Podcast appearances and mentions of tate gallery

In this episode of Exploring Art Podcast, FIUstudents look closely at one of the most talked-about works of contemporary art: Carl Andre's Equivalent VIII, which is better known as "Pile of Bricks." Join Christal, Ethan, and Emily as they talk about whether this simple piece of art belongs in the Tate Gallery. We look at the effects, repercussions, and legacy of Andre's work, from public indignation to changes in how people think about art. Is it a work of art or just a pile of bricks? You make the choice.

In Podcast Task 3, Lorena Vazquez, Katherine Marino, and Alec Aguiar explored every aspect of Carl Andre's Equivalent VIII piece from 1966, often called the “Pile of Bricks.” Andre's piece is a minimalist sculpture made of 120 firebricks stacked side-by-side in a perfect rectangle. Andre's 1966 sculpture sparked national debate, as many people thought it wasn't real art; however over time, it became respected for challenging traditional ideas about materials, beauty, and meaning in modern art. Like other minimalist works, it uses industrial objects and focuses on shape, weight, and space rather than emotional intensity. Andre's goal wasn't to shock but to make people see familiar materials differently and to question what art can be. Since the Tate Gallery bought it, they've preserved it by following Andre's wishes for the piece. Since its creation, Andre's sculpture has influenced many artists by demostrating how a single art piece can change the art scene to think more critically and creatively.

Bassist Gina Birch is a founding member of the legendary British post-punk band the Raincoats, whose self-titled 1977 debut album is an off-kilter classic. More Raincoats albums followed, as did stints with Dorothy and the Hangovers, but it wasn't until 2023 that Birch released her first solo album, the acclaimed I Play My Bass Loud. Now she's made Trouble, which again draws on dub, reggae and electronica textures while exploring the intersection of art and the often-troublesome outside world. Birch is fierce, funny and down-to-earth as she tells how she approaches and creates her art, which includes painting, filmmaking and an appearance in the Tate Gallery's “Women in Revolt!” exhibition in London last year. She also reflects on Kurt Cobain's Raincoats fandom—and his death a week before the Raincoats were slated to open Nirvana' 1994 UK tour—and the power of female artists “Making Trouble Again.” (Photo by Dean Chalkley.)

What makes a simple stack of bricks a revolutionary work of art? In this episode of Exploring Art Podcast, hosts Peta-Gaye and Romny dive deep into Carl Andre's Pile of Bricks and uncover how this minimalist piece challenges the very definition of art. Join us as we discuss the controversy, symbolism, and lasting impact of this work, exploring why a pile of industrial firebricks became one of the most debated artworks of the 20th century. Was it genius or just construction debris? Why did the Tate Gallery see value in it? And how has this work shaped contemporary art today? Tune in for a fascinating conversation where we break down Minimalism, conceptual art, and the power of simple materials in shaping artistic expression. Don't miss this engaging discussion that will change the way you see everyday objects!  Hosted by Peta-Gaye & Romny – Stay curious!

Die Themse hat London groß gemacht. Kein Wunder also, dass noch heute die wichtigsten Sehenswürdigkeiten der Stadt an ihren Ufern liegen. Welche das sind und was sie so besonders macht, das erzählen dir die beiden Hosts dieses plazy-Podcasts, Kathrin Sander und Inka Schmeling, wie immer in unter 10 Minuten. Und besonders ein echtes London-Highlight erkunden die beiden länger: die Tate Gallery of Modern Art, kurz: Tate Modern. Höre, welche Kunstwerke du hier nicht verpassen solltest!

John Wilson on Nikki Giovanni, a leading poet in the 1960s Black Arts Movement who is hailed as one of the most important artist-intellectuals of the 20th century.Gerd Heidemann, the German journalist who found himself at the centre of one of the greatest journalist scandals of the 20th century, the Hitler diaries hoax.Cherry Hill, the award-winning model engineer who created detailed, functioning scaled-down models of Victorian traction engines.Sir Richard Carew Pole, the aristocrat who was a driving force behind the creation of Cornwall's Eden Project and Tate St Ives. Producer: Ed PrendevilleArchive: Industrial Nation, BBC Two, 2003; Heidemann arrested, BBC News, 1983; Forged Hitler diaries, Newsnight, BBC Two, 1985; Nikki Giovanni, Front Row, BBC Radio 4, 2024; Nihal Arthanayake: Sara Cox and Nikki Giovanni, BBC Radio 5 Live, 2024; Going to Mars: The Nikki Giovanni Project, HBO, 2023; Nikki Giovanni and James Baldwin: A Conversation, Soul!, 1971, Uploaded to Youtube 09.09.2022; The Black Woman, Stan Lathan, Indiana University Libraries Moving Image Archive, 1970, Uploaded to Youtube 30.09.2017; Nikki Giovanni Interviewed And Reads "Revolutionary Dreams"- February 1974, SMU Jones Film, Uploaded to Youtube 11.10.2023; Opening of the new Tate Gallery in St Ives, Cornwall, The Late Show, BBC, 1993; Prince of Wales officially opens new Tate Gallery in St Ives, Cornwall, BBC News, 1993; Upcoming opening of the Eden Project, BBC News, 2001; The Karen Hunter Show, SiriusXM Urban View (1993), Internet Archive, 12/05/2017

Stance visits London to explore the Tate Gallery show The 80s: Photographing Britain with campaigner Marc Thompson. The exhibition examines how photographers used the camera to respond to the seismic social, political, and economic shifts of the era, including the rise of Thatcherism, race uprisings, and the AIDS epidemic. It highlights photography as a vital tool for social representation, cultural celebration, and artistic experimentation, spanning landscapes, self-portraiture, and social documentary during this pivotal and highly creative period. Marc Thompson, a Brixton-born cultural leader and prominent British campaigner with over three decades of experience in HIV activism and education, joins Chrystal for a tour of Tate Britain. Together, they engage with the works of photographers such as Ajamu X and Rotimi Fani-Kayode, discussing the legacy of Black queer voices in shaping modern Britain, the cultural significance of Brixton as a hub for activism, creativity and nightclubs, and the ongoing fight for healthcare equity faced by marginalized communities today. If you like what you heard, please write us a review and check out more of our work at stancepodcast.com and all podcasting apps @stancepodcast This podcast was produced by Etay Zwick. Referenced In This Podcast & Show Notes Mark Thompson Linktree Marc Thompson IG London HIV Prevention Resident Survey Black & Gay Back InBlack & Gay Back In The Day IGThe Day Black & Gay Back In The Day Podcast Lost Spaces Podcast - Queer Nation (with Marc Thompson)  PrEPster Love Tank Black Health Matters Do It London - HIV Prevention Interview with Marc Thompson in London Friend  Article about Marc Thompson in The Voice We Were Always Here Podcast hosted by Marc Thompson Tate Britian The 80s: Photographing Britain at the Tate Artists include: Online Gallery of Rotimi Fani-Kayode's Photography Black British Artists 1980s Archive Pogus Caesar  Martin Parr's Ajamu X's website Dave Lewis's website  Susanne Roden Anna Fox's website Derek Bishton's website Jason Evans website  Reflections of the Black Experience: Brixton Art Gallery, 1986. PV Card, Poster, Catalogue, Time Out, Echoes & LAM Reviews A Review of an exhibition of Rotimi Fani-Kayode's work  

“I'm a nice guy, really!” laughs Gregory Green. The artist and pacifist teaches at The University of South Florida and is internationally known for his 3D installations of realistic bomb-making workshops and nuclear missiles. It's art with a political edge and educational aim, seeking to spur conversations about violence - and alternatives to violence - and exploring how information and technology are tools of social change. Gregory Green shares the theatricality behind his work, which includes more than a dozen fully-functional pirate radio and TV stations in the US and Europe, his “Gregnik” re-creation of the first Earth satellite and a three-stage booster rocket that's ready to launch if you've got the rocket fuel. Green tells of wrangling with the bomb squad, designing an installation for filmmaker John Waters' home, and how he was rated one of the Top 100 Artists in the World before 9/11, and how after 9/11 artwork about violence suddenly became much harder. Green's work is included in major public and private collections, including among others the Museum of Contemporary Art Los Angeles, the Tate Gallery in London, the Museum of Modern Art, the Whitney Museum of American Art, the Mori Museum in Tokyo and MAMCO Geneva. Explore Gregory Green's work here - http://gregory-green.com/home.html And his incredible resume - http://s3.otherpeoplespixels.com/sites/33374/gregory-green.com-1445104004.pdf Arts In is produced by Matt and Sheila Cowley. Executive Producer, Barbara St. Clair for Creative Pinellas.

