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La primera se refiere a una escuela de especulación intelectual surgida en el último cuarto del siglo XX en el Reino Unido, y propone obras disonantes y atonales, densas y abstractas. La segunda recupera, a partir de la llegada del minimalismo, elementos tonales olvidados._____Has escuchadoDistentio (1992) / Walter Zimmermann. Ensemble Recherche. Mode (2002)Et lux (2009) / Wolfgang Rihm. Huelgas Ensemble, Paul Van Nevel, director; Minguet Quartett, cuarteto de cuerda. ECM (2015)Funérailles I (1969-1977) / Brian Ferneyhough. Arditti Quartet; Ensemble Recherche; Virginie Tarrête, arpa. Stradivarius (2005)Time and Motion Study I (1971-77) / Brian Ferneyhough. Carl Rosman, clarinete bajo. Etcétera (1998)_____Selección bibliográficaÁLVAREZ FERNÁNDEZ, Miguel, “Disonancia y emancipación: comodidad en/de algunas estéticas musicales del siglo XX”. Espacio Sonoro, n.º 4: [PDF]BALIK, Jessica, “Romantic Subjectivity and West German Politics in Wolfgang Rihm's Jakob Lenz”. Perspectives of New Music, vol. 47, n.º 2 (2009), pp. 228-248*BONS, Joël, “Entretien avec Brian Ferneyhough”. En: Musique en création. Contrechamps Editions, 1997*COURTOT, Francis, Brian Ferneyhough: figures et dialogues. L'Harmattan, 2009*DELIÈGE, Célestin, Cinquante ans de modernité musicale: de Darmstadt à l'IRCAM. Contribution historiographique à une musicologie critique. Mardaga, 2003*DUNCAN, Stuart Paul, “Re-Complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the ‘New Complexity'”. Perspectives of New Music, vol. 48, n.º 1 (2010), pp. 136-172*FERNÁNDEZ, Isaac D. G., “Los retornos en la música contemporánea”. Sinfonía Virtual: Revista de Música Clásica y Reflexión Musical, n.º 8 (2008), consultada el 21 de junio de 2023: [Web]FERNEYHOUGH, Bryan, “Form-Figure-Style: An Intermediate Assessment”. Perspectives of New Music, vol. 31, n.º 1 (1993), pp. 32-40*FISK, Josiah, “The New Simplicity: The Music of Górecki, Tavener and Pärt”. The Hudson Review, vol. 47, n.º 3 (1994), pp. 394-412*FOX, Christopher, “Walter Zimmermann's Vom Nutzen Des Lassens”. Tempo, n.º 154 (1985), pp. 49-50*HARVEY, Jonathan, “Brian Ferneyhough”. The Musical Times, vol. 120, n.º 1639 (1979), pp. 723-728*HERNÁNDEZ CRISTANCHO, Diego A., Una composición elaborada a partir del concepto de sintaxis musical de la nueva complejidad. Tesis de grado, Universidad Distrital Francisco José de Caldas, 2015, consultada el 21 de junio de 2023: [Web]HOWARD, Luke B., “Motherhood, ‘Billboard,' and the Holocaust: Perceptions and Receptions of Górecki's Symphony No. 3”. The Musical Quarterly, vol. 82, n.º 1 (1998), pp. 131-159*THEOCHAROUS, Georgios, “Not Too Violent: The Fall of Notation in Michael Finnissy's Autumnall for Solo Piano”. Perspectives of New Music, vol. 52, n.º 1 (2014), pp. 4-27*TOOP, Richard, “On Complexity”. Perspectives of New Music, vol. 31, n.º 1 (1993), pp. 42-57*TRUAX, Barry, “The Inner and Outer Complexity of Music”. Perspectives of New Music, vol. 32, n.º 1 (1994), pp. 176-193*ULMAN, Erik, “Some Thoughts on the New Complexity”. Perspectives of New Music, vol. 32, n.º 1 (1994), pp. 202-206*WARNABY, John, “Wolfgang Rihm's Recent Music”. Tempo, n.º 213 (2000), pp. 12-19*WILLIAMS, Alastair, “Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's ‘Fremde Szenen' I-III and Related Scores”. Music & Letters, vol. 87, n.º 3 (2006), pp. 379-397* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
durée : 00:05:30 - C'est une chanson - par : Frédéric Pommier - Au côté de José Garcia, elle est à l'affiche du film "Le Panache" de Jennifer Devoldère. Au micro de Frédéric Pommier, Aure Atika évoque le tube "Toop Toop" du duo électro Cassius, un titre dont elle a appris qu'il avait été inspiré par sa rupture avec Philippe Zdar, l'un des deux membres du groupe.
On a new TAGS LIVE aka Talk About Gay Sex the live edition, Host Steve V and Co-host Kodi Maurice Doggette are back with all new hot LGBTQ topics, sex and relationship advice and more in front of a virtual audience:Toop 2024 adult content searches on election week...Gay adult film stars clapping back at Trump win...Adult Performer Arad Winwin shows his Trump support but does it backfire?People's Sexiest Man Alive...do we agree?Jonathan Bailey's workout secrets plus his infamous foot scene is back...Sti's are decreasing according to new study...why?Mpox could be back and what you need to know in a new administration...Barry Keoghan talks his infamous nude dance scene...we talk being naked!Advice: How to ask BF to prioritize me...Thirst TrapNew Perk: Staying Young - Tips and Tricks Patreon.com/tagspodcastSupport TAGS and get extra special perks! Patreon.com/tagspodcastSteve V's Link Tree: https://linktr.ee/tagspodcastFollow Steve V. on IG: @iam_stevevhttps://linktr.ee/kodimauricehttps://linktr.ee/kodimauriceFollow Kodi's Life Coaching on IG: @kmdcoachingFollow Kodi Maurice Doggette on IG: @mistahmauriceWanna drop a weekly or one time tip to TAGSPODCAST - Show your love for the show and support TAGS! Visit our website: tagspodcast.comNeeds some advice for a sex or relationship conundrum? Ask TAGS! DM US ON IG or https://www.talkaboutgaysex.com/contactFollow Of a Certain Age on IG: @ofacertainagepod
Bajo el contexto inicial de las artes plásticas se produce de modo natural la traslación, o mejor la ampliación, al arte de la música. Como en otras artes, también en la creación musical se impone esa idea del ‘menos es más'. Aquí, más que de un estilo hablamos de una filosofía._____Has escuchadoThe Descending Moonshine Dervishes (1975) / Terry Riley. Kuckuck (1992)The Electric Harpsichord (1976) / Catherine Christer Hennix. Die Schachtel (2010)Music for 18 Musicians. Section IIIA (1976) / Steve Reich. Ensemble Links; Rémi Durupt, director. Kairos (2020)Strumming for harpsichord (1977) / Charlemagne Palestine. San Francisco Conservatory of Music. Sub Rosa (2010) Trio for strings (1958-2015) / La Monte Young. The Theatre of Eternal Music (Charles Curtis, violonchelo; Reynard Rott, violonchelo; Erik Carlson, violín y viola; Christopher Otto, violín y viola). Dia Art Foundation (2021)_____Selección bibliográficaBERNARD, Jonathan W., “Minimalism, Postminimalism, and the Resurgence of Tonality in Recent American Music”. American Music, vol. 21, n.º 1 (2003), pp. 112-133*BOON, Marcus, “Catherine Christer Hennix, the Practice of Music and Modal Ontology”. En: Practical Aesthetics. Editado por Bernd Herzogenrath. Bloomsbury, 2021BOUTWELL, Brett, “Terry Jennings, the Lost Minimalist”. American Music, vol. 32, n.º 1 (2014), pp. 82-107*CARL, Robert, Terry Riley's In C. Oxford University Press, 2009COLE, Ross, “‘Sound Effects (O.K., Music)': Steve Reich and the Visual Arts in New York City, 1966-1968”. Twentieth-Century Music, vol. 11, n.º 2 (2014), pp. 217-244*CURESES, Marta, “Literatura y ciencia en la composición minimalista: hacia una teoría del azar controlado”. Actio nova: revista de teoría de la literatura y literatura comparada, n.º 3 (2019), pp. 424-455*EATON, Rebecca M. Doran, “Marking Minimalism: Minimal Music as a Sign of Machines and Mathematics in Multimedia”. Music and the Moving Image, vol. 7, n.º 1 (2014), pp. 3-23*ÉTIENNE, Yvan (ed.), Phill Niblock: Working Title. Les Presses du Réel Edition, 2012FINK, Robert, “(Post-)minimalism 1979-2000: The Search for a New Mainstream”. En: The Cambridge Companion to Twentieth-Century Music. Editado por Mervyn Cooke. Cambridge University Press, 2008*GANN, Kyle, “Reconstructing November”. American Music, vol. 28, n.º 4 (2010), pp. 481-491*GANN, Kyle y Keith Potter (eds.), The Ashgate Research Companion to Minimalist and Postminimalist Music. Routledge, 2013IGES, José, “Grupos minimalistas españoles: música contemporánea”. Ritmo, vol. 53, n.º 532 (1983), pp. 35-37*JEAN-FRANCOIS, Isaac, “Julius Eastman: The Sonority of Blackness Otherwise”. Current Musicology, vol. 106 (2020), pp. 9-35*JOSEPH, Branden W., Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage. Zone, 2008*KOTZ, Liz, Words to Be Looked At: Language in 1960s Art. MIT Press, 2007LEVAUX, Christophe, We Have Always Been Minimalist: The Construction and Triumph of a Musical Style. University of California Press, 2020*LEVINE PACKER, Renée y Mary Jane Leach (eds.), Gay Guerrilla: Julius Eastman and His Music. University of Rochester Press, 2015MAY, Thomas (ed.), The John Adams Reader: Essential Writings on an American Composer. Amadeus, 2006MERTENS, Wim, American Minimal Music: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Khan & Averill, 1983MOWERY, Janice, “Meredith Monk: Between the Cracks”. Perspectives of New Music, vol. 51, n.º 2 (2013), pp. 79-100*NACENTA, Lluís, “Minimalismes”. Catalunya música: revista musical catalana, n.º 311 (2010), pp. 12-13NICKELSON, Patrick, “Transcription, Recording, and Authority in ‘Classic' Minimalism”. Twentieth Century Music, vol. 14, n.º 3 (2018), pp. 361-289*POTTER, Keith, Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge University Press, 2000*SCHWARZ, K. Robert, Minimalists. Phaidon, 1996STRICKLAND, Edward, Minimalism: Origins. Indiana University Press, 1991*TARUSKIN, Richard, “A Harmonious Avant-Garde? - Minimalism: Young, Riley, Reich, Glass; Their European Emulators”. En: Music in the Late Twentieth Century. Oxford University Press, 2009*TOOP, David, Océano de sonido: palabras en el éter, música ambient y mundos imaginarios. Traducción de Tadeo Lima. Caja Negra, 2016*WLODARSKI, Amy Lynn, “The Testimonial Aesthetics of Different Trains”. Journal of the American Musicology Society, vol. 63, n.º 1 (2010), pp. 99-142* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
Are you a lobby strategist? Do you negotiate with yourself? Which taste group do you belong to? What are you allowed to see? Do you pay to publish? Do the algorithms that serve you change with you? How are counterpublics generated? Is society constantly transforming itself? What role does capital play? Does media influence human rationality? Are you able to tell real discourse and propaganda apart? Was there ‘public opinion' (say) a 1000 years ago? Does public sphere have capitalistic roots? What happens to niche ideas in an information supermarket? Are newspapers opinion ‘takers'? Have most modern societies moved from being axiomatic to algorithmic? Can one have societies without a moral discourse? What happens to our base instincts? Do you have the ability of have your own individual opinion? However, are niche morals undesirable? Do ads serve a symbolic norm-making function as well? ‘How' do you go after your ‘target' audience? Is it alright if mass media becomes ‘hyper personal'? Is the public just a sum of the all the individual echo chambers? &, what is the kind of public that we want? SynTalk thinks about these & more questions using ideas from philosophy (Dr. Muzaffar Ali Malla, Islamic University of Science and Technology (IUST), Avantipura (J&K)), social sciences (Prof. Narendar Pani, NIAS, Bangalore), & media studies (Dr. Vibodh Parthasarathi, Jami Millia Islamia, Delhi). Listen in...
