Podcast appearances and mentions of James Wright

Franz Wright was born in Vienna, Austria and grew up in the Northwest, the Midwest, and California. He earned a BA from Oberlin College in 1977. His collections of poetry include The Beforelife (2001); God's Silence (2006); Walking to Martha's Vineyard, which won the Pulitzer Prize in 2004; Wheeling Motel (2009); Kindertotenwald (2011); and F (2013). In his precisely crafted, lyrical poems, Wright addresses the subjects of isolation, illness, spirituality, and gratitude. Of his work, he has commented, “I think ideally, I would like, in a poem, to operate by way of suggestion.”Critic Helen Vendler wrote in the New York Review of Books, “Wright's scale of experience, like Berryman's, runs from the homicidal to the ecstatic ... His best forms of or originality: deftness in patterning, startling metaphors, starkness of speech, compression of both pain and joy, and a stoic self-possession with the agonies and penalties of existence.” Langdon Hammer, in the New York Times Book Review, wrote of God's Silence: “In his best poems, Wright grasps at the ‘radiantly obvious thing' in short-lined short lyrics that turn and twist down the page. The urgency and calculated unsteadiness of the utterances, with their abrupt shifts of direction, jump-cuts and quips, mime the wounded openness of a speaker struggling to find faith.”Wright received a Whiting Fellowship, a Guggenheim Fellowship, and a grant from the National Endowment for the Arts. He translated poetry by Rainer Maria Rilke and Rene Char; in 2008 he and his wife, Elizabeth Oehlkers Wright, co-translated a collection by the Belarusian poet Valzhyna Mort, Factory of Tears. He taught at Emerson College and other universities, worked in mental health clinics, and volunteered at a center for grieving children. His father was the Pulitzer Prize–winning poet James Wright. He died in 2015. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

RAPPO & DEACS, Series 7, Episode 34 – March 28, 2025 TIMINGS, APPROX – 2:14:2802:58 Andy Ayre, G & SM Utd14:09 Nick Chinn, Dropship29:20 Mark Vercesi, Penzance30:43 James Wright, Penzance35:28 Phil Hiscox, SWPL58:02 “A brilliant gesture from Bude!”1:08:54 Gareth Davies, Truro City1:28:19 SL D1 S1:34:04 Western League1:38:33 Women's football1:45:30 St Piran League

As the long, exhausting march toward summer begins for many students, the wise and compassionate David Wagoner takes us to the intersection of love and weakness. Happy reading.David Wagoner was recognized as the leading poet of the Pacific Northwest, often compared to his early mentor Theodore Roethke, and highly praised for his skillful, insightful and serious body of work. He won numerous prestigious literary awards including the Ruth Lilly Poetry Prize, two Pushcart Prizes, and the Academy of Arts and Letters Award, and was nominated twice for the National Book Award. The author of ten acclaimed novels, Wagoner's fiction has been awarded the Sherwood Anderson Foundation Award. Professor emeritus at the University of Washington, Wagoner enjoyed an excellent reputation as both a writer and a teacher of writing. He was selected to serve as chancellor of the Academy of American Poets in 1978, replacing Robert Lowell, and was the editor of Poetry Northwest until 2002.Born in Ohio and raised in Indiana, Midwesterner Wagoner was initially influenced by family ties, ethnic neighborhoods, industrial production and pollution, and the urban environment. His move to the Pacific Northwest in 1954, at Roethke's urging, changed both his outlook and his poetry. Writing in the Contemporary Authors Autobiography Series, Wagoner recalls: “when I drove down out of the Cascades and saw the region that was to become my home territory for the next thirty years, my extreme uneasiness turned into awe. I had never seen or imagined such greenness, such a promise of healing growth. Everything I saw appeared to be living ancestral forms of the dead earth where I'd tried to grow up.” Wagoner's poetry often mourns the loss of a natural, fertile wilderness, though David K. Robinson, writing in Contemporary Poetry, described the themes of “survival, anger at those who violate the natural world” and “a Chaucerian delight in human oddity” at work in the poems as well. Critics have also praised Wagoner's poetry for its crisp descriptive detail and metaphorical bent. However, Paul Breslin in the New York Times Book Review pronounced David Wagoner to be “predominantly a nature poet…as Frost and Roethke were nature poets.”Wagoner's first books, including Dry Sun, Dry Wind (1953), A Place to Stand (1958), and Poems (1959), demonstrate an early mastery of his chosen subject matter and form. Often comprised of observations of nature, Wagoner links his speakers' predicaments and estrangement to the larger imperfection of the world. In Wagoner's second book, A Place to Stand,Roethke's influence is clear, and the book uses journey poems to represent the poet's own quest back to his beginnings. Wagoner's fourth book, The Nesting Ground (1963), reflects his relocation physically, aesthetically and emotionally; the Midwest is abandoned for the lush abundance of the Pacific Northwest, and Wagoner's style is less concerned with lamentation or complaint and more with cataloguing the bounty around him. James K. Robinson called the title poem from Staying Alive (1966) “one of the best American poems since World War II.” In poems like “The Words,” Wagoner discovers harmony with nature by learning to be open to all it has to offer: “I take what is: / The light beats on the stones, / the wind over water shines / Like long grass through the trees, / As I set loose, like birds / in a landscape, the old words.” Robert Cording, who called Staying Alive “the volume where Wagoner comes into his own as a poet,” believed that for Wagoner, taking what is involves “an acceptance of our fragmented selves, which through love we are always trying to patch together; an acceptance of our own darkness; and an acceptance of the world around us with which we must reacquaint ourselves.”Collected Poems 1956-1976 (1976) was nominated for the National Book Award and praised by X. J. Kennedy in Parnassus for offering poems which are “beautifully clear; not merely comprehensible, but clear in the sense that their contents are quickly visible.” Yet it was Who Shall Be the Sun? (1978),based upon Native American myth and legend, which gained critical attention. Hayden Carruth, writing in Harper's Magazine, called the book “a remarkable achievement,” not only for its presentation of “the literalness of shamanistic mysticism” but also for “its true feeling.” Hudson Review's James Finn Cotter also noted how Wagoner “has not written translations but condensed versions that avoid stereotyped language….The voice is Wagoner's own, personal, familiar, concerned. He has achieved a remarkable fusion of nature, legend and psyche in these poems.”In Broken Country (1979), also nominated for the National Book Award, shows Wagoner honing the instructional backpacking poems he had first used in Staying Alive. Leonard Neufeldt, writing in New England Review,called “the love lyrics” of the first section “among the finest since Williams' ‘Asphodel.'” Wagoner has been accused of using staid pastoral conventions in book after book, as well as writing less well about human subjects. However, his books have continued to receive critical attention, often recognized for the ways in which they use encounters with nature as metaphors for encounters with the self. First Light (1983), Wagoner's “most intense” collection, according to James K. Robinson, reflects Wagoner's third marriage to poet Robin Seyfried. And Publishers Weekly celebrated Walt Whitman Bathing (1996) for its use of “plainspoken formal virtuosity” which allows for “a pragmatic clarity of perception.” A volume of new and collected poems, Traveling Light, was released in 1999. Sampling Wagoner's work through the years, many reviewers found the strongest poems to also be the newest. Rochelle Ratner in Library Journal noted “since many of the best are in the ‘New Poems' section, it might make sense to wait for his next volume.” That next volume, The House of Song (2002) won high praise for its variety of subject matter and pitch-perfect craft. Christina Pugh in Poetry declared “The House of Song boasts a superb architecture, and each one of its rooms (or in Italian, stanzas) affords a pleasure that enhances the last.” In 2008 Wagoner published his twenty-third collection of verse, A Map of the Night. Reviewing the book for the Seattle Times, Sheila Farr found many poems shot through with nostalgia, adding “the book feels like a summing-up.” Conceding that “not all the work reaches the high plane of Wagoner's reputation,” Farr described its “finest moments” as those which “resonate with the title, venturing into darkness and helping us recognize its familiar places.”In addition to his numerous books of poetry, David Wagoner was also a successful novelist, writing both mainstream fiction and regional Western fiction. Offering a steady mix of drama seasoned with occasional comedy, Wagoner's tales often involve a naive central character's encounter with and acceptance of human failing and social corruption. In the Contemporary Authors Autobiography Series, Wagoner described his first novel, The Man in the Middle (1954), as “a thriller with some Graham Greene overtones about a railroad crossing watchmen in violent political trouble in Chicago,” his second novel, Money, Money, Money (1955), as a story about “a young tree surgeon who can't touch, look at, or even think about money, though he has a lot of it,” his third novel, Rock (1958) as a tale of “teenage Chicago delinquents,” and his fifth novel, Baby, Come On Inside (1968) as a story “about an aging popular singer who'd lost his voice.” As a popular novelist, however, Wagoner is best known for The Escape Artist (1965), the story of an amateur magician and the unscrupulous adults who attempt to exploit him, which was adapted as a film in 1981. Wagoner produced four successful novels as a Western “regional” writer. Structurally and thematically, they bear similarities to his other novels. David W. Madden noted in Twentieth-Century Western Writers: “Central to each of these [Western] works is a young protagonist's movement from innocence to experience as he journeys across the American frontier encountering an often debased and corrupted world. However, unlike those he meets, the hero retains his fundamental optimism and incorruptibility.”Although Wagoner wrote numerous novels, his reputation rests on his numerous, exquisitely crafted poetry collections, and his dedication as a teacher. Harold Bloom said of Wagoner: “His study of American nostalgias is as eloquent as that of James Wright, and like Wright's poetry carries on some of the deepest currents in American verse.” And Leonard Neufeldt called Wagoner “simply, one of the most accomplished poets currently at work in and with America…His range and mastery of subjects, voices, and modes, his ability to work with ease in any of the modes (narrative, descriptive, dramatic, lyric, anecdotal) and with any number of species (elegy, satirical portraiture, verse editorial, apostrophe, jeremiad, and childlike song, to name a few) and his frequent combinations of a number of these into astonishingly compelling orchestrations provide us with an intelligent and convincing definition of genius.”Wagoner died in late 2021 at age 95.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