On this interview Katie chats with her husband Chris who decided to take the plunge and switch back to a flip phone. We talk about how it's going, what he loves about it, and the genuine inconveniences he has to put up with (and why it's still worth it). We have a far reaching conversation on smartphones, memory, technology generally, the role of physicality, time, friendship, community, and independent thought.    Come to Ireland with me in October 2024!  www.bornofwonder.com  www.mediamarqcreative.com Born of Wonder Substack    *Photo Katie+Chris, circa 2012, Tate Gallery, Study Abroad

What's it like to own a castle in England? This week we talk to Peter Frost-Pennington, husband of the owner of Muncaster Castle in Cumbria, England. He shares the history and attractions of the castle. The castle is located in the Lake District National Park and is known for its strategic location on the coast and its connection to the Roman Empire. The castle has been in the Pennington family for over 800 years and has been open to the public as a tourist attraction since 1968. The castle also houses the Hawk and Owl Centre, which specializes in owls and other birds of prey. The castle is also famous for the 'Luck of Muncaster,' a Venetian glass bowl given to the family by King Henry VI as a symbol of protection. Muncaster Castle is a living legend with a rich history and connection to the UK's heritage. During World War II, the castle served as a safekeeping place for Britain's national art treasures. The castle is also known for its diverse habitats and wildlife conservation efforts, including the preservation of endangered species like vultures. The castle has American connections, with John Paul Jones spiking cannons in the nearby port of Whitehaven during the American War of Independence. Muncaster Castle is also famous for its ghosts, including a crying child, a white lady, and Thomas Skelton, the Fool of Moncaster. Join us as we explore all this fascinating history and get a portrait of what it's like to live in a castle in the modern age! Links Muncaster Castle Official Website My Visit to Muncaster in 2018 Ravenglass and Eskdale Railway Lake District National Park Visit Cumbria Takeaways Muncaster Castle is a medieval castle located in Cumbria, England, on the edge of the Lake District National Park. The castle has been in the Pennington family for over 800 years and has been open to the public as a tourist attraction since 1968. The castle is known for its strategic location on the coast and its connection to the Roman Empire. The castle houses the Hawk and Owl Centre, which specializes in owls and other birds of prey. The 'Luck of Muncaster' is a Venetian glass bowl given to the family by King Henry VI as a symbol of protection. Muncaster Castle served as a safekeeping place for Britain's national art treasures during World War II. The castle is known for its diverse habitats and wildlife conservation efforts, including the preservation of endangered species like vultures. Muncaster Castle has American connections, with John Paul Jones spiking cannons in the nearby port of Whitehaven during the American War of Independence. The castle is famous for its ghosts, including a crying child, a white lady, and Thomas Skelton, the Fool of Muncaster. Sound Bites "Muncaster Castle is a fabulously romantic and very strategic place." "Muncaster Castle is recognized as the start of the Hadrianic or the Roman frontier." "The Pennington family originally lived in the Roman bathhouse, which is now part of the castle." "Well, it's a lovely, it's a living legend and that's what makes this place so special." "We've actually got a lock of his hair in this very room." "We got the contents of the Tate Gallery. And we've had a local gentleman who's done a lot of research on this lately and found a lot more that we didn't

What's it like to own a castle in England? This week we talk to Peter Frost-Pennington, husband of the owner of Muncaster Castle in Cumbria, England. He shares the history and attractions of the castle. The castle is located in the Lake District National Park and is known for its strategic location on the coast and its connection to the Roman Empire. The castle has been in the Pennington family for over 800 years and has been open to the public as a tourist attraction since 1968. The castle also houses the Hawk and Owl Centre, which specializes in owls and other birds of prey. The castle is also famous for the 'Luck of Muncaster,' a Venetian glass bowl given to the family by King Henry VI as a symbol of protection. Muncaster Castle is a living legend with a rich history and connection to the UK's heritage. During World War II, the castle served as a safekeeping place for Britain's national art treasures. The castle is also known for its diverse habitats and wildlife conservation efforts, including the preservation of endangered species like vultures. The castle has American connections, with John Paul Jones spiking cannons in the nearby port of Whitehaven during the American War of Independence. Muncaster Castle is also famous for its ghosts, including a crying child, a white lady, and Thomas Skelton, the Fool of Moncaster. Join us as we explore all this fascinating history and get a portrait of what it's like to live in a castle in the modern age! Links Muncaster Castle Official Website My Visit to Muncaster in 2018 Ravenglass and Eskdale Railway Lake District National Park Visit Cumbria Takeaways Muncaster Castle is a medieval castle located in Cumbria, England, on the edge of the Lake District National Park. The castle has been in the Pennington family for over 800 years and has been open to the public as a tourist attraction since 1968. The castle is known for its strategic location on the coast and its connection to the Roman Empire. The castle houses the Hawk and Owl Centre, which specializes in owls and other birds of prey. The 'Luck of Muncaster' is a Venetian glass bowl given to the family by King Henry VI as a symbol of protection. Muncaster Castle served as a safekeeping place for Britain's national art treasures during World War II. The castle is known for its diverse habitats and wildlife conservation efforts, including the preservation of endangered species like vultures. Muncaster Castle has American connections, with John Paul Jones spiking cannons in the nearby port of Whitehaven during the American War of Independence. The castle is famous for its ghosts, including a crying child, a white lady, and Thomas Skelton, the Fool of Muncaster. Sound Bites "Muncaster Castle is a fabulously romantic and very strategic place." "Muncaster Castle is recognized as the start of the Hadrianic or the Roman frontier." "The Pennington family originally lived in the Roman bathhouse, which is now part of the castle." "Well, it's a lovely, it's a living legend and that's what makes this place so special." "We've actually got a lock of his hair in this very room." "We got the contents of the Tate Gallery. And we've had a local gentleman who's done a lot of research on this lately and found a lot more that we didn't know." Chapters 00:00 Introduction to Muncaster Castle and its Owner 05:04 The Roman Connection and Ancient Origins of Muncaster Castle 07:49 Accommodation and Experiencing the Peace of Muncaster Castle 12:05 The Transformation of Muncaster Castle into a Place of Entertainment 22:57 The 'Luck of Muncaster' and its Significance 28:38 Muncaster Castle: A Living Legend and UK Heritage 32:38 Running a Heritage Attraction in the UK 37:34 Living in a Fishbowl: Balancing Home and Tourist Attraction 41:59 Honoring the Past, Looking to the Future 48:15 American Connections: John Paul Jones and Muncaster Castle 52:33 The Ghosts of Muncaster Castle: Legends and Hauntings

Danielle travels to Kettle's Yard, the contemporary art gallery in Cambridge, UK, to meet Megan Rooney, a Canadian artist renowned for her diverse and interdisciplinary practice encompassing painting, sculpture, installation, and performance.Kettle's Yard is a charming art gallery and house that was originally the home of Jim Ede, a former curator at the Tate Gallery, and his wife Helen. From the mid-1950s until the early 70s, the Edes resided at Kettle's Yard and created a space to display their impressive personal art collection, which includes works by Miro, Henry Moore, and Ben Nicholson. The house is arranged to maintain its domestic atmosphere, blending art with everyday objects to create an inspiring environment. Kettle's Yard also hosts temporary exhibitions, concerts, and educational programs, the most recent of which is a showcase of Megan Rooney's work, including a site-specific temporary mural, a series of paintings, a dance performance, and a book.Born in South Africa and raised between Brazil and Canada, Rooney's work explores themes of identity, memory, and the human experience, blending abstract forms with narrative elements. Now based in London, her vibrant, large-scale paintings and immersive installations are characterised by a dynamic use of colour and texture. She has exhibited internationally, including at prominent institutions like the Serpentine Galleries in London and the Louis Vuitton Foundation, and is recognised for her innovative approach to blending different media and creating evocative, experiential art.Danielle visited Kettle's Yard to discuss with Megan her latest offering on the eve of the exhibition opening, which is her first major solo show in the UK.https://www.kettlesyard.cam.ac.uk/https://ropac.net/artists/210-megan-rooney/ Photo (detail): Eva Herzog   

Szlabey Zoltán festőművész nemrég nyitotta meg "Csengve, nevetve I kibuggyan a kedve I s egy ős evoét a fénybe kiált" című egyéni kiállítását a FreylerArt Galériában. Zoltán tanulmányait a Magyar Iparművészeti Főiskola alkalmazott grafika szakán kezdte, majd Zürichi Galériása több külföldi gyűjteménybe értékesítette műveit. Nevét több nemzetközi cég arculattervezése is fémjelzi, és alkotásai megtalálhatók a Tate Gallery és a Guggenheim gyűjteményében is.A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora

Wykład Urszuli Kozakowskiej-Zauchy, współautorki wystawy Olgi Boznańskiej, kierownika Działu Nowoczesnego Polskiego Malarstwa i Rzeźby Muzeum Narodowe w Krakowie. Muzeum Narodowe w Warszawie, 5 marca 2015r. https://wszechnica.org.pl/wyklad/milosc-i-nienawisc-krakow-olgi-boznanskiej/ Wybrała Paryż i tam umarła ale Kraków, rodzinne miasto, pozostał dla Boznańskiej jednym z najważniejszych miejsc na ziemi. Przypadająca 15 kwietnia 2015 roku 150. rocznica urodzin Olgi Boznańskiej stała się inspiracją do zaprezentowania twórczości jednej z najbardziej cenionych polskich malarek, zaliczanych do ścisłego grona najwybitniejszych artystek europejskich. Wystawa pod honorowym patronatem Małżonki Prezydenta Rzeczypospolitej Polskiej Anny Komorowskiej. Wystawa zorganizowana przez Muzeum Narodowe w Krakowie we współpracy z Muzeum Narodowym w Warszawie, ze specjalnym udziałem Musée d'Orsay. Olga Boznańska (1865–1940) jest jedną z najbardziej oryginalnych i cenionych w świecie polskich artystek. Jej prace reprezentują polską sztukę na wielu wystawach w kraju i za granicą. Córka Francuzki i Polaka, urodzona w Krakowie, tutaj też odebrała wstępne wykształcenie artystyczne. Naukę malarstwa kontynuowała w Monachium. Zachęcona sukcesami odniesionymi w świecie, osiadła w 1898 roku w Paryżu – stolicy ówczesnego artystycznego świata. Tam rozwinęła się jej kariera międzynarodowej portrecistki. Ona była malarką stuprocentową – to zdanie Józefa Czapskiego o Oldze Boznańskiej jest mottem programu wydarzeń towarzyszących wystawie artystki w Muzeum Narodowym w Warszawie, w którym znajduje się zbiór 57 obrazów Boznańskiej, w tym takie arcydzieła jak W oranżerii, Portret chłopca w gimnazjalnym mundurku, Pracownia artystki, Imieniny babuni czy Portret Anny Saryusz Zaleskiej, a także szkicowniki i fotografie. Duży zespół obrazów artystki jest zawsze obecny w kolejnych odsłonach stałej Galerii Malarstwa Polskiego a jej obrazy niezmiennie pokazywane są na wystawach sztuki polskiej, organizowanych przez warszawskie Muzeum Narodowe za granicą. Miejsce Boznańskiej w polskiej sztuce określił Wiesław Juszczak w błyskotliwej syntezie Modernizm z 1977 roku. Na przekór wszystkim, którzy pisali, że stylistyczna klasyfikacja malarstwa Boznańskiej jest niemożliwa, Juszczak powiada, iż stosując środki i technikę impresjonistyczną artystka osiąga ostateczny efekt napięcia emocjonalnego i drapieżnej ekspresji. Zauważa, że już w okresie monachijskim Boznańska odnalazła własną „przestrzenną formułę”: jej bezkonturowe postaci na niedookreślonych tłach już to się w nie wtapiają, już to się z nich wyłaniają, co daje poczucie niepokojącego pulsowania. „I od zasugerowania takiej przestrzeni »cerebralnej«, odrealnionej, rozpoczyna się tutaj przenikliwa, bezlitosna nierzadko opowieść o ludzkiej duszy”. Juszczak porównuje wibrujące plamy Boznańskiej do linii Wyspiańskiego: pozwalają one na przekroczenie wolumenu materii, by tym silniej wyrazić psychikę zjawisk i duszę artystki. W specyficznej polskiej recepcji kierunków zachodnich impresjonizm – powiada Juszczak – wiąże się z ekspresjonistycznym gruntem. Autorki wystawy postawiły sobie za zadanie dotrzeć do wszystkich dzieł artystki, a co ważniejsze, przedstawić je w kontekście dzieł artystów, na których Boznańska się sama powoływała, bądź z którymi wiązali jej dzieła krytycy. Na warszawskiej wystawie tylko na jeden miesiąc (do 25 marca 2015) pojawi się dzieło, z którym związek Boznańskiej będzie wyraźny i zachwycający, mianowicie obraz Whistlera Harmonia w szarości i zieleni. Miss Cicely Alexander z 1873 roku, użyczony nam przez Tate Gallery w Londynie. Boznańska widziała go razem z innymi obrazami artysty na wystawie w Monachium w 1888 roku. Znajdź nas: https://www.youtube.com/c/WszechnicaFWW/ https://www.facebook.com/WszechnicaFWW1/ https://anchor.fm/wszechnicaorgpl---historia https://anchor.fm/wszechnica-fww-nauka https://wszechnica.org.pl/ #muzeumnarodowe #sztuka #boznańska #olgaboznańska #kultura #malarstwo

Callers react to the idea of people returning to meat-eating because vegetarian food is too processed. Patricia never clicked on any link but scammers managed to steal over €4,000 from her. Paul Hogan deided to recover a Berthe Morisot painting from the Tate Gallery which was supposed to be in an Irish gallery.

Episode 70 - Dyslexia Success Story with CMO of Samsung Europe, Benjamin Braun. This episode is a little different. In this episode I am joined by the brilliant Benjamin Braun, the CMO of Samsung Europe!  My aim with these ocasional guest interviews is to share and demonstarte real world examples of people who are scuessful BECAUSE of their dyslexia, not despite it.  This also proves that of the things we talk about on this podcast really do work in the real world, and they will work for everyone. It helps to contextualise the concepts we talk about on this podcast into real world examples. Benjamin joined Samsung as their Chief Marketing Officer for Europe. Prior to Samsung, Benjamin led Audi's marketing in the United Kingdom. His campaigns were used worldwide and recognised with a Cannes Lions Gold Award and an IPA Grand Prix for marketing efficiency. Before joining Audi, Benjamin was part of the comparethemarket.com's executive team and worked across the UK, France and Holland. At British Gas he launched a nifty little app that lets you control your home from your phone. And before that he worked for American Express in New York. Benjamin's personal achievements include his photography exhibition at the Tate Gallery in London and receiving the Royal Swedish Glass design award. Benjamin also volunteers as a Special Police Constable in London where he responds to emergencies.    Don't forget to download the free guide to dyslexia! *** Free Guide "Decode Dyslexia at Work" *** Includes advice and tips such as: Simple and easy-to-understand explanation of dyslexic strengths, Our best and most recommended dyslexic strategies, and Building confidence and learning how to be proud of dyslexia.   I want to thank you for joining me and listening to this podcast! It really helps the podcast and the mission if you rate, review, and share this podcast so that others may find it and get the support they need. Visit Dyslexia in Adults: Dyslexia in Adults Linktree Dyslexia in Adults is hosted by Natalie Brooks and is produced by FAC. Fisher Audio Cast: Fisher Audio Cast Website

A few weeks ago, Tate Britain hosted a captivating intersection of art, history, and activism. The Neo Naturists, a trailblazing artist trio consisting of Jennifer Binnie, Christine Binnie, and Wilma Johnson, captivated visitors as they transformed their nude bodies into living representations of iconic nude artworks from the gallery's collection, challenging the audience with a provocative question: “Do women have to be naked to gain entry into the Tate Gallery?” The lecture was part performance art, part art history, and part legitimate rebellion, cleverly criticizing the very establishment where they'd worked for over forty years to have the opportunity to exhibit.

**Dit is aflevering 32: "De Gestolen Turners en een Sluw Museum"**Leuk als jullie in de spotify Q&A van onze afleveringen een reactie willen geven op onze vraag en de eventuele enquete! Jouw steun betekent veel voor ons. Overweeg een bijdrage te leveren aan Kunstmaffia via Of het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen: https://fooienpod.com/kunstmaffiaZeer veel dank mochten jullie iets voor onze podcast over hebben!Bekijk ook graag:https://instagram.com/Kunstmaffia**Aflevering 32** van Kunstmaffia duikt in het adembenemende verhaal van de diefstal van twee onbetaalbare schilderijen van William Turner, samen met een meesterwerk van Caspar Friedrich, uit de Kunsthal van Frankfurt. Deze sensationele aflevering onthult een verhaal vol intriges, misleiding en een gedurfde zoektocht naar gerechtigheid, terwijl het ontrafelt hoe het Tate Gallery in Londen zich in de schaduwwereld waagde om hun verloren schatten terug te krijgen.**Afleveringstitel:** De Gestolen Turners en een Sluw Museum**Uw Gastheren:** Rik Bouman en Robert Tetteroo brengen u wederom een fascinerend verhaal uit de onderwereld van kunst en antiek.**In deze aflevering:**- Ontdek het geniale van William Turner, wiens werk niet alleen de romantiek belichaamde maar ook de weg vrijmaakte voor de impressionisten.- Volg de dramatische nacht van de roof waarbij klassieke dieventactieken een moderne draai krijgen, resulterend in de verdwijning van drie meesterwerken.- Duik in de intense onderhandelingen en de geheime operatie, geleid door het Tate Gallery, om de gestolen schilderijen terug te winnen van de onderwereld.**Hoogtepunten:**- De onthulling van 'Operatie Cobalt': Tate Gallery's riskante strategie om hun gestolen kunst terug te kopen.- De verbijsterende wendingen van internationale misdaad, met kruimeldieven, oplichters en maffiabazen die allen hun rol spelen in dit drama.- De morele dilemma's en ethische vraagstukken rondom het betalen van losgeld voor gestolen kunst.**Achtergrondinformatie:**William Turner, een van de grootste Britse schilders, liet een onuitwisbare stempel achter op de kunstgeschiedenis met zijn revolutionaire benadering van licht, kleur en sfeer. Zijn werken, die nu tot de meest waardevolle ter wereld behoren, zijn een testament van zijn genie.https://www.tate.org.uk/art/artists/joseph-mallord-william-turner-558 https://www.artmajeur.com/nl/magazine/5-kunstgeschiedenis/jmw-turner/333118Hartelijk dank voor het luisteren, en blijf ons volgen voor meer intrigerende verhalen uit de verborgen hoeken van de kunstwereld.**#Kunstmaffia #DeGestolenTurners #KunstDiefstal #TateGallery #WilliamTurner #Kunstgeschiedenis #Podcast**

