Podcasts about Sansom

A special interview with Dr. Ross Bender, who recently finished his translation of the Shoku Nihongi, including a capstone work on the court of the 8th century.  We cover his work, from his training with some of the greatest names in Japanese historical circles to his dissertation on the Hachiman cult and the Dokyo Incident, and then to his most recent work publishing translations of the various senmyo, the edicts, as well as the entirety of the Shoku Nihongi.  Throughout the discussion we touch on many different  topics, and for notes on everything, please check out our blogpost page:  https://sengokudaimyo.com/podcast/bender-interview   Rough Transcript: JOSHUA: Welcome to Sengoku Daimyō's Chronicles of Japan. My name is Joshua, and this is a special episode I'd like to share with you an interview I had with Doctor Ross Bender, translator of the shogunate. Now, some of you may know Doctor Bender from his work translating the Shoku Nihongi, the official history of the Japanese court compiled in 797 and covering from the end of the Nihon Shoki in 697 through the entirety of the Fujiwara capital and Nara periods ending at the 10th year of the reign of Kanmu Tennō in 791. Not only has he translated the historical chronicles, but he has a series of books on the senmyō, the edicts, as well as more about that period, including institutional life more generally. And we cannot forget the paper that started at all, the Hachiman cult and the Dōkyō incident. We'll have links to all of this and more over on the episode blog post page. Now, in this interview, we cover the Shoku Nihongi and Dr. Bender's academic journey. Throughout that journey, he has had the chance to converse and study with some of the big names in Japanese historical circles, such as Donald Keene, Alexander Vovin, G. Cameron "Cappy" Hurst, and more. It was absolutely a pleasure to be able to talk with him about his career, his work, and about the Shoku Nihongi and this period more generally, and I really hope you all enjoy it as much as I did. So without further ado, I give you Sengoku Daimyo's interview of Dr. Ross Bender.    Dr. Bender, thank you very much for joining me for this. Dr. Bender has done some absolutely wonderful work, in particular with translating the Shoku Nihongi, which is going to be very key to some of the stuff we're going to be looking at here in the coming years. I want to thank you, first of all, for all of your efforts and welcome you to Sengoku Daimyo's Podcast, here; our little Chronicles of Japan.    DR. ROSS BENDER: Thank you. Happy to be here.    J: So your translation of the Shoku Nihongi: how did you come about deciding to do that? What was it that pulled you into the translation?    R: Well, it's a long story, but it does go back to my time in graduate school at Columbia in the 70s. In 1974, I finished my Master's thesis, which was "The Hachiman Cult and the Dōkyō Incident". I started grad school in 1971, and after a lot of intensive language training, became interested in Hachiman because, as you know, the common definition was that Hachiman was the Shinto god of war. Of course, at the time, the Vietnam War was raging. And so I became interested in, you know, what was this theology of a war God. And so I became rather obsessed with Hachiman, and, two things: In 74, I was in a seminar with Donald Keene on the Noh theater, and I found a play--a Hachiman play--called "Yumi Yawata". And I translated that and became interested in the way that Hachiman was portrayed in this Noh play. And then at the same time, I became interested in the Dōkyō incident and the Hachiman Oracle. So that was really my first encounter with Shoku Nihongi.    Two things I suppose really struck me. The first was that although the text is in classical Chinese or literary Sinitic, the senmyō and a few of the- there are a few poems are in the old Japanese script inscribed in Shoku Nihongi.    J: And the "senmyō": They are specifically the edicts.    R: They are the imperial edicts that are recorded in old Japanese.   And Motoori Norinaga, in the 18th century did an intensive study and interpretation, really, of them. And he came up with a canonical number of 62. There are some quibbles with that number, but that's the number. And so at the same time, I was discovering that some of the pioneers in the field had done work on these. So, for example, George Sansom in the 1920s had started to translate the senmyō, and he had also done work on the ritsuryo. And then in the 30s, JB Snellen had begun translation of the Shoku Nihongi, and he completed the years 697 to 715. So the reigns of Monmu and Genmei and-    J: I remember actually going through that translation. I think at one point I found it and was so enamored of like, oh, we have some of this, but then it then it stops.   R: Then it stops. And so both Sansom and Snellen are published in the Transactions of the Asiatic Society of Japan. And as I say, these were real pioneers, you know, digging into this stuff. And it was amusing because Snellen prefaced his work by saying that Shoku Nihongi is "dry as dust". And he further said that translating it was like "intellectual coolie labor". But his translation, you know, is still very useful and extraordinarily well documented, footnoted. And of course, I was able to use that, although it needed updating.    J: You mentioned that you had language training before going into this.    R: Well, I started at Columbia in fall of 71 with no Japanese at all. I had visited Japan and as a teenager in 67, but no language training. So they gave me an intensive full year of language study. So you had first year, second year, and third year all in the first calendar year. And then in the second year of study you started Bungo and further modern Japanese. And I have to say that I was very fortunate to be at Columbia at a time when some of the giants and pioneers of the field were there. So Ivan Morris had the first class in classical Japanese, and we did bits of Hōjōki and Heike Monogatari. And he told us that when we eventually went to Japan, we might find ourselves at a cocktail party, and we could be sure to amaze the hosts. And so he had us memorize the opening lines of both of those.    J: That's fascinating. So, so all about the Gion bells, and-    R: Yes. "Gion shōja no kane no koe...", and "Yuku kawa no nagare wa..." So I actually- I think there was one time I was at a party with, oddly enough, bunch of pediatricians from Kobe Children's Hospital, and I tried them out and with Hōjōki, and they couldn't get it. They said, oh, is that Hyakunin Isshu?    J: [laughing] R: So I was kind of pleased about that. But then everybody knew the "Heike".    J: Right.    R: Yeah. So actually my first class in ancient Japanese history was with Morris. He tragically died in 1976, so he had the Bungo introduction in the fall. And then Donald Keene came back from Japan and did it in the spring. And so he introduced us to a Noh play and "Oku no Hosomichi" and Shinkokinshu, I think. So the language training was just excellent. And then in the third year, Doctor Hakeda did Shingon Buddhism and classical Chinese and so forth. So yes, there was a lot of front-loading and intensive language study, but it was very pleasurable.   J: As you're studying about Dōkyō and the Dōkyō Incident and Hachiman, that then allowed you to access these sources and the senmyō, and all of that, correct?   R: Right. That was my first introduction to them. Both the "Yumi Yawata" and the "Hachiman and the Dōkyō Incident" were published in the late 70s in Monumenta Nipponica, and then in 1980, I finished my dissertation, which was the political meaning of the Hachiman cult in ancient and early medieval Japan.    J: I came across that as I was going through Ōjin Tennō's period. R: Yes, it was sort of a simplistic construction, but what I did basically was to posit three stages of the Hachiman cult. The first at Usa, which was the oracular stage, the second at Iwashimizu, which was where the Ōjin Tennō connection developed, and also the Hachiman Daibosatsu connection. And then the third stage, you know, identified with Tsurugaoka in Kamakura, which was the Minamoto- Where the martial aspect--the god of war--really developed.    J: And that is fascinating because, you know, you go to Hachiman shrines today and that's probably where people's minds will first go. But it is such a fascinating religious exercise of like Shinto, but also kind of Buddhist and kind of continental.    R: Yes. And I don't know what the statistics are today, but at least I think 35 or 40% of Shinto shrines have some connection with Hachiman. So it's yeah, it's a fascinating study all by itself.   J: So as you were doing this, you come across the Shoku Nihongi. Can you talk a little bit about where the Shoku Nihongi falls in all of this?    R: Yes. Well, the notable thing about both Nihongi and Kojiki is that they begin with the Age of the Gods, so that the first sections, the Shinwa, are the mythologies. Nihongi probably becomes historically accurate sometime in the late, I don't know, it's late six hundreds, but for the seven hundreds it's probably pretty much historically accurate. And of course, you know that John Bentley just recently did the first English translation since I think 1898 was going to ask, so that was long overdue. And that's a very useful publication. J: It's interesting to see the differences in some of the things he updates and the different take he has on it in terms of how to do some of the translating.    R: Yes. And he is a historical linguist. And so he has a very valuable exegesis and commentary. And then, of course, Matthieu Felt just published the first volume of his translation. It was Oxford Press. That just came out a few months ago. That's also a useful document. He actually has the text of the Nihon Shoki along with the translation. And so that's very useful. And I'm not sure when he's going to be publishing the second half, but that's something to watch for.    So the first one started with The Age of the gods. Now, Shoku Nihongi is the second of the Rikkokushi, or 'Six National Histories', and it, unlike the first two, is judged to be a very accurate historical chronicle. And it, of course, was presented to the Court of Kanmu in two recensions, 794 and 797, and takes the story up to 791, which I think was the 10th year of Kanmu's reign. That's where it fits. And then, of course, you have the rest of the Rikkokushi. The next one is Nihon Kōki, which I'm just starting to get into now. Then Shoku Nihon Kōki, Nihon Montoku Tennō Jitsuroku, and then Nihon Sandai Jitsuroku. So they take the story up to 887, and they become increasingly detailed, and the language becomes more intricate as time goes on. But that's where Shoku Nihongi sits in terms of the six national histories, and they're all court chronicles, compiled by court scholars and ordered by the emperors. And of course, the point of view is that of the central court.    J: Right. You're not getting Kyūshū's take on things.    