Podcasts about Famine

Our editors' weekly take on humanitarian news, trends, and developments from around the globe.

Charterhouse Warren. Un site archéologique, situé près de Bristol, au sud-ouest de l'Angleterre. Tout commence par une découverte macabre faite dans les années 1970 : au fond d'une fosse naturelle, les archéologues mettent au jour un amas de restes humains. Rien d'étonnant, pense-t-on d'abord : le site est un ancien puits d'extraction de plomb, utilisé plus tard comme sépulture collective.Mais les analyses plus récentes ont révélé une toute autre histoire. Il y a environ 4000 ans, à l'âge du bronze, une communauté entière aurait été massacrée, puis partiellement dévorée. Le site se transforme alors en un véritable mystère pour les scientifiques.Que sait-on ? Les restes appartiennent à au moins 40 individus — hommes, femmes, enfants. Mais ce n'est pas un tombeau organisé. Les ossements sont jetés pêle-mêle, démembrés, avec de nombreuses traces de violence extrême. Les crânes sont fracturés, les os longs portent des marques de coupures nettes, comme si l'on avait retiré chair et moelle. Certaines fractures indiquent que les victimes étaient encore en vie au moment des coups.Plus troublant encore : des traces de découpe et de cuisson ont été détectées sur plusieurs os. Ces indices accréditent la thèse d'un cannibalisme rituel ou de survie. Mais pourquoi ? Guerre tribale ? Vengeance ? Famine extrême ? Le contexte exact échappe encore aux chercheurs.Le mystère de Charterhouse Warren réside aussi dans l'absence de parallèles connus. En Europe de l'âge du bronze, les sépultures sont en général ordonnées, respectueuses. Ici, on est face à une scène de violence collective, isolée, sans précédent clair. Était-ce une attaque venue de l'extérieur ? Un massacre interne ? Une exécution de prisonniers ? Le site défie les interprétations.Ce qui ajoute encore au trouble, c'est que le site n'était pas une nécropole : c'est un ancien gouffre de mine, qui a servi d'abattoir et de décharge humaine. Pourquoi ce choix ? Était-ce pour effacer les traces ? Pour symboliser un rejet ? Pour isoler les morts du monde des vivants ?En résumé, Charterhouse Warren est un mystère parce qu'il brise les codes connus de la préhistoire britannique. Ce n'est pas un simple site funéraire, mais la scène d'un crime de masse vieux de 4000 ans — un massacre suivi d'actes de cannibalisme dont les motivations nous échappent encore. Un vrai cold case pour les archéologues… et pour l'imaginaire. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Episode 159: Grab the Ultimate Ad Script right HERE - https://join.digitaltrailblazer.com/ultimate-ad-scriptOne of the biggest challenges facing online business owners is the dreaded feast and famine cycle - periods where your business is thriving and fully booked, followed by devastating lulls with empty calendars and dwindling income. This happens because most entrepreneurs fall into the trap of either hustling hard to fill their pipeline OR focusing entirely on serving clients, but never doing both consistently.In this episode, sales expert Justine Beauregard teaches us how to create steady, predictable revenue by implementing systems that work in the background while you serve clients. She reveals her RAIN framework for creating three types of content that speak to prospects at different stages - from those ready to purchase today to those just becoming aware they have a problem. Justine also shares how to differentiate yourself in saturated markets by focusing on unique results rather than reinventing methods, and explains why showing up consistently often matters more than being the "best" option available.About Justine Beauregard: An entrepreneur all her life, Justine got her start hosting puppet shows in her backyard for $5 a ticket.As host of the top 5% entrepreneurship podcast People Over Profit, writer for Entrepreneur.com, and an award-winning sales strategist since 2007, Justine loves teaching others how to sell more naturally, without feeling pushy or ‘salesy.'She's known for helping entrepreneurs generate more consistent, predictable income in a repeatable way, moving from feast and famine to freedom.Check Out Justine's Virtual Speed Networking group: http://monthlyspeednetworking.com/Connect with Justine:Website: https://www.justinebeauregard.com/ Podcast: https://www.justinebeauregard.com/podcast Instagram: https://instagram.com/justinebeauregardcoach LinkedIn: https://www.linkedin.com/in/justinejbeauregardFacebook: https://www.facebook.com/JustineBeauregardCoachGrab the Ultimate Ad Script right HERE - https://join.digitaltrailblazer.com/ultimate-ad-script✅ Connect With Us:Website - https://DigitalTrailblazer.comFacebook - https://www.facebook.com/digitaltrailblazerTikTok: https://www.tiktok.com/@digitaltrailblazerTwitter: https://twitter.com/DgtlTrailblazerInstagram: https://www.instagram.com/DigitalTrailblazer

After Israel settled in Goshen, the narrative returns to the famine in the land. Our passage contrasts the people of Egypt and the people of God (Israel). The people of Egypt struggled to survive the famine and sold their livestock, land, and themselves. In contrast, the people of God are acquiring land and becoming fruitful and multiplying. The people of Egypt come to Joseph to save them from death (starvation). In contrast, Jacob comes to Joseph to help him deal with his body after death. What was the distinguishing factor between the people of Egypt and the people of God? God and His promises.

“Political history, not natural history, turned a potato failure into a famine.”Between 1845 and 1851, one million people on the island of Ireland died of famine-related causes. Another 1.5 million people emigrated. On Free State today, historian Padraic X Scanlan, author of the outstanding history of the Famine, Rot, joins us to discuss what caused Ireland to suffer as it did.He considers the main characters like Charles Treveleyan and the failure of an ideology that believed in the pure virtue of the market. “The blight was a consequence of a novel pathogen spreading among fields of vulnerable plants,” Scanlan writes. “But the famine—a complex ecological, economic, logistical, and political disaster—was a consequence of colonialism.”Scanlan looks at how Ireland has dealt with the famine and how the potato itself became a symbol for those who blamed the Irish people themselves for the great hunger. Hosted on Acast. See acast.com/privacy for more information.

The growing threat of famine is imminent as increases following warnings from United Nations. To discuss further Pat was joined on the show by James Elder, UNICEF spokesperson.

In Gaza, two million people are at risk of starvation, as Israeli-controlled aid has been repeatedly interrupted and marked by violence towards aid workers and chaos at distribution sites.  Guests:   Mohammed Mhawish, journalist and writer from Gaza City. Alex de Waal, Executive Director of the World Peace Foundation at the Fletcher School of Law and Diplomacy at Tufts, author of the 2017 book, Mass Starvation: The History and Future of Famine.  Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Ethan Oberman, Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, Isabel Angell, and Rob Gunther.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Gaza, two million people are at risk of starvation, as Israeli-controlled aid has been repeatedly interrupted and marked by violence towards aid workers and chaos at distribution sites.  Guests:   Mohammed Mhawish, journalist and writer from Gaza City. Alex de Waal, Executive Director of the World Peace Foundation at the Fletcher School of Law and Diplomacy at Tufts, author of the 2017 book, Mass Starvation: The History and Future of Famine.  Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Ethan Oberman, Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, Isabel Angell, and Rob Gunther.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Gaza, two million people are at risk of starvation, as Israeli-controlled aid has been repeatedly interrupted and marked by violence towards aid workers and chaos at distribution sites.  Guests:   Mohammed Mhawish, journalist and writer from Gaza City. Alex de Waal, Executive Director of the World Peace Foundation at the Fletcher School of Law and Diplomacy at Tufts, author of the 2017 book, Mass Starvation: The History and Future of Famine.  Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Ethan Oberman, Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, Isabel Angell, and Rob Gunther.  Learn more about your ad choices. Visit megaphone.fm/adchoices

World Peace Foundation director Alex de Waal returns to This Is Hell! to discuss his recent writing at the London Review of Books, “Starvation in Gaza.” Alex also recently posted the article, “The brutal flaw in Israel's starvation plan: Famine won't bring victory,” at UnHerd. A new installment of “This Week In Rotten History” from Renaldo Migaldi follows the interview. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon. www.lrb.co.uk/blog/2025/may/starvation-in-gaza https://unherd.com/2025/05/the-brutal-flaw-in-israels-starvation-plan/?us

In this 'EPISODE 416 ARE THERE MORE PROPHECIES YET TO BE FULFILLED BEFORE CHRIST RETURNS OR BEFORE THE RAPTURE? HOW CAN WE ADVANCE THE CAUSE OF JESUS BEFORE THE END? WHAT HOPE DOES THE BIBLE GIVE FOR OUR DAY?' author, speaker and host Elbert Hardy of itellwhy.com, speaks about the hope we can have now, in our time, based on the Books of Isaiah, Mathew, Mark, Luke and John.Go to itellwhy.com to read Elbert's books free of charge, no Ads and no requests for money or Email addresses. You can watch faith building YouTube Links to Videos and the listen to Elbert's Life of Christ Audio Book in 30 minute Episodes arranged and read by the author straight from the Bible, but rearranged in logical harmony of the Gospels, Revelation and other scriptures. All FREE of charge in the public interest.

——Get the YDP Life Application Guide for the APR., MAY, JUN., 2025's Lesson titled, "How to Study Bible Prophecy (Allusions, Images, Symbols)." https://amzn.to/4iBLQRWBecome a supporter of this podcast: https://www.spreaker.com/podcast/your-daily-portion-with-l-david-harris--2912188/support.

Here we will set the background for the book of Ruth to set the scene for the story, this was a dark time in Israel and God sends a famine to humble His people

PREVIEW: Author Joseph Torigian, "The Party's Interests Come First: The Life of Xi Zhongxun" comments on how Xi Jinping's father, Xi Zhongxun, came to admire Mao before the catastrophe of the Great Leap Forward mass death by famine. More later and next week. 1949 XI ZHONGXUN