Watch the Screenplay Reading: https://www.youtube.com/watch?v=XJHrGLMF19w Will two chimps type Shakespeare? A pot smoking visionary enlists a struggling book shop owner in a screw-loose plan to jumpstart Evolution. Against long odds and a couple of Mob loan sharks, the rewards are higher consciousness, human speech, and a Nobel Prize for Literature. Get to know the writer: It's a comedy about a hare-brained plan to jump-start Evolution. I began with that old probability teaser, How long would it take one hundred monkeys to type Shakespeare? The answer? Exactly two chimpanzees, in a surprisingly short time! Heaven has a vested interest here in correcting our course of planetary and self-destruction, too. A crazy, maybe dark, premise. But the comedy comes from the characters involved: a hapless bookseller and a pot-smoking visionary, their more stable, sensible wives, two Mob loan sharks, and two chimpanzees, Dick and TOOP. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod
RaiderNation und Draft-Freaks, nachdem wir die Offense Positions jetzt durch haben, kommen wir zu unserer ersten Analyse der Defensiv-Klassen. Wir fangen an mit den Cornerbacks. Patric und ich sprechen über unsere Toop-10 Prospects, sowie weitere Spieler, die die Raiders auch in den hinteren Runden wählen könnten. Habt viel Spaß und schickt die Folge euren Freunden, wir hoffen auf zahlreiches Feedback. Und freut euch schonmal: wir geben euch einen kleinen Ausblick auf unsere weitere Coverage!
De raigambre europea y originada en Gran Bretaña, conecta con el free jazz, la música académica contemporánea, la experimental y la vanguardia que se gesta también en Estados Unidos. Si el jazz se ha calificado muchas veces como “el sonido de la sorpresa”, esta sería una “música sin memoria”._____Has escuchadoBarcelona. Esterri / Derek Bailey y Agustí Fernández. Derek Bailey, guitarra; Agustí Fernández, piano. Hopscotch Records (2001)Monoceros / Evan Parker. Evan Parker, saxofón soprano solo. Incus (1978)Solos. Ejié / Seijiro Murayama. Seijiro Murayama, caja (snare drum) sola. Zerojardins (2009)Todos los animales se reúnen en un gran gemido. Huracán de púrpura / Truss. Ferran Fages, guitarra acústica; Alejandro Rojas-Marcos, clavicordio; Bárbara Sela, flautas. Inexhaustible Editions (2020)Winter. Aconite / Wade Matthews & Alfredo Costa Monteiro. Wade Matthews, síntesis digital; Alfredo Costa Monteiro, objetos amplificados. Copy For Your Records (2011)_____Selección bibliográficaALONSO, Chefa, Improvisación libre: composición en movimiento. Dos Acordes, 2010*—, Enseñanza y aprendizaje de la improvisación libre. Propuestas y reflexiones. Editorial Alpuerto, 2014*BAILEY, Derek, La improvisación: su naturaleza y su práctica en la música. Ediciones Trea, 2010*BARZEL, Tamar, “‘We Began from Silence': Toward a Genealogy of Free Improvisation in Mexico City: Atrás del Cosmos at Teatro El Galeón, 1975-1977”. En: Experimentalism in Practice: Music Perspectives from Latin America. Editado por Ana R. Alonso-Minutti, Eduardo Herrera y Alejandro L. Madrid-González. Oxford University Press, 2018*BEN-TAL, Oded y Caroline Wilkins, “Improvisation as a Creative Dialogue”. Perspectives of New Music, vol. 51, n.º 1 (2013), pp. 21-39*BOSSEUR, Jean-Yves, Musique et contestation: la création contemporaine dans les années 1960. Minerve, 2019*CANONNE, Clément, “Improvisation collective libre et processus de création musicale: création et créativité au prisme de la coordination”. Revue de Musicologie, vol. 98, n.º 1 (2012), pp. 107-148*—, “Focal Points in Collective Free Improvisation”. Perspectives of New Music, vol. 51, n.º 1 (2013), pp. 40-55*—, “Du concept d'improvisation à la pratique de l'improvisation libre”. International Review of the Aesthetics and Sociology of Music, vol. 47, n.º 1 (2016), pp. 17-43*CORBETT, John, A Listener's Guide to Free Improvisation. University of Chicago Press, 2016COSTA, Rogério, “Free Musical Improvisation and the Philosophy of Gilles Deleuze”. Perspectives of New Music, vol. 49, n.º 1 (2011), pp. 127-142*DENZIER, Bertrand y Jean-Luc Guionnet (eds.), The Practice of Musical Improvisation: Dialogues with Contemporary Musical Improvisers. Bloomsbury, 2021*GALIANA, Josep Lluís, “De la naturaleza de la improvisación libre: elementos esenciales para su identificación y diferencias con la composición escrita”. Itamar: Revista de Investigación Musical: Territorios del Arte, n.º 4 (2018), pp. 26-49*—, Emociones sonoras: de la creación electroacústica, la improvisación libre, el arte sonoro y otras músicas experimentales. EdictOràlia, 2020*HOYER, Timo, Anthony Braxton: Creative Music. Wolke Verlag, 2022IRETA SÁNCHEZ, Iván Tadeo, La improvisación libre en solo: una aproximación fenomenológica y una proposición de análisis. Tesis doctoral, Universitat Autònoma de Barcelona, 2019MATTHEWS, Wade, Improvisando: la libre creación musical. Turner, 2012*MOLINA ALARCÓN, Miguel, “Auscultando la improvisación libre a la deriva”. En: Quartet de la Deriva. La improvisación libre y la teoría de la deriva. Editorial Obrapropia, 2012MUNÁRRIZ ORTIZ, Jaime, “Del lienzo en blanco al playback. Modelos de improvisación libre en el arte tecnológico”. Revista de Bellas Artes: Revista de Artes Plásticas, Estética, Diseño e Imagen, n.º 14 (2019-2020), pp. 51-67NOGLIK, Bert, “La música improvisada europea”. En: Hurta Cordel. Festival Internacional de Música Improvisada. La Casa Encendida, 2008OLEWNICK, Brian, Keith Rowe: The Room Extended. Powerhouse Books, 2019PIEKUT, Benjamin, “Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, 1965-1975”. Journal of the American Musicological Society, vol. 67, n.º 3 (2014), pp. 769-824*PRÉVOST, Edwin, “Free Improvisation in Music and Capitalism: Resisting Authority and the Cults of Scientism and Celebrity”. En: The Ashgate Research Companion to Experimental Music. Editado por James Saunders. Routledge, 2009*ROD, Johannes, Free Jazz and Improvisation on Vinyl, 1965-1985. Rune Grammofon, 2014SBORDONI, Alessandro et al., Free Improvisation: History and Perspectives. Libreria Musicale Italiana, 2018SALADIN, Matthieu, Esthétique de l'improvisation libre: expérimentation musicale et politique. Les Presses du Réel, 2014*SANSOM, Matthew, “Imaging Music: Abstract Expressionism and Free Improvisation”. Leonardo Music Journal, vol. 11 (2001), pp. 29-34*TOOP, David, En el maelström: música, improvisación y el sueño de la libertad antes de 1970. Caja Negra, 2018ZULIAN, Claudio, “La experiencia del colectivo de improvisación libre: músicas de vanguardia, free jazz y músicas alternativas”. En: Alter (músiques) natives. Generalitat de Catalunya, Departament de Cultura, 1995 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
