Podcast appearances and mentions of jane schoenbrun

Entertainment Weekly's Joyce Eng joins Katey and Chris Rosen to kick off our fall preview series, looking at what's in store from the major studios — and whether anything on the horizon can beat The Odyssey. Then Katey talks to Jane Schoenbrun about their new film Teenage Sex and Death at Camp Miasma, which is a love letter to many important things, from sexual liberation to slasher movies to movie theater candy.  00:00 Intro 00:54 Coming Up... 02:32 Kicking Off The Fall Preview Series 02:57 The Studios Are Back 04:12 Warner Brothers' Rough Road 06:24 Can Tom Cruise Win For Digger? 11:06 Why Digger Skipped Venice 15:00 Dune Part Three's Ceiling 18:35 Paramount's Dad Movies And Ebenezer 20:59 Sony And The Social Reckoning 26:05 Disney And The Animation Race 30:12 Avengers Doomsday Vs Dune 34:38 Universal Beyond The Odyssey 38:55 Can The Odyssey Break The Sinners Record? 45:30 Does Oppenheimer Stand In The Way? 48:18 Next: Jane Schoenbrun 49:29 Premiering At Cannes 51:43 How Audiences Are Reacting 54:43 Making A Fun One 57:11 Childhood, Suburbia And Simulation 01:00:31 Lynch, Mulholland Drive And The Primal Scene 01:04:35 Why There's So Much Candy 01:07:46 Merch, Slashers And Capitalism 01:10:48 Telling The Truth About Hollywood 01:13:32 Making Art At The End Of The World 01:16:47 Writing A Book ⁠⁠⁠⁠Subscribe today⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to Prestige Junkie After Party bonus episodes. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

Jasmin und Serina sind queere Millennials, die mit Buffy aufgewachsen sind und in diesem Podcast geht es um die Überschneidung von Queerness und Nerdtum, eine Folge zu "I saw the TV Glow" war unvermeidlich! Es geht um die trans Allegorie und den Einfluss des Films aber auch um andere Themen die darin angesprochen werden: Mehrfachmarginalisierung, Asexualität, Nostalgie, Liminal Spaces und warum sich ein Rewatch im Stream anders anfühlt.

Summer's not over yet... if you haven't gotten to the beach, there's still time! WNYC arts and culture editor Matthew Schnipper joins us with a guide of all there is to do this August in New York City: from dance parties at Moma PS1, outdoor screenings of Jurassic Park and The Warriors, to where you can find the best banana pudding in NYC. Photo: Edith Young for Gothamist -Got any questions, comments or story ideas? Send us a message at NYCNow@WNYC.org Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

This weeks one on one pod is available to paid subscribers, join us on Patreon to access the full episode!In this episode we discuss the term 'Punisher', the Clandestino video game, Apollo Bagels, exchange rates, tipping, Montreal in the summer, the worst drivers in Canada, Fantasia Film Festival, , Jane Schoenbrun's new film, Rôtisserie La Lune, Limbo, Dic Annes, Dic Ann's burgers, steamies vs toasties, The Odyssey, Travis Scott, Terminator 2, Elvis Mondays at the Drake, Ossfest, 'Pop DJ's', Britney Spears, Dina's Tavern, Big On Bloor, The Strokes new album and much more!Josh McIntyreNick Marian----COLD POD

Send us Fan MailTeenage Sex and Death at Camp Miasma is a 2026 queer meta-slasher horror film written and directed by Jane Schoenbrun, known for the movie I Saw the TV Glow. It stars Hannah Einbinder and Gillian Anderson.The story follows a queer filmmaker who is hired to reboot a fictional long-running slasher franchise called Camp Miasma. She becomes obsessed with convincing the reclusive actress who played the original “final girl” to return, and their collaboration spirals into a surreal mix of horror, desire, identity, and psychological obsession.Support the show

As a third generation Angelino, Hannah Einbinder reps her city hard. “I pledge allegiance to the United States of Los Angeles,” she declared proudly to Chloe on the latest episode of The Run-Through podcast, “I love LA from the tip to the tail.” Right now, Einbinder is making the rounds on one of her biggest press tours to date ahead of the premiere of Jane Schoenbrun's third tongue twister of a film, Teenage Sex and Death at Camp Miasma. Einbinder stars as Kris, a young queer director, who is working on a revival of a slasher horror franchise. Prior to working on the project, slashers were a bit of a blindspot for Einbinder, though she was well-versed in the great horror genre and cited Silent Hill as the scariest movie she's seen.  “I see a huge link between comedy and horror,” Einbinder observed, noting that this film is as funny as it is scary, “I think that it kind of creates the same thing in the body, like this buildup of tension with this big release. I think that's why you see so many, like, comedians go in that direction. Like, you look at Jordan Peele and that, to me, makes so much sense.”  Along those lines, Einbinder pointed out that Schoenbrun actually has a comedy background and did sketch comedy at UCB many moons ago. The two of them became quite close working on the film, which like Schoenbrun's prior film, I Saw The TV Glow, is a work of autofiction and an allegory for queerness and transition. This film required them to explore topics of dissociation relative to sex. “I feel like many of us have not taken the time to examine how universal it is.”  Einbinder hasn't yet settled on her look for the premiere, but she is already considering how she is going to accessorize. She intends to visit a New York City based nail artist who uses the moniker claws by joy to get a bloody, slasher style manicure.  As a major Hacks fan, Chloe also brought up her favorite duo: Ava Daniels and Deborah Vance. While the show has reached its conclusion, she and Jean Smart are in regular contact and sharing memes. “She's absolutely out of control,” Einbinder said of Smart's meme sharing tendencies.   Einbinder won her first Emmy for the series back in the fall and when asked where she displays it, she sheepishly revealed that she keeps it tucked away. She explained that her grandfather was a decorated war hero and when he passed, the family found all of his medals in a manila envelope in a drawer. “And so I kinda figure if, like, if that guy's not putting his stuff out,” she said trailing off, “I thought he was so swag for doing that.” The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this Thursday bonus episode we are going to play the interview from episode 366 from March 2025 featuring writer Director Jane Schoenbrun who talks about getting into sundance with their first feature, leading to their 2nd feature being bought by A24. I thought this was a good match for episode with Georgia Bernstein on Monday because both Jane and Georgia got their first features into Sundance and had amazing outcomes from playing the festival. After that we play another round of You're the expert, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952 Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

