Podcasts about John Eliot Gardiner

This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

durée : 00:05:27 - Le Bach du matin du mercredi 02 avril 2025 - Notre Bach du matin est chanté par un contre-ténor américain, Reginald Mobley qui chante très régulièrement sous la direction de John Eliot Gardiner, depuis quelques années à Versailles ou encore au festival Berlioz et notamment au Couronnement de Charles III en 2023.

durée : 00:05:27 - Le Bach du matin du mercredi 02 avril 2025 - Notre Bach du matin est chanté par un contre-ténor américain, Reginald Mobley qui chante très régulièrement sous la direction de John Eliot Gardiner, depuis quelques années à Versailles ou encore au festival Berlioz et notamment au Couronnement de Charles III en 2023.

durée : 00:29:34 - John Eliot Gardiner, chef d'orchestre - Pionnier du renouveau baroque, le chef retrouve l'Orchestre Philharmonique de Radio France pour une série de concerts à Paris et Dijon, et entame un nouveau chapitre avec le Constellation Choir & Orchestra, un an et demi après l'incident qui lui a coûté la direction de ses ensembles.

durée : 02:05:28 - Musique matin du jeudi 20 mars 2025 - par : Jean-Baptiste Urbain - Pionnier du renouveau baroque, le chef retrouve l'Orchestre Philharmonique de Radio France pour une série de concerts à Paris et Dijon, et entame un nouveau chapitre avec le Constellation Choir & Orchestra, un an et demi après l'incident qui lui a coûté la direction de ses ensembles. - réalisé par : Yassine Bouzar

durée : 01:28:52 - Relax ! du lundi 17 mars 2025 - par : Lionel Esparza - Alexandre Kantorow est un jeune pianiste français déjà prodigieux, à la carrière prometteuse. Il joue ces prochains jours les deux concertos de Brahms avec le Philharmonique de Radio France et John Eliot Gardiner.

durée : 01:28:52 - Relax ! du lundi 17 mars 2025 - par : Lionel Esparza - Alexandre Kantorow est un jeune pianiste français déjà prodigieux, à la carrière prometteuse. Il joue ces prochains jours les deux concertos de Brahms avec le Philharmonique de Radio France et John Eliot Gardiner.

durée : 00:06:34 - Le Bach du matin du mardi 04 mars 2025 - Notre Bach du matin est tricentenaire. En 1725, le compositeur écrit à Leipzig cette cantate BWV 32 intitulée "Bien aimé Jésus objet de mes désirs". Les voix de Claron Mac Fadden et de Peter Harvey se mêlent au chœur Monteverdi et aux Solistes Baroques Anglais, dirigés par John Eliot Gardiner.

durée : 00:06:34 - Le Bach du matin du mardi 04 mars 2025 - Notre Bach du matin est tricentenaire. En 1725, le compositeur écrit à Leipzig cette cantate BWV 32 intitulée "Bien aimé Jésus objet de mes désirs". Les voix de Claron Mac Fadden et de Peter Harvey se mêlent au chœur Monteverdi et aux Solistes Baroques Anglais, dirigés par John Eliot Gardiner.

durée : 00:15:59 - Disques de légende du mercredi 19 février 2025 - "Es ist vollbrach" — tout est accompli : voilà ce que chante Bernarda Fink, qui pourrait résumer, avec cet enregistrement de 2003, le travail accompli par John Eliot Gardiner sur la passion selon Saint Jean...

durée : 00:15:59 - Disques de légende du mercredi 19 février 2025 - "Es ist vollbrach" — tout est accompli : voilà ce que chante Bernarda Fink, qui pourrait résumer, avec cet enregistrement de 2003, le travail accompli par John Eliot Gardiner sur la passion selon Saint Jean...

