Podcasts about Jockey

This week: THE MERCH IS LIVE! Also this week: Side quest McCann, Bomb Squad DJ set?, how everything is cooler than stand up, Camp Flog Gnaw review, Tyler the Creator, 4 day benders, 100 dollar tips, palm trees in the grey, wellness centre hangovers, Colin's 24hr scat fest, vultures, sleep paralysis demons, McCann vs. Massage parlour pt. III & much more.Sign up to Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for access to MERCH & exclusive episodes out every Thursday.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/TheBombSquadPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow @TheBombSquadPod on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Hosted by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Colin Geddis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aaron McCann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Produced & Edited by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Niall Fegan

Ao entrar no elevador para fazer entrevistas sobre o filme “Sonhos de Trem” (Netflix), a primeira coisa que ouvi de um jornalista americano foi: “Qualquer frame do filme dá um quadro maravilhoso”. Ele não sabia que o diretor de fotografia era brasileiro, mas sem perceber, acabou me dando a manchete e resumiu exatamente o que tantos profissionais têm repetido sobre o trabalho de Adolpho Veloso.  Cleide Klock, correspondente da RFI em Los Angeles O nome de Veloso circula nas principais publicações de Hollywood, entre os favoritos na corrida ao Oscar na categoria de Melhor Fotografia. Nesta última semana, ele já apareceu na shortlist do Critics' Choice Awards, premiação da principal associação de críticos de cinema dos Estados Unidos. Veloso, que mora em Portugal e carrega o Brasil na memória e no olhar, veio a Hollywood para participar do lançamento do filme e das campanhas de premiações. E parece ainda se surpreender com essa repercussão. “É muito louco. Você nunca imagina, quando está filmando, que isso vai acontecer. Não é uma coisa que faz muito sentido, ao mesmo tempo, é tão surreal que eu prefiro nem pensar tanto. E é um ano extremamente difícil, com muito filme bom, acho que é um dos melhores anos do cinema nos últimos tempos”, contou à RFI. Ele confessa que, como muitos artistas, vive crises profundas durante o processo. “É incrível ter esse reconhecimento, principalmente pela quantidade de crises que a gente tem filmando, que você acha que nunca mais vai filmar na vida. A primeira vez que assisti esse filme no cinema, pensei: ‘Meu Deus, isso está horrível, nunca mais vou conseguir trabalho'. E ver essa reação agora, que é o completo oposto, dá forças para seguir”. Memórias e naturalismo Em “Sonhos de Trem”, dirigido por Clint Bentley e inspirado na novela de Denis Johnson, acompanhamos Robert Grainier (Joel Edgerton), um lenhador do início do século XX, que vive longos períodos longe da família. A atmosfera é de recordações borradas, sensações e silêncios, algo que nasceu de forma muito consciente entre Clint e Adolpho. “A gente queria muito que, ao assistir ao filme, parecesse que você estivesse vendo as memórias de alguém, quase como se encontrasse uma caixa com fotos antigas e tentasse entender a vida daquela pessoa, às vezes meio fora de ordem, e você tenta entender quem foi aquela pessoa por aquelas fotos”, explica. Um brasileiro nos anos 1920 Filmado inteiramente no estado de Washington em apenas 29 dias, um feito raro para um longa de época, o projeto exigiu uma maratona por florestas intocadas, vales, zonas devastadas e cenários naturais extremos. A natureza no filme é praticamente uma personagem. “Num filme de época, às vezes é difícil para quem o assiste se conectar, porque tudo é tão diferente. Então queríamos trazer mais realidade, mais conexão. Filmamos só com luz natural e uma câmera bem orgânica, como se você estivesse lembrando de algo que viveu”. Veloso, que nasceu em São Paulo e hoje vive em Portugal, encontrou na história de Grainier uma identificação imediata. “Quando o diretor me mandou o roteiro, pensei: essa vida é basicamente a minha. Esse cara que fica meses longe de casa, trabalhando com gente que talvez nunca mais vai ver… é assim para quem faz cinema. Voltar para casa sempre é estranho, leva dias para sentir que você pertence de novo. Tem as questões de perda, de imigração, da gente ser estrangeiro numa terra diferente, e isso tem consequências”. Olhar brasileiro encontra caminho em Hollywood A trajetória até Hollywood foi, como ele mesmo diz, “aos poucos”. Começou filmando no Brasil, trabalhou com Heitor Dhalia, assinou filmes e documentários, entre eles “On Yoga”, que chamou a atenção de Clint Bentley. Quando Bentley preparava “Jockey” (2021), buscava justamente alguém que transitasse entre ficção e documentários. Encontrou Veloso e o contactou por e-mail. Anos depois, “Sonhos de Trem” se tornaria o segundo filme da dupla. Além de estar nas previsões de Melhor Fotografia para o Oscar, a produção, que já está disponível na Netflix, aparece com possíveis indicações de Melhor Filme, Melhor Ator (possivelmente para Joel Edgerton) e Melhor Roteiro Adaptado. O Brasil que sempre volta Quando lhe pergunto se leva algo do Brasil para seus filmes, a resposta vem quase antes da pergunta terminar: “O nosso jeitinho.” Não no sentido estereotipado, mas na criatividade diante do impossível, no drible às burocracias rígidas de sets americanos. “Aqui tudo é muito engessado e a gente não está acostumado com isso. Aqui, você tem uma ideia e já ouve um não: isso custa tanto, precisa disso, daquilo. E às vezes não precisa de tudo isso. Digo, e se a gente só fizer assim? E funciona.” Reconhecimento Conto a ele que vários jornalistas comentaram comigo espontaneamente sobre a fotografia do filme, sem saber que ele era brasileiro. Veloso abre um sorriso tímido, um pouco surpreso, um pouco orgulhoso. É o tipo de reconhecimento que o Brasil inteiro deveria ouvir. E talvez ouça, quem sabe, no palco do Oscar.

