Podcasts about chlo zhao

Die große Jahresvorschau 2026 – Von Zombies, Weltraumabenteuern und einem Cliffhanger-Reboot Frohes neues Jahr! Timo und Zeljko melden sich aus der Zukunft – oder der Vergangenheit? Egal, sie sind da und starten direkt mit einem Paukenschlag: Der Podcast zieht um! Ab der nächsten Folge gibt's Once Upon A Time In Cinema immer sonntags. Warum? Mehr Zeit für aktuelle Kino- und Streaming-Starts, um euch noch frischer mit Infos zu versorgen. Aber bevor es soweit ist, werfen die beiden einen Blick auf das, was das Filmjahr 2026 zu bieten hat. Zeljko ist schon ganz heiß auf den Januar und 28 Years Later: The Bone Temple, den zweiten Teil der neuen Zombie-Trilogie. Ein weiteres Highlight auf seiner Liste ist Street Fighter, der mit Jason Momoa und 50 Cent aufwartet – auch wenn Timo sich hier mehr Härte gewünscht hätte. Auch auf Mortal Kombat 2 freut er sich riesig. Timo hat eine ganze Liste mit über 40 Filmen vorbereitet! Er startet mit dem iranischen Crime-Drama It Was Just an Accident und freut sich auf Hamnet von Chloé Zhao. Ein besonderes Highlight für ihn ist Project Hail Mary, die Verfilmung des Andy Weir-Romans mit Ryan Gosling und Sandra Hüller. Auch auf den neuen Narnia-Film von Greta Gerwig ist er gespannt, ebenso wie auf The Drama mit Robert Pattinson und Zendaya. Horrorfans dürfen sich auf The Bride (Maggie Gyllenhaals Frankenstein-Film), They Follow (das Sequel zu It Follows) und den neuen Robert Eggers Film The Werwulf freuen. Aber auch Skurriles wie Animal Friends mit Ryan Reynolds und Aubrey Plaza oder Ti Wests Horror-Version von A Christmas Carol, Ebenezer, stehen auf dem Plan. Gemeinsam diskutieren sie über das kommende Cliffhanger-Reboot mit Pierce Brosnan und Franz Rogowski, das Zeljko überraschend positiv stimmt. Auch der dritte Teil von Dune steht im Raum, bei dem Zeljko noch unsicher ist, ob er ihn im Kino sehen wird, während Timo sich auf The Adventures of Cliff Booth, das Once Upon a Time in Hollywood-Prequel von David Fincher, freut. Neben den großen Blockbustern werfen sie auch einen Blick auf kleinere Perlen wie The Shrinking Man oder den Horrorfilm Backrooms von A24. Und natürlich darf auch ein kleiner Exkurs zu Silvester-Traditionen (Dinner for One und eine mögliche Prequel-Serie zu Miss Sophie!) nicht fehlen. Eine vollgepackte Vorschau auf ein spannendes Kinojahr, mit vielen persönlichen Tipps, kontroversen Meinungen und der gewohnten Portion Leidenschaft. Also, nicht wundern: Die nächste Folge kommt am Sonntag! Bis dahin: Ohren auf und ab in die Welt von "Once Upon A Time In Cinema - Der Filmpodcast" – diesmal noch am Donnerstag! ____ Der Film-Podcast mit Zeljko und Timo Anfragen: ouatic@gmx.de https://letterboxd.com/OuaticPodcast https://instagram.com/onceuponatimeincinema_

O QueIssoAssim 342 – Expectativas 2026 chega com tudo para quem ama cinema, séries e cultura pop. Neste episódio especial do podcast, Brunão e Baconzitos recebem a amiga Andreia, do Livros em Cartaz, para uma conversa recheada de hype, apostas e boas reflexões sobre os filmes e séries mais esperados de 2026 — além de um balanço sincero do que marcou o consumo audiovisual em 2025. Se você gosta de ficar por dentro dos próximos lançamentos de Hollywood, adaptações literárias, continuações aguardadas e novas apostas de diretores consagrados, este episódio é praticamente obrigatório.

In this episode of Editors on Editing, Glenn is joined by writer, director and editor Chloé Zhao and her editor, Alffonso Gonçalves. Chloé has written, directed and edited all of her films, including Songs My Brothers Taught Me, The Rider,  Nomadland, for which she was nominated as an editor for the BAFTA, Eddie and Oscar. She won the Oscar for directing Eternals. Alffonso's credits include Mildred Pierce for which he was nominated for the Eddie, Beasts Of The Southern Wild, True Detective, for which he was nominated for a primetime Emmy and won the Eddie, Carol, The Velvet Underground, for which he was co-nominated for the Eddie and, The Lost Daughter. Now Chloé & Alffonso have brought their exquisite skills to the mesmerizing film, Hamnet.Thanks again to ACE for partnering with us on this podcast, check out their website for more.Thanks also to Focus Features, and Hamnet for helping to make this podcast happen. Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!  

