Podcasts about young ghouls

Dr. Thomas Kessler is a family practice physician with MedExpress. He is a frequent contributor to The Rick Dayton Show. On Thursday afternoon, he joined the show to talk about how to lessen the chance of something happening that puts a damper on one of the favorite holidays for kids. He addressed issues of physical safety, food safety (1 in 13 kids have food allergy issues,) and contact dermatitis issues from face paint or materials in costumes. 

In the fourth episode of the Sundance 2023 podcast season, we discuss the North American films by and about Indigenous Peoples at the festival, including Twice Colonized, Bad Press, Murder in Big Horn, and Fancy Dance. Click here to read the episode show notes. You will also find an AI-generated transcript in the show notes.  00:00 Introduction 01:05 Why are we discussing Indigenous films at Sundance? 14:11 Fancy Dance is our favourite Indigenous film at Sundance 14:54 Murder in Big Horn 31:00 Twice Colonized 41:13 Bad Press 49:26 The trend of an Indigenous filmmaker and a settler filmmaker co-directing 57:58 Indigenous films at Sundance set outside of North America: Heroic, Sorcery, Against the Tide More about the episode In this episode, we discuss Indigenous Films at Sundance: films directed or co-directed by Indigenous people as well as a couple of films about Indigenous people but directed by settlers. We kick off with our favourite Indigenous film at the festival, Fancy Dance, about Missing and Murdered Indigenous Women and Girls (MMIWG) which we already went deep on in episode 3. We then dig into the disappointing documentary miniseries Murder in Big Horn (dir. Razelle Benally who is Oglala Lakota/Diné and Matthew Galkin), which looks at MMIWG in the Crow and Northern Cheyenne Nations. The Sundance miniseries Murder in Big Horn is told through the lens of an Indigenous investigative journalist looking into the case and uses the tropes of true crime. We talk about the often thoughtful but inchoate Twice Colonized, which was directed by a settler The film Twice Colonized follows the wonderful Inuk lawyer Aaju Peter (who also appears in Angry Inuk). Next, we talk briefly about another disappointing Sundance US Indigenous film, a documentary co-directed by an Indigenous director, Bad Press (dir. Muscogee filmmaker Rebecca Landsberry-Baker and Joe Peeler), about the Mvskoke Media in the Muscogee Creek Nation navigating gaining and then losing and then trying to regain their status as free press. We also touch briefly on Fox Maxy's New Frontiers experimental film. Finally, we briefly discuss Heroic, a World Dramatic Competition film about an Indigenous character and mention the other World Cinema films that are about (but not made by) Indigenous people. About the Sundance 2023 season This is the fourth episode of our new podcast season on the 2023 Sundance Film Festival. Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Sundance 2023 runs from January 19-28, and we'll be covering this year's festival in a new podcast season about the films this year and how the programming fits into the festival's history. This is Seventh Row's second podcast season (the first was on Women at Cannes in 2022). Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste on Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes About the Sundance 2023 season This is the thid episode of our new podcast season on the 2023 Sundance Film Festival. Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Sundance 2023 runs from January 19-28, and we'll be covering this year's festival in a new podcast season about the films this year and how the programming fits into the festival's history. This is Seventh Row's second podcast season (the first was on Women at Cannes in 2022). Sundance 2023 Bingo Because the festival loves to program films by slot and quota, we are also introducing our annual Sundance Bingo Card, which you can download here. Play along during the festival (or look at past festival editions and the films you've caught which screened there). You can find this year's bingo card in the show notes on our website. In each expisode we'll track our progress on the Bingo card, individuall and as a Seventh Row team. Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste on Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes Explore our archive of interviews with Indigenous filmmakers. Listen to the third episode of our Sundance 2023 podcast season, in which we discuss Erica Tremblay's film Fancy Dance. Listen to the podcast Finding Cleo on CBC Radio. Read our interview with Elle-Máijá Tailfeathers on her film Kímmapiiyipitssini: The Meaning of Empathy. Read our interview with Elle-Máijá Tailfeathers and Kathleen Hepburn on The Body Remembers When the World Broke Open, in which they discuss their collaboration. Then listen to our four-person masterclass with the pair and Mouthpiece collaborators Norah Sadava and Amy Nostbakken. Read our interview with Sonia Boileau on her film Rustic Oracle, which is about the issue Missing and Murdered Indigenous Women and Girls. Read our interview with director Alethea Arnaquq-Baril on Angry Inuk, her documentary about seal hunting. Listen to our last podcast season, which discussed the history of women filmmakers at the Cannes film festival. Discover all of our past podcast episodes on films that screened at Sundance. Related episodes At Seventh Row, we have a long-standing interest in covering Indigenous Films from around the world, with a special focus on films produced in Canada. In this episode, we reference any great Indigenous films and creatives that we've discussed on previous episodes. If you'd like to learn more about Indigenous filmmaking, we recommend checking these out. Ep. 131: Remembering Jeff Barnaby (FREE). The great Mi'gmaq filmmaker Jeff Barnaby passed away last year. We paid tribute to his enormous influence on Indigenous filmmaking, Canadian cinema, and the filmmaking industry more broadly through his work and activism. We also discuss his short films and two feature Rhymes for Young Ghouls and Blood Quantum, and why they have had such a lasting impact. Ep. 126: Run Woman Run (also featuring a discussion of Kímmapiiyipitssini: The Meaning of Empathy) (FREE, soon becoming Members Only). We discuss the Indigenous film Run Woman Run. The film is the second feature from director Zoe Leigh Hopkins. It's a coming-of-age at 30+ story about an Indigenous woman and mother who must learn to care for herself after getting a diabetes diagnosis. We also talk about Elle-Máijá Tailfeathers's documentary Kímmapiiyipitssini: The Meaning of Empathy. In this episode, we discuss how Murder In Big Hornlacks the empathy for its subjects that we see in The Meaning of Empathy. Ep. 62 and 63: Indigenous YA part 1 and Indigenous YA part 2 (in which we discuss Rustic Oracle) (Members Only): We discuss a number of Indigenous YA films out of Canada, including the MMIWG films Rustic Oracle. Ep. 120: David Gulpilil: Remembering his work in Charlie's Country and beyond (FREE, soon becoming Members Only): The great Australian Aboriginal actor David Gulpilil passed away in 2021. We began 2022 with a tribute to his work and legacy. Ep. 38: Australian westerns and True History of the Kelly Gang (in which we discuss Sweet Country) (Members Only): We discuss how Aboriginal filmmaker Warwick Thornton upends colonial tropes in the Australian Western with his film Sweet Country (which screened at Sundance!). We look at the film in context with some contemporary settler Australian Westerns.

We're celebrating the late great Indigenous filmmaker Jeff Barnaby with a look at 2013's Rhymes for Young Ghouls. C/W: infanticide, suicide, drug abuse, threat of sexual assault, residential schools (basically everything).This is a rough text, but Barnaby's tale of Indigenous vengeance against colonial oppressors is also extremely cathartic. Plus: The Aila Test, a brief history of residential schools, how the film uses genre to disarm white audiences, and debate about whether the end of the film is "happy"References:> Ali Nahdee. “The Ali Nahdee Test”> Taylor Sanchez Guzman. “Moving with the Dead” in Rhymes for Young Ghouls. Cleo JournalWanna connect with the show? Follow us on Twitter @HKHSPod or use the hashtag #HKHSPod:> Brenna: @brennacgray> Joe: @bstolemyremoteHave something longer to say or a comment about banned book club? Email us at hkhspod@gmail.com or tweet us your responses before the following deadlines: Hosted on Acast. See acast.com/privacy for more information.

Today, we pay tribute to the great films and enormous impact of Mi'gmaq filmmaker Jeff Barnaby who passed away on October 13, 2022. He is best known for writing and directing (and editing and composing for) two landmark Indigenous feature films out of Canada: Rhymes for Young Ghouls (2013) and Blood Quantum (2019). This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, as well as Associate Editor Dr. Brett Pardy. To read the show notes and get the AI-generated transcript of the episode, click here. More about the episode Mi'gmaq filmmaker Jeff Barnaby passed away unexpectedly from cancer on October 13, 2022. He was only 46. He is best known as the writer-director of two feature films in colonial Canada: the landmark film about residential "schools" Rhymes for Young Ghouls (2013) and the popular zombie film Blood Quantum (2019). But he has also made three excellent shorts, which we hope to help people discover: From Cherry English (2004), The Colony (2007), and Etlinisigu'niet: Bleed Down (2015). We've been huge fans of Barnaby's work and activism, and are still very much mourning the loss of this incredible talent who wasn't given the opportunities he deserved. There are so many films we will never get from him now. But we also wanted to talk about how many roadblocks were put in Barnaby's way while he was alive, preventing him from making all the films he could have and wanted to make in his time. This episode is a tribute to Jeff Barnaby — a complicated, difficult, visionary filmmaker — and what his work has revealed about Canada and the film industry. When Barnaby died, we didn't just lose so much future work from this important filmmaker that we all wanted to see (and he wanted to make), but we also lost a huge resource of cultural knowledge of the Canadian and Indigenous Film Industries. This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, as well as Associate Editor Dr. Brett Pardy. On This Episode 01:51–3:45 Why are we talking about Jeff Barnaby? 3:45–6:26 Jeff Barnaby's unexpected passing and his huge impact on the film industry 6:26–10:38 Barnaby not only changed filmmaking but effected social change with his work 10:38–16:56 How the Canadian film funding bodies failed to support Barnaby's work in the ways it should have. We also discuss why they wanted to fund Rhymes for Young Ghouls but not Blood Quantum 16:56–19:44 Making films about colonial trauma without showing gratuitous violence or making trauma porn at the same time 19:44– 24:52 Dr. Brett Pardy on teaching Rhymes for Young Ghouls and its weighty emotional impact on the viewer. We also discuss Barnaby's use of genre to capture a settler audience and talk about colonialism. Barnaby did this without being didactic or preach. He's not there to teach; just to provoke. 24:52-30:21 Rhymes for Young Ghouls is so accomplished it doesn't feel like a first feature. 30:21-32:08 Barnaby wasn't given the opportunities he should have been given in the time that he had, even though everyone in the Canadian film industry knew how talented he was and how important his work was. 32:08-47:58 How Jeff Barnaby was refreshingly honest on Twitter and in interviews when discussing the realities of being an Indigenous filmmaker. Barnaby had a lot of integrity. He also worked to uplift other Indigenous artists. He was one of the most accessible filmmakers on Twitter and would regularly engage (positively) with other film fans and critics. 47:21-49:24 The loss of Barnaby also means the loss of a huge body of knowledge of how the Canadian film industry works to support (or fail to support) Indigenous filmmakers. 49:24-52:54 The lack of critical or academic interest in contemporary Canadian film, let alone Indigenous film, and how we have tried our best to fill the gap. 52:54-57:13 Jeff Barnaby's short films, as well as why they are worth catching up with 57:13-59:31 Related episodes, what's coming next on the podcast, and other wrap-up thoughts. Show Notes on the podcast on remembering Jeff Barnaby Read Alex Heeney's interview with Jeff Barnaby on Blood Quantum and colonialist zombies Read Seventh Row's 50 favourite films of the decade which also includes Rhymes for Young Ghouls as #6. Watch Jeff Barnaby's short From Cherry English (2004) (Available worldwide) Watch Jeff Barnaby's short The Colony (2007) (Available worldwide) Watch Jeff Barnaby's NFB short made from archival footage, Etlinisigu'niet (Ble)ed Down (2015) (Available worldwide) Become a member for access to all of our upcoming episodes. This also includes most of our episodes on Indigenous films. Listen to our first podcast season on Women at Cannes Related episodes Bonus 27: Empathy on film with Dr. Brett Pardy (FREE to everyone) - Dr. Pardy did his PhD research on how films can create empathy, and used Barnaby's Rhymes for Young Ghouls as a case study for some of his on-the-ground research. Ep. 39: Jeff Barnaby's Rhymes for Young Ghouls & Blood Quantum (Members only) - In this early episode of the podcast, we compare and contrast Barnaby's two features, as well as discuss how he uses genre in innovative ways, and more. Ep. 62: Indigenous YA, part 1 (Members Only) - We discuss three recent contemporary Indigenous YA films from Canada: Beans (2020), Monkey Beach (2020), and the TV show Trickster (2020). Ep. 63: Indigenous YA, part 2 (Members only) - A broader survey of Indigenous YA out of Canada from the last decade, including Rustic Oracle (2019), Tia and Piujuk (2018), The Grizzlies (2018), Kuessipan (2019), and Rhymes for Young Ghouls (2013). Where to find us Follow Seventh Row on Twitter and Instagram @SeventhRow. Follow Alex Heeney @bwestcineaste, Orla Smith @orlamango, and Dr. Brett Pardy @DrAntiqueiPod on Twitter. 