Znakomici artyści, tacy jak Martha Argerich czy sir John Eliot Gardiner, nieoczywisty repertuar i muzyczne odkrycia – między innymi tego możemy się spodziewać na jubileuszowym 60. Międzynarodowym Festiwalu Wratislavia Cantans. – Muzyka wokalna i wokalno-instrumentalna to coś, co nas wyróżnia na tle innych imprez w Polsce i Europie – mówił w Dwójce dyrektor wydarzenia Andrzej Kosendiak.

durée : 00:06:37 - Le Bach du matin du mardi 21 janvier 2025 - Notre Bach du matin est un Bach de joie, une Cantate écrite pour la chandeleur : Erfreute Zeit im neuen Bunde : Heureux temps de la nouvelle alliance. Elle est ici interprétée par Paul Agnew et le Monteverdi Choir dirigé par John Eliot Gardiner.

durée : 00:06:37 - Le Bach du matin du mardi 21 janvier 2025 - Notre Bach du matin est un Bach de joie, une Cantate écrite pour la chandeleur : Erfreute Zeit im neuen Bunde : Heureux temps de la nouvelle alliance. Elle est ici interprétée par Paul Agnew et le Monteverdi Choir dirigé par John Eliot Gardiner.

City Ballet The Podcast returns with a new Hear the Dance episode exploring George Balanchine's Concerto Barocco. Host Silas Farley is joined by three former NYCB dancers whose engagement with this foundational ballet continues today: SAB Senior Faculty Chair Suki Schorer, Balanchine Repetiteur Victoria Simon, and SAB Faculty Member Meagan Mann. Together they trace the highlights and unique demands of Barocco's four distinct movements, describing how the apparent simplicity of the ballet demands plenty of hard work and helps build community amongst the dancers. (1:00:28) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto in D minor for Two Violins, B.W.V. 1043 by Johann Sebastian Bach Performed by the New York City Ballet Orchestra Kurt Nikkanen and Arturo Delmoni, Violin Soloists Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach Performed by Susan Walters, Pianist Reading List:  1. Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein 2. Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein 3. Balanchine and Kirstein's American Enterprise by James Steichen 4. Suki Schorer on Balanchine Technique by Suki Schorer and Russell Lee 5. Balanchine Pointework by Suki Schorer 6. Balanchine Then and Now Edited by Ann Hogan 7. Balanchine's Ballerinas: Conversations with the Muses by Robert Tracy with Sharon DeLano 8. Balanchine the Teacher: Fundamentals That Shaped the First Generation of New York City Ballet Dancers by Barbara Walczak and Una Kai 9. Balanchine Variations by Nancy Goldner 10. Bach: Music in the Castle of Heaven by John Eliot Gardiner

C'est le premier épisode de 2025, année charnière pour le podcast, puisque nous allons passer à 1 épisode par semaine. C'est un véritable défi et c'est aussi un projet que je gardais depuis plusieurs saisons à l'esprit et je ne vous cache pas ma joie d'avoir réussi à passer ce cap ! Je profite aussi de ce premier épisode de l'année pour vous souhaiter une belle et douce année 2025. Je nous souhaite de la joie, de l'ambition pour nos projets, de la tendresse envers nous-mêmes et avec les autres et j'ai de mon côté énormément de gratitude pour les personnes qui m'entourent, ma famille, l'homme que j'aime, mes amis et toutes celles et ceux dont j'ai pu croiser le chemin et avec qui des liens peuvent se nouer. Je remercie aussi tous les invités du podcast, ceux des épisodes passés bien sûr, mais aussi ceux à venir, merci de votre confiance, c'est une joie à chaque fois renouvelée de vous recevoir à mon micro. Pour lancer 2025, j'ai eu la chance de rencontrer François Bou, Directeur Général de l'Orchestre National de Lille pour quelques semaines encore, avant de rejoindre la Casa de Música à Porto. Je remercie du fond du cœur Nicolas Foulon pour l'organisation de cet enregistrement. Avec François, nous avons parlé de musique, plus généralement de culture, nous sommes revenus sur son incroyable parcours. François a partagé avec beaucoup de transparence sa vision en tant que directeur général d'une formation comme l'Orchestre National de Lille mais aussi le projet qu'il mûrit pour la Casa de Música à Porto. Je me souviens qu'en sortant de notre entretien, j'avais le cœur léger, cette sensation de joie pure d'avoir vécu un moment hors du temps. J'espère que l'écoute de cet épisode vous fera le même effet! Maintenant je laisse la place à François et à cette conversation délicate et profonde que nous avons eu la joie d'enregistrer ensemble. Bonne écoute ! Ses recommandations :Exposition Raphaël au Palais des Beaux-Arts de LilleÉcouter Pelléas et Mélisande, version de John Eliot Gardiner ou celle de Pierre BoulezHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:16:09 - Disques de légende du jeudi 09 janvier 2025 - Enregistré en février 1986, cette version de "Scylla et Glaucus" de Jean-Marie Leclair, est dirigée par John Eliot Gardiner à la tête d'une très belle distribution de chanteurs (Rachel Yakar, Agnès Mellon, Howard Crook...), le Monteverdi Choir et les English baroque soloists.

durée : 00:16:09 - Disques de légende du jeudi 09 janvier 2025 - Enregistré en février 1986, cette version de "Scylla et Glaucus" de Jean-Marie Leclair, est dirigée par John Eliot Gardiner à la tête d'une très belle distribution de chanteurs (Rachel Yakar, Agnès Mellon, Howard Crook...), le Monteverdi Choir et les English baroque soloists.

J. S. Bach (1685-1750) - Christmas Cantatas Dazu ist erschienen der Sohn Gottes (Per questo è venuto al mondo il figlio di Dio) BWV 40 Dazu ist erschienen der Sohn Gottes Coro in fa maggiore per coro e tutti gli strumenti Riutilizzato nel Cum Sancto Spiritu della Messa BWV 233Das Wort ward Fleisch und wohnt in der Welt Recitativo in fa maggiore/si bemolle maggiore per tenore e continuoDie Sünd macht Leid Corale in sol minore per coro, 2 oboi, corno, archi e continuoHöllische Schlange, wird dir nicht bange? Aria in re maggioreper basso, 2 oboi, archi e continuoDie Schlange, so im Paradies Recitativo in si bemolle maggiore per contralto, archi e continuoSchuttle deinen Kopf und sprich Corale in re minore per coro, 2 oboi, corno, archi e continuoChristenkinder, freuet euch! Aria in fa maggiore per tenore, 2 oboi, 2 corni e continuoJesu, nimm dich deiner Glieder ferner in Genaden an Corale in fa minore per coro, 2 oboi, corno, archi e continuo*********Unser Mund sei voll Lachens (La nostra bocca sia tutta un sorriso) BWV 110 [14:40]Unser Mund sei voll Lachens Coro in re maggiore per coro, 2 flauti traverse, 3 oboi, fagotto, 3 trombe, timpani, archi e continuo Utilizza l'ouverture della quarta suire per orchestra, BWV 1069Ihr Gedanken und ihr Sinnen Aria in si minore per tenore, 2 flauti tenori e continuoDir, Herr, ist Niemand gleich! Recitativo in fa diesis minore/la maggiore per basso, archi e continuoAch Herr! was ist ein Menschenkind Aria in fa diesis minore per contralto, oboe d'amore e continuoEhre sei Gott in der Höhe Duetto in la maggiore per soprano, tenore e continuo Arrangiamento del “Virga Jesse floruit” del Magnificat, BWV 243aWacht auf, ihr Adern und ihr Glieder Aria in re maggiore per basso, tromba, 2 oboi, oboe da caccia, archi e continuoAlleluja! gelobet sei Gott! Corale in si minore per coro, tromba, 2 flauti traverse, 2 oboi, oboe da caccia, archi e continuo Sopranos: Katharine Fuge, Joanne LunnCounter-tenors: Robin Tyson, William TowersTenor: James GilchristBass: Peter HarveyMonteverdi ChoirEnglish Baroque SoloistsJohn Eliot Gardiner, conductor

durée : 01:58:21 - Le Bach du dimanche du dimanche 29 décembre 2024 - par : Corinne Schneider - Au programme de cette 321e émission : les meilleurs moments des concerts Bach en France de l'année 2024 captés par France-Musique ; l'Oratorio de Noël (Cantates 4 et 5) sous la direction de John Eliot Gardiner (nouveauté DG, 25 oct.) et le Concerto brandebourgeois n° 2 pour trompette et orgue ! - réalisé par : Fanny Constans

(1) John Eliot Gardiner ontcancelt zichzelf (2) Alex Vizorek in de heropende Notre Dame (3) Geldboetes tegen laatkomers op school (4) Nieuw malariavaccin toegediend door een mug (5) Middagjournaal met Bas Birker

Musikchefin Ursula Magnes hat Intendant Matthias Naske in seinem Büro im Wiener Konzerthaus besucht und mit ihm auch über das Konzert am 18. Dezember mit dem Huelgas Ensemble unter Paul van Nevel gesprochen. Ähnlich wie John Eliot Gardiner ein treuer Gast im Wiener Konzerthaus.

Musikchefin Ursula Magnes hat Intendant Matthias Naske in seinem Büro im Wiener Konzerthaus besucht und mit ihm über Änderungen, Musik im Jahreskreis sowie die Rückkehr von John Eliot Gardiner gesprochen.

durée : 01:29:15 - En pistes ! du vendredi 15 novembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Découvrez une nouvelle version de l'oratorio de Bach par un de ses spécialistes : le chef John Eliot Gardiner. Vous découvrirez également de très belles mélodies signées Adèle Hugo. En pistes !

durée : 01:29:15 - En pistes ! du vendredi 15 novembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Découvrez une nouvelle version de l'oratorio de Bach par un de ses spécialistes : le chef John Eliot Gardiner. Vous découvrirez également de très belles mélodies signées Adèle Hugo. En pistes !

durée : 00:15:04 - Disques de légende du jeudi 07 novembre 2024 - Gardiner est encore un jeune homme en 1979, mais il s'affirme avec force dans la musique ancienne et, en particulier, dans celle de Purcell.

durée : 00:15:04 - Disques de légende du jeudi 07 novembre 2024 - Gardiner est encore un jeune homme en 1979, mais il s'affirme avec force dans la musique ancienne et, en particulier, dans celle de Purcell.

durée : 00:20:49 - Disques de légende du mercredi 23 octobre 2024 - En 1989, John Eliot Gardiner fonde l'Orchestre Révolutionnaire et Romantique. Il a l'intention d'explorer deux compositeurs : Berlioz pour le romantisme et Beethoven pour le révolutionnaire.

durée : 00:20:49 - Disques de légende du mercredi 23 octobre 2024 - En 1989, John Eliot Gardiner fonde l'Orchestre Révolutionnaire et Romantique. Il a l'intention d'explorer deux compositeurs : Berlioz pour le romantisme et Beethoven pour le révolutionnaire.

This week's Local Legends episode is a very special conversation in which Martin gathers round the Three Ravens campfire with Tim Laycock, an inspirational, multi-talented person and a true champion for the county of Dorset.Author of books including Dorset Folk Tales, writing is just the tip of the iceberg with Tim, who came to the attentions of many in the British folk community through his work as part of Magic Lantern with the one and only Taffy Thomas. Music is absolutely key to Tim's life. He is a tremendous singer and multi-instrumentalist, and, like a crafty folk song magpie, he has been finding stories and songs, and story-songs, and bringing them out and into the light across his many years of performance. With a rich catalogue of wonderful recordings available as CDs and through streaming services, his talents stretch yet further, including into theatre, where he has worked with the likes of the National Theatre, Shakespeare's Globe, Festival Theatre Chichester, Bournemouth Symphony Orchestra, and many others.He has written ten plays, too, some award-winning, and has had a long and successful career as a performer and director. Being a Dorset man, it's perhaps necessary that Thomas Hardy would feature in that mix, and Tim is also the Artistic Director of the New Thomas Hardy Players, while also performing Hardy's poetry and works as part of his work as a storyteller and entertainer.On top of which, he is an extremely friendly and knowledgeable chap, so, please settle in and get comfortable for one of the richest, most interesting conversations we've had for Local Legends so far. One that folds in everything from nativity plays with John Eliot Gardiner to the Dorset Oozer, the poetry of William Barnes to false teeth being lost off fishing boats.It's a great one, as is Tim himself. And to learn more about Tim and his work, do visit his website at https://timlaycock.co.uk/ Otherwise, we'll be back on Monday with our brand new episode all about the history and folklore of Northamptonshire! The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Der Dirigent Philipp von Steinaecker, früherer Assistent sowohl von Claudio Abbado als auch von John Eliot Gardiner, hat sich an Gustav Mahler gewagt - mit einem Orchester, das auf historischen Instrumenten der Mahler-Zeit spielt.

durée : 00:07:05 - "Coup de cœur" de John Eliot Gardiner (2024) - A l'occasion de la 300e émission du Bach du dimanche, John Eliot Gardiner partage sa passion pour la musique de Bach. L'expérience du Pèlerinage accompli en l'an 2000 où il a dirigé l'intégralité des 200 cantates a complètement changé sa perception de l'homme et de l'œuvre

durée : 01:58:53 - Le Bach du dimanche du dimanche 09 juin 2024 - par : Corinne Schneider - La 300e émission avec la participation d'Amandine Beyer, David Fray, Thibaut Garcia, Paul Lay, Eric Lebrun et Marie-Ange Leurent, Maria-João Pires, Skip Sempé, Justin Taylor et Fanny Vicens ; la « Cantate » présentée par Olivier Fortin et le « Bach avec mention » de John Eliot Gardiner ! - réalisé par : Fanny Constans

durée : 00:54:53 - Nuit Bach (1/7) : Prélude - par : Corinne Schneider - D'abord prendre le temps de se mettre dans le ton, de se chauffer les doigts et la voix, langoureusement puis avec panache, mais toujours dans la plus grande liberté, à l'écoute de John Eliot Gardiner, du Café Zimmermann, Cédric Pescia (piano), Derek Gripper (guitare), Miriam Mendez (flamenco)… - réalisé par : Emmanuel Benito

SynopsisOne of Handel's “greatest hits” had its premiere on today's date in 1749 at London's Covent Garden Theatre, as part of his new biblical oratorio, Solomon.The text of Handel's oratorio praises the legendary Hebrew king's piety in Part 1, his wisdom in Part 2 and the splendor of his royal court in Part 3.As the instrumental introduction to the third part of Solomon, Handel composed a jaunty sinfonia he titled “The Arrival of the Queen of Sheba.” In the Book of Kings, the Queen of Sheba travels from afar to visit the splendid court of King Solomon, arriving, as the Bible puts it, “with a very great retinue, with camels bearing spices, very much gold, and precious stones.”Handel's music admirably captures the excitement of a lavish state visit of an exotic foreign queen, and first-night London audiences would have had no problem reading into Handel's depiction of an elaborate compliment of their reigning monarch, King George II.Speaking of reigning monarchs, at the opening ceremony of the 2012 London Olympics, Handel's Sinfonia was used to accompany a video of James Bond (played by Daniel Craig) arriving at Buckingham Palace, where 007 was received by Queen Elizabeth II.Music Played in Today's ProgramGeorge Frederic Handel (1685-1757): excerpt from ‘Solomon'; English Baroque Soloists; John Eliot Gardiner, cond. Philips 412 612

Henry Purcell lived in England during the 17th century period known as the Restoration. He was born just forty years after Shakespeare died and composed over 800 works many of which are sublime. He died at the age of 36.In addition to history and analysis this podcast contains several examples of his music which you may not have heard. He composed just one opera, Dido and Aeneas, but he also created many “semi-operas” for the theater to be performed as part of plays including A Midsummer Night's Dream (The Fairy Queen) and The Tempest of Shakespeare. These, plus his Odes to Saint Cecilia constitute a major achievement in music of all time.The greatest recording of the Odes I have found is by The Collegium Vocale Gent and Phillipe Herreweghe. The best recording of Dido and Aeneas I think is by the Scholars who also have recorded a number of Purcell's semi-operas all on original instruments. There is also a two volume compendium of Purcell's operatic works by John Eliot Gardiner that is quite good and includes the bulk of his theater semi-operas and masques. I also urge you to listen to John Blow's Ode on the Death of Henry Purcell; Blow was Purcell's teacher and his appreciation of the composer is spot on as well as being a superior piece of music in and of itself. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit rogerrudenstein.substack.com

The second of my Listeners' Favorites episodes for January is introduced by my dear friend Elliot Levine, a founding member of the Western Wind Vocal Ensemble, with whom he sang bass for 47 years. He is also an exceptional composer (who among his many other works has composed material expressly for me which I have sung with great pleasure and joy), He is also a valued choral singer and clinician. He has been a devoted listener to, and supporter of, Countermelody since its inception and among his many favorite episodes, he has chosen one of my very favorites to highlight, my birthday tribute, first published three years ago, to superbissima Margaret Marshall, who celebrates her birthday on January 4th. Since she burst upon the scene in the late 1970s, Margaret Marshall has been a favorite of lovers of great singing. Her timbre, artistry, and technical facility evoke comparisons with many treasured singers of the past. Though she retired from public performance in 2005, in the year 2020 she launched, in tandem with her daughter Nicola and a group of dedicated supporters, a website called Songbird, which focuses on the early years of her career, and which features many rare soundclips, both live and studio, from that period, many of which have been assembled into a new downloadable release entitled “Margaret Marshall Songbird.” Today's episode features a wide range of her live and studio recordings, including a few samples from the Songbird release. Included are works by Galuppi, Pergolesi, Vivaldi, Bach, Handel, Haydn, Mozart, Salieri, Gluck, Elgar, Finzi, Richard Strauss, and Alban Berg in recordings and performances between 1975 and 1990, with collaborators including conductors Neville Marriner, Riccardo Muti, John Eliot Gardiner, Vittorio Negri, Charles Groves, Antal Doráti, Philip Ledger, and Rafael Kubelik and fellow singers Ann Murray, Francisco Araiza, Alfreda Hodgson, Felicity Palmer, and Sesto Bruscantini. Compiling this episode has provided my ears and spirit with many blissful hours; I wish my listeners the same experience! Many thanks to both Margaret and Nicola for providing advice and guidance in the selection of today's material, and many happy returns to the “Scottish supersoprano”! Since this episode was published, Margaret has published a second series of rare recordings available via download on her website, as well as Apple and Spotify. Margaret Marshall Songbird 2 includes exquisite performances of Bach, Mozart, Schubert, Wolf, and Sacchini, and, like the performances on this recording, simply must be heard to be believed. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

SynopsisToday we celebrate hopeful beginnings — and happy endings.In Leipzig, on New Year's Day 1724, Johann Sebastian Bach led the first performance of “Singet dem Herrn ein Neues Lied“ (or “Sing to the Lord a New Song,” in English) — a work we now know as his Cantata 190.About 200 of Bach's church cantatas have survived. In 2000, British conductor John Eliot Gardiner decided to perform and record of all of them in the space of one liturgical year in historical churches in Europe and America. Starting on Christmas Day 1999, in Weimar, Germany, Gardiner, the Monteverdi Choir and English Baroque Soloists set out to do just that.It was an ambitious undertaking, and Gardiner said, “Just as in planning to scale a mountain or cross an ocean, you can make meticulous provision, calculate your route and get all the equipment in order, in the end you have to deal with whatever the elements — both human and physical – throw at you at any given moment.”Gardiner's Bach Cantata pilgrimage came to its triumphant conclusion on New Year's Eve in 2000 at St. Bartholomew's Church in New York City, with a performance of Cantata 190.Music Played in Today's ProgramJ.S. Bach (1685-1750): Cantata No. 190; Monteverdi Choir; English Baroque Soloists; John Eliot Gardiner, cond. SDG 137

An episode from 1/1/24: Tonight, a cold has forced me to hand over the episode almost entirely to some of the greatest music ever written. Here are excerpts of my favorite pieces from Ludwig van Beethoven (1750-1827). It's hard to think of music that is more passionate, introspective, uplifting, brooding, mournful, and joyous. The sources for the music I use are: Excerpts from the Ninth Symphony/Op. 125 is conducted by Eugen Duvier. Excerpts from the Piano Sonatas (#1 and #2/Op. 2, #8/Op. 13, #13 and #14/Op. 27 #15/Op. 28, #17/Op. 31, #21/Op. 53, #22/Op. 54, #27/Op. 90), and the Fifth Piano Concerto/Op. 73 come from the complete recordings by Claudio Arrau. The excerpt from the Op. 70 “Ghost” Trio, from the Trio Bell'Arte. Excerpts from String Quartet 13/Op. 130 and String Quartet 15/Op. 132 come from the recordings by the Quartteto Italiano.  Excerpts from Missa Solemnis, Op. 123, is conducted by John Eliot Gardiner. The excerpt from Robert Greenberg lecture comes from his Great Courses set on the Piano Sonatas.  You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. Email me at humanvoiceswakeus1@gmail.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/message Support this podcast: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/support

durée : 00:58:36 - Sir John Eliot Gardiner, à la recherche de l'authenticité - par : Aurélie Moreau - Le chef d'orchestre sir John Eliot Gardiner fait partie « de ce mouvement qui est allé chercher à la source les couleurs instrumentales de chaque époque, ce qui permet de distinguer la palette sonore de chaque compositeur ». (Le Figaro Magazine). - réalisé par : Laurent Lefrançois

Alan Bleasdale's Boys From The Blackstuff is widely regarded as television drama at its best with a cultural footprint that led to the phrase “Gi's a job” being heard up and down the country. Forty years on from the first broadcast, James Graham, known for plays such as This House, about the UK's hung parliament of the 1970s, and Dear England about the England football team, has adapted Alan's screenplays for a stage production at the Royal Court theatre in Liverpool. He discusses why now was the right time to revisit and remodel. Chester Contemporary is a new visual arts biennial curated by artist Ryan Gander who was born and raised in Chester and has created a citywide event that features some of the visual art world's biggest names. Front Row visited Chester on the opening weekend to talk to Turner Prize-nominated artist Fiona Banner, emerging artist William Lang, Chester native Tim Foxon whose art pops up all over the city centre, and Turner Prize-winning artist Elizabeth Price, about their creations for the cathedral city. The renowned conductor John Eliot Gardiner has cancelled all his appearances for the rest of this year after allegedly slapping and punching a singer backstage after a performance. He is far from the only conductor linked to reportedly bad behaviour. But as society puts conductors on a cultural as well as physical podium, and addresses them as ‘maestro', perhaps such behaviour isn't surprising. Perhaps, too, marshalling a large orchestra requires dictatorial leadership. Igor Toronyi-Lalic, music critic of The Spectator, and the conductor Ben Gernon join Nick Ahad to discuss how conductors conduct themselves, and how they should. Presenter: Nick Ahad Producer: Ekene Akalawu Lorne Campbell 1:30 James Graham 6:09 Conductors 16:33 Chester Art 29:36

Programa completo de Más de uno con Carlos Alsina. En las primeras horas, Miguel Ondarreta, Juan Carlos Vélez, Elena Bueno, Sara Iturbide, Manuel Pecino, María Gómez Prieto y María Gutiérrez repasan las noticias regionales, nacionales e internacionales. Marta García Aller hace su reflexión diaria y en La España que madruga repasamos los principales titulares de la jornada. En la tertulia con Carmen Morodo, Casimiro García-Abadillo, Pilar Velasco, Marta García Aller y Rubén Amón comentamos la actualidad política. En la segunda parte, nuestro chef nos prepara un bocadillo de panceta. En La Cultureta hablamos sobre el director de orquesta John Eliot Gardiner. Por último, Jorge Abad destapa cómo Alsina está tutelando a Miguel Ondarreta en el tramo de 6:00h a 7:00h. 

Iniciamos décima temporada de La Cultureta debatiendo sobre unas de las polémicas culturales del verano, la agresión del famoso director de orquesta John Eliot Gardiner contra uno de los músicos de su orquesta. ¿Es un episodio relevante? ¿La autoridad de la batuta justifica el autoritarismo? ¿Por qué Gardiner es un director tan importante? ¿Y por qué su obra discográfica y su biografía de Bach son esenciales para acercarse al compositor de Leipzig? Lo abordamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, comentamos lo que han visto este verano los culturetas ('Jury Duty' o las nuevas temporadas de 'Justified', 'The Bear' o 'Sólo asesinatos en el edificio') y ofrecemos a nuestros oyentes una exclusiva promoción (con sorteo de premios) con motivo de cumplir diez temporadas.

Iniciamos décima temporada de La Cultureta debatiendo sobre unas de las polémicas culturales del verano, la agresión del famoso director de orquesta John Eliot Gardiner contra uno de los músicos de su orquesta. ¿Es un episodio relevante? ¿La autoridad de la batuta justifica el autoritarismo? ¿Por qué Gardiner es un director tan importante? ¿Y por qué su obra discográfica y su biografía de Bach son esenciales para acercarse al compositor de Leipzig? Lo abordamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, comentamos lo que han visto este verano los culturetas ('Jury Duty' o las nuevas temporadas de 'Justified', 'The Bear' o 'Sólo asesinatos en el edificio') y ofrecemos a nuestros oyentes una exclusiva promoción (con sorteo de premios) con motivo de cumplir diez temporadas.

An improbable sixth season begins with an oblique response to the recent John Eliot Gardiner incident. Singer/opera director Thomas Guthrie joins Nicholas Mulroy and Robert Hollingworth to mull things over. In New York, Nicholas talks to director Aria Umezawa and singer Isaiah T Bell with an alternative view on hierarchy in the rehearsal room. Also featuring a thrilling new mini-series: 'In the car with Martha McLorinan'.TRACK LISTING:Porpora - Come nave in mezzo all'ondeCecilia Bartoli, Il Giardino armonico, Giovanni Antonini Support this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.

Loki comments on John Eliot Gardiner's backstage fist fight, chats with Barron Ryan about his book, "Honey, If It Wasn't for You", and responds to recent conversations among members of the Arts Administrators of Color Network. More on Barron Ryan and his latest book: https://prbythebook.com/experts/barron-ryan/ ★ Support this podcast ★

durée : 00:25:20 - John Eliot Gardiner, chef d'orchestre (2/5) - par : Benjamin François - Rencontre avec John Eliot Gardiner, chef d'orchestre ET fermier, comme il aime à le souligner au micro de Benjamin François ! Emaillée de savoureuses anecdotes, cette série évoquera l'éblouissante carrière de Sir John Eliot qui fête cette année ses 80 printemps. - réalisé par : Lionel Quantin

durée : 01:58:40 - Le Bach du dimanche du dimanche 16 avril 2023 - par : Corinne Schneider - Au programme de cette 248e émission : on fête l'anniversaire de John Eliot Gardiner qui souffle ses 80 bougies le 20 avril 2023, à l'écoute de ses enregistrements devenus des références, notamment ceux du Pèlerinage des cantates de Bach de l'an 2000 ! - réalisé par : Anne-Lise Assada

Synopsis On today's date in 1842, an orchestra of 63 players performed Beethoven's Symphony No. 5 at the first concert of the Philharmonic Society of New York. This 1842 performance of Beethoven's Fifth occurred 34 years after the work's premiere in Vienna in 1808. One early and avid Philharmonic Society fan was George Templeton Strong, a young New York lawyer who recorded this appraisal of the symphony after another Philharmonic Society performance of Beethoven's Fifth in 1844: "The first movement, with its abrupt opening, the complicated entanglement of harmonies that makes up the rest of it, is not very satisfactory or intelligible to me as a whole, though it abounds in exquisite little scraps of melody that come sparkling out like stars through a cloudy sky... but the second and fourth movements—the third ain't much—are enough to put Beethoven at the head of all instrumental composers if he'd never written another note." In 1865, Strong became the President of the Philharmonic Society, and founded the Church Music Association, which presented sacred choral compositions by leading European composers. George Tempelton Strong's diaries are a fascinating record of life in New York City during the 19th century. Entries from Strong's diaries were quoted frequently as part of the Ken and Ric Burns' PBS television documentaries on the American Civil War and the history of New York City. Music Played in Today's Program Ludwig van Beethoven (1770-1827) Symphony No. 5 Orchestre Revolutionnaire et Romantique; John Eliot Gardiner, conductor. DG Archiv 439 900