Podcasts about Yol

由Yolŋu艺术家与台湾排湾族、阿美族的艺术家共同创作的Gapu Ŋupan亮相今年的伽马节 （收听播客，了解详情）。

The federal government launches an ad campaign aimed at bullying in schools; Yolŋu Hip Hop star Baker Boy takes home three prizes at the National Indigenous Music Awards; And in sport, the Wallabies beat Japan in Osaka.

The annual Garma Festival kicks off today on Yolŋu Country in northeast Arnhem Land. It's Australia's largest Indigenous cultural gathering, and a key forum for conversations about social, political and environmental issues affecting First Nations people. The theme this year is Bukmak, which means 'everyone'. - يحمل مهرجان غارما، أكبر تجمع ثقافي للسكان الأصليين في أستراليا، شعار Bukmak ويعني الجميع، ويجمع الثقافة والحوار حول قضايا السكان الاصليين.

ஒவ்வொரு ஆண்டும் ஆஸ்திரேலியாவின் வடக்கே அமைந்துள்ள Arnhem Land பகுதியில் நடைபெறும் Garma திருவிழா ஆஸ்திரேலியாவின் மிகப் பெரிய பூர்வீகக் குடிமக்களின் கலாச்சாரக் கூடமைப்பாகும். இந்த விழா Yolŋu மக்களின் வாழ்க்கை மற்றும் கலாச்சாரத்தை நான்கு நாட்கள் கொண்டாடும் முக்கிய நிகழ்வாக விளங்குகிறது. மேலும், பூர்வீகக் குடி மக்களைப் பாதிக்கும் சமூக, அரசியல் மற்றும் சுற்றுச்சூழல் பிரச்சினைகள் குறித்த உரையாடல்களுக்கான ஒரு முக்கிய மன்றமாகும். இந்த ஆண்டின் கருப்பொருள், 'அனைவரும்' என்று பொருள்படும் ‘Bukmak' ஆகும். இது குறித்து, Sydney Lang மற்றும் Tee Mitchell எழுதிய விவரணத்தை, SBSதமிழ் ஒலிபரப்பின் செய்தியின் பின்னணிக்காகத் தமிழில் எடுத்து வருகிறார் குலசேகரம் சஞ்சயன்.

Siena Stubbs is a prominent young Yolŋu leader, artist, filmaker and Garma youth forum participant and speaks with NITV's Breanna Holden about her short film 'Maŋutji (Catching Eyes)', which recently screened at the Sydney Film Festival before being showcased at the Garma Festival.

The Garma Festival is underway in northeast Arnhem Land, with the four-day event showcasing traditional Yolŋu art, song, dance and storytelling. Hosted by the Yothu Yindi Foundation, this year's festival is expected to attract about two-thousand guests, including Australia's most famous blue heeler, Bluey.

The annual Garma Festival kicks off on Friday 31 July on Yolŋu Country in northeast Arnhem Land. It's Australia's largest Indigenous cultural gathering, and a key forum for conversations about social, political and environmental issues affecting First Nations people. The theme this year is Bukmak, which means 'everyone'. Listen now to the full report with Swati Sharma.

Senior Gumatj leader and Yothu Yindi Foundation Chair Djawa Yunupiŋu has announced plans to establish the Dilak Land Council, a new standalone body representing 13 Yolŋu clans across northeast Arnhem Land.

The annual Garma Festival kicks off today on Yolŋu Country in northeast Arnhem Land. It's Australia's largest Indigenous cultural gathering, and a key forum for conversations about social, political and environmental issues affecting First Nations people. The theme this year is Bukmak, which means 'everyone'.

The Garma Festival is on this weekend. running until Monday, with delegates from around the country attending the major First Nations cultural event in north-east Arnhem Land. It's Australia's largest Indigenous cultural gathering and thousands of people are in attendance at Gulkula. The theme for 2026 is Bukmak, which means 'everyone'. In the Yolŋu Matha language, Garma refers to a two-way learning process, recognising everyone has knowledge to share, and respecting difference and exchange. It's organised by the Yothu Yindi Foundation, and for this edition of Weekend One on One, NITV Radio's Lowanna Grant has been speaking to the organisation;s CEO Denise Bowden:

Bakıda yay tətilinin olmasına baxmayaraq küçə və prospektlərdə bitmək bilməyən tıxacların və sıxlığın əsas səbəbləri nələrdir? Yol hərəkəti və nəqliyyat məsələləri üzrə ekspert Eldəniz Cəfərov Auto FM-də yayınlanan "Qaydaları pozma" verilişində Ceyhun Həsənlinin qonağı olaraq gündəmdəki subyektiv problemləri açıq şəkildə ifşaladı.Verilişdə Gürcüstan yol infrastrukturu ilə Bakı yollarının müqayisəsi aparılır, Əhməd Rəcəbli küçəsindəki ləng təmir işləri, Yasamal, Babək və Heydər Əliyev prospektindəki mənasız yol bağlamaları, sentyabr ayında gözlənilən nəqliyyat xaosu və təhsil müəssisələrində diferensial saat sisteminə keçid kimi mühüm mövzular geniş müzakirə olunur.

Avto FM-in "Qaydaları pozma" verilişində Ceyhun Həsənlinin qonağı Qəzaəleyhinə Sürücülük Kurslarının məşqçisi Aqil Rəhimov idi. Azərbaycanda baş verən yol-nəqliyyat qəzalarının əsl elmi səbəbləri, sürücülük vəsiqəsi imtahanlarının şəhər daxilində (real yollarda) keçirilməsi təklifi, təhlükəli sürüş tərzi cərimələri, gizli yol polisi təcrübəsi, radar işarələrinin ləğvi və piyadalar üçün MyGov inteqrasiyalı yeni tənbeh mexanizmləri bu verilişdə!Podcastda cavab tapacağınız əsas suallar:Yol qəzalarının əsas səbəbi nədir: səriştəsizlik, yoxsa aqressiv sürüş?Sürücülük imtahanları niyə yalnız meydançada değil, şəhər daxilində də keçirilməlidir?"Təhlükəli sürüş tərzi" maddəsi qanunvericiliyə qayıtmalıdır mı?Gizli Yol Polisi patrulları xuliqan sürücüləri necə intizama dəvət edə bilər?Piyada qəzalarının qarşısını almaq üçün hansı sərt cərimə mexanizmləri lazımdır?

An enger Woch maachen d‘Filmstudioen „Filmland“ zu Keelen hir Dieren endgülteg zou. Domadder geet no dräizéng Joer eng Ära op een Enn, déi fir déi audiovisuell Produktioun zu Lëtzebuerg ganz wichteg war. D‘Yolène Le Bras war fir eng Reportage an de Studioen an erzielt am Podcast dem María Elorza Saralegui, wéi grouss de Verloscht fir d‘Lëtzebuerger Filmindustrie ass, wisou Filmland dann elo zoumécht a wat deemnächst mat dem grousse Know–How, deen opgebaut gouf, passéiere wäert. Den Artikel, iwwert dee mir geschwat hunn: Filmland : « C'est impératif pour nous d'avoir des studios ici »The post D'Enn vu Filmland first appeared on Radio ARA.

YOL is back! We're discussing the World Cup, the ESPN layoffs, Andy's glizzy challenge, and Blue Beetle? This is a fun one!Send us a text!Support the show

In this latest episode of Biographers in Conversation, Dr Martin Thomas chats with Dr Gabriella Kelly-Davies about Clever Men: How Worlds Collided on the Scientific Expedition to Arnhem Land of 1948. Here's what you'll discover in this episode:  Martin Thomas's research began in the ABC's sound archive, where he stumbled upon recordings made during the 1948 American Australian Scientific Expedition to Arnhem Land, an expedition he had never heard of. Martin chose the group biography form to capture the expedition's internal tensions. Frank Setzler led the collection of human remains from Indigenous mortuary sites, shipping them to the Smithsonian. Martin describes this as a kind of kidnapping: displaced spirits in a foreign land. Martin made repeated research trips to Arnhem Land, showing digitised expedition films and recordings to community elders. Old men wept with joy at seeing ancestors and ceremonies on film. Clever Men ends in the early 21st century with the repatriation of the human remains, led by the late elder Jacob Nayinggull, a man Martin describes as one of the true clever men of the story, and one of his most important mentors. The title's double meaning Clever Men is an Aboriginal English term for a shaman or spiritual healer. Martin explains how the title emerged from an incident in which local Arnhem Land people watched a mammalogist shoot, skin and stuff animals, concluding this westerner must be a powerful clever man from another world. The irony is intentional. Biography assumes a Western sense of self: names, birth dates, individual identity. In Bininj and Yolŋu culture, the dead aren't named during mourning, numerical dates aren't used, and the self is understood through a spirit that belongs to country and returns to it.

