Podcast appearances and mentions of Teddy Cruz

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In episode 23, Season 2 of A is for Architecture, I spoke with UC San Diego professors, Fonna Forman and Teddy Cruz about their two recent books, Spatializing Justice: Building Blocks and Socializing Architecture: Top-Down / Bottom-Up, published by MIT Press in August 2022 and March 2023 respectively. Fonna and Teddy run Estudio Teddy Cruz + Fonna Forman, a ‘a research-based political and architectural practice in San Diego, who investigate ‘issues of informal urbanization, civic infrastructure and public culture […] Blurring conventional boundaries between theory and practice, and merging the fields of architecture and urbanism, political theory and urban policy, visual arts and public culture' [leading] urban research agendas and civic/public interventions in the San Diego-Tijuana border region and beyond'. Fonna is Professor of Political Science and Teddy is Professor of Public Culture and Urbanism at UC San Diego, where they also co-direct the Centre on Global Justice and the X-Border Lab. Both books are well worth a read, and are full of thoughtful, practice-based insights and provocations, drawing on a rich, political interpretation of the spatial conditions of exclusion found in a very extreme condition. Spatializing Justice is ‘a practical handbook for confronting social and economic inequality and uneven urban growth in architectural and planning practice'. Socializing Architecture follows this, urging architects and urbanists ‘to design political and civic processes that mediate top-down and bottom-up urban resources, and to mobilize a new public imagination toward a more just and equitable urbanization.' Big, important stuff, so be a diamond and have a listen. You'll find Spatializing Justice and Socializing Architecture on the MIT Press website, linked above, where you can buy them. Estudio Teddy Cruz + Fonna Forman's website is here, with more information on their work and practice to be found all over the internet; their Instagram is here, Fonna's LinkedIn is here, Teddy's UC San Diego profile is here, Fonna's is here. Thanks for listening. + + + + + + + + + + + + + + + Music credits: Bruno Gillick + + + + + + + + + + + + + + + aisforarchitecture.org Apple: podcasts.apple.com Spotify: open.spotify.com Google: podcasts.google.com Amazon: music.amazon.co.uk

In this episode of Cities After…, Prof. Robles-Durán interviews Teddy Cruz and Fonna Forman about their work with public institutions and community partners on both sides of the US/Mexico border, in San Diego and Tijuana. Tijuana, as Cruz reminds us, has always been a geography of conflict and of crisis. Cruz and Forman's work is deliberately situated at the intersection of formal, often exclusionary, American institutions and grassroots community organizing. By building coalitions, the interplay between various groups—researchers/political scientists and migrants/community organizers becomes more collaborative and less top-down. Their goal for creating community stations is to build public space that is “not about beautification, but public space that is deliberately injected with co-curatorial programming in perpetuity.” In this conversation, Cruz, Forman, and Robles-Durán discuss changes in border politics since Trump, asylum policies and climate change, working with formal institutions and creating “cultural coyote” organizations, the challenges they face while working at the local level, and more. About our guests: Teddy Cruz (MDes Harvard University) is a Professor of Public Culture and Urbanization in the Department of Visual Arts at the University of California, San Diego. He is known internationally for his urban research of the Tijuana/San Diego border, advancing border neighborhoods as sites of cultural production from which to rethink urban policy, affordable housing, and public space.  Fonna Forman (PhD University of Chicago) is a Professor of Political Theory at the University of California, San Diego and Founding Director of the UCSD Center on Global Justice. Her work focuses on climate justice, borders and migration, and participatory urbanization. She serves as Co-Chair of the University of California's Global Climate Leadership Council. Together they are principals in Estudio Teddy Cruz + Fonna Forman, a research-based political and architectural practice in San Diego investigating borders, informal urbanization, climate resilience, civic infrastructure and public culture. They lead a variety of urban research agendas and civic/public interventions in the San Diego-Tijuana border region and beyond. Their work has been exhibited widely in prestigious cultural venues across the world, including the Museum of Modern Art, New York; the Yerba Buena Center for the Arts, San Francisco; the Cooper Hewitt National Design Museum, New York; Das Haus der Kulturen der Welt, Berlin; M+ Hong Kong, and representing the United States in the 2018 Venice Architectural Biennale. They have two new monographs: Spatializing Justice: Building Blocks and Socializing Architecture: Top-Down / Bottom-Up (MIT Press and Hatje Cantz) and one forthcoming: Unwalling Citizenship (Verso).

Discover how architecture can unite communities divided by an international border. Political theorist Fonna Forman and architect and visual artist Teddy Cruz talk about Manufactured Sites, an architectural project based on the flow of material waste between border cities in the United States and Mexico. Tires, garage doors, and even entire homes make their way from San Diego to Tijuana, where migrants seeking entry into the US reconfigure the parts into emergency housing. But the project doesn't stop there—it also presents new possibilities for safer emergency housing. In this Ten-Minutes podcast, we hear about the ways communities can collaborate across international borders and the possibility of creating a safe home for everyone.

Alastair talks to architect Teddy Cruz and political scientist Fonna Forman about an innovative live-work cooperative they designed for homeless refugees in Tijuana, Mexico. An ElectraCast podcast. Visit Poetics of Place at ElectraCast. Visit Gordon de Vries Studio Learn more about ElectraCast Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this weeks episode Cole speaks about one of his childhood hero's ted cruz. A real American country love song

how did Texas freeze over? how did Teddy Cruz run off to Mexico as soon as he felt. chill? we need answers, and this podcast has none, but I have plenty of hate for him and abbott, so if you like that kind of stuff I'm here for you. 

All of our combined experience has prepared us for this moment.This week degenerate speculation reached its pinnacle, with a community of subreddit RobinHood millennials pumping up the valuation of erstwhile zombie store Gamestop. So what the devil happened? Plus, we discuss the real reason Robinhood throttled its trades, to the chagrin of Teddy Cruz. And we zoom out on the market in the age of commission free trades and social media.All of this led to the major indices dropping this week, allegedly spurred on by fears of exuberant "froth." Doubtless we are living in irrational times (see zombie WeWork combining with a SPAC). But will we see a correction right now? Or is the Gamestop mania contained to a few select stocks?

It has been called many things—a spaceship, a large mushroom, an enormous concrete and glass jewel held aloft by concrete fingers … the list goes on. UC San Diego’s flagship building, Geisel Library, fascinates and captures the imaginations of all who encounter it. At this virtual event, a panel of experts peel back the layers of its history and explore the basic architectural principles that make this icon an architectural masterpiece. Lynda Corey Claassen, director of Special Collections & Archives at the UC San Diego Library, moderate the discussion with Caroline Acheatel, Teddy Cruz and Kevin deFreitas. Series: "Library Channel" [Humanities] [Show ID: 36219]

It has been called many things—a spaceship, a large mushroom, an enormous concrete and glass jewel held aloft by concrete fingers … the list goes on. UC San Diego’s flagship building, Geisel Library, fascinates and captures the imaginations of all who encounter it. At this virtual event, a panel of experts peel back the layers of its history and explore the basic architectural principles that make this icon an architectural masterpiece. Lynda Corey Claassen, director of Special Collections & Archives at the UC San Diego Library, moderate the discussion with Caroline Acheatel, Teddy Cruz and Kevin deFreitas. Series: "Library Channel" [Humanities] [Show ID: 36219]

It has been called many things—a spaceship, a large mushroom, an enormous concrete and glass jewel held aloft by concrete fingers … the list goes on. UC San Diego’s flagship building, Geisel Library, fascinates and captures the imaginations of all who encounter it. At this virtual event, a panel of experts peel back the layers of its history and explore the basic architectural principles that make this icon an architectural masterpiece. Lynda Corey Claassen, director of Special Collections & Archives at the UC San Diego Library, moderate the discussion with Caroline Acheatel, Teddy Cruz and Kevin deFreitas. Series: "Library Channel" [Humanities] [Show ID: 36219]

It has been called many things—a spaceship, a large mushroom, an enormous concrete and glass jewel held aloft by concrete fingers … the list goes on. UC San Diego’s flagship building, Geisel Library, fascinates and captures the imaginations of all who encounter it. At this virtual event, a panel of experts peel back the layers of its history and explore the basic architectural principles that make this icon an architectural masterpiece. Lynda Corey Claassen, director of Special Collections & Archives at the UC San Diego Library, moderate the discussion with Caroline Acheatel, Teddy Cruz and Kevin deFreitas. Series: "Library Channel" [Humanities] [Show ID: 36219]

It has been called many things—a spaceship, a large mushroom, an enormous concrete and glass jewel held aloft by concrete fingers … the list goes on. UC San Diego’s flagship building, Geisel Library, fascinates and captures the imaginations of all who encounter it. At this virtual event, a panel of experts peel back the layers of its history and explore the basic architectural principles that make this icon an architectural masterpiece. Lynda Corey Claassen, director of Special Collections & Archives at the UC San Diego Library, moderate the discussion with Caroline Acheatel, Teddy Cruz and Kevin deFreitas. Series: "Library Channel" [Humanities] [Show ID: 36219]

It has been called many things—a spaceship, a large mushroom, an enormous concrete and glass jewel held aloft by concrete fingers … the list goes on. UC San Diego’s flagship building, Geisel Library, fascinates and captures the imaginations of all who encounter it. At this virtual event, a panel of experts peel back the layers of its history and explore the basic architectural principles that make this icon an architectural masterpiece. Lynda Corey Claassen, director of Special Collections & Archives at the UC San Diego Library, moderate the discussion with Caroline Acheatel, Teddy Cruz and Kevin deFreitas. Series: "Library Channel" [Humanities] [Show ID: 36219]

It has been called many things—a spaceship, a large mushroom, an enormous concrete and glass jewel held aloft by concrete fingers … the list goes on. UC San Diego’s flagship building, Geisel Library, fascinates and captures the imaginations of all who encounter it. At this virtual event, a panel of experts peel back the layers of its history and explore the basic architectural principles that make this icon an architectural masterpiece. Lynda Corey Claassen, director of Special Collections & Archives at the UC San Diego Library, moderate the discussion with Caroline Acheatel, Teddy Cruz and Kevin deFreitas. Series: "Library Channel" [Humanities] [Show ID: 36219]

It has been called many things—a spaceship, a large mushroom, an enormous concrete and glass jewel held aloft by concrete fingers … the list goes on. UC San Diego’s flagship building, Geisel Library, fascinates and captures the imaginations of all who encounter it. At this virtual event, a panel of experts peel back the layers of its history and explore the basic architectural principles that make this icon an architectural masterpiece. Lynda Corey Claassen, director of Special Collections & Archives at the UC San Diego Library, moderate the discussion with Caroline Acheatel, Teddy Cruz and Kevin deFreitas. Series: "Library Channel" [Humanities] [Show ID: 36219]

Las restricciones de distancia social impuestas por muchos gobiernos ante la pandemia del COVID-19, hacen que muchos se sienten atrapados en sus propios hogares. No es de extrañar que la exposición ¿Cuál es tu hogar? en el Institut Valencià d'Art Modern de Valencia, España, despierte nuestro interés por relevancia. La muestra, que agrupa instalaciones del guatemalteco Teddy Cruz y del chileno Alfredo Jaar entre otros, nos invita a explorar la experiencia humana de sentirse apartado y emocionalmente distante en los lugares más familiares. See omnystudio.com/listener for privacy information.

BE SURE TO SEE THE SHOWNOTES AND LISTEN TO THIS EPISODE HERE. Eve Picker: [00:00:17] Hi there, thanks so much for joining me today for the latest episode of Impact Real Estate Investing. Eve: [00:00:24] My guest today is Katie Swenson. Katie joined MASS Design in 2020 as a senior principal after having worked for many years on affordable housing with enterprise community partners. There she was, a vice president of Design and Sustainability. Her role at MASS, a design practice that embraces issues of economic and social equity, is to help them to define Mass Version 2.0. Eve: [00:01:06] Katie's career has spanned both arts and design, from comparative literature to modern dance. When she finally decided to attend graduate school, she chose architecture as her discipline. And that's when the magic really started to happen. "It allowed me to become a community-based architect," she says, "one who brings ideas to the local level and works with the city and community to make things happen." Eve: [00:01:37] Be sure to go to evepicker.com to find out more about Katie on the show notes page for this episode. And be sure to sign up for my newsletter so you can access information about impact real estate investing and get the latest news about the exciting projects on my crowdfunding platform, Small change. Eve: [00:02:00] So hello, Katie. Thank you so much for spending some time with me today. Katie Swenson: [00:02:04] So glad to be here. Thank you, Eve. Eve: [00:02:07] I'm really fascinated. You've built a career around this question: How do we create an equitable, sustainable, affordable city? And I'm just wondering how you would answer that very big question. Katie: [00:02:20] Yes. Thank you for that question. How do we create an equitable, affordable, sustainable city and communities, I would say, as well. Eve: [00:02:30] Yes. Katie: [00:02:30] You know, my work has taken me into communities mostly across the United States, both large cities and small cities, rural communities and tribal communities. And I think at the base of everything that we've been trying to do is to understand how people can create lives for themselves and their families that give them the opportunity to become and be the people that they want to be, to live lives with purpose and dignity and have the resources and abilities to contribute to the world at large and to their families. So I think that has to happen and in all kinds of environments, certainly so much of the focus of both the sort of economic engines as well as a lot of the environmental work has been around densifying cities and creating cities as urban centers where so much of our work and life can happen. But I think it's also important to understand the broad spectrum of communities that we have throughout the United States and understand that we need to address critical issues around housing and jobs and health and education resources for everybody in the country. Eve: [00:04:01] Basically, one one size does not fit all, right? Katie: [00:04:04] You know, America is much more diverse, I think, than we necessarily give it credit. I've had the incredible opportunity over the last dozen years to really travel quite a lot throughout the United States. And last year, I partnered with a photographer named Harry Connolly and the two of us have been working on a book that we called 'Design with Love at Home in America'. And we went and revisited 10 of the communities where we've been working in partnership for many years with local community development corporations. And the experience kind of re-revealed for me how diverse America really is, from border communities to very rural tribal communities. We worked in geographic diverse locations from the Mississippi Delta through Yakima, Washington, which is sort of the breadbasket of America for produce and fruit production, through inner cities in Baltimore and elsewhere. So, I think one size does not fit all in some ways and in other ways, of course, there are so many common themes that unite best efforts throughout the country. Eve: [00:05:33] Yes, I think about one size does not fit all, I immediately think about, you know, the very typical residential project that developers will build, which really seems to be one size for all. And what you're describing is something very much more diverse. Katie: [00:05:53] Yeah, I think that communities need to grow to reflect themselves. That's the essence of place-based attitude towards building MASS Design. We have talked too often about the provenence of a building. You think of, let's say, wine that comes from a certain region and is grown from a certain type of soil. And buildings and communities also have the opportunity to be grown from their place and to be designed, really, in concert with the values and ambitions and aesthetics and goals of the people who both are responsible for creating them and then will live and grow their own communities. So, yes, I think it's really important to understand that diversity is not an abstract goal, but is the result of, sort of, expression of an environment and that of people and community values that create something that's unique and individual to a place. Eve: [00:07:09] Yeah, I love that thought that a building has a provenance. I think that's great. So, the question of the architect's role within community has sort of continued to grow and change in recent years, but I don't think it's fully formed yet. And how would you like to see that role continue to evolve? Katie: [00:07:28] You know, through our work with the Enterprise Rose Fellowship program, we've learned a lot about a role that an architect can play in local communities. So, just to give a little bit of context, I worked for almost 15 years at Enterprise Community Partners. Back in 2001 to 2004 I participated in a program called the Enterprise Rose Fellowship Program and as an aspiring architect, I was partnered with a community-based development corporation. And the goal was to bring an architect or designer on to the development team of a community development group. The Community Development Group could use the resources of a dedicated designer, and the designer would be able to learn the ins and outs of not only affordable housing development, but also community engagement processes and the regulatory processes that contribute to the creation for affordable housing. So, over these past nearly 20 years, Enterprise has partnered 85 Rose Fellows with community-based groups, and it's been an incredible privilege to be able to witness the growth that has happened through these partnerships. Each one has looked very different. In all cases, there are definitely some sort of underlying values. The architects who are attracted to this work and who succeed at it are generally very humble people who approach the work with the desire to uplift, first and foremost, the goals of the community, but also have to be able to be both brave enough and resourceful to bring the best resources from the architectural and design communities to sort of bear in the local work. So, it's been wonderful to watch these relationships and partnerships grow over time, and each one has resulted in very different kinds of outcomes. Eve: [00:09:49] Do you want to give me some examples? What should a community architect be thinking about that's perhaps different than a rock star architect might be thinking about? Katie: [00:09:58] Absolutely, I'd be happy to share a few examples. I think I would start back in the early days, maybe in 2001, when David Flores was partnered with a community group in San Ysidro, California, called Casa Familiar. A local non-profit that is now about 50 years old and has been working as a kind of community organizer in San Ysidro for many years, helping families navigate life on both sides of the border and provide affordable housing and other community development resources in San Ysidro. And David Flores was a member of my class of fellows, so we both started work in 2001. At the beginning, David started building what he called Casitas, small houses along some of the alleys in the historic part of San Ysidro. But I think he quickly started to realize what the larger challenges that families were facing at the border, including, of course, the border itself. And as the San Ysidro land port of entry has expanded and increased its, I guess, militarization of the border process for crossing, it also took up more space and land space in the community, more energy and also, because of the long wait times to cross the border, was creating environmental effects from stalled vehicles. So David, not only has been working as the design director at Casa Familiar, he was there for almost 20 years working to oversee the development of affordable housing in the neighborhood, but he also joined, for a time, he led the Planning Commission efforts and he got involved in the design and planning of the border control station so that it would be more receptive and welcoming to pedestrians and people crossing each way. And he got involved in environmental studies and testing air quality in the region. Katie: [00:12:16] So I think that architects and designers like David show that an architect's job is not only on distinct projects, that, absolutely he's been involved in helping to realize some very beautiful pieces of architecture including a project which just opened recently that Teddy Cruz and Fonna Forman designed for Casa Familiar, a longtime project in development. But that these building blocks of housing and libraries and parks also need to be knitted together into a larger point of view and larger ability to help a community, as a whole, feel supported and able to grow a family's life and capabilities in some of the most stressful, you know, environments that we have here in the country. Eve: [00:13:16] That's a lovely story. So, I'd really love to hear about how you came to be such a powerful advocate for equitable cities and communities and where did that passion come from? I think you started life academically in a very different place by the sounds of it. Katie: [00:13:32] Yes, I was asked recently who one of my architectural mentors was and, as a child, and I said my mom and the response was one of surprise, actually, and I thought it was so interesting because my mom was a professional, but she was also a home maker. And I've been thinking about these words, not homemaker, one word, but home maker, maybe two words. And I think in many ways, I grew up with a very strong attachment to home, the idea of home, the physical reality of home, how both the design and feeling of your home as well as the stability and platform that your home kind of provides you is just a critical piece of this formation of who you are. And I think in high school, while I had a very stable and wonderful home, I also had the chance to volunteer for what started as a month engagement and ended up being a little over a year and a half at a homeless shelter in Boston. And I think that in the mid-eighties, when homelessness was starting to, kind of, take hold of America and we had, kind of, a high point in the mid-80s, I realize now that actually has not dissipated much. So for me, as a high school student, sort of understanding this dichotomy, not just the power of my own home and what it meant for me, but what happens when you don't have a home and how slippery a slope it becomes and how quickly life can fall apart without a stable home. So I think that this has guided so much of my passion for my work and while it hasn't necessarily been a linear path in terms of my career, I studied comparative literature as an undergrad and I have spent time as a modern dancer and I've done a lot of different things throughout my life, but some core essence around the importance of home and making homes, making my own home and making homes for others has been something that has driven me as long as I can remember and to this day. Eve: [00:16:12] You also sound like you've had a lot of fun. And, you know, I think people have this idea that your life should be linear. But I think, you know, all of those interesting things that you've done must surely feed into what you do now and the way you look at the world and I love that idea. I wanted to talk a little bit about the pandemic as well. It's taken me a while to get my brain around it, but I'm starting to think about what does it mean? And what does our world look like when and if it comes to an end? And if it wasn't already bad enough, the affordable housing crisis just got a lot worse with the onset of the pandemic and many people losing their jobs. And I don't even know how to begin to think about how the U.S. can tackle this monster problem and I'm wondering if you have any thoughts about that. Katie: [00:17:04] Oh boy. Well, I wish I could say that I was able to get my mind around what this is going to mean for all of us. I think we're still in this period of profound uncertainty. And I am really grateful for the wide-spread activism that I've seen from the housing community, first and foremost, on protecting renters and working to stop evictions and understand that that's one critical base of all of this is, again, I guess, the importance of having a home right now. We talk about stay at home, right? Stay at home. Eve: [00:17:43] If you don't have a home, how do you stay at home, right? Yeah. Katie: [00:17:47] Oh, my goodness. I mean, that means very different things for different people. And the importance of home has maybe never been so, kind of, revealed, right? I heard Governor Cuomo talking about the subways in New York, ridership is down 92 percent and they were going to start to close the subways in the mid-morning hours because many people were in many ways taking up residence on the subways. Eve: [00:18:16] Oh wow. Katie: [00:18:16] So this kind of crisis around home, whether it's becoming increasingly unaffordable because you're out of work, whether it's a place that is not safe, perhaps. I mean, not everybody is living at home in a safe environment or you have no home. So, we think this moment, certainly we all want to, kind of, understand what is the future of, you know, our public transit system, what is the future of our work spaces, what's the future of the restaurant and food industry? There's so many questions, but I think one of the most elemental questions is going to have to be what is the future of our housing policy and are we going to use this moment when it could not be more clear how important it is, both for each of us as individuals and for all of us as a society, to be able to safely house every member of our community? Eve: [00:19:26] Yeah, and more, you know, you can't really say that home is just a roof over your head because there's so much inequity around who has a computer and who has broadband, and if you even have a place to work in your home. And I think all of that, surely, has to come into play as well. If we're really looking at schools being closed, and I know my husband's a teacher and his university is already talking about online classes only in the fall, all of that is going to really matter quickly. I mean, as an architect, I'm grappling with, you know, what does that mean in the way we even design homes and cities? Katie: [00:20:07] You know, in some ways, you're right in that this is sort of exciting time to think about home, right? I think everybody's looking around and going like, oh, my goodness I have to sort of expect so much more of this space. And I hope that that notion of expecting more from our buildings and our spaces is one of the things that will come out of this time. You know, the idea that our buildings need to keep us healthy is an idea that really attracted me originally to MASS Design Group who started during a tuberculosis epidemic and designing hospitals with the goal of having the hospital itself, the building itself, participate in enhancing the health of the staff and patients and visitors who experienced it. That the buildings have such a role to play. Buildings shape us, they shape our experience. They shape our health outcomes. And so, I hope that this will be a moment where we are understanding that we need to ask more of our buildings and participate in a greater spatial awareness and spatial literacy to understand the profound effects that the built environment in general, and the buildings that we occupy in specific, have on our health outcomes and our quality of life and productivity outcomes and that we gain a sort of awareness and capabilities around our ambitions for the built environment. Eve: [00:21:59] Yeah, and that, you know, the buildings shape cities. And I think cities, too, will need to be re-thought in terms of how do you make them safe places for larger groups of people? You know, some cities in other countries are starting to think about changes to their transportation patterns or, in Lithuania they've given over all public spaces to outdoor restaurants so restaurants can operate again. I mean, these are kind of baby steps but in amongst the misery of all of this, it's interesting to watch how creative people can be. That's encouraging, I think. Katie: [00:22:37] It's hard to talk about silver linings at this moment. I mean, I think people are going to be experiencing so much grief of all kinds from lost loved ones to lost, you know, hopes or experiences. So, there's going to be just a wide swath of, kind of, having to recover from this moment but, as you say, there's also a lot of opportunities that are being revealed. Like in New York City, where they're coming up with strategies to re-occupy the city streets in a different way, I think that's so exciting. And I think it's really important, I mean, if home is important, though is. I guess, you know, the old words home and garden, right? Home is as equally reflected in the sort of outdoor space. and I think our ability to kind of get more creative about understanding how we can use our outdoor spaces more effectively is really important. Katie: [00:23:39] I also think that different kinds of projects. We have just been involved in a project in a community in West Baltimore where neighborhood leaders started leading the charge to create a park where there had been three homes which, over time in a disinvested area of Baltimore, had been first made vacant and then started to deteriorate and eventually were taken down and the lots that were left had become a dumping grounds. And one of the local neighbors, so a block leader, a block captain on his block, his name is Donald Quarles, started working with one of our Rose Fellows and his neighborhood group and the Bon Secours Community Development Group to clean up first this lot and now turn it into what has become this incredibly beautiful small pocket park that they call Kirby Lane Park. And the process has taken about two years and we figure that in the end, it's been mostly volunteer labor, but the hard costs have been less than one unit of housing costs to create in that community. And it's provided this outdoor space, a kind of backyard or a front porch, whatever you want to call it, for this community at large. So I think from big ideas to how do we re-occupy city streets and city parks and beaches, to small ideas of how to prioritize and re-integrate smaller outdoor spaces into our day-to-day lives, there are lots of models and ideas that we need to be working on simultaneously at different scales. Eve: [00:25:41] I think what excites me is the people I talk to who are incredibly creative and they're all going to put the brainpower to this. I can't wait to see how they make things better. It's fascinating to me. But, in the meantime, I would just like to ask you one final question, and that is what's next for you? You have a brand, new job with MASS Design Group and where's that going to lead you? Katie: [00:26:06] Oh yes, it is so exciting. I started at MASS Design on February 3rd. I've been a friend and sort of champion and cheerleader to the organization since 2010 when I first met them and then had joined their board. So, I came on full-time in February, thank goodness, really just in time to be able to participate in this moment with this incredible group. Katie: [00:26:34] So, the very first morning that we, sort of were all getting on our first Zoom call with one hundred and twenty five people from around the world at nine a.m. Eastern Time on Monday morning, one of our design directors, Chris Scovel, had gotten a call from one of our partners at Boston Health Care for the Homeless, saying that were going to be putting up some makeshift tents to be able to test and treat people without homes in Boston and would we look at the plans? And so, Chris and a team got on to making really makeshift design recommendations. We're not calling them designs because it's not about designing a tent or creating something ideal in any way, it's about trying to apply our experience and design for infection control that we've learned over many years through, not only tuberculosis, but also Ebola and cholera, and to understand with our medical partners how Covid19 is manifesting itself and what can we do from a spatial guidance to help limit contagion and keep health care workers and patients healthier. So we started in on this immediately and realized that if one group needed it, as one partner needed it, probably so did others. So, we set off on this kind of larger understanding about, how can we use our spatial cues, spatial literacy, to help respond in this crisis? You know, I think that obviously architects are not on the frontlines of this crisis. Health care workers are on the frontlines of this crisis and make no mistake about it, but the rub is that our buildings are on the front lines. And so, we need to be there, showing up to understand how do we need to adapt? What are the retrofits that we need to do? How can we learn from this experience so that our buildings are able to support health care workers, to be able to support our communities, getting back into our lives in so many ways, but to do it safely? Katie: [00:29:04] It's been an incredible process and I feel very, very lucky to work not only with an incredible team at MASS, but also such a robust network of amazing partners both in the medical fields and in all of the sort of social service fields. Eve: [00:29:22] Well, I really can't wait to see what comes next. And thank you very much for spending this time with me today. Katie: [00:29:30] Thank you. Really a pleasure to join you and we'll look forward to having this conversation evolve and thanks for highlighting all the creative efforts. Appreciate it. Eve: [00:29:41] Thank you. Eve: [00:29:56] That was Katie Swenson. I loved that her early professional years meandered through the arts from comparative literature to dance before she landed on architecture. Her trajectory shows that climbing the ladder is not necessarily the path to success. Her career as a community architect started later than most but that didn't stop her from becoming a star in the field. And she brought with her creativity and a human passion for making better places for everyone. Eve: [00:30:27] You can find out more about impact real estate investing and access the show notes for today's episode at my web site, evepicker.com. While you're there, sign up for my newsletter to find out more about how to make money in real estate while building better cities. Eve: [00:30:44] Thank you so much for spending your time with me today and thank you, Katie, for sharing your thoughts. We'll talk again soon but for now, this is EVe Picker signing off to go make some change.

it's voting season and i'm all about shit talking teddy cruz. GOP has ballooned the national debt by giving tax breaks to the rich and now they are hunting for your social security and medicare. They also don't want you to have health care. they'd rather you go bankrupt and loose your house. Vote Blue, straight ticket. Whether you're in Texas or an outside listener, the world is watching us right now, they are scared.

This episode the crew talks Saudi Arabia, Teddy Cruz, and NPR DJ's then we talk a long, dark turn down the Ancient Aliens rabbit hole

Hi everyone, Welcome to this week's show. Donnie is willing to make a deal DACA, but don't worry he says the wall is still coming. Jemele Hill calls Donnie a white supremacist and the world exploded. Teddy Cruz likes a tweet or does he? Snow Leopards are removed from the endangered species list. Hellboy reboot is shaping up to be amazing. It avoided being whitewashed, hooray! Justice League is rumored to have 2 green lanterns. We hope to horus that one of them is not Tyrese. John Wick 3 release date was announced. Musical guest is https://soundcloud.com/g4rrua/tracks

"Part historical account, part theoretical appraisal, and part design manifesto, Borderwall as Architecture is reminiscent of Rem Koolhaas’ Delirious New York in its sweeping assessment of both the sociocultural peculiarities and outlandish possibilities represented by a prominent structural element."—Blaine Brownell, Architect Magazine Borderwall as Architecture is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz. Ronald Rael is Associate Professor in the departments of Architecture and Art Practice at the University of California, Berkeley. He is the author of Earth Architecture, a history of building with earth in the modern era that exemplifies new, creative uses of the oldest building material on the planet. The Museum of Modern Art and the Cooper Hewitt Smithsonian Design Museum have recognized his work, and in 2014 his creative practice, Rael San Fratello, was named an Emerging Voice by the Architectural League of New York.

Teddy Cruz and Fonna Forman of Estudio Teddy Cruz + Fonna Forman discuss their practice at the Tijuana/San Diego border and how design transcends politics.

Teddy Cruz and Fonna Forman of Estudio Teddy Cruz + Fonna Forman discuss their practice at the Tijuana/San Diego border and how design transcends politics.

Episode Sixteen reunites Matthew and Sean as they discuss random things in today's news including: Kids crashing into fighter jets; Map sizes totally inaccurate; Federal Reserve debt; April Fools jokes; Marathon races; Bat vs Super; Suicide Squad Lite?; Teddy Cruz vs. American Muslims; and everybody's favorite topic these days: Cultural Appropriation. Be sure to check out CaligraphyDownhill.com!

For more Derringer audio go to: http://bit.ly/13R4vwr See omnystudio.com/listener for privacy information.

You can't keep some astronauts down on this week's Geek Shock as we talk about Dying Light, Alien: Out of the Shadows, Life Itself, iZombie, Teddy Cruz, Harry Scully and Arthur Conan Mulder, Lizzie for Lifetime, Avengers: Infinity War, X-Files returns, The Disciples of Dead Space, Preacher Casting, Leviathan, Knightfall, Chrononauts, Fraggles, Game of Spoils, Sony Vue, and Mars One helluva scam. Plus Mumm-Ra and Dick Cheney answer your burning questions. So send that bot to droid school, it's time for a Geek Shock!

Teddy Cruz, immigration, Syria, and pricey vacations, this is your America

The Inaugural Percival and Naomi Goodman Lecture In a lecture marking the fifth anniversary of the Percival and Naomi Goodman Fellowship at Columbia University GSAPP, San-Diego based architect Teddy Cruz will examine the gaps between haves and have-nots, institutions and publics, and the effects of these widening chasms on public culture in the United States. Cruz will argue that the institutionalization of greed has affected urban planning and legislation, and undermined collective political efforts to enable public infrastructure and education. Where is our collective and civic imagination today, and how can it can be reconnected to policy and social justice? #wood033012

When do cities recover from disaster? Conference: Injured Cities/Urban Afterlives 10.14.11 - 10.15.11 9:00AM - 6:00PM FRIDAY EVENTS IN MILLER THEATRESATURDAY EVENTS IN WOOD AUDITORIUM, AVERY HALL Gerry Albarelli, Ariella Azoulay, Carol Becker, Nina Bernstein, Hazel Carby, Mary Marshall Clark, Teddy Cruz, Roberta Galler, Saidiya Hartman, Dinh Le, Ann Jones, Anne McClintock, Rosalind Morris, Shirin Neshat, Walid Ra'ad, Somi Roy, Saskia Sassen, Diana Taylor, Karen Till, Clive van den Berg, Eyal Weizman, and Mabel Wilson #wood101511

When do cities recover from disaster? Conference: Injured Cities/Urban Afterlives 10.14.11 - 10.15.11 9:00AM - 6:00PM FRIDAY EVENTS IN MILLER THEATRESATURDAY EVENTS IN WOOD AUDITORIUM, AVERY HALL Gerry Albarelli, Ariella Azoulay, Carol Becker, Nina Bernstein, Hazel Carby, Mary Marshall Clark, Teddy Cruz, Roberta Galler, Saidiya Hartman, Dinh Le, Ann Jones, Anne McClintock, Rosalind Morris, Shirin Neshat, Walid Ra'ad, Somi Roy, Saskia Sassen, Diana Taylor, Karen Till, Clive van den Berg, Eyal Weizman, and Mabel Wilson #wood101511

When do cities recover from disaster? Conference: Injured Cities/Urban Afterlives 10.14.11 - 10.15.11 9:00AM - 6:00PM FRIDAY EVENTS IN MILLER THEATRESATURDAY EVENTS IN WOOD AUDITORIUM, AVERY HALL Gerry Albarelli, Ariella Azoulay, Carol Becker, Nina Bernstein, Hazel Carby, Mary Marshall Clark, Teddy Cruz, Roberta Galler, Saidiya Hartman, Dinh Le, Ann Jones, Anne McClintock, Rosalind Morris, Shirin Neshat, Walid Ra'ad, Somi Roy, Saskia Sassen, Diana Taylor, Karen Till, Clive van den Berg, Eyal Weizman, and Mabel Wilson #wood101511

A lecture by Bart Lootsma at the Future of Urbanism conference, which took place the University of Michigan's Taubman College of Architecture and Urban Planning in Ann Arbor on March 19 and 20, 2010. The complete lectures of the conference, with speakers like ao. Christina Boyer, Benjamin Bratton, Marshall Brown, Teddy Cruz, Bryan Finoki, Saskia Sassen and Edward Soja can be found on Taubman College's Youtube channel: http://www.youtube.com/umtaubmancollege

A lecture by Bart Lootsma at the Future of Urbanism conference, which took place the University of Michigan's Taubman College of Architecture and Urban Planning in Ann Arbor on March 19 and 20, 2010. The complete lectures of the conference, with speakers like ao. Christina Boyer, Benjamin Bratton, Marshall Brown, Teddy Cruz, Bryan Finoki, Saskia Sassen and Edward Soja can be found on Taubman College's Youtube channel: http://www.youtube.com/umtaubmancollege

Teddy Cruz and Pedro Reyes have a history of collaboration that extends back several years. Their shared investigations into design strategies for social transformation in globalised times propose a new synthesis for art and architecture.

Teddy Cruz Beyond Borders: Local Architectural and Planning Solutions Urban designer Teddy Cruz ‘s work dwells at the border between San Diego and Tijuana, Mexico, inspiring a practice and pedagogy that emerges out of the particularities of this bicultural territory and the integration of theoretical research and design production. Join host Chris Desser, a fellow at the Tomales Bay Institute and co-editor of Living with the Genie: Technology and the Quest for Human Mastery, in a conversation about local architectural and urban planning solutions for global political and social problems. Teddy Cruz Teddy has taught and lectured in various universities in the U.S. and Latin America, and in 1994 he conceived and began the LA/LA Latin America / Los Angeles studio, an experimental summer workshop at SCI-Arc in Los Angeles. During 2000-05, he was associate professor in the school of architecture at Woodbury University in San Diego where he began Border Institute to further research the urban phenomena at the border between the United States and Mexico. He has been recently appointed associate professor in Public Culture and Urbanism in the Visual Arts Department at the University of California, San Diego. His firm, Estudio Teddy Cruz, was selected among eight other firms as one of the national “Emergent Voices” in architecture by the Urban League in New York City. Find out more about The New School at tns.commonweal.org.