Su aceptación para la Historia del Arte es complicada: la arquitectura de museos y salas no está concebida para la experiencia de escucha. Comprende instalación sonora, escultura interactiva, poesía experimental, fonografía, y sobre todo, la prevalencia de la escucha y el sonido sobre el hecho artístico._____Has escuchadoDedicatorias. Infinito Infinity (19/5/2013-10/11/2014) / José Iges. María de Alvear World Edition (2016)El ojo del silencio / José Antonio Sarmiento. [Grabación de la acción e instalación sonora para 100 radio transistores]. Centro de Creación Experimental (2000)Guitar Drag / Christian Marclay. [Banda sonora del vídeo Guitar Drag, 2000. Grabado en San Antonio, Texas, el 18 de noviembre de 1999]. Neon (2006)Irregularity / Homogeneity: Emerging from the Perturbation / Minoru Sato. [Instalación sonora]. Senufo Editions (2012)Magnetic Flights (2007) / Christina Kubisch. [Instalación sonora]. Important Records (2021)Motores / Isidoro Valcárcel Medina. [Obra sonora]. Ediciones sonoras experimentales; Radio Fontana Mix (1973)Small Music. Musik für einen fast leeren Raum / Music for an almost Empty Space (Edition VIII) / Rolf Julius. [Instalación sonora]. Autoedición (1998)_____Selección bibliográficaADEN, Maike (ed.), Disonata: arte en sonido hasta 1980. Museo Nacional Centro de Arte Reina Sofía, 2020ÁLVAREZ-FERNÁNDEZ, Miguel, “Panorama del arte sonoro y la música experimental en la península ibérica”. En: Experimentaclub Limbo: proyecto iberoamericano de intercambio artístico y cooperación cultural. Editado por Jorge Haro y Javier Piñango. Experimentaclub LIMbO (2010), pp. 54-64—, “Sonido, musicología, archivo: tres genealogías (hacia un catálogo de arte sonoro)”. Boletín DM, año 16 (2012), pp. 62-69*ARIZA, Javier, Las imágenes del sonido: una lectura plurisensorial en el arte del siglo XX. Universidad de Castilla-La Mancha, 2003*ASHER, Michael, Writings 1973-1983 on Works 1969-1979. Editado por Benjamin H. D. Buchloh. Press of the Nova Scotia College of Art and Design; The Museum of Contemporary Art, 1983*BARBER, Llorenç y Monserrat Palacios, La mosca tras la oreja. De la música experimental al arte sonoro en España. Fundación Autor, 2009*COSTA, José Manuel (ed.), ARTe SONoro. La Casa Encendida, 2010*CUYÁS, José Díaz, Carmen Pardo y Esteban Pujals (eds.), Encuentros de Pamplona 1972: fin de fiesta del arte experimental. Museo Nacional Centro de Arte Reina Sofía, 2009*DE LA MOTTE-HABER, Helga, Matthias Osterwold y Georg Weckwerth (eds.), Sonambiente Berlin 2006. Kehrer Verlag, 2006DEWEY, Fred et al. Brandon Labelle: Overheard and Interrupted. Les Presses du Réel, 2016*ESPEJO, José Luis (ed.), Escucha, por favor: 13 textos sobre sonido para el arte reciente. Exit Publicaciones, 2019*ESPEJO, José Luis y Óscar Martín (eds.), Ursonate: revista de arte sonoro y culturas aurales (2011-)*ETIENNE, Yvan, Bertrand Gauguet y Matthieu Saladin (eds.), “De l'espace sonore = From Sound Space”. TACET: Sound in the Arts, n.º 3 (2014)FONTÁN DEL JUNCO, Manuel, José Iges y José Luis Maire (eds.), Escuchar con los ojos. Arte sonoro en España, 1961-2016. Fundación Juan March, 2016*GARCÍA FERNÁNDEZ, Isaac Diego, Conversaciones en Nueva York: sobre arte sonoro, música experimental e identidad latina. EdictOràlia, 2020*GRANT, Jane, John Matthias y David Prior (eds.), The Oxford Handbook of Sound Art. Oxford University Press, 2021*HEGARTY, Paul, Noise/Music: A History. Continuum, 2007*—, Rumour and Radiation: Sound in Video Art. Bloomsbury, 2015*IGES, José et al., MASE. Historia y presencia del Arte Sonoro en España. Bandaàparte Editores, 2015*—, “Dimensión sonora de la escritura”. Arte y Parte, n.º 117 (2015), pp. 8-27*—, Conferencias sobre arte sonoro. Árdora Ediciones, 2017*JIMÉNEZ CARMONA, Susana y Carmen Pardo, “Aperturas y derivas del arte sonoro”. Laocoonte: revista de estética y teoría de las artes, n.º 8 (2021), pp. 49-56JOSEPH, Branden W., Beyond the Dream Syndicate: Tony Conrad and the Arts After John Cage. Zone Books, 2008*JOY, Jérôme y Peter Sinclair, Locus Sonus: 10 ans d'expérimentations en art sonore. Le Mot et le Reste, 2015*KAHN, Douglas, Noise Water Meat. A History of Sound in the Arts. The MIT Press, 1999*KELLY, Caleb (ed.), Sound. Documents of Contemporary Art. The MIT Press, 2011*KIM-COHEN, Seth, In the Blink of an Ear: Toward a Non-Cochlear Sonic Art. Continuum, 2009*KOTZ, Liz, Words to Be Looked At. Language in 1960s Art. The MIT Press, 2007*LABELLE, Brandon, Background Noise. Perspectives on Sound Art. Bloomsbury, 2006*—, “Short Circuit: Sound Art and The Museum”. Journal BOL, n.º 6 (2007), pp. 155-175—, Acoustic Territories: Sound Culture and Everyday Life. Continuum, 2010*LABELLE, Brandon y Christof Migone (eds.), Writing Aloud: The Sonics of Language. Errant Bodies Press, 2001*LICHT, Alan, Sound Art: Beyond Music, Between Categories. Rizzoli International Publications, 2007*MADERUELO, Javier, “The Book of i's, de José Luis Castillejo”. Arte y Parte, n.º 108 (2013), pp. 98-115*MAIRE, José Luis, “Documentar el sonido: consideraciones sobre la documentación musical, la música experimental y el arte sonoro”. Boletín DM, año 16 (2012), pp. 73-84*—, “Espacio resonante e instalación sonora: Robert Morris, Michael Asher, Bill Viola, Terry Fox”. Arte y Parte, n.º 117 (2015), pp. 64-85*MOLINA ALARCÓN, Miguel, “El arte sonoro”. Itamar: revista de investigación musical: territorios para el arte, n.º 1 (2008), pp. 213-234*MUNÁRRIZ, Jaime (ed.), Encuentros sonoros: música experimental y arte sonoro. Facultad de Bellas Artes, UCM, 2021*NEUHAUS, Max, Max Neuhaus. Sound Works. Cantz Verlag, 1994*PARDO, Carmen, “Avatares de la ciudad musical”. Quodlibet: Revista de Especialización Musical, n.º 68 (2018), pp. 64-78*ROCHA ITURBIDE, Manuel, “La curaduría, el arte sonoro y la intermedia en México”. Itamar: revista de investigación musical: territorios del arte, n.º 5 (2019), pp. 162-186*SALADIN, Matthieu (ed.), “Sounds of Utopia = Sonorités de l'utopie”. TACET: Sound in the arts, n.º 4 (2015)*SARMIENTO, José Antonio, La música del vinilo. Centro de Creación Experimental de la Universidad de Castilla-La Mancha, 2010*SEIFFARTH, Carsten, Carsten Stabenow y Golo Föllmer (eds.). Sound Exchange: Experimentelle Musikkulturen in Mittelosteuropa = Experimental Music Cultures in Central and Eastern Europe. Pfau, 2012SOLOMOS, Makis, Exploring the Ecologies of Music and Sound: Environmental, Mental and Social Ecologies in Music, Sound Art and Artivisms. Routledge, 2023*TOOP, David, Inflamed Invisible: Collected Writings on Art and Sound, 1976-2018. Goldsmiths Press, 2019*VOEGELIN, Salomé, Listening to Noise and Silence. Towards a Philosophy of Sound Art. Continuum, 2010*WANG, Jing, Half Sound, Half Philosophy: Aesthetics...