People have been eating out in restaurants and bars for hundreds of years, and some of those early establishments are still open today. This week Ruth Alexander meets the people running some of the world's oldest restaurants. When so many close within the first 12 months of opening, what's the secret to centuries-old success?Antonio Gonzales Gomez runs Botin, in the Spanish capital Madrid. The restaurant is judged as the oldest by the Guinness World Records, and he tells us how he and his family have kept it going for so long.Ruth heads to the east of England to Nottingham, where the battle to claim the title of 'world's oldest pub' is fierce. Buildings archaeologist Dr James Wright explains what evidence he's found to declare the winner.We hear how a 200-year-old tavern in Missouri, in the United States, has been battling to stay open, and the man who runs the "oldest sausage restaurant in the world" tells us why being located of an historic German town boosts business.

Hello!Happy New Year and a Happy New Season of The Delicious Legacy Podcast!Pubs. I love them! Who doesn't?Culturally and socially important spaces throughout the centuries, more so the past two hundred years.We mourn when one has closed down. We regularly hear about their supposed demise now or in the near future. But pubs, inns, taverns, alehouses, have been part of the fabric of life in these Isles since early medieval times.They are everywhere and ever evolving in nature.On today's episode I have invited the esteemed buildings archaeologist James Wright to explain a little bit behind the myths, mysteries and misunderstandings about the institution that is the British Pub!How did you order and got served your beer in the 17th century pub? And what's a "buttery hatch"?What are some of the most prevalent myths about the oldest pub in England? Why these stories keep persisting?How did the pub started in the Medieval period and how does it differ to the pub we know today?These and many more subjects you'll find on today's episode all about the history of our beloved pubs!You can find more about James's work here:https://triskeleheritage.triskelepublishing.com/blogs/In search of Britain's oldest pubhttps://www.historyextra.com/period/general-history/britain-england-oldest-pub-where-how-identify/You can purchase his book here:https://www.waterstones.com/book/historic-building-mythbusting/james-wright/9781803994475Love,The Delicious LegacySupport this show http://supporter.acast.com/the-delicious-legacy. If you love to time-travel through food and history why not join us at https://plus.acast.com/s/the-delicious-legacy. Hosted on Acast. See acast.com/privacy for more information.

What is a leper squint? Are the marks scratched into the exterior walls of churches from damned souls trying to claw their way in?Join Matt Lewis as he welcomes back James Wright, a stonemason and historian with a passion for debunking myths about medieval buildings. Together, they explore the real stories behind architectural features like pentagrams, mason's marks, arrow stones and devil's doors. James's unique blend of practical stonemasonry experience and historical research offers fascinating insights into how these myths evolved and what they reveal about the societies that created them. Discover the hidden truths and vibrant histories once obscured by folklore in this insightful episode.Hear James Wright unravel more medieval building myths in our previous episode hereGone Medieval is presented by Matt Lewis and edited by Amy Haddow. The producer is Rob Weinberg. The senior producer is Anne-Marie Luff.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

Read by Terry Casburn Production and Sound Design by Kevin Seaman

Send us a textIn this special episode of Making Risk Flow, host Juan de Castro engages an esteemed panel of insurance industry experts during InsTech's recent Beyond Theory event in London. The panel features James Wright, Head of Technology at Beazley; Henrik Bjørnstad, Managing Director of National Markets at Markel International; and Jason Howes, Chief Transformation Officer at Allianz Insurance. Together, they explore the evolving landscape of commercial insurance, with a particular focus on digital transformation and its implications for underwriting processes.Juan prompts the panel to candidly discuss their transformation journeys, uncovering the distinct challenges each company encounters as they modernise operations and enhance customer experiences. James details Beazley's efforts to centralise operations for better SME client service, emphasising the importance of tailored underwriting for diverse risks. Jason outlines Allianz's ambitious strategy to digitise and simplify its services, underlining the need to meet rising customer expectations. Meanwhile, Henrik illustrates how prioritising workflow improvements has significantly boosted productivity and customer satisfaction in underwriting, especially in speciality lines. The discussion also delves into strategies for fostering a cultural shift among underwriters to embrace innovative digital tools.If you'd prefer to watch the episode instead, simply click here!To discover out more about digital risk processing, click here.Our previous guests include: Bronek Masojada of PPL, Simon McGinn of Allianz, Richard Coleman of Ecclesiastical, Steven Wilkins of Hiscox, Matthew Grant of InsTech, Philippe Lutgen of Howden, Paolo Cuomo of Gallagher Re, and Thierry Daucourt of AXA.Check out the three most downloaded episodes: The Five Pillars of Data Analytics Strategy in Insurance | Craig Knightly, Inigo 20 Years as CEO of Hiscox: Personal Reflections and the Evolution of PPL | Bronek Masojada Implementing ESG in the Insurance and Underwriting Space | Simon Tighe, Chaucer, and Paul McCarney, Moody's

Support us on Patreon: ⁠https://www.patreon.com/RockPaperSwordsPodcast⁠ Hailing from Staffordshire, James Wright has been involved with the world of archaeology for over twenty years. Both Archaeologist and conservation stonemason, James combined both disciplines as Archaeological and Historic Buildings Assistant at Nottinghamshire County Council between 2004-2010, where he ran the Castles of Nottinghamshire Project. James then moved on to work as a buildings archaeologist and historic stone specialist for the Museum of London Archaeology until the autumn of 2016. He has worked in several areas of the heritage sector but his principle interest is buildings archaeology and he has experience of working on properties from the eleventh to twentieth century. In 2020, James began writing the Mediaeval Mythbusting Blog which investigates and debunks commonly believed and repeated stories about ancient buildings. This project has subsequently been picked up as a book option – Historic Building Mythbusting – by The History Press and will be released on 6 June 2024. Welcome to RPS, James Wright. Useful links: https://triskeleheritage.triskelepublishing.com/ Follow us on Facebook: https://www.facebook.com/RockPaperSwordsPodcast and X https://twitter.com/rock_swords  If you enjoy the show please leave us a 5 star review where you can, and spread the word!