**Dit is aflevering 32: "De Gestolen Turners en een Sluw Museum"**Leuk als jullie in de spotify Q&A van onze afleveringen een reactie willen geven op onze vraag en de eventuele enquete! Jouw steun betekent veel voor ons. Overweeg een bijdrage te leveren aan Kunstmaffia via Of het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen: https://fooienpod.com/kunstmaffiaZeer veel dank mochten jullie iets voor onze podcast over hebben!Bekijk ook graag:https://instagram.com/Kunstmaffia**Aflevering 32** van Kunstmaffia duikt in het adembenemende verhaal van de diefstal van twee onbetaalbare schilderijen van William Turner, samen met een meesterwerk van Caspar Friedrich, uit de Kunsthal van Frankfurt. Deze sensationele aflevering onthult een verhaal vol intriges, misleiding en een gedurfde zoektocht naar gerechtigheid, terwijl het ontrafelt hoe het Tate Gallery in Londen zich in de schaduwwereld waagde om hun verloren schatten terug te krijgen.**Afleveringstitel:** De Gestolen Turners en een Sluw Museum**Uw Gastheren:** Rik Bouman en Robert Tetteroo brengen u wederom een fascinerend verhaal uit de onderwereld van kunst en antiek.**In deze aflevering:**- Ontdek het geniale van William Turner, wiens werk niet alleen de romantiek belichaamde maar ook de weg vrijmaakte voor de impressionisten.- Volg de dramatische nacht van de roof waarbij klassieke dieventactieken een moderne draai krijgen, resulterend in de verdwijning van drie meesterwerken.- Duik in de intense onderhandelingen en de geheime operatie, geleid door het Tate Gallery, om de gestolen schilderijen terug te winnen van de onderwereld.**Hoogtepunten:**- De onthulling van 'Operatie Cobalt': Tate Gallery's riskante strategie om hun gestolen kunst terug te kopen.- De verbijsterende wendingen van internationale misdaad, met kruimeldieven, oplichters en maffiabazen die allen hun rol spelen in dit drama.- De morele dilemma's en ethische vraagstukken rondom het betalen van losgeld voor gestolen kunst.**Achtergrondinformatie:**William Turner, een van de grootste Britse schilders, liet een onuitwisbare stempel achter op de kunstgeschiedenis met zijn revolutionaire benadering van licht, kleur en sfeer. Zijn werken, die nu tot de meest waardevolle ter wereld behoren, zijn een testament van zijn genie.https://www.tate.org.uk/art/artists/joseph-mallord-william-turner-558 https://www.artmajeur.com/nl/magazine/5-kunstgeschiedenis/jmw-turner/333118Hartelijk dank voor het luisteren, en blijf ons volgen voor meer intrigerende verhalen uit de verborgen hoeken van de kunstwereld.**#Kunstmaffia #DeGestolenTurners #KunstDiefstal #TateGallery #WilliamTurner #Kunstgeschiedenis #Podcast**

Happy birthday! Heute vor 205 Jahren wurde Henry Tate in Charley, Lancashire geboren. Er war erfolgreicher Zucker-Unternehmer und zugleich Kunstliebhaber und Mäzen. Und er ist der Erfinder des Zuckerwürfels! 1878, mit 59 Jahren revolutionierte er den Zuckerhandel mit den kleinen, süßen Würfeln. Henry Tate war bekannt für sein soziales Engagement und seine philanthropischen Bemühungen. Er spendete erhebliche Summen an wohltätige Zwecke, darunter Krankenhäuser und Bildungseinrichtungen. Sein größtes Vermächtnis ist aber sicher die Gründung der Tate Gallery im Jahr 1897, ermöglicht durch seine Schenkung von 65 Gemälden und den finanziellen Mitteln für den Bau des Museums. Das war kurz vor seinem Tod. Tate verstarb am 5. Dezember 1899. Tates Vision war es, der Öffentlichkeit Zugang zu Kunst zu verschaffen und das Verständnis und die Wertschätzung für britische Kunstwerke zu fördern. Viele London-Besucher kennen Tate Britain und seit 2000 vor allem Tate Modern, am Südufer der Themse in einem umgebauten Kraftwerk.

London goes München: 80 Gemälde, Aquarelle und Skizzen des großen englischen Malers William Turner (1775 - 1851) sind derzeit im Münchener Lenbachhaus zu bewundern (bis 10. März 2024), darunter auch viele von Turner nicht veröffentlichte Werke. Die Leih-und Tauschgabe der berühmten Londoner Tate Gallery ist Teil einer der gefeiertsten europäischen Kunstausstellungen: William Turner, der "Maler des Lichts", gilt als Vorreiter der Moderne. In seinen Bildern entfaltet die Farbe eine bis dahin ungesehene Freiheit. BRITPOD-Macher Claus Beling trifft Co- Kurator Dr. Nicholas Maniu und gibt uns einen einzigartigen Einblick in die Geheimnisse dieses weltberühmten englischen Genies und sein künstlerisches Werk. Der große William Turner in München - eine Chance, die so bald nicht wiederkommt! -- WhatsApp: Ab sofort kannst Du Alexander und Claus direkt auf ihre Handys Nachrichten schicken! Welche Ecke Englands sollten die beiden mal besuchen? Zu welchen Themen wünschst Du Dir mehr Folgen? Warst Du schon mal in Great Britain und magst ein paar Fotos mit Claus und Alexander teilen? Probiere es gleich aus: +49 8152 989770 - einfach diese Nummer einspeichern und schon kannst Du BRITPOD per WhatsApp erreichen. -- Ein ALL EARS ON YOU Original Podcast.

The Turner Prize was established in 1984 by a group of art patrons who wanted to celebrate and support innovative and experimental art in Britain. The prize is named after J.M.W. Turner, a radical painter who challenged the conventions of his time with his bold use of colour, light and movement. The prize is awarded every year by the Tate Gallery to an artist under 50 years old who has made a significant contribution to British art in the past year. This year first prize was awarded to Jesse Darling, an Oxford-born artist who creates sculptures made of everyday objects that reflect the political and social realities of Britain and has received mixed reviews. What are some of the more shocking works? And what makes the Turner Prize so shocking? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: Which are the dirtiest parts of our bodies? Why do we cross our fingers to wish for luck? Which conspiracy theories were actually true? A podcast written and realised by Amber Minogue. In partnership with upday UK. Learn more about your ad choices. Visit megaphone.fm/adchoices

Toronto-London based experimental group, The  Flowers of Hell, founded by Greg Jarvis release their latest album called "Keshakhtaran" via Space Age Recordings. "The Flowers of Hell" is rooted in an old blues idea about how music transforms the misery and toil of musicians into the joy of listeners, as well as Baudelaire's poetry book called, "Les Fleurs Du Mal." "Keshakhtaran," meaning "seeking nirvana through meditation to sound, especially when you're stoned," is suitably named. The album presents a 42-minute instrumental psilocybin meditation piece in two parts, rooted in sax, flugel horn, chimes, harp,sitar and opera soprano vocals, augmented with tremolos, flutters, horns, woodwinds, strings and percussion. The album was mastered by Grammy recipient Peter J. Moore (Bob Dylan, Joni Mitchell, Neil Young, Joe Strummer). For the past 18 years, The Flowers Of Hell have traversed the experimental edges of indie, classical and jazz, with music often rooted in the audio-visual synesthesia of Jarvis. Despite relative obscurity, they have been championed by music legends such as Lou Reed, Sonic Boom, Kevin Shields and members of The Legendary Pink Dots, Death In Vegas, The Wedding Present, The Fugs and The Plastic People Of The Universe, not to mention support from NASA's Mission Control team and the Tate Gallery. THE FLOWERS OF HELL also released their deluxe first vinyl pressing of Lou Reed-endorsed "Odes" album for Record Store Day UK. "Odes," pays tribute to The Joy Division, Bob Dylan, Fleetwood Mac, Stereolab, Laurie Anderson, The Velvet Underground, Siouxsie & the Banshees and Neutral Milk Hotel, among others. http://www.flowersofhell.comhttps://flowersofhell.bandcamp.comPlaylist and podcast: https://djnocturna.com YouTube:  https://www.youtube.com/c/DJNocturnaListen : http://modsnapradio.comQUEEN OF WANDS with DJ Nocturna Every Saturday on ModSnap RadioKMOD: San Antonio2pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)

David talks about life before photography and his journey to becoming a full-time artist. He shares stories about life on the road and what happened when he met the Head of the Tate Gallery (it wasn't what he expected) and had dinner with George Bush. He also talks about the importance of real trust in business and why Richard Oury is his number 1 go-to man. David's recommendations:The Offer - The Making Of The Godfather (film)The Prize: The Epic Quest for Oil Money and Power - Daniel Yergin (book)BWB is powered by Oury Clarkbusinesswithoutbullshit.me

During a visit to London, Studs interviews a 73 year old cab driver in London, who has 50 years on the job. They discuss traffic jams, the elderly and the young, poverty, welfare, and society. Studs also interviews a number of people attending the Tate Gallery's Lichtenstein Exhibition.

