Podcasts about promising young woman

Tonight the ladies are joined by Anna to talk about the thin line between nice guys and kind men.

We're back with our latest QUEUED UP AS REQUESTED, A Promising Young Woman. It's the part of the show where we allow the listeners to dictate what we're reviewing ! In this lastest episode we discuss Cassandra and how her past has a hold on her. Jazz has thoughts about what Cassandra is doing to “victims.” The subversive nature of the film . And of course, WAS IT GOOD THOUGH!

AI. You may have noticed it's everywhere now — in your phone, your fridge, the suspiciously enthusiastic email your boss "wrote" last Tuesday. And cinema, bless its little reactive heart, has been trying to warn us about this for fifty years. The problem is we keep not listening, partly because the warnings have so often arrived in the shape of a sexy lady robot, which is its own diagnosis of the problem.This week, Pete is joined by Chelsea Stardust and Tommy Metz III for a triptych spanning five decades of artificial intelligence horror: Demon Seed (1977), Cam (2018), and Companion (2025). Three films, one increasingly nervous question: what exactly are we asking of AI, and what does it keep becoming anyway?The conversation runs the lineage of synthetic women in cinema — a trope factory that stretches from Metropolis through The Stepford Wives, Blade Runner, Weird Science, Her, Ex Machina, M3GAN, and Subservience, with a foundational-film round that lands on WarGames and 2001: A Space Odyssey. Along the way: the paperclip maximizer as a way of understanding what Proteus actually is, the cultural weight of releasing a forced-pregnancy AI horror four years after Roe v. Wade, platform terms-of-use as the modern book of the vampire, and the genuinely surprising argument that the most hopeful film in the set is the one where a robot drives off into the sunset with all the money.There are detours, because of course there are: villain-era Jack Quaid, Lukas Gage doing the robot, Sophie Thatcher sliding her own intelligence to one hundred percent, and Tommy's new and frankly concerning bedtime ritual.The films:Demon Seed (1977), dir. Donald Cammell, adapted from the Dean Koontz novel, starring Julie ChristieCam (2018), dir. Daniel Goldhaber, written by Isa Mazzei, starring Madeline BrewerCompanion (2025), dir. Drew Hancock, produced by Zach CreggerAlso referenced: Colossus: The Forbin Project, Westworld (1973), Rosemary's Baby, The Omen, Get Out, Promising Young Woman, The Invitation, Assassination Nation, Barbarian. (00:00) - Welcome to Sitting in the Dark (01:29) - The AI Experience (04:26) - Foundational AI Films (05:42) - Demon Seed (25:55) - Cam (42:16) - Companion (01:04:46) - Coming Attractions ... TBA! Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Chelsea | Kyle | Kynan | Pete | Tommy Shop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussed

Movies that made Sophie. Jeremy Downing and returning guest to the podcast Sophie Gray discuss the most significant films in Sophie's life in our series of Movies That Made Us. We talk about our mutual love of storytelling, our experiences of film fandom as teenagers, and then jump into our discussion of specific movies. Sophie brings up a range of films, including Singin' in the Rain (1952), School of Rock (2003), Pulp Fiction (1994), Snatch (2000), Once Upn a Time... In Hollywood (2019), Inglourious Basterds (2009), The Hateful Eight (2015), Django Unchained (2012), Legally Blonde (2001), Toy Story 2 (1999), Promising Young Woman (2020), Parasite (2019) and Amélie (2001).

This week, we're discussing Emerald Fennell's debut feature, Promising Young Woman! We discuss the film's curiously conservative approach to #metoo, the inherent value in "subverting expectations", and one of us praises Paris Hilton's Stars Are Blind.   Produced by Andrew Ivimey as part of The From Superheroes Network   Visitwww.FromSuperheroes.com for more podcasts, articles, video series, web comics, and more.

This week the Bad Dads take a pounding with The Bleeder (2016), the Liev Schreiber-led biopic of Chuck Wepner — the Bayonne brawler whose improbable 15-round fight with Muhammad Ali inspired Sylvester Stallone to write Rocky. The film charts Wepner's rise from club fighter and liquor delivery man to brief, cocaine-fuelled celebrity — and his long, self-inflicted fall back down again.The Dads discuss:·         Liev Schreiber's committed central performance and the stacked supporting cast (Naomi Watts, Elisabeth Moss, Ron Perlman, Jim Gaffigan)·         The film's tonal debt to Boogie Nights — same era, same cocaine, same gravitational pull·         Why The Bleeder is more entertaining than it is illuminating, and whether that's enough·         Chuck Wepner's actual boxing record, the real Ali fight, and the legendary grizzly bear incident·         The Stallone connection: Rocky, the botched Rocky II audition, and the money Wepner never saw Also this week:·         Top Five Vigilantes — featuring Travis Bickle, Batman, V for Vendetta, The Boondock Saints, Law Abiding Citizen, Nobody, Death Wish (1974), Rolling Thunder, Kick-Ass, The Punisher, Harry Brown, and Miss Marple·         Viewing chat: Beef (Season 2, Netflix) | The Boys (Season 5) | Apex (Netflix)·         Walking football season update: Played 18, Won 14, Drew 2, Lost 1 — and a cup final incoming Films/shows mentioned: The Bleeder (2016), Rocky (1976), Boogie Nights (1997), Beef (Season 2), The Boys (Season 5), Apex (2025), Death Wish (1974), Rolling Thunder (1977), Law Abiding Citizen (2009), Nobody (2021), Kick-Ass (2010), Super (2010), The Punisher, Harry Brown (2009), V for Vendetta (2005), Inglourious Basterds (2009), Hard Candy (2005), Promising Young Woman (2020), Taxi Driver (1976), The Equalizer, Mad Max (1979), Taken (2008)You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

After the huge success of Promising Young Woman and Saltburn, director Emerald Fennel called upon British-born, L.A.-based composer Anthony Willis to work with her a third time for her adaptation of Wuthering Heights, starring Margot Robbie and Jacob Elordi. Willis speaks to Headliner about how he worked on the score alongside the Charli XCX album of new songs for the film, how he and Fennel approached this new adaptation, and *that* viral Sophie Ellis-Bextor moment in Saltburn.

Amber hosts returning guest JP, as they discuss the dark comedy with a lot to say. This is an important film that is not only well made, but entertaining and thought provoking. It should be required viewing in high school. Spoilers!Send us Fan MailTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://www.youtube.com/@DockingBay77podcasthttps://dockingbay77pod.buzzsprout.com

Classic stories retold. Sarah Watt, Jeremy Downing and William Chen discuss Wuthering Heights (2026) and Romeo + Juliet (1996). Emerald Fennell's adaptation of Emily Brontë's Wuthering Heights and Baz Luhrmann's adaptation of William Shakespeare's Romeo and Juliet provide us with a wealth of points to talk about. We begin by discussing our reactions to 1996's Romeo + Juliet. We talk about the presence of this adaptation in high school classrooms, our initial reactions to the film both back in the day and now, and the high energy editing, acting and production elements. We break down the performances of Leonardo DiCaprio and Claire Danes as the titular Romeo and Juliet, as well as praising the performances of John Leguizamo, Harold Perrineau, Pete Postlewaite, Paul Sorvino, Paul Rudd, Diane Verona and even Annette Bening. We discuss our reactions to Wuthering Heights, starting with our knowledge of the book (which none of us have read) and our expectations of Emerald Fennell's after our experiences watching Promising Young Woman (2020) and Saltburn (2023). We talk about the casting and performances of Margot Robbie, Jacob Elordi, Hong Chau, Alison Oliver, Martin Clunes and Shazad Latif. We each had different enjoyment levels of Wuthering Heights and each bring our reactions to the table.

Sweet, sweet revenge. A subgenre best served cold, with a side of yanked intestines. It is a foundational tool for horror, both from the protagonist and antagonist perspectives. Anger, jealousy, and embarrassment create grudges that stick, and payback, she is a comin’. Listen in to our recommendations for your revenge fantasy satisfaction. In horror movies, sometimes you want to keep it simple. If your plot needs motivation… this is an easy check to cash. There are several sub-tropes here. Psychology Today lists several variants of revenge. As you might expect, revenge and justice are not simple concepts. There are different motivations and complex sources for the desire for payback. We tried to marry up the psychological categories to how they get executed in horror films: Simple or direct Revenge: An eye for an eye. You killed or disfigured me, now I'm back, bitches! MUAAAAHHAHAHAHA! (Slash, slash, slash… screaming ensues) This is the staple of the franchise serial-killer movies. Candyman, Friday the 13th, A Nightmare on Elm Street, The Burning, Slaughter High, Hatchet, Ghost Story, I Know What You Did Last Summer This also applies to revenge for the loss of a loved one. NOOOOOOO! You killed my father! Now you're gonna pay! I Saw the Devil, Mandy, Redux Redux, Orca, and Sayara Constructive or transformative Revenge: Channeling pain into self-improvement and escaping the victim role. The Rape Revenge Subtrope lands here, with all of its trigger-ridden justice. Misogeny or empowerment? You make the call. Good examples: Revenge, I Spit on Your Grave, They Call Her One Eye, Last House on the Left, Teeth, Ms. 45, American Mary, Hard Candy Honor revenge: Retaliation that is intended to restore reputation or face. Restore reputation. Bullying payback often lands in this category. Who's on top now motherfucker!?   Plenty of good examples here include Carrie, Piggy, Let the Right One In, and Sissy A subset of honor revenge would be the response to betrayal. You backstabbed me.  Honor revenge is a classic trope in Westerns and Mob Movies. When used by a protagonist, it can be the central motivation. Examples: Upgrade Usually used as a plot device rather than the central theme in horror movies. What goes around, comes around. Et tu, Burke? Burke in Aliens, Ash in Alien, Rose Armitage in Get Out, Scud in Blade, Billy Loomis…All the Scream Movies Poetic or Ironic Revenge: The proper comeuppance. Yep, you had it coming. Often, this is hubris getting the better of a monologuing evil doer. Protagonists usually don’t suffer in this manner. Poetic justice, after all. The poetry comes from the villain being undone by their own actions or plans. Good Examples: Captain Ross’s grisly demise in Day of the Dead; the explosive destruction of the La Domas family in Ready or Not; the Invisible Man gets killed by his own tech in The Invisible Man; Chef Slowick goes down with his restaurant in a fiery s’mores demise in The Menu. The Saw movies have built their premise on ironic revenge, with many of the traps Jigsaw creates symbolic of the victim’s perceived flaws. Se7en is closely tied to ironic revenge, specifically piecing together misguided justice in the grisly application of sin to sinners. Collective revenge: No! Back, you fools! Stay away from me, you heathens! AAAAAAA!!! This is where the community turns on another group, or in horror movies, usually an antagonist. The mob rules! The classic example of this variant is the 1932 Frankenstein, in which the locals, brandishing torches and pitchforks, trap and kill Frankenstein’s monster. It gave birth to the cliche. Burn him! A recent great example: Weapons, where the children turn on Aunt Gladys. Other examples include Children of the Corn, The People Under the Stairs, and The Island of Lost Souls. Fantasy revenge: This is usually the domain of comedies. Sometimes it occurs in horror when the victim of bullying or aggression dreams of turning on their abuser. A twist on this would be the mad dream visions in An American Werewolf in London. Perhaps A Nightmare on Elm Street 3: Dream Warriors. It has the dream/fantasy element, but it is more of a hero’s journey than pure revenge. Horror movies themselves, as an art form, specifically REVENGE-themed horror movies, are in themselves fantasy revenge outlets. John Wick, Death Wish, Unforgiven, and many, many action movies are testosterone-fueled male revenge fantasy flicks. The rape-revenge movies is the distaff variant of the same theme. Subtle passive-aggressive revenge: Not really part of the Horror methodology. You’re in the wrong revenge shop, buddy. Horror does it directly. With an axe. This is the Woody Allen form of revenge. The Sad Truth In many revenge horror movies, revenge is often a hollow victory. The wounds still exist. The trauma lingers. Your dead wife isn’t coming back. It is a short-term dopamine high, but in many cases, you still feel hollow inside. Sometimes, proper justice gets dispensed, and the world is a better place having dispatched a monster. And we can appreciate that. Horror movie fans get to go along for the ride. Revenge, though easy to embrace, is a complex emotional rollercoaster. So much pain… and a little relief. It can make for epic storytelling, and when dipatched with bloody violence, you can understand how it resides under the horror umbrella. PODCAST EPISODE 210: Here is a live feed for Revenge Horror: Episode 210. If you enjoy this episode, please go to your streaming platform of choice and subscribe. We promise that we won’t track you down with vengeance in mind if you don’t. (Or will we?) The Virgin Spring (1962) Redux Redux (2025) Blue Ruin (2013) Becky (2021) Revenge (2018) Upgrade (2018) Orca (1977) Promising Young Woman (2020) The Crow (1994) The Pit (1981) Venus in Furs (1969) Mandy (2019) Sayara (2025) I Saw the Devil (201) Candyman (1992) I Spit on Your Grave (1978) Last House on the Left (2010) Ms. 45 (1981) The Angry Black Girl and Her Monster (2023) They Call Her One Eye (1973) You’re Next (2011) Final Girl (2015) Carrie (1975) A Nightmare on Elm Street 2: Freddy’s Revenge (1985) Piggy (2022) Last House on the Left (1972) Ghost Story (1981) The Burning (1981) Frankenstein (1932) Let the Right One In (2008) Saw II (2005) The Island of Lost Souls (1932)