In this episode of Puny Pod, Ryan and David take on one of the MCU's most ambitious—and divisive—films: Eternals. From ancient Mesopotamia to modern-day Marvel, the conversation dives deep into cosmic lore, Jack Kirby's massive ideas, and what happens when Marvel trades quips for existential dread. The hosts break down the film's sprawling ensemble cast, Chloé Zhao's distinct directorial style, and the complicated mythology of Eternals, Deviants, and Celestials. Along the way, they explore why this movie looks incredible, why it confused so many viewers on first watch, and how its themes of free will, duty, and humanity set it apart from traditional MCU entries. Expect thoughtful analysis, comic-book history, first-watch vs. rewatch perspectives, and plenty of Puny Pod banter as Ryan and David wrestle with a movie that asks big questions—and isn't afraid to slow things down to do it. Love it or hate it, Eternals is a swing for the fences, and this episode gives it the full deep-dive treatment. Themes by J.R. Trimpe: https://trimpe.org/ ---------------- Support the show! Check out our super secret spoiler show on the EarzUp! Patreon Visit us on Etsy for the official Puny Pod Merch Come say hi on Discord! Subscribe on iTunes Start your own podcast with Zencastr Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textIn today's episode, I interview Giovanna Ferrari, director of the animated short film "Éiru," her directorial debut which is currently on the shortlist for Best Animated Short Film for the 98th Academy Awards.Listen to hear about the inspiration for the story that stemmed from Giovanna's own travels around the world, the importance of being willing to see the world through the eyes of people not like ourselves, and whether an entire generation can feel like they lack a voice in the world.Books mentioned in this episode include:Victory City by Salman RushdieParable of the Sower by Octavia E. ButlerThe Handmaid's Tale by Margaret AtwoodQ by Luther BissetFilms and TV shows mentioned in this episode include:"Éiru" directed by Giovanna FerrariSong of the Sea directed by Tomm MooreThe Breadwinner directed by Nora TwomeyWolfwalkers directed by Ross Stewart and Tomm Moore"Screecher's Reach" (Star Wars Visions episode)My Father's Dragon directed by Nora TwomeyPrincess Mononoke directed by Hayao MiyazakiThe Power of the Dog directed by Jane CampionAmarcord directed by Federico FelliniAlien directed by Ridley ScottSilence of the Lambs directed by Jonathan DemmeHamnet directed by Chloé Zhao"Late Afternoon" directed by Louise BagnallJulián directed by Louise BagnallFollow the film on Instagram @eiruofficial and Giovanna @ferrarianimation.Support the show

Sure, some years are better than others, but great movies come out every year. But in very few years has a film had the emotional impact HAMNET had in 2025. Even if it's not your favorite genre, your soul needs to see Chloé Zhao's HAMNET. Paul Mescal is great as William Shakespeare, but Jessie Buckley and Jacobi Jupe send this one into outer space. So let's talk about it...

In this episode, host Aaron Fullerton speaks with screenwriter-director Chloé Zhao(Eternals, Nomadland) about crafting her latest film Hamnet, the art of adaptation, where she finds creative inspiration, and much more.

The Cinematic Schematic hosts Caleb Masters and Laron Chapman are joined by deadCenter Film Festival director of programming, Sunrise Tippeconnie, to discuss the recent Netflix bid for Warner Bros. and before reviewing Chloé Zhao's, Hamnet. The post ‘Hamnet' Explores Death, Grief, and How Communal Storytelling Heals – The Cinematic Schematic appeared first on The Cinematropolis.

The boys head to prison on Devil's Island to discuss 1973's “Papillon”! One of the highest-grossing movies of the year, this true-story account of Steve McQueen's character befriending Dustin Hoffman's character to help keep each other alive and prepare their escape from the no-chance-of-return prison, a world away from their native France. Made by the team behind Oscar-winner “Patton” from 1971, shot very much on location, some call this McQueen's best performance. Before we get into it, John gives us a mini-review of “Hamnet”, the romantic drama film by Chloé Zhao starring Paul Mescal and Jessie Buckley, based on the book based on the play. Grab a beer and join in!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:41 John's “Hamnet” mini-review; 15:08 1973 Year in Review; 41:21 Films of 1973: “Papillon”; 1:24:21 What You Been Watching?; 1:29:08 Next Week's Episode Teaser Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Cast & Crew: Chloé Zhao, Maggie O'Farrell, Paul Mescal, Jessie Buckley, Fred J Koenekamp, Henri Charriere, Dalton Trumbo, Lorenzo Semple Jr., William Goldman, Franklin J. Schaffner. Recommendations: Hamnet, Welcome to Derry, The Witcher, Slow Horses, Home Alone, The Righteous Gemstones, Sisu 2, Pluribus, The Exorcist, Enter The Dragon, Live and Let Die, The Sting, American Graffiti, Soylent Green. Additional Tags: French Guyana, Paris, Honduras, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

This week Karen Peterson (@karenmpeterson) & Derek Miranda (@DerekMiranda85) sit down to talk HAMNET. As always, featured reviews are done in two parts, a NON-SPOILER review with letter grade and brief discussion, followed by a more in depth SPOILER review. PLOT SUMMARY: William Shakespeare and his wife, Agnes, celebrate the birth of their son, Hamnet. However, when tragedy strikes and Hamnet dies at a young age, it inspires Shakespeare to write his timeless masterpiece "Hamlet." Directed by: Chloé Zhao Written by: Chloé Zhao, Maggie O'Farrell Starring: Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, Noah Jupe   @TheWatchAndTalk (Twitter/Instagram) Letterboxd.com/TheWatchandTalk Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com Support the show! www.Patreon.com/TheWatchAndTalk

