenko - Electroflamenko, Paco Bethencourt, Francesco Sologuren, María Martínez Gabaldón - Picón recordsDreamhouse +ELS- Vega Trails- Sierra Tracks- Gondwana RecordsEscuchar audio

On this episode, Tony Brueski digs into the haunting history of the Orpheum Theatre in Phoenix, Arizona. Built in the glamorous age of vaudeville, this Spanish Baroque masterpiece has seen decades of performances, renovations—and some say, supernatural visitors. Among its spectral residents is Maddie, a ghostly young girl who roams the balconies, giggling and vanishing before startled staff can make sense of what they've seen. With phantom footsteps, disembodied voices, and flickering lights, the Orpheum has earned its reputation as one of Arizona's most haunted landmarks.   Is the Orpheum truly haunted, or could environmental factors, creaking old architecture, and a dash of imagination explain it all? Join us as we pull back the velvet curtain on a century-old mystery that blurs the line between history and haunting.

On this episode, Tony Brueski digs into the haunting history of the Orpheum Theatre in Phoenix, Arizona. Built in the glamorous age of vaudeville, this Spanish Baroque masterpiece has seen decades of performances, renovations—and some say, supernatural visitors. Among its spectral residents is Maddie, a ghostly young girl who roams the balconies, giggling and vanishing before startled staff can make sense of what they've seen. With phantom footsteps, disembodied voices, and flickering lights, the Orpheum has earned its reputation as one of Arizona's most haunted landmarks.   Is the Orpheum truly haunted, or could environmental factors, creaking old architecture, and a dash of imagination explain it all? Join us as we pull back the velvet curtain on a century-old mystery that blurs the line between history and haunting.

As the iconic cathedral rises from the ashes, we met with the workers who formed a choir while working on the repairs and renovations. These artisans are now giving a special concert to mark the re-opening of Notre-Dame. And, masterpieces of the Spanish Baroque period have been brought together at the Petit Palais in Paris as we learn more about the mission to unite Jusepe de Ribera's paintings for this landmark exhibition. Also, we take a dive into the spectacular world of Parisian cabaret, a thriving scene that's managed to keep audiences captivated for more than a century.

A quick look at Baroque art so that you can understand the various genres, specifically Italian Baroque, Spanish Baroque, French Baroque, and Dutch Baroque. Lyndeurozone.com  Patreon If you use this podcast regularly would you please consider supporting us on Patreon for as little as a dollar a month?  The Euro Simplified Podcast has no advertising revenue and is produced by a public school teacher.  We love and appreciate our supporters on Patreon as our supporters help us meet the costs associated with the production of this free resource for students. Episodes will be released on the following schedule: Unit 1 and Unit 2 - August/September Unit 3: October Unit 4: November Unit 5: November and December Unit 6: January Unit 7: Late January & February Unit 8 : March Unit 9: April   If you have any questions you can contact Robert Lynde at Lyndeurozone.com.   Instagram: @Lyndeurozone

My guest this week was Paula Liz, founder of Anti-Racist Art Teachers. I invited Paula to come to talk to me about one of her favorite artists, and she picked Luisa Ignacia Roldán the Spanish Baroque-era sculptor. I had a great time learning about an artist I hadn't known much about prior to preparing for this episode. In the episode, Paula referenced a wonderful video about this sculpture. You can find that video here: https://www.youtube.com/watch?v=9Wb-T1F033Q Find Paula Liz and her work at the following places: Instagram: https://www.instagram.com/paulaliz.art/  Anti-Racist Art Teachers: https://www.antiracistartteachers.org/  Books:  https://quartoknows.com/books/9780760381328/anti-racist-art-activities-for-kids  https://www.barnesandnoble.com/w/creative-changemakers-paula-liz/1142950821 Check out my other podcasts Art Smart | Rainbow Putty Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Connect with me: Website | Twitter | Instagram | Tiktok Learn more about your ad choices. Visit megaphone.fm/adchoices

Our Next mixtape lands from the Spanish composer, cellist, singer and producer Yamila, with a unique mix inspired by her last album and a soulful vision inside her art. Dancing between electronic and analogue music, tradition and experimentation. Yamila's artistic practice "looks over the precipice of pure emotion", which couldn't be more accurate. That passion and soulfulness manifest in many (if not all) forms of expression. In her most recent album, Visions (UMOR REX, 2022), Yamila revealed her most intimate catharsis. The album evokes the hallucinatory powers of music. Like an ancient herald, she announces the profound feminine mystique while crossing epic melodies full of pleasure and pain. The album is a journey that prodigiously unites baroque accents, Spanish folklore, such as flamenco, and contemporary electronic music. Pain and glory, lacerating religiosity, feminism cauterized by power, and hallucinations as a source (or pretext/tool) to be heard. All these elements were very present in the Spanish Baroque, one of the most inspired creative epochs in the Mediterranean country, especially in literature, painting and architecture, but in a society lacerated by profound religiousness, poverty and injustice. Yamila's piercing gaze has the fierceness of those who dared to challenge the established powers of the time. Her voice and music –sometimes torn and others buoyant– can resemble the score for a biblical passage (i.e. visions of the Apocalypse), for they are overflowing with physical ecstasy and sounds one can touch. 'Visions' is composed of different forms and rhythms. Blending aural chiaroscuros with contemporary electronics, Yamila exhibits a profuse aesthetic with her music that calls for a look at the far past with romanticism and nostalgia. The mix she has prepared for us she tell, es un viaje compuesto integramente por mí, es una mezcla de temas del disco visions, con paisajes entrelazados, de lugares que visité mientras compuse el album (The mix I have prepared for you is a trip composed entirely by me, it is a mix of tracks from the album visions, with intertwined landscapes of places I visited while composing the album). Tracklist: 1-Landscape 1 2-Visions VII 3-Landscape 2 4-Visions I 5-Landscape 3 6-Visions IV 7-Landscape 4 8-Visions II

A quick look at Baroque art so that you can understand the various genres, specifically Italian Baroque, Spanish Baroque, French Baroque, and Dutch Baroque. Do you want to get that 5?  Enter code “GO4FIVE” at checkout for 25% OFF the Lyndeurozone Online Resources! Online access expires June 15th, 2023. Lyndeurozone.com  Patreon If you use this podcast regularly would you please consider supporting us on Patreon for as little as a dollar a month?  The Euro Simplified Podcast has no advertising revenue and is produced by a public school teacher.  We love and appreciate our supporters on Patreon as our supporters help us meet the costs associated with the production of this free resource for students. Episodes will be released on the following schedule: Unit 1 and Unit 2 - August/September Unit 3: October Unit 4: November Unit 5: November and December Unit 6: January Unit 7: Late January & February Unit 8 : March Unit 9: April If you have any questions you can contact Robert Lynde at Lyndeurozone.com. Instagram: @Lyndeurozone

“She was not afraid. She wasn't daunted. I think that's one of the key differentiators about her and her career.” Sculptor Luisa Roldán (1652–1706) followed a rare path for women in 17th-century Spain. Like other female artists, she trained and worked in the studio of a male family member, in this case her father. After marrying at 19, she established herself as an independent artist. This set her apart from most other women of her day, who stopped making art when they started families of their own. Roldán, working alongside her husband and brother-in-law, specialized in large painted wooden sculptures, terracotta groups, and reliefs. Overcoming societal limitations, Roldán took risks, worked for the Spanish kings, and was widely recognized as an accomplished artist during her lifetime. In this episode, author Catherine Hall-van den Elsen discusses her new book Luisa Roldán, the first in the new Getty Publications series Illuminating Women Artists. Hall-van den Elsen explores Roldán's personal challenges, career trajectory, and her most penetrating Baroque works, placing them in their historical context. To buy the book Luisa Roldán, visit https://shop.getty.edu/products/luisa-roldan-978-160606732 To learn more about the Getty Museum's Roldán, visit https://www.getty.edu/art/collection/artists/3441/luisa-roldan-called-la-roldana-spanish-1652-1706/ To hear more about the Getty Museum's Roldán, visit https://blogs.getty.edu/iris/reflections-maite-alvarez-on-luisa-roldan/

A quick look at Baroque art so that you can understand the various genres, specifically Italian Baroque, Spanish Baroque, French Baroque, and Dutch Baroque. Lyndeurozone.com Would you please consider giving the show a rating on Apple Podcasts and leaving a comment on Apple Podcasts/iTunes? It takes less than 60 seconds and it really makes a difference helping to get the word out about the podcast. We could use your help! Our goal is to keep the Lyndeurozone Euro Simplified Podcast a free resource for the students that use it, but our costs are substantial. If you use this podcast regularly would you please consider supporting us on Patreon for as little as a dollar a month?  We also have subscription tiers at our Patreon that allow you to access the Lyndeurozone study files, slides that correspond to the podcasts, and tutorials to help you prepare for your exams.  Head on over to our Patreon and check out what we have to offer our subscribers. Remember, Robert Lynde offers tutoring services to help you master the skills required to succeed in AP Euro and tutoring sessions can be offered online and in person. You can get more information at Lyndeurozone.com. Episodes will be released on the following schedule: Unit 1 and Unit 2 - August/September Unit 3: October Unit 4: November Unit 5: December Unit 6: January Unit 7: February Unit 8 : March Unit 9: April If you have any questions you can contact Robert Lynde at Lyndeurozone.com. Instagram, Twitter, and Facebook: @Lyndeurozone

Un volpe che si aggira tra le stanze di un museo. Mi sono tornate in mente le immagine di una video installazione straniante e incredibilmente interessante. LINKL'installazione 'The Nightwatch', un'opera realizzata da Francis Alÿs alla Tate Gallery. https://www.tate.org.uk/art/artworks/alys-the-nightwatch-t12195TESTO TRASCRITTO (English translation below)Non so se vi capita mai, a me certe volte capita di ricordarmi degli stralci di qualcosa che ho visto in una mostra e, niente, inizio a pensare e non la smetto finché non mi torna in mente dov'è che l'ho visto, soprattutto pezzi di video. A Melbourne c'erano diverse gallerie d'arte specializzate nel mostrare opere d'arte in forma di video. Oggi me ne è tornata in mente una, e per fortuna grazie a Internet sono riuscita addirittura a ritrovarla. È un'opera che si chiama "The Nightwatch", il guardiano notturno, la guardia notturna ed è di Francis Alÿs Francis Alÿs è andato a Londra, lui originariamente lui è messicano, è andato a Londra per una serie di installazioni video, soprattutto concentrate sull'idea del sorvegliare, le telecamere che sono per strada nei luoghi pubblici e che riprendono le persone mentre ci passano davanti. Quest'opera di qualche anno fa, penso mi pare di ricordare 2003 - 2004. Comunque vi spiego brevemente di cosa si tratta e così capirete anche perché mi rimasta così impressa. L'opera era una serie di una decina di video che facevano vedere la Tate Gallery di Londra dove era in corso una mostra sulla sulla pittura spagnola, di artisti spagnoli tradizionali. Quindi avete presente, i re, le loro famiglie i cani, le nature morte eccetera. Ecco, cosa ha fatto l'artista? Ha preso una volpe, una volpe vera, e l'ha letteralmente sguinzagliata all'interno delle sale del Tate, del museo, di notte, quando naturalmente il museo era chiuso. L asua opera consiste nei filmati che sono stati ripresi dalle telecamere che sono in tutte le stanze del Tate e che vengono azionate col movimento. Quindi attraverso la sua opera, i video, si può seguire questa volpe che passa da una stanza all'altra di questo museo, con questi quadri incredibili, spagnoli, barocchi, con tutte queste cose d'oro, le cornici gigantesche, e la volpe che passa da un quadro all'altro, passa sotto un quadro, poi l'altro, sale sopra le panche che di solito vengono usate dalle persone per sedersi, va sotto la panca, annusa, e... non c'è suono, perché sono solo immagini, però è una cosa abbastanza straniante, una cosa... vedere questo animale selvatico che si muove tra le sale di un museo. È straniante. Vi metto il link così date un'occhiata, metto il link nelle note del programma, vediamo se ha lo stesso effetto su di voi.ENGLISH TRANSLATIONI don't know if it ever happens to you, sometimes I happen to remember excerpts of something I saw in an exhibition and, nothing, I start thinking and I don't stop until I remember where I saw it, especially pieces of video. In Melbourne, there were several art galleries specialized in showing video art. Today I remembered one, and thanks to the Internet I was even able to find it. It is a work called "The Nightwatch", the night watchman, and is by Francis Alÿs. Francis Alÿs went to London, he is originally Mexican, he went to London for a series of video installations, around the idea of surveillance, the cameras that are on the street in public places and that film people as they pass by. This work is of a couple of years ago, I think 2003 - 2004. Anyhow, I will briefly explain what it is about, so you will also understand why it remained in my mind. The work was a series of about ten videos showing the Tate Gallery in London where an exhibition on Spanish painting by traditional Spanish artists was in progress. So you know, kings, their families, dogs, still life, etc. And what did the artist do? He took a fox, a real fox, and literally unleashed it inside the rooms of the Tate, the museum, at night, when the museum was closed of course. His work consists of the footage shot by the cameras that are in every room of the Tate, motion activated cameras. So through his work, the videos, you can follow this fox passing from one room to another in this museum with these incredible paintings, Spanish Baroque, with all these golden things, the gigantic frames, and the fox, going from one painting to another, passing under one painting, then the other, climbing on the benches that are usually used by people to sit, going under the bench, sniffing, and ... there is no sound, because they are only images, but it is quite a disquieting thing, one thing ... to see this wild animal moving through the halls of a museum. It is disquieting. I'll put the link so you can take a look, I'll put the link in the program notes, let's see if it has the same effect on you.

57:26 - A Massive, Late Neolithic Pit Structure associated with Durrington Walls Henge: https://tinyurl.com/y6v28m6l Scrap Stonehenge road tunnel plans say archaeologists after neolithic discovery: https://tinyurl.com/y9fj9y83 Planning the future of a prehistoric find: https://www.theguardian.com/science/2020/jun/25/planning-the-future-of-a-prehistoric-find?fbclid=IwAR1rWSTCeRQj_RkkHO_At_rsHmEq75s3qppusFRidRZOjtfrIRJ_QlY-Frk *** 01:22:48 - Latvian Group Legenda Told to Cease and Desist in search for Lost RN Personnel: http://thepipeline.info/blog/2020/06/29/latvian-group-legenda-told-to-cease-and-desist-in-search-for-lost-rn-personnel/?fbclid=IwAR1ICDlRY51smb8ceOa7JLlMCIdJN2SDouIjIRwl0syn99rgYKhc37CRsJo Trio who dumped mustard gas in Woodhall Spa lake sentenced: https://tinyurl.com/y7cf2bju *** 01:44:15 – Muppets of the Month: The Far Right demonstrators gather in London to ‘protect’ symbols of UK history: https://tinyurl.com/ya7unjep   Offerings to Churchill?: https://www.facebook.com/Archaeosoup/photos/a.509991202413865/3042393475840279/?type=3&theater   In London skirmishes, suspect far-right protester is rescued: https://tinyurl.com/ybv55wgs Ancient Peak District stone circle damaged by campfires: https://tinyurl.com/yav6krfj Copy of Spanish Baroque painting botched by amateur restoration: https://www.bbc.co.uk/news/world-europe-53141755?fbclid=IwAR0PXxeqii3OH_zRUmTgcNl4i6Eedw1RghQzFJdfx_fxLXfblkugLrHILlk *** 02:15:48 - Black and British: A Forgotten History: https://www.bbc.co.uk/programmes/b082x0h6 Bethany Hughes and Greek Odyssey: https://www.channel5.com/show/a-greek-odyssey-with-bettany-hughes/

A Tale of Divine Love and the River Spirit Acis y Galatea—A Spanish Baroque Semi-Staged Comic Opera December 28, 2019 at 4 pm – Saint James Place, Great Barrington, MA December 29, 2019 at 4 pm – Methodist Church, Lakeville,... Read More ›

Little London Adventures and Cockney Curiosities by Clare Newton and Narrated by Kate Bishop. Artist and photographer Clare Newton rediscovers and records the faint remnants of old London, only made visible when lit by a fleeting low winter's sun. These images are the conduits through time, analysing the sometimes uncomfortable balance between a struggling heritage to exist and the insatiable appetite of modern regeneration. But deep inside East London also lies a Victorian era. The mother of inventions, which not only stimulated change across the world then but even now their lingering artefacts and sayings effect us even in today's hi-tech social world. Strange but true stories that explain how and where artefacts have come from. Including the roots of 'Sarcasm' or the colour purple, both invented in the east end. Or how Shoreditch got its name. Luis de Góngora, in a portrait by Diego Velázquez. The man with a face stuck to his nose Spanish Translation by Maria Carrera 11 July 1561 – 24 May 1627) a Spanish Baroque lyric poet. Kate Bishop is a performance coach specialising in confidence, career and wellbeing. Her training and background in acting and performing have shaped the way she works with clients to ensure they create and maintain their confidence and achieve their goals through interactive, fun and exhilarating coaching sessions, workshops and seminars. Thanks! Kate Bishop Career, Confidence & Well Being W: www.kate-bishop.co.uk Order Little London Adventures and Cockney Curiosities Now for Xmas https://www.waterstones.com/book/little-london-adventures-and-cockney-curiosities/cl-newton/9781912951017 https://www.amazon.com/Little-London-Adventures-Cockney-Curiosities/dp/1912951010 https://www.instagram.com/happylondonpress/ https://twitter.com/HappyLDNpress https://www.happylondonpress.com/ https://www.youtube.com/watch?v=o6-N_Ac7zQk&feature=youtu.be https://www.reddit.com/user/HappyLondonPress/draft/74033c78-e693-11e9-ab2b-baf524289879

A quick look at Baroque art so that you can understand the various genres, specifically Italian Baroque, Spanish Baroque, French Baroque, and Dutch Baroque.

Ideas of tryanny, martyrdom, sin and grace in a new play set against Indian politics today and an exhibition which might be called pornographic. April De Angelis has relocated a Lope De Vega play to contemporary India, and a backdrop of political unrest. The original Fuenteovejuna was inspired by an incident in 1476 when inhabitants of a village banded together to seek retribution on a commander who mistreated them. The Spanish Baroque artist and printmaker, Jusepe de Ribera (1591-1652) is known for his depictions of human suffering, a popular subject for artists during the Catholic Counter-Reformation. The curator Xavier Bray looks at this savage imagery. Then historian Gillian Clark and theologian John Milbank discuss the legacy of Augustine of Hippo. Anne McElvoy presents. The Village runs at the Theatre Royal Stratford East from 7 Sep - 6 OcT 2018 written by April De Angelis and directed by Nadia Fall. Ribera: Art of Violence runs at Dulwich Picture Gallery from Sept 26th to Jan 27th 2019. Gillian Clark has edited Augustine: Confessions Books I-IV; Augustine: The Confessions and she's working on a commentary of Augustine's City of God. John Milbank directs the Centre of Theology and Philosophy at the University of Nottingham. His books include Paul's New Moment: Continental Philosophy and the Future of Christian Theology, With Slavoj Žižek and Creston Davis; the essay "Postmodern Critical Augustinianism: A Short Summa in Forty-two Responses to Unasked Questions", found in The Postmodern God: a Theological Reader, edited by Graham Ward Producer: Torquil MacLeod

Robert Harris made his name with Fatherland, a thriller which imagined what life would have been like in Britain had Hitler won the War. It sold over three million copies, was translated round the world, and became the first of three films inspired by his books. He went on to write thrillers about the Enigma Code, the financial crash, the Dreyfus Affair, and the destruction of Pompeii. And Ghost, a memorable book and film about a ghost-writer to a politician who closely resembles Tony Blair. Robert Harris's most recent book is Dictator and it completes a trilogy about the Roman politician and philosopher Cicero, a project which has preoccupied him for 12 years. In Private Passions, he talks to Michael Berkeley about the underlying theme running through his work: what really interests him is power, and the rise and fall of political fortunes. He looks back on the extraordinary overnight success of Fatherland, and its less than enthusiastic reception in Germany. Robert Harris reveals, too, the importance of music when he is researching a new novel, and shares his excitement at the discovery of composers of the Spanish Baroque. Other music choices include Bach, Beethoven, John Barry, and Amy Winehouse. And a rousing extract from a speech which he believes to be the best piece of political rhetoric ever delivered - we hear why. A Loftus Media Production for BBC Radio 3 Produced by Elizabeth Burke.

Las Idas Y Las Vueltas: Spanish Baroque Meets Flamenco!

In this episode we are going to study a piece named “Torneo” by Spanish Baroque composer Gaspar Sanz. The transcript and tab of this piece Read More →

This week's show features music by Spanish Baroque—early Classical composer Padre Antonio Soler, with performances by David Schrader and Jorge Federico Osorio (full playlist below). PADRE ANTONIO SOLER (1729-1783) Fandango in D minor (12:12) From Padre Antonio Soler: Fandango & Sonatas Cedille Records CDR 90000 004 (Track 1) David Schrader, harpsichord PADRE ANTONIO SOLER Sonata No. 24 in D minor (7:41) From Padre Antonio Soler: Fandango & Sonatas Cedille Records CDR 90000 004 (Track 5) David Schrader, harpsichord PADRE ANTONIO SOLER Sonata No. 62 in B-flat major I. Rondo. Andantino con moto (6:59) From Soler: Harpsichord Sonatas, Vol. II Cedille Records CDR 90000 009 (Track 6) David Schrader, harpsichord PADRE ANTONIO SOLER Sonata in G minor (Allegretto) (2:39) Sonata in D major (Allegro) (2:54) Sonata in F-sharp minor (Allegretto) (2:56) Sonata in D-flat major (Allegro) (3:49) From Piano Español Cedille Records CDR 90000 075 (Tracks 13-16) Jorge Federico Osorio, piano PADRE ANTONIO SOLER Quintet No. 4 in A Minor III. Allegro assai (5:40) From Soler: Quintets for Harpsichord & Strings, Nos. 4-6 Cedille Records CDR 90000 030 (Track 3) David Schrader, harpsichord Chicago Baroque Ensemble PADRE ANTONIO SOLER Quintet No. 3 in G Major V. Allegro subito (5:11) From Soler: Quintets for Harpsichord & Strings, Nos. 1-3 Cedille Records CDR 90000 013 (Track 13) David Schrader, harpsichord Chicago Baroque Ensemble

A composer makes a bad political move and almost makes off with some musical gems!

Commentary of the key concepts of Spanish Baroque, desengaño, introduces González Echevarría's suggestion that the plot of the Quixote follows a Baroque unfolding from deceit (engaño) to disillusionment (desengaño). The discussion of Don Quixote and Sancho about knight-errants and saints is not only about arms and letters, but about good actions for their own sake and for the sake of glory (or deceit). This discussion echoes the religious debates of the time and shows Don Quixote's broad knowledge of them, anticipating Part II's projection beyond Spain. The episode in El Toboso announces much of the mood of Part II with the darkness and the urban scenario. The lie of the enchanted Dulcinea is important because it will leave a deep imprint in the knight's subconscious and because it is the first episode in which the roles of Don Quixote and Sancho are reversed. The lecture ends with the comment on the episode of the cart carrying actors and all its baroque connotations.

Commentary of the key concepts of Spanish Baroque, desengaño, introduces González Echevarría's suggestion that the plot of the Quixote follows a Baroque unfolding from deceit (engaño) to disillusionment (desengaño). The discussion of Don Quixote and Sancho about knight-errants and saints is not only about arms and letters, but about good actions for their own sake and for the sake of glory (or deceit). This discussion echoes the religious debates of the time and shows Don Quixote's broad knowledge of them, anticipating Part II's projection beyond Spain. The episode in El Toboso announces much of the mood of Part II with the darkness and the urban scenario. The lie of the enchanted Dulcinea is important because it will leave a deep imprint in the knight's subconscious and because it is the first episode in which the roles of Don Quixote and Sancho are reversed. The lecture ends with the comment on the episode of the cart carrying actors and all its baroque connotations.