Today's poem demonstrates that, unlike Arnold's sideburns, loving the Bard never goes out of style. Although remembered now for his elegantly argued critical essays, Matthew Arnold, born in Laleham, Middlesex, on December 24, 1822, began his career as a poet, winning early recognition as a student at the Rugby School where his father, Thomas Arnold, had earned national acclaim as a strict and innovative headmaster. Arnold also studied at Balliol College, Oxford University. In 1844, after completing his undergraduate degree at Oxford, he returned to Rugby as a teacher of classics.After marrying in 1851, Arnold began work as a government school inspector, a grueling position which nonetheless afforded him the opportunity to travel throughout England and the Continent. Throughout his thirty-five years in this position Arnold developed an interest in education, an interest which fed into both his critical works and his poetry. Empedocles on Etna (1852) and Poems (1853) established Arnold's reputation as a poet and, in 1857, he was offered a position, which he accepted and held until 1867, as Professor of Poetry at Oxford. Arnold became the first professor to lecture in English rather than Latin. During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.Meditative and rhetorical, Arnold's poetry often wrestles with problems of psychological isolation. In “To Marguerite—Continued,” for example, Arnold revises John Donne's assertion that “No man is an island,” suggesting that we “mortals” are indeed “in the sea of life enisled.” Other well-known poems, such as “Dover Beach,” link the problem of isolation with what Arnold saw as the dwindling faith of his time. Despite his own religious doubts, a source of great anxiety for him, in several essays Arnold sought to establish the essential truth of Christianity. His most influential essays, however, were those on literary topics. In “The Function of Criticism” (1865) and “The Study of Poetry” (1880) Arnold called for a new epic poetry: a poetry that would address the moral needs of his readers, “to animate and ennoble them.” Arnold's arguments, for a renewed religious faith and an adoption of classical aesthetics and morals, are particularly representative of mainstream Victorian intellectual concerns. His approach—his gentlemanly and subtle style—to these issues, however, established criticism as an art form, and has influenced almost every major English critic since, including T. S. Eliot, Lionel Trilling, and Harold Bloom. Though perhaps less obvious, the tremendous influence of his poetry, which addresses the poet's most innermost feelings with complete transparency, can easily be seen in writers as different from each other as W. B. Yeats, James Wright, Sylvia Plath, and Sharon Olds. Late in life, in 1883 and 1886, Arnold made two lecturing tours of the United States.Matthew Arnold died in Liverpool on April 15, 1888.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

James Arlington Wright was born on December 13, 1927, in Martins Ferry, Ohio. His father worked for fifty years at a glass factory, and his mother left school at fourteen to work in a laundry; neither attended school beyond the eighth grade. While in high school in 1943, Wright suffered a nervous breakdown and missed a year of school. When he graduated in 1946, a year late, he joined the U.S. Army and was stationed in Japan during the American occupation. He then attended Kenyon College on the G.I. Bill, and studied under John Crowe Ransom. While there, he also befriended future fellow poet Robert Mezey. Wright graduated cum laude and Phi Beta Kappa in 1952. Wright traveled to Austria, where, on a Fulbright Fellowship, he studied the works of Theodor Storm and Georg Trakl at the University of Vienna. He returned to the U.S. and earned master's and doctoral degrees at the University of Washington, studying with Theodore Roethke and Stanley Kunitz. He went on to teach at The University of Minnesota, Macalester College, and New York City's Hunter College.The poverty and human suffering Wright witnessed as a child profoundly influenced his writing and he used his poetry as a mode to discuss his political and social concerns. He modeled his work after that of Thomas Hardy and Robert Frost, whose engagement with profound human issues and emotions he admired. The subjects of Wright's earlier books, The Green Wall (Yale University Press, 1957), winner of the Yale Series of Younger Poets Award, and Saint Judas (Wesleyan University Press, 1959), include men and women who have lost love or have been marginalized from society and they invite the reader to step in and experience the pain of their isolation. Wright possessed the ability to reinvent his writing style at will, moving easily from stage to stage. His earlier work adheres to conventional systems of meter and stanza, while his later work exhibits more open, looser forms, as with The Branch Will Not Break (Wesleyan University Press, 1963).Wright was elected a fellow of the Academy of American Poets in 1971, and, the following year, his Collected Poems (Wesleyan University Press) received the Pulitzer Prize in Poetry.Wright died in New York City on March 25, 1980. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Today's poem is The Big People by César Vallejo, translated by James Wright. The Slowdown is your daily poetry ritual. In this episode, Major writes… “Today's poem strikes that note of fear of being cut off from the world and the impending feelings of abandonment.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

On this episode, Jason is joined by James Wright a buildings archaeologist who specialises in mediaeval myth-busting. He talks us through the legends about a lot of England's old buildings, and what the truth actually is.Producer: Natt TapleyAudio: Pete Dennis Hosted on Acast. See acast.com/privacy for more information.

Stan's guest this week is historian Greg Brooking, discussing his new book From Empire to Revolution: Sir James Wright and the Price of Loyalty in Georgia, published on July 15 by the University of Georgia Press.

In this special bonus episode, released just ahead of Series 2, Charlie Higson welcomes the font of archaeological knowledge that is James Wright, author of Historic Building Mythbusting, a book which, well, does exactly what it says on the cover.That local pub of yours that says it's 'Ye Oldest In England'.......it probably isn't. Those secret tunnels under every town? They don't exist.Listen and marvel at the nonsense we've been told over the years. Hosted on Acast. See acast.com/privacy for more information.

James Wright (Triskele Heritage), is an award winning buildings archaeologist. He has two decades professional experience of ferreting around in people's cellars, hunting through their attics and digging up their gardens. He hopes to find meaningful truths about how ordinary and extraordinary folk lived their lives in the mediaeval period. James is the author of the popular Mediaeval Mythbusting Blog and his book Historic Building Mythbusting was released via The History Press in June 2024. In this chat, we'll explore what buildings archaeology is, some popular myths about historic buildings, and what this can tell us about folklore. James website: https://triskeleheritage.com/ Buy Historic Building Mythbusting: Uncovering Folklore, History and Archaeology: https://amzn.to/3LYWPGl Find James on Instagram: https://www.instagram.com/jpwarchaeology/ Get your free guide to home protection the folklore way here: https://www.icysedgwick.com/fab-folklore/ Become a member of the Fabulous Folklore Family for bonus episodes and articles at https://patreon.com/bePatron?u=2380595 Fabulous Folklore Bookshop: https://uk.bookshop.org/shop/fabulous_folklore Enjoyed this episode and want to show your appreciation? Buy Icy a coffee to say 'thanks' at: https://ko-fi.com/icysedgwick Pre-recorded illustrated talks: https://ko-fi.com/icysedgwick/shop Request an episode: https://forms.gle/gqG7xQNLfbMg1mDv7 Get extra snippets of folklore on Instagram at https://instagram.com/icysedgwick 'Like' Fabulous Folklore on Facebook: https://www.facebook.com/fabulousfolklore/ Find Icy on BlueSky: https://bsky.app/profile/icysedgwick.bsky.social Tweet Icy at https://x.com/IcySedgwick

Why were medieval monks so afraid of going to the loo? In the second episode of our mini-series Toilets Through Time, David Musgrove heads into the dark and dangerous world of medieval latrines on a quest to find out. Helping him navigate the risks of fire, filth and eternal damnation that came with paying a visit in the Middle Ages is author, architectural archaeologist and medieval myth-buster James Wright. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today's poem is a shape poem dedicated to chefs, but (surprise?) it might be about more than cooking.John Hollander, one of contemporary poetry's foremost poets, editors, and anthologists, grew up in New York City. He studied at Columbia University and Indiana University, and he was a Junior Fellow of the Society of Fellows of Harvard University. Hollander received numerous awards and fellowships, including the Levinson Prize, a MacArthur Foundation grant, and the poet laureateship of Connecticut. He served as a Chancellor of the Academy of American Poets, and he taught at Hunter College, Connecticut College, and Yale University, where he was the Sterling Professor emeritus of English.Over the course of an astonishing career, Hollander influenced generations of poets and thinkers with his critical work, his anthologies and his poetry. In the words of J.D. McClatchy, Hollander was “a formidable presence in American literary life.” Hollander's eminence as a scholar and critic was in some ways greater than his reputation as a poet. His groundbreaking introduction to form and prosody Rhyme's Reason (1981), as well as his work as an anthologist, has ensured him a place as one of the 20th-century's great, original literary critics. Hollander's critical writing is known for its extreme erudition and graceful touch. Hollander's poetry possesses many of the same qualities, though the wide range of allusion and technical virtuosity can make it seem “difficult” to a general readership.Hollander's first poetry collection, A Crackling of Thorns (1958) won the prestigious Yale Series of Younger Poets Awards, judged by W.H. Auden. And in fact James K. Robinson in the Southern Review found that Hollander's “early poetry resembles Auden's in its wit, its learned allusiveness, its prosodic mastery.” Hollander's technique continued to develop through later books like Visions from the Ramble (1965) and The Night Mirror (1971). Broader in range and scope than his previous work, Hollander's Tales Told of the Fathers (1975) and Spectral Emanations (1978) heralded his arrival as a major force in contemporary poetry. Reviewing Spectral Emanations for the New Republic, Harold Bloom reflected on his changing impressions of the poet's work over the first 20 years of his career: “I read [A Crackling of Thorns] … soon after I first met the poet, and was rather more impressed by the man than by the book. It has taken 20 years for the emotional complexity, spiritual anguish, and intellectual and moral power of the man to become the book. The enormous mastery of verse was there from the start, and is there still … But there seemed almost always to be more knowledge and insight within Hollander than the verse could accommodate.” Bloom found in Spectral Emanations “another poet as vital and accomplished as [A.R.] Ammons, [James] Merrill, [W.S.] Merwin, [John] Ashbery, James Wright, an immense augmentation to what is clearly a group of major poets.”Shortly after Spectral Emanations, Hollander published Blue Wine and Other Poems (1979), a volume which a number of critics have identified as an important milestone in Hollander's life and career. Reviewing the work for the New Leader, Phoebe Pettingell remarked, “I would guess from the evidence of Blue Wine that John Hollander is now at the crossroads of his own midlife journey, picking out a new direction to follow.” Hollander's new direction proved to be incredibly fruitful: his next books were unqualified successes. Powers of Thirteen (1983) won the Bollingen Prize from Yale University and In Time and Place (1986) was highly praised for its blend of verse and prose. In the Times Literary Supplement, Jay Parini believed “an elegiac tone dominates this book, which begins with a sequence of 34 poems in the In Memoriam stanza. These interconnecting lyrics are exquisite and moving, superior to almost anything else Hollander has ever written.” Parini described the book as “a landmark in contemporary poetry.” McClatchy held up In Time and Place as evidence that Hollander is “part conjurer and part philosopher, one of our language's true mythographers and one of its very best poets.”Hollander continued to publish challenging, technically stunning verse throughout the 1980s and '90s. His Selected Poetry (1993) was released simultaneously with Tesserae (1993); Figurehead and Other Poems (1999) came a few years later. “The work collected in [Tesserae and Other Poems and Selected Poetry] makes clear that John Hollander is a considerable poet,” New Republic reviewer Vernon Shetley remarked, “but it may leave readers wondering still, thirty-five years after his first book … exactly what kind of poet Hollander is.” Shetley recognized the sheer variety of Hollander's work, but also noted the peculiar absence of anything like a personality, “as if the poet had taken to heart, much more fully than its author, Eliot's dictum that poetry should embody ‘emotion which has its life in the poem and not in the history of the poet.'” Another frequent charge leveled against Hollander's work is that it is “philosophical verse.” Reviewing A Draft of Light (2008) for Jacket Magazine, Alex Lewis argued that instead of writing “philosophizing verse,” Hollander actually “borrows from philosophy a language and a way of thought. Hollander's poems are frequently meta-poems that create further meaning out of their own self-interrogations, out of their own reflexivity.” As always, the poems are underpinned by an enormous amount of learning and incredible technical expertise and require “a good deal of time and thought to unravel,” Lewis admitted. But the rewards are great: “the book deepens every time that I read it,” Lewis wrote, adding that Hollander's later years have given his work grandeur akin to Thomas Hardy and Wallace Stevens.Hollander's work as a critic and anthologist has been widely praised from the start. As editor, he has worked on volumes of poets as diverse as Ben Jonson and Dante Gabriel Rossetti; his anthologist's credentials are impeccable. He was widely praised for the expansive American Poetry: The Nineteenth Century (1994), two volumes of verse including ballads, sonnets, epic poetry, and even folk songs. Herbert Mitgang of the New York Times praised the range of poets and authors included in the anthology: “Mr. Hollander has a large vision at work in these highly original volumes of verse. Without passing critical judgment, he allows the reader to savor not only the geniuses but also the second-rank writers of the era.” Hollander also worked on the companion volume, American Poetry: The Twentieth Century (2000) with fellow poets and scholars Robert Hass, Carolyn Kizer, Nathaniel Mackey, and Marjorie Perloff.Hollander's prose and criticism has been read and absorbed by generations of readers and writers. Perhaps his most lasting work is Rhyme's Reason. In an interview with Paul Devlin of St. John's University, Hollander described the impetus behind the volume: “Thinking of my own students, and of how there was no such guide to the varieties of verse in English to which I could send them and that would help teach them to notice things about the examples presented—to see how the particular stanza or rhythmic scheme or whatever was being used by the particular words of the particular poem, for example—I got to work and with a speed which now alarms me produced a manuscript for the first edition of the book. I've never had more immediate fun writing a book.” Hollander's other works of criticism include The Work of Poetry (1993), The Poetry of Everyday Life (1997), and Poetry and Music (2003).Hollander died on August 17, 2013 in Branford, Connecticut.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Book Club #102 - Richard talks to archaeologist and trained stonemason James Wright about his terrific book busting some of the myths about ancient buildings. They chat about why people wrongly believe that spiral staircases are often clockwise, how castles were bling rather than defensive, why you can't trust anything written on a pub, why stonemasons carved grotesque and pornographic sculptures on churches (and pre-empted one of Richard's best known emergency questions), what the marks left on buildings might have meant and why the truth in most of these cases is far more interesting than the lies.Visit James' website - https://triskeleheritage.triskelepublishing.com/mythbustingtour/Buy the book here - https://uk.bookshop.org/p/books/historic-building-mythbusting-uncovering-folklore-history-and-archaeology-james-wright/7633234?ean=9781803994475See Rich's stand-up tour Can I Have My Ball Back - https://richardherring.com/ballback/ Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the PRmoment Podcast. I've been looking forward to this one. We're chatting with James Wright, the global chairman of Havas PR.James is one of a decent number of British PR folks who have moved to Australia. Havas PR has had a good run globally and in the UK over the past few years. Global revenues are reported to be $236 m in 2023, up 5% on the previous year. Havas PR has 1600 employees globally.Before we start, a plug for our new subscription training service for senior folks within agencies, PRmoment Leaders. The programme of activity, including the tutorials, is now underway. If you're interested in learning more about this bespoke training programme for agency leaders, we'll include the link in the show notes.Also, do take a look at our latest PR Masterclass: PR and AI, which will be held on July 2nd in London. At this one event, 12 experts will give 10 Masterclasses on PR & AI. Face-to-face and virtual tickets are available.Finally, thanks so much to the PRmoment Podcast sponsors the PRCA.Here is a summary of what James and I discussed:3 mins James talks us through the recent growth of Havas's PR revenues.“Some markets are going really, really well, some markets are sluggish this year.”“2023 was a very good year for us.”“Havas Red started at $19 m in 2019, now $57m. Part of that is through acquisition. A great deal of that is organic.”4.30 mins James talks us through the shape of Havas PR. Where do Havas Red, H/Advisors and One Green Bean fit together?“We've gone from having 28/29 PR brands to 5 or 6.”“Our global PR group is now Havas Red. It now exists in 19 markets, soon to be 20 and 21 before the end of the year.”8 mins How does PR fit into an integrated offer within Havas? What type of work and what channels is PR responsible for?“The strategy for Havas Red was to continue to own the earned but now to earn the owned…Over time, we have put social content and data solutions at the centre of our agency. In the US, when we started, only 3% of our revenues were social content. It's now 40%.  In the UK, it's a similar number.”“For me, the concept of earned has changed from earned coverage to earned conversations.”“Ad agencies just aren't set up to fast turnaround content.”22 mins “The UK has been a massive success for us since we started in 2019 with just a few hundred thousand pounds to where it is now. The team there, led by Rachael Sansom, have done a phenomenal job.”24 mins PR revenue-wise, Havas seems to have outgrown your holding group peers, albeit from a lower base.24. 30 mins Does the Havas PR group follow the broad revenue model of most other international PR firms? Are the bulk of the revenues in North America?25 mins What's it like doing a global role from Sydney? Does James ever sleep?“Sydney is the only place in the world where you can live a world-class lifestyle and do world-class work.”28 mins James talks about the Australia PR scene in Australia.“Consumer confidence is super low at the moment.”“We hub some of our global accounts from here now. They just love the talent here.”31 mins James talks about Havas' approach to digital technology.36 mins How big does James want Havas PR to get to? “There is a very good opportunity in the next five years to break the $300 m mark.”37 mins

Robert Bly (born December 23, 1926, in Madison, Minnesota) is the author of more than thirty books of poetry, including Stealing Sugar from the Castle: Selected Poems (W. W. Norton, 2013); Talking into the Ear of a Donkey: Poems(W. W. Norton, 2011); Reaching Out to the World: New and Selected Prose Poems (White Pine Press, 2009); My Sentence Was a Thousand Years of Joy (HarperCollins, 2005); The Night Abraham Called to the Stars (HarperCollins, 2001); Loving a Woman in Two Worlds (Dial Press, 1985); This Body is Made of Camphor and Gopherwood (Harper & Row, 1977); and The Light Around the Body (Harper & Row, 1967), which won the National Book Award.As the editor of the magazine The Sixties (begun as The Fifties), Bly introduced many unknown European and South American poets to an American audience. He is also the editor of numerous collections including (Beacon Press, 2007); Mirabai: Ecstatic Poems(Beacon Press, 2004), co-authored with Jane Hirshfield; The Soul Is Here for Its Own Joy: Sacred Poems from Many Cultures (HarperCollins, 1995); Leaping Poetry: An Idea with Poems and Translations (Beacon Press, 1975); The Rag and Bone Shop of the Heart: Poems for Men (HarperCollins, 1992); News of the Universe: Poems of Twofold Consciousness (Sierra Club Books, 1980); and A Poetry Reading Against the Vietnam War (American Writers Against the Vietnam War, 1966). Among his many books of translations are Lorca and Jiminez: Selected Poems (Beacon Press, 1997); Times Alone: Selected Poems of Antonio Machado (Wesleyan University Press, 1983); The Kabir Book: Ecstatic Poems (Beacon Press, 1977); Friends, You Drank Some Darkness: Three Swedish Poets—Martinson, Ekeloef, and Transtromer (Beacon Press, 1975); and Neruda and Vallejo: Selected Poems (Beacon Press, 1971), co-translated with John Knoepfle and James Wright.Bly's honors include Guggenheim, Rockefeller, and National Endowment for the Arts fellowships, as well as The Robert Frost Medal from the Poetry Society of America.Bly lived on a farm in the western part of Minnesota with his wife and three children until his death on November 21, 2021.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

On this episode of the Two Bucks Podcast, Brian talks with James Wright about starting a custom fishing lure brand from the ground up! James is the founder of Wrighteous Tackle and creates some amazing custom painted fishing lures with unmatched quality and color. James shares some of his story about starting his own business including landing on the perfect brand name, and what he has done to continue to grow his business and keep making awesome lures! Click the links below to check out more from James and Wrighteous Tackle. https://www.instagram.com/wrighteous_tackle/ https://wrighteoustackle.com/       Connect with Brian: https://linktr.ee/twobuckspodcast   Have Questions or Comments? Send an email to Brian@twobuckspodcast.com!   Sponsors & Discounts! GOHUNT Insider - $50 Gear Shop Credit with code WESTERN https://tr.ee/2rRpTKh4TF Save $150 on Steelhead Outdoors Gun Safes with code TWOBUCKS https://bit.ly/Steelheadoutdoors Save10% on Maverick Hunting Blinds & Accessories with code WESTERNROOKIE https://bit.ly/MaverickHuntingBlinds Save 10% on Ollin Digiscoping Adapters with code TWOBUCKS https://bit.ly/OllinCodeTWOBUCKS Save 20% on your first order at Bull Elk Beard Oil with code TWOBUCKS https://bit.ly/BullElkBeardOilCodeTWOBUCKS Do you have an Outdoor Brand or Business? https://twobuckspodcast.com/be-a-guest

On this week's episode of Local Legends, Martin gathers round the campfire with Nottinghamshire local and author of the fascinating new book Historic Building Mythbusting, James Wright.Though a long-time resident of Nottinghamshire and a genuine expert in its historic buildings and folklore, James was born in Staffordshire and has been involved with the world of archaeology for over twenty years. Following his graduation from the Department of Archaeology at the University of Nottingham, he qualified as a conservation stonemason and these days works mostly as a buildings archaeologist, investigating ancient places and revealing their hidden secrets. In addition to running the Castles of Nottinghamshire Project for Nottinghamshire County Council, winning a British Archaeological Award for his work at Knole in Kent, and a Collaborative Doctoral Award with the National Trust for his work on Tattershall Castle in Lincolnshire, James has led many major projects, including at sites like the Tower of London, the Palace of Westminster, Southwark Cathedral, and King John's Palace in Nottinghamshire.In 2020 however he began writing the 'Mediaeval Mythbusting Blog' and that project was then picked up as a book – Historic Building Mythbusting: Uncovering Folklore, History, and Archaeology, which was published this week.He's a fascinating chap with genuine expertise in Nottinghamshire's culture and heritage. And he's not afraid to take a pigeon to the face in the pursuit of science. So, settle in and enjoy a ranging chat that includes a diverse array of topics, from Goose Fairs and Robin Hood to saucy carvings, Lord Byron, secret tunnels, and much more besides.You can find out more about James, read his blog, and learn about the new book, on his website at https://triskeleheritage.triskelepublishing.com/ The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

A leading ladies game leads to a tombstone-poetry pop quiz before Monica Farrell reads a poem by Michael Dumanis. Happy Pride Month!Watch Anne Sexton respond to a vile review (published in The Southern Review) of Live or Die.  Read "Menstruation at Forty" from Live or Die.  Read "Rapunzel" from Sexton's Transformations.On Watch What Happens Live with Andy Cohen, appearing with Natalie Portman to promote May December, Julianne Moore names her performance in Far From Heaven as her "personal best performance." On another episode, Moore talks about being fired from CanYou Every Forgive Me?  by Nicole Holofcener. Here's the receipts for why.It's not just Aaron who doesn't think of Moonstruck as romantic comedy.Read "The Wicked Candor of Wanda Coleman." Read this terrific appreciation of Kathy Acker in The LA Review of Books.Here's the New Yorker profile in which Judith Butler tells the story of her job interview at Williams in the late 1980s. James Wright's first book The Green Wall won the Yale Younger  in 1957 (chosen by Auden) and is full of formal verse. Compare "On the Skeleton of a Hound" (from The Green Wall) with "A Blessing" (from his 3rd book, The Branch Will Not Break).Kim Addonizio's poem "What Women Want" is the poem James was thinking about. It was first published in Tell Me.  You can buy Diannely Antigua's new book Good Monster, just out from Copper Canyon Press.The epitaph on Auden's grave is from his poem "In Memory of WB Yeats," which you can listen to Auden reading here.Read Dorothy Parker's "Interview."Watch this intro to the project at Canterbury Christchurch University's celebrating Aphra Behn. Read her poem "Love Armed."The epitaph on Kenyon's and Hall's tombstone is from her poem "Afternoon at MacDowell"At the end of the episode, Monica Ferrell reads Michael Dumanis's poem "East Liverpool, Ohio" from his new book Creature. Read a conversation with Michael in Adroit here.

On this week's episode we're headed back to Nottinghamshire, and Martin is telling his take on the legend of Robin Hood!We start off discussing St Elmo, witchfire, and his three rather unpleasant deaths, after which we head to Nottinghamshire.In addition to chatting about Southwell Minster, Newark Castle ruins, and a pretty epic story associated with St Catherine's Well, we then chew over 'Nottinghamshire Pudding' in County Dishes, while also recounting the tangy history of Houses of Parliament Sauce.After some folkloric chat about topics including The Fair Maid of Clifton, The Brokilow Boggan, and Nottinghamshire's own mysterious black dog, plus some excerpts from this week's Local Legends interview with archaeologist, Notts' local, and author of the new book Historic Building Mythbusting James Wright, it's onto the main event: Martin's telling of "The Many Deaths of Robin Hood."Speak to you again on Thursday for our new Dying Arts bonus episode all about the history of Glove Making!The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Send us a Text Message.We talk to James Wright - Award-winning Buildings Archaeologist. With over two decades experience working in the archaeology field, James is now set to revisit his music touring roots but in a slightly different way with an 80 plus date of the UK promoting his new book - Historic Buildings Mythbusting. We chat all about his journey which has intertwined his love of history and music from his childhood years right through to today.Presented in association with Affinity Photo - The hottest photo editing software on iPad, Mac & PChttps://affinity.serif.com/photoIntro Music by Johnny Monacohttps://www.johnnymonaco.com/ Incidental Music by Night Fires Please visit The Straight To Video Patreon Page to find out how you can help grow this show. https://www.patreon.com/80sVideoShop

Daily Quote士君子持身不可轻，轻则物能扰我，而无悠闲镇定之趣；用意不可重，重则我为物泥，而无潇洒活泼之机。（《菜根谭》）Poem of the DayMay MorningJames WrightBeauty of Words书朱湘

What is chemistry? Neil deGrasse Tyson and comedian Chuck Nice take fan questions on exothermic reactions, PFAS, ice cream, sugar, fire, and more with Kate Biberdorf, aka Kate the Chemist.NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/the-magic-of-chemistry-with-kate-the-chemist/Thanks to our Patrons Mark Baum, Ezequiel Adatto, James Wright, Vector169, Ray Rimes, Christopher Haws, Ruben Ramen, Kim Fletter, Daniel Brown, and Joy Pinero-Deniz for supporting us this week.

