Podcast appearances and mentions of william logan

On tonight's show, I'll have the president of Strayer University, Dr. Toni Farmer-Thompson. Dr. Farmer-Thompson will be discussing “upskilling” in the workforce. After that, I'll have Dr. William Logan, national medical director with Carelon Health. Dr. Logan will be discussing palliative care along with advanced care planning.

On tonight's show, I'll have Lifestyle Journalist Julie Loffredi and Carelon Health's Dr. William Logan. Julie will be sharing her favorite Black Friday deals along with offers on places to stay, rental cars, attractions and cruises! After that, Dr. Logan will be sharing his knowledge and experience when it comes to palliative care.

On tonight's show, I'll have the president of Strayer University, Dr. Toni Farmer-Thompson. Dr. Farmer-Thompson will be discussing “upskilling” in the workforce. After that, I'll have Dr. William Logan, national medical director with Carelon Health. Dr. Logan will be discussing palliative care along with advanced care planning.

Had a great interview with a young lady putting it all on the line

Just when you thought you were out, The Daily Poem pulls you back in–to poems about movies. Today's charming and earnest poem imitates the medium it describes (film) by swapping memorable images and sensations for linear propositions. Happy reading.Amy Clampitt was born and raised in New Providence, Iowa. She studied first at Grinnell College in Grinnell, Iowa, and later at Columbia University and the New School for Social Research in New York City. Throughout the 1940s and 1950s, Clampitt held various jobs at publishers and organizations such as Oxford University Press and the Audubon Society. In the 1960s, she turned her attention to poetry. In 1974 she published a small volume of poetry titled Multitudes, Multitudes; thereafter her work appeared frequently in the New Yorker. Upon the publication of her book of poems The Kingfisher in 1983, she became one of the most highly regarded poets in America. Her other collections include A Silence Opens (1994), Westward (1990), What the Light Was Like (1985), and Archaic Figure (1987). Clampitt received fellowships from the Guggenheim Foundation, the MacArthur Foundation, and the Academy of American Poets. A member of the American Academy of Arts and Letters, Clampitt taught at the College of William and Mary, Amherst College, and Smith College.Joseph Parisi, a Chicago Tribune Book World reviewer, called the poet's sudden success after the publication of The Kingfisher “one of the most stunning debuts in recent memory.” Parisi continued, “throughout this bountiful book, her wit, sensibility and stylish wordplay seldom disappoint.” In one of the first articles to appear after The Kingfisher's debut, New York Review of Books critic Helen Vendler wrote that “Amy Clampitt writes a beautiful, taxing poetry. In it, thinking uncoils and coils again, embodying its perpetua argument with itself.” Georgia Review contributor Peter Stitt also felt that “The Kingfisher is … in many ways an almost dazzling performance.” In the Observer, Peter Porter described Clampitt as “a virtuoso of the here and the palpable.” Porter ranked her with the likes of Emily Dickinson and Elizabeth Bishop.Critics praised the allusive richness and syntactical sophistication of Clampitt's verse. Her poetry is characterized by a “baroque profusion, the romance of the adjective, labyrinthine syntax, a festival lexicon,” said New York Times Book Review contributor Alfred Corn in an article about Clampitt's second important collection, What the Light Was Like (1985). Indeed, the poet's use of vocabulary and syntax is elaborate. “When you read Amy Clampitt,” suggests Richard Tillinghast in the New York Times Book Review, “have a dictionary or two at your elbow.” The poet has, Tillinghast continues, a “virtuoso command of vocabulary, [a] gift for playing the English language like a musical instrument and [a] startling and delightful ability to create metaphor.” Her ability as a poet quickly gained Clampitt recognition as “the most refreshing new American poet to appear in many years,” according to one Times Literary Supplement reviewer.Clampitt's work is also characterized by erudite allusions, for which she provides detailed footnotes. Times Literary Supplement critic Lachlan Mackinnon compared her “finical accuracy of description and the provision of copious notes at the end of a volume,” to a similar tendency in the work of Marianne Moore. “She is as ‘literary' and allusive as Eliot and Pound, as filled with grubby realia as William Carlos Williams, as ornamented as Wallace Stevens and as descriptive as Marianne Moore,” observed Corn. Washington Post reviewer Joel Conarroe added Walt Whitman and Hart Crane to this list of comparable poets: “Like Whitman, she is attracted to proliferating lists as well as to ‘the old thought of likenesses,'” wrote Conarroe. “And as in Crane her compressed images create multiple resonances of sound and sense.”What the Light Was Like centers around images of light and darkness. This book is “more chastely restrained than The Kingfisher,” according to Times Literary Supplement contributor Neil Corcoran. Conarroe believed that the poet's “own imagery throughout [the book] is sensuous (even lush) and specific—in short, Keatsian.” Corn similarly commented that “there are stirring moments in each poem, and an authentic sense of Keats' psychology.” He opined, however, that “her sequence [‘Voyages: A Homage to John Keats‘] isn't effective throughout, the reason no doubt being that her high-lyric mode” does not suit narrative as well as a plainer style would.Clampitt's Archaic Figure (1987) maintains her “idiosyncratic style,” as William Logan called it in the Chicago Tribune. New York Times Book Review contributor Mark Rudman noted the poet's “spontaneity and humor; she is quick to react, hasty, impulsive, responsive to place—and to space.” In the London Sunday Times, David Profumo further praised Archaic Figure. Taking the example of the poem “Hippocrene,” the critic asserted that this work “demonstrates her new powers of economy, the sureness of her rhythmic touch and the sheer readability of her magnificent narrative skills.” “Amy Clampitt,” concluded Logan, “has become one of our poetry's necessary imaginations.”Clampitt died in Lenox, Massachusetts in 1994. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Grand rising, soul family, and welcome to another episode of the podcast. Today, with a guest that I've wanted to have on ever since starting this project and even before. I'm speaking with Mark William Logan. In his own words, Mark is somebody who has 'allowed himself to die many times' and whose way of being and gifts are manifesting in a variety of forms and mediums: music, art, film, photography, the written word, poetry, rap, as well as space holding and facilitating. In my personal view, Mark is a true creative, a powerhouse who unapologetically offers his gifts, opinions, feelings, and fears to the world - fully aware of the potential pitfalls, blowbacks, obstacles, and mistakes that occur in the process. I admire Mark's strength and vulnerability, and throughout all these years of following him, I've always seen myself or large parts of myself within him. Enjoy this beautiful and rich episode and let me know what it did for you. I love you.

