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‘It's so far from your reality because I didn't know anybody and I was an immigrant'Anita Rani speaks to the Beijing-born director Chloé Zhao about her career and her latest film, Hamnet.Zhao made history in 2021 when, at the age of just 39, she became the first woman of colour - and, at the time, only the second woman ever - to win the best director award at the Oscars.Now, just five years after her Oscars triumph for Nomadland, Zhao is making headlines once again as the director of the critically-acclaimed movie Hamnet, a dramatisation about the son of the English playwright William Shakespeare. It won two Golden Globe awards, including one for ‘Best Drama Movie', and has recently been nominated for 8 Academy Awards too.Thank you to the Woman's Hour team for their help in making this programme. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with Indian author Twinkle Khanna, former US Vice President Kamala Harris, and Hollywood legend Sir Anthony Hopkins. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts. Presenter: Anita Rani Producers: Emma Pearce, Ben Cooper and Lucy Sheppard Editor: Justine LangGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Chloé Zhao. Credit: Emma McIntyre/WireImage)
This week, we're joined by David Sims as we orbit the Golden Globes and their Best Drama winner, Chloé Zhao's Hamnet. In the vibes-based reality of awards season predictions, Hamnet has emerged as a potential spoiler to the season's other favorites, including Paul Thomas Anderson's One Battle After Another and Ryan Coogler's Sinners. But what, exactly, makes something an Oscar villain? We also get into the film itself, the historical Shakespeare, why people are weird about Chloé Zhao, and our predictions for next week's Oscar nominations. Subscribe to Richard's newsletter, Premiere Party, and read Alison's work at Vulture. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook! Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Hamnet is period filmmaking at its most grounded and immersive. In this episode of Decorating Pages, Emmy-winning host Kim Wannop interviews Production Designer Fiona Crombie and Set Decorator Alice Felton about the design and decoration of Hamnet — from Shakespeare's family home and the glove workshop to the Globe Theatre and garden builds.Topics include period-authentic materials, sightline-conscious furniture choices, hand-stitched textiles, thematic palette shifts, and the art of set storytelling.Directed by Chloé Zhao, Hamnet is based on Maggie O'Farrell's novel and stars Jessie Buckley and Paul Mescal.Hamnet, Chloé Zhao, Maggie O'Farrell, Jessie Buckley, Paul Mescal, Shakespeare, period film, production design, set decoration, art department, Globe Theatre, podcast.
In this episode of Pop Culture Confidential, Christina sits down with prize-winning production designer Fiona Crombie, whose work has shaped some of the most visually striking films of recent years. They talk in depth about Crombie's breathtaking production design for Chloé Zhao's Hamnet, starring Paul Mescal and Jessie Buckley as William and Agnes Shakespeare. From intimate domestic spaces to the recreation of the legendary Globe Theatre, Crombie reveals how she brought emotion and lived-in detail into the spaces she designed Fiona Crombie was Oscar-nominated for her production design on Lanthimos The Favourite and has also collaborated with Bong Joon-ho (Mickey 17), Ari Aster (Beau Is Afraid), and many other acclaimed filmmakers. This conversation was recorded just after Jessie Buckley's Best Actress win at the Critics' Choice Awards and the Golden Globes, and as Hamnet itself took home Best Picture Drama. Learn more about your ad choices. Visit megaphone.fm/adchoices
In our new series Going it Alone we hear from women about their experiences of having a child without a partner. These are women who are having donor conceived children, which is different to single mums who may have split up with the child's father. Statistics show that more women than ever in the UK are choosing to become solo mums by choice. Lucy tells us her story. Nina Barnsley, Director of the Donor Conception Network and Clare Ettinghausen, a Director at the Human Fertilisation and Embryology Authority join Nuala McGoven to discuss the legal and practical implications. A chemotherapy nurse is so concerned about the rates of breast cancer she has seen in women under 50 that she's started a parliamentary petition to get the age of mammograms reduced to 40 and for them to be annual. Currently women get their first screening between the ages of 50 and 53 and then get screened every 3 years. Anita Rani talks to nurse Gemma Reeves and to Dr Sacha Howell from the Christie Hospital in Manchester about how the breast screening programme could be improved.Ten people have been found guilty of cyber-bullying Brigitte Macron, the wife of French President Emmanuel Macron, by a Paris court, but that is not the end of the lawsuits. Next up, it's the Macrons against the controversial right-wing podcaster Candace Owens in a US civil court. They've accused her of mounting “a campaign of global humiliation”. Nuala hears from Sophie Pedder from The Economist, in Paris, and BBC journalist Anoushka Mutanda-Dougherty.Chloé Zhao is only the second woman and first woman of colour to win an Oscar for Best Director. She returns with one of the year's most anticipated films, Hamnet. Adapted from Maggie O'Farrell's bestselling novel, it reimagines the lives of Anne Hathaway and William Shakespeare, exploring how the loss of their 11-year-old son Hamnet shaped their marriage and inspired Hamlet. Chloe co-wrote and directed the film and speaks to Anita.The city of Leicester has seen a wave of all-female punk rock bands in the past five years, so how is it reshaping the local music scene? Around 27 all-female bands have grown from a movement founded by Ruth Miller. Called the Unglamorous Music Project, it's enabled women to learn instruments and form bands together. Ruth died from breast cancer in 2023, but her aim to get more older women into the music industry and onto the stage has materialised. Janet Berry and Alison Dunne are two of the women involved. We hear their music and talk to them about their inspiration.Presenter: Anita Rani Producer: Dianne McGregor
On Truth & Movies this week, we discuss Chloé Zhao's literary adaptation Hamnet, Ira Sachs' intimate artist portrait Day, and revisit Michael Almereyda's modernised Hamlet for Film Club.Joining host Leila Latif is David Jenkins.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.
Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. It's a New Year's correspondence special this week on the Take. Simon and Mark will be breaking open our bursting postbag and cracking into your excellent emergency mails from across the holiday period. We'll be hearing your top takes on the films that made your festive breaks—and one repentant confession from the poor soul who made the mistake of watching The Lighthouse with their granny... We've got reviews of the freshest films from 2026's first week too. First up it's Becoming Victoria Wood, a documentary looking for the true personality behind the comedy persona of the national treasure. Plus you'll hear Mark's verdict on the new British boxing drama GIANT—which follows the true story of ring star Naseem Hamed (Amir El-Masry) and his fractious relationship with trainer Brendan Ingle, played by Pierce Brosnan. Not forgetting the much-anticipated Hamnet—the Chloé Zhao-directed biopic of William Shakespeare and his family during a period of personal turmoil and tragedy—based on Maggie O'Farrell's bestselling novel. It's already tipped for awards success—especially for lead performances by Jessie Buckley and Paul Mescal—but do the Good Doctors believe the hype? Timecodes with YT clip codes (for Vanguardistas listening ad-free) Becoming Victoria Wood review – 15:46 BO10 – 31:11 Hamnet review – 55:25 Laughter Lift – 1:10:25 GIANT review – 1:13:51 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
On this episode, we're joined by the novelist Maggie O'Farrell to discuss the new film adaptation of her 2020 novel Hamnet, which she co-wrote with the film's Oscar-winning director, Chloé Zhao.Maggie speaks with us about what it means to see a book reimagined for the screen without losing any of its tactility or emotional power, and how the collaborative process expanded rather than narrowed her understanding of the original work. For her, this was not a matter of surrendering her novel to the big screen, but of discovering new ways to open out a story she thought she was finished with.We also discuss the film's extraordinary ensemble cast, including Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, and Jacobi Jupe; how the film's director created a visual language to frame the historical experience as something rooted in the present tense; and Maggie's reflections on the strange prescience of this plague story being originally released in March 2020, during the height of the COVID-19 pandemic.Hosted by Ryan Edgington.
We have a Hamnet special for you on Soundtracking, as first writer / director Chloe Zhao and stars Paul Mescal and Jessie Buckley. Based on Maggie O'Farrell's novel - who also worked on the script - it tells the story of how the horrendous tragedy that strikes Shakespeare and his wife, Agnes, inspires him to write Hamlet. Hamnet is scored by friend of the show Max Richter, and we'll hear plenty of his music throughout the episode.
This episode we review Hamnet, starring Jessie Buckley & Paul Mescal and directed by Chloé Zhao! We also discuss the death of Rob Reiner and share quick thoughts on Frankenstein, Jay Kelly & Wake Up Dead Man: A Knives Out Mystery!Follow the show on social media!FacebookInstagramFollow our YouTube Channel:https://www.youtube.com/@PodcastSilverFollow us on LetterboxdJaredKatieBe sure to rate and review the show wherever you listen!
【聊了什么The What】 这期节目，我们聊了新片《Hamnet》：一部改编自 Maggie O'Farrell 同名小说的故事，并聊了聊它为什么能让人哭到崩溃（或完全哭不出来但仍然狠狠爱上），聊到它那种带点神秘主义、符号化的拍法如何制造出希腊悲剧式的宣泄/净化。 我们也不可避免的想起了之前聊过的Wifedom。这是另一个文学巨擘榨干身边女性的故事吗？还是他讲述了一个超脱语境、触及人类隽永生死问题的经典悲剧？把女性与自然、草药、预言、女巫气质连在一起，是一种温柔的赋权，还是另一种更古老的陷阱？艺术究竟是在表演痛苦，还是在替人类提供一种“活下去的解释”？归根结底，在2025年重拍莎士比亚是很需要勇气的；赵婷交出的答卷你们满意吗？ In this episode, we discuss our favorite nepo baby Chloé Zhao's new feature film Hamnet, adapted from the novel of the same name by Maggie O'Farrell. We explore why it can make you cry uncontrollably (or not cry at all and still fall deeply in love with it), and how its mystical, symbolic filmmaking evokes a Greek tragedy-like catharsis. It is hard not to draw comparison with Wifedom, which we've talked about in the past. Is this yet another story of a literary giant draining the life out of the women around him? Or is it a timeless tragedy that transcends context to speak to the eternal human questions of life and death? When women are linked with nature, herbs, prophecy, and witch-like qualities—is it a gentle form of empowerment, or an older, more insidious trap? Is art merely performing pain, or is it offering humanity a way to keep going? Ultimately, remaking Shakespeare in 2025 takes courage—did Chloé Zhao deliver? 【时间轴 The When】 00:02:22 《Hamnet》、演员阵容、TIFF 口碑 00:04:46 四个女的的初印象（以及不同的哭晕程度） 00:13:37 文学巨擘背后被隐身的女人：与《Wifedom》的文脉相通 00:21:10 除了审判隐身的丈夫，或许我们还能讲点别的故事 00:29:18 自然叙事：女性/土地的连结与争议 00:37:16 Le Guin、女巫叙事与男权结构的回声 00:48:18 “To be or not to be”：没看懂也没关系 00:59:50 结尾的半圆镜头：为什么人类要讲故事 01:06:16 “人生三苦”：理解痛苦不等于失去情感 00:02:22 Chloé Zhao's Hamnet, cast, and TIFF reception 00:04:46 First impressions from four women (and varying levels of emotional breakdown) 00:13:37 The invisible woman behind the literary giant: connections to Wifedom 00:21:10 Beyond judging the hidden husband—maybe there are other stories we can tell 00:29:18 Nature narratives: the contested link between women and land 00:37:16 Le Guin, witch storytelling, and echoes of patriarchy 00:48:18 “To be or not to be”: it's okay if you don't understand it 00:59:50 The final half-circle shot: why humans tell stories 01:06:16 The “three sufferings” of life: understanding pain doesn't mean feeling less 【拓展链接 The Links】 Hamnet: A Novel of the Plague Hamnet Book Club Wifedom The New Yorker对赵婷的采访 Oh Brother! The Jupes Get Shakespearean 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022
Die große Jahresvorschau 2026 – Von Zombies, Weltraumabenteuern und einem Cliffhanger-Reboot Frohes neues Jahr! Timo und Zeljko melden sich aus der Zukunft – oder der Vergangenheit? Egal, sie sind da und starten direkt mit einem Paukenschlag: Der Podcast zieht um! Ab der nächsten Folge gibt's Once Upon A Time In Cinema immer sonntags. Warum? Mehr Zeit für aktuelle Kino- und Streaming-Starts, um euch noch frischer mit Infos zu versorgen. Aber bevor es soweit ist, werfen die beiden einen Blick auf das, was das Filmjahr 2026 zu bieten hat. Zeljko ist schon ganz heiß auf den Januar und 28 Years Later: The Bone Temple, den zweiten Teil der neuen Zombie-Trilogie. Ein weiteres Highlight auf seiner Liste ist Street Fighter, der mit Jason Momoa und 50 Cent aufwartet – auch wenn Timo sich hier mehr Härte gewünscht hätte. Auch auf Mortal Kombat 2 freut er sich riesig. Timo hat eine ganze Liste mit über 40 Filmen vorbereitet! Er startet mit dem iranischen Crime-Drama It Was Just an Accident und freut sich auf Hamnet von Chloé Zhao. Ein besonderes Highlight für ihn ist Project Hail Mary, die Verfilmung des Andy Weir-Romans mit Ryan Gosling und Sandra Hüller. Auch auf den neuen Narnia-Film von Greta Gerwig ist er gespannt, ebenso wie auf The Drama mit Robert Pattinson und Zendaya. Horrorfans dürfen sich auf The Bride (Maggie Gyllenhaals Frankenstein-Film), They Follow (das Sequel zu It Follows) und den neuen Robert Eggers Film The Werwulf freuen. Aber auch Skurriles wie Animal Friends mit Ryan Reynolds und Aubrey Plaza oder Ti Wests Horror-Version von A Christmas Carol, Ebenezer, stehen auf dem Plan. Gemeinsam diskutieren sie über das kommende Cliffhanger-Reboot mit Pierce Brosnan und Franz Rogowski, das Zeljko überraschend positiv stimmt. Auch der dritte Teil von Dune steht im Raum, bei dem Zeljko noch unsicher ist, ob er ihn im Kino sehen wird, während Timo sich auf The Adventures of Cliff Booth, das Once Upon a Time in Hollywood-Prequel von David Fincher, freut. Neben den großen Blockbustern werfen sie auch einen Blick auf kleinere Perlen wie The Shrinking Man oder den Horrorfilm Backrooms von A24. Und natürlich darf auch ein kleiner Exkurs zu Silvester-Traditionen (Dinner for One und eine mögliche Prequel-Serie zu Miss Sophie!) nicht fehlen. Eine vollgepackte Vorschau auf ein spannendes Kinojahr, mit vielen persönlichen Tipps, kontroversen Meinungen und der gewohnten Portion Leidenschaft. Also, nicht wundern: Die nächste Folge kommt am Sonntag! Bis dahin: Ohren auf und ab in die Welt von "Once Upon A Time In Cinema - Der Filmpodcast" – diesmal noch am Donnerstag! ____ Der Film-Podcast mit Zeljko und Timo Anfragen: ouatic@gmx.de https://letterboxd.com/OuaticPodcast https://instagram.com/onceuponatimeincinema_
O QueIssoAssim 342 – Expectativas 2026 chega com tudo para quem ama cinema, séries e cultura pop. Neste episódio especial do podcast, Brunão e Baconzitos recebem a amiga Andreia, do Livros em Cartaz, para uma conversa recheada de hype, apostas e boas reflexões sobre os filmes e séries mais esperados de 2026 — além de um balanço sincero do que marcou o consumo audiovisual em 2025. Se você gosta de ficar por dentro dos próximos lançamentos de Hollywood, adaptações literárias, continuações aguardadas e novas apostas de diretores consagrados, este episódio é praticamente obrigatório.
In this episode of Editors on Editing, Glenn is joined by writer, director and editor Chloé Zhao and her editor, Alffonso Gonçalves. Chloé has written, directed and edited all of her films, including Songs My Brothers Taught Me, The Rider, Nomadland, for which she was nominated as an editor for the BAFTA, Eddie and Oscar. She won the Oscar for directing Eternals. Alffonso's credits include Mildred Pierce for which he was nominated for the Eddie, Beasts Of The Southern Wild, True Detective, for which he was nominated for a primetime Emmy and won the Eddie, Carol, The Velvet Underground, for which he was co-nominated for the Eddie and, The Lost Daughter. Now Chloé & Alffonso have brought their exquisite skills to the mesmerizing film, Hamnet.Thanks again to ACE for partnering with us on this podcast, check out their website for more.Thanks also to Focus Features, and Hamnet for helping to make this podcast happen. Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!
In this episode of Puny Pod, Ryan and David take on one of the MCU's most ambitious—and divisive—films: Eternals. From ancient Mesopotamia to modern-day Marvel, the conversation dives deep into cosmic lore, Jack Kirby's massive ideas, and what happens when Marvel trades quips for existential dread. The hosts break down the film's sprawling ensemble cast, Chloé Zhao's distinct directorial style, and the complicated mythology of Eternals, Deviants, and Celestials. Along the way, they explore why this movie looks incredible, why it confused so many viewers on first watch, and how its themes of free will, duty, and humanity set it apart from traditional MCU entries. Expect thoughtful analysis, comic-book history, first-watch vs. rewatch perspectives, and plenty of Puny Pod banter as Ryan and David wrestle with a movie that asks big questions—and isn't afraid to slow things down to do it. Love it or hate it, Eternals is a swing for the fences, and this episode gives it the full deep-dive treatment. Themes by J.R. Trimpe: https://trimpe.org/ ---------------- Support the show! Check out our super secret spoiler show on the EarzUp! Patreon Visit us on Etsy for the official Puny Pod Merch Come say hi on Discord! Subscribe on iTunes Start your own podcast with Zencastr Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textIn today's episode, I interview Giovanna Ferrari, director of the animated short film "Éiru," her directorial debut which is currently on the shortlist for Best Animated Short Film for the 98th Academy Awards.Listen to hear about the inspiration for the story that stemmed from Giovanna's own travels around the world, the importance of being willing to see the world through the eyes of people not like ourselves, and whether an entire generation can feel like they lack a voice in the world.Books mentioned in this episode include:Victory City by Salman RushdieParable of the Sower by Octavia E. ButlerThe Handmaid's Tale by Margaret AtwoodQ by Luther BissetFilms and TV shows mentioned in this episode include:"Éiru" directed by Giovanna FerrariSong of the Sea directed by Tomm MooreThe Breadwinner directed by Nora TwomeyWolfwalkers directed by Ross Stewart and Tomm Moore"Screecher's Reach" (Star Wars Visions episode)My Father's Dragon directed by Nora TwomeyPrincess Mononoke directed by Hayao MiyazakiThe Power of the Dog directed by Jane CampionAmarcord directed by Federico FelliniAlien directed by Ridley ScottSilence of the Lambs directed by Jonathan DemmeHamnet directed by Chloé Zhao"Late Afternoon" directed by Louise BagnallJulián directed by Louise BagnallFollow the film on Instagram @eiruofficial and Giovanna @ferrarianimation.Support the show
Sure, some years are better than others, but great movies come out every year. But in very few years has a film had the emotional impact HAMNET had in 2025. Even if it's not your favorite genre, your soul needs to see Chloé Zhao's HAMNET. Paul Mescal is great as William Shakespeare, but Jessie Buckley and Jacobi Jupe send this one into outer space. So let's talk about it...
In this episode, host Aaron Fullerton speaks with screenwriter-director Chloé Zhao(Eternals, Nomadland) about crafting her latest film Hamnet, the art of adaptation, where she finds creative inspiration, and much more.
The Cinematic Schematic hosts Caleb Masters and Laron Chapman are joined by deadCenter Film Festival director of programming, Sunrise Tippeconnie, to discuss the recent Netflix bid for Warner Bros. and before reviewing Chloé Zhao's, Hamnet. The post ‘Hamnet' Explores Death, Grief, and How Communal Storytelling Heals – The Cinematic Schematic appeared first on The Cinematropolis.
The boys head to prison on Devil's Island to discuss 1973's “Papillon”! One of the highest-grossing movies of the year, this true-story account of Steve McQueen's character befriending Dustin Hoffman's character to help keep each other alive and prepare their escape from the no-chance-of-return prison, a world away from their native France. Made by the team behind Oscar-winner “Patton” from 1971, shot very much on location, some call this McQueen's best performance. Before we get into it, John gives us a mini-review of “Hamnet”, the romantic drama film by Chloé Zhao starring Paul Mescal and Jessie Buckley, based on the book based on the play. Grab a beer and join in! linktr.ee/theloveofcinema - Check out our YouTube page! Our phone number is 646-484-9298. It accepts texts or voice messages. 0:00 Intro; 9:41 John's “Hamnet” mini-review; 15:08 1973 Year in Review; 41:21 Films of 1973: “Papillon”; 1:24:21 What You Been Watching?; 1:29:08 Next Week's Episode Teaser Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Cast & Crew: Chloé Zhao, Maggie O'Farrell, Paul Mescal, Jessie Buckley, Fred J Koenekamp, Henri Charriere, Dalton Trumbo, Lorenzo Semple Jr., William Goldman, Franklin J. Schaffner. Recommendations: Hamnet, Welcome to Derry, The Witcher, Slow Horses, Home Alone, The Righteous Gemstones, Sisu 2, Pluribus, The Exorcist, Enter The Dragon, Live and Let Die, The Sting, American Graffiti, Soylent Green. Additional Tags: French Guyana, Paris, Honduras, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.
This week Karen Peterson (@karenmpeterson) & Derek Miranda (@DerekMiranda85) sit down to talk HAMNET. As always, featured reviews are done in two parts, a NON-SPOILER review with letter grade and brief discussion, followed by a more in depth SPOILER review. PLOT SUMMARY: William Shakespeare and his wife, Agnes, celebrate the birth of their son, Hamnet. However, when tragedy strikes and Hamnet dies at a young age, it inspires Shakespeare to write his timeless masterpiece "Hamlet." Directed by: Chloé Zhao Written by: Chloé Zhao, Maggie O'Farrell Starring: Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, Noah Jupe @TheWatchAndTalk (Twitter/Instagram) Letterboxd.com/TheWatchandTalk Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com Support the show! www.Patreon.com/TheWatchAndTalk
On episode 319 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Mark Johnson, and Josh Parham to go back five years and take a look at the 93rd Academy Awards, covering the films of 2020. On this retrospective, the AW team take one last trip to the past for the year to talk about the pandemic year of cinema that saw one of the worst Oscar telecasts of all time. Baffling decision after another, the night ended on a sour note instead of one of celebration for Nomadland winning the top prize and Chloé Zhao becoming the second female director to win Best Director. Still, even with the ceremony being so divisive, the year presented plenty of films the team wanted to highlight and discuss over the course of changing the Academy's nominations, with films such as The Nest, Tenet, Miss Juneteenth, Never Rarely Sometimes Always, Clemency, Dick Johnson is Dead, I'm Thinking of Ending Things, The Father, Sound of Metal, Minari, Judas and the Black Messiah, and more. In their in-depth discussion, the AW team talked about the film year of 2020, briefly discuss talk about Nomadland as a Best Picture winner, how this year is full of celebrities that are problematic or "cancelled" and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of eight nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 2h41m. We will be back in next week for a review of the last big film of the year, Avatar: Fire and Ash. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
Talkin' Chloé Zhao's new film with Jim Laczkowski
Robbie gives you his thoughts on Chloé Zhao's latest film Hamnet.Rating: ⭐️⭐️⭐️⭐️½Letterboxd Review: https://boxd.it/bWPIPpAdditional Links Geek on Film - Website | Bluesky | TikTok | Twitter | Facebook | Instagram | Store Robbie (The Geek) Holmes - Bluesky | Instagram | LetterboxdPodcast theme song provided by: Sam Cone
Early screenings of Chloé Zhao's Hamnet had critics weeping in the aisles Host Alex Heeney left it dry-eyed — and so did her guest, Angelo Muredda. We're Shakespeare fans, long-time film critics, and not exactly immune to a good cry — so in this episode, we try to figure out why the film didn't land. We dig into what works in the film (a short list) and what doesn't (a longer one), where the adaptation of Maggie O'Farrell's novel went awry, and whether having read a synopsis of Hamlet on Wikipedia might actually impede your enjoyment of the film.
Chloé Zhao's Hamnet emotinoally breaks us in the best way possible. We have incredibly different viewing experiences for Fackham Hall.Find us at: www.werewatchingwhat.com,instagram.com/werewatchingwhatyoutube.com/thedhkinstagram.com/thedhkfacebook.com/thedhkmoviestiktok.com/werewatchingwhat
This bonus Out Now with Aaron & Abe features another trio of reviews for 2025's prestige films. Aaron and Abe spend this episode focusing on these Fall 2025 releases from Kathryn Bigelow, Richard Linklater, and Chloé Zhao, with plans for at least one more triple-header bonus. Tune in to hear reviews for A House of Dynamite (4:37), Nouvelle Vague (40:38), and Hamnet (1:00:58). So now, if you've got an hour or so to kill… Get yourself a free audiobook and help out the show at AudibleTrial.com/OutNowPodcast! Follow all of us on Twitter/Bluesky: @Outnow_Podcast, @AaronsPS4, @WalrusMoose Check out all of our sites, podcasts, and blogs: TheCodeIsZeek.substack.com, Why So Blu?, We Live Entertainment Check out Aaron's reviews for A House of Dynamite and Hamnet. Next Week's Show: Ella McCay
Chloé Zhao was the second woman to ever win an Oscar for Best Director, for her 2020 film “Nomadland.” After taking a wide turn to create the Marvel supernatural epic “Eternals,” Zhao has taken another intriguing change of direction with “Hamnet,” based on Maggie O'Farrell's novel about how William Shakespeare coped with the death of his only son. In conversation with the New Yorker staff writer Michael Schulman, Zhao discusses the role that nature plays in her filmmaking, from the American West to the forests of Britain; the process of adapting manga to film; and how neurodivergence informs her creative process.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.
For this week's main podcast review, Megan Lachinski, Josh Parham, Dan Bayer, and Brendan Hodges join me to discuss the latest film from Academy Award-winner Chloé Zhao, "Hamnet," starring Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, and Noah Jupe. The historical drama film co-written by Maggie O'Farrell, the author of the title novel this film is based on is a largely fictional story dramatizing the marriage between Anne Hathaway (Agnes Hathaway in the novel and film) and William Shakespeare, and the impact of the tragic death of their 11-year-old son Hamnet on their relationship, which inspired Shakespeare's iconic play "Hamlet." The film had its world premiere at the Telluride Film Festival and has been drawing tears from audiences everywhere it plays, including the Toronto International Film Festival, where it won the People's Choice Award. What did we think of it, though? Please tune in as we discuss the story, performances, cinematography, score, whether it made us as emotional as intended, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Voice Of Costume - Creating Character through Costume Design
Costume designer Małgosia Turzańska reveals the emotional secrets, symbolic textures, and behind-the-scenes artistry that shaped Hamnet—and how grief, intuition, and collaboration transformed the film from the inside out. In this deeply human conversation, Hamnet costume designer Małgosia Turzańska opens up about creativity, vulnerability, and the profound emotional undercurrents that guided her work. She shares how a missed chemistry test led her to filmmaking, how one breathtaking Almodóvar film unlocked her understanding of costume design, and how she builds characters from raw instinct—starting with "emotional lookbooks" drawn from nature, texture, and intuition rather than pure historical rigor. Małgosia discusses designing Agnes (Anne) and Will from the inside out, using bark cloth, color symbolism, quilted protection, and slashed leather to reflect trauma, longing, generational wounds, and rebirth. She details working with director Chloé Zhao, describing a process fueled by continuous discovery, voice-memo inspirations, and a film family centered on empathy and emotional truth. The conversation grows especially moving as Małgosia describes losing her father during production, and how grief intertwined with the film's themes, becoming both a burden and a blessing. She reflects on collaboration, artistry as healing, and the myth that costume design is "just decoration"—revealing instead how costumes become storytelling engines. This intimate, vulnerable episode is a masterclass in creativity, symbolism, filmmaking, and the emotional backbone of collaborative art. The "Voice of Costume" is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation with Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
Director and writer Chloé Zhao discusses her new film "Hamnet," an adaptation of the bestselling novel by Maggie O'Farrell. The film tells the story of William Shakespeare, his wife Agnes, and the tragic loss of their son Hamnet. "Hamnet" is in theaters now.
Chloé Zhao's Hamnet is one of the most haunting and best films of the year. Left-Handed Girl is a love letter to Taipei. Fackham Hall satirizes the likes of Downton Abbey but is it satisfying? Find us at: www.werewatchingwhat.com,instagram.com/werewatchingwhatyoutube.com/thedhkinstagram.com/thedhkfacebook.com/thedhkmoviestiktok.com/werewatchingwhat
Evan is back! We're happy to have him. First up is Megan's solo turn on HAMNET (2:19), director Chloé Zhao's adaptation of Maggie O'Farrell's novel (with a screenplay by Zhao and O'Farrell), a historical drama about Anne Hathaway and William Shakespeare's marriage following the tragic death of their 11-year-old son. Then Evan, Megan, and Dave talk about Paul Thomas Anderson's ONE BATTLE AFTER ANOTHER (15:16), but Dave is called away mid-conversation by a child in need (one of his, not some rando who wandered in from the hinterlands). Evan and Megan pick up the conversation and then discuss writer-director Jafar Panahi's latest, the nakedly anti-authoritarian thriller IT WAS JUST AN ACCIDENT (42:09), which won the Palme d'Or at Cannes and is France's submission for Best International Feature Film at the 2026 Academy Awards. Over on Patreon, we talk about our poll winner, the 2013 summer movie THE WAY WAY BACK.
HAMNET MOVIE REVIEW It's important to remember when looking at biopics about real people that we actually know very little about, that being queeny about the historical details is entirely besides the fact. Guarantee that director Chloé Zhao knew that when she signed up to make the film Hamnet and it was never intended to […]
Since it was penned more than four hundred years ago, Shakespeare's “Hamlet” has been in production nearly continuously, and has been adapted in many ways. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider why this story of a brooding young prince has continued to speak to audiences throughout the centuries. They discuss the new film “Hamnet,” directed by Chloé Zhao, which recasts the writing of “Hamlet” as Shakespeare's response to the death of his child; Tom Stoppard's absurdist play “Rosencrantz and Guildenstern Are Dead”; Michael Almereyda's 2000 “Hamlet,” which presents the protagonist as a melancholy film student home from college; and other adaptations. What accounts for this story's hold over audiences, centuries after it was written? “I think it endures because every generation has its version of the incomprehensible,” Cunningham says. “It's not just death—it's politics, it's society. Everybody has to deal with their own version of ‘This does not make sense and yet it is.' ”Read, watch, and listen with the critics:“Hamnet” (2025)“Hamnet,” by Maggie O'Farrell“Hamlet,” by William ShakespeareKenneth Branagh's “Hamlet” (1996) Michael Almereyda's “Hamlet” (2000)“Rosencrantz and Guildenstern Are Dead” (1990)John Gielgud's “Hamlet” (1964)Robert Icke's “Hamlet” (2017, 2022)“Every Generation Gets the Shakespeare It Deserves” by Drew Lichtenberg (The New York Times)“Hamlet and His Problems" by T. S. EliotNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices
HAMNET MOVIE REVIEW It's important to remember when looking at biopics about real people that we actually know very little about, that being queeny about the historical details is entirely besides the fact. Guarantee that director Chloé Zhao knew that when she signed up to make the film Hamnet and it was never intended to […]
This week, Guy Branum and Rheerheeq Chainey join Louis to celebrate not watching another season of Stranger Things and recount their all-time favorite Winona Ryder roles. They break down Chloé Zhao's new film, Hamnet, and its chances in the awards field. They also take a moment to fan themselves after watching the new sultry hockey drama, Heated Rivalry, on HBO Max.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Hamnet, the acclaimed novel by Maggie O'Farrell, is now a major film. The story imagines the life and death of Shakespeare's son, Hamnet, whose loss would later echo through one of his most famous tragedies, Hamlet. O'Farrell joins director and co-writer Chloé Zhao to reveal how they adapted the novel for the big screen. With Jessie Buckley as Agnes and Paul Mescal as William, the film reframes the Shakespeare family story as one of deep love, rupturing grief, and artistic creation. O'Farrell and Zhao discuss developing the screenplay together, interpreting Shakespeare as a husband and father, building the film's immersive natural world, and shaping an unforgettable Globe Theatre sequence that anchors the emotional arc of the story. O'Farrell and Zhao talk about adaptation, artistry, and how a 400-year-old loss continues to inspire new ways of imagining Shakespeare's life and legacy. From the Shakespeare Unlimited podcast. Published December 2, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
Friend of the pod Katherine Scheil is the author of Imagining Shakespeare's Wife: The Afterlife of Anne Hathaway and the co-editor of the upcoming Palgrave Handbook of Shakespearean Biofiction, is the perfect person to talk about Chloé Zhao's film version of Hamnet, Maggie O'Farrell's 2020 novel. Scheil highlights some of the differences between the novel and the film; some head-scratching marketing choices; how the novel and (especially) Jessie Buckley's performance, empower Shakespeare's wife in a way we've never seen before; and a curious similarity between Paul Mescal in Hamnet and Tim Allen in Galaxy Quest. (Length 23:21) The post Hamnet, The Movie appeared first on Reduced Shakespeare Company.
In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4
Oscar winning director Chloé Zhao returns to the Filmmaker's Toolkit to break down the devastating emotions and enthralling craft of her new film "Hamnet." You'll wont want to miss Zhao's in-depth breakdown of the ending, and how she achieved such a delicate triumph. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices
Composer Max Richter joins guest host Jon Burlingame to discuss his luminous, emotionally rich score for “Hamnet,” the new film from director Chloé Zhao. In their conversation, Richter shares how early musical sketches shaped the production, how he blended period instruments with processed textures, and how the film's psychological and natural landscapes guided his approach. And as Richter explains, Elizabethan-era music became a key creative touchstone for capturing the film's folkloric sensibility.“Elizabethan music is one of my great passions, really. It's an amazing moment in English music history where you have this community of composers writing just extraordinary things, both instrumental and chorally. It was a wonderful opportunity for me to go back and connect to that material… Which evoked what [director] Chloé [Zhao] called the witchy sensibility of the sort of folkloristic… maybe dark fairytale quality of the relationship with nature and the connection between human beings and nature.”—Max Richter, Composer, “Hamnet”Be sure to check out “Hamnet,” now playing in theaters in Dolby Vision® and Dolby Atmos®, where available.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.
In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4
Kelsi and Trey break down why Hamnet might genuinely be the best film of 2025 from Chloé Zhao with career-defining performances by Jessie Buckley and Paul Mescal. Then we dig into Wake Up Dead Man: A Knives Out Mystery, exploring how Rian Johnson and Daniel Craig reinvent the whodunnit once again with sharp satire. If you enjoy the episode, consider signing up for our Patreon below. Free members already get exclusive access to dozens of bonus episodes, and full members unlock our entire archive of 80+ deep dives, commentaries, and monthly recaps.Hamnet (start of pod)Wake Up Dead Man (01:13:45)The Extra Credits YouTube ChannelBecome a member of The Extra Credits+ on Patreon hereLetterboxd: The Extra CreditsTikTok: The Extra CreditsReddit: r/TheExtraCreditsInstagram: @theextracreditsTwitter: @theextracreditsSend requests, questions, and thoughts to our email: extracreditspod@gmail.com
History has not graced us with many details about Shakespeare as a person, but we do know that he and his wife had three children, including a son named Hamnet who died at the age of 11 in 1596, four years before Shakespeare went on to write his great tragedy “Hamlet.”Maggie O'Farrell's novel “Hamnet” — one of the Book Review's 10 Best Books of 2020, and the source of Chloé Zhao's new movie of the same name — starts from those scant facts, and spins them into a powerful story of grief, art and family steeped in the textures of late-16th-century life.In this episode of the Book Review Book Club, host MJ Franklin discusses “Hamnet” with his colleagues Leah Greenblatt, Jennifer Harlan and Sarah Lyall. Other works mentioned in this podcast:“Hamlet,” “King Lear,” “Macbeth,” “The Winter's Tale,” by William Shakespeare“Little Women,” by Louisa May Alcott“Grief Is the Thing With Feathers,” by Max Porter“Lincoln in the Bardo,” by George Saunders“Fi,” by Alexandra Fuller“Things In Nature Merely Grow,” by Yiyun Li“The Accidental Tourist,” by Anne Tyler“Will in the World” and “Dark Renaissance,” by Stephen Greenblatt“Gabriel,” by Edward Hirsch“Once More We Saw Stars,” by Jayson Greene“The Dutch House,” by Ann Patchett Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
Live from Los Angeles, Matt is joined by director Chloe Zhao ('Hamnet') to discuss what she learned from Steven Spielberg producing her movie, how she developed her visual style, directing a Marvel movie, casting ‘Hamnet', the COVID Oscars, and her plans to work in anime (00:41). Matt finishes the show with an opening weekend box office prediction for ‘Zootopia 2' (21:45). For a 20 percent discount on Matt's Hollywood insider newsletter, ‘What I'm Hearing ...,' click here. Email us your thoughts! thetown@spotify.com Host: Matt Belloni Guest: Chloe Zhao Producers: Craig Horlbeck and Jessie Lopez Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices
If you cook the bird, we'll bring the sides for you on this Thanksgiving Week episode of Breakfast All Day. Here are the big movies coming out that we reviewed: WAKE UP DEAD MAN. The third movie in Rian Johnson's "Knives Out" series has more on its mind than its predecessors. But the latest murder mystery is just as fun in its twists and turns, and it features yet another delightful performance from Daniel Craig as Detective Benoit Blanc. This is a non-spoiler review, because as always, the less you know the better. In select theaters Nov. 26 before streaming on Netflix Dec. 12. HAMNET. A major awards contender with a ton of hype, but our review isn't quite so fawning. Director and co-writer Chloé Zhao's film is inspired by the true story of William Shakespeare and his wife as they deal with the devastation of losing their son, Hamnet, at age 11. Paul Mescal and Jessie Buckley co-star. In select theaters Nov. 26 before expanding Dec. 5. REBUILDING. It's Josh O'Connor Week (he's also in "Wake Up Dead Man"), which is just fine with us. Here he stars as a cowboy struggling to put his life back together after a wildfire ravages his Colorado ranch. This is a quietly moving indie gem that we both loved. Lily LaTorre is excellent as his young daughter. Find out here if it's playing hear you: https://bleeckerstreetmedia.com/rebuilding Thanks for spending some of your time with us during this busy holiday week. We're so grateful for you! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/
On this episode, JD and Brendan discuss Chloé Zhao's emotionally powerful film HAMNET, starring the great Jessie Buckley and Paul Mescal! Visit https://insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy
“One Battle After Another” star Regina Hall discusses her role in Paul Thomas Anderson's film, her return as Brenda in "Scary Movie 6" and what's next. Also, writer/director Chloé Zhao discusses the spiritual dimensions of "Hamnet," working with child actors and why her upcoming "Buffy the Vampire Slayer" sequel pilot required an entirely different skill set. And the Awards Circuit Roundtable discusses the main contenders for Netflix, the winners of regional festivals and the dark horses in the Oscar race. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week in PREVIOUSLY ON… Jason and Rosie break down the latest trailer for Marvel’s Wonder Man, arriving January 27th. They also discuss filmmakers Chloé Zhao and Nicolas Gonda launching Kodansha Studios, which will bring some of Kodansha’s biggest manga titles to life in live-action. Then, they share their box office predictions for Dan Trachtenberg’s new Predator film, Predator: Badlands, before reacting to the news that Gremlins 3 is officially a go - with Steven Spielberg and Chris Columbus returning! Finally, they wrap up with news that Jennifer Lawrence and Emma Stone are teaming up to produce a new Miss Piggy film, written by Tony Award winner Cole Escola. Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.
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