With the 4th of July in the rearview mirror, we are nearing (or past, depending on how you measure it) the midpoint of summer and for many of us, that means a little extra time to catch up on all the books, movies, and music that is being released this year. To break down the summer culture standouts, Chloe was joined in the studio by Vogue's Deputy Editor Taylor Antrim and Senior Fashion Writer Hannah Jackson.  The trio began by discussing the major sports moment that seems to be happening even more this summer than ever before. There's no shortage of sports to watch—the recent Knicks victory, the WNBA season, Wimbledon and the US Open, the World Cup, and the Tour de France. Taylor, who has been following the cycling, is most closely watching Tadej Pogačar (who apparently looks uncannily like his son) and Jonas Vingegaard, whose beautiful love story was covered in our I.W.W.T.H. column.  They then moved onto cinema. Taylor, as the resident horror watcher, shouted out the two big horror films that have stormed the summer box offices: Backrooms and Obsession, both directed by up and comers. Honorable mentions also went out to The Invite, a film they all saw and loved from Olivia Wilde, and Teenage Sex and Death at Camp Miasma from indie darling Jane Schoenbrun.  The movie with perhaps the most buzz at Vogue this summer is Christopher Nolan's upcoming remake of The Odyssey. “It's a thinking person's blockbuster,” Taylor joked. Though the panelists couldn't reach consensus on Oppenheimer, they are all jazzed about this pick (though Hannah is a little skeptical of Matt Damon as Odysseus). In keeping with the theme of Odyssey Summer, Chloe's been reading Greek myths to her children for bedtime stories and listening to the podcast Greeking Out. When not reading children's books, Chloe is excited about this summer's literary offerings, especially those featured in our beach reads story for the summer issue. Some of the picks they have previewed or are looking forward to include Pool House by Mary H.K. Choi, Contrapposto by Dave Eggers, Freedom Essays by Zinzi Clemmons, The Land and Its People by David Sedaris, The Palm House by Gwendolyn Riley, and Book of Hours by Ellen O'Connell Whittet.  It's also no secret that this has been yet another summer for the pop girls. Olivia Rodrigo's you seem pretty sad for a girl so in love is Hannah's favorite Olivia album yet. And the whole team is counting down the days until we get Gracie Abrams ,Charli XCX, and Phoebe Bridgers' new albums. And before they signed off, co-host Nicole Phelps shared a brief dispatch from the Fendi couture show in Rome! The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The 30th Fantasia International Film Festival, July 16 – August 2, in Montreal, is careening towards us, featuring what looks to be an excellent lineup of movies. Joseph Perry and I have remote press credentials for the festival and decided to let you know the five films we are each looking forward to the most. Of course, we couldn't stop at just five. Check out our discussion on the Gruesome Magazine YouTube Channel! The following is an abbreviated recap of the films we discussed. Joseph is excited about: CAPTURED! – d. Koichi (YouTuber debut feature) SLEEP NO MORE – d. Edwin (Vengeance Is Mine, All Others Pay Cash, 2021); body horror VILLAGE OF EIGHT GRAVESTONES – d. Takashi Shimizu (Ju-on: The Grudge, 2002) WHEN YOU OPEN THE DOOR – d. Eriko Katagiri (debut feature, winner of the third Japan Horror Award sponsored by Kadokawa) NIGHTBORN – d. Hanna Bergholm (Hatching, 2022), w/Seidi Haarla, Rupert Grint, Pamela Tola Jeff's trigger trippers: COLONY – d. Yeon Sang-ho (Train to Busan, 2016) LOS VAMPIRES – d. Craig Mitchell (fictionalized account of the making of George Melford's 1931 Spanish Dracula), w/Henry Ian Cusick, Daniela Couso, Thomas Kretschmann RUBBERHEAD: THE LIFE & MONSTERS OF STEVE JOHNSON – d. Nick Taylor (documentary) THE LAST FOOTAGE – d. Arkar Soe Oo (Myanmar's first found footage feature) TRAUMA OR, MONSTERS ALL – d. Larry Fessenden; final chapter of his quadrilogy: Habit (1995), Depraved (2019), Blackout (2023); works as a standalone or series finale But we couldn't stop there. Here are a few more we're looking forward to: Ancestral Beasts – d. Tim Riedel; psychological horror centered on two generations of indigenous women Drag, d. Raviv Ullman, Greg Yagolnitzer; w/Lizzy Caplan, Lucy DeVito, Christine Ko, John Stamos (producers: Danny DeVito, Jake DeVito, Lucy DeVito) Freaks Part II – d. Zach Lipovsky, Adam Stein (Freaks, 2018; Final Destination: Bloodlines, 2025); w/Reznor Allen, Amanda Crew, Audrianna Lico, Lorelei Olivia Mote, Lili Taylor, Stephen Tobolowsky Her Private Hell – d. Nicolas Winding Refn (winner of the festival's Cheval Noir Career Achievement Award), w/Sophie Thatcher, Charles Melton, Havana Rose Liu, Kristine Forsyth, Diego Calva Home Bodies – d. Casey Walker (producer: The Void, 2016; In a Violent Nature, 2024) Hot Spot – d. Agnieszka Smoczynska; w/Noomi Rapace Junction Row – d. Ashlea Wessel; w/Katharine Isabelle, Kyle Mac, Julian Richings Motherwitch – d. Minos Papas; folk horror Mum, I'm Alien Pregnant – d. THUNDERLIPS (Jordan Windsor & Sean Wallace); body horror comedy from New Zealand Nameless – d. Hideo Jojo; w/Jiro Sato; based on Jiro Sato's own web-manga Penny Lane is Dead – d. Mia'kate Russell; a matriarchal gorefest from Australia Recluse – d. Henry Chaisson, writer of Antlers (2021), Servant (2021-2023) Teenage Sex and Death at Camp Miasma – d. Jane Schoenbrun; did you think we wouldn't include a slasher? The Leader – d. Michael Gallagher; the story of Heaven's Gate; w/Grace Caroline Currey, Vera Farmiga, Tim Blake Nelson, Jim Parsons, Simon Rex The Glorious Dead – d. Toby Poser, John Adams; the latest from the Adams family of filmmakers The Last Temptation of Becky – d. Jenn Wexler, w/Lulu Wilson; remember Becky (2020) and The Wrath of Becky (2023)? She's back! The Mouths – d. Takashi Shimizu; yes, there are two films this year from the director of Ju-on (2002) Unholy Night – d. Michael Gabriele; a Christmas horror comedy Be sure to check out the full lineup at the festival's official website: https://fantasiafestival.com/en/