Piedra angular de las vanguardias desde la escuela de Darmstadt, el compositor alemán es responsable directo de casi toda revolución musical acaecida desde entonces. Autor de la primera pieza electroacústica de la Historia, es uno de los creadores de música y sonido que más incontestable devoción ha despertado en la cultura popular._____Has escuchado“A Day in the Life”. YouTube Vídeo. Publicado por The Beatles, 28 de octubre de 2015: [Vídeo]Gesang der Jünglinge (1956). Deutsche Grammophon (1957)“Helikopter-Streichquartett (Helicopter Quartet) - Karlheinz Stockhausen”. Elysian Quartet. YouTube Vídeo. Publicado por thencaesarfalls, 22 de abril de 2013: [Vídeo]Kurzwellen (1968). Gerard Pape, Lissa Meridan, Martin Phelps, Rodolphe Bourotte Shortwave Radio, electrónica; Stefan Tiedje, cuencos tibetanos, electrónica; C.L.S.I. Ensemble; Paul Mefano, director. Mode (2018)Stimmung (1968). Singcircle; Gregory Rose, director. Hyperion (1986)_____ Selección bibliográficaBANDUR, Markus, “¿La nueva música hacia el siglo XXI? Licht, la obra maestra de Stockhausen”. Revista de Occidente, n.º 283 (2004), pp. 29-50BERGSTEIN, Barry, “Miles Davis and Karlheinz Stockhausen: A Reciprocal Relationship”. The Musical Quarterly, vol. 76, n.º 4 (1992), pp. 502-525*COENEN, Alcedo, “Stockhausen's Paradigm: A Survey of His Theories”. Perspectives of New Music, vol. 32, n.º 2 (1994), pp. 200-225*FELDER, David, “An Interview with Karlheinz Stockhausen”. Perspectives of New Music, vol. 16, n.º 1 (1977), pp. 85-101*FRISIUS, Rudolf, Karlheinz Stockhausen. Schott, 1996-2013KOHL, Jerome, “The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music”. Perspectives of New Music, vol. 22, n.º 1-2 (1983), pp. 147-185*__, “Into the Middleground: Formula Syntax in Stockhausen's Licht”. Perspectives of New Music, vol. 28, n.º 2 (1990), pp. 262-291*LÓPEZ LÓPEZ, José Manuel, Karlheinz Stockhausen. Círculo de Bellas Artes, 1989MACONIE, Robin, Other Planets: The Music of Karlheinz Stockhausen. Scarecrow Press, 2005*MARTÍNEZ ABAD, Santiago, “Stockhausen y la composición mediante la técnica de una fórmula”. Hoquet, vol. 1, n.º 11 (2013), pp. 5-22: [PDF]PABLO, Luis de, “El caso Stockhausen, sobre ‘Stockhausen, intervista sul genio musicale' de Mya Tannenbaum”. Saber Leer, n.º 20 (1988), p. 10: [PDF]*PARDO, Carmen, “Imagen y medida de un espacio sonoro: G. Ligeti y K. Stockhausen”. Revista de Musicología, vol. 21, n.º 1 (1998), pp. 79-92*PETERS, Günter y Mark Schreiber, “‘...How Creation Is Composed': Spirituality in the Music of Karlheinz Stockhausen”. Perspectives of New Music, vol. 37, n.º 1 (1999), pp. 97-131*RUCH, Christian, “El número del teléfono de Dios es secreto. Sobre el agnosticismo en la cosmovisión de Stockhausen”. Revista de Occidente, n.º 283 (2004), pp. 51-62STOCKHAUSEN, Karlheinz, Écouter en découvreur. Editado por Imke Misch. Cité de la Musique-Philharmonie, 2016*—, Comment passe le temps: essais sur la musique 1952-1961. Contrechamps, 2017STOIANOVA, Ivanka, “Karlheinz Stockhausen y la metáfora luminosa”. Doce notas preliminares: revista de música y arte, n.º 12 (2003), pp. 47-73*TANNENBAUM, Mya, Stockhausen: entrevista sobre el genio musical. Turner, 1988*THOMAS, Helen C., “Morphologies of Time in Stockhausen's ‘Licht'”. Tempo, vol. 62, n.º 245 (2008), pp. 2-16*TOOP, Richard, “Stockhausen and the Sine-Wave: The Story of an Ambiguous Relationship”. The Musical Quarterly, vol. 65, n.º 3 (1979), pp. 379-391*ULRICH, Thomas, “Lucifer and Morality in Stockhasen's Opera Cycle Licht”. Perspectives of New Music, vol. 50, n.º 1-2 (2012), pp. 313-341* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
Compositor austriaco de origen húngaro, toma contacto con las vanguardias a través de Stockhausen. Crea un estilo propio basado en la búsqueda de nuevos modelos rítmicos y la exploración de texturas y densidades sonoras. Apparitions, Atmosphères y Lux aeterna son algunas de sus obras maestras._____Has escuchadoChamber Concerto: movimento preciso e meccanico (1970). London Sinfonietta. David Atherton, director. DECCA (1990)Continuum: para clave (1968). Olga Pashchenko, clave. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 2 de noviembre de 2022Lontano: For Large Orchestra (1967). Wiener Philharmoniker; Claudio Abbado, director. Deutsche Grammophon (1990)Lux Aeterna (1966). Schola Cantorum Stuttgart; Clytus Gottwald, director. WERGO (1988)String Quartet No. 1 “Métamorphoses Nocturnes” (1954). Arditti Quartet. Sony Classics (1997) _____Selección bibliográficaBEFFA, Karol, György Ligeti. Fayard, 2016BERÁ, Camille, “De Platon à Dodecahedron: les apports des textures ligétiennes et de la musique électronique chez un groupe de Metal extrême”. Itamar. Revista de Investigación Musical: Territorios para el Arte, n.º 5 (2019), pp. 143-161*BOUKOBZA, Jean-François, György Ligeti: Études pour piano. Contrechamps, 2019BULUT, Zeynep, “Theorizing Voice in Performance: György Ligeti's Aventures”. Perspectives of New Music, vol. 48, n.º 1 (2010), pp. 44-64*CLENDINNING, Jane Piper, “The Pattern-Meccanico Compositions of György Ligeti”. Perspectives of New Music, vol. 31, n.º 1 (1993), pp. 192-234*DROTT, Eric, “Ligeti in Fluxus”. The Journal of Musicology, vol. 21, n.º 2 (2004), pp. 201-240*—, “Lines, Masses, Micropolyphony: Ligeti's Kyrie and the Crisis of the Figure”. Perspectives of New Music, vol. 49, n.º 1 (2011), pp. 4-46*DUCHESNEAU, Louise y Wolfgang Marx (eds.), Györgi Ligeti: Of Foreign Lands and Strange Sounds. Boydell Press, 2011*GALLOT, Simon, György Ligeti et la musique populaire. Éditions Symétrie, 2010HICKS, Michael, “Interval and Form in Ligeti's Continuum and Coulée”. Perspectives of New Music, vol. 31, n.º 1 (1993), pp. 172-190*KERÉKFY, Márton. “‘A ‘New Music' from Nothing': György Ligeti's Musica Ricercata”. Studia Musicologica, vol. 49, n.º 3-4 (2008), pp. 203-230*LEVY, Benjamin R., “Shades of the Studio: Electronic Influences on Ligeti's Apparitions”. Perspectives of New Music, vol. 47, n.º 2 (2009), pp. 59-87*—, Metamorphosis in Music: The Compositions of György Ligeti in the 1950s and 1960s. Oxford University Press, 2017LIGETI, György, Écrits sur la musique et les musiciens. Contrechamps, 2014PABLO, Luis de, “Conversaciones con Ligeti: sobre ‘Ligeti in Conversation' de Péter Várnai, Josef Häusler, Claude Samuel y György Ligeti”. Saber Leer, n.º 2 (1987): [PDF]*RICHART, Robert W., György Ligeti, A Bio-Bibliography. Greenwood Press, 1990ROIG-FRANCOLÍ, Miguel A., “Harmonic and Formal Processes in Ligeti's Net-Structure Compositions”. Music Theory Spectrum, vol. 17, n.º 2 (1995), pp. 242-267*SEARBY, Mike, “Ligeti's Chamber Concerto - Summation or Turning Point?”. Tempo, n.º 168 (1989), pp. 30-34*—, “Ligeti the Postmodernist?”. Tempo, n.º 199 (1997), pp. 9-14*STEINITZ, Richard, György Ligeti: Music of the Imagination. Northeastern University Press, 2003TAYLOR, Stephen Andrew, “Ligeti, Africa and Polyrhythm”. The World of Music, vol. 45, n.º 2 (2003), pp. 83-94*TOOP, Richard, György Ligeti. Phaidon, 1999 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
From overcoming challenges like experiencing homelessness as a youth in Thunder Bay, to learning about traditional plant medicines and family history from her grandfather, Chrystal Toop shares some of the journey that led her to start Blackbird Medicines, a cultural wellness program where she now supports Indigenous people training to be end of life doulas. […]
And So, She Left: Wisdom from Women Beyond the Corporate World
Content Warning: This episode contains themes that some listeners may find disturbing or upsetting. Chrystal Toop has been through a lot. Chrystal is the founder of Blackbird Medicines, an indigenous spiritual and cultural wellness practice in Canada. Born in the small town of Marathon, Ontario, and raised in challenging family circumstances, Chrystal's story uncovers the generational effects of residential schools. Her great-grandfather's experiences set off a chain of events that shaped her family's life.Despite incredible obstacles like caring for siblings while young, battling financial hardships, transient living, and even overcoming homelessness, Chrystal never gave up. She began a family and found her calling as a talented indigenous storyteller.This episode of "And So, She Left" offers deeply moving insights into Chrystal's life, rooted in the wider context of Indigenous experiences in Canada and the intergenerational trauma that is far too common in the Indigenous community. Learn more about Chrystal and Blackbird Medicines. We'd love to hear your feedback! Here's a quick 5-question survey. Your answers will help us to make the show even better: https://forms.gle/5JnfCUWbgLRw1NTa8 In this episode, we cover:The unbelievable story of Chrystal's birthHow to recognize and face intergenerational traumaThe impacts of residential schools on Indigenous families across Canada What Chrystal learned about being self-sufficient through childhood neglectHow Chrystal found family and trust while living on the streets of OttawaThe role of culture as a grounding force in one's life, and how Chrystal found her calling as a doula Quote of the Week:"Within one generation, my family left the land. My family lost their language. And when you don't have such large essential pieces of how you relate to each other as a family...the impacts of that on the next generation are monumental."— Chrystal Toop Hosted by Katherin Vasilopoulos. Made by Cansulta and Ethan Lee.Music by © Chris Zabriskie, published by You've Been a Wonderful Laugh Track (ASCAP). Songs used in this episode include: "Air Hockey Saloon," "Cylinder Two," "I'm About to Do the Second Hardest Thing I've Ever Done," "Editing Beyond the Door III Again," "You Fiddle, I'll Burn Rome," "We Were Never Meant to Live Here," "Short Song 011723," "The Dark Glow of the Mountains," "Short Song 020723," "I Can't Imagine Where I'd Be Without It," "There's Probably No Time." Used under the Creative Commons 4.0 International License
Includes the world’s first published podcast with an interview with Carl Toop, the principle Alien creature actor in Aliens! Presented by Corporal Hicks and RidgeTop.
Toop opp eene Städ - Pastor Peter ThiessenAus dee Pinjstdach dan kjeem, wieren see aula opp eene Städ toop. Un plazlich hieeden see, soo aus em Storm, een ruzhendet Jelud vom Himmel, soo daut et em gaunzen Hus to hieren wia, wua see sauten.- Apost 2:1-2
http://www.blackbirdmedicines.ca/https://www.edgarfabianfrias.org/
Venta en Amazon del libro Algo que ver con la muerte. https://www.amazon.es/ALGO-MUERTE-Fernando-Montano-Galva%C3%B1/dp/B0B8C8WH1H/ref=sr_1_2?__mk_es_ES=%C3%85M%C3%85%C5%BD%C3%95%C3%91&crid=3AUBAXOZ3ILJW&keywords=algo+que+ver+con+la+muerte&qid=1660126396&sprefix=algo+que+ver+con+la+muerte%2Caps%2C80&sr=8-2 Suscríbete en YouTube https://www.youtube.com/channel/UCU0MBweA3vWmD9td4O7PuJA?view_as=subscriber Dale a seguir en Twitch https://dashboard.twitch.tv/u/produccionesesquizoides/content/video-producer Suscríbete al podcast Tertulia Trekkie Ivoox https://www.ivoox.com/podcast-tertulia-trekkie_sq_f1460507_1.html Apple Podcast https://podcasts.apple.com/es/podcast/tertulia-trekkie/id1312363910 Suscríbete al podcast de Sunset Boulevard Spotify https://open.spotify.com/show/0rlSIP14LVDfTQixTY9ciW Apple Podcast https://podcasts.apple.com/al/podcast/sunset-boulevard/id967603613 ivoox https://www.ivoox.com/podcast-sunset-boulevard_sq_f11982_1.html Estoy en Twitter @fernandomg1981 @prodesquizoides
FIVEaa Summer Breakfast - Michael Smyth & Lucy Lokan. Morning Headlines, Sport with Sam Daddow, Themis Chryssidis from Sprout Cooking School, David Woiwood Live from the US, What Artist could you listen to for the rest of your life? Nathan Regter Live from Waikerie, Stephen Rowe, Peg Charter, Toop & Toop Real Estate Update, Rosanna Mangiarelli, Wayne Champion, & Best of Behind Closed Doors. 12th December 2022. See omnystudio.com/listener for privacy information.