These days we're in the era of the Personal Position Statement as we saw in the recent National Book Awards ceremony in New York. There is no NBA for humor because the event is all about Taking Ourselves Very Seriously As Compensation For Slights We Have Suffered From The Uncomprehending World. The winner of the poetry prize, a man from Guam, accepted it on behalf of the poets of the Pacific islands. The translation award was accepted on behalf of gay men, the nonfiction award on behalf of indigenous peoples. If I'd been given the NBA for Brief Amusing Essays, I would've needed to accept it on behalf of recovering fundamentalists or overlooked Midwesterners or the marginalized octogenarian and nothing would be said about literary quality.It was not always thus. I remember loving Theodore Roethke's work, not as vindication of the humanity of bipolar persons, and James Wright's, not as honoring the personhood of Ohioans, but because their poems were memorable, stuck with me, were beautiful to my ear, and still are, fifty years later. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

What is National Poetry Writing Month?Welcome, art enthusiasts and wordsmiths alike, to another episode of Create Art Podcast! We are diving headfirst into the enchanting world of poetry as we celebrate National Poetry Writing Month (NaPoWriMo). This annual event, which takes place every April, encourages poets and aspiring writers around the globe to embrace their creativity and commit to writing a poem each day for the entire month.The Beauty of National Poetry Writing Month:NaPoWriMo, similar to its prose-centric counterpart National Novel Writing Month (NaNoWriMo), is a celebration of the written word and the boundless creativity that can flow when one dedicates themselves to a daily practice. Poets of all levels of expertise are invited to take part, from seasoned wordsmiths to those just dipping their toes into the vast ocean of verse.Create Art Podcast has always been a haven for artists to share their creative processes, and NaPoWriMo offers a unique opportunity for poets to reflect on their craft. With a daily commitment to producing poetry, participants discover new facets of their writing style, experiment with various forms, and explore uncharted emotional territories.Prompt for todayhere's today's (optional) prompt, taken from our 2016 archives. Today, we challenge you to write a poem in which you closely describe an object or place, and then end with a much more abstract line that doesn't seemingly have anything to do with that object or place, but which, of course, really does. The “surprise” ending to this James Wright poem is a good illustration of the effect we're hoping you'll achieve. An abstract, philosophical kind of statement closing out a poem that is otherwise intensely focused on physical, sensory details.Poem for TodayWinning 16 April 24 Awakened by a child's nightmare The rest of the morning wrecked with thoughts that won't stop Remembering almost 16 years ago Sleeping on a beanbag Forgetting the name of the company I worked for Remembering how I used to roll my own cigarettes Smelling the encrusted tobacco on my yellowing fingers Buying my first house and worrying about how to pay for it The kid behind these eyes With spiked hair and a ponytail Modified mullet Dangling earrings Wearing a real leather jacket with chains Always afraid of the dark And the secrets it holds Finding a tribe in the places that god hated That same tribe dispersed throughout the big sky country Listening to an old guy singing songs badly, on purpose These thoughts come back as I hold my babies I am a man Not wanting to uphold the easy definition These thoughts come through at 6:34 AM EDT While a television plays the news of the world And the fan cools the air Moving it from one end of the room to the other A child with pink eye, a child with anxiety Two cats prowl the grounds One with a single clouded eye, the other with diabetes A snoring wife, whose dreams I am not allowed to see A half-painted picture by numbers facing away from me Photo Negatives is not how you should live your life Reach Out To The PodcastTo reach out to me,...

This week on the episode, MTMJ Podcast W/ The Wife starts by discussing a city in Alaska where everyone lives in one building that has everything they need to survive (09:31), then the subject of the Amish community pops up (11:49), and Hallie Berry misdiagnosis (14:37). Conjoined twins get married (19:48), traditions that are missed and need to return (26:14), and those moments that remind you why you and your partner are together (29:15). They give their reaction to the bridge in Baltimore collapsing after being hit by a container ship (34:40), Teyana Taylor is concerned with Iman Shumpert's behavior around their kids (40:04), and James Wright gives update after taking a punch from Chrisean Rock (48:23). The host of MTMJ Podcast W/ The Wife invites you to YouTube to view the behind the scene of this audio adventure. They hope you enjoyed this episode and before you leave please Rate & Review the podcast.

. Hey You Guys! Welcome to the “ Jst Us” Podcast! Season 3 Make sure to Like, Comment, and Subscribe! For business Email: Jstuspod@gmail.com

Cultural Sociologist Rachel Hurdley travels round England and Wales to uncover what walls tell us about how we live, from iron age roundhouses to Victorian mansions, medieval halls to terraced workers' cottages, castles to the domestic interiors of today.Rachel explores how walls, which we often take for granted, define the spaces we inhabit and make sense of everyday life and our place in the world, talking to a range of experts and academics including architectural writer Jonathan Glancey. She tries her hand at making wattle and daub for roundhouses at Castell Henllys in Wales, with archaeologist Dr David Howell . She climbs through the thick stone walls of the Norman castle at Conisbrough in South Yorkshire, with buildings archaeologist James Wright and English Heritage curator Kevin Booth. From the top of the tower, Rachel explores ideas of status and wealth, where building the tallest tower was as much about impressing the neighbours, as it was about military defence and protecting the vast wealth of the aristocratic elite. She also visits St Fagans National Museum of History Wales – a living museum of vernacular buildings throughout the ages. Rachel looks at the way walls have redefined our living spaces from medieval times, such as the longhouses where farmers lived side by side with their animals and the great medieval halls. Here, daily life carried on in one space – masters and servants - until the ruling family was wealthy enough to seek privacy by building first floor solars. Now in modern day Britain, privacy can be at a premium in warehouses and factories converted into rented accommodation to meet to housing demand in sought after areas such as Hackney in London. She also hears stories of horror and superstition – people and animals incarcerated in walls – as well as the use of burn marks at Gainsborough Old Hall in Lincolnshire to keep evil spirits away and visits one of the oldest medieval houses to survive in England, the National Trust's Ightham Mote in Kent, to see centuries of change through its walls with conservation architect Stuart Page and collections manager Amanda Doran, She looks at how fashions and styles have changed with a visit the Museum of the Home where Director Dr Sonia Solicari tells Rachel more about social change through the Museum room sets. Wallpaper was a game changer, a much cheaper alternative to tapestries or rich wall paintings. She hears some surprising facts - the introduction in the 18th century of wallpaper tax, and also how the arsenic in some of the wallpaper pigments was poisoning people. Yet it was the industrial revolution which brought wallpaper and the other mass produced trappings of the home to almost everyone and a chance to curate our spaces - like those of British born Caribbean playwright and artist Michael McMillan, who remembers from his childhood the power of the front room to impress and reveal who we are.Presenter: Rachel Hurdley Producer: Sara Parker Executive Producer: Samir Shah A Juniper production for BBC Radio 4

SHOW NOTES... We've been talking a lot about Education of late, and the insurmountable problem of getting kids interested in reading if they aren't already. Two clear thoughts have emerged.      One, I think the tired but all-too-accurate metaphor that American society is an Allegory of High School (jocks, cheerleaders, druggies and criminals in the making, nerds, and disaffected sub-groups, etc.) is becoming more concrete and congruent with each passing year. The only new element I see is the School Shooting. Telling.       But as I was thinking about reading in this context, I realized I don't recall learning to read myself very well. I vividly remember the discomfort of learning to handwrite (print and cursive). The pencils always seemed too big for my hands. What I do recall about early reading is that it meant Independence. I didn't have to rely on my grandmother or older sister. For me, reading was an expression of masculine self-determination—stepping out from the females who both dominated and positively directed my young life. How many people today would see reading as an expression of masculinity? How odd. Only a short while ago, our most important poets were men like James Dickey, James Wright, and W.S. Merwin. Those days seem long ago.      The second thought to reveal itself from this stream was The Bicycle. I used to ride my green Schwinn 3-speed to a bookstore in a strip mall to purchase the next Hardy Boy book I hadn't read. One rainy day, I realized I'd eventually run out of Hardy Boys…so I feverishly began creating my own deeply imitative series The Benton Boys. My real, private passion about writing came out of Fan Fiction. I openly borrowed characters. I just didn't want to run out of story.      I paid for the Green Bike myself…with the money I earned cleaning toilets and vacuuming floors for an industrial dry cleaner, starting at age 9. The job gave me more than $ and work ethic pride. It was a place to be after school in the strange days following my violent rape in 4th grade. The Green Bike was what I needed. The rape would never have happened if I'd had a bike. I made a major correction of reality. The Hardy Boys entered in…and then the Benton Boys. Reading + Green Bike = Independence.

Tarek El-Ariss, James Wright professor and chair of Middle Eastern studies at Dartmouth College, and Susannah Heschel, Eli M. Black distinguished professor of Jewish studies at Dartmouth College, lead the conversation on navigating academic discourse on Israel and Palestine.

An episode from 1/19/24: Tonight, I read a handful of poems about childhood. How does poetry capture our earliest memories, and how can it express the act of remembering itself, of nostalgia? The poems are: The Pennycandystore Beyond the El, by Lawrence Ferlinghetti (1919-2021) "Other echoes/Inhabit the garden," from Burnt Norton, by T. S. Eliot (1888-1965) Squarings #40, by Seamus Heaney (1939-2013) A Map of the Western Part of the County of Essex in England, by Denise Levertov (1923-1997) Those Winter Sundays, by Robert Hayden (1913-1980) Learning to Read, by Laurie Sheck (1953-) My Papa's Waltz, by Theodore Roethke (1908-1963) The Latin Lesson, by Eavan Boland (1944-2020) Fern Hill, by Dylan Thomas (1914-1953) The Leaving, by Brigit Pegeen Kelly (1951-2016) The Month of June: 13 1/2, by Sharon Olds (1942-) Autumn Begins in Martins Ferry, Ohio, by James Wright (1927-1980) "I'm ceded" (#508), by Emily Dickinson (1830-1886) Soap Suds, by Louis MacNeice (1907-1963) You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. Email me at humanvoiceswakeus1@gmail.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/message Support this podcast: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/support

The real liquid solid for adults turned into Silly Putty for the kid inside all of us. Natural rubber was hard to get and Silly Putty was the mistake that created an empire. Dave Young: Welcome to the Empire Builders podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I'm Stephen's sidekick and business partner Dave Young. Before we get into today's episode, a word from our sponsor, which is, well, it's us, but we're highlighting ads we've written and produced for our clients. So here's one of those. [Irock Plumbing Ad] Dave Young: Welcome back to the Empire Builders podcast, Dave Young here alongside Stephen Simple. Stephen just whispered the name of today's topic into my ear, and it's one that I've certainly heard of. It's one that I have vast amounts of experience with as a child. We're going to find out if they're even still around because they must be, they built an empire. I think I know a little bit of the back story. It's sort of an accidental product called Silly Putty. Stephen Semple: Yes, Silly Putty. To give you an idea of how big Silly Putty is, there's been 350 million eggs sold, which would account to about 4,500 tons of Silly Putty in the world. It's in the National Toy Hall of Fame, and it's in the Smithsonian Institute. Dave Young: One of my favorite things to do with Silly Putty is probably not something that today's kids can do much with it because nobody buys newspapers anymore, but used to be able to smash the Silly Putty onto the comic strips. It would lift a little bit of the ink off, and that would be kind of fun. Stephen Semple: You could stretch it. Dave Young: Yeah. Kind of a goofy product. There's no legit purpose for it other than just to play with it in your hands. Stephen Semple: Invention of Silly Putty is disputed, actually. Some say Earl Warrick from Dow Corning, some say that was the inventor. Most including Crayola, who are now the owners of Silly Putty attribute it to James Wright at GE Labs in New Haven, Connecticut. So most say it was James Wright. So we're going to go with it being James Wright. Any case, whichever one was the inventor, it was invented in 1943 and today it's one of the best-selling toys in the world. As we're talking about, it's in the National Toy Hall of Fame, in the Smithsonian Institute. Dave Young: So 1943 puts it right in the middle of World War II, and we're fighting to stop the Axis and the Nazi powers. If I recall, if I heard a story once, it was like they were trying to invent something that was part of the war effort. Stephen Semple: Yes. In fact, that's exactly what it was. Again, just give you an idea of Peter Hodgson is the person who ran with Silly Putty and popularized it. In 1976, when he died, his estate was worth $140 million, which is probably in today's dollars 600 million. He did really well. He did really well by this. You're right. It was a year after he passed away that it was sold to Crayola. Back to GE Labs in 1941, Japan invades the rubber producing countries at the beginning of World War II creating all sorts of shortages. If you take a look at the countries that they invaded at the beginning, they were all basically countries that were the source of natural rubber because at the time, rubber came from the sap of trees, rubber was used in tires and rafts and aircraft products, and they were all made from natural rubber. That was the only rubber that was around. So basically companies like GE with the war effort were looking for a substitute. They were trying to find a substitution for natural rubber. James Wright was working on the problem, and he came up with a compound that was soft, sticky, stretchable. What made it unusual is that it can be compressed and it's a solid that can be cut, but when it's balled up, it bounces.

0:00:00 Introduction Richard Saunders, live from Sydney Skeptics in the Pub. 0:02:20 Maynard's Spooky Action Susan Gerbic Interview. Part #3 of 3 Maynard interviews the one and only Susan Gerbic, live from The Skeptic Zone Studios. Susan tells Maynard about how her team follow the Wikipedia rules. https://www.abouttimeproject.org 0:17:36 The Book of Tim. With Tim Mendham An interview with Tim conducted at Sydney Skeptics in the pub. Tim talks about why he got interested in skepticism and the early days of the journal from Australian Skeptics, The Skeptic. http://www.skeptics.com.au 0:27:26 A Dive into a Trove A wander through the decades of digitised Australian newspapers on a search for references to the TV doctor, Dr James Wright. 1983.06.19 - The Sydney Morning Herald http://www.trove.nla.gov.au Also Surf Coast Skepticamp 2024 http://tinyurl.com/scsc2024

In 2022, James Wright and Tiffany Russell helped initiate a groundbreaking three-digit voice and text hotline, the 988 Lifeline, that enables individuals in crisis to access trained counselors 24/7 via calls, texts or online chats. In this episode, they are joined by Jennifer Battle, the vice president of community access and engagement at the Harris Center, one of Texas' largest providers for individuals with behavioral health and developmental needs. Together, Wright, Russell and Battle discuss how the Substance Abuse and Mental Health Services Administration collaborates with and supports more than 200 crisis centers across the nation, delivering tailored mental health services to diverse communities. The Partnership for Public Service is recognizing Wright and two of his colleagues as finalists for a 2023 Service to America Medals® award.   Additional Resources: Learn more about 988. Learn more about the 988 Suicide and Crisis Lifeline. Learn more about the 988 Implementation Guideline Playbooks. A complete transcript of this episode can be found here.

Did chrissean Rock really assult James Wright? WE DO NOT CLAIM TO BE LEGAL PROFESSIONALS ‼️EVERYTHING IS PUBLIC KNOWLEDGE AND THESE ARE PERSONAL EXPERIENCES OF THE INDIVIDUALS BEING INTERVIEWED OUR RESPONDS IS A REPLAY OF WHATS BEEN ON PUBLIC RECORD AND OR EVENTS THATS BEEN ON PUBLIC RECORD! • Donate cashapp: $NSMeettheshu paypal: meettheshu2019@gmail.com • Support our Sponsors: • Lena Body Butter www.lenasbodybutterplus.com • Bossed up beauty boutique Waist trainers/ Active wear www.bossedupbeauties.com • Cashmere Lux hair products Natural Hair products www.cashmereluxhairsalon.com

Let's dish on this recent Chrisean Rock, James Wright and Tamar Braxton drama and have a real conversation about "mixy culture." --- Support this podcast: https://podcasters.spotify.com/pod/show/thecakedish/support

See omnystudio.com/listener for privacy information.