R: No. Although, you know, Kyūshū is a fascinating place. A lot happens there. So of course you have the Dazaifu, the Kyūshū government headquarters, which is an important outpost, almost a mini capital by itself. J: The first several dazai sōchi, I think, all become Daijin. Like Sadaijin, Udaijin. They kind of come back and do that if they don't pass away in the meantime.    R: Yeah, it's an important post. People take that position and come back. But also what's interesting is that the Hayato people of southern Kyūshū begin to appear in the chronicles, and in the early years, there are some major Hayato rebellions, and that's a story all by itself. Those rebellions are, for the most part, put down. And then there's some sort of accommodation because Hayato people show up at court almost as envoys from, you know, the barbarian realm, and then some of them become guards. So they are assimilated more or less early on. And then, of course, there's the whole question of the Hayato and the Emishi and where did they come from? There are some theories that when the Yayoi people came in they mixed with the Jōmon people and assimilated. But some theories that the Hayato in the far southwest and the Emishi in the northeast were remnants of the old Jōmon. So that's, you know, it's a possibility, but it's certainly interesting. And unlike the Hayato, the Emishi, as you know, were constant problem for the Nara court. And all through Shoku Nihongi, but particularly from about oh 780 on, there were more and more intense periods of warfare. And these are described in great detail in Shoku Nihongi. Karl Friday and Wayne Farris back in the 90s, both did books on. I think Farris was the "Heavenly Warriors: History of the Samurai". And then Karl Friday also did a book on the samurai, but they paid a lot of attention to these Emishi wars, so that's well documented in English. J: Getting back to the Shoku Nihongi, which includes all of this, really, what were some of the biggest challenges you found?    R: Well, part of the story is that after I finished my dissertation, I went off and did a variety of things, this and that, and finally wound up at University of Pennsylvania teaching in the English Language Programs, which was the program to teach English to foreign students. At that time the majority of the students when I started were from Japan. So I actually ran a program for the Monbushō, and they would send over Japanese high school teachers of English for a summer session, and we would give them language classes, but also pedagogical training, how to teach English. And so that was my connection with Japan during that period. And so I really was away from my original interest until the early 2000s. I took early retirement and I visited my old advisor, Paul Varley. He had, of course, taught at Columbia, but then he had retired and moved to University of Hawaii. I visited him, he introduced me to Wayne Farris, who was also there at the time, and they both encouraged me to get back, get back to work. So that was sort of the impetus. I have to give them credit for that. So I found myself in Kobe for several months in 2006, and that was when I decided I was interested in the senmyō. So my first thought, my first ambition was to translate the senmyō. As you know, in the late 80s and 90s, the immense five volume Iwanami collated and critical edition had come out, the one edited by Aoki Kazuo and his team. That was still a magnificent piece of work, you know, with I'm sure you've seen it with all of the head notes and footnotes, and on one page there's the kanbun and on on the facing page is the yomi-kudashi, and, you know, more than you could ever hope to know. But also at that time there were three modern Japanese translations, so that was very useful. It was a good time to be starting into this, so I went to a secondhand bookstore in Kobe and got myself the books, and that started, I guess, what's turned out to be a 20 year project.    J: 2006 to 2026.   R: Right.    J: And it looks like you're doing most of this through self-publishing. Is that correct?    R: Yes. I discovered early on that what's now called Kindle Direct--it used to be called Create Space--through Amazon was a very useful piece of software. In fact, I first published several volumes of poetry in 2012, and that was my introduction to using this platform. And I've been very pleased with it, because I don't have to wait years and years to try to find an academic publisher. And actually they pay royalties through Amazon, so... J: That's not bad.    R: Yeah, that's worked out well for me. So I never had a chance to have an academic position teaching Japanese studies. Although when I was at Penn, my friend Cappy Hurst--Cameron Hurst--was the chairman of the department and he had been a student also of Varley's at Columbia, although before my time. And he invited me to give some lectures in his class on Japanese history. So another thing was that my classical Chinese needed an upgrade. Fortunately, at Penn, Victor Mair was teaching a year long course in classical Chinese, and so I sat through that and he was extremely, extremely helpful. Then one other thing was that I also got to know Alexander Vovin, who at the time was at Hawaii, and he, of course, is *the*- was *the* authority on old Japanese. And, you know, his Man'yōshu translations and, and commentary are just really helpful. So he gave me some good advice. So I had good teachers all the way through. And, you know, I'm always very grateful for that.    J: You mentioned classical Chinese. I'm curious how much of it is a standard classical Chinese, or is it kind of their own thing in the archipelago? I'm curious what the language is like in the Shoku Nihongi.    R: Okay, so of course, at that time, the eighth century was sort of the apogee of the Tang dynasty, and at least from what Victor Mair told me. And he was very helpful in beginning this translation. And he would look at some of my stuff. And according to him, it was pretty much like the Tang dynasty Chinese. I think that's called Early- I forget- Early Middle Chinese. So at least for the eighth century, that seemed to be the case. And, you know, you have records in the Shoku Nihongi of teachers who come from the mainland and lecture and teach the correct pronunciation and how to read. And then, of course, with the Buddhist monks, they're using the Chinese translations of some of the Sanskrit, and they have their own techniques for reading. So, yeah, the eighth century is a really dynamic time because the Japanese, at least at the elite level, are and with the help of the Koreans and that should be emphasized after the fall of Paekche there were a large number of refugees and high ranking aristocrats who came to Japan and helped them to learn to read and write Chinese. And then, of course, the Japanese started sending students to China and, you know, staying there for ten, twenty years. So, yeah, it was a very dynamic time. And then, of course, they were learning how to use Chinese characters to express old Japanese. And that's another story in itself, using the characters as semantograms, but also as phonograms. That's one of the things I found really fascinating about old Japanese, about the senmyō. J: And how does that compare to- I think we usually just refer to "Man'yōgana" as any of that. Is it very similar to what's going on in the Man'yōshu, or is once again, is there something else going on with the senmyō?    R: The standard edition of the senmyō I think notes that there are about 250 some--if I've got the number right--of phonograms used in the senmyō. There is a huge number used in the Man'yōshu; much greater. In fact, I think Vovin once said that it's not really known that you can't count. Although Bentley has a very excellent book, I think it's called an ABC Dictionary of Phonograms, like that. He has really scoured the landscape. So- But you could say that the phonograms in the senmyō are Man'yōgana, but that the set of Man'yōgana is far, far greater. J: Only 250 phonograms to have to worry about, as opposed to going through the Man'yōshu and seeing every once in a while a character and going, which pronunciation or what are they trying to represent here?    R: Yeah, yeah. So I mean, Man'yō studies, you know, or a whole realm in themselves and some of the, the emperors--I'm thinking of Genmei especially, or is it Gensho? I think it's Gensho. She has three poems in the Shoku NIhongi and they may be included in Man'yōshu. So there's some crossover. I was going to say that, of course, once you start reading these phonograms, you begin to see where the kana systems developed from, from Man'yōgana.    J: Right. So I think I've read that in Old Japonic, we think that there were more or at least different sounds than maybe we have today. R: Yes.    J: And so you see it represented in different ways. You'll see the same--what we would think of as the same character--represented differently, because to them it was different.    R: Yes. So there's still, as far as I know, no absolute standard for representing old Japanese. You'll see different scholars have their own takes on it, and Vovin, in his Man'yōshu translations, has his own very intricate system. Another good place to look that's freely available. The Oxford, I think it's called the Oxford Ninjal Corpus of Old Japanese Texts, is an ongoing project. It's actually been ongoing for many years, but you can go there. They have laid out all of the Man'yōshu poems with their  romanization system. I suspect that, you know, that's very prestigious and will eventually become a standard. But that's where you find all these things. Like is it "Himiko" or "Pimiko"?    J: Do you say "Kapa", "Kaha", or "Kawa"?    R: Yes. There you go.   J: [Laughter]    R: Right. Yeah.    J: I'm constantly wondering that myself.    R: Yeah. So you'll see different scholars have different ways of approaching it. But my opinion is that the Oxford, which is a very long standing and slow running project, will probably produce the standard.   J: In doing this translation, were there any favorite moments or items of particular interest that you found? R: So yes, actually my first go at the senmyō were the edicts of the lady we call Koken/Shotoku. Actually, I think almost half of the senmyō were produced during her reign. And so that was where I started. I think the first article I got around to writing in 2009 was for the journal Oral Tradition, and it was called Performative Loci of the Shoku Nihoingi Edict 749 to 770. And also because of my interest in Dōkyō my interest in her went way back. So 2015 I did the edicts. I called it the Edicts of the Last Empress, and it was a translation of all of the edicts from her reign. That year and the next year I did the four volumes I called them, Nara Japan 749 to 757, 758 to 763. So that period was, yeah, my first period of interest. And of course it went back to the Hachiman cult and the Dōkyō incident. I mean, you know, the stories about this wild empress I saw I saw an article that's just come out. I think it's a compilation of Women in Japanese Buddhism. And the title of the article by Emily Simpson is "The Depraved Empress". So that was one of the things that, early on, I decided was not accurate. That's a whole rabbit hole by itself. But according to Shoku Nihongi, there's no evidence, you know, of any illicit goings on between the two. But in Nihon Ryoiki, which appears in the early Heian period, not much later, you find the first really scurrilous story that about Dōkyō and the Empress. And then, as if you look at, for example, Donald Keene's "Seeds in the Heart," he has a long excerpt from a medieval tale. I forget which one that, you know, really rings the changes. And what fascinated me was that in there was a Playboy fable- I forget they were called. Some sort of fabulous stories. This one was done anonymously, but it was a very scurrilous, licentious story about Dōkyō and the Empress, and done anonymously. But it was later found to have been Bill LaFleur--William LaFleur--who taught at Penn and passed away unfortunately, some years ago.    