In this special interview, we were able to sit down with Katie Toop, the Senior Director of Transformational Development for World Concern. In this interview, Katie unpacks how she discovered her calling, what working overseas has taught her, and how working in the non-profit sector has personally changed her life. We'll also discuss the truly transformational work of World Concern, and how we can each help end the cycle of poverty for those living in some of the most rural and remote places in the world today.
Ambient music helped me survive the darkest moments of the pandemic, and David Toop's 2001 classic, Ocean of Sound, gave me the context to fully appreciate what I was listening to.He is a rare bird, with dual careers as both an accomplished musician and historian/cultural critic. In a world where artists are so often concerned about overthinking, Toop revels in it.I reached out on hearing that a pair of his 90s works – Pink Spirit and Noir World – had been reissued on vinyl.It was equally an opportunity to discuss silence, a frequent topic of his writings that has become an increasing feature for many who've been forced to slow down for once, amid the pandemic. See acast.com/privacy for privacy and opt-out information.
It's not just the heat that's got us talking on this episode, but OSHA's national emphasis program and the chatter around a possible new rule for heat illness and injury prevention. Join host Tom Simmons and HRP EHS&S Practice Leader Jackie Baxley as we give you the full details.Links:Webinar on OSHA's National Emphasis Program on Heat Related IllnessOSHA's national emphasis program for heat illness and injury preventionOSHA – NIOSH Heat Safety tool appA reminder that our Play Hard segment is also available in video form! Watch that on our YouTube Channel.Make sure you subscribe, give us a review & check us out on social media!YouTubeLinkedInInstagramTwitterFacebookWebsite
https://www.granddaughtercrow.com/index.htmlhttps://zoesctodd.wordpress.com/https://umanitoba.ca/faculties/social_work/media/v6i1-02_legge_robinson.pdfhttp://www.blackbirdmedicines.ca/https://www.ogimakwe.com/
Morrow interviews Toop, the poetic musician and author of Ocean of Sound and Haunted Weather who has followed the path of shamanism and sonic experience. He is a respected improviser and thinks of all his creative activity as improvisation.
In this episode we welcome Laura Toop, a grief and loss expert who experienced the loss of her husband, career, and health in quick succession. She has also overcome challenges with mental health, eating disorders, and trauma. Now she radiates magic as she helps others navigate the gap of loss and transition. In our conversation we cover topics such as different forms of loss, both recognized and unrecognized; the importance of taking care of oneself; and how to move forward with intention to create the life we want. “The thing with grief is there's not always a solution. And a lot of it is taking a different perspective on the situation and reframing it and seeing it from a different angle. … You can't look death in the eye and not have it impact your life. We all have a little ray of sunshine that wants to come out.” ~Laura Laura can be found at: Website: http://www.laura-toop.com/ LinkedIn: https://www.linkedin.com/in/laurabridgingthegap/ Facebook: https://www.facebook.com/lauratoop.bridgingthegap/ Your host Jenny Dilts is the founder of Grieving Coach. As a Certified Grief Coach she specializes in transforming adversity into advantage. She helps people feeling unmotivated and without purpose to deal with their grief in healthy ways and move towards creating a life of joy and passion. Jenny's professional journey began when she sat with a friend days after her husband's sudden death. Holding that space for her unlocked and ignited a passion for supporting others in their grief. Working as a Grief Coach has completely transformed her own life from not knowing who she was and living in the shadows, to shining as an expert not only in the field of grief, but also in her own life as a wife and mom of 5. Jenny can be found at: Website: https://grievingcoach.com/ Facebook: https://www.facebook.com/jenny.rencherdilts LinkedIn: jennydilts-grievingcoach Share your thoughts about the show by leaving a message with some of your takeaways. To further support the show donate through PayPal at https://www.paypal.com/donate?hosted_button_id=ECQDQS6LBD894. :) For a free introductory coaching session with Jenny, schedule a time in her online calendar at https://GrievingCoachScheduler.as.me/?appointmentType=16815876.
WHAT`S NEXT? 220403 PODCAST In this episode Andrea and i are talking to TOOP Architectuur. - A young architecture office from BelgiumMeet Laurent Temmerman and Jens Theuwen Get to know two very ambitious and creative minds, their first steps into becoming selfemployed and their thoughts on the future living and working space. What must change? Let´s have a look into the future and get to know his opinion on how the future might look like.Have fun listening!
Sunday morning 20th of March John chapter 4 verse 1 - 42
Andy Hollingworth, CEO of Toople #TOOP discusses their final results & outlook which shows revenues increasing by 9%, EBITDA by 19% & gross profit by 17%. Financial and Operational Highlights · Adjusted EBITDA* improvement of 32%, from (£1,305k) to (£881k) driven by lower distribution costs and overheads and virtual elimination of bad debt costs (64% improvement year on year when including impact of bad debt charges) · Gross profit increased by 22% to £1.06 million · Bad debt almost eliminated to just £55,000, decline from £1.1m in FY20 · Healthy year on year increase in Gross Margin increased from 25% to 35% o Active cost management and control · administrative costs down by £360,000 year on year o Overall decline in headline revenues by 12% from £3.44m to £3.01m, as a result of: o proactive management of non-paying customers and elimination of bad debt problem; and · emphasis on DMSL business due to impact of Covid-19 on traditional Toople customer base · Number of new contract wins with wider array of SMEs, and expanded out to other organisations such a local city council · Successful placing to raise £774,000 with substantial amount from largest investor Outlook and Current Trading · Improved financial performance and outlook inQ1 FY21 when compared to Q4 FY20: o Revenues increased by 9% o EBITDA improved by 19% o Gross Profit increased by 17% About Toople PLC Toople PLC is incorporated in the UK and listed on the main market of the London Stock Exchange. The business currently trades under four main brands: toople.com; dmsluk.co.uk; broadbandandphones.co.uk; checkthatcompany.co.uk. Toople.com provides bespoke telecoms services for its fast growing target market of UK SMEs with between one and 500 employees. Services offered by the Group include business broadband, fibre, EFM and Ethernet data services, business mobile phones, cloud PBX and SIP Trunking and Traditional Services (calls and lines) all of which are delivered and managed via the Group's proprietary software platform. The Group's wholly owned subsidiary DMS Holding (DMSL) provides unified communication services in the UK ranging from a single phone line to a multi-site unified comms VoIP platform, delivered via a network of telecoms and IT carriers and content providers across the UK including BT Business, BT Global Services, Gamma, EE, Vonage, TalkTalk Business and O2. DMSL acts as a BT Premier re-seller for broadband connectivity, mobile and fixed voice and cloud services and is responsible for over 250,000 BT customers and over 400,000 Revenue Generating Units. The Company also owns a telecoms price comparison website and a service offering company credit reference checking and reports. These complement the Group's IT and telecoms services.
This week on Inside the Headset, we are featuring the 2021 AFCA D-III Regional Coaches of the year. These coaches include U.S. Merchant Marine Academy Coach Mike Toop, Trinity University Coach Jerheme Urban, Albion College Coach Dustin Beurer, and Central College Coach Jeff McMartin. Mike Toop recently completed his 17th and final season as the head coach of the U.S. Merchant Marine Academy since he announced his retirement at the conclusion of the season. A former graduate of the USMMAC, Coach Toop led his team to six straight winning seasons in his final years including three bowl wins since 2017. During his tenure at the Academy, Toop received the Power of Inspiration Award, Coach of the Year Award and the Captain James Liebertz Memorial Award. Toops 45 year coaching career included stops at Davidson, UCONN, Penn, Colgate, Union, and Albany. Jerheme Urban was appointed head coach of the Tigers in November 2013 and has chalked up a record of 41-23 over the last six seasons. He stands at 21-7 in the Southern Athletic Association (SAA), which Trinity joined prior to the 2017 season. The 2021 season saw the Tigers go 9-1 and reach the Division III playoffs. Coach Urban brought a wealth of National Football League experience back to Trinity, when he joined the staff in 2012. During his nine-year NFL career, the talented wide receiver played for the Seattle Seahawks, Arizona Cardinals (including the 2008 Super Bowl team), and Kansas City Chiefs. Dustin Beurer was named the head coach of Albion College in 2018 after completing 10 seasons on the Albion coaching staff. Entering his fouth season in the fall of 2022, Beurer currently holds a 20-4 overall record in addition to two MIAA Conference Titles. Coach Beurer served as the assistant head coach, offensive coordinator and recruiting coordinator in addition to overseeing the offensive linemen for Albion before becoming the head coach. Prior to Albion, Beurer had a brief stint at Morehead State as the teams tight ends and fullbacks coach. Jeff McMartin who took over for Central College in 2004, has posted a glossy 140-43 record and is among the winningest active NCAA Division III coaches in career winning percentage. He's a five-time conference coach of the year, was named an AFCA Division III regional coach of the year in 2007 and 2021 and the D3football.com regional coach of the year in 2021. McMartin's squads have posted four undefeated regular seasons, with a 28-game regular-season win streak from 2006-08. Under his leadership, the Dutch have finished in the top three in the league 16 times in 17 years. Prior to Central, McMartin has had coaching stops at DePauw University, Beloit College, the University of Rochester among other schools. [1:02] Start of Roundtable [1:30] Reflecting on the 2021 season [6:26] Being appreciative of your job [9:46] Past convention experiences
Host Arya with panelists Sina from https://radiooffside.com & Mohammed from Toop o Takl discuss and analyse the Iran vs. UAE match, which ended 1 - 0 to Team Melli, goal Mehdi Taremi at Azadi Stadium. The now qualified Iran remains top of Group A with 22 points going into the final two 2022 FIFA World Cup Qualifiers against South Korea and Lebanon. Chapters: 00:00 - Intro 02:15 - Starting Line-Up. Siavash Yazdani? 08:03 - Milad Mohammadi struggling? 09:50 - First Half Analysis 13:20 - Goal by Mehdi Taremi 14:44 - Sadegh Moharrami red card 21:52 - Has Amir Abedzadeh overtaken Alireza Beiranvand? 26:27 - Hossein Kanaani & Omid Noorafkan MOTM? 33:25 - Ali Gholizadeh hot and cold? 38:59 - Sardar Azmoun to Bayer 04 Leverkusen 42:32 - Fan Questions 45:45 - Outro Follow us on social media @GolBezan, leave a like/review & subscribe on the platform you listen on - YouTube, Spotify, iTunes, Google Podcasts, SoundCloud, Amazon, Castbox. Host: Arya Allahverdi Panel: Sina & Mohammed Ardalani Editor: Samson Tamijani Graphic: Mahdi Javanbakhsh Intro Music: CASPIAN by ASADI instagram.com/dannyasadi smarturl.it/CASPIAN Outro Music: K!DMO instagram.com/kidmo.foreal Arya - twitter.com/Arya_Allahverdi Sina - twitter.com/RadioOffside / youtube.com/RadioOffside Mohammed - twitter.com/SirArdi10 / Toop o Takl - youtube.com/channel/UCkNhb9pl4vJOnm977KBPeOw / twitter.com/ToopoTakl_ Samson - twitter.com/713Samson Mahdi - twitter.com/mativsh twitter.com/GolBezan twitter.com/GolBezanFarsi instagram.com/GolBezan facebook.com/GolBezanPodcast patreon.com/GolBezan
Host Arya Allahverdi with panelists Katayoun Khosrowyar (former Iran U19 Head Coach) & Sahar from Toop o Takl discuss and preview the Iran women's national team ahead of their first match in the 2022 Women's Asian Cup against competition hosts India on January 20th at DY Patil Stadium (see times below). Samson Tamijani also spoke with Kimya & Vida Raietparvar from Vanderbilt University and former U-19 Iran internationals who discussed the current national team, their current career status and what we can expect in the future. Chapters: 00:00 - Intro 01:47 - Iran Women's National Team 04:27 - Maryam Irandoost 05:56 - Key Players 11:22 - Interview: Kimya & Vida Raietparvar 25:50 - Preview: Iran vs. India 34:29 - Fan Questions 38:31 - Outro Match Info: Ranking: Iran (70), India (55) Time: 17:30 PM (Tehran), 14:00 PM (London), 15:00 PM (Berlin), 9:00 AM (New York), 6:00 AM (Los Angeles) Follow us on social media @GolBezan, leave a like/review & subscribe on the platform you listen on - YouTube, Spotify, iTunes, Google Podcasts, SoundCloud, Amazon, Castbox. Hosts: Arya Allahverdi & Samson Tamijani Panel: Katayoun Khosrowyar & Sahar Guests: Kimya Raietparvar & Vida Raietparvar Editor: Samson Tamijani Graphic: Mahdi Javanbakhsh Intro Music: CASPIAN by ASADI instagram.com/dannyasadi smarturl.it/CASPIAN Outro Music: K!DMO instagram.com/kidmo.foreal Arya Allahverdi - twitter.com/Arya_Allahverdi Katayoun - twitter.com/katkhosrowyar Sahar - twitter.com/SaharFate_ / Toop o Takl - youtube.com/channel/UCkNhb9pl4vJOnm977KBPeOw Samson - twitter.com/713Samson Mahdi - twitter.com/mativsh twitter.com/GolBezan twitter.com/GolBezanFarsi instagram.com/GolBezan facebook.com/GolBezanPodcast
This episode is sponsored by Davwill Consulting. Emotional agility? Yep, it's needed more now than ever. Let's chat! Click Here Chrystal Toop is a Storyteller, Counselor, and member of the Pikwakanagan First Nation. Formerly Site Coordinator for Omamiwinini Pimadjwowin: The Algonquin Cultural Way Centre's Kabeshinan Minitig Pavilion an Indigenous Art Gallery & Archeological Exhibit, Chrystal has experience with Indigenizing spaces and has worked with national and grassroots Indigenous organizations on issues related to best practices of homelessness, youth and women's rights, criminal justice, maternal and family mental health, cultural education, Indigenous-led research, and information governance. Chrystal holds a Bachelor of Arts in Sociology from Carleton University, a Healing and Wellness Counsellor Diploma, registration as a Social Services Worker, and recently completed Algonquin College's first online cohort of the Indigenous Tourism Entrepreneurship training program. She will embark on a Masters of Adult Education, Women's Leadership & Community Development with St. Francis Xavier University, this coming spring. A founder of Aunties on the Road, as well as the healing justice plantcestral healing project Wananoshka Mashkiki, Chrystal operates a social enterprise and community practice known as Blackbird Medicines and was recently featured in a CBC article about Indigenous Death Doulas. Chrystal is humbled to provide coordination and support as a contracted Research Associate for the Mamiwi Maadaadizi initiative at Algonquin College's Waterfront Campus in Pembroke, Ontario. Connect with Chrystal at: https://www.linkedin.com/in/chrystal-toop-339ab220a/ www.blackbirdmedicines.ca/ https://www.instagram.com/chrystal_dawne/ https://www.instagram.com/blackbird_medicines/ https://www.facebook.com/BlackbirdMedicines/
Frank & James preview and pick the best #d3fb Week 11 games, as the regular season comes to a close. They also have the honor of interviewing USMMA Head Coach Mike Toop to discuss his retirement following Saturday's Secretaries' Cup game at Coast Guard.
Lighthouse Gospel Church 41:04 Lighthouse Gospel ChurchnoLighthouse Gospel Church PodcastList
Howdy y'all. It's been a minute. Toops, Eclipse, Jarv and Velius are in the base this week talking mostly about that new game where blood melts. There is a new Melty Blood game in 2021 and it's...very good. Velius has been playing the Atelier series. Eclipse has been playing some rhythm games, Neco Arc is gaming and more!
The Roo and Ditts For Breakfast Catch Up - 104.7 Triple M Adelaide - Mark Ricciuto & Chris Dittmar
Morning - Olympic cyclist Alex Porter is here Overnight News Roos Wee jug Top 5 AFL Trade Wrap Olympic cyclist Alex Porter whos Gettin The Jab Darryl Somers Trade News Le Cornu site Toop and Toop update Roos Tip See omnystudio.com/listener for privacy information.
Losing her husband, health, and career in quick succession, everything she had invested in; love, time, energy, and money, was gone. Laura Toop is The Bereavement and Grief Coach helping the bereaved love life again after loss. She helps others bridge the gap to purpose and passion for life and living, beyond the pain of loss and grief, enabling, empowering, and encouraging you to create clarity, find focus, and manage motivation, through her one to one coaching, stories, workshops, talks, conferences, and community. hello@thelossconnection.co.uk https://thelossconnection.co.uk/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/kim-lengling1/support
Sunday morning 4th of July, 2021 1 Corinthians 12 v 12
On the Vox Markets Podcast Today: 17th June 2021 Cathal Friel, Executive Chairman of Open Orphan #ORPH discusses their final results and demerger of Poolbeg Pharma. Andy Hollingworth, CEO at Toople #TOOP talks about their interim results which saw an increase in both gross profit and gross margin. (Interview starts at 8 minutes 36 seconds) Gil Holzman President & Chief Executive Officer Eco Atlantic Oil & Gas #ECO discusses their projects and upcoming milestones. (Interview starts at 20 minutes 50 seconds) Vadim Alexandre, Head of Healthcare at SP Angel discusses Spectral MD a company IPO'ing soon, which develops technology using predictive analytics and AI algorithms to help clinicians make more accurate and faster treatment decisions. (Interview starts at 30 minutes 50 seconds) Vox Markets is revolutionising the way companies engage with shareholders and the stock market at large. By aggregating IR and digital content onto one secure and compliant platform, Vox Markets has established itself as the go-to resource for the investment community. #VoxMarkets #StockMarket #LivePrices #StockMarketNews #Money #Investing #Investments #Finance #Business #Podcast https://www.voxmarkets.co.uk/
What does it mean to train to be a death doula for your community? This is a question a group of Indigenous youth in Canada grappled with as part of the Death Doula Mentorship Program, created by Blackbird Medicines and the Indigenous death doula collective. Chrystal Waban Toop, founder of Blackbird Medicines, joined us to talk about how early experiences with grief grounded her in the the work she does as a life spectrum doula and her commitment to helping people reconnect with traditional knowledge and cultural practices to guide individual, family, and community transitions throughout the life span. Learn more about Blackbird Medicines and follow them on Instagram & Facebook. Read more about the Indigenous Death Doula Mentorship Program.
David Woiwod in the US at the Superbowl, Professor Steve Wesselignh from Sahmri, Rowey, Tim Yeatman from 7 News, Blakey, Bronte Manuel from Toop & Toop, Police Commissioner Grant Sevens, Dr Mikaela Chinotti, Behind Closed Doors See omnystudio.com/listener for privacy information.
Sunday morning 7th of February, 2021 Joshua 7
Andy Hollingworth, CEO at Toople #TOOP discusses their Final Results and points to a positive 2021. Toople PLC is incorporated in the UK and listed on the main market of the London Stock Exchange. The business currently trades under four main brands: toople.com; dmsluk.co.uk; broadbandandphones.co.uk; checkthatcompany.co.uk. Toople.com provides bespoke telecoms services for its fast growing target market of UK SMEs with between one and 500 employees. Services offered by the Group include business broadband, fibre, EFM and Ethernet data services, business mobile phones, cloud PBX and SIP Trunking and Traditional Services (calls and lines) all of which are delivered and managed via the Group's proprietary software platform. In February 2020, Toople completed the acquisition of DMS Holding (DMSL). DMSL commenced trading in 2002 and provides unified communication services in the UK, ranging from a single phone line to a multi-site unified comms VoIP platform, delivered via a network of telecoms and IT carriers and content providers across the UK including BT Business, BT Global Services, Gamma, EE, Vonage, TalkTalk Business and O2. DMSL acts as a BT Premier re-seller for broadband connectivity, mobile and fixed voice and cloud services and is responsible for over 250,000 BT customers and over 400,000 Revenue Generating Units. The acquisition of DMSL was transformational for Toople, as it also expanded the Group's reach into the UK residential market, which is experiencing a period of rapid change, as operational automation further develops and more people choose to (or are forced to) work from home. The Company also owns a telecoms price comparison website and a service offering company credit reference checking and reports. These complement the Group's IT and telecoms services. All the Group brands seek to differentiate themselves by offering IT, telecoms and broadband solutions, with robust and reliable packages, that enhance a customers' business and are based on trust and transparency, with no hidden fees within pricing policies. This provides customers with a clear understanding of cost and fixed prices for the duration of their contracts.
Sunday morning 27th of December, 2020 Matthew 2 v 1 - 12
PWC's Jimmy.T chats with Wrestler, light-heavyweight MMA fighter, commentator and fellow podcaster: Blake "Bulletproof" Troop! Check out Blake Troop at: Twitter - @BigTroop22 Instagram - @bulletprooftroop Merch/website - www.bulletprooftroop.com Catch the Cage Theory Podcast with Toop, Jay.B and Josh Hartnett: Podbean - Hackerhamin.podbean.com Twitter - @cagetheorypod Follow the PWC podcast on: Twitter - @PWC_SHOW Facebook - https://www.facebook.com/groups/411279583594329 Check out Rational Rage Network on: Podbean - Rationalragenetwork.podbean.com Twitter - @Rational_Rage Instagram - @Rational.Rage Facebook - https://www.facebook.com/rationalrage --- Support this podcast: https://anchor.fm/rationalrage/support
PWC's Jimmy.T chats with Wrestler, light-heavyweight MMA fighter, commentator and fellow podcaster: Blake "Bulletproof" Troop! Check out Blake Troop at:Twitter - @BigTroop22Instagram - @bulletprooftroopMerch/website - www.bulletprooftroop.com Catch the Cage Theory Podcast with Toop, Jay.B and Josh Hartnett:Podbean - Hackerhamin.podbean.comTwitter - @cagetheorypod Follow the PWC podcast on:Twitter - @PWC_SHOWFacebook - https://www.facebook.com/groups/411279583594329 Check out Rational Rage Network on:Podbean - Rationalragenetwork.podbean.comTwitter - @Rational_RageInstagram - @Rational.RageFacebook - https://www.facebook.com/rationalrage
Covid cases escalate, Tim Lester in the US, Chief Public Health Officer Professor Nicola Spurrier, Rowey, Ben Haythorpe from the RAA, Jane Reilly, Amelia Mulcahy, Blakey, Bronte Manuel from Toop&Toop, The Chase competition, Cam Inglis from Channel 10, Premier Steven Marshall See omnystudio.com/listener for privacy information.
On the Vox Markets Podcast Today: 27th October 2020Andy Hollingworth Chief Executive Officer of Toople #TOOP discusses why they raised money and what the proceeds will be used for.Glen Goodman, former ITV News Business correspondent and now author of, "The Crypto Trader", covers this week's Bitcoin rise.(Interview starts at 12 minutes 56 seconds)Plus the Top 5 Most Followed Companies & the Top 5 Most liked RNS's on Vox Markets in the last 24 hours.Vox Markets is revolutionising the way companies engage with shareholders and the stock market at large. By aggregating IR and digital content onto one secure and compliant platform, Vox Markets has established itself as the go-to resource for the investment community.#VoxMarkets #StockMarket #LivePrices #StockMarketNews #Money #Investing #Investments #Finance #Business #Podcasthttps://www.voxmarkets.co.uk/
Pauk Kadak in Nevada, Rowey and son Jimmy Rowe, Paul Unerkov - CE of MTA, Bronte Manuel from Toop&Toop, Blakey, Wohlers, 2020 Brownlow Winner Lachie Neale, Kochie, Behind Closed Doors See omnystudio.com/listener for privacy information.
On the Vox Markets Podcast Today: 12th October 2020Harald Braun, Executive Chairman of Guident, a portfolio company of Tekcapital #TEK explains the business discusses current progress and future potential.Russ Mould, Investment Director at stockbroker AJ Bell talks about the American elections and potential impact on the markets.(Interview starts at 13 minutes 50 seconds)Alan Green CEO of Brand Communications talks about: Eddie Stobbart Logistics #ESL Toople #TOOP Power Metal Resources #POW(Interview starts at 29 minutes 27 seconds)Plus the Top 5 Most Followed Companies & the Top 5 Most liked RNS's on Vox Markets in the last 24 hours.Vox Markets is revolutionising the way companies engage with shareholders and the stock market at large. By aggregating IR and digital content onto one secure and compliant platform, Vox Markets has established itself as the go-to resource for the investment community.#VoxMarkets #StockMarket #LivePrices #StockMarketNews #Money #Investing #Investments #Finance #Business #Podcasthttps://www.voxmarkets.co.uk/
On the Vox Markets Podcast Today: 29th September 2020Andy Hollingworth, CEO of Toople #TOOP discusses their trading statement which reveals them achieving £1.6 million of annualised savings.Neill Ricketts, CEO of Versarien #VRS explains the significance of the forming of The Versarien Graphene Advisory Panel.(Interview starts at 13 minutes 38 seconds)Vadim Alexandre, Head of Healthcare at SP Angel discusses Novacyt's #NCYT multi - hundred million pound contract with the Department of Health and Social Care for its covid testing kits.(Interview starts at 22 minutes 32 seconds)Plus the Top 5 Most Followed Companies & the Top 5 Most liked RNS's on Vox Markets in the last 24 hours.Vox Markets is revolutionising the way companies engage with shareholders and the stock market at large. By aggregating IR and digital content onto one secure and compliant platform, Vox Markets has established itself as the go-to resource for the investment community.#VoxMarkets #StockMarket #LivePrices #StockMarketNews #Money #Investing #Investments #Finance #Business #Podcasthttps://www.voxmarkets.co.uk/
David Woiwod in the US, CEO of Business SA Martin Haese, Rowey, Joe Puntureri from Gauchos Restaurant, Amelia Mulcahy, Blakey, Bronte Manuel from Toop & Toop, JobHunter, Kochie, Behind Closed Doors See omnystudio.com/listener for privacy information.
What better way to kick off #ITHSeason13 than with a major announcement -- the East Region will have at least one #d3fb game played this season... And it's a BIG one. It's the Secretaries' Cup game between Coast Guard and Merchant Marine! Frank & James speak with USMMA Head Coach Mike Toop in this episode about the game, and they run through the entire list they have of Division 3 football games (which remains very fluid as of this recording). They also preview what #ITHSeason13 will look like. Please make sure to "like" and "share" this episode as the guys are ready to be a part of your fall season once again, even without over 70 teams playing each week!
If you want to go fast, go alone. If you want to go far, go together. Tom’s guest today is Colin Toop, the host of the Tools of the Trade podcast, where he talks to other leaders in the construction industry in order to pass on knowledge to the rest of the community. Colin has been an electrician for 14 years now, from being in the trenches all the way to project management. Over that time, Colin has learned what it takes to get far in the construction industry and what not to do. Tune in to learn a ton about how to be successful! In this episode, we talk about… What led to the start of the Tools of the Trade podcast Recurring themes across the construction industry How the trades are made to look bad from both sides Colin’s journey through the construction industry Pros and cons of owning your own business Bringing a gratitude that you don’t have to wear all the hats Know when something is wrong and it’s time to shut down The importance of staying transparent with your employees and clients Practices to build community and make employees feel like family Keeping a virtual bench of employees from other companies Would you want to work for you? Links to resources: Tools of the Trade podcast website: https://www.toolspodcast.com/ colin@toolspodcast.com Colin’s LinkedIn: https://www.linkedin.com/in/colin-toop/?originalSubdomain=ca Colin’s Instagram: https://www.instagram.com/toolspodcast/?hl=en Schedule A Contractor Sales Academy Demo Order Your Fight Planner The Contractor Fight Facebook Group
A few years ago, second-generation real estate professional Suzannah Toop was lucky enough to enjoy a coffee with Google Australia Head of Engineering, Alan Noble. When she asked him about the role of real estate in the future, his response struck a chord. But this conversation, in recent times ways, has been a driver for the company. Mention the name Toop & Toop to anyone in real estate and the word 'innovation' immediately springs to mind. And they have been recognised for it numerous times - the Adelaide agency has been inducted into the REIA Hall of Fame four times - an amazing achievement in anyone's language. In this podcast, Elite Agent Magazine's May Cover, and CEO Suzannah Toop shares an insight into a 35-year-old brand and why a cutting edge approach continues to be at the heart of everything they do. Download the action guide for this episode with more links and resources at https://eliteagentelevate.com In this episode we discuss: What attracts and keeps people at Toop&ToopWhy the company focuses so heavily on wellness – including an in house creche, fitness centre and moreHow they eliminated 77 per cent of their emails in the property management team while improving staff moraleWhy Toop&Toop believe the role of the agent must be much more than simply an intermediary between two parties; and what needs to happen to remain relevantOther trends Suzannah sees moving forward and how Toop&Toop are pivoting to adapt to COVID-19 challenges... plus much more... Connect with Suzannah: WebsiteLinkedInFacebookInstagramTwitter Connect with The Elite Agent Team: Twitter: @eliteagentmagFacebook: Elite AgentWebsite: EliteAgent.comShow: The Elevate PodcastYouTube: Elite Agent MagazineLinkedIn: Elite Agent MagazineInstagram: @eliteagentmagPinterest: Elite Agent Magazine Subscribe & Review the Elevate PodcastTo subscribe on iTunes, click here.To subscribe to Spotify, click here.To subscribe on Stitcher, click here.
Christchurch's Ravensdown is the target of a Greenpeace protest around capping the use of synthetic fertilisers this morning.At around 7am, Greenpeace activists poured 350 litres of home-made gunge on the fertiliser company's head office.Campaigner Gen Toop told Chris Lynch they've come down to give Ravensdown a taste of their own slimy medicine.She says Ravensdown is one of two big agricultural businesses selling the product that she says causes problems in the waterways.Toop says they'll be leaving the gunge for Ravensdown to clean up.LISTEN TO THE AUDIO ABOVE
Tools of the Trade: Your Number 1 Construction Industry Resource
I was recently a guest on The Site Visit's podcast where I shared my story. I hope you find value in my journey and walk away with a better understanding of the man behind the microphone at Tools of the Trade.Here is the bio and reason why I started the podcast. Enjoy!Colin has been in the construction industry for 14 years and is a Master Electrician by trade. As he progressed professionally, he realized that the construction industry was falling behind. "We are behind technologically, we have a labor shortage, there is a major lack of resources and mentors and many people are put off by the blue-collar optics of construction." Tools of the Trade was created to help bring the construction industry up by sharing stories, tools, and resources from industry professionals. "This is a billion-dollar industry and we have some major international companies that make up that billion, how come no one knows who owns them or how they got started? I think we could all use some motivation and some good resources to help us grow"Thank you for listening, please subscribe, leave us a review and share this with your friends!Check out The Site Visit Podcast HEREFor show notes, blog posts and past guests, please visit: www.toolspodcast.comSign up for Colin's newsletter HEREInterested in sponsoring the podcast? Please fill out the form at toolspodcast.com/sponsorFollow Colin:InstagramTwitterFacebookYoutube
Mark & Barney invite writer and fearless musical improviser David Toop to reminisce about his work and his long and fascinating career.Toop talks about the impact of an aunt returning from New York with a stack of rhythm & blues 78s – and how this instilled a lifelong love of black American music. After he describes his early adventures in free and improvised music, his hosts ask how a man who's collaborated with Brian Eno and Max Eastley came to profile Bros for The Face – by way of his pioneering 1984 book The Rap Attack, the first serious study of the East Coast hip hop scene. The three men then discuss the cult "disco auteur" Arthur Russell, whom Toop interviewed.Toop also pitches in on the subject of the week's free feature, cult dubstep star Will "Burial" Bevan, with Barney waxing ecstatic about the man's noughties albums and subsequent Hyperdub tracks – and Toop making slightly more sceptical noises.Mark intros the week's new audio interview, with the late Joe Smith, and we hear a clip of the veteran West Coast executive discussing Joni Mitchell, one of the many artists he worked with at Warner Brothers and Elektra/Asylum. After considering Smith's role in the rise of acts like the Grateful Dead, Toop confesses to a surprising penchant for Crosby, Stills & Nash, prompting a more general discussion of dismantling musical hierarchies.Finally, Mark talks us through his highlights among the week's new library articles, including pieces on the Four Tops (1966), Mott the Hoople, with David Bowie on backing vocals (1972) and the late Luther Vandross (1985) – another artist Toop interviewed for The Face.Many thanks to special guest David Toop; Inflamed Invisible is out now, and you can visit his blog at davidtoopblog.com.Pieces discussed: Rap, Arthur Russell, Arthur Russell by Frank Owen, David Toop, Burial, Burialer, Burialest, Joe Smith audio, The Four Tops, Flower Power reader's letter, Mott the Hoople, Luther Vandross and YMCA.The RBP podcast is part of the Pantheon Podcasts network.
Mark & Barney invite writer and fearless musical improviser David Toop to reminisce about his work and his long and fascinating career. Toop talks about the impact of an aunt returning from New York with a stack of rhythm & blues 78s – and how this instilled a lifelong love of black American music. After he describes his early adventures in free and improvised music, his hosts ask how a man who's collaborated with Brian Eno and Max Eastley came to profile Bros for The Face – by way of his pioneering 1984 book The Rap Attack, the first serious study of the East Coast hip hop scene. The three men then discuss the cult "disco auteur" Arthur Russell, whom Toop interviewed. Toop also pitches in on the subject of the week's free feature, cult dubstep star Will "Burial" Bevan, with Barney waxing ecstatic about the man's noughties albums and subsequent Hyperdub tracks – and Toop making slightly more sceptical noises. Mark intros the week's new audio interview, with the late Joe Smith, and we hear a clip of the veteran West Coast executive discussing Joni Mitchell, one of the many artists he worked with at Warner Brothers and Elektra/Asylum. After considering Smith's role in the rise of acts like the Grateful Dead, Toop confesses to a surprising penchant for Crosby, Stills & Nash, prompting a more general discussion of dismantling musical hierarchies. Finally, Mark talks us through his highlights among the week's new library articles, including pieces on the Four Tops (1966), Mott the Hoople, with David Bowie on backing vocals (1972) and the late Luther Vandross (1985) – another artist Toop interviewed for The Face. Many thanks to special guest David Toop; Inflamed Invisible is out now, and you can visit his blog at davidtoopblog.com. Pieces discussed: Rap, Arthur Russell, Arthur Russell by Frank Owen, David Toop, Burial, Burialer, Burialest, Joe Smith audio, The Four Tops, Flower Power reader's letter, Mott the Hoople, Luther Vandross and YMCA. The RBP podcast is part of the Pantheon Podcasts network.
Fabric sculpture artist Mary-Ann Toop is the guest today on the Stitchery Stories podcast. Mary-Ann shares her story of leaving her civil engineering career, battling depression and starting her fascinating creative journey. Mary-Ann is determined to make her soft fabric sculptures move - and is particularly fascinated by flight... it's the engineer in her creeping out again! Susan Weeks chats with Mary-Ann about: Experimenting with automata Making her stitched creations move Starting a creative journey to see what she could do Trying to be creative every day How creativity help battle depression and ill-health The benefits of becoming immersed in small repetitive movements like embroidery Exploring Pinterest... and discovering that textiles and embroidery can be art Who is Concordia? A fascination with flight Evolving techniques using wire, clay, fabric, embroidery The story of the nightshirt and the gargoyl And so much more! For this episode View Show Notes, Links & Examples of Mary-Ann's work at https://www.stitcherystories.com/maryanntoop Visit: https://concordiasworld.com/ Read: https://concordiasworld.com/category/blog/ Like: https://www.facebook.com/concordiasworld Look: https://www.instagram.com/concordiasworld/ Other artists episodes mentioned: Bryony Rose Jennings https://www.stitcherystories.com/bryonyrosejennings/ Annie Taylor https://www.stitcherystories.com/annietaylor/ The Artists Way by Julia Cameron
Matt Pantelis, Rob Scott in the US, CEO East Waste Rob Gregory, Wilpena Pound case update, Mike Smithson, Dont Forget the Lyrics, Bronte Manuel from Toop&Toop, Wohlers, Cindy Wockner, Behind Closed Doors, David Koch See acast.com/privacy for privacy and opt-out information.
Par Anne-Claire Ruel Albert Moukheiber, docteur en neurosciences cognitives et psychologue clinicien Générique : Almeria, "Toxins" Bande son : Cassius, "Toop toop" Angèle feat. Roméo Elvis, "Tout oublier" Ghinzu, "This is light"
In Episode 27, Luke talks to free improvising trombone player, educator and music therapist Sarah Gail Brand. Born in London in 1971, Sarah Gail Brand began playing the trombone in 1979 and qualified as a Music Therapist in 2001. Since qualifying, she has worked in special needs education and adult psychiatric and learning disability services in the NHS and currently runs a private music therapy practice. Sarah is a professor of Improvisation at the Guildhall School of Music and Drama, London, where she trains music therapists on the MA Music Therapy programme and teaches in the Dept. of Jazz Studies. Sarah also lectures at Canterbury Christ Church University on Music, Health and Well Being. Described by The Wire magazine as ‘the most exciting trombone player for years’, Sarah has performed on the international Jazz and Improvised Music scene for over 25 years. Sarah has recorded for many artists and has released 5 records under her own name. Sarah also works as a session player and brass arranger. As well as collaborating with musicians, Sarah has worked with a variety of performers including writer and comedian Stewart Lee. Sarah is in the final year of her PhD at Canterbury Christ Church University, where she has undertaken practice-based research on the impact of ensemble interrelationships in performances of Improvised Music. For more info: http://www.sarahgailbrand.net/ References Bailey, D. (1980). Musical improvisation: its nature and practice in music. Prentice-Hall. Bruscia, K. (1987) Improvisational Models of Music Therapy. Springfield Publishers. Toop, D. (2016). Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970. Bloomsbury Publishing USA.
Matt and Kevin welcome you to another Bleaky Friday with talk of Matt's Tinder-trap and Kevin's public urination debacle. Then, comedians David Sharp, Shana Brenion, and Matt Champagne (collectively known as 3/4 of the sketch group Tender Beef) join the show to chat with the fellas about The Beach Boys, Idaho's horrific marital laws, and everyone's stance on child-rearing. Plus, constant commentator Dar Talkingsworth returns to the pod to update the boys on his commercial acting career, give some classic podcast play-by-plays, and dive deep into the canon of Harry Potter. This episode is brought to you by Toop, a new website from the twisted mind of Tom Waits!
Anthony Toop See acast.com/privacy for privacy and opt-out information.
Les is the head of the Department of General Practice at the University of Otago, NZ and Chair of the Pegasus Health Charitable group of companies, one of the largest New Zealand primary health network organisations. Les shares his experience in public health, particularly in working with government and advocacy, with our listeners.
Sunday morning 7th of January, 2018 Revelation 21:5
This final episode in the Smart Communities series features Erin Toop and Howaida Hassan with the City of Edmonton, Alberta, Canada, discussing the city's Connected and Automated Vehicle test bed efforts.
This final episode in the Smart Communities series features Erin Toop and Howaida Hassan with the City of Edmonton, Alberta, Canada, discussing the city's Connected and Automated Vehicle test bed efforts.
Sunday Morning 20th of August, 2017 Psalm 91 Matthew 23:1-5, 34-37
5/2/17 - Mission Africa - Robbie & Margaret Toop by Hamilton Baptist Church
Anthony Toop is CEO and MD of Toop&Toop, one of the country's leading brands. Anthony speaks openly and honestly about winning, attitude, brand building, and his cancer journey
Online 24 hours each day 1 – 31 March, avfestival.co.uk / thepixelpalace.org - Radio Boredcast is a 744-hour continuous online radio project, curated by artist Vicki Bennett (People Like Us)
Online 24 hours each day 1 – 31 March, avfestival.co.uk / thepixelpalace.org - Radio Boredcast is a 744-hour continuous online radio project, curated by artist Vicki Bennett (People Like Us)
Hope you had a Merry Christmas (or whatever holiday you might celebrate :) and that you're continuing to enjoy the season. Even if it's cold and/or windy and/or rainy, may there be warmth in your heart and your relations.Happy New Year * Hau'oli Makahiki HouTake Good Care.Love,Toast & Siena, tooP.S. This is a pic of our lil' Christmas tree
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