How do advocacy and policy help combat child hunger and malnutrition, both in the U.S. and around the world? In this episode, Rev. Eugene Cho, president and CEO of Bread for the World, joins us to talk about what's needed to tackle food insecurity around the world, what's working, what's not, and why surface-level solutions won't cut it. We talk about how recent federal and foreign aid cuts are contributing to hunger and food insecurity for millions of children in food-insecure regions like South Sudan, and why proposals to cut SNAP could be similarly harmful for low-income American families. Reverend Cho offers the challenge to think bigger than politics and to engage with policy through the lens of faith and justice. This isn't about charity—it's about using our voices and influence to make lasting change. Whether you're new to advocacy or deeply involved, this conversation will challenge and encourage you. Listen in to learn more :  (2:44) - check out bread.org (12:04) - Sources say 86% cut to international programs and budget (15:13) - proposed $290 billion cut to the SNAP program (36:13) - Book: Thou Shalt Not Be A Jerk (36:51) - Partner with Bread for the World Read more from Eugene Cho/Bread for the World: Statement: “Skinny” Budget Would Increase Hunger and Famine and put U.S. National Security at Risk Article: My Easter Reflection on Hope and Hunger Article: Christian Leaders Hold “A Prayer Vigil for Foreign Aid” Article: I Experienced a Culture Shock Coming to the US—But It Led to an Unexpected Calling Book: Thou Shalt Not Be a Jerk: A Christian's Guide to Engaging Politics Book: Overrated: Are We More in Love with the Idea of Changing the World Than Actually Changing the World?   About Rev. Eugene Cho Rev. Eugene Cho is President/CEO of Bread for the World, a nationwide Christian advocacy organization that educates on hunger and equips people to advocate for policies to end it in the U.S. and around the world. He preaches and speaks about Bread's mission to end hunger, justice, and leadership at the intersection of faith and public life. Eugene is Co-Chair of the U.S. Nutrition CEO Council and has been recognized by the Department of Homeland Security as an Outstanding American by Choice. Before joining Bread, Eugene pastored local churches for nearly thirty years. ------------ This episode was produced by Wildfire Creative  Theme Song: “Turning Over Tables” by The Brilliance Subscribe: Apple Podcasts | Google Podcasts | Spotify | TuneIn | Stitcher | RSS Follow us on Twitter:  @drjamieaten |  @kentannan Follow on Instagram: @wildfirecreativeco @wheaton_hdi (Note to the listener: In this podcast, sometimes we'll host Evangelicals, and sometimes we won't. Learning how to “do good, better” involves listening to many perspectives with different insights and understanding. Sometimes, it will make us uncomfortable; sometimes, we'll agree, and sometimes, we won't. We think that's good. We want to listen for correction–especially in our blind spots.) The Better Samaritan podcast is produced by the Humanitarian Disaster Institute at Wheaton College, which offers an M.A. in Humanitarian & Disaster Leadership and a Trauma Certificate. To learn more and apply, visit our website. Get your application fee to the HDL M.A. program waived with code TBS25. Jamie Aten, Ph.D., and Kent Annan, M.Div., co-direct the Humanitarian Disaster Institute at Wheaton College and are the Co-Founders of Spiritual First Aid. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Two years ago, a fragile but hopeful peace in Sudan was broken when the Sudanese Armed Forces (SAF) and the Rapid Support Forces (RSF) – which are both arms of the Sudanese state – went to war with each other. In the fighting since, more than 150,000 people have been killed and 13 million of a total of a 51 million person population, have been displaced. Famine is currently significant. And there are renewed reports of cholera tearing through the region, which has led to corpses rotting in the nile river, according to an Al Jazeera report.  But during these past two years of civil war, most media that covers international affairs and violence, and this includes us at KPFA, has focused on international coverage elsewhere, failing to give proper attention to the conflict in Sudan, often writing it off because we don't have strong contacts or because the war is somehow over our heads.  We're joined in conversation about the violence in Sudan, it's causes and potential pathways out, by Vijay Prashad, a historian and writer, and the executive director of the Tricontinental: Institute for Social Research, which recently produced its 20th newsletter, titled “A Language of Blood Has Gripped Our World,” addressing the conflict in Sudan. Check out the Tricontinental's website: https://thetricontinental.org/ — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Sudan's Civil War Continues as Famine and Cholera Spread w/ Vijay Prashad appeared first on KPFA.

How did a famine in the 1980s spark a global movement, and what role did music and media play in this humanitarian effort? Join us as Merry and Cathy dive deep with filmmakers Chip Duncan and Salim Amin into their documentary, Stand Together as One: The Famine, The Music, The Impact.  Discover the untold stories behind iconic initiatives like the song "We Are the World", Band Aid and Live Aid, and explore the powerful legacy of Mohammed Amin, whose groundbreaking photojournalism changed the world. Chip and Salim reveal the behind-the-scenes challenges of their film, the ethical nuances of visual storytelling, and the enduring influence of compassion-driven journalism.  Get ready for an inspiring journey through history, art, and activism that underscores the importance of unity in tackling global issues. Tune in to reflect on your own potential to make a difference.Salim Amin's bio:From humble roots in a small shop in Dar es Salaam, Salim's father Mohamed Amin began Camerapix in 1963. With the instincts of a warrior and the heart of a leader, Mohamed Amin built Camerapix into a sustainable, world class organization covering news, features and producing documentaries with a variety of global networks including the BBC, NBC and Reuters. Today, Salim has continued that tradition by helping educate Africa's youth through the Mohamed Amin Foundation and as a founder of Africa 24 Media, a media platform that was dedicated to positive stories about the culture and history of Africa.Recognized in 2007 as a Young Global Leader by the World Economic Forum in Davos, Salim's leadership has been rewarded. Today, Camerapix works in collaboration with production partners throughout Africa, Britain, Europe, Asia and the United States. New African Magazine has recognized Salim as one of the top “100 Most Influential Africans” and has named Salim among their “Top 50 Under 50.” Salim was one of only 150 global leaders invited to President Obama's 2010 summit on Presidential Entrepreneurship in Washington DC.Salim's work as a producer includes the internationally acclaimed feature documentary Mo & Me, the One.org production of Revisiting Korem, and executive producing the award-winning documentary The Sound Man. As an on-camera host and producer, Salim achieved acclaim across the Continent for his production of more than 150 episodes of The Scoop, a weekly half hour series featuring Africa's foremost voices in art, culture and finance. At it's peak, The Scoop reached more than 300 million viewers weekly in broadcast and online viewership.Salim published his first book in 2019 titled KENYA: Through My Father's Eyes, a coffee-table book showcasing his father's unique images of Kenya. It is also the first historical book on Africa incorporating Augmented Reality with 12 videos embedded in the pages of the book.Since 2020 Salim has been documenting and preserving Kenya's history through interviews and features, and working on the construction of Kenya's largest history Museum. He refers to his work as a “conservation of history”.In 2024, together with production partner Chip Duncan, Salim co-produced the multi-award-winning documentary Stand Together As One: The Famine. The Music. The Impact to commemorate the 40th Anniversary of the great Ethiopian Famine and We Are The World, Band Aid and Live Aid.Connect with Salim and Chip:Salim's Instagram: @salimcamerapixtvWebsite: https://artsandculture.google.com/pocketgallery/Thank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.us. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribers.

Plague, war, regicide, famine, revolt – during the 14th century, life for people in England was turned on its head. Historian Helen Carr charts this extraordinarily turbulent period through the lives of three very different monarchs, each with their own idea of what it meant to wield power. Exploring the humanity of those on the throne, she speaks to Emily Briffett to shed new light on this pivotal period of English history, and the people who lived through it. (Ad) Helen Carr is the author of Sceptred Isle: A New History of the Fourteenth Century (Hutchinson Heinemann, 2025). Buy it now from Waterstones: http://www.awin1.com/cread.php?awinmid=1657&awinaffid=489797&p=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fsceptred-isle%2Fhelen-carr%2F9781529151657&clickref=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Since October 7, access to food in Gaza – and its systematic restriction by Israel – has been the subject of international condemnation. The most recent incident is the killing of dozens of Palestinians attempting to obtain food from an aid distribution centre.Israeli settlers have blocked roads, and aid delivery. Aid convoys and workers have also been targeted with violence. And as of March, Israel established a full scale blockade on aid into the Gaza strip. Today a trickle has been allowed into the territory.International organizations have been warning of famine in Gaza for more than a year. Alex de Waal is the executive director of the World Peace Foundation at Tufts University, and author of ‘Mass Starvation: The History and Future of Famine.' He joins the show for a discussion about starvation crimes, why the weaponization of food during wartime continues, and how famine has proven difficult to prosecute in court.For transcripts of Front Burner, please visit: https://www.cbc.ca/radio/frontburner/transcripts

The Nakba, also known as 'Catastrophe', occurred between 1947 and 1949, and saw 15,000 Palestinians killed and more than 700,000 displaced from their homes by Israel. On Tuesday, Matt was joined by author Fintan Drury to discuss his new book ‘Catastrophe: Nakba II'.The book is an analysis of the oppression that Palestinians have faced for decades, and argues that Israel's retaliation to the Hamas attack in October 2023 has been disproportionate.Hit the ‘Play' button on this page to hear the conversation.

In this Bible Story, we witness the continued bravery of David even into old age. He continues to wage war against all who would threaten the followers of God. As a result, David becomes weary, but doesn't lose hope in the Lord. This story is inspired by 2 Samuel 21. Go to BibleinaYear.com and learn the Bible in a Year.Today's Bible verse is 2 Samuel 21:3 from the King James Version.Episode 110: Famine was in the land of Israel, and this led to hard times for the people. So David sought the Lord and asked what he should do. God showed him the reason for the famine and commanded him to make peace with the Gibeonites for the sins that Saul had committed against them. David called the Gibeonites to him and gave them their request, the life of Saul's sons. After this, the famine eased and Israel once again flourished. However, this flourishing would draw out more enemies of Israel and more battles, battles that David was too old to fight in.Hear the Bible come to life as Pastor Jack Graham leads you through the official BibleinaYear.com podcast. This Biblical Audio Experience will help you master wisdom from the world's greatest book. In each episode, you will learn to apply Biblical principles to everyday life. Now understanding the Bible is easier than ever before; enjoy a cinematic audio experience full of inspirational storytelling, orchestral music, and profound commentary from world-renowned Pastor Jack Graham.Also, you can download the Pray.com app for more Christian content, including, Daily Prayers, Inspirational Testimonies, and Bedtime Bible Stories.Visit JackGraham.org for more resources on how to tap into God's power for successful Christian living.Pray.com is the digital destination of faith. With over 5,000 daily prayers, meditations, bedtime stories, and cinematic stories inspired by the Bible, the Pray.com app has everything you need to keep your focus on the Lord. Make Prayer a priority and download the #1 App for Prayer and Sleep today in the Apple app store or Google Play store.Executive Producers: Steve Gatena & Max BardProducer: Ben GammonHosted by: Pastor Jack GrahamMusic by: Andrew Morgan SmithBible Story narration by: Todd HaberkornSee omnystudio.com/listener for privacy information.

https://x.com/ezzingaza/status/1924173298080063881I no longer go to the Indonesian hospital. What foolishness it is, to speak of hospitals in a place where life is no longer preserved but merely postponed. Once, I believed, oh, how bitterly I believed, that the presence of a doctor among the dying was a sacred thing, a last stand against the void. But here, where the void has taken residence in the very walls, what can sanctity do? The hospital is surrounded now. Not by men, not by soldiers even, but by machines. Drones, humming above like metallic locusts, devoid of soul or pity. They know neither suffering nor mercy, they are the purest expression of obedience without conscience. They circle the building like vultures circling a carcass not yet dead enough. Two days ago, the ceiling collapsed. A nurse had just spoken the word “hope.” Then came the blast, and the word hung in the air a moment too long before crumbling with the plaster. ICU monitors, those fragile gods of modern faith, shattered on the floor. One machine let out a long, wheezing beep as it died. It was the sound of resignation. I think I wept, but I cannot recall if it was with my eyes or only in my mind. And this morning, yes, this morning, as if dawn itself had become ashamed, a drone struck the intensive care unit. It came like a decision already made. There was no warning, no negotiation, no fate to plead with. Just fire. Patients ran. Doctors ran. The hallway became a river of chaos, but silent, terrifyingly silent. One man dragged his son by the shoulders, blood smearing behind them like a signature of some unseen pact. Another woman collapsed, not from injury but from the sheer weight of choosing which of her children to carry. Two patients were taken away in an ambulance, if that word still means anything. The rest had already passed into that cold stillness we now mistake for peace. We still work at the clinic, though I no longer know if it's from duty or habit, or some grotesque need to perform life while surrounded by death. We whisper. We disinfect. We bind wounds that will open again. The scalpel, once a tool of healing, now feels like an accomplice. At home, the walls speak in cracks. The roof sags under the pressure of memory. The air smells like dust and grief. My mother tapes the broken windows each day with the care of a priest dressing a corpse. My father rations rice with the reverence of a man offering communion. But outside, outside, it never stops. The bombing continues with the faithfulness of a priest at prayer. It does not pause. It does not tire. It beats like a heart possessed by something inhuman. And now, the streets. No, not streets, corridors of exile. Rows of tents like gravestones made of fabric. Children play in the ashes, unaware that they are survivors of a war not yet finished. The army says, Evacuate. To where? They do not say. Only: Leave. Disappear. Unbecome. Famine grows near. But even hunger, with its gnawing cruelty, is familiar. Hunger is intimate. It is ours. What is worse, what is unbearable, is the silence that follows the blast. The silence in which you call a name and no one answers. The silence where meaning once lived. This is not a war. It is annihilation dressed in the costume of procedure. It is a logic without soul, a godless arithmetic of bodies and coordinates. And still, still, some whisper that God watches. I do not know. Sometimes I think He has turned His face away, not out of indifference, but out of shame. But if you are reading this, if your eyes have reached these words like a boat reaching a shore you thought unreachable, then for the love of all things holy and damned: Do not look away. To look away is to become part of it. To forget is to bury us before we are dead. To remain silent is to drive the final nail.