Con motivo del estreno de "Backrooms", el debut en el cine de Kane Parsons, el equipo de Marea Nocturna conversa sobre una nueva generación de cineastas que comparten sus orígenes en YouTube y están cambiando las reglas del juego del terror contemporáneo. Jane Schoenbrun, Curry Barker, Kyle Edward Ball y los hermanos Danny y Michael Philippou son algunos de los cineastas mencionados (y alabados) en un capítulo que se cierra con un repaso a lo mejor de Cannes en fantástico y terror y a los estrenos en salas.

In her third feature (Saccharine, in theaters now and on Shudder in July), Natalie Erika James tackles themes of obsession, disordered eating, and queerness. And while the two movies are VERY different (one a psychological horror, the other a quiet, BAFTA-winning drama), those are all themes Saccharine shares with My Summer of Love, Pawel Pawlikowski's 2004 film that introduced the world to Emily Blunt. Then, Jordan has one quick thing about Jane Schoenbrun's upcoming Teenage Sex and Death at Camp Miasma, which just premiered at Cannes. If you or someone you care about is struggling with an Eating Disorder, you can get help by calling the National Alliance for Eating Disorders Hotline at 1-866-662-1235 for advice and emotional support. Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfeelingseen Feeling Seen is hosted by Jordan Crucchiola and is a production of Maximum Fun. You can watch video editions of our new episodes on our YouTube Channel!Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Super-Geschwister Marta und Kuba erforschen Begrifflichkeiten rund um die Verwandtschaft und darüber hinaus, von Onklix bis Submatrix. Außerdem hat Kuba LeGuins „Lathe of Heaven“ gelesen und gesehen und berichtet, ob Traum-Special-Effects früher futuristisch aussahen. Und anhand vom Picknick am Valentinstag fragen wir uns, ob alles SciFi ist, worin ein Alien versteckt sein könnte. Kapitelchen & Tracklist 0:00:00 Rrrrrose – Loyalty Freak Music – plan 9 from the sunny forest CC BY 0:00:15 Ist Picknick am Valentinstag Science Fiction? 0:13:50 Deathless Gods with Human Bods – Inheritance CC BY-NC-SA 0:17:58 O wie Onkel Neelix: Sci-Fi-Verwandtschaftsbeziehungen, Teil I 0:40:24 ari melody & mellodoot – Level One – VIP CC BY-SA 0:43:54 O wie Onkel Neelix: Teil II 1:08:13 starkeeper – Skygazer CC BY-NC-SA 1:11:15 LeGuins Lathe of Heaven 1:36:49 PITCH BITCH – Doomscrolling CC BY-SA 1:40:57 Audiorätsel 1:56:29 Wheelchair Sports Camp – YESS i'm a MESS CC BY-NC-SA Flyer Shownotes Picnic at Hanging Rock with Jane Schoenbrun, Blank Check Podcast (beam.ly? What?) O wie Onkel Neelix: Kinbank: database of kinship terminologies Trekkiepedia-Folgen: Kinder, Trill, Borg, Borg 2.0 Wikipedia: Kinship terminology, Bienen-Superverwandtschaft (Haplodiploidie) LeGuins Lathe of Heaven: Buch und Film bei Wikipedia, und Martas Artikel... hier. Audiorätsel: Quelle, Hintergrund (Wikipedia) Credits & Lizenz Cover: basierend auf Robert Fludd Metaphysik und Natur- und Kunstgeschichte beider Welten, nämlich des Makro- und des Mikrokosmos, 1617; Public Domain via Wikimedia Commons Diese Folge erscheint unter CC BY-NC-SA 3.0, d.h. unsere Inhalte gerne teilen, remixen, aber uns bitte erwähnen und ja kein Geld verdienen! Musik siehe jeweilige Lizenzen.