J: So then in the Shoku Nihongi, it's just straight up politics, right? Just about Dōkyō's rise. And then it's just the political conflict going on rather than anything else?   R: Right. And it's a very intense period of political- So of course, the story was that when she was at the Hora capital, which was up near Otsu, it was a brief capital, and she was there and she was ill, and Dōkyō apparently at that time attended her as a physician. And that was the beginning of their relationship. So this would have been 760 or so. But the only phrase is that Dōkyō received the favor of the Empress, but it doesn't have a sexual connotation. It's used in other political settings also.    J: Yeah, I have to wonder how much they weren't looking back at Wu in the Chinese, which of course she also gets excoriated for stuff that is questionable. How much worse was it than anything that any of the men did? But she was a woman doing it.   R: Yes. Well, that's what happens to female rulers. You know, you have Catherine the Great in Russia. So. Yes. So that was initially my what really excited me. It was that period. And then I finished the "Edicts" translation. This was 2012. Bryan Lowe, who's a good friend at Princeton, he was finishing his doctorate and he had a workshop on Shosoin documents, and he invited Dr. Sakaehara Towao to present at the workshop. And he had been Bryan's advisor in Japan. So I was able to meet him and then talk to him and said, you know, I think I'd like to translate Shoku Nihongi. And he basically said, go for it. But I met him later that fall in Nara. He was at the Todaiji Museum, and so he encouraged me. A lot of people gave encouragement along the way. Yeah. So 20 years later, actually, I finished the translation 2025. And then this year in the spring, I did what I- is sort of considered the capstone, the volume: "The Japanese Imperial Institution in the Eighth Century." That's available as an e-book and also paperback and hardcover. And so there I have about a 75 page overview of the eighth century and then the introductions, not the translations, but the introductions to each of the emperors throughout the period. I'm very happy with that. And that sort of puts a cap on it. I should mention that that was in memory of Herschel Webb, another one of my great teachers at Columbia. He had done a book way back in 68 called "The Japanese Imperial Institution in the Tokugawa Era". And so this is sort of an homage to his memory.   J: And we very much thank you for it.  I remember when that came out, and we definitely snapped it up as soon as we saw it.    R: Well, great.    J: [Laughter]   R: Yeah. And you know, it's all available on Amazon. So let me let me make my plug.    J: Absolutely. Absolutely. You mentioned something about the Nihon Kōki. Are you are you serious about taking this project on and moving forward, or is that just kind of something you're toying with? R: Well, no, I'm actually I've actually made a start. That's an immense document. And what I'm interested in is finishing the reign of Emperor Kanmu. He dies in 806. And so Nihon Kōki begins in 792, and I'm currently up to 799. But I'm not putting as much energy into it. I do maybe an hour a day if I feel like it, but it's slow going. But there's some really fascinating stuff. So Wake no Kiyomaro died in 799, and they've inserted this immensely long biography of his life at this point, although it was obviously produced later and it's set apart. But that has details of his miraculous trip to the Usa shrine. And, you know, it's not clear if somebody cut his tendons, but he was lame and so he was on his way to Kyūshū, and suddenly a pack of wild boars appeared and sort of escorted him down to the shrine. It is just a really wonderful story. Then he has a vision of Hachiman, which is not part of the Shoku Nihongi tale. Yeah, I'm trucking along. My ambition is at least to finish the reign of Emperor Kanmu, and then we'll see what time there is beyond that.    J: So do you have any recommendations for current students of Japanese history? Those coming up? R: Actually, there are some young scholars. I was at the Association for Asian Studies meeting in Columbus, Ohio, which was, I guess, yeah, 2025. And for some reason there were a good number of presentations on eighth and ninth century. So there's a scholar by the name of Nadia Kanagawa. She finished a dissertation at USC on immigrants in the eighth century. Then Abigail McBain finished up at Columbia, and her dissertation was on specifically Tang Buddhist monks and interchange with Japan. Yeah, so there are some young scholars who are digging in to this. You know, I was just looking the other day at Wikipedia, which is a good start for anyone. I would say, you know, take it with a grain of salt. But if you want to know the names of the, you know, the famous emperors and the rebels, you know, Tachibana no Naramaro, and Fujiwara no Nakamaro. And just, just the other day I found this amazing thing called 'Grokipedia', which apparently is a new. But it's one of those AI things. Yeah, but it had the best summary of the Shoku Nihongi that I've seen. So with the AI revolution, goodness knows what's going to happen. But yeah, I find that it's possible to dip in and a lot of things are available. For example, the Rikkokushi text is online, it's been online, and it was first published by Asahi Shimbun way back when. But I used that and then that the Oxford project that I mentioned is online -- more and more it's becoming possible to access, you know, original documents. J: Yeah, combination of making them available online, better online translations.    R: Machine translation is going great guns. Yeah-   J: Yeah. Although I have to admit, it can get you a sense of what the classical Chinese is kind of saying sometimes, but the translation for some of the old stuff just it still has some work to do. I think it's better if you can translate the at least the modern Japanese translation, rather than sometimes going back into this. It's still tricky.    R: Yeah, well, it's I admit I'm getting old, but this this stuff is getting kind of frightening. This machine translation...   J: It is, yeah.    R: I feel like I'd be out of the job if I had a job.    J: Well, I think there's still a lot of questions to be asked on that. I don't think we need to get into a whole thing on AI right now, but I think there's some great benefits, obviously. And then, you know, I definitely know there's some concerns too, because every once in a while it can just hallucinate an answer. And you might be going through things that seem absolutely wonderful and then find something that you're like, wait a minute, I never knew that. [laughter]     R: And then it turns out not to be true.    J: Yeah, I don't know if you heard there was one, and I mean, this was a year ago, which already seems, in AI terms, ages and ages, but apparently it hallucinated entire papers and authors.    R: Yes, that's there was I don't know if you follow the PMJS list.    J: Oh yeah.    R: But I think there was a discussion and an example of that. So it's-  J. But the world is going to be different. J: Things are changing. And I think we will figure out how to use the tools that are useful will hopefully win out. And there's always going to be certain things. For instance, I remember early days, Wikipedia and still, you know, looking at Wikipedia sometimes for certain things around more popular subjects got to be a little more wary, though I have found the Japanese Wikipedia has been great when you're just trying to look for something and go, let me at least get what a common sense of this is so that I know the other things to go research. R: Well, I was going to say, just to sort of sum up, yeah, we're in a very dynamic time, but the eighth century was very similar because the new technologies were pouring in from the continent and the peninsula, and people were learning these new methods of reading and writing and orality to literacy.    J: So any last thoughts? I do appreciate all your time. But any last thoughts as we finish up here?    R: Not really, but I noticed that yesterday you came up with a long spiel on the UNESCO World Heritage site, and that's exciting. The Asuka region you seem to have links to photographs that took me back to wandering around that area. The Ishibutai, I remember, was something. So party on and keep up the good work. J: Thank you very much and thank you again. Thank you for your time today, and thank you for all the work that you've put into this. You have made these sources so much more accessible for people in English, and I think that is going to be critical as we move forward. I know for me this is a huge help. I was looking at Shoku Nihongi going, okay, I know we've got like the first so many years so I can get through that and then I'm really going to have to up my game. Then I saw all the work that you'd been doing and it was like a big load felt lifted off of my back. Now I can, you know, take a look. But at least with the idea that someone more experience than I has already done some of the really hard labor. I really want to say thank you for all of that.    R: Yeah, you're very welcome.    J: And once again, I would like to say thank you to Doctor Bender and thank all of you for listening. If you think that this is something you would like to see more of, please let us know. We'll see what we can do. Perhaps we can make it the start of a new interview series. In the meantime, next episodes we get back to our regularly scheduled program. And as always, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more and want to help us keep this thing going, we do have information about how you can donate on Patreon, where we have early and add free episodes for you to listen to. You can also donate through our Ko-Fi or BuyMeACoffee Sites. Just look up SengokuDaimyo for all of that. You can also find the links over to our main website, SengokuDaimyo.com, where we will also have more discussion on topics from this episode. Finally, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.Sengoku.Daimyo@gmail.com. Thank you also to Ellen for their work editing the podcast. And that's all for now. Thank you again and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan

With another draw that probably should have been a win, Forward Madison remains unbeaten at home. Today on the show, we talk through the Carmichael trivela equalizer, the other Carmichael near-winner, the disruptive presence of Roman Torres, the road ahead and lots more. Plus, Mike Sansom comes straight from the friendly against Juarez to the studio for an update on the songs, the chants, the props and all the fun stuff happening in the Flock End.⁠Get tickets for Madison365 / 608 Soccer night here.⁠⁠⁠Support the show at this link.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to the FREE newsletter at this link.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the show @608Soccer on Blue Sky and InstagramFollow Rob @RobChappell365 on Blue Sky and Instagram

Show notes:This week I'm joined by Lee Clubb Sansom, CEO of Sarah Haywood's luxury wedding and party planning business, to talk about what goes on behind the glamour of the industry. Lee has had a fascinating career, starting in retail at just 15 before working in premium brands including Ted Baker, AllSaints, Selfridges and Harrods. He then moved into the luxury floral world with McQueens Flowers before joining Sarah Haywood four years ago. Lee's career journey has given him a brilliant perspective on what it takes to build and run a successful wedding business.We get into the reality of working in luxury weddings, and it isn't always quite as glamorous as Instagram makes it look! Lee shares why staying humble is so important, why your suppliers and event partners should be treated as clients too, and what separates the people who build long careers in the wedding industry from those who disappear after a few years.Time stamps:00:13 - Introduction to Becca Pountney03:13 - Transitioning Careers in the Wedding Industry15:40 - Transitioning to Employee Ownership20:40 - Understanding the Reality of Event Planning27:51 - Navigating Relationships in Event Planning37:55 - Navigating Follow-Up Emails in Professional Relationships52:32 - The Importance of Professionalism in Business

durée : 00:03:10 - Une nouvelle caserne pour les pompiers de Pré-en-Pail-Saint-Samson - Les sapeurs-pompiers de Pré-en-Pail-Saint-Samson, dans le Nord-Mayenne, ont changé de centre de secours ce lundi 18 mai 2026. Ils se sont installés dans un bâtiment neuf situé à quelques mètres de leur ancienne caserne. Pour l'occasion, ils ont fait sonner les sirènes de leurs véhicules. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