Ao entrar no elevador para fazer entrevistas sobre o filme “Sonhos de Trem” (Netflix), a primeira coisa que ouvi de um jornalista americano foi: “Qualquer frame do filme dá um quadro maravilhoso”. Ele não sabia que o diretor de fotografia era brasileiro, mas sem perceber, acabou me dando a manchete e resumiu exatamente o que tantos profissionais têm repetido sobre o trabalho de Adolpho Veloso.  Cleide Klock, correspondente da RFI em Los Angeles O nome de Veloso circula nas principais publicações de Hollywood, entre os favoritos na corrida ao Oscar na categoria de Melhor Fotografia. Nesta última semana, ele já apareceu na shortlist do Critics' Choice Awards, premiação da principal associação de críticos de cinema dos Estados Unidos. Veloso, que mora em Portugal e carrega o Brasil na memória e no olhar, veio a Hollywood para participar do lançamento do filme e das campanhas de premiações. E parece ainda se surpreender com essa repercussão. “É muito louco. Você nunca imagina, quando está filmando, que isso vai acontecer. Não é uma coisa que faz muito sentido, ao mesmo tempo, é tão surreal que eu prefiro nem pensar tanto. E é um ano extremamente difícil, com muito filme bom, acho que é um dos melhores anos do cinema nos últimos tempos”, contou à RFI. Ele confessa que, como muitos artistas, vive crises profundas durante o processo. “É incrível ter esse reconhecimento, principalmente pela quantidade de crises que a gente tem filmando, que você acha que nunca mais vai filmar na vida. A primeira vez que assisti esse filme no cinema, pensei: ‘Meu Deus, isso está horrível, nunca mais vou conseguir trabalho'. E ver essa reação agora, que é o completo oposto, dá forças para seguir”. Memórias e naturalismo Em “Sonhos de Trem”, dirigido por Clint Bentley e inspirado na novela de Denis Johnson, acompanhamos Robert Grainier (Joel Edgerton), um lenhador do início do século XX, que vive longos períodos longe da família. A atmosfera é de recordações borradas, sensações e silêncios, algo que nasceu de forma muito consciente entre Clint e Adolpho. “A gente queria muito que, ao assistir ao filme, parecesse que você estivesse vendo as memórias de alguém, quase como se encontrasse uma caixa com fotos antigas e tentasse entender a vida daquela pessoa, às vezes meio fora de ordem, e você tenta entender quem foi aquela pessoa por aquelas fotos”, explica. Um brasileiro nos anos 1920 Filmado inteiramente no estado de Washington em apenas 29 dias, um feito raro para um longa de época, o projeto exigiu uma maratona por florestas intocadas, vales, zonas devastadas e cenários naturais extremos. A natureza no filme é praticamente uma personagem. “Num filme de época, às vezes é difícil para quem o assiste se conectar, porque tudo é tão diferente. Então queríamos trazer mais realidade, mais conexão. Filmamos só com luz natural e uma câmera bem orgânica, como se você estivesse lembrando de algo que viveu”. Veloso, que nasceu em São Paulo e hoje vive em Portugal, encontrou na história de Grainier uma identificação imediata. “Quando o diretor me mandou o roteiro, pensei: essa vida é basicamente a minha. Esse cara que fica meses longe de casa, trabalhando com gente que talvez nunca mais vai ver… é assim para quem faz cinema. Voltar para casa sempre é estranho, leva dias para sentir que você pertence de novo. Tem as questões de perda, de imigração, da gente ser estrangeiro numa terra diferente, e isso tem consequências”. Olhar brasileiro encontra caminho em Hollywood A trajetória até Hollywood foi, como ele mesmo diz, “aos poucos”. Começou filmando no Brasil, trabalhou com Heitor Dhalia, assinou filmes e documentários, entre eles “On Yoga”, que chamou a atenção de Clint Bentley. Quando Bentley preparava “Jockey” (2021), buscava justamente alguém que transitasse entre ficção e documentários. Encontrou Veloso e o contactou por e-mail. Anos depois, “Sonhos de Trem” se tornaria o segundo filme da dupla. Além de estar nas previsões de Melhor Fotografia para o Oscar, a produção, que já está disponível na Netflix, aparece com possíveis indicações de Melhor Filme, Melhor Ator (possivelmente para Joel Edgerton) e Melhor Roteiro Adaptado. O Brasil que sempre volta Quando lhe pergunto se leva algo do Brasil para seus filmes, a resposta vem quase antes da pergunta terminar: “O nosso jeitinho.” Não no sentido estereotipado, mas na criatividade diante do impossível, no drible às burocracias rígidas de sets americanos. “Aqui tudo é muito engessado e a gente não está acostumado com isso. Aqui, você tem uma ideia e já ouve um não: isso custa tanto, precisa disso, daquilo. E às vezes não precisa de tudo isso. Digo, e se a gente só fizer assim? E funciona.” Reconhecimento Conto a ele que vários jornalistas comentaram comigo espontaneamente sobre a fotografia do filme, sem saber que ele era brasileiro. Veloso abre um sorriso tímido, um pouco surpreso, um pouco orgulhoso. É o tipo de reconhecimento que o Brasil inteiro deveria ouvir. E talvez ouça, quem sabe, no palco do Oscar.

The new film from the team behind JOCKEY and SING SING is a lyrical life story starring Joel Edgerton. We've got casting director Nicole Arbusto with us to discuss this, and take on a Hotline question asking for professional shoutouts. Plus our annual Turkeys of the Year and the first post-Thanksgiving Christmas Movie Minute!What's GoodAlonso - magazinesDrea - Buzz Ballz/BeatBox/Cutwater cocktail challengeNicole - LA cloud formations latelyKevin - “books I haven't even cracked open”Staff PicksDrea - All That's Left of YouAlonso - Jesus' SonNicole - A Little PrayerKevin - Zero Dark ThirtyPick up Have Yourself a Movie Little ChristmasLeave a message for the Hotline!Get some Maximum Film! merch Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

I've been to watch horse racing lots of times - most often here in the town I live in at the iconic Cheltenham Racecourse. And I know a fair bit about training - from a degree in sports science to qualifying as a personal trainer. But I don't know too much about the training of horses. Turns out they're not all that different to humans. It was illuminating then to chat with Max Kendrick - an ex jockey who know helps training horses at Fergal O'Brien's picturesque yard near Cheltenham. Max is doing pioneering work with horse heart rate monitors, that also track metics like the speed of the horse and distance covered. This gives insight that will help trainers coax horses to peak performance, but also from an animal welfare perspective make sure the horses aren't overtrained. Pretty cool to hear Max talk about how the data is often backing up old school trainers' ‘feel' for how the horses are.*******Chief Sponsor: Bang & Olufsen Cheltenham: https://stores.bang-olufsen.com/en/united-kingdom/cheltenham/unit-15-the-courtyard-montpellier-streetInfo on Sponsor Offerings: For 15% off Herring Shoes enter the code SPORTANDLIFE at checkout at - https://www.herringshoes.co.ukFor 30% off Cytoplan supplements for your first purchase at https://www.cytoplan.co.uk and a 10% discount ongoing check out the intro the podcast.

Les pronostics du Trot du 28/11, avec Benjamin Rochard, Alexandre Decoopman et Jérémy Levy. by Radio Balances

Les actualités du 28/11, avec Pierre-Emmanuel Goetz et Hubert Smadja. by Radio Balances

Les pronostics du Galop du 28/11, avec Cédric Philippe, Thomas Beaurain et Sami Bouazza. by Radio Balances

Écoutez ce nouveau numéro de Radio Balances, avec Benjamin Rochard et Pierre-Emmanuel Goetz, et nos chroniqueurs Alexandre Decoopman, Jérémy Levy, Hubert Smadja, Cédric Philippe, Thomas Beaurain et Sami Bouazza. Inscrivez-vous sur Genybet - Jusqu'à 250€ de bonus de bienvenue 10€ supplémentaires en ouvrant un compte sur Genybet avec le code « RB10 » avec ce lien bit.ly/3BvWfhe

Clifton Collins Jr. is an American film and television actor. He is a Primetime Emmy Award, Independent Spirit Award, Satellite Award, and four-time ALMA Award nominee, and a Screen Actors Guild Award winner.After various small parts, he gained attention for his performance as a gangster in the crime drama One Eight Seven (1997). He then played featured parts in the major productions Traffic (2000) and The Last Castle (2001), and gained further recognition for his co-starring role as Perry Edward Smith in the biographical film Capote (2005) of which he shares personal stories in this interview. His subsequent films include Babel (2006), Star Trek, Crank: High Voltage (both 2009), Pacific Rim (2013), Knight of Cups (2015), The Mule (2018), Once Upon a Time in Hollywood (2019), and Nightmare Alley (2021). He won a Special Jury Prize at the Sundance Film Festival for his performance in the independent film Jockey (2021).You can see him in recent projects such as Ari Aster's Eddington (2025) and Clint Bentley's Train Dreams (2025) which have garnered high praise from many audiences and critics around the world.Follow Clifton Collins Jr on Instagram: https://www.instagram.com/mrwupass/?hl=enSubscribe for more acting content!: https://www.youtube.com/@anytownactorslab8898Anytown Actors LAB Services: https://www.anytownactorslab.com/Master the Art of Acting: https://stan.store/anytownactorslab/p/acting-mastery-programFollow Anytown Actors LAB on TikTok: https://www.tiktok.com/@anytownactorslabFollow Anytown Actors LAB on Instagram: instagram.com/anytownactorslab/

Jockey Elen Nicholas joins the show to chat her book of runners today at Te Aroha and chat about her comeback from injury Learn more about your ad choices. Visit megaphone.fm/adchoices

Nous n'y étions pas mais les raconteurs d'anecdotes n'arrêtent pas de nous dire que la première chanson diffusée par MTV fut Video Killed the Radio Stars. C'est un peu court, jeune homme, dirait Cyrano de Bergerac. Et comme nous avons dû attendre les années 90 avant de recevoir MTV chez nous, cette première journée de MTV, je m'en vais vous la raconter grâce à notre machine à remonter le temps, ça vaut le voyage. Nous sommes le 1er août 1981 dans le New Jersey. On y va ? Aujourd'hui, seuls les abonnés au câble de quelques états américains vont avoir droit à ce lancement historique d'une chaîne de télé 100% musicale et qui doit être exclusivement rock. Budget minuscule, peu de gens y croient, on a envoyé quelques communiqués de presse et placé des affiches dans les magasins de disques pour l'annoncer. Pas de panique dit le patron à ses quelques employés, y aura personne devant le poste, le premier jour. Ah ben ouais, certains membres de l'équipe se sont offusqués que la première vidéo soit celle d'un groupe anglais, les Buggles, avec un titre qui n'a même pas fait un succès aux USA. Mais avouez qu'avec un titre pareil, cette chanson s'impose pour ouvrir le programme. Et puis il y a eu le problème Neil Armstrong, le premier homme sur la Lune les a en effet menacés d'un procès s'ils utilisaient l'image de ses fameux premiers pas pour le lancement d'une chaîne privée, il a fallu bidouiller sur l'image même à la dernière minute pour éviter les ennuis. Mais bon, c'est parti. Avec les moyens du bord évidemment. C'est-à-dire un magnéto professionnel de location et certaines bandes fournies par les firmes de disques qui ne sont pas au bon format.Quant aux animateurs, les VJ, Vidéo Jockey comme on les appelle, pas de loge, ils doivent se changer dans les toilettes. On ne s'étonnera pas que la jeune animatrice de 19 ans ait gardé le même pull à l'écran toute la journée. Ah en parlant d'animer, elle a souffert : le prompteur va trop vite, pas le temps de tout lire, donc elle improvise. Et puis quand un autre animateur prend le relais, il annonce The Who You better you bet, et c'est Pat Benatar qui apparaît à l'écran, avec You Better Run. Mais c'est pas graaave, je vous dis, y a personne qui regarde. Personne, y a quand même un gars qui a appelé en disant “Arrêtez de passer des trucs zarrebis, mettez du Journey.” Il appelait d'où ? De l'Oklahoma. De l'Oklahoma ? Mince ! La secrétaire note ça sur un post-it, le premier feedback du public de MTV, qu'elle pose sur le bureau du dirlo qui n'est pas là, ce premier jour, c'est pour ça qu'il a enregistré les premiers mots prononcés à l'ouverture du canal. Bref, nous voilà à la fin de cette première journée de programme. On y est arrivé ! Il y a eu 7 enchaînements loupés, 4 écrans noirs et le magnéto a surchauffé, heureusement qu'il a supporté le vent frais d'un gros ventilateur dirigé sur lui en catastrophe. Quant au fait qu'il n'y aurait personne, ils étaient 250.000 devant leur poste à regarder ces clips nonstop. La chaîne en espère 500.000 au bout d'une année, elle passera la barre du million en neuf mois. Quant aux Buggles, ils sont repassés une seconde fois, à la fin de cette journée avec ce clip qui ouvrait un chemin inattendu à l'industrie du disque. Car non, MTV n'a pas tué les stars de la radio.

Kerryman, Oisin Murphy – who recently won the British Flat Jockeys Championship title for the fifth time – tells Brendan about his destructive relationship with alcohol, the constant need to keep his weight down, and why he tested positive for cocaine in France, as detailed in his new book ‘Sacrifice'.

Join Meadow and Ashley on Hot 2 Trot as they sit down with jockey Ramon Moya, one of the most recognizable young riders on the PA circuit — both on the track and online. Ramon opens up about the grind of being a jockey and the standout moments of his career so far. He also dives into his massive social media presence, with 40K+ Instagram followers and 135K+ on TikTok, where he shares behind-the-scenes looks at jockey life, race clips, and day-in-the-life content that fans can't get enough of!

Les actualités du 21/11, avec le Dr Scicluna, Cédric Philippe et Gilles Barbarin. by Radio Balances

Les pronostics du Galop du 21/11, avec Thomas Beaurain, Gilles Barbarin, Cédric Philippe et Sami Bouazza. by Radio Balances

Les pronostics du Trot du 21 /11, avec Stéphane Alos et Alexandre Decoopman. by Radio Balances

L'entretien, avec Françoise Chaunion, éleveuse de Idao de Tillard. by Radio Balances

Écoutez ce nouveau numéro de Radio Balances, avec Françoise Chaunion (Elevage de Tillard), le Dr Claire Scicluna et Stéphane Alos (Passion cheval trot sur FB), et nos chroniqueurs Thomas Beaurain, Alexandre Decoopman, Gilles Barbarin, Sami Bouazza et Cédric Philippe. Inscrivez-vous sur Genybet - Jusqu'à 250€ de bonus de bienvenue 10€ supplémentaires en ouvrant un compte sur Genybet avec le code « RB10 » avec ce lien bit.ly/3BvWfhe

Jockey Leah Hemi joins the show to chat her book of runners today at Timaru Learn more about your ad choices. Visit megaphone.fm/adchoices

Tous les matins, à 6h10 et 6h50 sur Chérie FM, Tiffany Bonvoisin nous présente une info qui l''a marquée !

Les pronostics de l'Obstacle du 14/11, avec Gabriel Leenders, Thomas Beaurain, Gilles Barbarin et Sami Bouazza. by Radio Balances

Les pronostics du Trot du 14/11, avec Alexandre Decoopman. by Radio Balances

Les pronostics du Plat du 14/11, avec Gilles Barbarin (Croisé-Laroche, Angers, Toulouse) by Radio Balances

Les actualités du 14/11, avec Frédéric Landon, Fabien Cailler et Gilles Barbarin. by Radio Balances

Écoutez ce nouveau numéro de Radio Balances, avec Frédéric Landon, Vice-Président de France Galop et Président du Conseil de l'Obstacle, l'entraîneur Gabriel Leenders, et nos chroniqueurs Thomas Beaurain, Alexandre Decoopman, Fabien Cailler, directeur de Province Courses, Gilles Barbarin et Sami Bouazza. Inscrivez-vous sur Genybet - Jusqu'à 250€ de bonus de bienvenue 10€ supplémentaires en ouvrant un compte sur Genybet avec le code « RB10 » avec ce lien bit.ly/3BvWfhe

This week on The Filmmakers Podcast, host Dom Lenoir welcomes the team behind Netflix's Train Dreams: Felicity Jones, Kerry Condon, Clint Bentley, and Joel Edgerton. Felicity Jones – celebrated for her roles in The Theory of Everything and Rogue One: A Star Wars Story – & Kerry Condon – Academy Award-nominated actor known for The Banshees of Inisherin and Better Call Saul discuss the actor-director relationship, rehearsals, and what it was like working on the project. Clint Bentley – acclaimed filmmaker behind Jockey and now director of Train Dreams – shares his perspective on shaping performances, cinematography, music, nature and how this project got made. Joel Edgerton – actor & producer – joins the conversation to discuss acting, modern technology, and the human condition. Together, they explore the making of Train Dreams. An inspiring and thought-provoking look behind the scenes of one of Netflix's most anticipated films of the year. TRAIN DREAMS is out now! Links FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify,Podbean or wherever you get your podcasts but more importantly, tell your pals about this podcast. Thank you! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Jockey se corono bicampeón del Torneo Regional del Litoral y con una de las figuras de la temporada analizamos el titulo conseguido en esta temporada 2025

With the end of 2025 in sight, we pause to update our running list of the year's best songs. Our latest adds include the (possibly twisted) dance pop of JADE, a brutal but affecting story song from S.G. Goodman, power pop from the band Liquid Mike and more. But we open with a question: Benson Boone... kinda awesome?Featured artists and songs:1. Liquid Mike: “Double Dutch,” from ‘Hell Is An Airport'2. Cleo Reed: “Always the Horse, Never the Jockey (feat. IWEWE),” from ‘C**try'3. JADE: “Plastic Box,” from ‘THAT'S SHOWBIZ BABY!'4. S.G. Goodman: “Snapping Turtle," from 'Planting by the Signs'5. Ken Pomeroy: “Stranger,” from ‘Cruel Joke'Weekly reset: A breezy, Sunday morning in a small townEnjoy the show? Send it to a friend and leave us a review on Apple, Spotify, or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Auxiliary Gate 225 - Kentucky Derby Winning Jockey Mario Gutierrez by CC Broaddus, Alan Schneider, & Geoff Riggs

Bulletproof Bets, Benders & Being a Jockey. While Swanny eventually drops in (fresh off another racing-week bender), Sam and Ralph hold the fort with racing royalty Simon Marshall—16-time Group 1 winner turned TV frontman. From surviving 4am starts and 48kg weigh-ins to collapsing in saunas and catching grapes with your face at Blanc de Blanc, Simon's stories have it all. We dive into the wildcard finals debate, reflect on Cup Week chaos, and yes… Dane tries to remember where he was, what day it was, and whether he saw his kids.The cast is all over the place in this episode but we brought you one so lucky you.You can catch Simon's insights on Racing.com and Channel 7's horse racing coverageFollow & support us where you can, hit subscribe and share the pod with a mate.Podcast : @swannyandfriendsDane: @danes84Samantha @samantharichesRalphy: Race Track RalphySupport this show http://supporter.acast.com/hump-day-with-swanny-and-friends. Hosted on Acast. See acast.com/privacy for more information.

In this episode of the No Film School Podcast, GG Hawkins dives into the sweeping process behind Train Dreams, a period drama adapted from the Dennis Johnson novella. GG is joined by director Clint Bentley and editor Parker Laramie, who discuss the challenges and joys of crafting a film that spans decades while staying intimate and emotionally resonant. The episode also opens with a candid conversation with filmmaker Boris Rodriguez about community and collaboration in independent filmmaking, leading up to the release of GG's own directorial debut I Really Love My Husband. In this episode, No Film School's GG Hawkins and guests discuss... The emotional and technical journey of adapting Train Dreams from a novella into a feature film How Clint and Parker's creative partnership evolved from Jockey to this ambitious period piece The process of editing a film that spans decades without losing narrative momentum How Parker's background in documentary shaped his approach to editing fiction The value of grabbing unplanned shots on set and how they can end up saving key scenes The philosophical and technical challenges of handling notes from producers and stakeholders The role of music and rhythm in both writing and editing the film Clint's directorial flexibility and willingness to discover the movie during post Parker's favorite hotkey and the logistics of editing across Premiere and Avid Reflections on releasing the film and the audience's evolving interpretation of its themes Memorable Quotes: “You have to listen to the film. The way the film speaks to you is through other people and other people giving you notes.” “Just try the fucking note.” “We had no slates on Jockey… and we tried to do that again.” “You don't always have a good understanding of how something's going.” Guests: Clint Bentley Parker Laramie Boris Rodriguez Resources: GG's Directorial feature debut, I Really Love My Husband, is now available to stream on Apple TV, Amazon Prime Video, and Google Play. Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram  

In this episode, Steve sits down with Jockey President and Chief Operating Officer, Mark Fedyk.Recorded live at the brand-new Kenosha Innovation Neighborhood, this episode delivers an inspiring look at how one of Wisconsin's long standing brands continues to innovate like a startup.Mark breaks down how Jockey defines innovation—not just as a process, but as a mindset woven into its nearly 150-year DNA. From “routine” updates to “disruptive” and even radical innovation, the company keeps close to its customers through data, insights, and an enduring human touch.We also learn that through connection to community, legacy and innovation can coexist. The conversation is both humorous yet insightful, exploring how a heritage brand stays fresh, relevant, and ready for what's next.Experience Milwaukee is presented by Habush Habush & Rottier, VISIT Milwaukee, the Milwaukee Admirals, nvisia, Summerfest, and Crescent 9 THC Seltzers and our official beer partner is New Barons Brewing Cooperative.Thanks for listening.Love you, Milwaukee.

Josh and Ben are joined by TaZz from The Guide to discuss the debate around keeper movement as well as how to defend now Jockey is boosted as well as top tips for playing around the box. Get your own boost and turn your FC skill into a 99 with the best tutorials available: The FC 26 Season Pass from THE GUIDE+ now on a great discount with our full moon promo! Click Here for the exclusive offer! https://bit.ly/FW-TG-Gameplay Get these episodes in your podcast app: bit.ly/podfeedhelpDiscord (for Gold & Icon) Supporters: bit.ly/poddiscordhelpImprove your connection: bit.ly/connectionspecial Thank you as always for making FUT Weekly possible! 00:00 Introduction 01:05 EA's Quick Reversion of Gameplay Changes 05:55 Community Feedback and EA's Approach 10:03 The Complexity of Polling and Game Design 19:05 Goalkeeper Movement: Pros and Cons 41:08 Balancing Casual and Competitive Play 42:15 Defensive Strategies and Jockeying Techniques 52:23 Mastering Attacking Fundamentals 01:05:46 Final Thoughts and Community Engagement Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ahead of the 2025 Breeders Cup from Del Mar Charlotte Greenway recaps on the interviews from the last couple of weeks with connections of runners over the next couple of days. We kick off with the feature race the Breeders' Cup Classic, which unfortunately does not feature Sovereignty after he was ruled out with the temperature. We do however hear from Michael McCarthy, trainer of Journalism who'll be hoping to win it for the three-year-olds, whilst Yoshito Yahagi shares his hopes of winning the race with Forever Young and becoming the first Japanese horse to do so. Finally on this, Mike Smith, the winning most Jockey at the BC discusses his mount and along with his four others. Then moving on, we hear from Christophe Soumillon on all of his rides for Aidan O'Brien as he continues to step in for Ryan Moore whilst Patrick Cooper shares why he believes Amiloc will be suited by the BC Turf. Billy Koch also talks about Gold Phoenix‘s chance in the Turf and finally James Owen previews Wimbledon Hawkeye's chances before Hugo Palmer looks at his runner in the Juvenile Turf Sprint, Ardisia. Jockey Umberto Rispoli is along to pick out his best ride of the weekend along with trainer Cherie DeVeaux, who send a select team to Del Mar. Finally, we hear about the chances of two European challenges in the turf sprint, Khaadem and Shes Quality.

Ricardo Cardim, botânico e paisagista, apresenta análises e comentários sobre a agenda verde nas cidades. Quadro vai ao ar na Rádio Eldorado às quintas, ao vivo, às 07h45, no Jornal Eldorado; e em boletins às segundas e quartas, às 12h30 e 16h.See omnystudio.com/listener for privacy information.

On their weekly Serving Up Pitt volleyball podcast, presented by FanDuel, Post-Gazette Panthers insider Abby Schnable welcomes former standout Cat Flood to analyze the week that was for coach Dan Fisher and and key plays such as Olivia Babcock, Brooke Mosher and Blaire Bayless. How were the Panthers able to overcome the absences of names like Dagmar Mourits and Bre Kelley due to injuries? Why is the libero spot still in flux? Has service pressure become a point of strength for this team with NCAA championship aspirations? And how will Pitt manage against the rest of its ACC schedule now that it's in first place? Our duo tackles those questions and more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sam Spratt is one of New Zealand's most successful and fearless jockeys.In this episode, Sam opens up about the brutal reality of life in the saddle — the crashes, the comebacks, and the constant risk that comes with chasing victory. She talks about her remarkable two-decade career at the top of NZ racing, the brain injury that nearly ended it all, and the mental fight to return to the sport she loves.We also dive into her journey as a new mum at 40, the weird fitness required to be a jockey, how prize money actually works, and what it's really like competing against your friends every weekend.It's an honest, raw, and inspiring look at resilience, motherhood, and the wild world of New Zealand racing — from one of its true trailblazers.This episode is brought to you by the TAB. Got a hunch? Download the new app today and get your bet on. Hosted on Acast. See acast.com/privacy for more information.

To celebrate 10 years since the show began, we're releasing remastered versions of season 1. Belinda is still wide awake at The Horse and Jockey as the youngish man from reception brings her some extra special room service... Hosted on Acast. See acast.com/privacy for more information.

To celebrate 10 years since the show began, we're releasing remastered versions of season 1. Belinda and Peter continue their awkward dalliance in the lobby of 'The Horse and Jockey' in full view of the CCTV. And Peter reveals a shocking twist... Hosted on Acast. See acast.com/privacy for more information.

To celebrate 10 years since the show began, we're releasing remastered versions of season 1. In what is becoming the longest day of her life, Belinda returns to The Horse and Jockey for dinner followed by a second dalliance with Peter Rouse... Hosted on Acast. See acast.com/privacy for more information.

At 30, most jockeys have been riding professionally for over a decade — but not Jo Mason. In this episode, Michelle sits down with Jo to talk about breaking into the world of horse racing later in life, the brutal realities of injury and recovery, and how she turned a pandemic setback into the moment she finally went pro.From breaking her back to breaking barriers for women in racing, Jo's story is one of resilience, grit, and pure love for the sport.Key TakeawaysIt's never too late to start again. Jo turned professional at 30 — proof that there's no expiry date on your dream.Confidence isn't something you wait for — it's something you build through doing.Hard work beats luck. Behind every race is relentless training, travel, and self-discipline.Women belong at the top. Racing may have been male-dominated, but Jo's generation is changing that.You can rebuild after burnout or injury. Jo's comeback after breaking her back shows that recovery starts with mindset.Your journey doesn't have to follow the rulebook. Education, pivots, and detours can all lead to purpose.Timestamps0:00 – 3:00 Introduction and Jo's journey from sports nutrition to racing.3:00 – 7:00 Growing up in a racing family and the path from amateur to professional.7:00 – 13:00 The fall that broke her back and the long road to recovery.13:00 – 17:00 Turning professional during Covid and proving herself on the track.17:00 – 25:00 Racing against legends and breaking barriers for women in sport.25:00 – 37:00 Life behind the scenes: training, travel, pressure, and pay.37:00 – 54:00 The physical and mental toll — weight, nutrition, and injury resilience.54:00 – 1:03:00 Lessons learned, sacrifices made, and Jo's message to women chasing their dreams. Hosted on Acast. See acast.com/privacy for more information.

Kicking off the new season of The Creative Boom Podcast, host Katy Cowan sits down with Paul Benney – co-founder of the cult dance magazine Jockey Slut, the legendary club night Bugged Out! and, today, the beautifully crafted biannual Disco Pogo. Paul looks back at the golden days of music magazines and club culture in the '90s, sharing stories of launching a fanzine on a shoestring, running sell-out nights that booked Daft Punk, and building a magazine that captured the spirit of electronic music. He also talks candidly about burnout, the collapse of Jockey Slut, and what it took to start again. With Disco Pogo, Paul has found a way to honour the past while creating something fresh for today – a print magazine rooted in authenticity, community, and the stories behind the music. This is a conversation about resilience, reinvention and keeping the magic alive in a changing industry.

This week on History Rage, host Paul Bavill is joined by military historian and expert on Ian Fleming, Dave Roberts, as they delve into the intriguing world of wartime intelligence and the often-overlooked contributions of Fleming during the Second World War. Together, they dismantle the myths surrounding Fleming's role, revealing the truth behind the man who created James Bond and his significant impact on British Naval Intelligence.The Real Ian Fleming:Beyond the Desk: Dave discusses the misconceptions that portray Fleming as merely a desk-bound author, highlighting his pivotal role in shaping Naval Intelligence and his innovative ideas that contributed to the war effort.Wartime Operations: Explore Fleming's involvement in the formation of 30 Assault Unit, an elite intelligence unit tasked with capturing enemy secrets and technology, showcasing his strategic mind and leadership abilities.Operation Ruthless:A Wild Plan: The episode reveals the audacious Operation Ruthless, where Fleming proposed a daring scheme to capture German Enigma machines by crash-landing a Heinkel bomber in the English Channel, demonstrating his bold and unconventional thinking.Capturing Secrets: Learn about the successes of 30 Assault Unit in securing vital intelligence, including Enigma machines and Italian naval charts, that played a crucial role in the Allies' strategic planning.Fleming's Legacy:A Man of Influence: Dave articulates how Fleming's charm and connections made him an indispensable figure within British intelligence, proving that his contributions went far beyond his literary fame.Recognition: The discussion emphasises the need to acknowledge Fleming's wartime achievements, which have been overshadowed by his later success as the author of the iconic James Bond series.Guest Information:Discover more about Dave Roberts and his work with 30 Assault Unit at 30au.co.uk.Follow Dave on Twitter at @ihistorical for insights and updates.If you enjoyed this episode, please leave a review for History Rage on Apple, Spotify, or Podchaser! Join the 'Angry Mob' on Patreon for early episodes, exclusive content, and the coveted History Rage mug. Subscribe at www.patreon.com/historyrage.Follow the Rage:- Twitter: @HistoryRage- Instagram: @historyrage- Facebook: History Rage For all the latest episodes and updates, visit our website at www.historyrage.com.Stay Angry, Stay Informed - History Rage Hosted on Acast. See acast.com/privacy for more information.

Brno's Moravian Autumn Festival to celebrate Sir Charles Mackerras, the great champion of Czech music, Falcons hunt bait carried by drones at Czech Falconry Festival, Richard Harry Fletcher: The English jockey who became a legend of the Great Pardubice

Emmet Kennedy is joined by Adam Mills (Total Performance Data), Georgia Cox, Jamie Wrenn, and Jack Veitch to preview one of the biggest days in world racing: Arc Day at Paris Longchamp. After landing winners at 16/1, 14/1, and 12/1 in recent weeks, the panel return with big-priced fancies, confident NAPs, and insider angles for the Qatar Prix de l'Arc de Triomphe (Group 1) and the five other Group 1s on the card.

Emmet Kennedy, Georgia Cox, and Adam Mills break down an action-packed weekend from Newmarket, the Curragh, and America, where potential Classic stars announced themselves. From juvenile brilliance to Rebel's Romance's historic Grade 1 win, this episode delivers essential insights for punters and fans.

The venture capital landscape is evolving, and a founder's choice of fund size and partner could make or break their business. In this episode, CJ sits down with Kyle Harrison, General Partner at Contrary and writer of the Substack Investing 101, to make sense of the changing incentives and power dynamics in the field of venture capital. He explains how capital agglomerators and cottage keepers are playing dramatically different games, how the ethics of backing competitors have changed since the advent of AI, why a fund's size is its strategy, and what the potential pitfalls of dilution could be for founders. The conversation also covers why the line between hype and tangible business value in AI is so blurry, the role of narrative as an economic driver, and why the most valuable thing a VC can offer might just be "borrowed credibility.”—LINKS:Kyle Harrison on LinkedIn: https://www.linkedin.com/in/kyle-harrison-9274b278/Contrary: https://www.contrary.comInvesting 101: CJ on X (@cjgustafson222): https://x.com/cjgustafson222Mostly metrics: https://www.mostlymetrics.comLINKS MENTIONED:* “The Unholy Trinity of Venture Capital”: * “The Horse, The Jockey, or The Whole Race?” * Endowment Eddie on X (@endowment_eddie): https://x.com/endowment_eddie* “Institutionalized Belief In The Greater Fool”: * “The Unbundling of Venture Capital”: * “The Productization of Venture Capital”: https://kwharrison13.com/essays/the-productization-of-venture-capital—TIMESTAMPS:(00:00) Preview and Intro(02:23) Sponsor – Navan | Rillet | Pulley(07:13) VC Models: Cottage Keepers Versus Capital Agglomerators(11:16) Balancing Taking On Money and Finding Great Investments(16:35) Sponsor – Brex | Aleph | RightRev(20:54) Founder-Friendliness: The Ethics of Backing Competitors(26:33) When Fund Size Sabotages Outcomes(32:32) The Sins of Omission Versus Commission(36:02) The Dilution Trap for Operators in Venture-Backed Companies(38:17) Underestimating the Magnitude of the Outcomes(40:35) AI Hype, Valuation, and Real Business Impact(45:37) Market Psychology: Narrative and Story As Economic Drivers(48:21) Valuation: Cursor and Windsurf(52:50) The Unbundling of Venture Capital: What Founders Really Hire VCs For(1:01:47) Things To Consider When Choosing a VC(1:04:35) FTX Lessons & Compounding Growth(1:10:02) Kyle's Predictions for the Future of VC—SPONSORS:Navan is the all-in-one travel and expense solution that can give you access to exclusive, proprietary Nasdaq-validated data that reveals what's happening with corporate travel investments. See the Navan Business Travel Index at https://navan.com/bti.Rillet is the AI-native ERP modern finance teams are switching to because it's faster, simpler, and 100% built for how teams operate today. See how fast your team can move. Book a demo at https://www.rillet.com/metrics.Pulley is the cap table management platform built for CFOs and finance leaders who need reliable, audit-ready data and intuitive workflows, without the hidden fees or unreliable support. Switch in as little as 5 days and get 25% off your first year: https://pulley.com/mostlymetrics.Brex offers the world's smartest corporate card on a full-stack global platform that is everything CFOs need to manage their finances on an elite level. Plus, they offer modern banking and treasury as well as intuitive expenses and accounting automation, bill pay, and travel. Find out more at https://www.brex.com/metricsAleph automates 90% of manual, error-prone busywork, so you can focus on the strategic work you were hired to do. Minimize busywork and maximize impact with the power of a web app, the flexibility of spreadsheets, and the magic of AI. Get a personalised demo at https://www.getaleph.com/runRightRev automates the revenue recognition process from end to end, gives you real-time insights, and ensures ASC 606 / IFRS 15 compliance—all while closing books faster. For RevRec that auditors actually trust, visit https://www.rightrev.com and schedule a demo.##VentureCapital #VC #Startups #Founder #FundSize This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit cjgustafson.substack.com

Emmet Kennedy is joined by Adam Mills (Total Performance Data), Georgia Cox, and Jamie Wrenn to break down a weekend of drama, controversy, and potential Classic stars from Doncaster, Leopardstown, and the Curragh.