Woah! Kennick is back!? What's he been up to? What's the Frank-o-Plex? Is Fish eating glass? All of these questions and more will be answered in this episode of Subliminal Space! Check out Valda's Spire of Secrets! ▶ https://magehandpress.com/valdas/ Check out Mage Hand Press! ▶ https://magehandpress.com/ Check out our merch store! ▶ https://pleasestopshopping.com/ Support the podcast and Patreon ▶ https://www.patreon.com/SirMeowMusic Join the PST Discord server! ▶ https://discord.gg/YNqTT65 Our Dungeon Master ▶ https://twitter.com/BrendanielH Our adventurers: Zhe (Billy) ▶ https://twitter.com/SirMeowMusic Sketch (Mandy) ▶ https://twitter.com/Lord_Mandalore Colt (Cameron) ▶ https://twitter.com/SuperSneakSheep Khyzoq (Ten) ▶ https://twitter.com/TenWebbs Fish (Corbin) ▶ https://twitter.com/lobbymemez Podcast ▶ https://twitter.com/PSTPodcast Animated portraits by Squidinu ▶ https://twitter.com/squidinu Logo by Cards of Ace ▶ https://twitter.com/CardsOf_Ace Thumbnail art by Boo_Rad13y ▶ https://twitter.com/Boo_Rad13y Additional music by: Cicada Sirens ▶ https://twitter.com/CicadaSirens Hohenheim ▶ https://twitter.com/HohenheimMusic Learn more about your ad choices. Visit megaphone.fm/adchoices

UN says the world must do more to save the entire population of Gaza from famine. Also: BBC finds the EU has spent more on Russian oil and gas than aid to Ukraine, and do parents know best when it comes to child health?

There has been a new warning from the UN that Gaza's entire population is at risk of famine despite the partial lifting of an Israeli blockade.Hamas is still considering its official response to a US-backed ceasefire proposal for Gaza while insisting the plan does not meet its core demands. The United States says Israel has accepted the draft. Also on the programme: as a US court reinstates Donald Trump's tariffs, how do trade negotiators deal with the switchback ride?; and an artificial intelligence tool that can predict which men with prostate cancer can benefit most from a drug that halves the risk of dying.(Photo: Internally displaced Palestinians gather outside a charity kitchen to receive limited rations amid a shortage of food, in Khan Younis, southern Gaza Strip, 30 May 2025. Credit: EPA-EFE/Shutterstock)

On this Faith Friday edition of Morning Manna, Rick Wiles and Doc Burkhart walk through the miraculous account of Elijah and the widow at Zarephath. As famine ravages the land, God orchestrates a divine meeting between His prophet and a Gentile widow on the brink of death. Elijah's audacious command to "bring me the bread that's in your hand" reveals a powerful faith principle: the miracle is already in your possession—it just requires obedience.Through detailed teaching, Rick and Doc emphasize the necessity of recognizing what God has already placed in your hand, trusting Him with what little you have, and stepping into supernatural provision. The episode challenges viewers to respond in faith, even when resources seem depleted, and highlights God's ability to sustain His people through unexpected sources.Rick Wiles, Doc Burkhart. Airdate 5/30/25Join the leading community for Conservative Christians! https://www.FaithandValues.comIf you're a Faith & Values member, watch today's show with other members here:https://members.faithandvalues.com/posts/morning-manna-may-29-2025-proverbs-126-33-wisdom-laughs-at-the-fools-calamity-85267007You can partner with us by visiting https://www.FaithandValues.com/donate, calling 1-800-576-2116, or by mail at PO Box 399 Vero Beach, FL 32961.Get high-quality emergency preparedness food today from American Reserves!https://www.AmericanReserves.comIt's the Final Day! The day Jesus Christ bursts into our dimension of time, space, and matter. Now available in eBook and audio formats! Order Final Day from Amazon today!https://www.amazon.com/Final-Day-Characteristics-Second-Coming/dp/0578260816/Apple users, you can download the audio version on Apple Books! https://books.apple.com/us/audiobook/final-day-10-characteristics-of-the-second-coming/id1687129858Purchase the 4-part DVD set or start streaming Sacrificing Liberty today. https://www.sacrificingliberty.com/watchThe Fauci Elf is a hilarious gift guaranteed to make your friends laugh! Order yours today! https://tru.news/faucielf

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube.

NEWS WEAKLY 161 – 31st May, 2025This week on News Weakly, Tony Abbott emerges from the political crypt, COVID returns for its remix tour, and Gaza and Sudan redefine “humanitarian aid” into a phrase meaning “good luck, you're on your own.” All that, plus Sussan Ley's factional juggling act and a Rick Astley variant you can't get out of your lungs.Top Stories of the Week:FRONT BENCH PRESS!NEW VARIANT, OLD COVID!FAMINE, FLOUR & FRIENDLY FIRE!Quote of the Week:“Tony Abbott wants to fix the Liberal Party the way a chainsaw fixes a jigsaw puzzle: loudly, destructively, and while muttering something about the glory days of John Howard.”Sami Shah is a multi-award-winning comedian, writer, journalist, and broadcaster.For more: http://thesamishah.comTheme music 'Historic Anticipation' by Paul MottramThis podcast is written, hosted, and produced by Sami Shah. Hosted on Acast. See acast.com/privacy for more information.