Cannes 2026: I denne tredje episoden fra årets Cannes-festival snakker vi om to metafilmer: Jane Schoenbruns Teenage Sex and Death at Camp Miasma og Pedro Almodóvars Amarga navidad («Bitter Christmas»). Regissør Jane Schoenbrun fikk sitt gjennombrudd med indie-snakkisen I Saw the TV Glow (lytt til vår episode om filmen), en kompleks, mørk anti-nostalgifilm om skeiv coming of age. Nå er hen tilbake med sin hittil mest ambisiøse film, Teenage Sex and Death at Camp Miasma, som både er en blodsprutende pastisj på slashersjangeren à la åttitallet, en hyllest til kommersiell amerikansk kultur, en klok film om sex og en smart satire om hvordan Hollywood renvasker i utgangspunktet skitne merkevarer (eks. Barbie) ved å gjøre innpakningen «woke». Den spanske auteuren Pedro Almodóvar trenger ingen nærmere introduksjon, og det er heller ikke første gang han forteller om den kunstneriske prosessen bak en film. Amarga navidad retter et skråblikk på den sene fasen av karrieren Almodóvar befinner seg i, og er i kjent stil intrikat skrudd sammen. Ikke noe for enhver smak, kanskje, men en gavepakke for oss som er svorne fans! Ved mikrofonene i Cannes sitter Montages-redaktør Lars Ole Kristiansen, Chloé Faulkner (Filmklubbforbundet) og Truls Foss (Vega Scene). God lytting!

Review! We are excited about Jane Schoenbrun's ‘Teenage Sex and Death at Camp Miasma' starring  Hannah Einbinder and Gillian Anderson. Guest Ryan McQuade AwardsWatch.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"Psycho" gefilmt aus der Perspektiv vum Duschrideau: Dat ass ee vun de villen zitatwierdege Sätz aus der Jane Schoenbrun hirem verréckte Metaslaher "Teenage Sex and Death at Camp Miasma", ma vläicht och eng gutt Manéier, de Metakino, deen oft zu Cannes leeft, op ee gemeinsamen Nenner ze bréngen. Well gëschter Feierdaag war, de Festival de Cannes awer keng Paus kennt, ënnerhalen sech de Jeff Schinker an de Marc Trappendreher haut direkt iwwert eng ganz Partie Filmer: nieft der Jane Schoenbrun hirem Metahorrorfilm hëlt de Jeff Schinker déi zwee éischt Wettbewerbsfilmer "Nagi Notes" vum Koji Fukoda an "La vie d'une femme" vun der Charline Bourgeois-Taquet ënnert d'Lupp, wärend de Marc Trappendreher eis Spannendes aus de Masterclasses vum Peter Jackson an der Claire Denis bericht.

I Saw the TV Glow è diventato un piccolo film di culto, per cui c'era molta attesa nei confronti del nuovo film della regista americana: sarà stata all'altezza delle aspettative?

FRANCE 24's Culture Editor Eve Jackson brings us the latest from the Cannes Film Festival, including a look at one of the wildest movies the festival has seen in a while: "Teenage Sex and Death at Camp Miasma", from director Jane Schoenbrun. It's part-slasher movie, part-fever dream and part-commentary on fandom and identity. It stars Gillian Anderson, who we know best for "The X-Files" and "Sex Education". Opposite her is "Hacks" actress Hannah Einbinder playing a young queer filmmaker.

Ep. 393: Jordan Cronk on Cannes 2026: Directors' Fortnight Preview, Teenage Sex and Death at Camp Miasma, Nagi Notes, Butterfly Jam, plus Play-Doc retro + Jeonju Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For the 2026 Cannes Film Festival, I'm very happy to start the big show with Jordan Cronk, critic and programmer. We discussed a few films from the first big day of programming: Teenage Sex and Death at Camp Miasma (directed by Jane Schoenbrun, starring Gillian Anderson and Hannah Einbinder), Nagi Notes (Koji Fukada), and Butterfly Jam (Kantemir Balagov, starring Barry Keoghan, Riley Keough, Harry Messing). But I was also treated to a preview of Directors' Fortnight, the Cannes showcase where Cronk is also a program advisor, and which this year includes films by Radu Jude, Alain Cavalier, Dominga Sotomayor, Lisandro Alonso, longtime Apichatpong Weerasethakul collaborato Sompot Chidgasornpongse, and Bruno Dumont. But that's not all! Cronk also shares his visits to two festivals just before Cannes: Play-Doc in Galicia, where he saw a very intriguing retrospective, Spain, and the Jeonju International Film Festival in Jeonju, South Korea. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Owen (Justice Smith) is a quiet kid on the outskirts of everything — his school, his family, his own life. When he meets Maddy (Jack Haven), a fellow outcast devoted to late-night supernatural TV show The Pink Opaque, something stirs in him that he can't quite name. Together they lose themselves in the show's mythology, its heroes Isabel and Tara battling the dream-warping Mr. Melancholy from within the Midnight Realm. When Maddy disappears and the show gets canceled, Owen finds himself alone in a suburb designed to swallow people whole — watching years pass like seconds.Jane Schoenbrun's I Saw the TV Glow asks what it costs to not know yourself, wrapping that terror in the hypnotic glow of '90s television and the specific dread of adolescence that never ends. Horror film, coming-of-age film, and something harder to name — it builds a portrait of a person burying themselves alive.Lu Etienne and Maxi Breckwoldt join Mike to trace Owen's journey from the bleachers to the Fun Center and beyond, unpacking the film's psychic static, its suburban uncanny, and the question haunting every frame: what if you're already suffocating, and you just don't know it yet?Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Owen (Justice Smith) is a quiet kid on the outskirts of everything — his school, his family, his own life. When he meets Maddy (Jack Haven), a fellow outcast devoted to late-night supernatural TV show The Pink Opaque, something stirs in him that he can't quite name. Together they lose themselves in the show's mythology, its heroes Isabel and Tara battling the dream-warping Mr. Melancholy from within the Midnight Realm. When Maddy disappears and the show gets canceled, Owen finds himself alone in a suburb designed to swallow people whole — watching years pass like seconds.Jane Schoenbrun's I Saw the TV Glow asks what it costs to not know yourself, wrapping that terror in the hypnotic glow of '90s television and the specific dread of adolescence that never ends. Horror film, coming-of-age film, and something harder to name — it builds a portrait of a person burying themselves alive.Lu Etienne and Maxi Breckwoldt join Mike to trace Owen's journey from the bleachers to the Fun Center and beyond, unpacking the film's psychic static, its suburban uncanny, and the question haunting every frame: what if you're already suffocating, and you just don't know it yet?Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