On episode 319 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Mark Johnson, and Josh Parham to go back five years and take a look at the 93rd Academy Awards, covering the films of 2020. On this retrospective, the AW team take one last trip to the past for the year to talk about the pandemic year of cinema that saw one of the worst Oscar telecasts of all time. Baffling decision after another, the night ended on a sour note instead of one of celebration for Nomadland winning the top prize and Chloé Zhao becoming the second female director to win Best Director. Still, even with the ceremony being so divisive, the year presented plenty of films the team wanted to highlight and discuss over the course of changing the Academy's nominations, with films such as The Nest, Tenet, Miss Juneteenth, Never Rarely Sometimes Always, Clemency, Dick Johnson is Dead, I'm Thinking of Ending Things, The Father, Sound of Metal, Minari, Judas and the Black Messiah, and more. In their in-depth discussion, the AW team talked about the film year of 2020, briefly discuss talk about Nomadland as a Best Picture winner, how this year is full of celebrities that are problematic or "cancelled" and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of eight nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 2h41m. We will be back in next week for a review of the last big film of the year, Avatar: Fire and Ash. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Talkin' Chloé Zhao's new film with Jim Laczkowski

Robbie gives you his thoughts on Chloé Zhao's latest film Hamnet.Rating: ⭐️⭐️⭐️⭐️½Letterboxd Review: https://boxd.it/bWPIPpAdditional Links Geek on Film - ⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠TikTok⁠⁠⁠ | ⁠⁠⁠Twitter⁠⁠⁠ | ⁠⁠Facebook⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Store⁠⁠⁠⁠⁠⁠⁠ Robbie (The Geek) Holmes - ⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠Podcast theme song provided by: ⁠⁠⁠⁠⁠Sam Cone

Early screenings of Chloé Zhao's Hamnet had critics weeping in the aisles Host Alex Heeney left it dry-eyed — and so did her guest, Angelo Muredda. We're Shakespeare fans, long-time film critics, and not exactly immune to a good cry — so in this episode, we try to figure out why the film didn't land. We dig into what works in the film (a short list) and what doesn't (a longer one), where the adaptation of Maggie O'Farrell's novel went awry, and whether having read a synopsis of Hamlet on Wikipedia might actually impede your enjoyment of the film.

Medtem ko je Shakespeare s Hamletom ustvaril moško gledališko vlogo, po kateri vsaj po tihem hrepeni marsikateri igralec in ki – poleg kralja Leara – pogosto velja za enega vrhuncev igralčeve kariere, je režiserka in scenaristka kitajskega rodu Chloé Zhao ustvarila žensko filmsko vlogo, ki zlahka parira legendarnemu danskemu kraljeviču. Že res, da naslov najnovejšega celovečerca oskarjevske nagrajenke za režijo nosi moško ime, Hamnet, vendar je glavna nosilka ženska. Močna, z naravo tesno povezana ženska, ki si dovoli intenzivna čustva, ki se med porodom ne pusti utišati in ki bolečine ob izgubi otroka ne zavije v vato, ampak ji dovoli, da jo preplavi celo in vso. Jessie Buckley je fantastična – močna, ranljiva, srečna, ljubljena, zaljubljena … kar koli je od nje zahtevala vloga Agnes, je igralka izpeljala tako polnokrvno, da gledalca osupne. Tudi prepuščanje drugemu, pa naj bo v ljubezni ali – čisto ob koncu – v bolečini, ki jo lahko delijo le starši umrlega otroka. To zadnje pa seveda ne bi bilo mogoče, če ji na drugi strani ne bi stal enakovreden partner in Paul Mescal to vsekakor je. Njegov Will – seveda je že zelo kmalu jasno, da gre za Shakespeara, čeprav to niti ni zares pomembno – je vreden ženske, kakršna je Agnes. Enako strast in odrešitev, ki jo njej prinaša narava, jo njemu umetnost in to je nazadnje točka, v kateri se žalujoča zakonca naposled vendarle spet stakneta. Maggie O'Farrell, avtorica literarne uspešnice Hamnet, po kateri je film posnet, se je oprla na eno od različic o nastanku Shakespearove drame, niti ne najbolj verjetno, vsekakor pa daleč najbolj fotogenično. Znano je, da je imel Shakespeare tri otroke in eden od njih je bil deček Hamnet, ki je pri enajstih letih umrl. Vzrok smrti ni znan, znano pa je, da je drama Hamlet nastala le nekaj let pozneje in zarezala v gledališko in literarno zgodovino kot redkokatero drugo delo. Ali je bila smrt otroka zares glavni vzrok za nastanek legendarne drame – besedi Hamlet in Hamnet sta sinonim, saj so ju v takratni jezikovni maniri pogosto zapisovali kot popolnoma enaki –, najbrž ne bomo nikoli izvedeli, vsekakor pa je zgodba izvrstno izhodišče za vzpostavitev močne ženske in moške energije ter katarzične moči umetnosti, ki ju preseže. Režiserka Chloé Zhao pravi, da se je ob pomoči Hamneta spoprijela s svojimi najglobljimi strahovi in iskala pot, kako kljub minljivosti in izgubam življenje živeti čim bolj odprto, čim bolj celovito, odgovor pa ponuja v obliki izjemnega, skoraj rušilno močnega filma, v katerem energije preplavljajo filmsko dvorano v maniri najpristnejše gledališke katarze. Nekoliko jih zmanjka le v zadnji tretjini filma, a to je skoraj že dlakocepstvo.

Chloé Zhao's Hamnet emotinoally breaks us in the best way possible. We have incredibly different viewing experiences for Fackham Hall.Find us at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.werewatchingwhat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/thedhkmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tiktok.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠

This bonus Out Now with Aaron & Abe features another trio of reviews for 2025's prestige films. Aaron and Abe spend this episode focusing on these Fall 2025 releases from Kathryn Bigelow, Richard Linklater, and Chloé Zhao, with plans for at least one more triple-header bonus. Tune in to hear reviews for A House of Dynamite (4:37), Nouvelle Vague (40:38), and Hamnet (1:00:58). So now, if you've got an hour or so to kill… Get yourself a free audiobook and help out the show at AudibleTrial.com/OutNowPodcast! Follow all of us on Twitter/Bluesky: @Outnow_Podcast, @AaronsPS4, @WalrusMoose Check out all of our sites, podcasts, and blogs:  TheCodeIsZeek.substack.com, Why So Blu?, We Live Entertainment Check out Aaron's reviews for A House of Dynamite and Hamnet. Next Week's Show: Ella McCay

Chloé Zhao was the second woman to ever win an Oscar for Best Director, for her 2020 film “Nomadland.” After taking a wide turn to create the Marvel supernatural epic “Eternals,” Zhao has taken another intriguing change of direction with “Hamnet,” based on Maggie O'Farrell's novel about how William Shakespeare coped with the death of his only son. In conversation with the New Yorker staff writer Michael Schulman, Zhao discusses the role that nature plays in her filmmaking, from the American West to the forests of Britain; the process of adapting manga to film; and how neurodivergence informs her creative process.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

For this week's main podcast review, Megan Lachinski, Josh Parham, Dan Bayer, and Brendan Hodges join me to discuss the latest film from Academy Award-winner Chloé Zhao, "Hamnet," starring Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, and Noah Jupe. The historical drama film co-written by Maggie O'Farrell, the author of the title novel this film is based on is a largely fictional story dramatizing the marriage between Anne Hathaway (Agnes Hathaway in the novel and film) and William Shakespeare, and the impact of the tragic death of their 11-year-old son Hamnet on their relationship, which inspired Shakespeare's iconic play "Hamlet." The film had its world premiere at the Telluride Film Festival and has been drawing tears from audiences everywhere it plays, including the Toronto International Film Festival, where it won the People's Choice Award. What did we think of it, though? Please tune in as we discuss the story, performances, cinematography, score, whether it made us as emotional as intended, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Costume designer Małgosia Turzańska reveals the emotional secrets, symbolic textures, and behind-the-scenes artistry that shaped Hamnet—and how grief, intuition, and collaboration transformed the film from the inside out. In this deeply human conversation, Hamnet costume designer Małgosia Turzańska opens up about creativity, vulnerability, and the profound emotional undercurrents that guided her work. She shares how a missed chemistry test led her to filmmaking, how one breathtaking Almodóvar film unlocked her understanding of costume design, and how she builds characters from raw instinct—starting with "emotional lookbooks" drawn from nature, texture, and intuition rather than pure historical rigor. Małgosia discusses designing Agnes (Anne) and Will from the inside out, using bark cloth, color symbolism, quilted protection, and slashed leather to reflect trauma, longing, generational wounds, and rebirth. She details working with director Chloé Zhao, describing a process fueled by continuous discovery, voice-memo inspirations, and a film family centered on empathy and emotional truth. The conversation grows especially moving as Małgosia describes losing her father during production, and how grief intertwined with the film's themes, becoming both a burden and a blessing. She reflects on collaboration, artistry as healing, and the myth that costume design is "just decoration"—revealing instead how costumes become storytelling engines. This intimate, vulnerable episode is a masterclass in creativity, symbolism, filmmaking, and the emotional backbone of collaborative art. The "Voice of Costume" is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation with Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/

Director and writer Chloé Zhao discusses her new film "Hamnet," an adaptation of the bestselling novel by Maggie O'Farrell. The film tells the story of William Shakespeare, his wife Agnes, and the tragic loss of their son Hamnet. "Hamnet" is in theaters now.

Chloé Zhao's Hamnet is one of the most haunting and best films of the year. Left-Handed Girl is a love letter to Taipei. Fackham Hall satirizes the likes of Downton Abbey but is it satisfying? Find us at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.werewatchingwhat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/thedhkmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tiktok.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠

Evan is back! We're happy to have him. First up is Megan's solo turn on HAMNET (2:19), director Chloé Zhao's adaptation of Maggie O'Farrell's novel (with a screenplay by Zhao and O'Farrell), a historical drama about Anne Hathaway and William Shakespeare's marriage following the tragic death of their 11-year-old son. Then Evan, Megan, and Dave talk about Paul Thomas Anderson's ONE BATTLE AFTER ANOTHER (15:16), but Dave is called away mid-conversation by a child in need (one of his, not some rando who wandered in from the hinterlands). Evan and Megan pick up the conversation and then discuss writer-director Jafar Panahi's latest, the nakedly anti-authoritarian thriller IT WAS JUST AN ACCIDENT (42:09), which won the Palme d'Or at Cannes and is France's submission for Best International Feature Film at the 2026 Academy Awards. Over on Patreon, we talk about our poll winner, the 2013 summer movie THE WAY WAY BACK.

HAMNET MOVIE REVIEW It's important to remember when looking at biopics about real people that we actually know very little about, that being queeny about the historical details is entirely besides the fact. Guarantee that director Chloé Zhao knew that when she signed up to make the film Hamnet and it was never intended to […]

Since it was penned more than four hundred years ago, Shakespeare's “Hamlet” has been in production nearly continuously, and has been adapted in many ways. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider why this story of a brooding young prince has continued to speak to audiences throughout the centuries. They discuss the new film “Hamnet,” directed by Chloé Zhao, which recasts the writing of “Hamlet” as Shakespeare's response to the death of his child; Tom Stoppard's absurdist play “Rosencrantz and Guildenstern Are Dead”; Michael Almereyda's 2000 “Hamlet,” which presents the protagonist as a melancholy film student home from college; and other adaptations. What accounts for this story's hold over audiences, centuries after it was written? “I think it endures because every generation has its version of the incomprehensible,” Cunningham says. “It's not just death—it's politics, it's society. Everybody has to deal with their own version of ‘This does not make sense and yet it is.' ”Read, watch, and listen with the critics:“Hamnet” (2025)“Hamnet,” by Maggie O'Farrell“Hamlet,” by William ShakespeareKenneth Branagh's “Hamlet” (1996) Michael Almereyda's “Hamlet” (2000)“Rosencrantz and Guildenstern Are Dead” (1990)John Gielgud's “Hamlet” (1964)Robert Icke's “Hamlet” (2017, 2022)“Every Generation Gets the Shakespeare It Deserves” by Drew Lichtenberg (The New York Times)“Hamlet and His Problems" by T. S. EliotNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

HAMNET MOVIE REVIEW It's important to remember when looking at biopics about real people that we actually know very little about, that being queeny about the historical details is entirely besides the fact. Guarantee that director Chloé Zhao knew that when she signed up to make the film Hamnet and it was never intended to […]

This week, Guy Branum and Rheerheeq Chainey join Louis to celebrate not watching another season of Stranger Things and recount their all-time favorite Winona Ryder roles. They break down Chloé Zhao's new film, Hamnet, and its chances in the awards field. They also take a moment to fan themselves after watching the new sultry hockey drama, Heated Rivalry, on HBO Max.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hamnet, the acclaimed novel by Maggie O'Farrell, is now a major film. The story imagines the life and death of Shakespeare's son, Hamnet, whose loss would later echo through one of his most famous tragedies, Hamlet. O'Farrell joins director and co-writer Chloé Zhao to reveal how they adapted the novel for the big screen. With Jessie Buckley as Agnes and Paul Mescal as William, the film reframes the Shakespeare family story as one of deep love, rupturing grief, and artistic creation. O'Farrell and Zhao discuss developing the screenplay together, interpreting Shakespeare as a husband and father, building the film's immersive natural world, and shaping an unforgettable Globe Theatre sequence that anchors the emotional arc of the story. O'Farrell and Zhao talk about adaptation, artistry, and how a 400-year-old loss continues to inspire new ways of imagining Shakespeare's life and legacy. From the Shakespeare Unlimited podcast. Published December 2, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Friend of the pod Katherine Scheil is the author of Imagining Shakespeare's Wife: The Afterlife of Anne Hathaway and the co-editor of the upcoming Palgrave Handbook of Shakespearean Biofiction, is the perfect person to talk about Chloé Zhao's film version of Hamnet, Maggie O'Farrell's 2020 novel. Scheil highlights some of the differences between the novel and the film; some head-scratching marketing choices; how the novel and (especially) Jessie Buckley's performance, empower Shakespeare's wife in a way we've never seen before; and a curious similarity between Paul Mescal in Hamnet and Tim Allen in Galaxy Quest. (Length 23:21) The post Hamnet, The Movie appeared first on Reduced Shakespeare Company.

In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4

Oscar winning director Chloé Zhao returns to the Filmmaker's Toolkit to break down the devastating emotions and enthralling craft of her new film "Hamnet." You'll wont want to miss Zhao's in-depth breakdown of the ending, and how she achieved such a delicate triumph. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices

Composer Max Richter joins guest host Jon Burlingame to discuss his luminous, emotionally rich score for “Hamnet,” the new film from director Chloé Zhao. In their conversation, Richter shares how early musical sketches shaped the production, how he blended period instruments with processed textures, and how the film's psychological and natural landscapes guided his approach. And as Richter explains, Elizabethan-era music became a key creative touchstone for capturing the film's folkloric sensibility.“Elizabethan music is one of my great passions, really. It's an amazing moment in English music history where you have this community of composers writing just extraordinary things, both instrumental and chorally. It was a wonderful opportunity for me to go back and connect to that material… Which evoked what [director] Chloé [Zhao] called the witchy sensibility of the sort of folkloristic… maybe dark fairytale quality of the relationship with nature and the connection between human beings and nature.”—Max Richter, Composer, “Hamnet”Be sure to check out “Hamnet,” now playing in theaters in Dolby Vision® and Dolby Atmos®, where available.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4

Kelsi and Trey break down why Hamnet might genuinely be the best film of 2025 from Chloé Zhao with career-defining performances by Jessie Buckley and Paul Mescal. Then we dig into Wake Up Dead Man: A Knives Out Mystery, exploring how Rian Johnson and Daniel Craig reinvent the whodunnit once again with sharp satire. If you enjoy the episode, consider signing up for our Patreon below. Free members already get exclusive access to dozens of bonus episodes, and full members unlock our entire archive of 80+ deep dives, commentaries, and monthly recaps.Hamnet (start of pod)Wake Up Dead Man (01:13:45)⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

History has not graced us with many details about Shakespeare as a person, but we do know that he and his wife had three children, including a son named Hamnet who died at the age of 11 in 1596, four years before Shakespeare went on to write his great tragedy “Hamlet.”Maggie O'Farrell's novel “Hamnet” — one of the Book Review's 10 Best Books of 2020, and the source of Chloé Zhao's new movie of the same name — starts from those scant facts, and spins them into a powerful story of grief, art and family steeped in the textures of late-16th-century life.In this episode of the Book Review Book Club, host MJ Franklin discusses “Hamnet” with his colleagues Leah Greenblatt, Jennifer Harlan and Sarah Lyall. Other works mentioned in this podcast:“Hamlet,” “King Lear,” “Macbeth,” “The Winter's Tale,” by William Shakespeare“Little Women,” by Louisa May Alcott“Grief Is the Thing With Feathers,” by Max Porter“Lincoln in the Bardo,” by George Saunders“Fi,” by Alexandra Fuller“Things In Nature Merely Grow,” by Yiyun Li“The Accidental Tourist,” by Anne Tyler“Will in the World” and “Dark Renaissance,” by Stephen Greenblatt“Gabriel,” by Edward Hirsch“Once More We Saw Stars,” by Jayson Greene“The Dutch House,” by Ann Patchett Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Live from Los Angeles, Matt is joined by director Chloe Zhao ('Hamnet') to discuss what she learned from Steven Spielberg producing her movie, how she developed her visual style, directing a Marvel movie, casting ‘Hamnet', the COVID Oscars, and her plans to work in anime (00:41). Matt finishes the show with an opening weekend box office prediction for ‘Zootopia 2' (21:45). For a 20 percent discount on Matt's Hollywood insider newsletter, ‘What I'm Hearing ...,' ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠click here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Email us your thoughts! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thetown@spotify.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Host: Matt Belloni Guest: Chloe Zhao Producers: Craig Horlbeck and Jessie Lopez Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you cook the bird, we'll bring the sides for you on this Thanksgiving Week episode of Breakfast All Day. Here are the big movies coming out that we reviewed: WAKE UP DEAD MAN. The third movie in Rian Johnson's "Knives Out" series has more on its mind than its predecessors. But the latest murder mystery is just as fun in its twists and turns, and it features yet another delightful performance from Daniel Craig as Detective Benoit Blanc. This is a non-spoiler review, because as always, the less you know the better. In select theaters Nov. 26 before streaming on Netflix Dec. 12. HAMNET. A major awards contender with a ton of hype, but our review isn't quite so fawning. Director and co-writer Chloé Zhao's film is inspired by the true story of William Shakespeare and his wife as they deal with the devastation of losing their son, Hamnet, at age 11. Paul Mescal and Jessie Buckley co-star. In select theaters Nov. 26 before expanding Dec. 5. REBUILDING. It's Josh O'Connor Week (he's also in "Wake Up Dead Man"), which is just fine with us. Here he stars as a cowboy struggling to put his life back together after a wildfire ravages his Colorado ranch. This is a quietly moving indie gem that we both loved. Lily LaTorre is excellent as his young daughter. Find out here if it's playing hear you: https://bleeckerstreetmedia.com/rebuilding Thanks for spending some of your time with us during this busy holiday week. We're so grateful for you! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

    On this episode, JD and Brendan discuss Chloé Zhao's emotionally powerful film HAMNET, starring the great Jessie Buckley and Paul Mescal!   Visit https://insessionfilm.com for merch and more!   Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content!    Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

“One Battle After Another” star Regina Hall discusses her role in Paul Thomas Anderson's film, her return as Brenda in "Scary Movie 6" and what's next. Also, writer/director Chloé Zhao discusses the spiritual dimensions of "Hamnet," working with child actors and why her upcoming "Buffy the Vampire Slayer" sequel pilot required an entirely different skill set. And the Awards Circuit Roundtable discusses the main contenders for Netflix, the winners of regional festivals and the dark horses in the Oscar race. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week in PREVIOUSLY ON… Jason and Rosie break down the latest trailer for Marvel’s Wonder Man, arriving January 27th. They also discuss filmmakers Chloé Zhao and Nicolas Gonda launching Kodansha Studios, which will bring some of Kodansha’s biggest manga titles to life in live-action. Then, they share their box office predictions for Dan Trachtenberg’s new Predator film, Predator: Badlands, before reacting to the news that Gremlins 3 is officially a go - with Steven Spielberg and Chris Columbus returning! Finally, they wrap up with news that Jennifer Lawrence and Emma Stone are teaming up to produce a new Miss Piggy film, written by Tony Award winner Cole Escola. Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

Claire and Gavia review some highlights from the 2025 London Film Festival, ranging from big upcoming releases (the new Knives Out movie Wake Up Dead Man) to awards contenders (Chloé Zhao's Hamnet) and exciting indie titles like Kelly Reichart's heist drama The Mastermind, and the queer BDSM romcom Pillion, starring Alexander Skarsgard.

Chloé Zhao discusses “Hamnet”, a powerful tale of love, grief, and artistic transformation, at the 20th Rome Film Fest. The post “Hamnet”, interview with the director Chloé Zhao appeared first on Fred Film Radio.

Well, here we are. Chloe Zhao's Hamnet - one of the most critically acclaimed movies of the year - premiered at the BFI London Film Festival two weeks ago. Since it's premiere at Telluride back in late August, this movie has been billed as a locked-in OSCAR contender and potentially one of the biggest threats to WIN Best Picture. Reviews like that always get on my nerves because it's classic film festival overhype. You watch a movie surrounded by all the cast & crew and thousands of like-minded movie fans and, inevitably, the hype is going to be through the roof. All that being said, I watched this movie at a film festival as well... so I'll be telling you all today whether the hype was real. I've been a little nervous going into Hamnet because, while the trailers have excited me and the reviews were certainly promising, I am neither a Chloe Zhao guy or a Shakespeare guy. Zhao's movies have always felt cold to me and I truly believe that Nomadland is probably one of the worst Best Picture winners.... of all-time! But, I'm happy to report that Hamnet is the first time that I've truly been able to connect with one of her movies. Find out why in this review!Hmanet:Directed by: Chloé ZhaoScreenplay by: Chloé Zhao, Maggie O'FarrellBased on the novel "Hamnet" by Maggie O'FarrellProduced by: Liza Marshall, p.g.a., Pippa Harris, p.g.a, Nicolas Gonda, p.g.a., Steven Spielberg, p.g.a., Sam Mendes, p.g.a.Executive Producers: Laurie Borg, Kristie Macosko Krieger, Chloé ZhaoMusic by: Max RichterDirector of Photography: Lukasz ZalEdited by: Alfonso Gonçalves, Chloé ZhaoCasting by: Nina GoldProduction Design by: Fiona CrombieCostume Design by: Malgosia TurzanskaCast: Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, David Wilmot, Bodhi Rae Breathnach, Olivia Lynes, Freya Hannan-Mills, Noah JupeSynopsis: The powerful story of love and loss that inspired the creation of Shakespeare's timeless masterpiece, Hamlet.

This week, Hanna speaks to Channing Tatum, Kirsten Dunst, & director Derek Cianfrance about their true-crime comedy-drama ROOFMAN (07:49), while we review Aziz Ansari's feature debut GOOD FORTUNE (30:10) and Luca Guadagnino's college campus drama AFTER THE HUNT (44:21). Plus, in our HOT TAKE (01:02:45), we discuss Chloé Zhao's recent statement that, for directors, budget “limitations, I promise, are your best friend”. If you would like to donate directly towards humanitarian aid in Gaza please visit:https://www.map.org.uk/https://www.safebowgazanaid.com/take-action-nowPre-Order Clarisse's Wes Anderson book ⁠here⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! AMON: ⁠@Amonwarmann ⁠CLARISSE:  ⁠@clarisseloughrey⁠HANNA: ⁠@hannainesflint⁠Music by ⁠The Last Skeptik⁠

Nuacht Mhall. Príomhscéalta na seachtaine, léite go mall.*Inniu an fichiú lá de mhí Mheán Fómhair. Is mise Liam Ó Brádaigh. Tá go leor daoine sa tionscal scannánaíochta agus níos faide i gcéin ag tabhairt ómós do Robert Redford, a fuair bás Dé Máirt. Tháinig an t-aisteoir agus stiúrthóir aitheanta chun cinn i róil scannán lena n-áirítear The Sting (a bhuaigh sé a chéad Oscar ina leith in 1973) Butch Cassidy and the Sundance Kid agus The Way We Were. Bhunaigh sé féile scannán Sundance freisin, agus chuidigh sé le scannánóirí neamhspleácha Meiriceánacha a chothú agus a chur chun cinn, lena n-áirítear Chloé Zhao, Quentin Tarantino, agus Richard Linklater. Chomh maith lena chuid oibre scannánaíochta, bhí cáil ar Redford as a dhíograis don ghníomhaíocht chomhshaoil.Rinne Uachtarán Stáit Aontaithe Mheiriceá, Donald Trump, a dhara cuairt stáit ar an Ríocht Aontaithe an tseachtain seo. I gCaisleán Windsor, tionóladh ceann de na searmanais mhíleata is mó i gcuimhne na ndaoine do cheannaire eachtrach ar cuairt. Lasmuigh den chaisleán, áfach, mháirseáil na mílte agóideoir chun cur i gcoinne na cuairte. Bhí comharthaí ag roinnt agóideoirí a raibh manaí scríofa orthu, lena n-áirítear “ní hea don chiníochas”, “ní hea do Trump” agus “stop ag armáil Iosrael”. Ag preasagallamh leis an bPríomh-Aire, Keir Starmer, dúirt Trump nach raibh sé i bhfabhar pleananna na Ríochta Aontaithe stát Palaistíneach a aithint agus mhol sé úsáid fórsa míleata chun cosc a chur ar inimircigh teacht isteach sa tír.Tá sampla neamhchoitianta de shéadchomhartha deasghnátha ón gCré-Umhaois aimsithe ar Oileán Acla i gContae Mhaigh Eo. Bhí an t-ailíniú cloiche i bhfolach ag crainn ársa a leagadh síos le linn Stoirm Éowyn níos luaithe i mbliana. Rinneadh an fhionnachtain le linn turas seandálaíochta le mic léinn Mheiriceánacha ar cuairt ó Ollscoil Notre Dame in Indiana. Bhí na mic léinn ar thréimhse thar lear in Ollscoil na Gaillimhe agus i Mainistir Choill Mhór. Tá raidhse séadchomharthaí agus dúnta réamhstairiúla ar Oileán Acla ach tá an suíomh Cré-Umhaoise seo atá ag breathnú amach ar Chuan Mó ar cheann de na cinn is suntasaí.*Léirithe ag Conradh na Gaeilge i Londain. Tá an script ar fáil i d'aip phodchraolta.*GLUAISgníomhaíocht chomhshaoil - environmental activismpreasagallamh - press conferenceséadchomhartha deasghnátha - ritual monumentan Chré-Umhaois - the Bronze Agefionnachtain - discoverydúnta réamhstairiúla - prehistoric forts

Living in a post-Venice/Telluride/Toronto world means it's time get serious about our Oscar predictions and that's just what we're doing this week. On episode 307 of the AwardsWatch podcast, AW Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to look at what shined at the fests, what lost its luster and the introduction of a new bombshell in the villa. In our conversation, we begin with the top winners at Venice and with Alexander Payne's contentious jury, including how Jim Jarmusch's Father Mother Sister Brother could factor in and if Benny Safdie's Silver Lion Best Director win for The Smashing Machine was what that film needed. Next we move to Telluride, where Hamnet was the most-liked film (while we still await the results of Michael's Telluride Blog polls of critics and non-critics) and how the Cannes winners held their ground. Moving to Toronto and Hamnet's People's Choice Award win keeps it at as a top tier contender and we talk about some films, like 1st runner-up Frankenstein, fared better at TIFF than it did at Venice and Telluride. Then we dive into Paul Thomas Anderson's One Battle After Another, which began screening last week. While Ryan and Sophia had the film at the top of their predictions list last month, I was the idiot who rashly dropped it out of my top 10. That mistake is corrected here and we talk about the narratives at play for PTA, Chloé Zhao for Hamnet, Ryan Coogler for Sinners and Joachim Trier for Sentimental Value. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h37m. We will be back next week with a preview of the 2025 New York Film Festival. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Vuelve un clásico, vuelve la ilusión, vuelve la carrera al Oscar. No te pierdas el estreno de la decimocuarta temporada de La Sexta Nominada, una introducción a las películas que protagonizarán la próxima carrera por el Oscar en su 98 edición. Dani Mantilla y Juan Sanguino hablan en la primera parte de este espacial de las películas de Yorgos Lanthimos, Joachim Trier, Luca Guadagnino, Paul Thomas Anderson, Noah Baumbach, Hikari, Chloé Zhao, Guillermo del Toro, Kathryn Bigelow, Ryan Coogler, Jon M. Chu, Josh Safdie, Richard Linklater, Scott Cooper, Kleber Mendonça Filho y Jafar Panahi. Escucha este episodio completo y accede a todo el contenido exclusivo de La Sexta Nominada . Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/46194

Paul Mescal joins Backstage's In the Envelope: The Actor's Podcast to offer a rare, candid look inside his acting process. Mescal also discusses his chemistry with Josh O'Connor in "The History of Sound," playing William Shakespeare in Chloé Zhao's "Hamnet," and what it's been like during camera tests and rehearsals for Sam Mendes' four Beatles biopics, in which he'll play Paul McCartney alongside Harris Dickinson's John Lennon, Joseph Quinn's George Harrison, and Barry Keoghan's Ringo Starr. ... Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. Full of both know-how and inspiration, In the Envelope airs bi-weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made and personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ ... Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Andy Turnbull - Additional support: Kasey Howe, Suzy Woltmann, Jenn Zilioli

This week on Inside Hollywood, audiences have been treated to their first look of the trailer for Hamnet. The Chloé Zhao adaptation is based on Maggie O'Farrell's brilliant novel, which is centred around a tragic moment in Shakespeare's life. We look back at some of the best films that put Shakespeare on screen with Dee Reddy, Podcaster and Pop Culture Journalist.

We're a mere 11 days before the 52nd Telluride Film Festival kicks off on Labor Day weekend and we have a packed show. On episode 303 AwardsWatch Editor-In-chief Erik Anderson is joined by Executive Editor Ryan McQuade, Associate Editor Sophia Ciminello, contributors Mark Johnson and Jorge Tenreiro and Christina Birro of Pop Culture Confidential to break down what we think will be at Telluride this season, who might be getting Silver Medallions and much more. On this episode the crew looks at how Toronto and New York film festival designations give us the clues we need to see what will, or might, be showing up at Telluride including coveted world premieres, Chloé Zhao's Hamnet starring Jessie Buckley and Paul Mescal, and Edward Berger's Ballad of a Small Player with Colin Farrell and Tilda Swinton among them. Telluride is also full of Cannes winner carryovers and we expect to see Jafar Panahi's Palme d'Or winner It Was Just an Accident, Joachim Trier's Sentimental Value (Grand Prize winner) and Kleber Mendonça Filho's double winner The Secret Agent (Best Director, Best Actor Wagner Moura) -- all NEON films -- in the lineup. There's also a certain amount of sleuthing involved in the guessing game and is there a chance that A24 debuts Mother Mary here? We'll have to wait and see... You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h4m. We will be back in next week to talk about Spike Lee's newest film Highest 2 Lowest and talk about our Top 5 Spike Lee joints. Till then, let's get into it.