Podcast appearances and mentions of wade matthews

It's the Great Utah Shake Out! Dave and Debbie speak with Jeff Johnson, Be Ready Utah Specialist with the Utah Division of Emergency Management to discuss the top 3 things to prepare for an earthquake. Dave and Debbie participate in the Great Utah Shakeout and speak with Wade Matthews with Utah Division of Emergency Management's Be Ready Utah about the Great Utah Shakeout.

The strongest earthquake in 25 years hit the capitol of Taiwan. A 7.2 earthquake. Video shows many fleeing from their cars as buildings sway from the earthquake above them. Dave and Debbie bring the latest on this earthquake and speak with Wade Matthews with Be Ready Utah and The Division of Emergency Management about what to do if an earthquake strikes while you are in your car.

De raigambre europea y originada en Gran Bretaña, conecta con el free jazz, la música académica contemporánea, la experimental y la vanguardia que se gesta también en Estados Unidos. Si el jazz se ha calificado muchas veces como “el sonido de la sorpresa”, esta sería una “música sin memoria”._____Has escuchadoBarcelona. Esterri / Derek Bailey y Agustí Fernández. Derek Bailey, guitarra; Agustí Fernández, piano. Hopscotch Records (2001)Monoceros / Evan Parker. Evan Parker, saxofón soprano solo. Incus (1978)Solos. Ejié / Seijiro Murayama. Seijiro Murayama, caja (snare drum) sola. Zerojardins (2009)Todos los animales se reúnen en un gran gemido. Huracán de púrpura / Truss. Ferran Fages, guitarra acústica; Alejandro Rojas-Marcos, clavicordio; Bárbara Sela, flautas. Inexhaustible Editions (2020)Winter. Aconite / Wade Matthews & Alfredo Costa Monteiro. Wade Matthews, síntesis digital; Alfredo Costa Monteiro, objetos amplificados. Copy For Your Records (2011)_____Selección bibliográficaALONSO, Chefa, Improvisación libre: composición en movimiento. Dos Acordes, 2010*—, Enseñanza y aprendizaje de la improvisación libre. Propuestas y reflexiones. Editorial Alpuerto, 2014*BAILEY, Derek, La improvisación: su naturaleza y su práctica en la música. Ediciones Trea, 2010*BARZEL, Tamar, “‘We Began from Silence': Toward a Genealogy of Free Improvisation in Mexico City: Atrás del Cosmos at Teatro El Galeón, 1975-1977”. En: Experimentalism in Practice: Music Perspectives from Latin America. Editado por Ana R. Alonso-Minutti, Eduardo Herrera y Alejandro L. Madrid-González. Oxford University Press, 2018*BEN-TAL, Oded y Caroline Wilkins, “Improvisation as a Creative Dialogue”. Perspectives of New Music, vol. 51, n.º 1 (2013), pp. 21-39*BOSSEUR, Jean-Yves, Musique et contestation: la création contemporaine dans les années 1960. Minerve, 2019*CANONNE, Clément, “Improvisation collective libre et processus de création musicale: création et créativité au prisme de la coordination”. Revue de Musicologie, vol. 98, n.º 1 (2012), pp. 107-148*—, “Focal Points in Collective Free Improvisation”. Perspectives of New Music, vol. 51, n.º 1 (2013), pp. 40-55*—, “Du concept d'improvisation à la pratique de l'improvisation libre”. International Review of the Aesthetics and Sociology of Music, vol. 47, n.º 1 (2016), pp. 17-43*CORBETT, John, A Listener's Guide to Free Improvisation. University of Chicago Press, 2016COSTA, Rogério, “Free Musical Improvisation and the Philosophy of Gilles Deleuze”. Perspectives of New Music, vol. 49, n.º 1 (2011), pp. 127-142*DENZIER, Bertrand y Jean-Luc Guionnet (eds.), The Practice of Musical Improvisation: Dialogues with Contemporary Musical Improvisers. Bloomsbury, 2021*GALIANA, Josep Lluís, “De la naturaleza de la improvisación libre: elementos esenciales para su identificación y diferencias con la composición escrita”. Itamar: Revista de Investigación Musical: Territorios del Arte, n.º 4 (2018), pp. 26-49*—, Emociones sonoras: de la creación electroacústica, la improvisación libre, el arte sonoro y otras músicas experimentales. EdictOràlia, 2020*HOYER, Timo, Anthony Braxton: Creative Music. Wolke Verlag, 2022IRETA SÁNCHEZ, Iván Tadeo, La improvisación libre en solo: una aproximación fenomenológica y una proposición de análisis. Tesis doctoral, Universitat Autònoma de Barcelona, 2019MATTHEWS, Wade, Improvisando: la libre creación musical. Turner, 2012*MOLINA ALARCÓN, Miguel, “Auscultando la improvisación libre a la deriva”. En: Quartet de la Deriva. La improvisación libre y la teoría de la deriva. Editorial Obrapropia, 2012MUNÁRRIZ ORTIZ, Jaime, “Del lienzo en blanco al playback. Modelos de improvisación libre en el arte tecnológico”. Revista de Bellas Artes: Revista de Artes Plásticas, Estética, Diseño e Imagen, n.º 14 (2019-2020), pp. 51-67NOGLIK, Bert, “La música improvisada europea”. En: Hurta Cordel. Festival Internacional de Música Improvisada. La Casa Encendida, 2008OLEWNICK, Brian, Keith Rowe: The Room Extended. Powerhouse Books, 2019PIEKUT, Benjamin, “Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, 1965-1975”. Journal of the American Musicological Society, vol. 67, n.º 3 (2014), pp. 769-824*PRÉVOST, Edwin, “Free Improvisation in Music and Capitalism: Resisting Authority and the Cults of Scientism and Celebrity”. En: The Ashgate Research Companion to Experimental Music. Editado por James Saunders. Routledge, 2009*ROD, Johannes, Free Jazz and Improvisation on Vinyl, 1965-1985. Rune Grammofon, 2014SBORDONI, Alessandro et al., Free Improvisation: History and Perspectives. Libreria Musicale Italiana, 2018SALADIN, Matthieu, Esthétique de l'improvisation libre: expérimentation musicale et politique. Les Presses du Réel, 2014*SANSOM, Matthew, “Imaging Music: Abstract Expressionism and Free Improvisation”. Leonardo Music Journal, vol. 11 (2001), pp. 29-34*TOOP, David, En el maelström: música, improvisación y el sueño de la libertad antes de 1970. Caja Negra, 2018ZULIAN, Claudio, “La experiencia del colectivo de improvisación libre: músicas de vanguardia, free jazz y músicas alternativas”. En: Alter (músiques) natives. Generalitat de Catalunya, Departament de Cultura, 1995 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Just hours from now cell phones all over the country will be triggered to send out an alarm/alert. It's the federal government testing with Wireless Alert System. Wade Matthews with the Utah Division of Emergency Management explains how this will work and what we can learn from this test.  