On St. Valentine's Day in 1900, a group of podcasters set out to record an episode about Peter Weir's Picnic At Hanging Rock. Some were never to return...because they got addicted to the calming sounds of pan flute! Filmmaker Jane Schoenbrun joins us to chat about this 1975 classic of Australian cinema, and we're getting into the eerie qualities that make this film such an enduring mystery. From Rachel Roberts' wig drama to frame rate manipulation...from the Aboriginal concept of "dream time" to the casting of actual private school girls...there's much to unpack. But don't worry, we also spend a lot of time discussing The Grabber from The Black Phone 2. Check out Jane's Dream Film Syllabus Watch the Virgin Suicides Zoom Reunion Read Australian Gothic: Peter Weir's ‘Picnic at Hanging Rock' at 50 by Tim Pelan Check out Jane's Sully Tumblr Pre-Order Jane's Book Public Access Afterworld Pan flute accompaniment composed and performed by Alex Mitchell Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Deadlights Podcast, we dive deep into Jane Schoenbrun's I Saw the TV Glow (2024), a haunting and surreal exploration of identity, memory, and the pull of nostalgia. We discuss how the film channels the neon-soaked aesthetic of the 90s, the importance of highlighting trans stories in modern horror, and how certain moments resonated with our own personal experiences.Chapters:00:00 Teaser00:45 Welcome to the Deadlights01:27 Logline + General Thoughts06:44 THE CAN18:54 THE MEAT24:55 THE COOK39:52 THE THRILL53:06 THE RIDE56:09 Smashed Pumpkin Ratings + Creepiest Kitty Award

Yeni sezonda da her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, haftanın öne çıkan dizi ve filmlerini yorumluyoruz, ilgimizi çeken konuları tartışıyoruz, listeler yapıyoruz, goygoydan geri kalmıyoruz...00:00 | Giriş 09:15 | Masumiyet Müzesi 26:55 | Dead Man's Wire 32:40 | Mercy 37:37 | Neighbors 42:00 | Oscar Kazanmış En İyi 10 Film1:16:55 | IMDb Savaşları1:23:00 | American Psycho Oyuncusunu Bulamıyor1:24:40 | Tony Gilroy'dan Salvolar 1:26:32 | Bad Bunny'nin Filmi Geliyor1:28:28 | Hamnet'in Gişesi 1:31:55 | Ağlamak ya da Ağlamamak1:42:25 | Mahsun J. Bitirildi 1:44:00 | Paramount'un WB'a Son Teklifi  1:46:00 | Cinema for Peace'te Kaouther Ben Hania'nın Konuşması1:49:10 | Berlinale Direktörünün Açıklamaları1:50:45 | Berlinale'de Gazetecilere Baskı1:55:45 | Emin Alper'in Konuşması 2:03:45 | Hollywood Reporter'ın İsrail Propagandası 2:05:20 | Yapay Zeka ve Fikri Mülkiyet Tartışmaları 2:07:55 | BAFTA'da Filistin Gerginliği  2:10:35 | Jane Schoenbrun'un Yeni Filmi2:11:25 | Kötü Bir Şaka2:14:00 | Habersizlik2:16:30 | Cannes'da Hangi Filmler Yarışacak? 

This week's episode feels like a nice little time capsule.We start with the latest horror news, including the new game from the studio behind Little Nightmares, updates on Jane Schoenbrun's upcoming film Teenage Sex and Death at Camp Miasma, new details on Mike Flanagan's Carrie series, and the newly announced title for the next Evil Dead installment, Evil Dead: Wrath, directed by Mostly Horror alumni Francis Galluppi, plus a few other stories from around the genre.Then, since we've officially hit five years of Mostly Horror, we take a little time to look back. Instead of movie trivia, Steve quizzes Sean on trivia about the show itself. The most common guest name we've had over the years. Random stats from hundreds of interviews. Small details that somehow capture the history of this thing we've been building week after week.It turns into a simple, fun way of reflecting on the conversations, the guests, and the moments that have defined the podcast so far.We close, as always, with our Mostly Horror recommendations and what we've been watching lately.Five years in, still talking horror, and still grateful for every single conversation along the way...SoooCOME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Keeping with tradition, we follow up our best of 2025 episode with its natural companion: our episode on the most anticipated films of 2026. After an odd 2025 where many of our most exciting picks turned out to fall short of expectations, we can only hope that 2026 might fare better. Indie gems, huge blockbusters in Nolan's The Odyssey and Dune: Messiah, and other new projects from beloved auteurs, 2026 is shaping up to pack quite a punch. Tune in and find out our individual picks!

We're diving into the wildest and most thought provoking response to Buffy the Vampire Slayer yet, Jane Schoenbrun's magnum opus "I Saw the TV Glow." Don't be late to watching the Pink Opaque. Credits: Hosts: Jesse McAnally & Andrew DeWolf & Liz Esten Podcast Edited By: Jesse McAnally Keeper of the Cheese: Juliet Antonio This show is a part of the Broadway Podcast Network Social Media: ⁠⁠⁠⁠⁠Our WEBSITE⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Musicals with Cheese on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Musicals W/ Cheese on Instagram⁠⁠⁠⁠⁠ Email us at ⁠⁠⁠⁠⁠musicaltheatrelives@gmail.com⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Merch!!⁠⁠⁠⁠⁠ Jess Socials ⁠⁠⁠⁠⁠Jesse McAnally ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Jess McAnally on Instagram⁠⁠⁠⁠⁠ Andrew Socials ⁠⁠⁠⁠⁠Andrew DeWolf on Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Andrew DeWolf on Twitter⁠⁠⁠⁠⁠ Liz Socials ⁠⁠⁠⁠⁠Liz Esten on Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Liz Esten on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Use our Affiliate Link⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Going with a super modern classic! We're talking about Jane Schoenbrun's sophomore feature film, I Saw the TV Glow!

The A24 Rocks crew goes back to Jane Schoenbrun's debut film, the psychological horror movie We're All Going to the World's Fair. When Casey participates in an online World's Fair Challenge, she starts to see disturbing changes in herself. A middle-aged man named JLB watches her videos and reaches out to her. Is Casey actually experiencing changes from the World's Fair Challenge, or is it all an MMORPG? Kevin talks about his day's playing World of Warcraft, and these film reviewers talk about the horrifying phenomenon of Slenderman.Intro- 0:00 to 2:54.Creepypasta discussion- 2:54 to 7:19.Film Discussion- 7:19 to 58:40.Film Ratings/Outro- 58:40 to End.

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Max and Evan are joined by Journalist and BOFCA member, Andrew Crump. First, they discuss Jane Schoenbrun's new adaptation of Black Hole and Stranger Things. Then, Keanu Reeves movies, minus John Wick and The Matrix. Stay tuned after the credits for What You've Been Watching, as the guys discuss HIM, John Woo movies, and Little Amelie.  Chapters 00:00 Introduction and Guest Introduction 03:58 Discussion on Jane Schoenbrun's Upcoming Projects 09:39 Stranger Things and Its Cultural Impact 17:30 Keanu Reeves: A Look at His Filmography 27:14 Exploring Keanu's Lesser-Known Films 35:11 Keanu's Acting Style and Public Persona 40:58 The Impact of Celebrity Reputation 43:23 Consumerism and Celebrity Influence 45:52 Contrasting Celebrity Personas 48:36 Exploring Keanu Reeves' Filmography 52:40 Diving into Keanu's Lesser-Known Roles 57:51 The Complexity of Keanu's Characters 01:03:41 Personal Reflections on Keanu Reeves 01:08:33 Recent Movie Recommendations 01:13:45 John Woo's Cinematic Legacy 01:19:11 Exploring New Releases and Animation Website: https://itsthepictures.libsyn.com/ itsthepictures.substack.com Download the episode today, and find us on Bluesky, Instagram, and Letterboxd.  Like the show? Review us on iTunes! We are also available on Stitcher, Spotify, and Letterboxd.  Opening: "The Fire" by Dan_Mantau (c) 2022 - http://ccmixter.org/files/Dan_Mantau/64603 Licensed under Creative Commons Attribution Noncommercial (3.0) Closing: Pixie Pixels (featuring Kara Square) by spinningmerkaba (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/jlbrock44/53778  Additional comments? Email us: itsthepictures@gmail.com    

Hey Reservos! This week, we are discussing Jane Schoenbrun's I Saw The TV Glow (2024). Listen as we breakdown this devastating interpretation of the denial of one's true identity and the horrors of the  isolation and depression that comes with suppressing your authenticity. Enjoy!

Cinetopia show host Amanda Rogers, Cinetopia co-founder, is joined by Emma Jamieson and Clara Strachan for a special edition of the Cinetopia Radio Show, reflecting on highlights from the 78th Edinburgh International Film Festival (August 14–20, 2025). In this episode, the team looks back on the festival's standout films and shares exclusive conversations with some of the filmmakers and talent behind them.The team discusses four of the most talked-about titles from EIFF 2025, all of which will be ones to watch as they reach cinemas and streaming:Sorry, Baby: Opening this year's festival, Eva Victor's acclaimed comedy-drama follows Agnes (played by Victor herself) as she navigates friendship, creativity, and recovery after trauma. A Sundance favorite making its UK premiere, the film captures the subtleties of resilience with Victor's signature blend of wit and sensitivity.Bulk: The latest from Ben Wheatley, a mysterious, late-night thrill ride that world premiered at the festival. A quintessential midnight madness movie that is unsettling, mischievous, and full of Wheatley's signature energy.Two Neighbors: From the Edinburgh Fringe comes Ondine Viñao's visually stunning, punkish, and remarkably assured debut. A modern retelling of an Aesop fable with a viral-meme twist, it stars Anya Chalotra and Chloe Cherry as a struggling writer and a wealthy socialite whose lives collide over one chaotic night at a debauched party. With bold visuals and fearless humor, Two Neighbors is a wild ride that firmly establishes Viñao as a filmmaker to watch.Islands: A stylish neo-noir mystery from Jan-Ole Gerster, starring Sam Riley, Stacy Martin, and Jack Farthing. Set against the haunting beauty of Fuerteventura, it follows Tom, a washed-up tennis pro turned resort coach, numbing his emptiness with alcohol and fleeting affairs until a chance encounter with a mysterious family offers him a dangerous escape.Interview - Julie Pacino: On her debut feature I Live Here Now, Pacino discusses using horror to explore personal trauma, her decision to shoot on film, and inspirations from David Lynch to Jane Schoenbrun.Interview - Zlatko Burić, Ella Rumpf and Harry Lagoussis: The cast and director of Novak share the film's unusual inspiration, including the myth of Atlantis, and their collaborative process.Interview - Constantine Costi: Director of The Golden Spurtle talks about discovering this charming documentary subject, working with Charlie Miller, and capturing both the quirky porridge competition and the warmth of a Highland community.Whether you missed the festival or are curious about what is next on the cinematic horizon, this episode is your insider's guide to the films of EIFF 2025 and the ones you will want to look out for soon.