On Sunday 12 April, Chloe Foster - Horticulture educator and author, was joined by Emmaline Bowman - STEM Landscape Architecture & Design; Tim Sansom - Executive Director Living Collections and Environment, RBGV; and Pia Lefevre - MIFGS award-winning landscape designer & owner of Joyscapes.Text your gardening questions to 0488 809 855, or call 9419 0155 while we're on the air.Tune in 7:30 - 9:15am Sundays on 855 on the AM dial, 3CR Digital or stream at 3cr.org.au

Alicanto Minerals (ASX: AQI) has put its foot on the Mount Henry Gold Project in WA. It has nearly a million ounces in resources already. They only completed the acquisition a month ago, and drilling is already underway. The mineralisation sits within a 16-kilometre corridor, but it's only been drilled to about 150 metres, so it's wide open. Guest bio Jeff Sansom is Chief Executive Officer of Alicanto Minerals. He is a mining executive with more than 15 years' experience across the resources sector, spanning project development, capital allocation, strategy, ESG, and capital markets. Prior to joining Alicanto, he was Head of Investor Relations and External Affairs at Regis Resources, and has also held senior roles with Perenti Group, BHP, OceanaGold, and MOD Resources. Produced by Resource Media The Hole Truth: Mining Investment Podcast is a product of Read Corporate. Please note that Read Corporate does not provide investment advice and investors should seek personalised advice before making any investment decisions.   Resources LinkedIn: https://www.linkedin.com/showcase/the-hole-truth-podcast YouTube: https://youtube.com/playlist?list=PLI4sZkSfEpPi_u7OrD7lQ-tZHbdy6EhCC Website: https://resourcesrisingstars.com.au/the-hole-truth-podcast/ Instagram: https://www.instagram.com/theholetruthpodcast/ Company website: https://alicantominerals.com.au/   Key Insights 1. Mt Henry gives Alicanto an immediate gold growth platform. The Mount Henry Gold Project already hosts a 915,000-ounce Mineral Resource at 1.2g/t gold across Mt Henry, Selene and North Scotia, giving Alicanto a substantial resource base from day one. In the interview, Jeff Sansom positions the acquisition as a rare chance to secure a near-million-ounce gold project in Western Australia's Eastern Goldfields with existing permits and infrastructure access. 2. The core investment thesis is brownfields resource expansion. Alicanto's strategy is not built around a greenfields discovery, but around expanding a known mineralised system that has seen relatively shallow drilling. The 16km mineralised corridor remains open along strike and down dip, with historical drilling generally limited to shallow depths, creating a clear pathway for additional ounces through targeted follow-up drilling. 3. Selene and Mt Henry stand out as scalable open-pit style targets. Sansom highlights the thickness and continuity of mineralisation, particularly at Selene, where broad zones support the case for larger-scale open-pit growth. Alicanto's ASX materials also show both Mt Henry and Selene remain open at depth, with multiple strong historical intercepts suggesting the current resource may understate the broader system potential. 4. Fast mobilisation reduces execution lag and boosts news flow potential. Alicanto Minerals (ASX: AQI) moved quickly after the acquisition, with drilling commencing within weeks and a 50,000m multi-rig program designed to test extensions and new targets. In the transcript, Sansom notes the company plans to batch results into regular updates, which should help investors assess scale and continuity rather than isolated drill hits. 5. The valuation upside hinges on proving a multi-million-ounce outcome. One of the most important signals discussed is the contingent deal structure tied to future resource growth, including a milestone linked to defining a 2Moz resource. That frames the market opportunity clearly: Alicanto is seeking to convert a 915koz starting point into a materially larger Eastern Goldfields gold story, similar in shape to other recent brownfields re-rating successes in WA.

In this episode, Derrick and Jeff interviews drummer Mark Sansom of the cover band Souled Out, starting with stories about Mark's son Gunner Sansom, a Jerry Lee Lewis–style pianist and singer who taught himself keys and surprised Mark with deep-cut song choices. Mark discusses Souled Out's lineup, busy private-event schedule, and public gigs at places like Dan McGuinness, Lafayette's, and Knuckleheads, then dives into drumheads, sticks, playing hard, and learning to sing as a working drummer. He traces his path from a junk first kit and early bands to Memphis venues like Stage Stop, road work in the Midwest, and even opening for Starship, sharing influences from Ronnie Tutt to Eric Singer and views on interpretation vs. note-for-note playing, clicks, and tracks.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. He joined us to talk about the NCAA Tournament bracket reveal.Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEggerSee omnystudio.com/listener for privacy information.

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. He joined us to talk about the NCAA Tournament bracket reveal.Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEggerSee omnystudio.com/listener for privacy information.

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. We discussed Miami's situation following the Redhawks' loss to UMass, as well as the seeding possibilities Kentucky, Ohio State, and Louisville. We also discussed how bad the bubble is and what could've been for the Bearcats. Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEggerSee omnystudio.com/listener for privacy information.

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. We discussed Miami's situation following the Redhawks' loss to UMass, as well as the seeding possibilities Kentucky, Ohio State, and Louisville. We also discussed how bad the bubble is and what could've been for the Bearcats. Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEggerSee omnystudio.com/listener for privacy information.

Hunter "NKY Bracket Guy" Sansom joins the show to take a look at the landscape of the NCAA tournament as the calendar turns to March.

Hunter "NKY Bracket Guy" Sansom joins the show to take a look at the landscape of the NCAA tournament as the calendar turns to March. See omnystudio.com/listener for privacy information.

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. He joined us to talk about area teams heading into their final game of the regular season. Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEggerSee omnystudio.com/listener for privacy information.

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. He joined us to talk about area teams heading into their final game of the regular season. Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEggerSee omnystudio.com/listener for privacy information.

Hunter "NKY Bracket Guy" Sansom joins the show to take a look at the landscape of the NCAA tournament as the calendar turns to March. See omnystudio.com/listener for privacy information.

By Dennis Sansom

By Dennis Sansom

Hunter Sansom aka NKYBracketGuy joins the how to breakdown the landscape as the calendar gets ready to turn to February with looks at Cincinnati, Xavier, Kentucky and more! See omnystudio.com/listener for privacy information.

Hunter Sansom aka NKYBracketGuy joins the how to breakdown the landscape as the calendar gets ready to turn to February with looks at Cincinnati, Xavier, Kentucky and more! See omnystudio.com/listener for privacy information.

Hunter Sansom aka NKYBracketGuy joins the how to breakdown the landscape as the calendar gets ready to turn to February with looks at Cincinnati, Xavier, Kentucky and more!