Poetry criticism: Is there even such a thing, anymore? It seems like William Logan is the last poetry critic willing to take his gloves off and entertain us with strong opinions. But some call him a "serial skewer" and a "pompous ass." Is this kind of criticism harmful or good for poetry? On the other end of the spectrum is the book blurb review, in which friends and colleagues heap on the praise like frosting on cherpumple. Unfortunately there isn't much in between. Why is that? Katie, Tim, and friends discuss!

Belfast City Mission - William Logan

In celebration of my 50th Yale College Reunion, and to affirm the literary bonds I forged then and have continued with other poets in my class, I read poems by my Yale classmates: William Logan, Timothy Murphy, Cal Nordt, James Stephenson, and Jamie Stern. I end my program with my own poems.  I include, too, a poem for Ukraine by Ihor Kalnyets.

William Logan writes poetry and a little criticism. His most recent books are Rift of Light (poems, Penguin, 2017) and Dickinson's Nerves, Frost's Woods (essays, Columbia University Press, 2018). His reviews, when there are reviews, appear in the New York Times Book Review, the New Criterion, Poetry, Hudson Review, Hopkins Review, and other journals. He teaches poetry workshops and the occasional graduate course in the craft of poetry. Logan received the National Book Critics Circle Award in Criticism, the Aiken Taylor Award in Modern American Poetry, the Staige D. Blackford Prize for Nonfiction, the inaugural Randall Jarrell Award in Poetry Criticism, the Corrington Medal for Literary Excellence, and the Allen Tate Prize. Find more on his most recent book here: https://www.penguinrandomhouse.com/books/556232/rift-of-light-by-william-logan/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. For details on how to participate, either via Skype or by phone, go to: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a Lennon lyric set in winter. Next Week's Prompt: Write a poem about an act of rebellion. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

May 1977. After a witness decides to speak out, a hitman named Harry Aleman stands trial for the murder of William Logan. Bob Cooley is asked to “handle it.” The case is make-or-break for Cooley's career, and possibly his life. This episode comes out for free on January 31st and is available now for Pushkin+ subscribers. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

September 1972. A teamster named William Logan is gunned down outside his home, in what's widely thought to be a mob hit. The Logan family is determined to get justice, but it may not be so easy. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Choice Classic Radio presents to you Richard Diamond Private Detective, which aired from 1949 to 1953. Today we bring to you the episode titled "William Logan and the Ivory Statue.” We hope you enjoy the show! Please consider supporting our show by becoming a patron at http://choiceclassicradio.com

Another great Movie Detectives presentation!

NEW WEEK NEW EPISODE!! And wow what an episode we have this week! We are joined by ex-marine William Logan, and he came to destroy!!! Mr. Logan came on the show to speak on how we live on a Human Farm. We talk about his time in the marines, information warfare, self-awakening, meditating, vibrational frequency, electricity, false history, being prepared, psychedelics, c00vid//vaxxs, boosting immune, how long the panoramic will last, astral projection, searching for answers within and more! Just press play! the description doesnt do it justice! Mr. Logan did not come to play. if youre interested in what Mr. Logan was speaking on, contact him on social media! He already has a group of students hes teaching. twitter: @chrisxmatt @LogannnnnnnnnWm IG: @chrisxmatt

This episode explores new research, which has used environmental DNA sampling to rediscover Brazilian frogs that were assumed to be extinct. --- Read this episode's science poem here. Read the scientific study that inspired it here. Read ‘The Tree Frogs' by William Logan here. --- Music by Rufus Beckett. --- Follow Sam on social media and send in any questions or comments for the podcast: Email: sam.illingworth@gmail.com   Twitter: @samillingworth 

William Logan, in his book, Malabar, has explored the famine repeatedly faced by this district and chronicled the history and culture of Malabar. Famine related epidemics and large scale mortalities were persistent in the Malabar during the colonial period. The British documents about this have acknowledged that an artificial famine was possible as the district had continually failed to produce sufficient grains for its home population, and further emphasized that the technological advancements in rail, sea, and road made it practically impossible. ​But historical records have shown that Malabar had experienced repeated famines during the British rule as a result of imperial indifference in undertaking famine prevention activities. The famines under colonial rule occurred during 1865, 1876, 1891, and 1896. References 1. Priya, P. “MALABAR FAMINE OF 1943: A CRITIQUE OF WAR SITUATION IN MALABAR (1939-45).” Proceedings of the Indian History Congress, vol. 75, 2014, pp. 628–638. 2. Hogan, William. “Malabar,” Asian Educational Services, 1989. 3. Malabar Collector to Development Secretary on 16 February 1941, Government of Madras, Revenue Department, G.O.No. 1911, 17 June 1943, Tamilnadu State Archives, Chennai. 4. Malabar Collector to Development Secretary on 16 February 1941, Government of Madras, Revenue Department, G.O.No. 1911, 17 June 1943, Tamilnadu State Archives, Chennai 5. Madras Legislative Council Debate, Official Report, Vol IX, No.3, August 1939, Madras, p. 142, RAK. 6. Travancore Administration Report, 1930-40, p.l 17, Kerala State Archives, Trivandrum 7. Malabar District Gazette, 1939, 320, RAK. 8. Madras Administration Report, 1941, 3 14, RAK 9. Local Administration Department , Bundle No. 51, SI. No. 10, G.O.No. 1843, 17 June 1943 10. Public Health Department, Bundle No. 20, SI. Nos 3, 6, 6,7,12, 14, RAK. 11. Various issues of The Hindu: The Indian Express, Madras, Deshabhimani, Calicut, 1943-44. 12. The Hindu , Madras, 2 January 1941. 13. Civil Supplies Department Files (Hereafter CSD), 1 943, Bundle No.8, SI. No.4, RAK. 14. Revenue Department (1941), Ms. Series, G.O. No. 2565,10 November 1941. --- Support this podcast: https://anchor.fm/pacific-atrocities-education/support

A new episode Support this podcast at — https://redcircle.com/richard-diamond-private-detective/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

My program today is the second of several programs that focus on poems written by poets living in the various regions of the United States. Last time, I read poems by writers living in the Southwest, which is part of the larger Southern region of our country. In today’s program, I read poems by poets from what is traditionally considered to be the South. They are Cal Nordt, William Logan, Michael Mott, Robert Penn Warren, Heather Ross Miller, Elizabeth “Betty” Adcock, and David Larsen.

Today’s program presents poems about fall, from varied perspectives. Fall has been the subject of many extraordinary poems and today’s program presents a number of representative pieces, some soft in their textures just as the season itself is sometimes wrapped in a kind of gentleness and quietness, and some others a bit harder in their edges, just as the season itself might be. I read poems by William Shakespeare, John Keats, James Wright, Timothy Murphy, William Logan, and the Lithuanian poet Ilzė Butkutė. I end the program with one of my own poems that presents a similar theme.

Episode # 40 we are thrilled to be joined by Artist & Activist Mark William Logan. Mark is one of Collective Dublin's co-founders, the amazing space in which we recorded this episode. We chatted to Mark about his younger years growing up and pursuing a passion for football to transitioning to self development. Mark speaks about some of his experiences travelling around the world and what he has learned from these various journeys. We thank Mark for his time and having the pleasure to hear his story and share it with you all.

Episode # 40 we are thrilled to be joined by Artist & Activist Mark William Logan. Mark is one of Collective Dublin's co-founders, the amazing space in which we recorded this episode. We chatted to Mark about his younger years growing up and pursuing a passion for football to transitioning to self development. Mark speaks about some of his experiences travelling around the world and what he has learned from these various journeys. We thank Mark for his time and having the pleasure to hear his story and share it with you all.

Isabella Tree returns an English estate back to the wild. J Davis Bamberger of Bamberger Ranch Preserve talks about bringing worn out land back to life. William Logan of the New York Botanical Gardens encourages a return to simpler gardening practices. Author Laurie Shapiro shares the story of a teenage stowaway to Antarctica. Paul Sutter of Ohio State University wants you to be prepared for an asteroid strike.

In this episode we explore plant medicine ceremonies and their life changing potential, when done with the right intention, in a safe space and with a trained shaman. We have co-host MWL, joining co-host Pee Dubya as Pee Dubya's guest. Mark shares his journey to and with the medicine.

In episode 1 I have a great conversation with Mark William Logan. We discuss our individual journeys with the plant medicine Ayahuasca and how it has effected our lives on the whole. - - mark has his own podcast @truthbangers which is awesome and you can find him on insta @markwilliamlogan.

On today's Pop-Ups… "Gothengau – Fourth Reich Rising" by William Logan; "Bean" by Louis Garratt; "Second Chance" by Gary Parkins; "La Contessa and the Stallion" by Andrew Bryant; "Virtual Dreams" by Robert Derry. For maximum writing goodness, join us LIVE at 5pm UK every Sunday! For the winner of the show, visit https://litopia.com/winners. You can make a Pop-Up Submission here: https://litopia.com/subs Join us live, every week, on Sunday at 5pm UK time, details here!

On today's Pop-Ups… "Gothengau – Fourth Reich Rising" by William Logan; "Bean" by Louis Garratt; "Second Chance" by Gary Parkins; "La Contessa and the Stallion" by Andrew Bryant; "Virtual Dreams" by Robert Derry. For maximum writing goodness, join us LIVE at 5pm UK every Sunday! For the winner of the show, visit https://litopia.com/winners. You can make a Pop-Up Submission here: https://litopia.com/subs Join us live, every week, on Sunday at 5pm UK time, details here!

Latest episode of Richard Diamond, Private Detective | Old Time Radio --- Send in a voice message: https://anchor.fm/otr-richard-diamond/message Support this podcast: https://anchor.fm/otr-richard-diamond/support

Eric Ormsby is a poet, a writer, and a man of letters. He was a longtime resident of Montreal, where he was the Director of University Libraries and subsequently a professor of Islamic thought at McGill University Institute of Islamic Studies. Presently, he lives and writes in France and Prague. Ormsby began writing poetry as a young man and began publishing in 1985. He has produced six poetry collections, among them Bavarian Shrine and Other Poems (1990), which won a Quebec prize for the best poetry of that year, Coastlines (1992), and Time's Covenant: Selected Poems (2006). His poems have been published in various journals and magazines such as The New Yorker and The Paris Review and anthologized in The Norton Anthology of Poetry. He has also authored a book of criticism called Fine Incisions, which we talked about when we got together in Montreal.  Among other things we discuss the art of book reviewing, his aesthetic criteria, honesty, negative reviews, W.B.Yeats, Shakespeare and Eric's grandmother, standards and touchstones, Montreal, Canadian book design, William Logan, the first and last lines of a review, justice, personal affiliations, Tolstoy, War and Peace, self-revelation, translation, and the poet Daryl Hine. To finish off, Eric reads several of his poems. 