Send us a textHow have humanitarian organizations managed to deliver life-saving aid to millions of Gazans despite the dangerous and difficult conditions since Oct 7? Despite their success, why have the US and Israel set up an alternative mechanism for distributing aid under the auspices of the secretive Gaza Humanitarian Foundation (GHF)? What principles guide the field of humanitarian relief, and how does the existing UN-backed mechanism compare with the practices of the GHF? Abby Maxman, President and CEO of Oxfam America, joined the show this week to answer some of these questions and call on the world to allow her colleagues to do what they do best: deliver life-saving food, water, and aid to the people of Gaza as the UN announces that the entire population of the enclave is now at risk of famine.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Happy Asian American & Pacific Islander Heritage Month! Even though the Trump Administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion here at APEX Express and KPFA. We believe in lifting up people's voices and tonight on APEX Express the Powerleegirls are focusing on “Asian American Children's book authors”. Powerleegirl hosts Miko Lee and daughter Jalena Keane-Lee speak with: Michele Wong McSween, Gloria Huang, and Andrea Wang   AAPINH Month Children's Books part 1 transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:49] Happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, the PowerLeeGirls are focusing on Asian American Children's book authors. PowerLeeGirl hosts Miko Lee and daughter Jalena Keane-Lee. Speak with Michele Wong McSween, Gloria Huang and Andrea Wang. Thanks for joining us tonight on Apex Express. Enjoy the show.   Miko Lee: [00:01:21] Welcome, Michele Wong McSween to Apex Express.    Michele Wong McSween: [00:01:26] Thank you, Miko. It's nice to be here.    Miko Lee: [00:01:28] I'm really happy to talk with you about your whole children's series, Gordon & Li Li, which is absolutely adorable. I wanna start very first with a personal question that I ask all of my guests, which is, who are your people and what legacy do you carry with you?   Michele Wong McSween: [00:01:45] I would say my people are really my family starting with, my great, great grandparents who came here down to my grandparents, my parents, and onto my children because, to me family is. The reason why I created Gordon & Li Li in the first place, it was really to bridge that connection for my children. I didn't grow up feeling that connected with my culture because as a fourth generation Chinese American, I was really in the belief that I'm American. Why do I need to know anything about my culture? Why do I need to speak Chinese? I never learned. As a sidebar to that, I never learned to speak Chinese and it didn't really hit me until I had my own kids that I was really doing a disservice to not only my kids, but to myself. my people are my family. I do this for my kids. I do this to almost apologize to my parents for being so, Disrespectful to my amazing culture and I do it for the families who really want to connect and bridge that gap for their own children and for themselves.    Miko Lee: [00:02:53] And what legacy do you carry with you?    Michele Wong McSween: [00:02:55] Again, my family. My, great grandparents. Really. Started our family's legacy with the hard work and the prejudices and all the things that they endured so that we could have a better life. And I've always felt that it is my responsibility to teach my own kids about the sacrifices that were made and not to make them feel guilty, but to just make them appreciate that we are here. Because of the the blood, sweat, and tears that their ancestors did for them. And so we are, eternally grateful for that. I think it's important for us to continue that legacy of always doing our best, being kind and doing what we can do to further the experience of not just our family, but the people in our community that we connect with and to the greater world.    Miko Lee: [00:03:43] when you were growing up, were your parents speaking with you in Chinese and did you hear about your great grandparents and their legacy? Was that part of your upbringing?    Michele Wong McSween: [00:03:52] I heard about my great grandparents in the stories that my mom told us, but to be quite honest, I wasn't receptive to really digging deep in my cultural understanding of. my great-grandfather and what he went through. I know mom, I know he came over in 19 whatever. I know he brought over all these young sons from his village, but I really didn't fully take it in and. No, I didn't hear Chinese spoken in the house much. The only time my parents spoke it was to each other so that we didn't know what they were talking about. They had like this secret code, language. My experience with my language was not, That positive. we did attempt to go to Chinese school only to be teased by all the other kids because we didn't speak it. It didn't end up well. my mom ended up pulling us out and so no, we were really not connected all that much to the language.   Miko Lee: [00:04:48] I can really relate to what you're saying. As a fifth generation Chinese American, and my parents their ancestors came from different provinces, so their dialects were so different that they even spoke to each other in English. 'cause they couldn't understand each other in Chinese. So it happens so often. Yeah. Yeah. And so I really relate to that. I'm wondering if there was an epiphany in your life or a time where you thought, oh, I. I wish I knew more of those stories about my ancestors or was there some catalyst for you that changed?   Michele Wong McSween: [00:05:17] All of this really kind of happened when I moved to New York. I, you know, raised in Sacramento, went to college in the Bay Area, lived in San Francisco for a while with a job, and then I eventually moved to New York. And it wasn't until I came to New York and I met Asians or Chinese Americans like me that actually spoke Chinese and they knew about cool stuff to do in Chinatown. It really opened my eyes to this new cool world of the Chinese culture because I really experienced Chinatown for the first time when I moved to New York. And it was just so incredible to see all these people, living together in this community. And they all looked the same. But here's the thing, they all spoke Chinese, or the majority of them spoke Chinese. So when I went to Chinatown and they would look at me and speak to me in Chinese and I would give them this blank stare. They would just look at me like, oh my gosh, she doesn't even speak her own language. And it kind of made me feel bad. And this was really the first time that it dawned on me that, oh wow, I, I kind of feel like something's missing. And then it really hit me when I had my kids, because they're half Chinese and I thought, oh my gosh, wait a minute, if I'm their last connection to the Chinese culture and I don't speak the language. They have no chance of learning anything about their language they couldn't go that deep into their culture if I didn't learn about it. So that really sparked this whole, Gordon & Li Li journey of learning and discovering language and culture for my kids.    Miko Lee: [00:06:51] Share more about that. How, what happened actually, what was the inspiration for creating the Children's book series?    Michele Wong McSween: [00:06:58] It was really my children, I really felt that it was my responsibility to teach them about their culture and language and, if I didn't know the language, then I better learn it. So I enrolled all of us in different Mandarin courses. They had this, I found this really cute kids' Mandarin class. I went to adult Mandarin classes and I chose Mandarin because that was the approved official language in China. I am from Taishan, My parents spoke Taishanese, but I thought, well, if Mandarin's the official language, I should choose that one probably so that my kids will have at least a better chance at maybe some better jobs in the future or connecting with, the billion people that speak it. I thought Mandarin would be the way to go. When I started going to these classes and I just realized, wow, this is really hard, not just to learn the language, but to learn Mandarin Chinese, because we're not just talking about learning how to say the four different tones. We're talking about reading these characters that if you look at a Chinese character, you have absolutely no idea what it sounds like if you're, if you're learning Spanish or French or German, you can see the letters and kind of sound it out a little bit. But with Chinese characters. No chance. So I found it extremely difficult and I realized, wow, I really need to support my kids more because if I am going to be the one that's going to be bridging this connection for them, I need to learn more and I need to find some more resources to help us. when we would have bedtime story time, that whole routine. That was always the favorite time of my kids to be really, quiet and they would really absorb what I was saying, or we would talk about our days or just talk about funny things and I realized, wow, these books that they love and we have to read over and over and over again. this is the way that they're going to get the information. And I started searching high and low for these books. back in 2006, they didn't exist. and so I realized if they didn't exist and I really wanted them for my kids, then I needed to create them. That's the impetus, is there was nothing out there and I really wanted it so badly that I had to create it myself.   Miko Lee: [00:09:09] Oh, I love that. And I understand you started out self-publishing. Can you talk a little bit about that journey?    Michele Wong McSween: [00:09:15] I'm glad I didn't know what I know today because it was really hard. luckily I had, A friend who used to work for a toy company, it was all through connections. there was nothing really on Google about it. there was no Amazon print on demand. There were none of these companies that provide these services like today. So I just kept asking questions. Hey, do you know a toy manufacturer in China that maybe prints books? Do you know a company that could help me? get my books to the states. Do you know an illustrator that can help me illustrate my books? Because I had gone to fashion design school, but I had not learned to illustrate characters or things in a book. So asking questions and not being afraid to ask the questions was really how I was able to do it because, Without the help of friends and family, I wouldn't have been able to do this. I had all my friends look at my books, show them to their kids. I had my kids look at them, and I kind of just figured it out as I went along. Ultimately when I did publish my first book, I had so much support from my kids' schools. To read the books there, I had support from a local play space for kids that we would go to. I really leaned on my community to help me, get the books out there, or actually it was just one at the time. Two years later I self-published two more books. So I had three in total. no one tells you that when you self-publish a book, the easy part is actually creating it. The hard part is what comes after that, which is the pr, the marketing, the pounding, the pavement, knocking on the doors to ask people to buy your books, and that was really hard for me. I would just take my books in a bag and I would explain my story to people and I would show them my books. sometimes they would say, okay, I'll take one of each, or Okay, we'll try it out. and slowly but surely they would reorder from me. I just slowly, slowly built up, a whole Roster of bookstores and I kept doing events in New York.    I started doing events in Los Angeles and San Francisco, and through that I gained some following, some fans and people would tell their friends about me. they would give them to their nieces they would give them to their cousin's kids, or, things like that. I knew that I had to do it because my ultimate goal was to have Scholastic be my publisher. That was my ultimate goal. Because they are the publisher that I grew up with, that I love that I connected with, that I was so excited to get their book club, little flyer. I would check off every book that I wanted. And my mom never said no. She always let me get every single book I wanted. I realize now that that's what really Created the love of books for me is just having access to them and, going to the libraries and seeing all these books on the bookshelves and being able to take them out and read them on the spot. And then if I loved them enough, I would check them out and take them home and read them over and over. So it was really, my experience, having that love for books that I thought, oh gosh, it would be a dream. To have Scholastic become my publisher. So after 10 long years of events and community outreach and selling to these bookstores, I finally thought, okay, I've sold, about 17,000, 18,000 books. Maybe, maybe now I can take my series to them. I also had created an app. Maybe I can take this to them and show them what I've done. Maybe they'll be interested in acquiring me. And I got an appointment with the editor and I pitched my books on my app and within a couple of days they offered to acquire my books, which was my dream come true. So anyway, that was a very long story for how self-publishing really is and how ultimately it really helped my dream come true.    Miko Lee: [00:13:08] Now your books are on this Scholastic book, fair Circuit, right?    Michele Wong McSween: [00:13:13] Yes, they are. Well, it's actually just one book. They took the three books, which were everyday Words. Count in Mandarin and learn animals in Mandarin. They took all three books and they put them in one big compilation book, which is called My First Mandarin Words with Gordon & Li Li. So it's a bigger book. It's a bigger board book. Still very, very sturdy and it's a great, starter book for any family because it has those three first themes that were the first themes that I taught my own boys, and I think. It just, it's very natural for kids to want to learn how to count. animals were, and my kids were animal lovers, so I knew that that's what would keep them interested in learning Mandarin because they actually loved the topic. So, yes, my first mandarin words with Gordon & Li Li does live on Scholastics big roster.   Miko Lee: [00:14:01] Fun. Your dream come true. I love it. Yeah. Thanks. And you were speaking earlier about your background in fashion design. Has there been any impact of your fashion design background on your voice as a children's book author?   Michele Wong McSween: [00:14:14] I don't know if my background as a fashion designer has had any impact on my voice. I think it's had an impact on how I imagined my books and how I color my books and how I designed them because of working with, you know, color palettes and, and putting together collections I can visually see and, can anticipate. Because I have that background, I can kind of anticipate what a customer might want. And also, you know, speaking with people at my events and seeing what kids gravitate to, that also helps. But I think there's so much more to being an author than just writing the books. You know, when I go to my events, I have a table display, I have setups, I have props, I have, I actually now have a, a small. Capsule of merchandise because I missed designing clothes. So I have a teeny collection of, you know, sweaters, hoodies, onesies, a tote bag, and plushies   Miko Lee: [00:15:04] they're super cute by the way.    Michele Wong McSween: [00:15:06] Oh, thank you. So, you know, fashion has come in in different ways and I think having that background has really helped. kind of become who they are    Miko Lee: [00:15:17] Can you tell us about the latest book in the series, which is Gordon and Li Li All About Me. Can you tell a little bit about your latest?   Michele Wong McSween: [00:15:25] Gordon & Li Li All About Me is really, it's, to me, it's. I think my most fun interactive book because it really gets kids and parents up and out of their chairs, out of their seats and moving around. And you know, as a parent, I always would think about the kind of books that my kids would gravitate towards. What would they want to read and what as a parent would I want to read with my kids? Because really reading is all about connection with your kids. That's what I loved about books is it gave me a way to connect with my kids. And so a book about body parts to me is just a really fun way to be animated and get up and move around and you can tickle and, and squeeze and shake it around and dance around. And, you know, having three boys, my house was just like a big energy ball. So I knew that this book would be a really fun one for families and I have two nieces and a nephew, and I now, they're my new target market testers, and they just loved it. They had so much fun pointing to their body parts and the book ends with head, shoulders, knees, and toes in English and in Mandarin. And so of course. Every kid knows head, shoulders, knees, and toes in English. So we sing that. We get up, we point to our pottered parts, we shake it around, we dance around. And then the fun part is teaching them head, shoulders, knees, and toes in Mandarin because they're already familiar with the song. It's not scary to learn something in Mandarin. It just kind of naturally happens. And so I think the All About Me book is just a really fun way to connect with kids. I've actually launched it at a couple of events already and the response to the book has been overwhelming. I was at the Brooklyn Children's Museum and even the president of the museum came and did the head shoulders. Knees and toes, songs with us. It was so much fun. Everybody was dancing around and having a great time. So I'm just really, really excited for people to pick up this book and really learn about the body. It's, you know, body positivity, it's body awareness, and it's just a great way to connect with your kids.   Miko Lee: [00:17:31] So fun. I, I saw that you're recently at the Asian American Book Con. Can you talk a little bit about that experience?    Michele Wong McSween: [00:17:38] Oh, that was great. That was the first of its kind and. I led the entire author segment of it. I would say individual authors. There were, there were, publishing companies that brought in their own authors, but I was responsible for bringing in the independent authors. And so I think we had about eight of us. There were Indian, Korean, Chinese, Taiwanese, and we all came together for this one really special day of celebrating our voices and lifting each other up. And there was so much energy and so much positivity in that event, and I. Actually was just thinking about reaching out to the organizers last year and seeing if we could maybe do, part two? So, I'm glad you brought that up. It was a really positive experience.    Miko Lee: [00:18:27] So we're celebrating the end of Asian American Pacific Islander Native Hawaiian month. Can you tell us why this month is important to you?    Michele Wong McSween: [00:18:36] When you have something designated and set aside as, this is the month that we're going to be celebrating Asian American Native Hawaiian Pacific Islander heritage all month long, I think it kind of perks up. People's ears and they think, oh wow, this is a great opportunity for me to see what's happening in my community. I think it just brings the awareness to. The broader community and ultimately the world. And I think when we learn about each other and each other's cultures, it brings us closer together and makes us realize that we're really not that different from each other. And I think when there are so many events happening now it peaks the interest of people in the neighborhood that might otherwise not know about it and it can, really bring us closer together as a community.   Miko Lee: [00:19:27] Michelle Wong McSween, thank you so much for joining me on Apex Express. It's great to hear more about you and about your latest book Gordon & Li Li and the entire series. Thank you so much.    Michele Wong McSween: [00:19:39] Thank you, Miko   Jalena Keane-Lee: [00:19:40] Thank you all so much for joining us. I'm here with Gloria l Huang, author of Kaya of the Ocean. Thank you so much for joining us, Gloria.    Gloria Huang: [00:19:48] Oh, thanks so much for having me here.    Jalena Keane-Lee: [00:19:50] So first off, one question that we're asking all of our guests on our show tonight is, who are your people? However you identify, you know, your community, your ancestors, and what legacy do you carry with you?    Gloria Huang: [00:20:01] Oh, that's such a good question. So I am my heritage is Chinese. My parents were born in China and then grew up in Taiwan. And I myself was actually born in Canada. But then moved the states pretty young and and American Canadian dual citizen and now, but I, my heritage plays a lot into my. Kind of my worldview. It really shaped, how I grew up and how I saw things. And so it features very prominently in my writing and in my stories as you could probably tell from Kaya the ocean.    Jalena Keane-Lee: [00:20:34] Yes. And I love the book so much. It was such a    Gloria Huang: [00:20:37] thank you,    Jalena Keane-Lee: [00:20:38] amazing read. And I'm also half Chinese and love the ocean. Just love the beach so much and have always felt such a connection with the water. I don't wanna give away too much things about the book, but I was wondering if you could talk about your inspiration for writing it and a little bit about, setting and everything.   Gloria Huang: [00:20:56] Of course. So the inspiration for the book actually started I came up with the idea when the world was first emerging from the pandemic and I was seeing a lot of people obviously experiencing a lot of anxiety, but a lot of children very close to me in my life. And they were experiencing it for the first time, which was can be so difficult. I remember when it happened to me and there's just this tendency to. Worry that there's something wrong with you or that you've done something and you feel so alone. And so I remember standing by the ocean one night actually and thinking that I'd really love to write a book about a girl who is struggling with. The anxiety just to be able to send a message to all these kids that there's nothing wrong with them. They're not alone and really all parts of who they are. Even the parts they might not love so much are important parts of these amazing, beautiful, complicated people. They are. So that was the inspiration for that part of the story, the setting. I was very inspired. As you mentioned, the ocean is a huge inspiration to me. It actually comes into my mind, a lot of my stories and someone pointed that out once and I was like, you're right, it does. And I think part of it is that I love the ocean. I love the beach. I love being there, but I'm also so in awe of this powerful thing that, you know, where we know so little about it. It is. There's so much mystery to it. It can look so beautiful on the surface and be so dangerous underneath. I love it as a metaphor. I love it as a part of nature. So I think that was a huge part of why I wanted to incorporate that, especially because I think it also plays well into the metaphor for how some people experience anxiety and you can be calm on the surface, but so much is happening underneath.    Jalena Keane-Lee: [00:22:29] Absolutely. Yeah. Those interplay with each other and are metaphors for each other in such a beautiful way, mirror the experience. Yeah. I wanted to talk a little bit more about anxiety and particular, as a young Asian American girl the cultural specificity of having anxiety as a young Asian American woman.    Gloria Huang: [00:22:46] Yes I definitely think it's no coincidence. I think that anxiety often goes hand in hand with perfectionism and pressure and I, many people feel that kind of pressure, but certainly a young Asian girl especially with immigrant parents, will feel specific kind of pressure. And so I was really trying to portray that, Somebody once said to me, they were like, oh, I really like how Kaya on the surface seems so put together. She's, got really good grades. She works really hard at school. She's close to her parents, but there's all this going on underneath. And I actually think that's not unusual in terms of that experience for Asian American children of immigrants, and especially if you're female I was really trying to. Tease that out. And then in addition I think there's a tendency, and this might exist in other cultures as well, but in Asian culture, at least in my family history there's a tendency not to really want to talk about mental health. There was a, there's a joke in my family that my parents thought anything could be solved with good sleep and good nutrition, like anytime you had any problem. And I think that there is a, there's a. resistance to feeling like your child can be struggling in a way you can't help them. So I, really wanted to touch on that, part of the cultural pressures at play in kaya's life.    Jalena Keane-Lee: [00:23:59] And you did so beautifully and it was very relatable, as a anxious Asian girly. And also just, the discussion of big feelings and somehow, having inklings that you may be more powerful than you even realize, but the kind of like emotions that come with that too.    Gloria Huang: [00:24:15] Yes. I think that's a huge part of it is that like when you experience these huge feelings they feel powerful, know, in a negative way. But what I was really trying to get at was, there is also power in accepting these parts of yourself and realizing that They can make up this powerful being that you are, even if you might not love them in that moment.    Jalena Keane-Lee: [00:24:34] Yeah. I felt very seen by the book and I, couldn't help but wonder wow, what would it have been like if I had read this when I was, 13 or 12 or kind of Closer to the age of the characters in the book.   Gloria Huang: [00:24:45] Thank you so much for saying that it actually means a lot because a lot of my motivation when I do write these books is to write for people who are either of that age or, wish they had a book like that at that age, which is also how I feel a lot about books nowadays and oh, I, I'm so glad that exists. I wish that had been around when I was that age.    Jalena Keane-Lee: [00:25:03] Yes. Were there any books that really set an example for you that either you read, maybe when you were, in the young adult. Age range or that you've read now as an adult where you're like, okay, this is definitely the audience that I wanna be writing for.   Gloria Huang: [00:25:17] Definitely. I actually love this question 'cause I'm a big reader and so I love talking about books . When I was a kid, middle grade books were my gateway into my love of reading. So I still remember a lot of my favorite books, but I would say a recent book, it's actually maybe not that recent now, it's maybe a couple years old, but a book that really. Had an effect on the middle grade book was when you trap a tiger by Tae Keller and it explores. The kind of Korean experience, but also through the prism of kind of understanding generational grief. And it was just so beautifully done and really made an impact on me. So that was one recently that I thought was really powerful. And, I was like, this is an important book. This is definitely a book I would've loved as a child. When I was younger and I was reading books, there were three books that meant a lot to me. One was called the true confessions of Charlotte Doyle, and it was like a swashbuckling adventure story starring a girl, which was, at that time not very common. And it was, it meant, it was so earth shattering to me to be able to see a female character in that role. So that was great. There's a book called. Homecoming by Cynthia Voigt. And it's an adventure story and it also stars. The main character is a very strong female character and Tuck everlasting, which I just think is a beautiful book. It's also female characters. Now I'm saying it out loud. They are all female main characters. And all about, existentialism and adventure and things that, it was important for me to see. Female characters exploring. But I did also wanna say that when I was reading middle grade books, some of my favorite books included a series called, babysitters Club, which I think that they've redone now as a graphic novel. And that was actually really important, not necessarily for the stories, but because there's a character named Claudia Kishi who. Was a Japanese American character and she absolutely shattered the minds of, I think all kids that age were Asian descent and female in reading these books because there just wasn't a character like her before that, she was so cool and artistic but she had immigrant parents and she had a sister who was very good at math and they didn't get along and she loved junk food and she was. So incredibly nuanced and it was just not something that we saw back then. So that really inspired me, I think, to want to add to the diversity of voices. And thankfully there are many more diverse voices now than when I was reading.    Jalena Keane-Lee: [00:27:30] I love that. And I also feel like books that you read at that age, they stay with you forever.   