Now that it's officially summer, the temperatures are rising day by day. Next Tuesday we're set to hit 100 degrees Fahrenheit! And with extreme heat come extreme heat measures… Wade Matthews from Be Ready Utah joins the show with tips on how we can stay safe and cool for the summer this year.See omnystudio.com/listener for privacy information.

El músico, académico y escritor estadounidense - español, Wade Matthews, ha dedicado gran parte de su vida artística y académica al tema de la música y la improvisación. En este episodio charlamos con él sobre ambos temas, su relación con la contemporaneidad y su importancia en la historia de movimientos sociales. ******************** The American-Spanish musician, academic and writer, Wade Matthews, has dedicated much of his artistic and academic life to the subject of music and improvisation. In this episode we chat with him about both topics, his relationship with contemporaneity and his importance in the history of social movements.

If you're headed to Moab this Memorial Day weekend, you're probably going to be traveling on what was called Utah's death trap… Back in the 90's, The BBC and Readers Digest named Highway 6 as one of “America's Deadliest Highways.” A head-on fatal crash happened 10 days ago, shutting down both lanes of traffic. John Gleason from the Utah Department of Transportation joins the show to discuss why this highway is so dangerous and what improvements have been made to make it safer. Wade Matthews from Be Ready Utah joins to share tips on how to be prepared for traveling and vacationing.See omnystudio.com/listener for privacy information.

Right now we want to talk about evacuation—not just a short-term evacuation, but something long-term that will take you out of your homes for months… or maybe even forever. Wade Matthews from Be Ready Utah shares the steps we should take to evacuate and the items we should take with us when we do.See omnystudio.com/listener for privacy information.

Snowmegeddon has been ravaging the state since last night, and Tooele County was one of the hardest hit areas. Emergency Services Director for Tooele County Bucky Whitehouse joins Boyd with the latest updates. Plus, Wade Mathews from Utah's Division of Emergency Management explains how people can prepare and stay safe during storms like this. See omnystudio.com/listener for privacy information.

A winter blast - 4-8 inches in the valley, up to 12 on the benches -- feet in the mountains -- The National Weather Service joins the show to discuss the latest. Wade Matthews with the Utah Division of Emergency Management joins the show to tell listeners about 3 things to have in your car if you are driving in the snow this week. See omnystudio.com/listener for privacy information.

This is Derek Miller Speaking on Business. The Wasatch Front is a great place to live, play, and work, and one of the keys to our success is preparation for major events, including disasters. Wade Matthews with the Utah Division of Emergency Management explains what you can do to get ready. WADE MATTHEWS For many people in Utah, the 5.7 magnitude Magna Quake was the first large earthquake they had ever felt. Some say they didn't know what to do when the vibrations first hit. That's why the Utah Division of Emergency Management and its Be Ready Utah program are encouraging everyone to participate in the 10th anniversary of the Great Utah ShakeOut on April 21st. The annual drill helps people learn and practice what to do in an earthquake. Remember: Drop, Cover, and Hold on, meaning get underneath a desk or table and hold onto it, or kneel against a wall without any windows, mirrors, or picture frames, or if you're in bed, place a pillow over your head until the shaking stops. Join the 8 million participants who have drilled in the Utah ShakeOut since 2012 by registering your family, school, or business at shakeout.org/Utah. DEREK MILLER Experts say that a massive earthquake is likely at some point in the future, and it could be among the deadliest disasters in our nation's history, so take preparation seriously. You can look up “Utah Shake Out” to find more information. I'm Derek Miller with the Salt Lake Chamber, Speaking on Business. Originally Aired: April 18, 2022

Host Aaron “Rad” Radl interviews guest Wade Matthews — Emergency coordinator (Utah) and World War II reenactor. If you haven’t already noticed, we have a ton of new SOFREP t-shirt designs and gear available in our store. As always, be sure to check out Crate Club for Spec Ops grade gear hand picked by military professionals. See you all again next week!

17.11.09 Fabiana Galante . Ciclo Puentes. Wade Matthews.

17.11.09 Fabiana Galante . Ciclo Puentes. Wade Matthews.

Join us for this week's episode of Utah Weekly forum as host Rebecca Cressman is joined by Wade Matthews, manager of Be Ready Utah. This episode focuses on an upcoming conference/expo that provides resources and information on how to prepare for emergencies and natural disasters. It's no secret that Utah is due for a natural disaster, and emergencies happen at unexpected times, so listen in and find out how to be prepared!

Formado como guitarrista en la School for Improvisational Music de Nueva York y el Musicians Institute de Los Angeles, California,donde recibe información orientada a la improvisación de la mano de músicos como Ralph Alessi, Steve Coleman, Marc Ducret, Gerald Cleaver y un largo etc.… Ha colaborado ocasionalmente con músicos de la talla de Tim Berne, Tomas Fujiwara, Tom Rainey, Orquesta sinfónica de Tenerife, Javier Pedreira, Wade Matthews, Juan Matos, Alfredo Costa Monteiro, Ingar Zach, Abdul moimême, Miguel A. García, Javier Piñango o Ernesto Rodrigues. Foto: Jesús Pérez Sosa www.manolo-rodriguez.com Si quieres escuchar más podcast de este estilo o saber más echa un ojo a mi web en el apartado de podcast y blog. www.tanausuluis.com

Sam, Deana, a shape shifter, and hostages are locked in a bank, surrounded by a SWAT team. It all begins when the sisters, on the trail of a shifter, run into a paranoiac who's seen T2 once too often.           “Nightshifter” Cast:          Samantha Winchester ......... Kasey Heimann          Deana Winchester ............... Amanda Gilbertson           Ronald Reznick ................... Josh Lang          Victor Henricksen ................ Darren Hawkins          Lt. Robards .......................... Sam Taylor          Henry ................................... Steven Morgan          Sampson ............................. Wade Matthews          Sheri .................................... Kendra Murray           Other voice talents include:          Bryan Burton          Irene Derbeneva          Stee Lawlor          Cornell Bunting

Wade Matthews is passionate about improv. He focuses on what he calls "free improvisation", which is dependent on having great listening skills as well as great playing chops. In this chat, Wade explores how he got to the point of being improv-focused, how he thinks about different types of performance (including his concept of 'sonic portraits', which I found fascinating) and even his definition of free improv. Wade is also a trained musician who is now somewhat post-instrumental, focusing as much on processes and electronics as he does on the woodwinds where he started. This has also had an impact on both the music that he makes and his view on musical work, and we are lucky to have him share his ideas and experiences here. I really enjoy talks where we can get in-depth on a subject and explore some of the edge areas, and I felt like this happened here. Wade is a deep thinker who is also an eloquent speaker, and the discussion buzzed by much faster than I realized. Nevertheless, we do learn a lot about Wade's ideas on music-making, and I hope to continue the discussion soon. Enjoy!