In this episode, Carsten & Stephen discuss Barbarian, plus a sampling of the '80s Horror gems being offered by Criterion Channel, just in time for Halloween. Down Under thrills from the Aussie giallo Next of Kin, Euro-chills from the Dutch classic The Vanishing, high concept spills by the remake of The Blob, and much, much more, plus a tribute to the late Jeff Barnaby, the skilled Mi'kmaq horror maestro whose Blood Quantum and Rhymes for Young Ghouls are powerful features that are also perfect to watch at this time of year. Follow us on twitter: @Lensmeyourears and like us on Facebook! Stephen's twitter:@NS_scooke Carsten's twitter: @FlawInTheIris

This week we tackle Jeff Burnaby's (Blood Quantum);  Rhymes for Young Ghouls. Please be aware this film and the podcast deal with suicide, abuse and Canadian residential schools.  On a lighter note, hear Kris's pandering to have Mr. Barnaby  as a guest.    As always like and subscribe and leave us a review.   Contact us at www.howdyoulikethatmovie.com

Associate Editor Brett Pardy recently defended his PhD about film and empathy. We discuss his research, what inspired him to get into the topic, and how Seventh Row ties in. This episode also features Editor-in-Chief Alex Heeney and Executive Editor Orla Smith. On this episode: Brett's Doctoral Dissertation (0:45) Related episodes (4:48) Brett's origin story for getting into this study (9:36) Cultural perceptions of films as just entertainment (18:24) What does empathy through film look like? (29:03) Having conversations about films (34:36) Expanding people's film horizons (43:31) How Seventh Row relates to this (48:36) Conclusion (1:02:18) Show notes: Read Brett's interview with Stupid Young Heart director Selma Vilhunen and writer Kirsikka Saari Read Alex's interview with Meditation Park director Mina Shum Read Roger Ebert's speech about empathy and film. See the They Shoot Pictures, Don't They Top 1000 film list Related episodes: Bonus 26: Benedict Cumberbatch's best, worst, and poshest performances (Member's Only) Bonus 19: Who is the poshest actor in Britain? (Member's Only) Ep. 90: Jeanne Dielman and Les Rendez-vous d'Anna: A Chantal Akerman mother's day (Member's Only) Ep. 86: Una & Slalom: Depictions of childhood sexual assault (Member's Only) Ep. 73: Promising Young Woman and The Assistant: Explorations of rape culture (Member's Only) Ep. 72: Steve McQueen's Small Axe (Member's Only) Ep. 69: Paddington and Paddington 2 (Member's Only) Ep. 68: Hillbilly Elegy and Down to the Bone: Mothers struggling with addiction (Member's Only) Ep. 46: A conversation between Mina Shum and Philippe Falardeau (Member's Only) Ep. 39: Jeff Barnaby's Rhymes for Young Ghouls and Blood Quantum (Member's Only)

We're celebrating the legacy of Aboriginal Australian actor David Gulpilil. Gulpilil died on November 29th 2021, at age 68, leaving behind him a career of rich performances, despite the many ways the industry underserved him for decades. On this episode, we particularly focus on Charlie's Country, as a film that was so personal to Gulpilil, and which features probably his best performance. We also survey Gulpilil's legacy, both his vital contributions to film, and also how his troubling domestic abuse conviction complicates that legacy. We discuss the issues that arise when representation of marginalised groups is so slim that we start to view the few successful figures as heroes rather than flawed humans. This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and Associate Editor Brett Pardy. On this episode Related episodes (4:55) Remembering David Gulpilil and My Name is Gulpilil (10:08) Walkabout, Crocodile Dundee, and The Right Stuff (15:13) Rabbit-Proof Fence and The Tracker (22:20) Charlie's Country (28:04) Gulpilil's domestic abuse conviction (37:17) Charlie's Country, systemic issues, and a settler audience (48:02) Gulpilil's performance (1:17:04) Another Country (1:26:16) The evolution of Gulpilil's collaboration with Rolf de Heer (1:29:39) Conclusion (1:38:18) Show notes: Charlie's Country was 13 on our list of 50 favourite films of the 2010s. See our other choices here. David Gulpilil's performance in Charlie's Country was one of our picks for the 50 best performances of the 2010s. See our other choices here. Read the Tandanya National Aboriginal Cultural Institute and Yolŋu Community & kin's statement on the use of David Gulpilil's name Read Brett's interview with Edge of the Knife co-director Gwaai Edenshaw, which includes a discussion about the challenges of making a "pre-contact" film Read Nancy E. Wright's article about Models of Collaboration in the Making of Ten Canoes (2006) in Screening the Past Read Alex's interview with Sweet Country director Warwick Thornton   Related episodes Ep. 39: Jeff Barnaby's Rhymes for Young Ghouls and Blood Quantum (Member's Only) Ep. 38: Australian westerns and True History of the Kelly Gang (Member's Only) Ep. 17.5: Performances in Jennifer Kent's The Nightingale (Member's Only) Ep. 17: Jennifer Kent's The Nightingale (Member's Only)  

Hello! A van down by the river doesn't sound so bad anymore does it...? Episode #594 Segmented Thusly:    Movie Monologue = Dune (2021), Leprechaun, Rain Man and Rhymes for Young Ghouls.   Television Talk = Star Trek: Prodigy (Season 1, Episodes 1-2)   Game Gabbin' = My first Call of Cthullu Experience   Internet Intercourse = Speedrun History Breakdown, Hats off Entertainment: A Tribute to John Candy and Kruggsmash: The Kingdom of Autumn.

This week we review Rhymes for Yong Ghouls! Starring Devery Jacobs, Glen Gould, Mark Antony Krupa, Nathan Alexis, and Brandon Oakes.

Jeff Barnaby rocked our world again and educated us about the horrors indigenous people face in Canada. It follows the story of teenager Aila as she navigates a complicated native world that is actively being “reformed.” Traumas include accidental deaths, suicide, incarceration, Indian agents, and forced residential school abuses. Sources in our Episode: https://filmschoolrejects.com/rhymes-for-young-ghouls/ http://muskratmagazine.com/interview-with-filmmaker-jeff-barnaby-on-rhymes-for-young-ghouls/ https://www.ubcpress.ca/unsettling-the-settler-within https://www.upress.umn.edu/book-division/books/red-skin-white-masks https://indigenousfoundations.arts.ubc.ca/the_residential_school_system/ https://www.nytimes.com/2021/07/05/world/canada/Indigenous-residential-schools-photos.html Ways to help: https://www.gofundme.com/f/landback?ltclid=4bebb6a3-27b1-46d7-a5f0-f43c6866ce6b https://native-land.ca/?ltclid=e0cf2421-16bd-435c-b003-bc43480cd5c8 https://www.ienearth.org/ https://indigenousworks.ca/en/resources/indigenous-organizations https://www.itk.ca/national-voice-for-communities-in-the-canadian-arctic/ http://www.afn.ca/Home/ https://www.nwac.ca https://legacyofhope.ca  

[ EN ] In this episode, Keesha and Mouna sit down with Kawennáhere Devery Jacobs. You may know her from American Gods, Blood Quantum, The Order or Rhymes for Young Ghouls. She's also in the upcoming FX series Reservation Dogs. Devery is a multi-talented artist who is an active voice for Indigenous and LGBTQ2+ issues. [ FR ] Dans cet épisode, Keesha et Mouna s'entretiennent avec Kawennáhere Devery Jacobs. Vous la connaissez peut-être dans American Gods, Blood Quantum, The Order ou Rhymes for Young Ghouls. Elle joue également dans la prochaine série de FX, Reservation Dogs. Devery est une artiste aux multiples talents qui défend activement les questions autochtones et LGBTQ2+.

Our first guest on the Rewind Fast Forward podcast is Jeff Barnaby,  a Mi'kmaq filmmaker, writer, composer, and editor. His stylistic Rhymes for Young Ghouls and the highly effective zombie horror thriller, Blood Quantum , both found sizeable, appreciative audiences.  Join Thom Ernst as he chats cinema, zombies, and colonialism with director Jeff Barnaby. Find Jeff: @tripgore Original music provided by Moira Demorest Support for this podcast comes from the Kingston Canadian Film Festival which  is situated on the traditional homeland of the Anishinaabe, Haudenosaunee, and Huron-Wendat.   This podcast is generously funded by the Canada Council for the Arts.

Aislene and Gracie watch Rhymes for Young Ghouls Twitch Twitter --- Support this podcast: https://anchor.fm/the-feminist-critique/support

This week, Jamie and Caitlin and special guest Jess Murwin plot a revenge heist and cover Rhymes for Young Ghouls. (This episode contains spoilers) For Bechdel bonuses, sign up for our Patreon at patreon.com/bechdelcast. Follow@_rad_babe_ on Instagram. You should also follow @BechdelCast, @caitlindurante and @jamieloftusHELP on Twitter. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

For decades, American horror has been haunted by the specter of the "Indian Burial Ground." This week, we look at the roots of the phenomenon, the history behind some of the most famous instances, and Indigenous responses to the trope. Plus, Amber serves the worst Maine accent while trying to explain the plot of Pet Sematary, and bullies you all into checking out her Book Club recs. Links Why Every Horror Film of the 1980s Was Built On ‘Indian Burial Grounds' (Atlas Obscura) The Indian Burying Ground (Poetry Foundation) The Suburban Horror of the Indian Burial Ground (The National Review) Ghostland: An American History in Haunted Places (via WorldCat) ‘Winchester' Continues Hollywood's Tradition of Mining Native American Suffering for Ghost Stories (Wear Your Voice Magazine) Bury My Guilt in an Indian Burial Ground (Medium) Horror Older Than America: Whitewashing Native Tales For A Mass-Market Audience (Northwest Public Broadcasting) This Essay Was Not Built On an Ancient Indian Burial Ground (Off Screen) Twisting Conventions: A Feminist Indigenous Perspective on the Horror Genre (Off Screen) Jeff Barnaby on Blood Quantum and colonialist zombies (Seventh Row) Podcast Ep. 39: Jeff Barnaby's Rhymes for Young Ghouls & Blood Quantum (Seventh Row) Blood Quantum (2020) Official Red Band Trailer HD (via YouTube) Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film (via WorldCat) Contact Email the Dirt Podcast: thedirtpodcast@gmail.com Affiliates Wildnote TeePublic Timeular Find this show on the educational podcast app, Lyceum.fm!

For decades, American horror has been haunted by the specter of the "Indian Burial Ground." This week, we look at the roots of the phenomenon, the history behind some of the most famous instances, and Indigenous responses to the trope. Plus, Amber serves the worst Maine accent while trying to explain the plot of Pet Sematary, and bullies you all into checking out her Book Club recs. Links Why Every Horror Film of the 1980s Was Built On ‘Indian Burial Grounds' (Atlas Obscura) The Indian Burying Ground (Poetry Foundation) The Suburban Horror of the Indian Burial Ground (The National Review) Ghostland: An American History in Haunted Places (via WorldCat) ‘Winchester' Continues Hollywood's Tradition of Mining Native American Suffering for Ghost Stories (Wear Your Voice Magazine) Bury My Guilt in an Indian Burial Ground (Medium) Horror Older Than America: Whitewashing Native Tales For A Mass-Market Audience (Northwest Public Broadcasting) This Essay Was Not Built On an Ancient Indian Burial Ground (Off Screen) Twisting Conventions: A Feminist Indigenous Perspective on the Horror Genre (Off Screen) Jeff Barnaby on Blood Quantum and colonialist zombies (Seventh Row) Podcast Ep. 39: Jeff Barnaby's Rhymes for Young Ghouls & Blood Quantum (Seventh Row) Blood Quantum (2020) Official Red Band Trailer HD (via YouTube) Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film (via WorldCat) Contact Email the Dirt Podcast: thedirtpodcast@gmail.com Affiliates Wildnote TeePublic Timeular Find this show on the educational podcast app, Lyceum.fm!

In this week's episode, Stephen and Carsten a look at indigenous filmmaking in Canada and beyond, starting with Mi'kmaw director Jeff Barnaby from just over the New Brunswick/Quebec border in Listuguj First Nation, with his recent apocalyptic zombie hit Blood Quantum and its kinda-prequel Rhymes for Young Ghouls, and moving to the Arctic, the U.S., Scandinavia, New Zealand and Australia. Each film tells a different story, but unsurprisingly the theme of the harm done by settler culture imposing its will on Indigenous communities is universal and a consistent thread through most of these films. Check out CKDU every Tuesday afternoon at 5pm AST for a new episode of the show! Follow us on twitter: @Lensmeyourears and like us on Facebook! Stephen's twitter:@NS_scooke Carsten's twitter: @FlawInTheIris

Welcome to our gratuitous zombie episode! Rather than watch some more garbage DVDs from our collection, we(Darcy) decided it was time for a palate cleanser. And Jen somehow paid enough attention to remember the names of all the movies, plus a few scattered details of the plots of some of them! We review Night of the Living Dead, Return of the Living Dead, One Cut of the Dead, Rhymes for Young Ghouls, and the freshly-released Blood Quantum. We were even considerate enough to give a spoiler-free chat about Blood Quantum before issuing a spoiler warning and diving into more detail, just in case you're on the fence about watching it for some reason.

A Zombie Movie-most of it filmed in Listuguj is the latest feature film from Indigenous Filmmaker Jeff Barnaby. We talk about the movie Blood Quantum, growing up in Listuguj, Rhymes for Young Ghouls and bringing it back home to film. The cinematography is beautiful. Very much a love letter to the area. Also joining me is Jeff's Brother, Corey Metallic for some funny and warm stories about Jeff growing up.

Rhymes for Young Ghouls, written and directed by Jeff Barnaby is set on the Red Crow Mi'g Maq reservation in 1976. It follows 15 year old Aila as she navigates growing up in a country which imposes taxes and violence upon those who wish to preserve heritage, language, and way of living. She must also face the violence & addiction within her family, within her own community. The children of the Crow have a common enemy. The sadistic truancy officer, Popper. Popper torments the children with physical and psychological violence if they remain "truant."  Rhymes is a heist film, a revenge film, a coming of age film, and possibly one of the most relevant for policy films we've discussed on the podcast.  If you haven't seen the movie, beware, this conversation has a ton of spoilers. We highly recommend watching - it's streaming on multiple platforms. Host Jonathan Schwartz is joined by Chris Finley and Aubrey Hicks. Find us on Twitter: @BedrosianCenter, @AubreyHi,  @NDNCinema, @jonHLYP, @USCPrice ---   This podcast is part of a series on Indigenous films in partnership with the Red Nation Celebration Institute, and the Red Nation Film Festival. It is brought to you by Price Video Services and USC Bedrosian Center, and continues ongoing efforts to bring policy and its impact into the public discourse. Sound supervision by the Brothers Hedden.  

This week we’re celebrating the Fourth of July with two movies about American childhoods: baseball and friendship tale The Sandlot, and magical realism and revenge tale Rhymes for Young Ghouls. We’ve got nostalgia! And history! And Canadian accents, but don’t concentrate too hard on that! It’s all about America this week. Pull up a chair and try to figure out how to express to Smalls how much he’s frustrating you—it’s time for Après Culture. Long Island Iced Tea We followed this Chowhound recipe (complete with handy history!). NEXT WEEK: Nora Ephron, wooo! When Harry Met Sally (1989) Everything Is Copy (HBO, 2015) TIPPLE OF THE WEEK: Apple Pie (à la Mode) Milkshakes

This week we’re talking animation with friend of the show Daniel Barcroft, starting with Finding Dory, Pixar’s beautiful, funny ode to the abilities of the differently abled. Then we check in on our complicated feelings about Disney’s princess empire, from how Disney has tried to adapt its model to match the times, to how toy companies’ marketing models can actually determine the entertainment girls are allowed to watch. Pull up a chair and prepare to think heavy thoughts about kids’ cartoons—it’s time for Après Culture. Arnold Palmer Mix equal parts lemonade and iced tea (sweetened or not, to your taste) over ice. For a John Daly, add a shot of citron vodka. NEXT WEEK The Sandlot (1993) Rhymes for Young Ghouls (2013)

This panel discussion featured different perspectives from Canada's Top Ten Film Festival guests on what makes a film Canadian and was held on January 10, 2014 at TIFF Bell Lightbox. Panelists included: University of Alberta film scholar and Canada's Top Ten Film Festival panelist Liz Czach, Senior Programmer for the Toronto International Film Festival Steve Gravestock, and Canada's Top Ten Film Festival guests, directors Jeff Barnaby (Rhymes for Young Ghouls) and Alan Zweig (When Jews Were Funny). Visit the Higher Learning Digital Resource Hub to learn more about our upcoming events at TIFF Bell Lightbox and to access bibliographies, filmographies and additional resources associated with this event.

This week, Adam and Kevin speak with writer/director Jeff Barnaby on his film Rhymes for Young Ghouls, talk about some of what they've been watching, review the festival favorite Nothing Bad Can Happen, and get Film Pulse contributor Ernie Trinidad back on the show for a review of The Raid 2. 00:01:18 - 00:34:05 Jeff Barnaby Interview (click here to view his short film discussed in the interview)00:34:06 - 01:01:21 What we've been watching including discussions on Occulus and Enemy01:01:22 - 01:15:06 Nothing Bad Can Happen Review01:15:06 - 01:46:00 The Raid 2 Review01:46:01 - 01:51:01 Movie Predictions, DVD and Blu-Ray Releases

This week on the show Adam and Kevin review the festival film Rhymes for Young Ghouls as well as Lars von Trier's Nymphomaniac as well as talking about some of what they've been watching and finally, they go over this week's movie predictions and DVD and Blu-Ray releases. Be sure to follow us on twitter @FilmPulseNet and send us your questions at podcast@filmpulse.net and we'll answer your questions on next week's show.