William Logan & James Panero discuss “Identity cards,” Logan's most recent poetry chronicle for The New Criterion. https://www.newcriterion.com/issues/2018/12/identity-cards

Jason Guriel is a poet and critic whose work has appeared in such publications as Poetry, Slate, Reader's Digest, The Walrus, Parnassus, Canadian Notes & Queries, The New Criterion, and PN Review. His poetry has been anthologized in The Best Canadian Poetry in English, and in 2007, he was the first Canadian to receive the Frederick Bock Prize from Poetry magazine. He won Poetry's Editors Prize for Book Reviewing in 2009. His essays and reviews are collected in The Pigheaded Soul (The Porcupine's Quill, 2013). Guriel lives in Toronto, Ontario.    We met at the Toronto Public Library on College in rooms where the Osborne Collection is kept. The collection was donated in 1949 by the English librarian Edgar Osborne in recognition of the Library's outstanding service to children.   We talk among other things about The Pig Headed Soul, the key to being a good critic, poems not poetry, obsessing, 'The Case Against Reading Everything', Carmine Starnino, 'culture' writing, confessional criticism, pop culture essays, the adoration of poet Peter Van Toorn, 'world class' poet Robyn Sarah, the importance of pleasure, thoughts the culture wont allow itself to have, "I don't care about your Life', literary community, honesty in criticism, response to reviews, Chris Wiman, Clive James, Michael Hoffmann's Behind the Lines, William Logan, Jill Bialoski and plagiarism, the Griffin Prize, dirty money, and diapers. 

Today, we're speaking with Dr. William Logan, Principal of Hillside High School. In this episode, he discusses his views on the “human aspect” of teaching. Through relationship-building and nurturing support under the guidance of Dr. Logan, Hillside High School has managed to become the high school with the higest graduation rate amongst traditional schools in Durham. 

William Logan is often thought of as a critic first and a poet second, so his verse doesn’t get nearly the attention it deserves. In Logan’s poetry we don’t find the spooky discursiveness or the back-breaking effort to avoid lyrical expression we often encounter in contemporary poetry. Instead, what we find is a poet who writes poetry simply because he must. He’s inspired to write and doesn’t write to be inspired. His poetry is meticulously crafted and sensitive to the seen and the unseen world we inhabit. The poems in Madame X (Penguin Books, 2002) are the result of what happens when you put tremendous pressure on yourself and language at the same time: beauty, death, and love emerge with terrifying clarity. In our conversation, the poet and I discuss his time living between Florida and England, his undergraduate years at Yale where he worked closely with poet Richard Howard and television writer David Milch, teaching poetry workshops at the University of Florida, old girlfriends, and so much more. I hope you enjoy our conversation as much as I did. Learn more about your ad choices. Visit megaphone.fm/adchoices

William Logan is often thought of as a critic first and a poet second, so his verse doesn’t get nearly the attention it deserves. In Logan’s poetry we don’t find the spooky discursiveness or the back-breaking effort to avoid lyrical expression we often encounter in contemporary poetry. Instead, what we find is a poet who writes poetry simply because he must. He’s inspired to write and doesn’t write to be inspired. His poetry is meticulously crafted and sensitive to the seen and the unseen world we inhabit. The poems in Madame X (Penguin Books, 2002) are the result of what happens when you put tremendous pressure on yourself and language at the same time: beauty, death, and love emerge with terrifying clarity. In our conversation, the poet and I discuss his time living between Florida and England, his undergraduate years at Yale where he worked closely with poet Richard Howard and television writer David Milch, teaching poetry workshops at the University of Florida, old girlfriends, and so much more. I hope you enjoy our conversation as much as I did. Learn more about your ad choices. Visit megaphone.fm/adchoices