Taken from Learning You FB:"Did you know that every dollar of our profit is being given away?Learning You was created to build awareness for those who may not yet see or understand the lives of autistic individuals, to foster connection for parents and caregivers who often feel alone, and to offer tangible moments where families of special needs can come together, feel welcomed, and experience the gift of “normal” time side-by-side."My guest today is Tyler Sansom, the filmmaker behind Learning You. We talk about how a deeply personal script became an authentic portrayal of autism on screen, why avoiding Hollywood stereotypes mattered, and the meaning behind the film's powerful “sandcastle moment.” Tyler also shares what it truly looks like to care for someone who is profoundly autistic, along with reflections on faith, empathy, and the mission-driven decision to donate 100% of the film's profits to support families through the ACT initiative—reminding us why learning one another matters more than making assumptions.Learning You Movie https://www.learningyoumovie.comLocations & Times https://www.learningyoumovie.com/theatershowingsmap.aspx?subheadertext=Locations+and+TimesFacebook: https://www.facebook.com/learningyoumovieTyler Sansom FB: https://www.facebook.com/tyler.sansom.98First Capital Films: https://www.facebook.com/fcfilms00:00 Tyler Sansom & “Learning You” origin story (how it landed at the film company)01:35 Making autism authentic (avoiding “Hollywood savant” stereotypes; lived reality + caregivers)03:14 The “Sandcastle Moment” scene (storm, meltdown, and the parent realization)04:50 Film company background: pastor/filmmaker, 5 feature films, building momentum since 201605:53 100% profits donated + why (mission model; I CAN → orphans; Learning You → autism support)06:38 ACT initiative explained (Awareness–Connection–Touch; counseling/resources/respite; 15-city rollout)10:00 Casting & working with autistic actors (Caleb vs. Seth; accommodations; overstimulation + breaks)13:17 How to find ACT/Thrive + Feb 3 launch (website/FB group; resources for caregivers)14:26 Faith in film: subtle “wrestle,” not preachy (sparking conversation, not a sermon)16:00 Institutionalization & the hard realities of profound autism (care forever; society's blind spot)17:13 Where to watch: theaters → streaming timeline (window ends ~Feb 20; streaming late March)17:58 Biggest takeaway: “learn one another” (empathy over assumptions; why the title matters)19:33 Division, black-and-white thinking, and living in the “gray” (judgment vs understanding)21:36 Personal close: Pakistan trip + freeing families from slavery (what he's looking forward to)X: https://x.com/rps47586YT: https://www.youtube.com/channel/UCGxEzLKXkjppo3nqmpXpzuAemail: info.fromthespectrum@gmail.com

Hunter Sansom aka NKYBracketGuy joins the how to breakdown the landscape as the calendar gets ready to turn to February with looks at Cincinnati, Xavier, Kentucky and more! See omnystudio.com/listener for privacy information.

Guest: Tyler SansomMovie: Learning YouPosition: Director/ProducerWebsite: learningyoumovie.com

INTERVIEW: Mia Sansom & Riley Allardice from Mellowing on debut album 'some things can't be unsaid' by Zac Hoffman on Radio One 91FM Dunedin

Program Director Adam Borneman speaks with the Rev. Dr. Joe Scrivner (Stillman College, Brown Memorial Presbyterian Church), Lauren Floyd (Khora Counseling), and Dr. Stephen Sansom about authenticity and belonging, the digital challenge to proximity, and the critical importance of showing up.

As an autistic advocate and OT mom, few films hit as close to home as Learning You, a new autism‑centered movie opening in theaters nationwide on January 16, 2026. This special episode of Adulting With Autism features actor John Wells and director Tyler Sansom, sharing the heart behind a story that follows a father's journey to truly see his autistic son—and himself—through the lens of faith, family, and hard‑earned understanding. Inspired by real experiences of parents raising children with special needs, Learning You highlights family strength, resilience, and the hope that grows when someone finally feels seen. The film is brought to life by a cast and crew that intentionally includes parents and individuals from the autism community, adding rare authenticity to the screen. You'll hear about performances from John Wells (also a real‑life dad to an autistic son), WWE legend Al Snow (grandfather to autistic grandchildren), Caleb Milby, Stacy Haiduk (Days of Our Lives), Daniel Roebuck (Matlock), Cameron Arnett (The Forge), and Read Choi, among others. Directed and produced by Tyler Sansom, with a screenplay by J. Wayne Davidson, Justen Overlander (The Chosen), Sansom, and Brad J. Silverman (Grace Unplugged), this film is more than entertainment—it's a mission project. One hundred percent of proceeds go to ACT (Awareness, Connection, Touch), a nonprofit supporting parents of children with autism and other special needs, making every ticket a form of practical support as well as representation. In this episode, we talk about: How Learning You was born from real stories of special needs families John's experience as both an actor and a father to an autistic son Tyler's vision of film as a ministry of encouragement for caregivers and parents Why authentic casting and crew representation matter in autism storytelling How proceeds support ACT's work with families in the autism and special needs community If you care about autism acceptance, faith‑informed storytelling, and inclusive media, this episode will give you a behind‑the‑scenes look at a film created with our community at the center. If this episode resonates, follow/subscribe to Adulting With Autism on Podbean, Apple, or Spotify and leave a 5‑star review so more families, caregivers, and autistic adults can find it. Support the mission & the podcast: Get 20% off journals, tees, and “Resilient Advocate” merch with code PODCAST26 at the Adulting With Autism Fourthwall shop (Linktree). Your support helps keep these conversations free and amplifies stories like Learning You.

Program Director Adam Borneman speaks with Lauren Floyd (Khora Counseling), Dr. Stephen Sansom, and the Rev. Dr. Joe Scrivner (Stillman College, Brown Memorial Presbyterian Church) about hope and despair, the pain of religious trauma, and what it looks like to embody love.

Can We Agree on What Skilled Mindfulness-Based Teaching Looks Like? Lessons from Studying the MBI:TACIn this episode, Dr. Jud Brewer and Dr. Rebecca Crane explore the Mindfulness-Based Interventions: Teaching Assessment Criteria (MBI:TAC), a widely used tool for assessing the competence of mindfulness-based program (MBP) teachers. As mindfulness-based interventions (MBIs) gain popularity in clinical and workplace settings, ensuring teaching integrity and program fidelity becomes increasingly important. This study tested a training model to help mindfulness teachers reliably assess MBP teaching quality. The findings show that international MBP teachers can align their understanding of teaching competence, paving the way for standardized mindfulness education. Tune in to learn how mindfulness training is evolving to maintain high standards in research and practice.Full Reference:Crane, R. S., Hecht, F. M., Brewer, J. A., Griffith, G. M., Hartogensis, W., Koerbel, L., Moran, P., Sansom, S., Yiangou, A., & Kuyken, W. (2020). Can we agree on what skilled mindfulness-based teaching looks like? Lessons from studying the MBI:TAC. Global Advances in Health and Medicine, 0(1), 1–11. https://doi.org/10.1177/2164956120964733Let's connect on Instagram