Yol hərəkəti qaydalarını (YHQ) asan və effektiv şəkildə necə öyrənmək və yadda saxlamaq olar? Qəza əleyhinə sürücülük kurslarının peşəkar təlimçisi Aqil Rəhimov və Rauf Mirqulamov "Qaydaları Pozma" verilişində yol nişanlarını mənimsəməyin sirlərini, visual öyrənmə metodlarını və praktiki sürücülük məsləhətlərini bölüşürlər. Müzakirə olunan mövzular:Yol qaydaları kitabını dərindən anlamaq və məntiqini tutmaqVisual dərslər və video animasiyalarla qayda öyrənməkDairəvi yol ayrıclarında düzgün zolaq seçimi və təhlükəsizlikTəzə başlayan sürücülərin etdiyi ən böyük psixoloji və praktiki səhvlərQorxunu aradan qaldırmaq və yollarda xüsusi təyinatlı kimi hazır olmaq

Each letter in our Latin alphabet tells a story. But what about spaces? Or writing direction? Should we get rid of some letters, or could we even do with more? Here to answer all these questions is Dr Danny Bate, author of Why Q Needs U: A History of Our Letters and How We Use Them. Timestamps 00:00 Start 00:44 Intros: Special letters 05:46 News: Spanish okay at World Cup? 09:30 News: Forgetting is helpful in language acquisition 21:18 News: Bluey in Yolŋu 25:41 Related or Not theme by Jo 27:21 Related or Not: prodigy, prodigal, and prodigious 34:19 Related or Not: vice, device, divide 43:09 Related or Not: gauntlet and gaunt 49:48 Interview with Danny Bate, author of Why Q Needs U 50:16 About Danny's podcast: A Language I Love Is… 52:24 The Alphabet: greatest innovation since sexual reproduction 56:08 The case against boustrophedon 58:51 Letters flipped over time 01:02:40 Why are some letters more common than others? 01:06:14 Why does H get used in so many digraphs? 01:10:52 Thoughts on spelling reform 01:18:07 Why are L and R so squirrelly? 01:28:53 The evolution of spaces in written language 01:31:46 What letters can we get rid of? 01:35:15 Actually, no, we need a new letter 01:36:53 Communicating linguistic ideas to the public 01:44:02 Word of the Week: monoculture 01:53:43 Word of the Week: algae-TBQ agenda 02:00:15 Word of the Week: hobbylos 02:03:14 Word of the Week: tokenmaxxing 02:06:27 Word of the Week: Claudeonomics 02:11:21 The Reads 02:18:18 Outtakes: Back on our Bluey nonsense + On being a Dan

Sürücü mədəniyyəti və yollardakı hörmətsizlikHansı hərəkətləri özümüzə qarşı hörmətsizlik hesab edirik?Piyadalara yol verməyən sürücülər və kameralar (50 AZN cərimə)Aqressiv əl-qol hərəkətləri və sürücü psixologiyası"Piyadalar da mələk deyil!" - Telefonla keçiddən keçənlərYerli-yersiz səs siqnalı (siqnal vermək mədəniyyəti)Yol istəyən sürücüyə yol verməmək inadıAparıcı: Ceyhun HəsənliQonaq: Qəza əleyhinə kursların məşqçisi Aqil Rəhimov

Yol-nəqliyyat hadisəsi (qəza) zamanı qanuni hüquqlarınızı və görülməli olan ilk vacib işləri bilirsinizmi? "Qaydaları Pozma" verilişinin bu buraxılışında, Daxili İşlər Nazirliyi (DİN) Nəqliyyatı İntellektual İdarəetmə Mərkəzinin (NİİM) mətbuat katibi Ömər Xıdırov ilə sürücülərin qəza anında etdiyi ən böyük səhvləri və qanuni öhdəlikləri təhlil edirik.Xüsusilə maddi zərərlə nəticələnən yol qəzalarında, Yol Hərəkəti Haqqında Qanunun 37-ci maddəsinə əsasən avtomobili nə vaxt yolun kənarına çəkmək olar? Sığorta şirkəti və 102 xidmətinə doğru məlumatın verilməsi, tıxac yaradan sürücülərin cərimələnmə halları və İnzibati Xətalar Məcəlləsinin 100 manatlıq cərimə bəndindən qanuni yayınma yolları haqqında bütün detallar bu videoda! Həmçinin İsmayıllı və Bakı-Sumqayıt yolunda baş verən real qəza hadisələri üzərindən humanist və qanuni davranış modellərinin analizi.