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. This week, Paul chose Jane Schoenbrun's second feature film, which they wrote and directed, I Saw the TV Glow (2024). The film is an allegory of the trans experience of "the egg crack" - the moment one realizes their identity doesn't correspond to their assigned gender. Throughout, Schoenbrun uses their cinematic, television, and musical influences to create a surreal, dissonant, and (spoiler; literal/figurative) heartbreaking examination of nostalgia, the narcotizing and liberating aspects of art, and a life unlived. A must-see.

"Sometimes The Pink Opaque feels more real than real life." On this episode, we're traversing The Midnight Realm and opening up a case file on Mr. Melancholy from I Saw The TV Glow. Topics include: writer/director Jane Schoenbrun's inspiration for the story, our own personal connections to the media that this is influenced by, how authentically this captures the miasma of 1990s suburbia, the way our feelings about the movie evolved after subsequent viewings, interpretations of the ending, the incredible soundtrack, and much more!  Apple Podcasts | Spotify | Facebook | Instagram Chris's Instagram | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler

Send us a textDo you like girls, boys, or TV shows? Al & Siena are bringing their bunny suits into the Pink Opaque for Siena's "Big Sad Gay Birthday Special" episode on DONNIE DARKO (2001) x I SAW THE TV GLOW (2024)! Find out about the recurring Twin Peaks dream that inspired Jane Schoenbrun, hear how watching football stoned helped Richard Kelly create the look of his wormholes, and listen to Siena's special TV GLOW-related announcement(!) on this teen angst edition of Splice & Splatter. Splice & Splatter is presented by the Jean Cocteau Cinema in Santa Fe, New Mexico with new episodes out every other Monday!Hosts: Al LaFleur and Siena Sofia BergtProducer: Warren LangfordTheme Song: Theodore SchaferFollow us on social media at linktr.ee/spliceandsplatterpodEnjoy full length video episodes and behind-the-screams on Youtube!Support the show

Send us a textFix your hearts or die! To close out Pride month we dive into the TV screen to examine Jane Schoenbrun's queer nostalgia drama: I Saw The TV GlowMusic and sound effects are provided by zapslat.com and bensound.com, and the theme song is "Graveyard Shift" by Kevin MacLeod. https://creativecommons.org/licenses/by/4.0/ 

Max and Evan are joined by horror afectionado and journalist Deirdre Crimmins to discuss tropes in Horror / Sci-fi. Before starting the episode, there's some brief discussion on GTA VI and some upcoming movies from James Grey and Jane Schoenbrun. Then the conversation turns to the featured topic with a discussion of some of the more common tropes in Sci-Fi / Horror. Finally, stay turned afterwards for a brief review of Marvel's Thunderbolts* Website: https://itsthepictures.libsyn.com/ itsthepictures.substack.com Download the episode today, and find us on Bluesky, Instagram, and Letterboxd.  Like the show? Review us on iTunes! We are also available on Stitcher, Spotify, and Letterboxd.  Opening: "The Fire" by Dan_Mantau (c) 2022 - http://ccmixter.org/files/Dan_Mantau/64603 Licensed under Creative Commons Attribution Noncommercial (3.0) Closing: Pixie Pixels (featuring Kara Square) by spinningmerkaba (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/jlbrock44/53778  Additional comments? Email us: itsthepictures@gmail.com

---Please rate, review & subscribe to The Movies wherever you listen to podcasts!Follow The Movies on Instagram, Bluesky and Letterboxd: linktr.ee/themovies_pod

I begin this episode by responding to some Movie Monday feedback for The Neverending Story from Joe Richter of Hindsightless and Jason Connerley of Nerd's RPG Variety Cast. This leads to me discussing a bunch of different films I've watched over the last couple of weeks. Phenomena dir. Dario Argenta (1985) The Quatermass Xperiment dir. (1955) Lifeforce dir. Tobe Hooper (1985) I Saw the TV Glow dir. Jane Schoenbrun (2024) Eyes Without a Face dir. Georges Franju (1960) Companion dir. Drew Hancock (2025) Find my Letterboxd profile at https://letterboxd.com/The39thMan/ The movie for April is the Rankin/Bass animation The Last Unicorn from 1982. See below for details on how to contact the show. The episode will air on April 28th, so please send your submissions by the 26th. Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ You can also find me on Discord by searching for freethrall This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Rivka and Frank join forces to dissect the 2024 indie horror gem I Saw the TV Glow, directed by Jane Schoenbrun. The pair dive into the film's political subtext, its hauntingly beautiful portrayal of suburban oppression, and its poignant power as a trans allegory.

Today's episode is on Jane Schoenbrun's breakout 2024 horror film - I Saw The TV Glow. Join us for a discussion that is alternately haunting and deeply silly, featuring playground parachutes, TV-based queer awakenings and Alice's love of soup.  Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky. [Image: A cropped poster for the movie I Saw The TV Glow, featuring our protagonist Owen sitting down, facing away from the camera staring into the pink static glow of an old TV set]

[REBROADCAST FROM May 1, 2024] "I Saw the TV Glow" is a new horror-meets sci-fi thriller about a teen who gets drawn into a mysterious TV show and loses his grip on reality. We speak with star Justice Smith and director Jane Schoenbrun about the film, which The Guardian calls "stunning" and "devastating."

What year is it? Well, it's 2024 - but not for long. It's our last episode of the year! Director of this year's I SAW THE TV GLOW Jane Schoenbrun joins us to talk about the conclusion of Twin Peaks: The Return, and, by default, the conclusion of our David Lynch series. In a show that intentionally defies the very concept of resolution, how do we put a bow on things? Well, we try! Shout out to Freddie and his glove. Oh, and Merry Christmas. Trauma is originary and unending. Stream I Saw The TV Glow on MAX Check out The Search for the Zone site The Box Office Game is Sponsored by Regal Cinemas: Sign up for Regal Unlimited today and get 20% off your 3 month subscription when using code BLANKCHECK Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

For the first time ever, we've invited 2 guests (Robyn Adams and Ari Drew) onto a Patreon episode to help us tackle a very dense, moving film in Jane Schoenbrun's I Saw the TV Glow (2024). This is a super-sized, main feed-style episode complete with a production history and a scene-by-scene breakdown so you don't want to miss it! Follow your co-hosts: > Robyn: @realrobynadams > Ari: @thearidrew Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!  Theme Music: Alexander Nakarada  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Pink Opaque! Raymond and Austin are joined by Mallory Blair to talk Jane Schoenbrun's I SAW THE TV GLOW. Listen along as they peel apart the many layers in this film, from the nuanced trans experience of "cracking open the egg" in the character's self-discovery, to the specificity of Schoenbrun's direction, to the philosophical metaphors we can use to get the most meaning out of this film. Enjoy! Join the SHOW ME THE MEANING! LIVESTREAM every Tuesday at 5 PM PST on the Wisecrack 2 channel! https://youtube.com/@wisecrack_2 Follow us on Twitter! @austin_hayden (Austin) @creamatoria (Raymond) © 2024 Wisecrack / Enthusiast Gaming Learn more about your ad choices. Visit podcastchoices.com/adchoices

After earning raves at Sundance and SXSW, Jane Schoenbrun's haunting and insightful new film has made it to theaters. Adam and Josh have a review and hand out their William Wyler Marathon Awards.  (Timecodes will not be precise with ads; chapters may start early.) Review: “I Saw the TV Glow” (00:02:19-00:26:29) Next Week, Notes (00:26:30-00:31:24) Massacre Theatre (00:31:25-00:39:20) Wyler Marathon Awards (00:39:21-01:16:16) Notes/Links: Mitchell Beaupre on “I Saw the TV Glow” https://letterboxd.com/mitchell/film/i-saw-the-tv-glow/ William Wyler Marathon https://www.filmspotting.net/marathons Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Contact us: https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

I Saw the TV Glow is a strange and pleasantly unsettling new film from writer and director Jane Schoenbrun. It's about two teenagers (Justice Smith and Brigette Lundy-Paine) who bond so strongly over a cult monster-of-the-week TV show that it becomes their entire identities. When the show gets canceled, their bond dissolves – until years later, when one of the teens sweeps back into the other's life, bearing secret knowledge that could change everything.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sean and Amanda answer your questions about the 2024 box office, roasts, YouTube movie clips, repertory theaters, and more (1:00). Then, Sean is joined by Mean Pod Guy Adam Nayman to discuss an exciting new release, Jane Schoenbrun's ‘I Saw the TV Glow,' and its unique blend of body horror, nostalgia, and identity (1:15:00). Finally, Sean is joined by Schoenbrun to discuss the making of the movie, growing up hooked in to television, and what kind of films they're interested in making moving forward (1:45:00). Hosts: Sean Fennessey and Amanda Dobbins Guests: Jane Schoenbrun and Adam Nayman Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's On-Screen Live, we're reviewing Jerry Seinfeld's Pop-Tart origin story/biopic disaster, Unfrosted, as well as David Leitch's messy action flick, The Fall Guy and the latest from A24 and Jane Schoenbrun, I Saw the TV Glow! We're also reacting to the latest trailer for the next Star Wars series, The Acolyte, along with looking over the, frankly underwhelming, weekend box office! Don't miss the WHM Texas Two-Step! This May we're doing two nights in the Lone Star state, starting in Houston on 5/14, talking Robocop 2 at the Houston Improv! Then on 5/15, night two is happening in Austin, where we'll be talking about one of our faves, From Dusk Till Dawn, at Cap City Comedy! Click through here for all ticketing information! And be sure to scope out our new NIGHT VISION and TOO OLD FOR THIS SHIT merch designs in our Tee Public shop! On-Screen Live airs Mondays @ noon/EST on our YouTube and Twitch channels, so subscribe to the show on both!

Brittany sits down with Jane Schoenbrun, the director of A24's coming of age horror film, I Saw The TV Glow. Brittany and Jane discuss suburban decay, delightfully creepy kids shows, and new metaphors for the trans experience.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy