Podcasts about todesbanden

Order of Service: - Prelude: Ich ruf zu dir, Herr Jesu Christ - Hymn 255 - Lord, Hear the Voice of My Complaint: vv. 1, 4 - A Canticle (p. 105) - Prelude: Schmücke dich, o liebe Seele - Hymn 328 - Soul, Adorn Thyself With Gladness: vv. 8 - The Lesson (p. 134) - Prelude: Herzlich tut mich verlangen - Hymn 334 - O Sacred Head, Now Wounded: vv. 4, 8 - Prelude: Christus, der uns selig macht - Christ, Through Whom We All Are Blest: vv. 1, 8 - Kyrie, Lord's Prayer - Prelude: Christ lag in Todesbanden - Hymn 343 - Christ Jesus Lay in Death's Strong Bands: vv. 1, 7 - The Collect of Thanks (p. 105) - The Benediction (p. 106) - Prelude: Erschienen ist der herrlich Tag - The Day Hath Dawned — The Day of Days Service Participants: Rev. Prof. Mark DeGarmeaux (Preacher), Micah Smith (Organist)

Order of Service: - Prelude: Ich ruf zu dir, Herr Jesu Christ - Hymn 255 - Lord, Hear the Voice of My Complaint: vv. 1, 4 - A Canticle (p. 105) - Prelude: Schmücke dich, o liebe Seele - Hymn 328 - Soul, Adorn Thyself With Gladness: vv. 8 - The Lesson (p. 134) - Prelude: Herzlich tut mich verlangen - Hymn 334 - O Sacred Head, Now Wounded: vv. 4, 8 - Prelude: Christus, der uns selig macht - Christ, Through Whom We All Are Blest: vv. 1, 8 - Kyrie, Lord's Prayer - Prelude: Christ lag in Todesbanden - Hymn 343 - Christ Jesus Lay in Death's Strong Bands: vv. 1, 7 - The Collect of Thanks (p. 105) - The Benediction (p. 106) - Prelude: Erschienen ist der herrlich Tag - The Day Hath Dawned — The Day of Days Service Participants: Rev. Prof. Mark DeGarmeaux (Preacher), Micah Smith (Organist)

Order of Service: - Prelude: Ich ruf zu dir, Herr Jesu Christ - Hymn 255 - Lord, Hear the Voice of My Complaint: vv. 1, 4 - A Canticle (p. 105) - Prelude: Schmücke dich, o liebe Seele - Hymn 328 - Soul, Adorn Thyself With Gladness: vv. 8 - The Lesson (p. 134) - Prelude: Herzlich tut mich verlangen - Hymn 334 - O Sacred Head, Now Wounded: vv. 4, 8 - Prelude: Christus, der uns selig macht - Christ, Through Whom We All Are Blest: vv. 1, 8 - Kyrie, Lord's Prayer - Prelude: Christ lag in Todesbanden - Hymn 343 - Christ Jesus Lay in Death's Strong Bands: vv. 1, 7 - The Collect of Thanks (p. 105) - The Benediction (p. 106) - Prelude: Erschienen ist der herrlich Tag - The Day Hath Dawned — The Day of Days Service Participants: Rev. Prof. Mark DeGarmeaux (Preacher), Micah Smith (Organist)

Christ is risen! He is risen indeed! Alleluia! Sing a beautiful Easter Cantata with us today. Rev. Brian Hamer, US Navy Chaplain, joins Sarah and Andy to talk about J.S. Bach's BWV 4, "Christ lag in Todesbanden" (Christ Lay in Death's Strong Bands), including the texts for this cantata, unique features that set it apart from Bach's other sacred works, the familiar melody that unites each movement, and beautiful highlights from each of the movements. Find the familiar hymn, Lutheran Service Book 458, at hymnary.org/hymn/LSB2006/458, and read Chaplain Hamer's column on this cantata and hymn at whatdoesthismean.org/lifted-voice--brian-hamer/cantatas-over-coffee-christ-jesus-lay-in-deaths-strong-bands.

Andacht zum 31.03.2024 Neues Leben 01 Vorspiel - 02 Begrüßung - 03 Auf, auf mein Herz mit Freuden - 04 Psalm 118 - 05 Gebet - 06 Christ lag in Todesbanden - - 07 Predigt zu 1. Sam 2,1–8a - 08 Sei behütet - 09 Fürbitten - 10 Vaterunser - 11 Segen - 12 Nachspiel Predigt & Liturgie: Robert Vetter, Stuhr, Tel. 0421/561578 Christoph Martsch-Grunau, Delmenhorst, Tel. 04221/9813627 Text Jule von einer KI eingesprochen Klavier, Gitarre und Gesang: Irina Marchenko, Carolin Atzenhofer, Olga Burmeister und Kirsten Artal Hier können Sie uns Rückmeldung geben: Tel. 04221/9813628 Bitte spenden Sie zugunsten der Aktion Brot für die Welt IBAN: DE10100610060500500500 BIC: GENODED1KDB (Bank für Kirche und Diakonie)

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Andacht Ostersonntag Was glaube ich? 01 Vorspiel - 02 Begrüßung - 03 Wir wollen alle fröhlich sein - 04 Psalm 118 - 05 Gebet - 06 Christ lag in Todesbanden - - 07 Predigt zu 1. Kor 15,1–11 - 08 Jesus lebt, mit ihm auch ich - 09 Fürbitten - 10 Vaterunser - 11 Segen Predigt & Liturgie: Robert Vetter, Stuhr, Tel. 0421/561578 Christoph Martsch-Grunau, Delmenhorst, Tel. 04221/9813627 Tabina Bremicker, Delmenhorst Klavier, Orgel und Gesang: Olga Burmeister, Kirsten Artal Detlef Korsen, Christine Rauterberg und Irina Marchenko Hier können Sie uns Rückmeldung geben: Tel. 04221/9813628 Bitte spenden Sie zugunsten der Aktion Brot für die Welt IBAN: DE10100610060500500500 BIC: GENODED1KDB (Bank für Kirche und Diakonie)

Skjern Kirke, Viborg stift. 4. s. e. påske Prædikant: Poul Ivan Madsen. Organist: Henrik West. Salmer: DDS 5: "O havde jeg dog tusind tunger" DDS 448: "Fyldt af glæde" DDS 487: "Nu fryde sig hver kristen mand" DDS 427: "Tak for al din fødsels glæde" Præludium: Be still, for the presence of the Lord. Komponist: David J. Evans. Postludium: Christ lag in Todesbanden . Komponist: J.S. Bach. Vært: Malene Fenger-Grøndahl. www.dr.dk/tro

Andacht zum 17.04.2022 An Ostern beweist uns Gott, dass er die kleinen und großen Steine wegrollen kann, die uns im Weg stehen. 01 Vorspiel - 02 Begrüßung - 03 Wir danken dir, Herr Jesu Christ - 04 Psalm 118 - 05 Gebet - 06 Christ lag in Todesbanden - 07 Predigt zu Mk 16,1–8 - 08 Er ist erstanden, Halleluja - 09 Fürbitte - 10 Vaterunser - 11 Segen - 12 Nachspiel Predigt & Liturgie: Christoph Martsch-Grunau, Tel. 04221/9813627 und Robert Vetter, Stuhr, Tel. 0421/561578 Klavier, Orgel, Gitarre und Gesang: Kirsten Artal, Olga Burmeister, Detlef Korsen und Irina Marchenko Hier können Sie uns Rückmeldung zur CD geben: Tel. 04221/9813628 Bitte spenden Sie zugunsten der Ukraine Aktion Deutschland Hilft e.V. IBAN DE62 3702 0500 0000 1020 30 B IC: BFSWDE33XXX

It's Bach Week on The Coffee Hour! Today, Dr. Maurice Boyer, professor of music at Concordia University Chicago and director of the American Kantorei (a group dedicated to the performance of J.S. Bach's music), joins Andy and Sarah to talk about Bach's theology in his sacred chorale cantatas. Hear about the place of the cantata or passion in the liturgy of a Sunday morning, how these cantatas follow our Church Year, what makes a chorale a unique part of the cantata, and which chorales would sound especially familiar to us.  Familiarize yourself with Bach's music that you will probably recognize! Work through this list of Chorale Cantatas by J.S. Bach with melodies contained in the Lutheran Service Book. For solid literal translations of the texts, see Emmanuel Music in Boston at emmanuelmusic.org. For lectionary readings, see the one-year lectionary found in the LSB Introduction p.xx or download at lcms.org/worship/lectionary-series. BWV 7 – Christ unser Herr zu Jordan kam (1724) St John the Baptist youtu.be/06PQgj_K8dI LSB 406: To Jordan Came the Christ, Our Lord BWV 93 – Wer nur den lieben Gott läßt walten (1724) Fifth Sunday after Trinity youtu.be/in5XDlJnrB8 LSB 750: If Thou but Trust in God to Guide Thee Organ: BWV 642 BWV 9 – Es ist das Heil uns kommen her  (1732-5) Sixth Sunday after Trinity youtu.be/zq1IAR_J0NI LSB 555: Salvation to Us Has Come Organ: BWV 638 BWV 94 – Was frag ich nach der Welt (1724) Ninth Sunday after Trinity youtu.be/UmtTuCgUeT4 LSB 730: What is the World to Me BWV 99 – Was Gott tut, das ist wohlgetan (1724) Fifteenth Sunday after Trinity youtu.be/TwmQo97zb6I LSB 760: What God Ordains Is Always Good BWV 96 – Herr Christ, der einge Gottessohn (1724) Eighteenth Sunday after Trinity youtu.be/ojRmbYXKXtc LSB 402: The Only Son from Heaven Organ: BWV 601 BWV 180 – Schmucke dich Twentieth Sunday after Trinity youtu.be/CfmPmuirwkA LSB 636: Soul, Adorn Yourself with Gladness BWV 8 – Aus Tiefer Not schrei ich zu dir (1724) Twenty-First Sunday after Trinity youtu.be/CvJDnR-bELM LSB 607: From Depths of Woe I Cry to You BWV 61 – Nun komm, der Heiden Heiland (Weimar 1714) youtu.be/MzWJsRjanC4 BWV 62 – Nun komm, der Heiden Heiland (1724) youtu.be/lGv4I7bd8JY First Sunday of Advent LSB 332: Savior of the Nations, Come Organ: BWV 599 No concerted music (i.e. with instruments) after the First Sunday of Advent until Christmas Day BWV 91 – Gelobet seist du, Jesu Christ (1724) Christmas Day youtu.be/SJa716LSba4 LSB 382: We Praise You, Jesus, at Your Birth Organ: LWV 604 BWV 125 – Mit Fried und Freud ich fahr dahin (1725) Purification (German Nunc Dimittis) youtu.be/2on7CBhCkQs LSB 938: In Peace and Joy, I Now Depart Organ: BWV 616 BWV 126 – Erhalt uns, Herr, bei deinem Wort (1725) Sexagesima (60 days before Easter) youtu.be/xSaY0fX8LiA LSB 555: Lord, Keep Us Steadfast in Your Word BWV 127 – Herr Jesu Christ, wahr Mensch und Gott (1725) Estomihi or Quinquagesima (50 Days before Easter = last Sunday before Lent) youtu.be/Fm-0GjrmDmo Quotes „Christe, du Lamm Gottes“ (German « Agnus Dei ») Organ: BWV 619 No concerted music during Lent BWV 1 – Wie schön leuchtet der Morgenstern (March 25, 1725) Annunciation (first piece after Lent since Annunciation coincided with Palm Sunday) youtu.be/ZnXMV4JcEnc LSB 395 O Morning Star, How Fair and Bright St John Passion (2nd version) with chorale movements bracketing the whole work and some changes in arias. Good Friday (1725) youtu.be/nBhALSvlujU BWV 4 – Christ lag in Todesbanden (1707?) Easter (Reprise in Leipzig 1725) youtu.be/IDMYl0YjCn0 LSB 458: Christ Jesus Lay in Death's Strong Bands Organ: BWV 625

Rutgers University Professor of Music, TACOtalk producer, and violinist Mark Zaki discusses with Tom the practice of composers “borrowing” from those who came before them. Enjoy excerpts of great music as they trace a trail of musical appropriation of the 11th century Gregorian Easter Chant Victimae Paschali Laudes across the centuries to Martin Luther, then on to Bach's early 18th century setting in Christ lag in Todesbanden, and finally to Mark's own setting of the work in his string quartet it comes to tell us it is gone.

Spandet Kirke, Ribe stift. 2. søndag efter påske. Prædikant: Therese Solten. Organist: Lis J. Andersen. Salmer: 721: "Frydeligt med jubelkor". 664: "Frelseren er mig en hyrde god". 218: "Krist stod op af døde ". 492: "Guds igenfødte, nylevende sjæle". 52: "Du Herre Krist". Præludium: "Morgenstund har guld i mund". Komponist: Jesper Madsen. Postludium: "Komm, heiliger Geist/ Christ lag in Todesbanden". Komponist: Buxtehude /J.S. Bach. Vært: Katarina Lewkovitch. www.dr.dk/tro

Join us today, Wednesday, April 14, for a Devotion for Early Evening, led by the Rev. Joyce Keeshin and featuring Thomas Heidenreich on the organ playing Christ lag in Todesbanden, BWV 625 by J. S. Bach. This worship service is available here and through our Online Worship podcasts. Subscribe now on Apple podcast, Stitcher, and Spotify or simply ask your smart speaker to play the podcast “The Episcopal Church of the Redeemer Online Worship."

Diese Osterkantate ist in Mühlhausen entstanden. Altmodisch in der Form als Choralkonzert, aber mit geradezu avantgardistischer Klangsprache.

durée : 00:04:32 - Bach, le plus écolo des compositeurs ! - par : Marc-Olivier Dupin - Virtuose du recyclage des thèmes musicaux, il utilise sous de multiples formes les tubes de l'époque : suivons à la trace, l'utilisation qu'il fait du choral "Christ lag in Todesbanden".

Op 7 juli 1720 was de begrafenis van Maria Barbara Bach, de vrouw van J.S. die volkomen onverwacht ‘uit de tijd’ ging. Volgens de Duitse musicologe Helga Thoene zijn de Sonates en Partitas voor solo-viool door Bach gecomponeerd als een monument voor zijn overleden vrouw – klinkende rouwverwerking. Een bijzondere theorie, met bijzondere gevolgen. Johann Sebastian Bach Cantate BWV.4, “Christ lag in Todesbanden”; koraal, “Christ lag in Todesbanden” The Monteverdi Choir & The English Baroque Soloists olv John Eliot Gardiner Soli Deo Gloria SDG128 5’33’’ Johann Sebastian Bach Partita voor viool nr.2, BWV.1004 – deel V, “Chaconne” (Arr.) Tenebrae olv Nigel Short Gordon Nikolitch, viool LO 0728 13’08’’

Music included in this recording: "Präludium, BWV 625 Christ lag in Todesbanden" - J. S. Bach "Resurrexi" (Mode 4) - Gregorian Chant Entrance Antiphon of Easter Day Lyrics: I am risen, and I am always with you, alleluia; you have placed your hand upon me, alleluia; your wisdom has been shown to be most wonderful, alleluia, alleluia. "Ye choirs of New Jerusalem" - Charles V. Stanford Lyrics: Ye choirs of new Jerusalem, Your sweetest notes employ, The Paschal victory to hymn In strains of holy joy. For Judah’s Lion bursts His chains, Crushing the serpent’s head; And cries aloud through death’s domains To wake the imprisoned dead. From hell’s devouring jaws the prey Alone our Leader bore; His ransomed hosts pursue their way Where Jesus goes before. Triumphant in His glory now To Him all power is given; To Him in one communion bow All saints in earth and heaven. While we, His soldiers, praise our king, His mercy we implore, Within His palace bright to bring And keep us evermore. All glory to the Father be, All glory to the Son, All glory, Holy Ghost, to Thee, While endless ages run. Alleluia. Amen.

This episode of Jim's Lower Lounge is our most classical episode ever. Our guest, Leigh Howard Stevens, is a New Jersey native and world-renowned percussionist who has made historic contributions to the study of the marimba and other mallet instruments. He has also published several acclaimed books on percussion technique, and he is the founder of Malletech, a New Jersey-based company that manufactures and distributes instruments and mallets of Stevens' own design. Today, we discuss Leigh's many years of entrepreneurship and why he loves listening to classical music, as well how to (and how not to) spend a fortune on audio equipment.Find Leigh Howard Stevens:mostlymarimba.commalletech.com/aboutFeatured music:Claude Debussy. “Children’s Corner / Serenade for the Doll.”Performed by Leigh Howard Stevens.Marimba When…, Resonator Records, 1993.J.S. Bach. “Sonata in A Minor S. 1001: Presto.”Performed by Leigh Howard Stevens.Bach on Marimba, Resonator Records, 1987.J.S. Bach. “Chorale / Christ lag in Todesbanden.”Performed by Leigh Howard Stevens.Bach on Marimba, Resonator Records, 1987.Aram Khachaturian. “The Adventures of Ivan / Ivan is Very Busy.”Performed by Leigh Howard Stevens.Marimba When…, Resonator Records, 1993.Photo: mhamiltonvisuals.comRecorded August 2018  Hosted by Thomas HagenProduced by Jim Hamilton, Tyler Ripley and Thomas Hagen

En clave de Dios (LXV): Cantatas de Pascua BWV 4 y 12 (Johann Sebastian Bach). En este programa escuchamos dos cantatas de Pascua de Johann Sebastian Bach, la BWV 4 ('Christ lag in Todesbanden', -Cristo yacía en las ligaduras de la muerte-), escrita para el Domingo de Resurrección de 1708, y la BWV 12 ('Weinen, Klagen, Sorgen, Zagen', -Lloros, lamentos, preocupaciones, temores-), concebida para el tercer domingo de Pascua de 1714.

Rev. Dr. Robert Allan Hill and Dr. Scott Allen Jarret, Director of Music, preach a sermon entitled "The Bach Experience". The Marsh Chapel Choir and Collegium present Johann Sebastian Bach's "Christ lag in Todesbanden", BWV 4 along with service music and hymns.

Rev. Dr. Robert Allan Hill and Dr. Scott Allen Jarret, Director of Music, preach a sermon entitled "The Bach Experience". The Marsh Chapel Choir and Collegium present Johann Sebastian Bach's "Christ lag in Todesbanden", BWV 4 along with service music and hymns.

BWV 4 is a special work for the host, and for Bach, it is one of his earliest surviving cantatas today, written around a melody that appears in each movement.

Enregistrement public du sixième concert du Bach Collegium Paris le samedi 31 mars 2012 à 20h en l'Église Réformée de l'Étoile (Paris 17e). Patrizia METZLER, directeur musical. Claire COUZELIN, soprano. Xavier JACQUES, alto. Tarik BOUSSELMA, ténor. Fabien LERICHE, basse. Jean-Sébastien BACH (1685-1750) Johann Sebastian BACH (1685-1750) Cantate BWV 4 "Christ Lag in Todesbanden" À la différence des deux autres cantates de ce programme, nous savons que Bach composa sa cantate BWV 4, Christ lag in Todesbanden, spécifiquement pour le dimanche de Pâques de 1707 ou 1708, lorsqu’il travaillait soit à Mühlhausen soit déjà à Weimar. Les lectures de la liturgie correspondant à ce dimanche très particulier sont la première Épître aux Corinthiens (5:6-8) et l’Évangile selon Saint Marc (16:1-8), qui toutes les deux évoquent la résurrection du Christ. Bach fait usage pour cette cantate de la totalité des sept strophes d’un texte de choral de Martin Luther, consacrant à chacune d’entre elles l’un des sept mouvements vocaux de la cantate ; cette pratique de recourir aux strophes d’un choral comme seule et unique base textuelle pour des œuvres sacrées trouve son origine au XVIIème s. ... poursuivez votre lecture en consultant la page complète du programme : http://www.bachcollegiumparis.org/repertoire/bach-cantate-bwv-4-christ-lag-in-todesbanden © Tous droits réservés Bach Collegium Paris - Paris, France

6th public recording of the Bach Collegium Paris on March, 31st 2012, Église Réformée de l'Étoile (Paris 17th). Patrizia METZLER, directeur musical. Claire COUZELIN, soprano. Xavier JACQUES, alto. Tarik BOUSSELMA, ténor. Fabien LERICHE, basse. Johann Sebastian BACH (1685-1750) Cantata BWV 4 "Christ Lag in Todesbanden" ... read more about this program on : http://www.bachcollegiumparis.org/repertoire/bach-cantate-bwv-4-christ-lag-in-todesbanden © All right reserved Bach Collegium Paris - Paris, France