Episode 186 - Testimony Series: Divine Appointment on Set - with Tyler Sansom This episode is a part of our December testimony Series. Tyler Sansom shares an incredible testimony from the filming of 'Learning You' in Myrtle Beach. During the shoot, a woman named Marcy walked onto the set, who turned out to have a personal connection to the film's theme of autism. Marcy's spontaneous prayer for lead actor John Wells resonated deeply, aligning with a real-time struggle John's son was facing. This story highlights the powerful and timely work of the Holy Spirit - when you least expect it.Bio:Tyler Sansom is a dynamic pastor, filmmaker, and speaker passionate about connecting faith and culture in meaningful ways. He serves as the lead pastor of First Capital Christian Church in Corydon, Indiana, where he combines his creative talents and spiritual insights to inspire others. Tyler has directed and produced impactful faith-based films, including I Can and the acclaimed A Father's Fight. His innovative approach to ministry bridges the gap between traditional church settings and modern storytelling, helping people experience the transformative power of faith.https://www.learningyoumovie.com/https://www.facebook.com/learningyoumoviehttps://www.firstcapfilms.com/https://www.purposefest.net/FAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsVIP Producers Mentorship Program https://www.faffassociation.com/vip-producers-mentorship Jaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VThe Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association Support Faith & Family Filmmakers Our mission is to help filmmakers who share a Christian Worldview stay in touch, informed, and inspired. If you would like to assist with the costs of producing this podcast, you can help by leaving a tip.Get Email Notifications Enter the Faith & Family Screenwriting Awards festival Faith and Family Screenwriting Academy: https://www.faffassociation.com/Script Notes and Coaching: https://www.faffassociation.com/script-servicesProduced by Geoffrey Whitt for the Faith and Family Filmmakers AssociationCopyright 2024 Ivan Ann Productions...

Reverend Vernon Sansom is the Director of Operations at Oak Ridge Memorial Park (ORMP) in Oak Ridge, Tennessee. He joined the team in 2020 as a Family Service Counselor after retiring from 40 years of service in Pastoral Ministry. Vernon was promoted to Director of Operations at ORMP in 2022. Vernon holds a Bachelor of Arts in Religion from Bethel University and a Master of Divinity from Memphis Theological Seminary. Before his career at Oak Ridge Memorial Park, Vernon entered full-time ministry in 1980 and was ordained in 1987. He has previously pastored First Cumberland Presbyterian Church of Oak Ridge, Tennessee, as well as churches in Ovilla, Texas, Ft. Worth, Texas, Bolivar Tennessee and served on staff in Longview, Texas. Reverend Sansom served as the Stated Clerk of Red River Presbytery for 10 years and the Engrossing Clerk of The General Assembly of the Cumberland Presbyterian Church for 9 years. Vernon serves as a Chaplain for the Oak Ridge Police Department and earned Basic Certification through the International Conference of Police Chaplains (ICPC). He also serves as the Chaplain for TN II Chapter of the Blue Knights, International. Vernon's wife, Tina, is a retired Registered Nurse. They have three grown children and nine grandchildren.Music is provided by Pierce Murphy, Caldera Blue. Source:  https://www.freemusicarchive.org/music/Pierce_Murphy/through-the-olive-branches/caldera-blueComments: http://freemusicarchive.org/Additional comments:  modifications made to shorten and loop song for introduction and closing of podcast.Copyright Attribution and License: http://creativecommons.org/licenses/by/4.0/

In this episode of High Notes, Melissa chats with Dr Rockford “Rocky” Sansom, a renowned voice coach and author, about the power and presence of the human voice. Together, they unpack how to manage nerves, why simplicity can transform communication, and how to make your voice truly resonate.Rocky shares practical, down-to-earth strategies for building vocal confidence, connecting with your audience, and thriving in high-pressure situations. The conversation also touches on being authentically yourself, understanding what matters to your listeners, and using effective vocal tools to enhance impact.They round out the discussion exploring cultural differences in communication, the evolution of voice science, and how emotion shapes the way we sound and connect.Links:https://www.rockfordsansom.com/https://www.brava.uk.com/post/internationally-acclaimed-voice-coach-dr-rockford-sansom-joins-bravaWhy Should Anyone Be Led by You?: What It Takes To Be An Authentic Leader - https://www.amazon.co.uk/Why-Should-Anyone-Led-You/dp/1578519713https://historyofenglishpodcast.com/Ready to elevate your voice, confidence, and communication at work?Contact us at BRAVA Business and start making every conversation count:brava.uk.com/businessStay connected with BRAVASubscribe to our newsletter for the latest news, training opportunities and insights connecting business, acting, and voice:brava.uk.com/subscribe00:00 Introduction to High Notes Podcast00:33 Meet Dr Rockford Sansom: Voice Coach Extraordinaire01:29 The Essence of Presence and Overcoming Nerves03:29 Finding Your True Voice06:48 Impact and Influence in Business Communication07:12 The Power of Breath and Storytelling09:59 Comfort in Being Seen: Lessons from Leaders14:52 Voice Actors in Professional Settings17:10 Dispelling Myths About Public Speaking23:55 Voice Pedagogy: Teaching and Techniques27:27 The Wine Cork Technique28:39 Voice Science in Coaching31:06 Voice Analysis and Training34:24 Changing Voices and Science37:36 Voice in the Boardroom43:02 Cultural Differences in Voice46:55 Joining BRAVA as a Master Coach48:25 Improving Vocal Presence50:16 A Transformative Coaching Story53:36 The Dynamic Nature of Voice Work Hosted on Acast. See acast.com/privacy for more information.

Weddings are weird — and that's what makes them beautiful. Melbourne photographer Oli Sansom joins us to talk about paying attention, resisting content culture, surviving chaos, and why the images that matter most often feel quiet, awkward, or unimportant at the time. We get into the absurd, the intimate, the theatrical — and what it means to shoot like a flâneur.Follow Oli: 

Most managers think they're giving feedback constantly, while employees say they don't get enough – if any. In this episode, researcher and positive interventionist Lisa Sansom reveals why most feedback fails and shares practical strategies for making it effective. You'll discover why trust matters more than technique, how to avoid the biggest feedback mistakes (like addressing individual issues in team meetings), and why "good job" isn't enough for high performers. Lisa also explains when to give positive versus constructive feedback and how new leaders can start building a feedback culture. Whether you're avoiding these conversations or wondering why your team doesn't seem to hear you, this episode transforms feedback from a dreaded task into a powerful growth tool. Follow The Made Leader for more leadership insights and strategies. Connect with Lisa: LinkedIn: https://www.linkedin.com/in/lisasansom/ Website: https://www.lvsconsulting.com/ Connect with Jen: LinkedIn: https://www.linkedin.com/in/jenparnold/ Website: https://growthsignals.co/ For links mentioned, visit https://growthsignals.co/  