Tonight it’s time for weird hip-hop, dark d’n’b trance-pop, mutant dancehall, Indonesian experimental folk, experimental Yolŋu, experimental indie, post-classical pop, krautrock-pop, mashups, junglism of all sorts, minimal drum’n’bass, minimal dub, sound-art, sound-art, sound-art… You know… It’s Utility Fog.. LISTEN AGAIN, to the art of sound… Stream on demand from fbi.radio, podcast here. doseone & Height Keech – Wont Work [doseone Bandcamp] doseone & Height Keech – Twisted (Featuring Brian Ennals) [doseone Bandcamp] Following his brilliant album All Portrait, No Chorus with Steel Tipped Dove earlier in 2025, veteran alt.hip-hop mouth doseone swung right back into the swing of things with an EP produced entirely by Baltimore beatmaker Height Keech. Wood Teeth was laser-focused on the current moment, and its sequel (Wood Teeth II, natch) takes the same position – once more it’s about the descent of the USA into fascism, and it’s as “scathing” as the copy says. Dose is putting out some of the best work of his career, and the madcap sound of Height Keech certainly doesn’t hinder him. Marcus Whale – Dark Room [Blue Void/Bandcamp] Out now, the latest album from Eora/Sydney luminary Marcus Whale, who’s been a fixture on this show since his early experimental work as Scissor Lock, when he was a mere teenager, and throughout the brilliant releases of his duo Collarbones and trio Black Vanilla (among many others). Nether is, by my count, his 5th solo album, the first being his incredible statement of intent 10 years ago, Inland Sea, and it follows 2024’s club-fuelled blissout Ecstasy with the comedown, albeit no less energetic. There’s those traces of trance’s lysergic dancefloor tranceformation, pummeling kicks and (as heard here) jungle-like drum programming, ultra-processed breaks and percussion, and of course Marcus’s voice multi-tracked and harmonised. Beautiful. Facta – SLoPE VIP (ft Warrior Queen & Killa P) [Wisdom Teeth/Bandcamp] UK bass producer & one half of the Wisdom Teeth label, Facta, put out a slab of UK post-dubstep bass styles, from funky house to breakbeat techno, on last year’s GULP. Now he’s re-tooled the breakbeat track “SLoPE” with vocals from two UK dancehall/grime legends, Warrior Queen & Killa P. Wicked! Naga Kirana – Lumba2 [Glitterbeat/Bandcamp] Amsterdam collective Naga Kirana make a super-fun form of Indonesian electronic folk-pop, with gamelan percussion instruments, drum machines & synths, and the voice Inda Duran ensuring it’s catchy as heck. Looking forward to more from them! Waakya – Fire Song [Hospital Hill courtesy of The Wire] First recorded listen to the new cross-cultural collaboration Waakya comes in the latest edition of Wire Magazine’s Wire Tapper. The band centres around Yolŋu songman Daniel Wilfred & yidaki (didgeridoo) virtuoso David Wilfred, who you may know from Hand to Earth. They’re joined by sound wizard & guitarist Matthew McGuigan of label/production house Hospital Hill, modular synth virtuoso Ben Carey (also of Sumn Conduit) and legendary experimental turntablist (and acclaimed cardiologist!) Martin Ng. That’s a recipe for something extraordinary, as you’ll hear from these first sounds. The way the Wilfreds’ traditional music melds with experimental textures is always magical, here emerging from varispeed record crackle, guitar harmonics and other unidentified sounds. Expect more soon. Kee Avil – delay [NNA Tapes/Bandcamp] So Montréal experimental musician Kee Avil, with a couple of albums under her belt on Constellation, has this year teamed up with NNA Tapes to release a progressive album over the whole year, called Vapor. There’s one track going up per month, and the latest is the saturated quasi-80s electro-pop of “delay”. Each track so far is excellent and weird. Marie Delprat – Dust in my veins [-OUS/Bandcamp] Swiss label -OUS has been consistently hitting goals for some years now, with glitched electronics, post-classical fusion weirdness and various unconventional takes on song-based music. All those things converge on the first single from classically-trained Marie Delprat‘s EP What remains after desire, a quietly creepy piece of drone-pop. Marina Herlop – Jaque [Marina Herlop Bandcamp] Keeping with post-classical fusion weirdness, we join Catalan composer, pianist, singer & producer Marina Herlop for her third album Dja Dja, her first to be self-released (distributed by Barcelona label Lapsus & !K7, so the gorgeous-looking vinyl & CDs should be readily available). First single “Jaque” has everything Herlop is known for: classical-sounding piano, layered ecstatic folk vocals, syncopated rhythms. Keep an eye out for this one! Vanishing Twin – Bring Me The Axe [Fire/Bandcamp] Currently a trio, Vanishing Twin have made experimental pop music now for 11 years. Singer Cathy Lucas moved to rural France a year or two ago, so making music with ubiquitous drummer Valentina Magaletti and bassist Susumu Mukai aka Zongamin (who together are V/Z) became primarily an asynchronous affair of swapping files remotely. The title Archives is a reference to file-sharing and collaging from disparate sources, rather than describing an album of rarities or best of – it’s all new material. The band has always taken indie pop into realms of the experimental, with strong krautrock & dub vibes, but these new tracks are particularly adventurous, sounding precisely like three musicians in different locations coming together for a chimera of folk, electronic pop, dub, glitched trip-hop and radiophonic post-classical abstraction. I’m pumped to hear the rest of this album. Heyes – carlos serone – “folder for heyes (unfinished tape beats)” [Heyes’ Edits] [Ric/H Collective/Bandcamp] Heyes – Ang Watching ‘Pets on a Train’ on a Plane [Ric/H Collective/Bandcamp] Lochie – aka Heyes – is quite close to this show, and has filled in for me earlier this year as well as having broadcast on other stations. As an artist, his output is quite varied, but one strand of his art is the transformation of pre-existing music as well as field recording. Lochie has formed the Ric/H Collective with a group of like-minded musicians, writers & designers here in Eora, and first cab off the rank for the label arm is (here goes): rich; or, a mixtape of music about being “rich” and music not about being “rich”. The mixtape begins (and goes on) with a selection of Heyes Quickmixes of some familiar money-based pop songs, some mangled beyond recognition, some leaking their source material in odd ways, but slipped inside are some fellow travellers like carlos serone, whose lo-fi beats are edited by Heyes, and who also provided the liner notes. Intriguingly strange. Harrison Rae – Diss Track [Harrison Rae Bandcamp] From a notable Eora/Sydney gent now, Harrison Rae, who’s released electronic music as Beau Ambien and Henri O and is the convenor of Club Moss. His 2025 Mixtape is varied as a mixtape ought to be, from guitar tracks to murky electronics like “Diss Track”. Djrum – I Wander (IV) [Houndstooth/Bandcamp] Felix Manuel aka Djrum is one of the geniuses of the current age, adept at beats at any BPM, switching easily between techno, dubstep, jungle & beyond, but also inserting beautiful quasi-classical piano & cello passages, flutes with weird tunings, etc. Forthcoming EP I Wander is really one 15:44 track, but split into 6 parts reflecting its restless evolution throughout. I’m fortunate to have heard the whole thing already, and it’s as good as you’re expecting! Rydeen & SOVBLKPSSY – LESBIANISM [silkXS Bandcamp] Eora/Sydney duo Rydeen & SOVBLKPSSY follow up a 2-tracker from 2024 with their DONT TELL ANYONE EP, reflecting their influences across the bass & club spectrum, nodding at local sounds & history, thence building up from scratch a hardcore continuum of our own. In that vein, “LESBIANISM” is a Ry & Sov take on jungle, and a delight to hear. Plug – King Ring [De:tuned/Bandcamp] Once again Luke Vibert returns to his DAT archives to pull a full album’s worth of mid-’90s Plug material out for us to bathe in. When Vibert discovered jungle circa 1994, he was probably the one member of the IDM crew (Aphex Twin, µ-Ziq, Squarepusher et al) who really understood how it worked, as club music, in relation to hip-hop and ragga dancehall, and in terms of break juggling. I love those other guys, but Plug was the real shit. At the time, Vibert only released a series of EPs and the classic Drum’n’Bass for Papa album (you can find them all digitally at Bleep and elsewhere), apart from a smattering of compilation tracks. As well as wicked drum programming, they exhibited Vibert’s talent for perfectly-sourced samples and melodic basslines & lead parts, all of which counts just as much for his hip-hop productions and the acid the makes up most of his material lately. Part of this is his sense of humour, and the “Papa” of the album’s title is Vibert’s grandfather Frank Vibert, a keen amateur magician, and while the photos of Vibert in Orientalist magician getup seem to have dried up, the title Variety Magic keeps up the connection. It should be noted that the Plug style of jungle/drill’n’bass was specific to the technology Vibert was using at the time, and even the Amen Andrews stuff that came out in 2003 has a different feel because he wasn’t producing the tracks the same way. So both the 2012 album Back on Time (which does sport his granddad on the cover) and this new album are collections of tracks from the mid-to-late ’90s. It’s insane that an 11 track album of tunes this good was lurking on DATs somewhere for decades. Morwell – Trust (A.Fruit Remix) [Morwell Bandcamp] Max Morwell has for the last 7+ years been exploring the music of bass & breakbeats that soundtracked many a rave, and he recently worked on some 160bpm tracks – incidentally the fairly standard BPM for jungle before it got more frenetic and morphed into drum’n’bass (a huge simplification). I heard Morwell’s originals a little while back and they’re excellent, but each track has been paired with an equally inspiring remixer. DJ Earl brings the Chicago connection – jungle vs footwork is a long-mined but no less fertile vein – while jungle/bass/IDM is represented by two women at the top of the board right now: Catherine Backhouse aka Xylitol, whose interest in pre-separation Yugoslavian electronica intersected with Morwell’s own Croatian heritage, and the ever-brilliant Spain-based Ukrainian producer A.Fruit. That makes Trust an epic release, and you’d be crazy to let it slip by. rush2theUnknown – Palenque (return to paradise) [Awkwardly Social/Bandcamp] A couple of excellent releases in 2024 introduced the New Zealand/Japan duo rush2theUnknown to the world, drawing on their background in NZ’s drum’n’bass & jungle scene, melded with the ancient future of vaporwave (well, to my ears anyway). Ancient / Future finds the duo in familiar territory, and it’s a joy. Pugilist – Rune [Samurai Music/Bandcamp] Hearing Naarm-based jungle/d’n’b head Pugilist on Samurai Music (again!) is a slight surprise until you realise that he’s as comfortable making clattering jungle as laser-focused drum’n’bass, bone-shuddering dubstep or who knows what else. So it feels like on Triads he’s nailed the latter-day tribal/minimalist d’n’b sound of Samurai, while still keeping the beat-juggling joys there. Much though I enjoy me some stripped-down Samurai hypno-beats, Pugilist’s got the skillz and intent to take it to another level. Topdown Dialectic – False LP A – 14 [False Aralia Bandcamp] With a longstanding connection with Brian Foote & Brion Brionson’s Peak Oil, the now slightly-less-mysterious US producer Topdown Dialectic returns after a 5 year gap with an album on False Aralia (also shepherded by Brian Foote), confirming it for those who didn’t know as the work of Izaak Schlossman, each of whose False Aralia releases blurred the definitions of artist vs album title vs… project? But it’s all of a piece with Topdown Dialect – that is, exploring various intersections of dub & bass with ambient, minimalism, glitch… the beats nod at micro-house, dub techno, but also percolated r’n’b. Where K Wata & others have recently found tracings of jungle in dub techno’s glitched edges, Schlossman’s works have lived in those liminal spaces, rummaging the low-tide wracks of the Basic Channel. The 16 tracks on the False LP, each cut to precisely 5 minutes, refuse to settle into any specific vein, moving from barely-there ambient dub to deeply rhythmic dub-funk that’s somehow entirely free of beats, desaturated exotica and deconstructed soul. It’s the washed-out future glimpsed behind the pulsating light of a near-death experience. The Bug & Dis Fig – Vanishing (Numbness Dub) [Pressure] Kevin Martin’s main project, The Bug, is back with a new singles series called Ladybug, in which one track is reworked in various ways – dubs, remixes, dubs of remixes etc. For “Vanishing”, Martin invites back his previous collaborator Dis Fig aka Felicia Chen, who has a new album of her own coming soon on Thrill Jockey which will knock the pants of you. This is a great, ethereal track, with a chugging bass and sparse rock beat under Chen’s trip-hoppy vocal. The original of the track is then treated to a “Vanished Dub”, with fragments of the vocal echoing through reverbed white noise, and then follows a “Numb Mix”, which is incredibly washed out, with the beat pared down to a kick and a wisp of a hi-hat – but the vocal remains intact. That version then gets a “Numb Dub”, which is beautifully dubbed out, like dub techno with a stomping martial kick. But the final “Numbness Dub” is the most tricked out with its dub delays – reminiscent of Martin’s minimalist trip-hoppy work with King Midas Sound crossed with the industrial dub of his Machines collection. Klara Lewis – Ta Min Hand [Editions Mego/Bandcamp] 5 years after the premature death of founder Peter Rehberg, the great Editions Mego label continues on, and Klara Lewis – who began her career with Mego in 2014 with the brilliant Ett, is releasing her next album Opening on the label in September. Lewis’s music can be an abstracted take on dance music forms, or abstracted mangling of acoustic sources, or rich, glitchy drone works. The first track, and first single, from Opening takes what sounds like loungey jazz and destroys it, pushing it into stuttered, clipped distortion, reversing it and so on. This is emblematic of Lewis’s approach to sound, somehow strongly emotive despite the abstraction. Violeta García & Hora Lunga – la ola or i miss u [-OUS/Bandcamp] The first album from the duo of Argentinian cellist Violeta García & Swiss musician Hora Lunga, I’ll wait for you in the car park, was a highlight of 2025. Due in September, its sequel 4ever is a continuation of the debut’s approach, in which the cello may sometimes take the foreground with melodic gestures or mini-orchestrations, but it can also be one distorted sound-source alongside heavy subs transplanted from the club, glitched samples, half-heard voices. On this first single, García’s cello plays a familiar heartstring-pulling role, but the track is slowly overtaken with distortion in a way not dissimilar to Klara Lewis’s techniques. Absolutely a highly anticipated album. Brady Cohan – Convincing [Brady Cohan Bandcamp] LA composer & guitarist Brady Cohan‘s music is mostly heard on TV & in film, but Everything That Matters is music from the heart, arising from the revelation that the things that really mattered were there with him & his family. Still, this music is cinematic in scope, taking his guitar through spectral drones and surging bass, and back home again. Marla Hlady & Christof Migone – It Takes Two [Crónica/Bandcamp] On And On And Off is the second collaboration between Canadian sound-artists Marla Hlady & Christof Migone released on the great Portuguese label Crónica. These two both combine the fine arts, conceptual arts, with sound-art: their previous duo album Swan Song takes its name from the swan necks of decommissioned beer stills, which formed part of a kinetic sculpture and also generated many of the sounds in their work. Along with the swan necks were the voices of the brewery staff, amplified through the sculpture. On And On And Off also collaborates with a choir of sorts – 12 people who were given 12 prompts, which asked them to record parts of their daily commute, and also describe them in particular ways (see the list of prompts here). Once again these recordings formed the starting matter for the album’s works. Listening to the murky sounds of “It Takes Two”, timestretched loops move in & out of phase, unidentifiable but suggestive of motion. There are short noise pieces, cut-up vocal syllables and an almost shoegazey rumbling ambient piece to finish. NEA Ensemble – CAMEDRIO [NEA Editions] Inside a farmhouse in the Murgia Materana national park, 5 hours’ drive south-east of Rome, a group of experimental musicians have formed the NEA Cultural Association, a collective aimed at promoting the creation of multidisciplinary cultural works in the intersection of electro-acoustic, experimental music, visual arts and popular traditions – outside of the urban centres they’re usually found in. You can read their manifesto here. ORIZZONTALE is the first release from their NEA Editions label, documenting an improvised performance from 12 musicians & artists, combining acoustic & electric instruments, live synths and electronics. Among the members is Andrea Taeggi, whose solo work I’ve featured under his own name and earlier as Gondwana on the great Opal Tapes, who also released his amazing duo Lumisokea. Unsurprisingly the music here leans more on live expression than intricate post-production, but the restraint of the musicians and the live processing make these pieces quite striking. Borguefül – La jeune fille bleue [Carton Records/Pagans/Bandcamp] French double bassist Mélanie Loisel released her debut album as Borguefül, Horst, in 2022 on Carton Records. Her follow-up, Vêtue, is again based around her double bass, enhanced with physical preparations, looping and processing, and forming a percussive base for her vocals. The first single begins with bowed notes and harmonics accompanying Loisel’s voice, but by 2 minutes in you notice a low rumbling, a bass drone with digital detritus, which takes over and then stays under the short, otherwise a capella vocal phrases. It’s beautifully unexpected. Listen again — ~218MB

Australian kids cartoon, Bluey, will have five episodes translated and dubbed into Yolŋu Matha to mark this year's NAIDOC Week.

Bəzən xəyalımızdakı şəhərlər, oxuduğumuz kitablar və gələcəyimizi qurduğumuz təhsil sistemləri real həyatda tamamilə fərqli görünür. "Tam Vaxtı" verilişinin "Yol Əhvalatı" rubrikasının bu buraxılışında yazıçı Mürşüd Mehdiyev ilə birlikdə Parisin real simasından Pakistandakı təhsil mühitinə, rəqəmsal dövrdə kitab oxuma vərdişlərindən yazıçı olmağın maddi tərəflərinə qədər çoxşaxəli və düşündürücü bir söhbətə baş vururuq.Bu epizodda öyrənəcəksiniz: Paris həqiqətən deyildiyi qədər çirklidir, yoxsa bu bir mifdir?Parisdə mütləq görülməli olan yerlər və Luvr muzeyinin sehrli atmosferiPakistanda təhsil sistemi: Bizə naməlum olan reallıqlarUniversitetlərdə müasir tələbələr bu gün nə tələb edir və nə istəyir? Elektron kitablar dövründə indiki gənclər mütaliəyə nə dərəcədə üstünlük verir?Azərbaycanda hazırda hansı janrda kitablar daha çox oxunur və satılır?Yazıçı olmağın maddi tərəfi: Kitab yazaraq pul qazanmaq mümkündürmü? Kimlər kitab yazmalıdır və real olaraq kimlər yazıçı ola bilər?

"Qaydaları Pozma" verilişində Daxili İşlər Nazirliyinin Nəqliyyatı İntellektual İdarəetmə Mərkəzinin mətbuat katibi Ömər Xıdırov ilə sürücülərin ara məsafəsini düzgün saxlamamasının səbəbləri, ən çox rast gəlinən təhlükəli manevrlər, ani zolaq dəyişmə, yaxın məsafədən sürmənin qəzalardakı rolu və riskli ötmələrin səbəbləri haqqında danışdıq.

Defterdar'a geldiğim hâlde ortalarda Defterdar yok. Yol geçmiş bu semtin üzerinden, koca bir köprü geçmiş. Koca bir semti birlikte alıp götürmüş sanki. Haliç Köprüsü'nün altında kalan Altınyıldız'ın kumaş fabrikası da yıkılmış, birkaç damperli kamyon molozları taşıyor.

"Qaydaları Pozma" verilişində Baş Dövlət Yol Polisi İdarəsinin İctimai qurumlarla əlaqə bölməsinin rəisi Elvin Hacıyev ilə sürücüləri tələsməyə vadar edən səbəblər, tələskənliyin və sürət həddini aşmağın yaratdığı ağır qəza riskləri, sürücülərin bu zaman etdiyi tipik səhvlər və yol hərəkəti təhlükəsizliyinin artırılması yolları ətrafında danışdıq.

Planet FM-in səhər verilişi "Tam Vaxtı"nın "Yol Əhvalatı" rubrikasının növbəti qonağı İtaliyada yaşayan həmyerlimiz Siyarə İsmiyeva oldu! Bu maraqlı sual-cavab podcastında İtaliyada təhsil almaqdan tutmuş, tələbə təqaüdlərinə, Verona şəhərindəki həyat şəraitindən tutmuş İtaliyadakı oğurluq hadisələrinə qədər hər şeyi danışdıq. İtaliyaya köçmək, orada oxumaq və ya italyan dilini öyrənmək istəyirsinizsə, bu buraxılışı mütləq sona qədər izləyin!

"Qaydaları Pozma" verilişində Daxili İşlər Nazirliyinin Nəqliyyatı İntellektual İdarəetmə Mərkəzinin mətbuat katibi Ömər Xıdırov ilə Bakıda piyada təhlükəsizliyi və yol vermə mədəniyyətinin mövcud vəziyyəti, piyada keçidlərindən istifadədə yaranan problemlər, cərimələrin və polis nəzarətinin vəziyyətə təsiri haqqında danışdıq.

"Qaydaları Pozma" verilişində nəqliyyat eksperti Eldəniz Cəfərov ilə Bakı nəqliyyatının gələcəyi, yeni metro stansiyalarının tikintisi və tıxac probleminin həlli yolları, şəhər üçün əsas infrastruktur prioritetləri, paytaxtdakı tıxacların aradan qaldırılması istiqamətində görülən tədbirlər, eləcə də parkinq və şəhərsalma planlaması ilə bağlı məsələlər ətrafında söhbət etdik.

"Qaydaları Pozma" verilişində Daxili İşlər Nazirliyinin Nəqliyyatı İntellektual İdarəetmə Mərkəzinin mətbuat katibi Ömər Xıdırov ilə piyadaların ən çox etdiyi təhlükəli səhvlər, yolu istənilən yerdən keçməyin riskləri, işıqfor qaydalarına əməl etməməyin nəticələri və piyada təhlükəsizliyinin artırılması yolları haqqında danışdıq.

"Qaydaları Pozma" verilişində qəza əleyhinə kursların məşqçisi Aqil Rəhimov ilə yeni sürücülərin Bakı yollarında qarşılaşdığı çətinliklər, bu problemlərin səbəbləri, ən çox edilən səhvlər, sürücülük təliminin rolu, təhlükəsizlik tövsiyələri və nəzəri biliklə praktiki təcrübə arasındakı fərqləri müzakirə etdik.

"Qaydaları Pozma" verilişində BDYPİ-nin rəsmisi Elvin Hacıyev ilə piyadaların təhlükəsizliyi, yol-nəqliyyat hadisələrinin səbəbləri, toy karvanlarında qayda pozuntuları, avtoxuliqanlıq halları və ümumi yol hərəkəti mədəniyyəti ilə bağlı məsələləri müzakirə etdik.

"Qaydaları Pozma" verilişində qəza əleyhinə kursların məşqçisi Aqil Rəhimov ilə sürücülərin bir-birinə hörmətinin yaratdığı müsbət hisslərdən, yol mədəniyyətinin ümumi atmosferə təsirindən, kiçik jestlərin və qarşılıqlı köməyin əhəmiyyətindən, həmçinin infrastruktur və musiqinin sürücü psixologiyasına təsirindən danışdıq.

"Qaydaları Pozma" verilişində BDYPİ-nin rəsmisi Elvin Hacıyev ilə sürücülərin ən çox rastlaşdığı çətin vəziyyətlər, polisin qəza və nasazlıq hallarında göstərdiyi yardım, həyat xilas edən müdaxilə nümunələri, polisə dair yaranmış stereotiplərin səbəbləri haqqında danışdıq.

Yolène livre un témoignage poignant sur la grossophobie et la reconquête de son identité. Un récit puissant, prolongé par un débat nécessaire avec Mathilde et Victor pour décrypter les mécanismes de ce préjugé. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Yolène livre un témoignage poignant sur la grossophobie.L'histoire d'une jeune femme que la société réduit à son corps, à son poids, avant même de voir qui elle est vraiment. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

YOL strikes back! Simultaneously well rested and beleaguered the crew is back with a fully loaded show. We recap a big February of sports with the Super Bowl, the Olympics and NBA All Star. Matthew and Andrew give us the scoop on their VIP experiences at the movies and in the box suites of Ball Arena. Josh talks about his *break from podding and sets the boys up for an action filled edition of the Power Top 5! Enjoy!Send us a text!Support the show

The YOL boys are just in time to give you all their Super Bowl LX predictions!Send us a text!Support the show

We got Levi on this special bonus episode of YOL!  Coach Saltz rips the Chiefs a new one, helps us fill the NFL's head coaching vacancies and blesses NFL fans with beer pairings for all the remaining NFL teams. Enjoy.Send us a text!Support the show

In this episode of Gangland Wire, Mafia Genealogist Justin Cascio joins Intelligence Unit detective Gary Jenkins to explore one of the most remarkable—and overlooked—figures of the Prohibition era: Pasqualina Albano Siniscalchi, the so-called Bootleg Queen of Springfield, Massachusetts. At the dawn of Prohibition in 1921, Pasqualina was a young widow living in Springfield's South End when she inherited her late husband's powerful bootlegging operation—one of the largest in western Massachusetts. Rather than step aside, she took control. Pasqualina ruled a crew of toughs and bootleggers, oversaw liquor distribution, and launched a relentless campaign of vengeance against rivals who challenged her authority. Newspapers dubbed her The Bootleg Queen, but her fight went far beyond rival gangs. She clashed with lawmakers, battled competing bootleggers, and even faced resistance from within her own family—all while operating in service of a secret society that would never fully accept her because she was a woman. Her story exposes the contradictions of organized crime: loyalty demanded without equality, power wielded without recognition. Cascio draws from years of meticulous research and family histories to bring Pasqualina's story to life, revealing her pivotal role in early Mafia expansion in New England and the hidden influence women could wield behind the scenes. His book, Pasqualina: The True Story of the Bootleg Queen of Springfield, challenges long-held assumptions about gender, power, and the Mafia during Prohibition. If you're interested in Prohibition-era crime, New England Mafia history, or the untold stories of women who shaped organized crime from the shadows, this episode is one you won't want to miss. Learn more about Justin and his work on Mafia Geneology by clicking this sentence. Get Justin’s book, Pasqualina: The Bootleg Queen of Springfield, Massachusetts Listen now on Gangland Wire — available on all major podcast platforms and YouTube. 0:02 Introduction to Mafia Genealogy 1:16 Pasqualina Albano’s Story 2:30 Family Reunion Revelations 4:56 The Impact of Prohibition 7:45 Prejudice and Organized Crime 10:50 Connecting the Genovese Family 12:34 Views from Sicily 13:50 Cultural Differences in Dress 16:37 Encounters with Modern Gangsters 18:36 Gina’s Documentary and Art 23:53 The Romance of the Gangster 27:24 The Nature of Risk 28:46 The Evolution of Organized Crime 33:16 Closing Thoughts and Future Plans Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, all you wiretappers. Good to be back here in the studio of Gangland Wire. I’ve got on tap here a repeat guest. He’s been on before. I had a little technical glitch this morning with the internet, and I had to scurry around and do something different. I totally forgot about what I was going to talk about with Justin, but I knew Justin’s been on there before. I knew he does mafia genealogy, and I knew he knows his stuff, and so he doesn’t really need a lot of help from me. So this is Justin Cascio from the website and some books, some mafia genealogies. Welcome, Justin. Thanks so much, Gary. Great to be here. Really. And you’re from the Springfield, Massachusetts area. And so that’s been some of your emphasis has been on that area. But you’ve done a lot of other mob genealogy, correct? Yes. On my website, on mafiagenealogy.com, I write about a whole lot of different places that the mafia has been in the United States. In fact, coming up, I’m going to be writing about Kansas City. But for the last 25 years or so, I’ve lived in New England. I live about 20 miles away from Springfield, Massachusetts, which if you’ve heard of Anthony Aralata or Bruno or the Shabelli brothers, then you know the Springfield crew of the Genovese crime family. [1:12] And I’ve been following them pretty closely since I’ve lived here. A few years ago, I got into the story of Pasqualina Albano, who was a bootlegger in Springfield during Prohibition. [1:25] That’s what my new book is about. Yeah. Oh, that’s a new book, right? I’m sorry. I didn’t pick up real quick there. And she’s done a documentary recently that hasn’t been seen by very many people. And they really, she was a woman. They do use the A at the end. Those of us that know about romance languages would know as probably a woman, but she’s a woman. And she was running a certain segment of bootlegging back during the 30s and late 20s, exactly when it was, which is really unusual. She must have been a powerful individual. I think that she was a very remarkable person, so I couldn’t find out enough about her. I really needed to understand how it was possible that somebody who the Mafia would never have accepted as a member allowed her to lead this crew for so long, even into the years when it was associated with Vito Genovese and that crime family. Yeah. Don’t you imagine it was, she must have been making money for them. [2:24] She was making money for her family, for sure. Got a few people probably pretty comfortable, yeah. [2:30] So that family, you went to a family reunion recently and learned quite a little bit. You want to tell your experiences about that? Yes. So, Pasqualea Albano, that bootlegger, has a nephew who is now 101 years old. His name is Mario Fiore. And when he turned 100, I was invited to his birthday party. And it was an enormous scene. It was tremendous. In fact, it’s a cliche, but the opening scene of The Godfather, if you imagine that wedding scene, it’s what it looks like. There’s a guy singing live on a PA system. There’s a pizza oven parked over here. There’s kids in the pool. There’s so many people, so much food, and this great big lawn and incredible view. Just an amazing scene to be at. And I met so many different people who were in Mario’s family. I met people who came over from Italy to come celebrate his birthday and talked with them as much as I could. I have no Italian, by the way. So we did the best we could. But I also talked to her American relative. She has all these grand nieces and nephews, and nieces and nephews who are still living, who were at this party and told me stories and drew little family trees for me. And what I was able to get a real good sense of is how the family feels about this legacy. Because not just Pasqualina, who was in organized crime, so many of her relatives were involved as well and continued to be up until the 80s, at least. [4:00] So the name, was it Albano? Was it got on in the modern times? The last name, was it still Albano? Was there another name? There are a few. Let’s see. I want some more modern names. There’s Mario Fiore. So he is one of her nephews. And then there’s Rex Cunningham Jr., who is one of her grandnephews. There’s the Sentinellos. So Jimmy Sentinello, who owns the Mardi Gras, or he did anyway. It’s a nude club, you know, a gentleman’s club, as they say. A gentleman’s club. We use that term loosely. Oh, boy, do we? Another old term that I picked up from the newspapers that I just love and like to bring back is sporting figure. Yeah, even sporting man. They don’t play sports. They’re not athletes. They’re sporting figures. I know. I heard that when I was a kid. Somebody was a sporting man. Yep. [4:57] This has been a family tradition. It’s something that has been passed down through the generations, and it’s something that I talk about in the book. But mostly what I’m focused on in the plot of the story is about Pasqualea’s time during Prohibition when this gang was turning into something bigger, turning into a part of this American mafia. Yeah. Interesting. And so tell us a little bit about how that developed. You had a Genovese family that moved in and she got hooked up with them. How did that develop? Yeah. More end of modern times. Early on, so 1920, beginning of Prohibition, Pasqualea Albana was newly married to this sporting figure, we’ll call him, Carlo Sinascocci. And I’m probably pronouncing that last name as wrong as well. He also came from a family of notable people who were involved in organized crime, getting into scrapes in Little Italy, New York City. There’s a whole separate side story about his cousins and all the things that they were getting into before Carlo even got on the scene. So by the time he arrived in New York City, he had a bit of a reputation preceding him because of these relatives of his. [6:06] And Pascalina was a young woman in Springfield. And the first question I even had writing about her is, how did she meet this guy? He was a Brooklyn saloon keeper. She was the daughter of a grocer in Springfield, three and a half hours away on the train. Like, why do they even know each other? And so trying to piece all that together, how that was reasonable for them to know one another and move in the same circles, and then for him to immediately, when he moved to Springfield, start picking up with vice because it was before Prohibition. So he was involved in gambling and police violence. And you could see some of the beginnings of the corruption already happening where he’s getting police protection before prohibition even begins. And then once it starts, he is the king of Water Street, which was the main drag of Little Italy. He was the guy you went to if you wanted to buy wholesale. [6:57] Justin, I have a question here. I was just discussing this with who’s half Italian, I guess, FBI agent that worked the mob here in Kansas City. We were talking about this, the prejudice that Italian people felt when they first got here, especially. And Bill’s about 90, and so he said his father told him. His father worked at a bank in New York, and he was told that with that last name, he had a different last name than Bill does. And with that last name, he said, you’re owning and go so high in the bank. And so talk a little bit about the prejudice that those early people felt. And that’s what drove people into the dark side, if you will, to make money. You had these bright guys that came over from Sicily looking for opportunity. And then us English and Irish Germans kept them out. [7:45] And so can you talk about that a little bit? Did they talk about any of that or have you looked into any of that? [7:52] I have. And it’s a theme that comes up again and again. Whenever I look at organized crime in any city, I’m seeing things like that ethnic succession of organized crime that you’re alluding to, how the Irish were controlling, say, the machine in Kansas City Hall or what have you. And they had that same kind of control over politics in other cities, too. And the way that they were getting a leg up and finally getting that first protection of their rackets was from outside of their ethnicity. It was Irish politicians protecting Italian criminals. And then eventually the Italians were getting naturalized where they were born here. And so then they move into politics themselves. [8:31] And that is one of the theories about how organized crime develops in American cities. It’s because you’re poor and ethnic and you’re closed out of other opportunities. And so the bright kids get channeled into organized crime where maybe in a better situation, they would have gone to college. Right. And then Prohibition came along, and there was such a huge amount of money that you can make in Prohibition. And it was illegal. That’s why you made money. But there was opportunity there for these young guys. Yes. And you really start to see a lot of new names in the papers after Prohibition begins. You have your established vice criminals who you’re already seeing in the newspapers through the 19-teens. Once Prohibition begins, now they have all these other guys getting into the game because there’s so much money there. And it’s such a big pie. Everybody feels like they can get a slice. [9:21] Yeah, interesting. Carry on. I’ve distracted you, Azai, but you were talking about Pasqualina and her husband. Of course, I’m not even going to try that. When you talk about discrimination against Italians, one of the things that makes my job really hard is trying to find news about a guy with a name like Carlos Siniscalchi. First of all, I’m probably saying it wrong. I think the Italian pronunciation is… So I’m getting all of the consonant clusters wrong, but I do it with my own name too. We’ve Americanized Cassio. That’s not the right name. How do you pronounce it? It’s Cassio. But we’re Cassio. That’s my grandfather said it. So how do I find Carlos Nescalci in the newspaper when every reporter mangles that name? And spells it differently. Yeah. Everybody spells it differently. How am I going to guess how all these different English speaking reporters were going to mess up Carlos’ name? And so I find it every which way. And sometimes I’ve just had to plain stumble over news about him and his relatives. It just happens by chance. I’m looking for general crime, and then I find him specifically. So yeah, it’s a little hard to find the Italians sometimes because their names are unfamiliar and they get written wrong in censuses and in the news. So we lose a little bit of their history that way. And that’s what you might call, I don’t know, a microaggression because they can’t get that name. Yeah, a little bit. Yeah, yeah. You don’t care enough to spell it. I just, I know the thought process, I have to admit. I’ll just spell it anyway. I understand that thought process. [10:51] So you were asking earlier, I don’t know if you want me to continue this, but how the Genovese family were able to get involved in this thing going on in Springfield. Yeah, connected. Because of her second husband. Okay. Pascalina lost her first husband in 1921. He was killed by a fellow bootlegger. He takes over the gang. She conducts a war of vengeance against the guy who kills her husband and his whole family because they’re gangsters. And that takes years. She’s also pursuing her through the courts. And when that all finally gets settled a few years later, she has a quiet little second marriage to a guy that nobody had ever heard of called Antonio Miranda. [11:28] Now, Antonio Miranda is a small time gangster from Little Italy, New York City, and his brother is Mike Miranda, who is very close to Vito Genovese, and he became this conciliator eventually. So that old connections, going back to the days before the Castello-Moraisi War, when it was Lucky Luciano bootlegging with some of his pals, that’s the time frame in which she formed this alliance by marrying Tony Miranda. And that’s when it starts. That’s the relationship’s beginning between Genovese crime family having, before it was even the Genovese crime family, when it was the Luciano family. And so they’ve had that relationship with the Springfield crew ever since. A little bit like old world feudalism in a way, where one member of a royal family marries a member of another royal family. And I know in Kansas City, we’ve got our underboss, his sister, is married to our boss’s nephew. So, bring those two families together, the Lunas and the Savellas together, yes, very well, like noble families. Exactly. Interesting. Absolutely. [12:31] So that’s how they got together. I remembered that, but I’d forgotten it. So, you went to this reunion with people from Sicily there. So, tell us a little bit about that. How? [12:43] How do people in Sicily view the people in the United States? And they didn’t talk about the mafia. I’m sure there’s no doubt that they’re not going to really talk about that unless you got to find somebody that’s really lucky. But kind of care about the sociological impact and the old world and the new world, and the new world people that, you know, established here. Okay, so Pasqualea and his family are from outside of Naples, and they maintain really close ties to their family back in Italy. Like I am the third generation born in America. I don’t speak Italian. Neither does my father. Neither of us has ever been to Italy. We don’t have, we’re not Italians. We’re Americans. Okay. And the Italians will remind you of that if you forget. We’re not Italian. And like spaghetti and meatballs, not Italian. Chicken Parmesan, not Italian. These are things that we invented here out of a sense of, out of homesickness and a sudden influx of middle-class wealth. We were like, let’s have the spaghetti and the meatballs. I had separate courses anymore where the meatballs are, where they’re both a special treat and I’m going to take two treats with chicken and waffles. [13:50] So being around them, they’re formal. You know, I was meeting like Pasquena’s relatives from Mercado San Sivarino, where they’re from in Italy, they own a funeral home. They own the biggest funeral home business in the town, and they also own some other sort of associated businesses, like a florist and things like that. So I would expect a certain sort of decorum and conservatism of tone from somebody who works in the funeral business and from Italy. But they were also among the only people there in suits, because it was a summer day, we’re outside. Most of us were dressed a little less formally. Yeah. Old school, 1950s stuff. He does those old 1950s photographs, and everybody, every man’s wearing a suit. And there were women’s hat on. Also, that ongoing thing where people in Europe just dress better. Yeah, they dress more formal. I see a little bit in New York City. I noticed it when I moved up from the South. In the South, you go to a funeral and flip-flops, okay? It’s very casual because the weather absolutely demands it. I moved that back up North, and I’m like, wow, everybody’s just wearing the same black coat, aren’t we? And you go into New York. People are dressed a little better, even. You go to Europe, and it’s just another level is what I hear. People, they dress better. They’re not like us where we would roll out of bed and put on pajama pants and some crocs and go to the grocery store. They would never do something. Yes. [15:10] I was in a restaurant several years ago, and there’s a guy sitting at a table, and another young guy comes in. And the guy at the table says, dude, you wore your pajama bottoms in the restaurant. [15:22] People need to be sold. And I’ll have to admit, at the time, I hadn’t seen that before. And since then, I see it all the time now. I live in a college town. I see it a lot. Yeah. So i’ll carry on a little more about that reunion there uh okay so how to describe this so much of it was very surreal to me just being in this place like very fancy house the longest driveway i’ve ever seen like more than a mile i finally like when i parked my car because the track you know you can the parked cars are starting i parked and i get out of the car. And I’ve got this big present with me that I’m going to give to Mario. It’s unwieldy. And I’m like, oh man, this is going to be quite a schlep. And I’m wearing my good shoes and everything. And these two young fellas come up on a golf cart and bring me a ride. So I get in the golf cart and we get up to the house and my friend Gina was trying to point people out to me. Oh, he’s somebody that was in my documentary and you got to talk to this guy. And there was a lot of that. you’ve got to talk to this guy and you’ve got to talk to this woman and dragging me around to meet people. And one of the groups of people that I was, that I found myself standing in, [16:35] I’m talking to gangsters this time. Okay. This is not cousins who won a funeral home. These are gangsters. And I’m standing with them and they’re having the absolute filthiest conversation that I’ve heard since high school. [16:48] And, but the difference is boys in high school are just talking. These guys have done all the things they’re talking about. Wow. What a life is. The lives you would have led. Bye. I’m just trying to keep it. Are these American gangsters or are these? Americans. Okay, yeah. Current gangsters, they’re in the Springfield area with Anthony Arilada there. They’ve all hated him, probably. I’m sorry? I said Anthony Arilada when he’s there, and they all hated him. You probably didn’t bring his name up. Yeah, really. There are different factions in Springfield, it feels like to me, still. bill. And I haven’t got them all sorted. There are people who are still very loyal to the old regime and they have their figure, their person that they follow. And sometimes they can live with the rest of them and sometimes the rest of them are a bunch of lowlives and they want everybody to know about it. Yeah. [17:45] I’ve heard that conversation before. Interesting. Now, whose house was this? Somebody made it well in America. Yes. And I think it was one of his nephews. I don’t know exactly whose house it was. I was invited by Gina’s brother. He texted me and invited me to the party. And people just accepted me right in. The close family members who have seen Gina’s documentary, who have heard her talk about Pastelina and the research and meeting me, they think of me as the family a genealogist. And so I have a title in the family and belong there. Oh yeah, it’s here to document us. As you do, because we’re an important family. And so they didn’t really question my presence there at all. And you were able to ask questions from that standpoint too. That’s what was nice. Yeah. [18:37] And a lot of times it was just standing still and listening because there was so much going on, That was enough. Interesting. Now, her documentary, you’ve seen it, so tell us a little bit about it. Folks, it’s not out there streaming yet. She’s trying to get something going, I would assume. [18:58] Explain her just a little bit, too, in her book. Talk about her and her book and her documentary. Yeah. Okay. Gina’s a part of this big family that has got some wealth still and goes back to bootleggers in Prohibition and has gangsters in it, including her brother, Rex Cunningham Jr. So Cunningham is the name you don’t expect to hear in the mafia. Yeah, yeah. Done by Marietta Beckerwood. I don’t know if he was a member or associate, but at any rate, he was a known figure around here. Sportsbook and that kind of thing. Sportsbook, yeah. Yeah. She grew up with a little bit of wealth and privilege, but also feeling a little bit outsider because her family was half Irish. So among the Italians, it was a, you go to the wrong church, you go to the wrong school kind of vibe. And she grew up into more of a countercultural person. Her family is very conservative politically, religiously. I don’t know if you would expect that of a gangster family, but that’s what I’ve noticed is pretty common, actually. No, it’s pretty, that’s the way it is here. Yeah, real conservative, yeah. Yeah. You have to be socially for the whole thing to work. I can get into that, but And they keep going to the same church and school and everything, and you maintain these close ties with the neighborhood and local businesses and so forth. But she really was like, I’m going my own way. And so she became this free spirit as a young woman. And Gina’s, I don’t know how old she is. I want to say in her late 60s, around 70, about there. [20:23] That’s Gina Albano Cunningham. Cunningham. Oh, Gina. Okay, Gina Cunningham. See, I’m getting mixed up with the names. And Cunningham was… Ask Elena Albanos. Her sister married and became a Fiore. Okay. All right. That’s a little bit confusing. People have to go to your website to get this straightened out. Or maybe you have this, a picture, an image of this family tree on your website. In the book, you can find multiple family trees because I’m working with all these different branches. I’ll take a look if I can’t put an image in here for everybody to get this straight. But the modern woman that did the book and the movie, she’s in her 70s now. [21:04] Yeah. Yeah, and she’s a grandniece of Pasqualina, and her brother and her cousins were in organized crime in this room. Okay, all right, all right. Go ahead, go ahead. She’s absolutely immersed in this life, but she did not want any part of it, and so she left. And there are other people in her family that you can point to that did the same thing, like some of Pasqualina’s children just did not want to have anything to do with the family. Well, they left. They went and moved to another state. They stayed in another place. They didn’t come back. And she did the same thing, but she’s not cut ties. She keeps coming back and she has good relationships with her family members, even though she’s not aligned with them politically and so forth. [21:42] And she’s an artist. I’ve seen her work on a couple of different mediums. I don’t want to really try and explain what her art is, but she’s a feminist artist. And she’s also really been pointing the camera at her family quite a bit. And it seems like film might be a newer medium for her. She’s used to do more painting and sculpture and stuff kind of thing. How’d the family take that? A lot of these people, I’ve talked to some relatives here, and one of them come on to talk to me, but I said, your Uncle Vince, he said, yeah, I know. But then he never would get back to me all of a sudden. So a lot of pressure to not say anything about it. Oh, yeah. Sometimes I will get started talking to somebody and then it’ll reach a certain point where they’re like oh no we can’t don’t be recording this don’t put my yeah anything so yeah news to that but gina was like no this is going to be part of my, political art. I’m going to point the camera at my family. I’m going to expose, some of the hypocrisy that I see there, the things I disagree with. [22:41] It’s a short documentary, and I find it very powerful because it’s a family video. One of the first people she’s aiming the camera at is, I think, one of her nieces. Talking to this young woman who is leaning on her car, maybe in her late teens, early 20s, and this young woman is saying, oh, yeah, I would marry a gangster if I had the chance. And I’m just like, do you not know your family? Do you not know the heart? And later on in the video, you get to hear some of the really just like gut wrenching stories of what pain people in her family have brought upon themselves through their involvement in organized crime and all the things that it entails. And this young woman is, I don’t know, she’s acting because she doesn’t even know this other uncle or this other cousin that she’s got that can tell her these stories. Or is it, I don’t know, it doesn’t matter or something. And that to me was shocking. That’s the kind of thing that needs, that’s somebody who needs their mind changed. And I was like, I hope she watches this video she’s in and changes her mind about how she feels about that life and wanting to be a part of it. But that’s what mafia culture creates more of, is people who want to be a part of that. [23:53] There’s a certain romance to it that started out with Robin Hood, if you will. You get a romance of the gangster, the criminal that maybe is good to some people, good to support people, good to their family. And it continues on to this day to John Gotti. He’s the most recent iteration of Robin Hood and Jesse James here in the Midwest. People love Jesse James. When I grew up, everybody, every family had a story about how a couple of guys came by their house back in the 1800s and they gave them a place to stay and a meal. And they left them like a $20 gold piece, which was like $500 or something. And they said, it was Jesse James. I know it was. It’s the romance of the gangster continues. Yes. We all would love to imagine that we’re on the gangster side and that the gangster agrees. Yeah. As long as we don’t have to go to jail or pay that price. Because to me, I’ve got a friend today that he spent about 12 years and he would give all that gangster life back to get that 12 years back for these kids growing up. He’s turned over a new life today. I had lunch with him and his son not too long ago. And it’s just his son has told him, he said, every time I had to walk away from you in the penitentiary and come back home after our visit, he said, I was just crushed. It’s a huge price to pay for that. But there’s still that romance continues. [25:13] That terrible price, I think, is part of what feeds the romance. If there was no risk, there wouldn’t be that allure. Yeah, that’s true. You met that risk and overcame it and went on, came out on top. It’s what they always like to claim that came out on top of it. So I understand that thought process. I take a lot of risk in my life just from the other side. I said, live to fight another day. Yeah, there really are different kinds of risks that you can take. I was writing about a contract killer in Texas, and one of his targets was a guy who was a grain dealer. And I was like, that’s a really weird target for murder, right? Like, why would you kill a grain dealer from rural Texas? And it was because his old partner had an insurance policy out on him and decided to cash in on it. That was Charles Harrison, wasn’t it? Yeah, yeah, exactly. Sad story. Charles Harrison. Yeah. It was like, these were two guys that took very different kinds of risks, right? You got Charles Harrelson, who kills people for money. That’s a certain kind of risk you’re definitely taking. And then there’s the guy who buys grain and then sells it. So he’s taking these risks for his community of farmers. [26:27] And I was like, that’s really wholesome. And that’s, I don’t know, I feel like it’s a really positive example of masculinity. That’s the kind of risk we’re supposed to take for the safety and well-being of our neighbors? Yeah. Even the farmers, they risk everything every year. Smaller farmer, I grew up in those families and a smaller farmer practically risk everything every year, being in on the weather. That’s why I didn’t stay on the farm. And the markets, you don’t know what the markets are going to do. It’s a gamble every year. That Charles Harrelson, that’s Woody Harrelson’s dad who killed the Judds, famous murder down in El Paso. And he had a business. He carried a card that said he was a hitman. It was his story. [27:10] Bold. He was a crazy bold dude. I did a whole three-part series on that whole Jimmy Chagra marijuana business [27:20] down there on the border. and his connection to it and the killing of Judge Wood. So it’s just a business in these guys. Hey, it’s not personal. It’s just business. Yikes. It’s crazy. But Justin, you got anything else you want to tell us about? Anything you’re working on? And remind guys your website and what you can find there. He has some really interesting stuff about the old early days in Chicago. I know that. I referred to some of that several years ago when I was doing something on Chicago. So give guys a little walk through on your website. It’s really interesting. Okay, so John Gotti is one name I don’t think you’re ever going to find on my website. Yeah, good. [27:59] I’m really addicted to origin stories. I like to find out how the Mafia was already present before that point when we say it started. Yeah, in the 20s. But gangsters don’t come out of nowhere. Gangs don’t come out of nowhere. They evolve. They grow. There are forces to create them. And so that’s what I’m interested in. I like to go around. And I spent a lot of my early career writing about one place and its effect on the United States, Corleone, where my family’s from in Sicily. And that was my first book, In Our Blood. And some of my first posts on mafia genealogy are in that thread. They’re about my family and the Corleonesi. But then I started to get into other [28:42] places and wanting to know about their stories and getting into other parts of Italy as well. So if you go to my website, you’re going to find stories like Charles Harrelson and the two guys that he killed before the judge, or in Chicago about the different little Italys that existed before Capone consolidated everything, or Kansas City I’m writing about, Nick Fatsuno and the Passantino brothers. I don’t even know if you know those guys, but I thought their further stories were amazing. [29:09] Passantino had a funeral home today, but the other names I don’t really know back then. I don’t know much about that or those early days. Did they seem to come from the same little town, the same general area? They didn’t, actually. A lot of them were Sicilian, and they come from Palermo province, but not all from the same town. Not from okay. Yeah. Yeah, I wasn’t able to put—there’s not a strong current there in Kansas City like I’ve found in other places where everybody is from one town. Yeah. [29:37] But not so much in Kansas City. A little more varied. Interesting. So that’s what you’ll find on my website. And then Pasqualina is my second book, and you can buy both of my books at Amazon. Got them behind me here, Airblood, Pasqualina. And Pasqualina is about that prohibition era, and if you like to understand where big-nosed Sam Koufari got his start, it’s in there. And the Shabelli brothers show up. It’s about those origins. I was talking to a friend of mine about this name, Skeeball or Skeebelly. Yes. Who had some relationship back in Springfield, and he just really knew Skeeball when he was young. [30:17] Yep, because it was the spelling of his name. I’m not even sure how they pronounced it. I think it’s Skeebelly. Skeebelly. That probably was. Yeah, Skeebelly. I know somebody named Skeebelly, so probably was. That’s like the name of the body shop here in Kansas City, and it’s P-A-C-E. But really it’s Pache. We’ve got to do it right. And that’s probably short for Pache. I don’t know. I wonder if the family pronounces it Pache or Pace. I think business-wise, but then the person who was talking was close to the family and they said, oh no, it’s Pache. So I thought, okay. [30:53] Interesting. The immigrant experience in this country is really always interesting. There’s always conflict and the interest is in the conflict. And as people try to make their way, and stopping with, oh God, it was an author, T.J. did the Westies. You guys know T.J. that did the Westies. And he said, yeah, he said, and he really was articulate about, as we’ve discussed this, that people come here want an opportunity, because they didn’t have any opportunity in the old country, whether it be Naples or southern Italy or Sicily. They came here, they really just wanted opportunity. And then the opportunity, you have to start fighting for opportunity. That’s the nature of the beast in this country. In any kind, any society, you’ve got to fight for opportunity when you’re an outsider and you come in. And so that was the early development. These people just wanting a little slice of this American pie that they’d heard so much about. The streets are paved with gold over here, but found out you’ve got to dig that old man. [31:52] Some people probably came over here thinking they were going to make an honest living and found themselves, by one step and another, involved in organized crime. And then there were other men who came here from Italy for whom the opportunity was to be a criminal here. Richer pickings. Yeah. And they started restaurants and had your typical immigrant, all the immigrant restaurants, all these Chinese, whatever kind of ethnic food is, they start out with an immigrant who then puts his kids and his cousins and his nephews and sisters and grandmas in the back room kitchen, start those restaurants. And people, us people that are already here like that food and they run them, they do a really good job at it. And so that’s a way to get started in grocery stores for their other fellow paisans. And those were the ways that they made it here, at least now, probably the same way in every city where there’s a large Italian population. Got to feed the other Italians. And so an Italian restaurant is natural. Yeah. And also owning your own business is just really smart for a lot of people. If you’re an organized crime, it’s a great way to hide what you’re doing. [32:59] And if you’re trying to get a naturalization status, especially now, being a business owner is really advantageous. Yeah, I bet. I was talking about that on getting a naturalization process that showed that you’re an entrepreneur and you believe in the system and you’re doing well. Yeah, interesting. [33:17] All right, Justin Cascio, and the website is Mafia Genealogy. He’s got a couple books on there in this documentary. I don’t know. Keep us up on that. Maybe if it comes out, I’ll make sure to get it out on something where people know that they can go out and see it. It sounds really interesting. Thanks, YOL. All right. Thanks, Justin. I’ll do that no more. Thank you, Justin. It’s really a pleasure to talk to you again. Always a pleasure being on your show. Thank you. Great. [33:44] Justin, see, I was going to ask you about something. What? Are you going through a publisher? You got a publisher? No, I’m self-published. You’re self-published? Okay. Yeah. See, I self-published several books, and I’m doing probably my last ones, a story of my life, kind of more of a memoir, my struggles and my moral dilemmas and all that during when I worked intelligence. And then I’ll explain all about the big civil mob war we had here during those years. And I don’t know. I started poking around. I thought, well, maybe I’ll try to get a regular publisher. But boy, it’s hard. You’ve got to get an agent. You can’t get attention of an agent because there’s hundreds and thousands of people out there writing books wanting to do all this. So thank God for Amazon. Yeah. I think if you already have your audience. Yeah. And you know who they are and you’re already talking to them. You don’t need to pay somebody else to do that for you. Yeah. Yeah. I’m paying an editor to go over to… That’s different. That’s no other strengths. But to get it sold out there. Out here making videos every day. The good thing about getting a publisher is you can get, and then you got a chance of getting it into Barnes & Noble and into libraries. [34:59] See, libraries. You might into libraries anyway. How’d you do that? How’d you figure that out? The local library has an interest in the book, so they bought it. Yeah, they did. But I’m talking about other libraries. Yeah, they can all buy the book the same way. Yeah, but how do they find the library buy books? [35:18] I think buy them from the publishers normally. And if your book is self-published and they want to carry that book, because, for instance, about local history, then they’ll buy it. Yeah. I’m thinking about how do they get it out in other New York or Chicago or some other city that will be looking for nonfiction books. Publishers. You have to do every step yourself instead of being massive. Yeah. And then like Barnes & Noble and places like that to get it in, that’s hard too. You can do that locally. Those places carry my books on the website. Who does? They’re buying it from Amazon. Oh, okay. Interesting. Oh, really? Yeah. Because that’s the only place you can get it. I think I sell a couple of my, I’ve seen some people from, I think it’s through at Brafta Digital, I think’s the name of it. That’s another thing that this thing went up on that Barnes & Noble did sell a few copies of it. As a matter of fact, now that you mention it. [36:21] But it’s interesting. It’s fun. How are you ever going to get a screenplay sold if you don’t get their attention? [36:30] That’s why most people I talk to, they’re trying to figure out how to get a movie made from their book. Gangsters ask me that question. They’re like, you figure I know the answer to how to get a movie made from YouTube? and I do not have that answer. Nobody knows that. It’s hard work. Yeah, I tell them nobody knows that, the answer. It’s God. A divine being that strikes you, whether it be the Apollo or the God of Abraham, or Jesus or some higher power reaches out and touches you and says, okay, I bless you, and now you’re going to have a movie made and Robert De Niro is going to play your part. Although anymore, they don’t want De Niro to play him because they hate him now, and they want somebody else. Oh, my God. It’s always a pleasure to talk to you, Justin. Likewise, Gary. Thanks so much. If I can do anything for you here in Kansas City, and as you’re going through your thing, if you’ve got any question or anything, I’ve got that one friend, that FBI agent, that he could maybe help you with if you’re looking for a connection or something. He knows quite a little bit. And somebody else was just talking about that, looking into that, those early days. But if you do have any questions or anything that you’re stumbled about here in Kansas City, be sure and give me a call, and I’ll see if I can’t steer you to somebody. I don’t know myself. I don’t really ever look at it. Okay. Okay. Stay safe. Thank you. You too.

In this episode of Biographers in Conversation, Professor Clare Wright OAM chats with Dr Gabriella Kelly-Davies about Näku Dhäruk The Bark Petitions: How the People of Yirrkala Changed the Course of Australian Democracy. Here's what you'll discover in this episode: Clare Wright's deep 15-year cultural integration with the Yolŋu community in North-East Arnhem Land enabled her to write The Bark Petitions collaboratively and authentically from a First Nation's perspective. The four Bark Petitions were created by Yolŋu Elders in 1963 as a form of diplomacy between two sovereign nations. The Yolŋu Elders were protesting bauxite mining on sacred lands without their consent. The Bark Petitions reframes the petitions as a manifestation of Yolŋu law and territorial rights, revealing a sophisticated legal system governing land, kinship and governance that predates and rivals European colonial systems. Wright positions The Bark Petitions as Australian political history with Indigenous perspectives restored. The Bark Petitions transcends a classic object biography. Instead, it's a hybrid of cultural storytelling, sacred stories, oral history, narrative history, political activism and a powerful account of sovereignty and resistance. The Bark Petitions employs a kaleidoscopic, non-linear narrative structure. Wright deliberately gives the final voice to a contemporary Yolŋu woman, emphasising that Indigenous people are living storytellers shaping ongoing national conversations and positioning the Bark Petitions as an eternal flame of resistance and knowledge.