Gloria Huang: [00:27:35] They really do.    Jalena Keane-Lee: [00:27:35] And they shape so much of like your worldview and your friendships. And I'm curious, 'cause I know the book was released this year in January. Mm-hmm. So what has it been like for you on your book tour and what's been some other responses that you've heard? I.    Gloria Huang: [00:27:48] It's been really great. It was so exciting to do the book launch and then just the amount of support from the writing community from, my, my kind of network, my agents and my publisher and editor. And also just readers. It's been really great. But one thing I think I wasn't expecting to love quite so much, not because I was expecting to not love it. I just said, it occurred to me that I would feel this way is getting feedback from, child readers is amazing because, I think as writers we love feedback no matter what. And if it's positive feedback, that's even better. But having a child reach out and as some of my friends will send a video of their. Children reacting to the book or they'll, their, let their child type out a text messages and just to hear how the book hits with them and to hear their excitement or to hear that they were moved or to have them want to know what happens next. It meant so much to me because it was, they're the target audience and to have them feel seen in that way was just, it's just the ultimate kind of powerful feeling.    Jalena Keane-Lee: [00:28:51] That is so sweet. Oh my gosh. I can only imagine. And so you're talking about the young readers. Yes. But I'm also curious if you have any advice or thoughts for young writers who might be wanting to share and get similar stories out to the world?   Gloria Huang: [00:29:05] Yeah I definitely do. And one of the. Experiences I've had that's been great is I've been doing, some school visits and I go and I talk about the book, but I actually talk about the writing process. And when I do that, I really talk to the kids. As if they're writers. The one of the first questions I ask is, hold up your hand. If you love writing or you think you want me, you might wanna be a writer someday. And a lot of hands go up and I tell them like, what the publishing process is, what are, the different genre options, what you might wanna consider, how you come up with an idea, how you sit down and write it, how you reach out to an agent. And I am surprised at how. Intensely, they're hanging onto every word and they're insightful questions after it. It shows me that a lot of them are really thinking about this. I think for one of the school visits, I remember someone held up her hand and she said what is the youngest age I. Someone has been able to be published. And I thought that was great. Because they're so inspired and you can tell that, that they're thinking for the first time this is a possibility. I have all kinds of advice during the school visits, the main piece of advice is really. Just that it can be a tough industry. writing is a very isolated process usually. There's a lot of kind of obstacles and there's a lot of gatekeeping. And so I tell 'em that the most important thing they can do is just keep pushing through and not to let any, setbacks stop them, because the ultimate goal is to reach even just one person.    Jalena Keane-Lee: [00:30:24] Absolutely. And what kind of advice do you give around learning how to hone your own voice and also having discipline when it comes to an artistic practice?   Gloria Huang: [00:30:33] Yeah, I think that's such a great question. And I was gonna say this piece of advice is probably more for I. Older writers, but adult writers, I guess I should say. The one thing that I've really been thinking about having published a middle grade book is the very specific and unique experience of writing for middle grade audiences. I think a lot of my friends who write for older audience groups, young adults, adults, They have their own challenges, but one of the things that is different is when they're writing, they are writing for the same target audience. That's also the decision makers. So generally, adults and young adults are picking their own books, and they're speaking to someone who will. Ultimately be the ones to pick up the books where when you're writing for middle grade audiences they're not usually the decision makers. at bookstores, they may or may not be in charge of which book they buy, in. Schools, usually it's a librarian or a teacher. So in some ways you're writing for one audience, but you're also writing a subject matter that you're hoping the decision makers will decide is worthy to put in front of your ultimate readers. So that's one challenge. And then the other challenge is I think middle grade audiences are so. fascinating because they're going through this amazingly unusual time in their lives, whether it's eventful and there's new experiences and that can be exciting, but also scary. So there's a lot to mind in terms of topics, but they are also a mixture of being very sophisticated readers who are on the cusp of being teens. And so there's a healthy dose of, skepticism, but they're still young enough that they. Believe in magic, at least in the literary world. So you, there's a lot of room to play with that. But they also. They sound different. They speak differently than adults. So it's important to get the dialogue, for me I, turn to children in my life, including my own, just to do a check to make sure that the dialogue sounds authentic and something that, people, that kids would say. So a lot of thoughts there, but I think, I've been thinking a lot about middle grade and writing for middle grade, and what a unique experience it is.   Jalena Keane-Lee: [00:32:26] Yeah, that's such a good point about the decision maker and having the multiple audiences, and I'm sure sometimes the decision makers are reading the books too, right? Or reading it with their kids or what have you. For your personal writing practice, are there any upcoming projects that you can share with us? And how do you stay inspired for what I imagine is like the long haul of writing something.    Gloria Huang: [00:32:45] I'm happiest when I have like several projects in the pipeline. So as soon as I am done a book or it's, outta my hands, it's with my agents or my editors. I'm looking to write another book. And I think sometimes I probably overwhelm my amazing book before agents. 'cause I'm like, I'm ready to start another story. And they're like, we're still looking at the book you just sent us. But I, that's very much how. I am happiest. I would definitely say that everybody finds their own rhythm. I'm in some writers groups and some people are incredibly fast drafters and just need multiple projects at a time. And some people are like, no, I need to work on one project and I need to have it to perfection and I'm gonna work on it for a year or two. And I think whatever works for the individual artist, I think is the best kind of process for them. But yes, for me it's very much about having multiple projects. I think I'm most inspired when I have different projects going at the same time. finding your own rhythm, I think is my advice.    Jalena Keane-Lee: [00:33:40] kaya of the ocean has, strong themes and storylines about, myths, mythology, Chinese mythology, and goddesses. I'm curious if you wanna talk any more about that and then also if that shows up in any of the other projects you're working on    Gloria Huang: [00:33:54] Yes, the Chinese mythological water goddess that features. Pretty prominently in Kaya of the Ocean is Matsu. And I find her to be such a fascinating character. She is a real goddess who's worshiped still in Asia. I think. Fishermen often will, pray to her for safe passage when they go out on the water. And my father told me about her when I was younger he told me like the side stories and I thought that was really interesting. But it was only when I started thinking about this book that I thought, I'd love to, I'd love to incorporate her. I hadn't heard about her too much in, in the fictional world, even though I knew she was still like a revered goddess. But I thought it was so cool that she was this strong. I. Strong female figure in a space that didn't always have that, hundreds of years ago. And so I dove into her story a little bit and found out, the story is that she was once a human child who loved to read and then she was afraid of swimming in water until she was older and then she drowned, saving, trying to save some relatives and it was interesting 'cause I'd already started plotting out Kaya and writing Kaya. And so much of her story wove easily into what I had already come up with. Like there, I think she has two sidekicks that were one time enemies that she, made into her friends and I'd already had Kaya written with two friends, Naomi and Ana. So I, there was just so much that I felt was kismet. And it was really fun to be able to weave that story together and fictionalize it. But I think it was also meaningful for me to be able to do that because. When I was younger, I loved reading Greek mythology. the stories are beautiful and they've been redone in beautiful ways, but it definitely was an area where I didn't necessarily see myself reflected. As part of my goal to add to the diversity of voices, I really wanted to feature Chinese mythology and bring those stories in so that. Kids can either see themselves reflected in those stories and or understand a new kind of set of mythology and learn about a new culture.   Jalena Keane-Lee: [00:35:46] Yes. I'm so glad you put it that way because it is, it's such a privilege to have access to, our own I. Cultural stories and knowledge through these, like fun and modern interpretations. Definitely. So I'm so glad that this can provide that.    Gloria Huang: [00:36:00] Oh, thank you. I did realize I didn't answer your other question, which is does it feature my other works? Which so I have sold another middle grade novel and I'm, it's not announced yet. I'm hoping to announce it soon. And I have some other. Books. I'm working on a young adult novel so far. They have not featured Chinese mythology, but I do definitely have a type that my most of my books tend to be contemporary settings, but with elements of speculative. Fantasy, just like the light touch of that and sometimes a little bit of historical elements as well. So they, they definitely all have that similar motif, but so far chi of the ocean is the only one to feature a Chinese mythological goddess.   Jalena Keane-Lee: [00:36:43] Thank you so much for sharing that. I love that. And I really love the relationship that Kaya had with her two friends and just and then also like the cousin that comes and just capturing like the banter amongst, amongst the girls.    Gloria Huang: [00:36:56] Thank you so much. that was really important to me, I think because at the stage that Kaia is in her life the loves of her life really are her two friends, Naomi and Ana, and they feature very prominently in how she learns to cope with her anxiety and her symptoms of anxiety. And so I really, I think that I really wanted to center her their friendship as much as possible. So I'm I'm glad that you saw it that way too.    Jalena Keane-Lee: [00:37:19] Yeah. And I feel like, I mean, it truly is the most important relationship. And so it's nice when works of fiction and yeah, works of fiction, can reflect that in such a beautiful way. I know you mentioned that you have daughters or have children?    Gloria Huang: [00:37:32] I do, yes. I have a son and a daughter. And my daughter actually was quite involved because when I first started writing Kaya, I think she was exactly of the age that she would be the target reader group. And so she actually helped Beta read it. She provided a lot of feedback. She became like a cheerleader. She was definitely involved in the process and I think that was really exciting for her. my son became of the reading age once it came out, so he reads it and he's a big fan too,   Jalena Keane-Lee: [00:38:00] that's so sweet. I love that your daughter was part of the editing process too. That's amazing.    Gloria Huang: [00:38:04] Yeah. Yeah. She loves writing and always says she wants to be a writer herself, so it was really special that she got to be part of this and see it up close.    Jalena Keane-Lee: [00:38:13] Oh wow. Do you think you would do any collaborative projects with her in the future?   Gloria Huang: [00:38:16] It's so funny that you say that. She always suggests that. And then sometimes they'll actually start a Google doc and they'll say, let's write a story together. And we all have, of course, very different writing styles. And then at some point they both actually usually just start reading what I'm writing. And at that point I'm like, this is not collaborative. You have to write as well. So we've had a couple of false starts, but that's always a joke that we're gonna do that together.    Jalena Keane-Lee: [00:38:39] that's so sweet. What else is upcoming for you? I know this is, Asian American and native Hawaiian Pacific Islander month right now, and the episode will come out towards the end of May. So if there's anything else coming up from you for this month or for June or the summer. Yeah. We'd love to hear what you have going on.    Gloria Huang: [00:38:57] Oh, yeah. Today actually Kaya's audio book was released people can listen to it. It was narrated by this amazing, narrator, Cindy K. And so anywhere you find audio books is available. And that was really cool. I've listened to a little bit of it and you, when you write, you hear the words in your head one way, and then it's amazing to hear like another artist do their take on it. So that's really cool. I will be at the Bay Area book Festival at the end of the month of May. There. Doing like different panels and I'll be on a panel. it's about Fantastical Worlds. I'm really excited about that. hopefully we'll be able to announce this other book soon. As you, you may know publishing is a very long lead time it will be a while before it's released, but I think the hope is to release it during, a API month as well just not this year. And working on a young adult novel that hopefully we can go on submission with at some point. But it's an exciting time for sure.    Jalena Keane-Lee: [00:39:51] Wow, that does sound so exciting. I can't wait to hear about your new projects and to continue to read the work that you put out into the world. Is there anything else that you'd like to discuss or talk about?   Gloria Huang: [00:40:01] I think just to say a thank you to you for, having me on here and reading Kaya of the Ocean and really anyone who's been interested in joining Kaya and her friends on their journey. It's just, it's so amazing, I think, to create these characters that become real to you, and then have them become real to other people. I don't have the words to describe how meaningful it is to me, but thank you.    Jalena Keane-Lee: [00:40:24] Thank you for letting us join into the world of Kaya for a little bit 'cause it was very fun and healing and all of the amazing things. And thanks so much for joining us today on Apex Express.    Gloria Huang: [00:40:36] For sure. Thanks so much.   Miko Lee: [00:40:38] Welcome, Andrea Wang, award-winning children's book author to Apex Express.    Andrea Wang: [00:40:43] Thank you, Miko. I'm so happy to be here.    Miko Lee: [00:40:46] Happy to have you. I'd love to start first with a personal question, which is, who are your people and what legacy do you carry with you?   Andrea Wang: [00:40:57] My people are from China. My mother's family belonged to an ethnic minority, called the Haka or the Kaja people, and she and her siblings were. A military family, and we're each born in a different province. And when the Chinese Civil War ended in 1949, they went to Taiwan where she grew up and immigrated to the United States in 1965 or 1966. My father's family are from Guangdong Province, and so I'm Cantonese on that side, although I don't speak any Cantonese. And he went to Hong Kong after the Chinese Civil War. So I am the daughter of Chinese immigrants, second generation Chinese American.    Miko Lee: [00:42:01] And what legacy do you carry with you?   Andrea Wang:[00:42:03]  I carry the legacy of their stories, both the ones that I know and the ones that I don't know yet.    Miko Lee: [00:42:12] Ooh. It sounds like there's lots of juicy things for you still to discover. That is fun.    Andrea Wang: [00:42:16] Yes.    Miko Lee: [00:42:17] Today we're talking about your new book, watercress, can you share what the audience, what the book is about, and then what is your inspiration for this book?    Andrea Wang: [00:42:25] So the book is about a Chinese American girl who is growing up in rural Ohio and her parents spot watercress growing in a ditch by the side of the road, and they immediately pull over and make her enter older brother, get out of the car and get down into the ditch with them and collect this. Vegetable, but to her it's a weed. And so when they serve it to her and her family at dinner, she really is unhappy about this and. For her, picking food out of a ditch has a really different meaning than it does to her parents who survived a lot of hardship in China. And it's not until her mom tells her a story about her childhood growing up in China and spoiler alert, loses a sibling to the famine that the girl begins to understand and better appreciate her parents, her culture, and her heritage.   Miko Lee: [00:43:29] And the inspiration for this book.    Andrea Wang: [00:43:32] So the inspiration is largely my own life. this is a semi autobiographical story. The memory of picking watercress by the side of the road was just something that I couldn't forget, I don't know why this memory continued to haunt me into adulthood. And then after my mom passed away, I started writing down, memories and stories of being with my family in order to maintain a connection to her. When I wrote this, at first it was a personal essay and it just wasn't working. I would put it away and I would occasionally take it out and I would put it away and take it out and work on it again. And it wasn't until I decided to pursue writing for young people that I completely changed the manuscript from a personal essay into a picture book. But at that point it still wasn't working. It was in third person and it wasn't very personal It took me several more years to figure out the heart of the story for me. So it was largely based on my own memories and my mother's childhood stories that she shared with me.   Miko Lee: [00:44:39] Can you share more about the power of memory and the artistic process? 'cause you've written many books and in different genres as well, but can you talk a little bit more about memory and its impact on your work?   Andrea Wang: [00:44:52] Yeah, that's a great question. I tend to write primarily for myself. And to figure out how I felt about certain experiences, how they've changed me, to try and process things I feel like I remember a lot about my childhood. parts of it are very vivid and I like to go back to those. Moments that have stuck with me all these years and explore what it means to me. Like I'm just very curious about why I remember certain things watercress was largely my way of processing my childhood feelings of shame about my family and my culture. I have leaned into that and am still writing stories about identity and the struggle to find our identity. Memory has a lot to do with it. I put myself in every single book.    Miko Lee: [00:45:45] Ooh, that's so interesting. And you're talking a little bit about shame and overcoming that. I'm wondering if you could speak more on, if you feel like memories hold the power to heal.    Andrea Wang: [00:45:56] I firmly believe that memories hold the power to heal. I think that writing watercress and talking about these feelings has really helped me, , heal from, that sort of trauma of not feeling like I belonged as a kid and also that I may have been. Not the nicest kid to my parents, not the most filial, right? And so writing this story was, as I say in the author's note, sort of an apology and a love letter to my parents. So it's been very healing and healing to hear about from all the. People who have read the book and had it resonate with them, the things that they regretted in their lives and hoped to, heal as well.    Miko Lee: [00:46:42] Oh, have you heard that story a lot from adult readers?   Andrea Wang: [00:46:46] I have. They will often tell me about the things that their parents did that embarrassed them. A lot of foraging stories, but also stories about, relatives and ancestors who were sharecroppers or indigenous peoples. And it's just been fascinating how many people connect to the story on different levels. There is that theme of poverty. I think recognizing. That's not often talked about in children's books, I think makes people feel very seen.   Miko Lee: [00:47:14] Yeah. That feeling of shame is really showcased by the illustrator Jason Chin. I mean your young you character kind of has a grumpy look on their face. And it was just so fun. Even in the book notes, Jason Chin, the illustrator, writes about how he combined both the western and eastern style of art, but also his similar cross-cultural background. I'm wondering when you very first saw the artwork and this was kind of young you did anything surprise you by it?    Andrea Wang: [00:47:42] I mean, it's amazing, gorgeous artwork and I was really struck by how he dealt with the flashbacks because when I sold this manuscript, I. Had no idea how an illustrator would deal with how interior it is and, , and how they would tackle those flashbacks. And there's one spread where on the left hand side of the page, it shows the main character's current time and then it morphs across the gutter of the book into. The moms past and her childhood memories in China, and it was just exquisite is really the only way to describe it. It was, it's just brilliant, and amazing. We don't, as picture book authors typically get to work with our illustrators. We often do not have contact with them through the making of a picture book. But in this case. Our editors said since it was such a personal story for me, that he, , felt that Jason and I should collaborate. And so I provided photos, family photos, photos of Ohio, lots of different, , source materials to Jason and would talk to him about the feelings that young me in the book went through. And so the fact that, he was able to take all of that and put it on the page, it was just. Spectacular.    Miko Lee: [00:49:01] Oh, that's so fun. I also understand that you love mythical creatures as you I, and one of your children's books is the Nian Monster, which I love. I'm wondering what is your favorite mythical creature and why?   Andrea Wang: [00:49:15] I. Have been sort of fascinated with the qilin, the, or they call it the Chinese unicorn. Right. Although it looks very different from what we think of a, a European unicorn looks like. Yes. And I think it's because they're supposed to be this really benevolent, creature and Have all sorts of powers and I would love to do more research about the qilin and, you know, incorporate that into a book someday.   Miko Lee: [00:49:42] Ooh, fun. Next book. I love it. you have so many books and I'm really curious about your upcoming book Worthy about Joseph Pierce. I love these as Helen Zia talks about these. MIH moments that are missing in history. And Joseph Pierce was the highest ranking Chinese American man who fought in the Civil War. Some people might recognize this picture of this Chinese American guy in a kind of civil war, uniform. Can you tell us one, when is the book being released and a little bit more about it?    Andrea Wang: [00:50:11] Sure. The book is being released on September 9th, 2025, and it is. A picture book, which we typically think of as for younger readers, but it is 64 pages. So you know, it's an all ages picture book. I think my editor and I would like to say, and it is the story of a Chinese boy born in the, First half of the 18 hundreds in China in Guangdong province, and was sold by his father to an American ship captain named Amos Peck. the reasons for that are, lost to time, right? He left no primary sources behind, there was so much going on in China at the time. Famine war, you know, all of these, Difficult things that his father probably sold him in order to keep the rest of the family alive and as well as give him the opportunity to have a better life. And he did end up in Connecticut. He was raised with the captain's, siblings and sent to school and treated almost like a member of the family except for the fact that he was. Clearly Chinese and there were very few Chinese people in, Connecticut at that time. he joined the Union Army when he came of age and was able to leverage his service into gaining citizenship, which really people of color, weren't really able to do successfully back then. And so. He gained a citizenship. He married, he had a family. He was able to own property and accomplish all these amazing things. Sort of right before the Chinese exclusion Act was, enacted. So he was a very brave guy.    Miko Lee: [00:51:45] It's a wild story and you sent me on a little bit of a rabbit hole, which is fun. Just, looking at Ruth Ann, McCune's. historical piece that there were 10 different Chinese American men in the Civil War, but he was exceptional because he rose to such high ranks. And I just think it's so interesting that, in the 1880 census, he registered as Chinese. But then after the Chinese Exclusion Act in 1882, he listed his race as Japanese in the 1890 census. but he was racialized as white so that he could buy property and everything. Yeah. Can you just talk a little bit about that, like talk about code switching? He like literally changed his race,    Andrea Wang: [00:52:26] right. And people at that time could not tell the difference. Similar to now, people often can't tell different Asian, ethnicities apart. Right. I found actual newspaper articles where Joseph Pierce was interviewed about the battles, that the United States was having with Japan or the battles that Japan was having. He was asked his opinion on what the Japanese government was doing because he told these reporters he was Japanese and that was really the only clue that I had that he, Was code switching that after the Chinese exclusion Act was passed, he felt like he needed to protect himself and his family and he must have cut off his cue because otherwise, you know, that would've identified him immediately as Chinese. So that went into the book. I think it's a powerful moment, right, where he's doing what he has to do to survive and ensure his protection and his family's safety,   Miko Lee: [00:53:25] You have a, a really interesting background. Just having No really, I mean, having done all these different things and I, you know, I think you have a science background too, right? Can you talk about the times that we're living in right now, the political times that we're living in, where our government is banning books that don't align with certain conservative ideologies, where right now certain words are forbodden suddenly. And can you talk a little bit about how that impacts you as a children's book author?    Andrea Wang: [00:53:59] it is very disheartening and discouraging that the current climate is against, people who look like me or other people of color. And as a children's book author, we are experiencing a huge decrease in the number of teachers and librarians who are asking us to come and visit schools, to talk to students, which is horrible because. These young people are the ones who need to learn from books, right? Knowledge is power. And if we are not keeping them informed, then we are doing them a disservice. I think the attacks on our freedom to read are really unjust. and. personally as an author of color, I understand that books like Worthy may end up on some of these banned book lists because it does talk about racism. but these are the stories that we need now, and I'm going to continue writing these stories about the Hidden History, And to talk about these difficult subjects that I think kids understand on some level. but if they're not reading about it in books, then it's hard to spark a conversation with, educators or adults about it. So I think these books that I'm writing, that many of my friends and other children's book authors are writing are providing that. Sort of gateway to talk about, the topics that are so important right now.    Miko Lee: [00:55:29] Thank you so much for sharing, and thank you so much for being on Apex Express today. We appreciate your voice and the work that you're putting out there in the world. Is there anything else you'd like to say?   Andrea Wang: [00:55:39] you know, there's so much to say, I think just to. Stand up for what we all believe in and to, I encourage people to stand up for their intellectual freedom and that of their children.   Miko Lee: [00:55:56] Thank you, Andrea Wang. I appreciate hearing from you and hearing your voice and seeing your work out there in the world.    Andrea Wang: [00:56:03] Thank you so much, Miko. It was a pleasure.   Miko Lee: [00:56:05] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 5.29.25 AAPI Children's Books appeared first on KPFA.

A memorial has been unveiled in Dunmanway in Cork to remember the 14 girls who were orphaned by the Famine and shipped to Australia as part of the dubious Earl Grey Scheme.Joining Seán to discuss this is Historian Michelle O'Mahony, who has been investigating the story…Image: Cork County Council Library & Arts Service

What if doing the most good was simpler—and more within reach—than you ever imagined? In this powerful episode of The Greatness Machine, Darius is joined by world-renowned moral philosopher Peter Singer for a conversation that will challenge how you think about ethics, generosity, and your role in making the world better. Peter, best known for his groundbreaking work “The Life You Can Save,” shares thought-provoking insights on effective altruism, the moral obligations of those living in affluence, and how small, intentional actions can create ripple effects of real change. From fighting global poverty to advocating for animal rights, Peter's work has inspired millions to rethink their impact—and today, he might just do the same for you. In this episode, Darius and Peter will discuss: (00:00) Introduction to Effective Altruism (06:11) Understanding Effective Altruism (11:57) The Life You Can Save: A Nonprofit Overview (18:05) Philanthropy and Meaning in Life (23:55) Profit for Good: Business and Altruism (24:54) Profit for Good Conference: A New Business Paradigm (30:01) The Role of Bioethics in Modern Society (37:32) Activism and Personal Motivation in Ethical Issues (38:35) Reflections on Global Issues: Past and Present (41:42) Making a Difference: Individual Impact and Career Choices (47:07) Overcoming Barriers to Greatness Peter Singer is an Australian moral philosopher known for his work in applied ethics from a utilitarian perspective. He is Emeritus Professor of Bioethics at Princeton University and author of Animal Liberation and the influential essay “Famine, Affluence, and Morality.” Singer has shifted from preference to hedonistic utilitarianism over his career. He founded Monash University's Centre for Human Bioethics, co-founded Animals Australia, and established the nonprofit The Life You Can Save. Recognized as Australian Humanist of the Year in 2004, he is considered one of Australia's most influential public intellectuals. Sponsored by: Huel: Try Huel with 15% OFF + Free Gift for New Customers today using my code greatness at https://huel.com/greatness. Fuel your best performance with Huel today! Indeed: Get a $75 sponsored job credit to boost your job's visibility at Indeed.com/DARIUS. Notion: Get Notion Mail for free right now at notion.com/machine. ShipStation: Go to shipstation.com and use code GREATNESS to sign up for your FREE trial. Shopify: Sign up for a $1/month trial period at shopify.com/darius.  Connect with Peter: Website: https://www.petersinger.info/ Website: http://thelifeyoucansave.org/  Podcast: https://podcasts.apple.com/ee/podcast/lives-well-lived/id1743702376  Connect with Darius: Website: https://therealdarius.com/ Linkedin: https://www.linkedin.com/in/dariusmirshahzadeh/ Instagram: https://www.instagram.com/imthedarius/ YouTube: https://therealdarius.com/youtube Book: The Core Value Equation https://www.amazon.com/Core-Value-Equation-Framework-Limitless/dp/1544506708 Write a review for The Greatness Machine using this link: https://ratethispodcast.com/spreadinggreatness.  Learn more about your ad choices. Visit megaphone.fm/adchoices