What happens when you feel disconnected from your sexuality in midlife? When hot flashes, body changes, and societal myths about aging make you question your sensual self? In this raw and transformative episode, multi-published erotic author Anna Sansom shatters the outdated narratives that keep midlife women feeling invisible and sexually irrelevant. Drawing from her experiences as a queer woman, sexual surrogate, and creative provocateur, Anna offers a revolutionary roadmap for reclaiming pleasure, exploring desire, and writing your own intimate story—no matter your age. Reclaim your sensuality and step into a powerful new chapter. The Midlife Pleasure Collective is a monthly membership designed to help midlife women reconnect with their bodies, embrace their desires, and cultivate deeper pleasure.Anna Sansom writes about imperfect intimacy and expansive erotica. Her short stories have been published in anthologies and online (including Best Women's Erotica of the Year, Volume 10; and TheoReads.com). Anna trained and worked as a sexual surrogate partner in a sex therapy clinic, and wrote the Sex/Life pages for DIVA Magazine (the leading magazine for LGBTQIA+ women and non-binary people) for two years. Her more-than-a-memoir, Desire Lines, shares personal stories as well as erotica and invites you to ask the questions – and explore the answers – which can lead to greater understanding and enjoyment of your unique sexual self. Her latest book, Sex Meets Life, is a collection of personal essays and stories from 17 diverse and international authors writing about what happens to our sex lives when ‘life' inevitably happens. https://sexmeetslife.com/ Anna has a PhD in occupational therapy and a serious tea addiction. She loves swimming in the sea and talking to her cats.Highlights from our discussion include:Embracing curiosity about your sexuality, especially during midlife transitionsUsing writing as a tool for sexual self-discovery and explorationRedefining intimacy beyond physical acts to include presence and connectionRecognizing creativity and sexuality as interconnected energy sourcesChallenging societal narratives about aging and desire by owning your unique sexual journeyWhether you've ever felt disconnected from your desire, uncertain about your sexual identity, or simply curious about the rich inner world of pleasure, this conversation will inspire you to get curious, be courageous, and reconnect with the most authentic version of yourself. If you're seeking to reclaim your pleasure and vitality, join Gabriella at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pleasureinthepause.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for this enlightening journey into the heart of female pleasure and empowerment.CONNECT WITH ANNA SANSOM:Substack: https://annasansom.substack.com/Website: https://annasansom.com/Instagram: https://www.instagram.com/anna_sansom_writer/CONNECT WITH GABRIELLA ESPINOSA:InstagramLinkedInWork with Gabriella! Full episodes on YouTube.

Are you interested in life coaching?  Have you been worried about finding your purpose?  In this episode we dive into finding our purpose. Understanding what it is, how we find it, and how we stay on track with our purpose in a very distracting world. This is sure to be a great episode. In this episode I talk with Misty Sansom, writer and life coach. She joins us to discuss how we can find our purpose and live it every single day. We discuss her journey to life coaching, as well as how to lean into our intuition and build up that skill for ourselves. We learn more about getting over fears, and how to find the root cause of many things that are holding us back. We push past playing it safe, and we move into finding the bigger thing we're meant to do.   Questions I asked: Do you have a lockdown in New Zealand still? How did you get into life coaching? How do we tap into our purpose? How can people get over their fears? How can we lean into our intuition? How can we keep following our intuition and our purpose? Why should we just go for it, instead of regret it? What are the three reasons people don't reach their goals? What do you want to leave listeners with today?   Topics Discussed: Finding your purpose. Life coaching. Impacting people to change their lives Believing in yourself. Moving past fear. Understanding your personality type. The journey of life. Build your intuition skill. Quotes from the show: “I looked back and thought, what would've helped me?” @MistySansom @SisterhoodSweat “During your life, your shine gets dulled.” @MistySansom @SisterhoodSweat “Start with understanding who you are from a personality perspective.” @MistySansom @SisterhoodSweat “We all have traits that we repress, but it is part of who you are.” @MistySansom @SisterhoodSweat “Feel the fear, understand the root cause, work through it, and build confidence.” @MistySansom @SisterhoodSweat “You can't just ignore your fear. You need to address it.” @MistySansom @SisterhoodSweat   How you can stay in touch with Misty: Website Facebook Instagram Pinterest Blog Posts   How you can stay in touch with Linda: Website Facebook Twitter Instagram Pinterest YouTube SoundCloud   "Proud Sponsors of the Sisterhood of S.W.E.A.T" Essential Formulas  

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. He joined us to share his post-Selection Sunday thoughts on ESPN1530. Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEgger

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. He joined us to share his post-Selection Sunday thoughts on ESPN1530. Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEgger

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. Moments after Xavier's two-point loss to Marquette in the Big East Tournament, he joined us to discuss the Musketeers' NCAA Tournament chances, as well as the hopes of other area schools.Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEgger

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. Moments after Xavier's two-point loss to Marquette in the Big East Tournament, he joined us to discuss the Musketeers' NCAA Tournament chances, as well as the hopes of other area schools.Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEgger

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. He joined us to talk about area teams heading into the final weekend of the college basketball season. Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEgger

Hunter Sansom is "NKY Bracket Guy" (@BracketNKY), and he's our official bracketologist. He joined us to talk about area teams heading into the final weekend of the college basketball season. Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEgger

Giordano Bruno was burned at the stake 425 years ago this month. His crime? Radical thinking which clashed with the ideas of the Roman Catholic church. But his extraordinarily colourful life, ideas and tragic fate continue to resonate in our modern understanding of the universe and the ongoing tension between scientific inquiry and religious authority.Professor Suzannah Lipscomb is joined by best-selling author S.J. Parris - pen-name for journalist Stephanie Merritt - who has written a series of novels with Bruno as the main protagonist. Together they delve into the life of a revolutionary and engaging character who took on the church in the 16th century and paid the ultimate price.Presented by Professor Suzannah Lipscomb. The researcher is Alice Smith, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.Theme music from All3Media. Other music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Related episodes:Shardlake and its Creator C.J. Sansom: https://podfollow.com/not-just-the-tudors/episode/9da9830fbb5f8145748d9dbfe2f5baf03637989c/viewElizabeth I's Spymaster Walsingham: https://podfollow.com/not-just-the-tudors/episode/ffbad5666898e744e85314aa57727d74048cc467/viewSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

Send us a textListen to a voicemail Brendan received with some devastating news about his family just after Christmas.  Brendan was completely unaware.  Brad and Brendan discuss their family New Year's Day lunch when a stranger does something super weird.  Later, Brad discusses his recent trip to Biloxi where, once again, a stranger does something ridiculous.Listen, enjoy, and spread the word.  Thanks for listening to Idiot Sticks.

The official Bracketologist of the Mo Egger show is Back! Hunter Sansom is "NKY Bracket Guy" (@BracketNKY).Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEgger

The official Bracketologist of the Mo Egger show is Back! Hunter Sansom is "NKY Bracket Guy" (@BracketNKY).Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEgger

The official Bracketologists of the Mo Egger show, The NKY Bracket Guy joins the show

The official Bracketologists of the Mo Egger show, The NKY Bracket Guy joins the show

Fans of historical fiction and crime novels have been saddened to learn of the recent death of the award-winning, best-selling author C.J. Sansom, just days before the release of Shardlake - the TV series based on his Tudor barrister detective novels.In this episode of Not Just the Tudors, Professor Suzannah Lipscomb pays tribute to a fine author, and a fine fictional creation with the writer and journalist Antonia Senior. This episode was edited by Ella Blaxill produced by Rob Weinberg.Enjoy unlimited access to award-winning original documentaries that are released weekly and AD-FREE podcasts. Get a subscription for £1 per month for 3 months with code TUDORS - sign up here: https://www.historyhit.com/subscription/You can take part in our listener survey here

#BlackLivesMatter. #OscarsSoWhite. #ICantBreathe. Filmmaker Prentice Penny's docuseries about Black Twitter celebrates the voices and movements that impacted politics and culture. Penny was also the showrunner of the HBO series Insecure. Also, John Powers reviews the four-part series Shardlake, based on C.J. Sansom's first novel in a series about a crime-solving lawyer in 16th-century England.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy