Podcasts about twlight

1-10 against OSU. 3-17 against top 10 teams. 13-27 against ranked teams. Franklin once again has proven he can't compete against the top tier teams in the nation. Where does the PSU football program go from here? Plus, we discuss the surging Pittsburgh Steelers coming off their bye and what their expectations are heading into the second half of the season. 

A pair of damaged glasses allows a loan officer at a rural bank to see into the future and consider the consequences of his actions. A pair of damaged glasses allows a loan officer at a rural bank to see into the future and consider the consequences of his actions.

On todays pod: Twlight, Camel, Men in Baths, first driving songGet in touch; thelauraandbeckyshow@gmail.com We love you! Please become a member here https://plus.acast.com/s/the-laura-becky-show. Hosted on Acast. See acast.com/privacy for more information.

the early 20th century, reform school inmate Tanner Smith tempts fate by falling in love with puritanical Warden Mordecai Hawkline's daughter Amy.

Vietnam-era draft dodger Jeff McDowell sees something familiar about a wheelchair-bound man who has appeared in his house unexpectedly.

Elderly Ernie Ross and his wife Mary live in fear of their son Toby, who has the magical ability to turn any imagined item into reality.

Heartless CEO Wallace V. Whipple automates his family-owned factory and lays off most of his workers over the objections of his foreman Dickerson and chief engineer Hanley.

Digging through his attic, an American World War II veteran named Fenton finds an old katana sword. A young Japanese American named Arthur Takamori comes in looking for work, on a tip from a neighbor.[1][2] Fenton is gruff yet cordial, and invites Takamori to share a beer with him in his cluttered attic. Fenton makes a remark about the incongruity between his first name and his obvious ethnicity.[3] Arthur takes offense at first. But when it becomes apparent that Fenton meant no harm he admits that he changed his name from Taro. Fenton shows Takamori the sword and says he took it off a Japanese soldier whom he killed during the war 20 years earlier.[1] When Fenton leaves to fetch more beer, Takamori takes hold of the sword and says to himself in an astonished way "I'm going to kill him. I'm going to kill him. Why?"[3] Fenton says he has repeatedly tried to sell, give away, or throw out the sword, but it always comes back. He has had the inscription on it translated: "The sword will avenge me".[3] Seemingly despite himself, Fenton sometimes speaks in a racially offensive manner, such as addressing Takamori as "boy." But he often apologizes for it and says he was “just kidding around”.[3] Still, Takamori grows more uneasy and more confrontational to match Fenton's increasing hostility. They have brief heated exchanges that cool but then reemerge. While recounting how he got the sword, Fenton appears to suffer a post traumatic flashback. They assume an adversarial posture, and Takamori challenges Fenton with the sword. This tension, too, subsides, though Takamori, seeming to gain some kind of supernatural insight from the sword, says Fenton killed the Japanese soldier after the soldier surrendered. Fenton challenges the accusation, but then admits to it while saying he was acting under orders to not take prisoners.[1] Intensely uneasy now, Takamori tries to leave but the door to the attic won't open for either him or Fenton, even though it doesn't have a lock.[3] In response to an insult from Fenton, Takamori describes his experience as a small child at Pearl Harbor. His father was a construction foreman who helped build the harbor. Takamori watched as the planes bombed the harbor, and his father with it. He first states his father tried to alert sailors to the attack, but then confesses that his father was actually a traitor who directed where the planes should drop the bombs.[1][2][3] Seeing Takamori's guilt, Fenton tries to offer some comfort. The sword, however, appears to be dictating the course of the conversation, and soon Takamori accuses Fenton of being a murderer because he killed an unarmed man. Fenton defends himself by saying his orders were to take no prisoners. In a sudden depression, Fenton admits that he is unhappy with himself and what he has done. He has lost his job, his wife is leaving him, he is consumed with hostility and bigotry, and he coaxed Takamori into conversation because he does not want to be left alone.[3] But Takamori, now thoroughly under the controlling influence of the sword, poises to kill Fenton. Fenton seizes him by his sword arm and overpowers him, and the samurai sword is dropped, wedging into the table supports, pointing upward. Going down to the floor to retrieve it, Fenton is then fatally impaled on the sword when Takamori pulls at his feet. Takamori takes the sword, shrieks "Banzai!" and jumps out the attic window, presumably to his death.[3] Moments later, the first floor door slowly opens on its own.

A married couple, Bob and Millie Frazier, wake up in an unfamiliar bedroom in an unfamiliar house. Millie remembers only that Bob drank too much at a party the night before, and that after drinking a couple and while driving him home to Manhattan, a large shadow appeared over their car near Riverdale. Figuring some strangers took them in, they discover that the house is mostly props. The telephone has no connection, the cabinetry is merely glued-on facing, and the refrigerator is filled with plastic food and empty cartons. They hear a girl's laughter and go outside to find the child. However, once outside, they discover that the houses are props and the town is unfamiliar and deserted; not even birds are heard. They find a stuffed squirrel, knock on the door of another house, and since it is Sunday, search for help in a church, which is also vacant. Bob rings the bell in the church's bell tower to attract attention. When no one comes, the increasingly desperate couple discovers no one is there, all the while hearing the young girl's laughter intermittently. They find even the trees are fake. A sudden fire on the ground reveals that the grass is papier-mâché. They see a parked car near some stores, and find only a mannequin in the driver's seat. Although the keys are in the ignition, the car will not start since it has no engine. Millie begins to panic, proposing that they actually had crashed and died, and that they are in Hell. Bob gives her a cigarette to calm her nerves, They hear a train whistle thinking there is a railroad here and, eager to leave the strange town, rush to the train station where they find the ticket booth closed and board the empty train. As the train pulls away from the station (revealed to be in "Centerville"), they begin a lighthearted conversation, vastly relieved, admitting that Millie had been drinking as well. However, when the train comes to a stop again, they realize it has only gone in a circle, and they are back where they started. They leave the train and begin walking out of town, once again hearing a little girl's laughter. As they prepare for the long road ahead of them to hopefully leave centervile A large shadow falls over them and they flee, they run around the streets and stumble only to be scooped up by the hand of a gigantic child. The town is now revealed to be a model village with a miniature railway running around it. An even taller figures emerges and says, "Be careful with your pets, dear--daddy brought them all the way from Earth." At her mother's bidding, the little girl drops the couple back into the town. Bob and Millie hopelessly continue their running, apparently looking for a place to hide.

Dawn cannot catch a break in this one. She has to deal with not one but TWO custody issues, blackmailing, a couple funerals, and her ugly sister dressing like a ho. It's just too much for one teen mom/sucessful business owner to take. Listen to hear all the drama happening in the third book of the Culter series by VC Andrews.Become a supporter of this podcast: https://www.spreaker.com/podcast/book-cult--5718878/support.

During the American Civil War in 1862, a condemned Confederate prisoner, Peyton Farquhar, is due to be hanged by Union troops

Salvadore Ross is a brash, insensitive, ambitious 26-year-old man who desires a lovely young social worker named Leah Maitland. Leah and Ross dated for a time, but she broke off the relationship because their personalities are incompatible. When Ross continues to bother her, Leah puts her foot down and finally ends things. He has been so loud that her father has come out to see if she is all right. After a curt exchange, they go inside and Ross slams his fist into the closed door, breaking his hand. This sends him to a local hospital, where he is forced to spend the evening. Ross' roommate is an elderly man with a respiratory infection. Ross sarcastically suggests that he would like to trade ailments with the old man, who jokingly accepts the trade and they go to sleep. Salvadore turns over quickly and hits his hand. He then realizes it no longer hurts and begins to unwrap it. As he unwraps it, he begins to cough. He gets out of the bed and checks the other man, whose hand has begun to hurt. The old man begs Ross to reverse this (at his age, the hand wouldn't heal properly), but Ross dismisses him. Ross realizes he has a supernatural power to make trades with other people. In exchange for $1,000,000 and a penthouse apartment, Ross sells his youth to an elderly millionaire. As a result Ross is now very rich, but old. He offers a number of young men (beginning with a hotel bellboy) $1,000 for each year of their lives they trade to him. In short order, Ross is 26 again. Ross is now young, rich, and (thanks to a trade with a college student) well-spoken, so he goes to Leah's apartment. Her father is there and unimpressed with the superficial change in Ross, knowing that he does not love Leah, but simply wishes to possess her. Leah comes home and, after she sees Salvadore has changed his ways some, agrees to go to dinner with him. However, by the end of the date she is again repulsed by Ross's personality. She wants a man who is as caring and compassionate as her father. Frustrated, Ross approaches Mr. Maitland, who is kind to him despite his disrespectful and condescending demeanor, but does not think he would be a good husband for his daughter. Ross offers him $100,000 to make him and Leah financially secure in exchange for something from Mr. Maitland. When the father asks what he has, Ross says, "Well, it's a little hard to explain..." The next day, Ross has become warm, compassionate and has won Leah's heart. Ross meets with Mr. Maitland in private to apologize for his previous behavior and asks for his permission to marry Leah. Maitland refuses. Ross implores the older man to show compassion. Maitland coldly replies, "Compassion? Don't you remember? I sold that to you yesterday", and shoots Ross dead.

Harmon Gordon, a wealthy old man married to a much younger woman named Flora, is exhausted by his wife's youthful and selfish lifestyle. Seeking to keep up the pace, he asks his scientist brother Raymond to inject him with an experimental youth serum. Raymond firmly refuses at first, saying that the serum has had mixed results with laboratory animals and will not be ready for human trials without decades of refinement. Moreover, he abhors Flora for her callous treatment of his brother and is not enthusiastic about any step to strengthen their marriage. When Harmon suggests he will commit suicide rather than lose Flora, Raymond reluctantly agrees to administer the serum. Per his instructions, Harmon rests after taking the serum. He later wakens to find himself a young man, to Flora's surprised delight. Before Harmon can enjoy his new youth however, the regression continues until he eventually becomes a toddler hours later. Flora tries to leave, but Raymond insists she must stay and raise the infant Harmon or be cut off from Harmon's fortune, threatening legal action against her should she disobey. Finding a stroke of poetic justice in what has happened, Raymond points out that by the time Harmon has regained adulthood, his position with Flora will be reversed, with her being old.

The show's teaser, set June 25, 1876, depicts an army scout, a sergeant and a trooper finding evidence of Indians. An arrow strikes the scout in the back while the regular soldiers fire their carbines at an unseen foe. The time jumps ahead to the present, June 25, 1964, the 88th anniversary of the Battle of the Little Bighorn. Three United States Army National Guard soldiers (Connors, McCluskey and Langsford) are in a M3 Stuart tank participating in a war game near the site of the Battle of the Little Bighorn, where General George Armstrong Custer made his last stand. Their orders coincide with the route of Custer and his men. As they follow the route, they hear strange things such as Indian battle cries and horses running when nobody is there. Connors wonders if they have somehow gone back in time. When they return, Connors reports to his Captain Dennet what occurred and is reprimanded. The following day the trio go out and again experience strange phenomena. The captain contacts them via radio and orders them to return to base when Connors tries to explain what is happening. Connors breaks contact and the captain sends his lieutenant and two men to bring them in. However, the tank crew abandon their tank and continue on foot with their modern weapons. They find a group of teepees and McCluskey investigates. He soon returns with an arrow protruding from his back. The three men climb a ridge, where below they see a battle taking place. Together they move forward to join the conflict and are never seen again. Later, Captain Dennet enters the "Custer Battlefield National Monument". Lieutenant Woodard, the officer sent to find the tank and the three soldiers, reports that all he found was the abandoned tank. The captain and lieutenant soon walk past the battlefield's large stone obelisk carved with the names of Custer and all the soldiers who died with the general at the Little Big Horn. Dennet and Woodard are suddenly startled to see the names of their missing men also carved into the memorial. Initially, Woodard proposes that it might be an extraordinary coincidence that the names are identical to those of their own soldiers. Dennet, however, seems unable or unwilling to accept that possibility and simply states that it is "too bad" his missing National Guardsmen could not have taken their tank into the 1876 battle.

Astronaut Colonel Adam Cook crash lands on a strange planet 4.3 light years away from his sun, with gravity and atmospheric conditions similar to those of his home world. Most of his equipment is destroyed in the crash and cannot be repaired due to a lack of resources and his having broken some ribs. He contacts his home base and speaks with a subordinate officer and then with General Larrabee, but they have little encouragement for him — there is no replacement spacecraft to rescue him, and his home planet may be at war in a matter of hours. However, Larrabee does add that it may be possible to transmit instructions on how to repair the ship. In a subsequent communication, Larrabee reports that the enemy attacked and "our entire seacoast went" in 12 minutes after which there was retaliation "with alacrity and great effectiveness." Those at base will have to move soon, meaning Cook will have no one to contact. Cook leaves his ship at night and finds drawn patterns in the dirt. While looking for the source, he is hit by a rock from an unseen source, and knocked unconscious, causing him to not hear Larrabee's last transmission that radiation from the attacks will kill any remaining survivors and ends with the words, "Whoever you meet there, however you meet them, I hope it can come without fear. I hope it can come without anger. I hope your new world will be different. I hope you'll find no word such as hate. I hope there'll be...". Upon regaining consciousness, Cook returns to his ship and is startled by a noise coming from a closet. Cook leaves the ship as a gesture showing that he means the alien no harm. A human-like female emerges from his ship. Not knowing each other's languages, they communicate through sketches in the sand and pantomime. Adam learns that the alien, whose name is Norda, is also stranded; her planet left its orbit and she is its sole survivor. As they prepare to look for food, Cook picks up a stick, which Norda interprets as a threat. She scratches his face and runs away. Soon after, Norda returns and expresses remorse for her actions, which Cook happily forgives. They find a more fertile area, which Cook likens to a "garden." He fully introduces himself as "Adam Cook," a man with a broken arm and a broken rib. Norda gives her full name as "Eve Norda". Adam and Eve begin a new life on this planet she calls "Earth". At this point she offers him a "seppla" (an anagram of the word "apples", which are artistically depicted as the biblical forbidden fruit). As they venture further, Rod Serling narrates that he presumes the place they are heading to is Eden.

Barbara Polk has lived with her elderly, sadistic uncle Simon Polk for 25 years — even though she hates him — as she is the only heir to his fortune. Simon constantly harangues his niece, calling her various unflattering names and insulting her in creative ways. He uses a laboratory in the basement of his house to develop inventions, and has forbidden her from going down there to see his latest project, about which he drops malevolent hints. When she sneaks into the basement to peek at it, the two have a verbal altercation. Simon catches her and raises his cane to strike. Barbara blocks with her arm, causing him to fall down the stairs and break his back. Frustrated with his feebleness, nagging, and constant demands for hot chocolate, Barbara declines to assist and watches him lose his life. Following Simon's death, his lawyer Mr. Schwimmer reads the will to Barbara: to inherit his estate, she must live in the house and look after his last invention, a robot also named Simon. Although its behavior and speech are very mechanical at first, it engages in AI learning as time goes on. It eventually acts and sounds just like him — right down to the old man's limp, which it develops as a result of damage from Barbara's attempt to destroy it by pushing it over backward. The robot repeats insults that Uncle Simon had programmed, berating Barbara as a “bovine crab” and “peanut-headed sample of nature's carelessness.” Since Mr. Schwimmer makes regular visits to ensure that Barbara is taking proper care of the robot, as per the stipulations of the will, she has no choice but to submit to its continuing verbal abuse and demands — including bringing it hot chocolate as she did for Simon — or risk being disinherited.

In a sparsely populated town in 1974, ten years after a nuclear war has devastated the US, the townspeople have discovered a supply of canned food. However, they are waiting for Mr. Goldsmith, the town's leader, to return with a message from the mysterious and unseen "old man in the cave" who will tell them whether the food is contaminated with radiation. Some of the townsfolk want to take their chances and eat the food, but they refrain from doing so after seeing the disastrous harvest yielded when they failed to take the old man's advice about which farming areas were contaminated. When Mr. Goldsmith returns, he informs them that the old man has declared the food is contaminated and that it should be destroyed. Shortly thereafter, three soldiers led by Major French enter the town and clash with Goldsmith as they try to establish their authority. The soldiers may or may not be representatives of the US government; Goldsmith claims that wandering packs of self-styled military men have previously intruded on the town and tried to establish authority—all unsuccessfully. French, meanwhile, reveals that there are maybe 500 people left alive between Buffalo, New York and Atlanta, Georgia, and also talks of small, isolated primitive societies on the shores of Lake Erie and in "what used to be" Chicago. He claims his job is to organize the region so that society can be re-built. However, Goldsmith believes that French and his men simply want to strip the town of its food. A clash of wills ensues and, frustrated by Goldsmith's quiet and steadfast refusal to bend, French tries to dispel the townspeople's strange beliefs about the seemingly infallible old man in the cave and take control of the area. French tempts the townspeople with some of the food Goldsmith claimed was contaminated and many throw caution to the wind and partake. Everyone except Goldsmith eventually consumes the food and drink and Goldsmith falls into disfavor among the townspeople. After being bullied and threatened with his life, Goldsmith finally opens the cave door and it is ultimately revealed that in reality, the townsfolk have been using information from a computer the whole time. French rallies the townspeople into a frothing frenzy into destroying the machine, after which French leads the people into celebrating their newfound freedom from this "tyranny." However, as Goldsmith had insisted, the "old man" was correct; without an authority figure to tell them which foods are safe, the entire human population of the town (including French and the soldiers) die—except for the lone survivor, Goldsmith, who somberly walks out of the now dead town.

Annabelle buys her daughter, Christie, a wind-up doll named "Talky Tina" in order to comfort her. When wound, the doll says, "My name is Talky Tina and I love you very much." Annabelle has recently remarried to an infertile man named Erich Streator. Frustrated by his inability to have his own children with Annabelle, Erich directs his hostility toward Christie (he also becomes upset with Annabelle for wasting money by purchasing the doll). Annabelle tries to persuade him that if he gives himself the chance, he will be able to love Christie. When Erich is alone and he winds up the doll, it substitutes its catchphrase with antagonisms such as "I don't like you". At first, Erich blames the doll's manufacturer. However, when the doll begins engaging him in a more elaborate conversation, he comes to the conclusion that Annabelle is playing a trick to get back at him for his treatment of Christie. He places the doll in a trash can in the garage, but then receives a phone call and hears the doll's voice threatening to kill him. Checking the trash can, he finds it empty. He confronts Annabelle, but she pleads innocence. It occurs to Erich that since his wife was upstairs putting Christie to bed, she could not possibly have made the phone ring. He runs upstairs to find the doll in bed with Christie. Erich takes the doll away against Christie's tearful protests and angrily corrects her when she addresses him as "Daddy". He attempts to destroy the doll using a vise, a blow torch and a circular saw, all to no effect; Annabelle attempts to intervene but Erich pushes her away. He then ties the doll in a burlap sack and returns it to the trash can, weighing the lid with bricks. Annabelle begins packing to leave, unable to tolerate his hostility and irrational behavior any longer. She says that Erich should see a psychiatrist. Erich begins to question whether the doll talking to him was just his imagination, and he offers to return it to Christie if Annabelle will stay. He takes the doll out of the trash and returns it to Christie. Later that night, Erich is awakened by muffled noises. He tells Annabelle to stay in the bedroom, and leaves to investigate. Christie is in bed, but Tina is gone. Going down the stairs, he trips over Tina, who is lying on one of the treads, and falls, sustaining fatal injuries. Attracted by the noise, Annabelle finds Erich's body. Beside him is Tina, who opens her eyes and threatens Annabelle by saying, "My name is Talky Tina... and you'd better be nice to me!" Realizing that Erich was telling the truth, Annabelle drops the doll in shock.

A jockey named Michael Grady is lying alone in his room after being banned from horse racing for life for fixing races by horse doping. He drinks in his depression, and rues his five-foot height, which horse riding had served to compensate for. He then hears a voice. The voice introduces himself as "the alter ego" and claims to live in Grady's head. He argues with the alter ego, trying to justify his life and his actions, even lying about his crimes, but the alter ego knows all about him. Grady is offered the chance to change his life with one wish. Grady says his greatest wish is to be big. After Grady wakes from a nap he finds his wish has been granted; he is now close to eight feet tall. Ecstatic, Grady calls his ex-girlfriend over the phone, but she dismisses him. He boasts that he can find more girls who will appreciate him because of his newfound height. The alter ego remains unimpressed, feeling Grady has not made good on any of his promises. He derides his dumb and "cheap" wish, and says that Grady could have wished to win the Kentucky Derby fairly, or perform a heroic act. A telephone call from the racing commission informs Grady that he has been reinstated and can jockey again. Grady joyfully thanks everyone who petitioned to give him a second chance, but the alter ego laughs at him. Grady realizes he has become even larger, about 10 feet tall — too tall to ride a horse, or properly fit in his own apartment. Devastated, the now-giant Grady wrecks his room and pleads with the alter ego to make him small again. The alter ego denies the request, and instead replies, "You are small, Mr. Grady. You see, every time you won an honest race, that's when you were a giant. But right now, they just don't come any smaller."

Patrick McNulty is a self-important, annoying man in his 40s. One day, he is summoned by his boss, Mr. Cooper. McNulty is delighted, believing that his frequent contributions to the suggestion box have earned him recognition. Cooper, however, says that all of McNulty's suggestions deal with fields of enterprise in which the company is not involved and fires McNulty for wasting his time. McNulty goes to Joe Palucci's bar, where he drives away the other patrons with his opinions about a sporting event. Palucci requests that McNulty patronize another establishment, but McNulty ignores him and buys a drink for the sole remaining patron, Potts, a drunk who spews various phrases from times long past. In return, Potts gives McNulty his stopwatch. Thinking it an odd gift, McNulty quickly discovers that it pauses time for everyone and everything except for the watch holder. McNulty tries to show Cooper the stopwatch's power in the hopes of improving their company, but Cooper does not understand McNulty and dismisses him. Returning to the bar, McNulty tries to demonstrate the watch's power to the customers, but does it in such a way that they do not understand again. McNulty steps into a bank with the intention of robbing it, but drops the watch, which breaks and permanently freezes time. With no way to repair it, McNulty frantically begs for help from the frozen people around him.

The Twlight Zone 1959 The Bard

The Twilight Zone 1959 s4 e6 Death Ship

Hannah Wilson is in conversation with Aaron King, who has a background in working with SEND and leading specialist provision as they discus the data around school suspensions. 

The Twlight Zone 1969 s4 e 9 Printers Devil

This week we talk about the exciting sport of walking known as pedestrianism that gripped the world for a while. Consumption: Mr. Pold - The Marvels, V for Vendetta, Mission: Impossible - Rogue Nation, Mars Attacks!, Hard Knocks, Haunted Mansion, The Voices, Benson St. Jimmy - Doctor Who Special 1 D'Viddy - Dampyr, Paranormal Nonsense: Blue Moon Investigations, Twlight, 6ixtynin9 Master Z - Harry Potter Music Provided By: Greg Gibbs / Most Guitars Are Made of Trees Black Flamingo / Winter Sun The Toothaches / Proximity

The Twlight zone 1959 s4 e 7 Jess -Belle

The Twlight Zone 1959 s4 e 5 Mute

The Twlight Z one 1959 s5 e3 Nightmare At 20,000 Feet

The Twilight Zone 1959 In His Image

The Twlight Zone 1959 I S ing The Body Electic

The Twlight Zone 1959 I S ing The Body Electic

Rachel attends a sultry Halloween party in Barnes, dressed as a seductive cat, she's drawn to a man dressed as a vampire. Their mutual attraction leads to a shared interest in enacting a "Twilight" fantasy. They head to her St John's Hill flat, where they indulge in sexy as fuck vampire role play until they are breaking dawn.To keep the free erotic audio stories cumming please rate, review, subscribe, and share this episode.Support us over on Patreon and become a foxy friend of the podcast. New episodes released every Wednesday!Patreon: https://www.patreon.com/cumwithus Website: http://www.cumwithus.co.ukThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5950513/advertisement

The Twlight Zone 1959 Young Man,s Fancy

The Twlight Zone 1959 The Dummy

The Twlight Zone 1959 The Gift

The Twlight Zone 1959 Four O Clock

The Twlight Zone 1959 The Little People

The Twlight Zone 1959 Little Girl Lost

The Twlight Zone 1959 The Fugive

The Twlight Zone 1959 To Serve Man

The Twlight Zone 1959 The Last Rites OF Jeff Myrtlebank

The Twlight Zone 1959 A Piano IOn The House

The Twlight Zone 1959 Kick THe Can

The Twlight Zone 1959 Showdown With Rance McGrew

The Twlight Zone 1959 The Hunt

The Twlight Zone 1959 Dead Mans Shoes

The Twlight Zone 1959 Nothing In The Dark

The Twlight Zone 1959 A Quality O Mercy [may contain languge that may offend]

The NX-01 gets a taste of the Game Over screen as we review "Twlight"! After a head wound for the ages takes away Archer's ability to form memories, the crew gets a mission fail and humanity is doing a BSG impression. Lament with us as no one notices that Mayweather died. 

We watch and review the Sword and Shield animated mini series "Pokemon - Twilight Wings." Featuring music by Conisch and Jornt Elzinga. This is a work of satire, and all third-party material is used in accordance with the terms outlined in Section 107 of the Copyright Act of 1976.