Welcome to Purposely with Em Lewis, CEO of Nikau Foundation. Originally from the UK, Em is a skilled fundraiser and relationship builder who initially aspired to have a career in the arts. However, after working as a street fundraiser in London in the 90s, she decided to dedicate her professional life to philanthropy and fundraising. Em started by combining her passion for the arts with a role at the renowned Tate Gallery and later with roles leading Universities. While street fundraising can be challenging for many due to the number of passers-by who ignore or reject approaches, Em found it invigorating. She discovered that not only was she exceptionally good at it, but it also taught her valuable early lessons on how to engage people and how to separate any personal feelings of rejection from the cause she was promoting. Established in 1991 and inspired by a global movement, Nikau (originally known as Wellington Community Foundation) was the first community foundation in New Zealand. Today, Wellington is located at the bottom of New Zealand's North Island, and there are now 17 community foundations throughout the country. Each foundation works to make a positive and lasting impact within their respective regions. Collectively, these foundations have distributed over $50 million in the last five years, with a national asset base of over $230 million. Nikau Foundation serves as a guardian of $32 million, which has been invested by donors to support local communities in the future. Additionally, Nikau operates as a Corporate Trustee for existing funds and trusts, providing valuable guidance on regional needs. Two notable foundations they work with are the Mark Dunajtschik Foundation and The Michael and Suzanne Borrin Foundation. The community foundation movement has a rich history. It originated in the United States at the beginning of the 20th century, with the establishment of the first community foundation in Cleveland, Ohio, by Frederick Goff, a local banker and entrepreneur (Sacks 2014). Initially, community foundations were marketed as a means for banks to serve their local communities, and after the success of the Cleveland Foundation in 1914, similar foundations quickly emerged in the 22 largest cities in the United States. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mark-longbottom2/message

Interludes: Black Balloons is a new sound installation by Shade Podcast and Axel Kacoutié now showing at Tate Gallery. Responding to Liz Johnson Artur's display Time don't run here, the piece references Artur's Black Lives Matter protest images and works from her ongoing Black Balloon Archive documenting people in Africa, and of the African and Caribbean diasporas. Experience Liz Johnson Artur's work with the ear and body. How does sound change how you see the works? What pulses through you when you see the images, braille and thread? The soundscape features the voices of Liz Johnson Artur, artists Imogen Faires and Jamel Alatise from Theatre Peckham, and Research and Interpretation Artist Resident, Marie Smith. It includes extracts from Poetry as Protest, Protest as Poetry, a poem by Faires and Alatise responding to the display and performed live at Tate Modern in April 2023.Visit the installation at Tate Modern, Natalie Bell Building, Level 2 West Room 4, Artist and Society. Black Balloons will play in the gallery at the following times: 11.00am, 12.00pm, 1.00pm, 3.00pm, 4.00pm, 5.00pm.Interludes is an ongoing sound collaboration between Lou Mensah of Shade Podcast and the audio artist Axel Kacoutié.Produced by Lou MensahCreated by Axel Kacoutié Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Victor Burgin (b. 1941, Sheffield, United Kingdom) first came to prominence in the late 1960s as one of the originators of Conceptual Art. His work appeared in such key exhibitions as Harald Szeemann's Live in Your Head: When Attitudes Become Form (1969) at the ICA London, and Kynaston McShine's Information (1970) at The Museum of Modern Art, New York. Since then, he has had solo exhibitions at the Museum für Gegenwartkunst Siegen, Kunsthalle Bremerhaven, MAMCO Musée d'art moderne et contemporain, Canadian Centre for Architecture, Mücsarnok Museum, University at Buffalo Art Gallery, Musée d'art moderne Villeneuve d'Ascq, The List Visual Arts Center, Renaissance Society at the University of Chicago, Musée de la Ville de Calais, The Museum of Modern Art in Oxford, and Stedelijk van Abbemuseum in Eindhoven. His work appears in the collections of The Metropolitan Museum of Art, Museum of Modern Art, New York Public Library, Walker Art Center, Tate Gallery, Victoria and Albert Museum, Los Angeles County Museum of Art, Museum of Contemporary Art in Los Angeles, Museum Ludwig, Fotomuseum Winterthur, Musée national d'art moderne, Sammlung Falckenberg, and The Arts Council Collection in London. Burgin graduated from the School of Painting at the Royal College of Art, London, in 1965, where his teachers included the philosopher and novelist Iris Murdoch, and then went on to study Philosophy and Fine Art at Yale University School of Art and Architecture, where his teachers included Robert Morris and Donald Judd. Burgin is Professor of Visual Culture at the University of Southampton, Professor Emeritus of History of Consciousness at the University of California, Santa Cruz and Emeritus Millard Chair of Fine Art at Goldsmiths College, London. In 2015 he was a Mellon Fellow and Visiting Professor in the Department of Cinema and Media Studies at the University of Chicago. He lives and works in South West France and Paris. Victor Burgin, Photopath, 1967-69. instruction card; typewritten on card stock. 5 x 8 inches. Courtesy the artist and Cristin Tierney Gallery, New York Installation view of Victor Burgin: Photopath (Cristin Tierney Gallery, New York, January 20 - March 4, 2023). Photograph by Elisabeth Bernstein. Courtesy the artist and Cristin Tierney Gallery, New York. Detail. Installation view of Victor Burgin: Photopath (Cristin Tierney Gallery, New York, January 20 - March 4, 2023). Photograph by Elisabeth Bernstein. Courtesy the artist and Cristin Tierney Gallery, New York.

Before I launch into the usual litany of woe, and really, the stories making the news headlines are indeed indicative of a woeful state of affairs, I do think we should acknowledge some of the good news around.  Zoe Hobbs was magnificent in Sydney over the weekend; the Tarankai raised, Auckland based sprinter has officially become the first New Zealand woman to run under 11 seconds for the 100 metres. Hobbs created history at the Sydney Track Classic by running 10.97 to scalp one-tenth of a second from her Oceania women's 100m record with an exhilarating performance. Sticking with sport, in the third game of their second season in Super Rugby Pacific, the Fijian Drua have claimed one of the biggest upsets in the competition's history beating the Crusaders 25-24 which has to be good news for rugby full stop. We also had three sold out concerts on Saturday night showcasing New Zealanders eclectic music tastes: BackStreet Boys, Snoop Dogg, and My Chemical Romance. So many beautiful emos in the central city on Sunday… and there's a great exhibition from the Tate Gallery on at the Auckland Art Gallery which is a must see.  There was sunshine and people flocking to beaches, and I could pretend for just a moment that we'd had a summer up north. So that's the good news. We return now to our regular scheduled programming. How on earth is the government and Andrew Coster going to spin this? Retail crime is up nearly 40 per cent —nearly 300 incidents every single day— and that's just the reported crime. 292 incidents every day in 2022, up from 140 per day in 2018. Why? Because the crims know they'll get away with it.  There's been a 400 per cent increase in ram raids in five years, 76 per cent of those caught under the age of 18. Why? Because the crims know they'll get away with it.  If you're on any neighbourhood FB page you'll see the footage of crims coming up driveways looking for homes to break into, cars to steal, opportunties to take stuff they're not willing to work for - why? Because they know they'll get away with it.  Violent gun crime is on the rise. Police data reveals that while the number of firearm offences has risen and fallen over the past 15 years, 2021 was the worst over that period with 1,308 firearms offences recorded. It surpassed 2019 when there were 1,142 incidents, including the mosque terror attacks. So 2021 worst year in 15 years - until 2022.  That was on track for being the worst year ever.   Data released by police under the Official Information Act shows 10 murder or manslaughter deaths in 2022, up until 31 July. There were 11 in total in 2021. Injuries are also running at a record rate, on track to exceed 300 firearm-related injuries for the first time. In 2021, there were 298 gun-related injuries recorded by police, the highest ever.  Why?  You know the chorus - repeat after me. Because they know they'll get away with it.  And all we get from the Police Commissioner and this government is gaslighting: New Zealand is a safer place because of the gun buyback. There is no increase in crime.  Ram raids have decreased since I became PM. There are more police on the streets. Fog cannons will make a difference. Utter, utter BS from a government that will not draw a line in the sand and say enough. No more. In a civilised society this is simply not acceptable and those who transgress, those who don't or won't observe the rules of civilised society need to be punished. See omnystudio.com/listener for privacy information.

This one has it all: sibling rivalry, country club politics, adultery, duels, the Civil War, Spanish colonial policy, three giant piles of bird poop, all connected by the greatest American painter of the 19th Century: James McNeill Whistler. Transcript, sources, links and more at https://order-of-the-jackalope.com/crepuscule-in-blood-and-guts/ Key sources for this episode include Daniel E. Sutherland's Whistler: A Life for Art's Sake; Nikolaus Pevsner's "Whistler's Valparaiso Harbour at the Tate Gallery"; William Columbus Davis's The Last Conquistadores: The Spanish Intervention in Peru and Chile, 1863-1866; and the personal correspondence of James McNeill Whistler. Part of the That's Not Canon Productions podcast network. https://thatsnotcanon.com/ This week we're co-promoting with fellow TNC podcast Art Slice. Join artists Stephanie Dueñas and Russell Shoemaker as they approach art history from an artist's perspective, without all the technical gibberish getting in the way. https://www.artslicepod.com/ Discord: https://discord.gg/Mbap3UQyCB Twitter: https://twitter.com/orderjackalope Tumblr: https://orderjackalope.tumblr.com Email: jackalope@order-of-the-jackalope.com

In 2016 the Tate opened up a viewing platform that proved an amazing vantage point for seeing the London skyline. Unfortunately it was also the perfect place to look directly into some nearby flats. As more and more tourists peered into the flats, took photos, and posted them on social media, the residents brought this claim based on the tort of nuisance. https://uklawweekly.substack.com/subscribe Music from bensound.com

Written 2000. Read by Kate Finning

Our Special Guest this week is Lord Ed Vaizey, politician, media columnist & commentator. Decisions of the Week: Decision of the Supreme Court in Fearn et al v Board of Trustees of Tate Gallery [2023] SCUK 4 dated 1st February 2023 allowing, by 3-2, an appeal against the decision of the Court of Appeal who had dismissed an appeal from Mr Justice Mann who declined to grant an injunction based on the common law of private nuisance to stop members of the public from using a viewing gallery which afforded uninterrupted views into their glass walled flats. Decision of the Court of Appeal in R (oaf Whitley PC) v N Yorks CC & EPUK Investments Ltd [2023] EWCA Civ 92 dated 3rd February dismissing an appeal against the decision of Mr Justice Lane who had dismissed a claim for JR of a decision to grant planning permission for the extraction & export of pulverised ash based on alleged errors in the officer report & the failure to consider alternatives. Decision of High Court in Bristol Action Network Co-Ordinating Committee v SoS DLUC & Bristol City Airport dated 31st January 2023 challenging a decision of the appointed panel to allow a s78 appeal by the Airport, against the decision of North Somerset Council to refuse an application for the amendment of existing conditions to increase capacity by 2 million passengers per year on grounds related to emissions of greenhouse gases and impact on a SAC on which horseshoe bats roost & breed. Issues raised include the interaction/relationship with the CCA 2008 and local plan policy for the airport. Decision of High Court in Armstrong V SOS DLUC & Cornwall Council [2023] EWHC 176 (admin) dated 27th January 2023 quashing a decision letter dismissing an appeal by Mr Armstrong against the decision of Cornwall Council to refuse an application under section 73 of the TCPA 1990 to vary plans for construction of a new dwelling under an extant planning permission on the basis the application gave rise to a fundamental variation to the permission even though it would not give rise to any conflict with the description of the permission. The views expressed by our guests are their own and do not necessarily represent the views of the panellists.

Jess Harrold is joined by EG court reporter James Lumley, and partner James Souter and associate Sam Lear, both from Charles Russell Speechlys, for a detailed discussion of the Supreme Court's decision in Fearn and others v Board of Trustees of Tate Gallery [2023] UKSC 4; [2023] PLSCS 22. Together, they address the court's landmark ruling in favour of the residents of Neo-Bankside that the visual intrusion from a viewing platform at the Tate Modern - from which tourists can stare straight into their flats - constitutes a nuisance. Bearing in mind the extreme nature of the facts of the case, they address the implications of the decision and the potential development of the law of nuisance that may follow in its wake.

Martina Mazzotta"Max Ernst"Mostra al Palazzo Reale di Milanohttps://palazzorealemilano.itLa mostra, promossa e prodotta da Comune di Milano-Cultura e da Palazzo Reale con Electa, in collaborazione con Madeinart, è curata da Martina Mazzotta e Jürgen Pech.Oltre 400 sono le opere tra dipinti, sculture, disegni, collages, fotografie, gioielli e libri illustrati provenienti da musei, fondazioni e collezioni private, in Italia e all'estero.Tra questi: la GAM di Torino, la Peggy Guggenheim Collection e il Museo di Ca' Pesaro di Venezia, la Tate Gallery di Londra, il Centre Pompidou di Parigi, il Museo Cantini di Marsiglia, i Musei Statali e la Fondazione Arp di Berlino, la Fondazione Beyeler di Basilea, il Museo Nazionale Thyssen-Bornemisza di Madrid.Il lungo lavoro di studio e d'indagine compiuto dai curatori ha permesso di includere tra i prestiti, che vantano la presenza di un'ottantina di dipinti, anche opere e documenti che non venivano esposti al pubblico da parecchi decenni.L'immensa vastità di temi e sperimentazioni dell'opera di Ernst si spalma su settant'anni di storia del XX secolo, tra Europa e Stati Uniti, sfuggendo costantemente a una qualsivoglia definizione. Pictor doctus, profondo conoscitore e visionario interprete della storia dell'arte, della filosofia, della scienza e dell'alchimia, Max Ernst viene presentato in questo contesto quale umanista in senso neorinascimentale.Se André Chastel affermava di rinvenire in Ernst una sorta di “reincarnazione di quegli autori renani di diavolerie tipo Bosch”, Marcel Duchamp vi aveva rintracciato “un inventario completo delle diverse epoche del Surrealismo”."Max Ernst"a cura di Martina Mazzotta e Jurgen PechElectahttps://electa.itIl volume, edito in occasione della mostra a Palazzo Reale di Milano, intende estendere e rinnovare le ricerche intorno al genio di Max Ernst, pittore, scultore, incisore, poeta e teorico dell'arte tedesco, poi naturalizzato americano e francese.La pubblicazione è un'opportunità inedita per immergersi in un diario illustrato che documenta e scandisce l'avventura straordinaria che fu la sua vita. I saggi critici dei curatori, Martina Mazzotta e Jürgen Pech, insieme con quelli di studiosi internazionali (Yuval Etgar, Ludger Derenthal, Matteo Pavesi, Paola Stroppiana, Ursula Lindau), ne esplorano la produzione artistica in rapporto con la storia dell'arte, la memoria e le avanguardie (Dadaismo e Surrealismo in primis), con le crittografie e i temi cosmologici, con le tecniche sperimentate, con la scultura e gioielli, con il libro e la letteratura, con il cinema, con le amicizie e gli amori illustri. Tali letture sono accompagnate da schede critiche di approfondimento dedicate ad alcuni dei capolavori esposti – in un corpus di più di 400 opere -, da una selezione di scritti originali dell'artista, alcuni dei quali inediti in Italia, e da una serie di saggi storici a firma di grandi protagonisti della letteratura critica intorno a Max Ernst e al Surrealismo, quali André Breton, Georges Bataille, Paul. Éluard, Rosalind Krauss, Claude Lévi-Strauss.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

In episode 243 UNP founder and curator Grant Scott is in his shed looking to the future whilst reflecting on the evolution of cameras, AI portraits and listening to photo talk. Plus this week, photographer Gautier Deblonde takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Gautier Deblonde is a French photographer, renowned for his portraits of key international artists and a practice that is situated between reportage and documentary. Born and raised in France, he moved to London in 1991 to work as a photographer. He works closely with his artist subjects, photographing their working spaces and in doing so their contributions to the art world. Deblonde's subjects include Damien Hirst, Gilbert & George, Jeff Koons, Antony Gormley and Ron Mueck. His book Atelier, published by Steidl, captured sixty-nine artist studios in panorama, providing a glimpse behind the scenes to the source of artistic creation, and his book Artists, published by Tate Gallery in 1999, brought together a number of his artist portraits. Projects have included True North (2009), a series about Svalbard in the High Arctic exhibited at Galerie du Jour Agnès B in Paris, and Still Life: Ron Mueck at Work (2013), a documentary film commissioned by the Fondation Cartier. Deblonde's photographs of the creation and installation into the Millennium Dome of Ron Mueck's sculpture Boy won a World Press Award and were published in 2001. His works have been exhibited in a number of museums and galleries including Le Petit Palais in Paris, Tate Britain and the National Portrait Gallery in London. www.gautierdeblonde.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. © Grant Scott 2022

Les Amis des Beaux-Arts organisent la masterclass de Bertrand Lavier, en dialogue avec Bernard Blistène. Né en 1949 à Châtillon sur Seine, Bertrand Lavier vit et travaille à Paris et Aignay-le-Duc, près de Dijon (France). Bertrand Lavier est aujourd'hui l'une des figures majeures de la scène artistique contemporaine. Virtuose et inventif, il ne cesse de détourner les objets de la réalité, leurs codes et leurs représentations pour les "transfigurer" en œuvres d'art. Le monde des images lui appartient. Il s'en amuse et construit avec précision une œuvre où l'humour tient d'une mécanique de précision incisive. Son travail a fait l'objet d'un nombre considérable d'expositions personnelles et collectives dans le monde entier parmi lesquelles : au Centre Pompidou, au Musée d'Art Moderne de la Ville de Paris, au Grand Palais, au Musée du Louvre, au Musée d'Orsay, au musée du quai Branly–Jacques Chirac, au Palais de Tokyo, à la Monnaie de Paris, à la Bourse de Commerce–Pinault Collection à Paris et à la Punta della Dogana–Pinault Collection à Venise, à la Fondation Louis Vuitton à Paris et à l'Espace Louis Vuitton à Tokyo, au Château de Versailles, à la Fondation Vincent van Gogh à Arles, au Consortium de Dijon, à la Tate Gallery et à la Serpentine Gallery de Londres, à la Villa Sauber à Monaco, au Palais des Beaux Arts à Bruxelles, au Musée Middelheim à Anvers, au Martin Gropius Bau à Berlin, à la Haus der Kunst à Munich, à la Kunsthalle Fridericianum à Cassel, à la Frankfurter Kunstverein à Francfort sur le Main, au MAMCO Musée d'art moderne et contemporain à Genève, à la Kunsthalle de Berne, au Macro Museo d'Arte Contemporanea di Roma et à la Villa Médicis à Rome, au mumok museum moderner Kunst stiftung Ludwig Wien à Vienne, au musée de l'Ermitage à Saint Pétersbourg, au Solomon R. Guggenheim Museum, au MoMA PS1 et au Swiss Institute à New York, au Musée d'Art Contemporain de San Diego, à la Maison Hermès Dosan Park à Séoul, au Hong Kong Museum of Art, à l'Hôtel Le Bristol, Paris, ainsi que dans le cadre de la Biennale de Venise. Son travail est actuellement l'objet d'une exposition personnelle à la Fosun Foundation à Chendgu (Chine). Sa sculpture Quelque chose de… , conçue pour rendre hommage à Johnny Hallyday, est installée sur l'esplanade Johnny Hallyday (8 boulevard de Bercy) à Paris depuis septembre 2021. Bernard Blistène, né en 1955 à Paris, est un historien de l'art, conservateur et directeur de musées français. Il a été conservateur puis directeur du Musée national d'art moderne, entre 2013 et 2021. Il avait été précédemment directeur des Musées de Marseille, Inspecteur général de la création du Ministère de la Culture et directeur du Département du développement culturel du Centre Pompidou. On lui doit plus d'une centaine d'expositions à travers le monde ainsi que la création du Nouveau festival du Centre Pompidou en 2009. En 2021, Bernard Blistène est nommé Président du programme « Mondes Nouveaux », voulu par le Président de la République et destiné aux artistes de toutes disciplines. Lundi 12 décembre 2022 Amphithéâtre des Loges Crédit photo : © Archives kamel mennour, 2022

In this episode Gary Mansfield speaks to Beth Cullen Kerridge (@bethcullenkerridge)Beth Cullen Kerridge studied at John Moores in Liverpool, and on to postgrad at the Royal College of Art, which was a springboard on to the London art scene, with two of the London Parks Showing her work consecutively.She then showed in many exhibitions in the capital and around England, Commercial site-specific sculpture for her home town of Stoke on Trent.She honed her craft working in foundries and producing works for Edwardo Paolozzi, Elisabeth Frink and Alberto Giacometti.For eight years she was lucky enough to work closely as a Studio Assistant with the legendary Mike Bolus, for another champion Sir Anthony Caro. With Tony she worked on large scale projects working with Sir Norman Foster on the Millennium Bridge, Richard Rodgers, The Tate Gallery, and working on shows at the Venice Biennale and Marlborough Gallery New York, and the Baptistery Chapel of Light Bourborg France.For more information on the work of Beth Cullen Kerridge go to https://bethcullensculpture.co.ukTo Support this podcast from as little as £3 per month: www.patreon/ministryofartsFor full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

Ben Luke talks to John Akomfrah about his influences—including writers, musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work.Akomfrah was born in Accra, Ghana, in 1957 but has been based in London since he was a child. From his early years with the Black Audio Film Collective to his recent works as a solo artist, he has explored major issues—including racial injustice, colonialist legacies, diasporic identities, migration and climate change—through a distinctive approach to memory and history. First shown on television and in the cinema, his films are increasingly made for museums and galleries, in the form of ambitious, often epic, multi-screen video installations. He is one of the great film-makers of the last few decades. He discusses discovering Jackson Pollock through Ornette Coleman's Free Jazz album, his early experiences of the Tate Gallery and ongoing love of J.M.W. Turner's paintings, his passion for John Milton's Paradise Lost and Virginia Woolf's The Waves, and his enduring engagement with music from post-punk to John Luther Adams. He also gives us insight into his studio life and answers our usual questions, including the ultimate one: what is art for?John Akomfrah: Purple, Hirshhorn Museum, Washington, D.C., 28 October–summer 2023; The Unfinished Conversation, Tate Britain, London, until the end of 2022. A new work will be shown at the Sharjah Biennial, 7 February-11 June 2023, and The Box, Plymouth, UK, from December 2023. Hosted on Acast. See acast.com/privacy for more information.

Craig David joins Julia Bradbury and Richard Coles. The singer-songwriter found fame age 18 with ‘Rewind' and over the next 22 years dealt with the highs and lows of fame. Craig talks about his career, overcoming obstacles and rediscovering his good vibes. Kwesia aka City Girl in Nature grew up in Deptford, an inner city area of London. Growing up Kwesia dealt with violence and trauma but an opportunity to go to the Peruvian Amazon rainforest changed her life and she now works to share her love and passion for the outdoors. Sandy Nairne was deputy director of London's Tate Gallery back in 1994 when he was woken in the early hours to be told that two Turner paintings, on loan from the Tate, had been stolen in Frankfurt. They were worth £30 million. He became the person responsible for tracking them down, which would take eight and a half years. Jamie Oliver shares his Inheritance Tracks: (Sittin' On) The Dock Of The Bay by Otis Redding and Only To Be With You by Roachford. Susannah Constantine made her name as a stylist in What Not To Wear. She talks about her life, from being an 80s IT girl to the impact of her mother's illness, and her own alcoholism. Craig David's new album 22 is out now and his book What's Your Vibe is out on the 6th October. Kwesia features in a new podcast called Waterland's from The Wildfowl and Wetlands Trust. Catching the Art Thieves is on the BBC iPlayer now. One by Jamie Oliver is out now Ready for Absolutely Nothing by Susannah Constantine is out now. Producer: Claire Bartleet

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Rhodri Davies on why he's not an EA, published by Sanjay on August 18, 2022 on The Effective Altruism Forum. Rhodri Davies is a smart, reasonable, and well-respected commentator on philanthropy. Many people who follow charity and philanthropy in the UK (outside of EA) are familiar with his blog. He also has a background in maths and philosophy at Oxford (if I remember correctly) so he's exactly the sort of person that EA might attract, so it should be of interest to the EA movement to know why he didn't want to sign up. The critique that I most liked was the one entitled "Is EA just another in a long line of attempts to “rationalise” philanthropy?" I've copied and pasted it below. Rhodri has spent a lot of time thinking about the history of philanthropy, so his perspective is really valuable. Is EA just another in a long line of attempts to “rationalise” philanthropy? The dose of historical perspective at the end of the last section brings me to another one of my issues with EA: a nagging suspicion that it is in fact just another in a very long line of efforts to make philanthropy more “rational” or “effective” throughout history. The C18th and early C19th, for instance, saw efforts to impose upon charity the principles of political economy (the precursor to modern economics which focused on questions of production, trade and distribution of national wealth – as exemplified in the work of writers such as Adam Smith, Thomas Malthus and David Ricardo). Then in the C19th and early C20th the Charity Organisation Society and Scientific Philanthropy movements waged war on the perceived scourge of emotionally driven “indiscriminate giving”. Charity Organization Society, by Henry Tonks 1862-1937. (Made available by the Tate Gallery under a CC 3.0 license http://www.tate.org.uk/art/work/T11004) This perhaps bothers me more than most people because I spend so much of my time noodling around in the history of philanthropy. It also isn't a reason to dismiss EA out of hand: the fact that it might have historical precedents doesn't invalidate it, it just means that we should be more critical in assessing claims of novelty and uniqueness. It also suggests to me that there would be value in providing greater historical context for the movement and its ideas. Doing so may well show that EA is genuinely novel in at least some regards (the idea of total cause agnosticism, for instance, is something that one might struggle to find in previous attempts to apply utilitarian thinking to philanthropy). But the other thing the history of philanthropy tends to show is that everyone thinks at the time that their effort to make giving “better” or “more rational” is inherently and objectively right, and it is often only with the benefit of hindsight that it becomes clear quite how ideologically driven and of their time they actually are. For my money, it is still an open question as to whether future historians will look back on EA in the same way that we look back on the Charity Organisation movement today. The other thing that historical perspective brings is the ability to trace longer-term consequences. And this is particularly important here, because efforts to make charity more “rational” have historically had an unfortunate habit of producing unintended consequences. The “scientific philanthropy” movement of the early 20th century, for instance (which counted many of the biggest donors and foundations of the era among its followers) had its roots in the 19th century charity organisation societies, which were primarily concerned with addressing inefficiency and duplication of charitable effort at a local level, and ensuring that individual giving was sufficiently careful to distinguish between ‘deserving' and undeserving' cases (as outlined further in this previous article). Over time, how...

"those paintings that sugar magnate pest is trying to foist on us"

Today we're digging into the parable of the Wise and Foolish Bridesmaids from Matthew's gospel, plus we look at Jesus' most rebellious actions.  Notes Visit us on Facebook https://www.facebook.com/subversiveundercroft Episcopal Handbook - Here  Jon's Convention coverage is at Episcopal Journal Music Be Thou My Vision, Jaimie Jorge Stump the Priest Theme, Kristin Burkholder Bring a Torch Jeanette Isabella, Aaron Devries   Image: The Parable of the Wise and Foolish Virgins (1822) by William Blake, Tate Gallery

In this episode, we discuss minimalism at the Tate Gallery. And the dilemma behind a pile of bricks. Music Title: Dear Autum by Iksonmusic.

Magnus records the unique artistry of Willie Leece, the modest creator of a unique style of rural assemblage sculpture. The ‘Hedge' art works of this quietly thoughtful Manx farmer are selected to be hung alongside a blockbuster travelling Tate Gallery exhibition for a giant of the twentieth century's artistic fraternity, Herr Kurt Schwitters. An unforeseen consequence of the Dadaist's exhibition propels Magnus towards entering his artistic endeavours for London's Royal Academy of Art summer exhibition. . ‘Commander Benedict Forksbeard – The Startled Speed Reader' and ‘Longnose Peggchin – The Sentimental Viking Poet' are hung, but not as expected.

Talk Art series 13 continues!!! We meet British sculptor and contemporary visual artist Hew Locke. The artist shares the inspiration behind his decades of work and reflects on the process of making his new and exciting large-scale installation 2022 Tate Britain Commission, The Procession.A procession is part and parcel of the cycle of life; people gather and move together to celebrate, worship, protest, mourn, escape or even to better themselves. This is the heart of this ambitious new project. The Procession invites visitors to ‘reflect on the cycles of history, and the ebb and flow of cultures, people and finance and power.' Tate Britain's founder was art lover and sugar refining magnate Henry Tate. In the installation Locke says he ‘makes links with the historical after-effects of the sugar business, almost drawing out of the walls of the building,' also revisiting his artistic journey so far, including for example work with statues, share certificates, cardboard, rising sea levels, Carnival and the military.Throughout, visitors will see figures who travel through space and time. Here, they carry historical and cultural baggage, from evidence of global financial and violent colonial control embellished on their clothes and banners, alongside powerful images of some of the disappearing colonial architecture of Locke's childhood in Guyana.The installation takes inspiration from real events and histories but overall, the figures invite us to walk alongside them, into an enlarged vision of an imagined future."What I try to do in my work is mix ideas of attraction and ideas of discomfort – colourful and attractive, but strangely, scarily surreal at the same time." Hew Locke.Locke was born in Edinburgh, UK, in 1959; lived from 1966 to 1980 in Georgetown, Guyana; and is currently based in London. He obtained a B.A. Fine Art in Falmouth (1988) and an M.A. Sculpture at the Royal College of Art, London (1994). In 2000 he won both a Paul Hamlyn Award and an East International Award.His work is represented in many collections including those of the The Government Art Collection, The Pérez Art Museum Miami, The Tate Gallery, The Arts Council of England, The National Trust, The Metropolitan Museum of Art, New York, The Brooklyn Museum, New York, 21c, The New Art Gallery Walsall, The Victoria & Albert Museum, The Imperial War Museum, The British Museum and The Henry Moore Institute, Leeds.Follow @HewDJLocke on Instagram and visit his official website: http://www.hewlocke.net/Learn more about his new installation at Tate, it's free to visit until 22nd January 2023: https://www.tate.org.uk/whats-on/tate-britain/hew-locke See acast.com/privacy for privacy and opt-out information.

"nothing in the Tate story reflects well on the government"

Diesmal taucht „Ausgesprochen Kunst“ in die farbenfrohe Welt des englischen Künstlers David Hockney ein, dessen Werke noch bis zum 19. Juni 2022 im Wiener Kunstforum zu sehen sind. Die Retrospektive entstand in Zusammenarbeit mit der Tate Gallery und zeigt neben der wohl bekanntesten Werkgruppe Hockneys - den großformatigen Swimming Pool Bildern - auch Landschaften, Druckgraphiken, Videoinstallationen und seine vielschichtigen Doppelporträts, die es Alexander und Herbert Giese besonders angetan haben. In der Ausstellungsbesprechung widmen sich die beiden auch der Biographie des mittlerweile 84-jährigen Künstlers und verraten, welches seiner Werke sie gerne ankaufen würden. Kontakt: redaktion@gieseundschweiger.at Website: https://www.gieseundschweiger.at/de/ Redaktion: Fabienne Pohl, Lara Bandion; Musik: Matthias Jakisic; Sprecherin: Sarah Scherer; Grafische Gestaltung: Studio Riebenbauer Link zur Ausstellung: https://www.kunstforumwien.at/de/ausstellungen/hauptausstellungen/319/david-hockney-insights

Sheena Wagstaff leads the Met's commitment to modern and contemporary art, including the design of the international exhibition program at The Met Breuer (2016-20), artist commissions, and collection displays. She has also curated numerous shows at the Met, amongst which are Gerhard Richter: Painting After All (2020); Like Life: Sculpture, Color, and The Body (1300-Now) (2018); and Nasreen Mohamedi (2016), and oversaw the David Hockney exhibition (2017). Significant acquisitions have been brought into the collection under her leadership, including works by Pablo Bronstein, Cecily Brown, Phil Collins, Tacita Dean, Peter Doig, Nick Goss, Chantal Joffe, Hew Locke, Sarah Lucas, Adam McEwen, Steve McQueen, Lucy McKenzie, Cornelia Parker (who was also featured as The Met's 2016 Roof Garden Commission artist), Bridget Riley, Rachel Whiteread, as well as Vanessa Bell, Lucian Freud, Roger Fry, and Barbara Hepworth. A new Met Façade commission, and an exhibition, each by British artists, are planned in the coming years. With a curatorial team representing expertise from across the globe, she is building a distinctive collection for the Met, both culturally and geographically, to reflect the historic depth of its global collections. Before joining the Met, Wagstaff was Chief Curator of Tate Modern, London, where, for 11 years, she was responsible for initiating the exhibition program, the Turbine Hall artist commissions, and contributing to the conceptual framework of collection displays. With the Tate Director, she worked with architects Herzog & de Meuron on the design for the Tate Modern Switch House building. She curated noteworthy exhibitions such as Roy Lichtenstein; John Burke + Simon Norfolk: Photographs from the War in Afghanistan; Jeff Wall Photographs 1978-2004; Darren Almond: Night as Day; and Mona Hatoum: The Entire World as a Foreign Land. Over the course of her career, Wagstaff has worked for the Museum of Modern Art, Oxford; the Whitechapel Art Gallery, London; The Frick Art Museum, Pittsburgh; and Tate Britain, London, where she played a seminal role in its transformation from the former Tate Gallery. She is a member of the Foundation for the Preservation of Art in Embassies (FAPE), and from 2013-2019, she was a United States Nominating Committee Member for Praemium Imperiale. She has written and edited many publications, and lectured widely. Brought to you by the British Consulate General, New York. Follow us on Twitter and Instagram.

In episode 44 UNP founder and curator Grant Scott is in his shed considering photo education within universities and transferable skills all photographers have but may not have considered as relevant to other films of visual communication.  Plus this week photographer David Levenson takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' You can read more about Grant's views on photographic education here https://unitednationsofphotography.com/2016/04/20/im-a-photographer-let-me-in-opening-the-door-to-photo-education/ You can read the article Grant mentions in this week's podcast concerning the future of photography here https://unitednationsofphotography.com/2019/02/03/where-next-for-photography-and-the-photographer/ Based in London, David has been a photographer since he left school, learning his craft at a Fleet Street press agency. He covered news stories around London, including the Iranian Embassy siege, the Brixton riots and the early days of Lady Diana. Throughout the 1980's he photographed Princess Diana and the Royal Family, visiting over fifty countries and producing sixteen illustrated books on their travels. His work is published every week by leading magazines, newspapers and websites around the world including Time, Newsweek, Vanity Fair, Paris Match, The Guardian, The Times, Daily Telegraph, Daily Mail, Daily Express, LA Times, New York Times, New Yorker, The Spectator, New Statesman, La Vanguardia, Irish Times, Huffington Post, Sunday Times and the Observer. David's work is held in MOMA, New York, the Tate Gallery, London and the National Art Library at the Victoria and Albert Museum, London. http://davidlevenson.com You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-life and Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer in Professional Photography at the University of Gloucestershire, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. He is currently work on his next documentary film project Woke Up This Morning: The Rock n' Roll Thunder of Ray Lowry www.wokeupthismorningfilm.com. His documentary film, Do Not Bend: The Photographic Life of Bill Jay has been screened across the UK and the US in 2018 and will be screened in the US and Canada in 2019. © Grant Scott 2019