How did a famine in the 1980s spark a global movement, and what role did music and media play in this humanitarian effort? Join us as Merry and Cathy dive deep with filmmakers Chip Duncan and Salim Amin into their documentary, Stand Together as One: The Famine, The Music, The Impact.  Discover the untold stories behind iconic initiatives like the song "We Are the World", Band Aid and Live Aid, and explore the powerful legacy of Mohammed Amin, whose groundbreaking photojournalism changed the world. Chip and Salim reveal the behind-the-scenes challenges of their film, the ethical nuances of visual storytelling, and the enduring influence of compassion-driven journalism.  Get ready for an inspiring journey through history, art, and activism that underscores the importance of unity in tackling global issues. Tune in to reflect on your own potential to make a difference.Salim Amin's bio:From humble roots in a small shop in Dar es Salaam, Salim's father Mohamed Amin began Camerapix in 1963. With the instincts of a warrior and the heart of a leader, Mohamed Amin built Camerapix into a sustainable, world class organization covering news, features and producing documentaries with a variety of global networks including the BBC, NBC and Reuters. Today, Salim has continued that tradition by helping educate Africa's youth through the Mohamed Amin Foundation and as a founder of Africa 24 Media, a media platform that was dedicated to positive stories about the culture and history of Africa.Recognized in 2007 as a Young Global Leader by the World Economic Forum in Davos, Salim's leadership has been rewarded. Today, Camerapix works in collaboration with production partners throughout Africa, Britain, Europe, Asia and the United States. New African Magazine has recognized Salim as one of the top “100 Most Influential Africans” and has named Salim among their “Top 50 Under 50.” Salim was one of only 150 global leaders invited to President Obama's 2010 summit on Presidential Entrepreneurship in Washington DC.Salim's work as a producer includes the internationally acclaimed feature documentary Mo & Me, the One.org production of Revisiting Korem, and executive producing the award-winning documentary The Sound Man. As an on-camera host and producer, Salim achieved acclaim across the Continent for his production of more than 150 episodes of The Scoop, a weekly half hour series featuring Africa's foremost voices in art, culture and finance. At it's peak, The Scoop reached more than 300 million viewers weekly in broadcast and online viewership.Salim published his first book in 2019 titled KENYA: Through My Father's Eyes, a coffee-table book showcasing his father's unique images of Kenya. It is also the first historical book on Africa incorporating Augmented Reality with 12 videos embedded in the pages of the book.Since 2020 Salim has been documenting and preserving Kenya's history through interviews and features, and working on the construction of Kenya's largest history Museum. He refers to his work as a “conservation of history”.In 2024, together with production partner Chip Duncan, Salim co-produced the multi-award-winning documentary Stand Together As One: The Famine. The Music. The Impact to commemorate the 40th Anniversary of the great Ethiopian Famine and We Are The World, Band Aid and Live Aid.Connect with Salim and Chip:Salim's Instagram: @salimcamerapixtvWebsite: https://artsandculture.google.com/pocketgallery/Thank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.us. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribers.

In this episode, Scotty Reid exposes how food is being used as a weapon in Gaza and traces the roots of this strategy to U.S.…

In this episode, Scotty Reid exposes how food is being used as a weapon in Gaza and traces the roots of this strategy to U.S. policy under Henry Kissinger. A powerful look at starvation as a tool of war—and America's role in it. #GazaGenocide #FoodAsWeapon #HenryKissinger #USForeignPolicy #WarCrimes #BlackTalkRadio #Realpolitik #EndTheFamine #CeasefireNow #StarvationAsStrategy Your help keeps us producing independent Black media. Please consider donating to support our work! You can send donations via Cash App: $BTMProject, PayPal: https://www.paypal.com/donate/?hosted_button_id=NCF3MVP8N68JG Thank you for your support!

Welcome back to the podcast! In today's must-listen episode, Chantel sits down with Dr. Daniel Pompa, expert in cellular healing and author of Beyond Fasting. In this powerful conversation, Dr. Pompa unpacks the science behind intermittent fasting, extended fasts, and why our bodies are genetically programmed to fast. He explains how fasting triggers autophagy, renews cells, resets hormones, and helps detox harmful toxins stored at the cellular level. Chantel and Dr. Pompa also dive into cellular detoxification, senescent cells, the impact of inflammation on hormone receptors, and why most “cleanses” don't go deep enough. Whether you're just starting your fasting journey or want to level up your detox game, this episode is packed with real, actionable health strategies.

Last week, the Israeli military launched a major new ground assault on Gaza. The aim, according to Israel's prime minister Benjamin Netanyahu, is to force the surrender of Hamas, free the remaining Israeli hostages, and bring the entire territory under Israel's control. The UK, France and Canada have demanded Israel halt "its military operations" and "immediately allow aid" in. While Trump spoke about his support for Benjamin "Bibi" Netanyahu during his campaign, in recent weeks his patience seems to be wearing this. The US ambassador to Israel maintains Hamas is still responsible for starting the war by attacking Israel on 7 October 2023, and says the militant group must release the 58 Israeli hostages it is still holding. Meanwhile Hamas has been in private talks with the US about a ceasefire.Katie Stallard is joined by Raja Khalidi and Rajan Menon. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Hold Your Fire!, Richard is joined by Crisis Group's experts Mairav Zonszein, Amjad Iraqi, Max Rodenbeck and Rob Blecher to discuss Israel's new ground offensive in Gaza and its contentious efforts to take over control of aid distribution amid a deepening humanitarian crisis. Richard first speaks to Mairav, Amjad and Max about “Operation Gideon's Chariots”, Israel's military campaign that appears aimed at fragmenting Gaza territorially while linking military operations to the management of humanitarian aid. They examine how the war is affecting Israel's domestic politics and whether public sentiment is shifting. They also discuss how the war has affected Israel's international standing, with European leaders voicing growing criticism of Israel's conduct. Richard then turns to Rob to take a closer look at Israel's aid distribution plan and its reported aim to provide only minimal levels of food after months of blockade, despite most Palestinians in Gaza already facing severe hunger.For more, check out our recent statement “Saving Gaza from Starvation” our Analyst's Notebook entry “The Vanishing Line between Starvation and Famine in Gaza” and our Israel/Palestine page. Hosted on Acast. See acast.com/privacy for more information.

Les deux mois et demi de blocus total de Gaza et la reprise des bombardements ces derniers jours ont largement fait réagir la communauté internationale. Le mardi 13 mai, Emmanuel Macron blâme le gouvernement de Benyamin Netanyahou, parlant de « honte » à propos du désastre humanitaire. Le dimanche suivant, contraint par ses soutiens, le chef d'État israélien donne son accord pour une reprise limitée de l'aide humanitaire à Gaza. Une aide encore trop faible pour sauver les Gazaouis, d'après l'ONU. Les bombardements ne se sont pas arrêtés, ils ciblent les hôpitaux et les maisons gazaouies. Famine, orphelins, décès dans les camps de la bande de Gaza, les Palestiniens tentent de survivre. Et au dehors la guerre continue. Après plus de 20 mois de guerre, où en est-on ? Pour Code Source, Thomas Poupeau, journaliste au service société du Parisien, Ariane Riou, journaliste au service international et Robin Korda, envoyé spécial en Israël, reviennent à travers les témoignages de Gazaouis sur l'horreur de cette guerre.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Pénélope Gualchierotti, Orianne Gendreau, Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : TF1 et France 24. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Depuis mars, Israël a complètement bloqué l'aide humanitaire destinée à la bande de Gaza. La raison invoquée : exercer de la pression sur le Hamas pour forcer la libération des otages. Mais pour la population, cette approche est lourde de conséquences. À la crise humanitaire s'ajoute désormais un risque critique de famine. Le 20 mai, cédant aux pressions diplomatiques exercées par des pays alliés, Benjamin Netanyahou a partiellement levé le blocus israélien. François Audet, directeur de l'Observatoire canadien sur les crises et l'action humanitaires, expose la gravité de la situation et les actions à déployer pour y mettre un terme.

MESSAGE | Dr. Brian Payne (Pastor) "The Test, Yet Gift, of Famine" Genesis 42:25-43:14 1 | The Test of Famine (42:25-43:1) 2 | The Gift of Famine (43:2-14)

Nathan Baker breaks down Friday's slate of streamers, and discusses the importance of mental makeup in major leaguers. SUBSCRIBE, Rate and Review on Apple and Spotify! Follow us on Twitter: @EthosFantasyBB Follow us on Bluesky: @ethosfantasymlb Join our Fantasy Sports Discord Server: https://discord.gg/jSwGWSHqaV

“There is corn in Egypt.” — Genesis 42:2 Famine pinched all the nations, and it seemed inevitable that Jacob and his family should suffer great want; but the God of providence, who never forgets the objects of electing love, had stored a granary for His people by giving the Egyptians warning of the scarcity, and […]

Gaza is starving. As Palestinians mark 77 years since the Nakba, families are still under bombardment, cut off from aid and struggling to survive. With US President Donald Trump touring the Gulf, what will it take to bring relief to Palestinians? In this episode: Youmna ElSayed (@YoumnaElSayed17), Al Jazeera correspondent Episode credits: This episode was produced by Sarí el-Khalili, Sonia Bhagat, and Tamara Khandaker, with Phillip Lanos, Spencer Cline, Kisaa Zehra, Remas Alhawari, Mariana Navarrete, and our guest host, Natasha del Toro. It was edited by Alexandra Locke. Our sound designer is Alex Roldan. Our video editor is Hisham Abu Salah. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on Instagram, X, Facebook, Threads and YouTube

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Legal reporter Jeremy Sharon and news editor Amy Spiro join host Amanda Borschel-Dan for today's episode. Yesterday, the United Nations-linked Integrated Food Security Phase Classification (IPC) organization said in a “Special Snapshot” briefing that “the Gaza Strip is still confronted with a critical risk of famine,” and that “the entire population is facing high levels of acute food insecurity, with half a million people [one in five] facing starvation.” Israel has accused IPC of a “lack of transparency” with regards to the source of its data, and it said the IPC’s Special Snapshot failed to take into account “the massive volume of aid, especially food, that entered Gaza during the ceasefire.” Sharon weighs in. Attorney General Gali Baharav-Miara on Tuesday ordered the military to begin sending conscription orders to all draft-age members of the ultra-Orthodox community at the start of the next recruitment cycle in July. How much authority does she have and will anything change? President Isaac Herzog on Monday became the first foreign leader to be hosted by new German Chancellor Friedrich Merz, just six days after he took the helm of Germany’s government, with Berlin and Jerusalem marking 60 years of strong diplomatic ties. Spiro was there and reports back. Singers from 37 countries are now in Basel, Switzerland, for the annual Eurovision Song Contest this week. We learn about Israel's candidate Yuval Raphael and some of the challenges she faces. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: Food security NGO warns of ‘critical’ famine risk in Gaza; Israel says study ‘flawed’ Attorney general urges conscription of all draft-age Haredim starting this summer In Berlin, Herzog lauds 60 years of German-Israel ties, even as Gaza war casts shadow Eurovision kicking off in Basel with glitz, schmaltz and little love for Israel Israel’s Yuval Raphael and her team met by protests, threat as Eurovision week kicks off After surviving Nova, Israel’s Eurovision hopeful is ready to ‘give my dreams a chance’ Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by the Pod-Waves and video edited by Thomas Girsch. IMAGE: Palestinians line up to get a ration of hot food from a charity kitchen set up at the Islamic University campus in Gaza City on May 12, 2025. (Omar AL-QATTAA / AFP)See omnystudio.com/listener for privacy information.