It's happening! For the first time ever the Montana Grizzlies and Montana State Bobcats will face off in the post season! To mark the occasion YOL's resident Bobcat, Derek and Griz, Sammy G break down the implications of this historic game and give some insight on what we might expect in Saturdays match. Send us a text!Support the show

Giant Claw, Blackbraid, Mareado, BYSH, Membrane, Hikaru Yamada and The Librarians, Cerca, Oldowon, Corey Carris Duncan, YOL, Storyteller, and Fascinating Facts (wrong side)

Giant Claw, Blackbraid, Mareado, BYSH, Membrane, Hikaru Yamada and The Librarians, Cerca, Oldowon, Corey Carris Duncan, YOL, Storyteller, and Fascinating Facts (wrong side)

"I put the original recording through a bit of distortion, listened to it for a while, and then went over it with some text from my phone notes that felt like it fitted the original sounds. My practice involves extended vocal techniques, I tried to treat the original recording as a collaborator in the same space as me to some extent." Lanzhou City soundscape reimagined by Yol. IMAGE: Sigismund von Dobschütz, CC BY-SA 3.0 , via Wikimedia Commons

Andy and Josh trade compliments about the Rams and Niners after an excellent TNF match up that didn't end in a tie, Josh adds “Executive Drive” to the YOL vocab list, we start off spooky season with some bizarre NFL true crime and tease a discussion about a fantasy re-draft…oops. Send us a text!Support the show

Growing up south of Sydney as one of six boys, midwifery wasn't the occupation Christian Wright expected for himself. At the age of nine, he experienced a vision that gave him a sense of his future in a life of service.As a qualified midwife, Christian spent time in the tiny town of Nhulunbuy, right on the tip of the Northern Territory.He worked with Yolŋu women of remote Arnhem Land to help them birth their babies.Further informationThis interview was first broadcast in March 2021.2025 update: Several years ago, Christian married his beloved, Caroline in Gove.On the first day of their honeymoon, as they were driving up the track, their troop carrier rolled.Christian's spine was broken, and he was airlifted to Royal Adelaide Hospital, where the doctors feared that he might not walk again.Christian went back to work within six months of the accident and has since worked in the NT and Papua New Guinea.He and Caroline now have a baby boy.Discover more about Christian's research on pregnancy and childbirth.Discover the Djakamirr program, training doulas to help Yolŋu women give birth on their own country.Christian also recommends the book Why Warriors Lie Down and Die by Richard Trudgen as a valuable resource on Indigenous Australia.You can hear Richard's full conversation with Nigel Newton on the ABC Listen App or wherever you get your podcasts.https://www.abc.net.au/listen/programs/conversations/publisher-nigel-newton-on-harnessing-the-harry-potter-effect/7788834You can read all about the Conversations origin story on the ABC News website.https://www.abc.net.au/news/2025-08-03/richard-fidler-reflects-on-20-years-of-conversations/105495784

Growing up south of Sydney as one of six boys, midwifery wasn't the occupation Christian Wright expected for himself. At the age of nine, he experienced a vision that gave him a sense of his future in a life of service.As a qualified midwife, Christian spent time in the tiny town of Nhulunbuy, right on the tip of the Northern Territory.He worked with Yolŋu women of remote Arnhem Land to help them birth their babies.Further informationThis interview was first broadcast in March 2021.2025 update: Several years ago, Christian married his beloved, Caroline in Gove.On the first day of their honeymoon, as they were driving up the track, their troop carrier rolled.Christian's spine was broken, and he was airlifted to Royal Adelaide Hospital, where the doctors feared that he might not walk again.Christian went back to work within six months of the accident and has since worked in the NT and Papua New Guinea.He and Caroline now have a baby boy.Discover more about Christian's research on pregnancy and childbirth.Discover the Djakamirr program, training doulas to help Yolŋu women give birth on their own country.Christian also recommends the book Why Warriors Lie Down and Die by Richard Trudgen as a valuable resource on Indigenous Australia.You can hear Richard's full conversation with Nigel Newton on the ABC Listen App or wherever you get your podcasts.https://www.abc.net.au/listen/programs/conversations/publisher-nigel-newton-on-harnessing-the-harry-potter-effect/7788834You can read all about the Conversations origin story on the ABC News website.https://www.abc.net.au/news/2025-08-03/richard-fidler-reflects-on-20-years-of-conversations/105495784

Growing up south of Sydney as one of six boys, midwifery wasn't the occupation Christian Wright expected for himself. At the age of nine, he experienced a vision that gave him a sense of his future in a life of service.As a qualified midwife, Christian spent time in the tiny town of Nhulunbuy, right on the tip of the Northern Territory.He worked with Yolŋu women of remote Arnhem Land to help them birth their babies.Further informationThis interview was first broadcast in March 2021.2025 update: Several years ago, Christian married his beloved, Caroline in Gove.On the first day of their honeymoon, as they were driving up the track, their troop carrier rolled.Christian's spine was broken, and he was airlifted to Royal Adelaide Hospital, where the doctors feared that he might not walk again.Christian went back to work within six months of the accident and has since worked in the NT and Papua New Guinea.He and Caroline now have a baby boy.Discover more about Christian's research on pregnancy and childbirth.Discover the Djakamirr program, training doulas to help Yolŋu women give birth on their own country.Christian also recommends the book Why Warriors Lie Down and Die by Richard Trudgen as a valuable resource on Indigenous Australia.You can hear Richard's full conversation with Nigel Newton on the ABC Listen App or wherever you get your podcasts.https://www.abc.net.au/listen/programs/conversations/publisher-nigel-newton-on-harnessing-the-harry-potter-effect/7788834You can read all about the Conversations origin story on the ABC News website.https://www.abc.net.au/news/2025-08-03/richard-fidler-reflects-on-20-years-of-conversations/105495784

Male midwife, Christian Wright tells stories of emergency evacuations and surfing with crocodiles while working in remote Indigenous communities, helping Yolŋu women birth their babies.Growing up South of Sydney as one of six boys, midwifery wasn't the occupation Christian Wright expected for himself.At the age of nine he experienced a vision that gave him a sense of his future in a life of service.In the tiny town of Nhulunbuy, right on the tip of the Northern Territory, Christian worked with Yolŋu women of remote Arnhem Land to help them birth their babies.Further informationFirst broadcast March 2021.2025 update: Several years ago, Christian married his beloved, Caroline in Gove.On the first day of their honeymoon as they were driving up the track, their troop carrier rolled. Christian's spine was broken, and he was airlifted to Royal Adelaide Hospital, where the doctors feared that he may not walk again.Christian went back to work within six months of the accident and has since worked in the NT and Papua New Guinea.He and Caroline now have a baby boy. And yes, Christian did deliver the baby!Learn more about Christian's research into pregnancy and birth.Discover the Djakamirr program, training doulas to help Yolŋu women give birth on their own country.Christian also recommends the book Why Warriors Lie Down and Die by Richard Trudgen as a valuable resource on Indigenous Australia.Standout story – Nigel NewtonYou can hear Richard's full conversation with Nigel Newton on the ABC Listen app or wherever you get your podcasts.https://www.abc.net.au/listen/programs/conversations/publisher-nigel-newton-on-harnessing-the-harry-potter-effect/7788834You can read all about the Conversations origin story on the ABC News website.https://www.abc.net.au/news/2025-08-03/richard-fidler-reflects-on-20-years-of-conversations/105495784This episode of Conversations explores birth, midwifery, Yolŋu country, First Nations birthing, the fourth trimester, active labour and a male midwife.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Male midwife, Christian Wright tells stories of emergency evacuations and surfing with crocodiles while working in remote Indigenous communities, helping Yolŋu women birth their babies.Growing up South of Sydney as one of six boys, midwifery wasn't the occupation Christian Wright expected for himself.At the age of nine he experienced a vision that gave him a sense of his future in a life of service.In the tiny town of Nhulunbuy, right on the tip of the Northern Territory, Christian worked with Yolŋu women of remote Arnhem Land to help them birth their babies.Further informationFirst broadcast March 2021.2025 update: Several years ago, Christian married his beloved, Caroline in Gove.On the first day of their honeymoon as they were driving up the track, their troop carrier rolled. Christian's spine was broken, and he was airlifted to Royal Adelaide Hospital, where the doctors feared that he may not walk again.Christian went back to work within six months of the accident and has since worked in the NT and Papua New Guinea.He and Caroline now have a baby boy.Learn more about Christian's research into pregnancy and birth.Discover the Djakamirr program, training doulas to help Yolŋu women give birth on their own country.Christian also recommends the book Why Warriors Lie Down and Die by Richard Trudgen as a valuable resource on Indigenous Australia.You can read all about the Conversations origin story on the ABC News website.https://www.abc.net.au/news/2025-08-03/richard-fidler-reflects-on-20-years-of-conversations/105495784This episode of Conversations explores birth, midwifery, Yolŋu country, First Nations birthing, the fourth trimester, active labour and a male midwife.