Amanda kicks things off with health awareness on World Diabetes Day, reminding us to be mindful of what we consume, even for our furry friends. National Seat Belt Day urges us to buckle up for a fantastic show ahead. Blackurate News delves into Lloyd's of London's apology for its role in slavery, sparking a discussion on reparations. The Voting and Venting segment features listener calls on various voting-related topics. SAG-AFTRA's resolution with Hollywood studios after a 100-day strike is explored, with Amanda weighing in on key aspects. A Color Purple quiz for team members adds a fun twist, followed by a thought-provoking segment on Whoopi Goldberg's views on millennials and Gen Z-ers' work ethic. The episode wraps with insights on recent headlines, a Color Purple quiz, and Amanda's witty take on politicians.   Listen, Laugh, and Learn with The Amanda Seales Show   FOLLOW ALONG AS WE COVER:   (4:58) - Whoopi Goldberg is receiving backlash after suggesting millennials and Gen Z-ers have poor work ethic. A recent episode on “The View” featured the hosts discussing the current economic climate, including housing, finances, and being parents. Let's hear Whoopi's comments.   (9:50) - It's time for our new segment– Voting and Venting! This is your opportunity (and mine) to vent about anything related to voting– contemplating who should get your vote? Vexed about certain laws being voted on in your city? We wanna hear about it! It's time to vent. Let's go to the phone lines.   (14:17) - 60 Second Headlines   Beyoncé dropped a brand new trailer for her upcoming tour film. The movie takes us behind the scenes of her Renaissance world tour. NY Attorney General Letitia James has announced that Uber and Lyft will start laying plans to implement a minimum wage and paid sick leave for drivers in the New York area. Dr. Jill Stein has announced a surprise presidential bid, seeking the Green Party's 2024 nomination! Atlanta's nightlife may get a boost as the city proposes to extend “last call” from 2:30 am until 4 am under the Atlanta Hospitality Act. A Judge has granted prosecutors the right to present a collective of Young Thug's rap lyrics in the trial against him and his YSL associates amid their controversial RICO case.   (17:06) – We'll go to the phone lines.   (21:29) - Coming up this hour in Blackurate News:   The UK insurance market, Lloyd's of London, says they are deeply sorry for their role in the slave trade. That's it? Sorry?! Also, after over 100 days, the actors' strike is over. We'll highlight some of the terms of the deal. Plus, the Big Up/Let Down… The Big Up goes to a flight attendant, and the Let Down goes to some teeth… I'll explain in a minute!   (26:00) - Lloyd's of London, the giant U.K. insurance and reinsurance market founded in 1688, has apologized for its historic link to slavery. “We are deeply sorry for the Lloyd's market's participation in the transatlantic slave trade. It is part of our shared history that caused enormous suffering and continues to have a negative impact on Black and ethnically diverse communities today.” Lloyd's announced steps to make amends, including investing the equivalent of $48.8 million and introducing comprehensive initiatives to tackle inequality toward Black and ethnically diverse individuals.   (30:08) - After over 100 days of picketing, SAG-AFTRA struck a new tentative deal with Hollywood's major studios -- effectively ending the actors' strike. The 118-day strike was one of the longest labor outages in Hollywood history. Among the studio heads who came to the negotiating table during the SAG strike were Bob Iger of Disney, Donna Langley of NBCUniversal Studio Group, Ted Sarandos of Netflix, and David Zaslav of Warner Bros. Discovery.   (35:47) – The Big Up/Let Down:   Big Up - In a viral post, a Grammy-nominated gospel singer named Bobbi Storm went head-to-head with a flight attendant after she wanted to serenade the whole flight with a song, and he shut her all the way down!!!! Big Up - To this flight attendant for not taking her to Jesus for all this racket. This was completely out of order! People are trying to sleep! What if you woke somebody's baby up?! You can't just hijack the plane with your voice. Even if it is pretty. She was trying to give herself the glory, not Jesus! Also, big up to the folks with noise-canceling headphones who heard none of this! Let Down: Rapper and toxic partner in crime to Blueface, Chrisean Rock, joined Tamar Braxton onstage at a concert this past weekend but she didn't leave before allegedly assaulting, James Wright, Tamar's stage hand (famous for his Patti Pies review). She supposedly caused a severe nosebleed and chipped his tooth. The letdown goes to…. these weak ass 2023 teeth!   (41:09) – We'll go to the phone lines. 1-855-262-6328.   (43:20) - Coming up: We're gonna give Rita and TJ, who have never seen the original Color Purple movie, a Color Purple Quiz!   (46:15) – We'll play the Color Purple Quiz.   (52:44) – The actors' strike is over! Amanda gives more insight.   (57:25) – We'll go back to the phone lines.   (1:00:46) - It's time to listen, laugh, and learn… with the Word of the Day. The Word of the Day is: Bugbear - Noun A source of dread or irritation; something that causes problems or annoys people.   (1:04:08) – Politicians say the smartest things.   (1:08:54) – Thanks for listening to The Amanda Seales Show.   FOLLOW THE SHOW ON ALL SOCIALS: @Sealessaidit @Amandaseales @Jeremiahlikethebible If You Have A Comment Leave Amanda A Message At 1 855-Amanda-8 That's 1-855-262-6328  See omnystudio.com/listener for privacy information.

We discuss the new issue (https://the-american-poetry-review.myshopify.com/collections/issues/products/vol-52-no-4-jul-aug-2023), of course, and: * Readings from Justin Rigamonti and Nomi Stone (https://aprweb.org/poems/doing-messages) * A Tyehimba Jess (https://www.tyehimbajess.net/) reading and other memorable readings – what makes a reading memorable? * Some summer poems like: Ada Limón's “Sundown All The Damage Done” (https://aprweb.org/poems/sundown-and-all-the-damage-done) * “Mock Orange” by Louise Glück (https://www.poetryfoundation.org/poems/49601/mock-orange) * “Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota” by James Wright (https://www.poetryfoundation.org/poems/47734/lying-in-a-hammock-at-william-duffys-farm-in-pine-island-minnesota) * Recommendations including: Big Swiss (https://www.barnesandnoble.com/w/big-swiss-jen-beagin/1141291765?ean=9781982153083) by Jen Beagin, Janelle Monae's new one The Age of Pleasure (https://open.spotify.com/album/3440hCSfwYXxJcbQ0j3jAJ), Tender is the Flesh (https://www.barnesandnoble.com/w/tender-is-the-flesh-agustina-bazterrica/1135277372)by Agustina Bazterrica, and translations by Jennifer Grotz (https://www.jennifergrotz.com/)

It's AUGUST! I had a request for some summer poems and got a little carried away.  I hope you like sunshine, blackberries, nostalgia, and love, because this is just the beginning of a 4 part summer poem series.  We kick off with "Summer Moods" by John Clare "The Summer Day" by Mary Oliver "Mossbawn: Sunlight" by Seamus Heaney "Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota" by James Wright  

5 Cs of History: Change Over Time, Episode #4 of 4. Written and spoken language are separate things. Languages that are connected to a written script change more slowly and last longer than those that don't. Writing acts as an anchor to humans' ever-changing speech sounds. But these two aspects of language (speech and writing) did not always go hand in hand. Today we dive into the history of the written word. Bibliography Fischer, Steven R. A History of Writing New ed. London: Reaktion Books. 2021. Gabrial, Brian. “History of Writing Technologies,” in Bazerman Charles. 2008. Handbook of Research on Writing : History Society School Individual Text. New York: L. Erlbaum Associates. Powell Barry B. Writing: Theory and History of the Technology of Civilization. New York: John Wiley & Sons. 2012. Stanlaw, James. The International Encyclopedia of Linguistic Anthropology. Hoboken NJ: Wiley Blackwell. 2021. Stroud, Kevin. https://historyofenglishpodcast.com/ “The Evolution of Writing.” Published in James Wright, ed., INTERNATIONAL ENCYCLOPEDIA OF SOCIAL AND BEHAVIORAL SCIENCES, Elsevier, 2014 https://sites.utexas.edu/dsb/tokens/the-evolution-of-writing/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

For centuries, the pub has played a central role in our lives and communities. Throughout Britain, there are many pubs saying that they are the oldest - some of them even claim to have Medieval origins.In this episode of Gone Medieval, Dr. Cat Jarman welcomes back award-winning buildings archaeologist Dr. James Wright to explore how long we have actually had pubs and which of them can truly claim to be the oldest.The Senior Producer on this episode was Elena Guthrie. It was edited and produced by Rob Weinberg. If you'd like to learn more, we have hundreds of history documentaries, ad-free podcasts and audiobooks at History Hit - subscribe to History Hit today!Download History Hit app from the Google Play store.Download History Hit app from the Apple Store. Hosted on Acast. See acast.com/privacy for more information.