If this movie makes you feel uncomfortable, it's doing its job.TW: This episode covers suicide, rape, sexual abuse, lack of rape convictions, as well as a rant on the recent overturning by the US Supreme Court of Roe vs Wade, making abortions illegal in some US States and limiting reproductive healthcare.Believe womenRespect womenFight for womenIf you need to talk to someone - https://www.samaritans.org/Please consider supporting abortion and reproductive rights charities in the US - https://abortionfunds.org/funds/Episode originally released on 25th July 2022Mentioned in this episode:From the ArchiveThere's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release) Please enjoy this time capsule of an episode. Thanks for listening!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

In dieser Episode des Filmfrühstücks nehmen Kenan, Luca und Melina die Filmografie von Emerald Fennell unter die Lupe – von „Promising Young Woman“ über „Saltburn“ bis zur aktuellen „Wuthering Heights“-Adaption im Kino.Ausgehend von Cassies Rachefeldzug in „Promising Young Woman“ sprechen wir über Konsens, weibliche Selbstbestimmung, moralische Grauzonen und gesellschaftliche Doppelmoral. Danach geht es um „Saltburn“: soziale Aufstiege, toxische Obsessionen und die Frage, ob provokante Szenen wie Olivers finaler Tanz echte erzählerische Tiefe haben oder nur auf Viralität zielen.Zum Schluss wagen wir einen Ausblick auf „Wuthering Heights“: Welche Erwartungen sind nach Fennells bisherigen Filmen gerechtfertigt, wo liegen Chancen und Risiken – und welcher ihrer Filme funktioniert für uns am stärksten?Wie ist Deine Meinung zu Fennells Filmen? Provokante Kunst, die den richtigen Nerv trifft, oder virale Selbstinszenierung? Verrate es uns in den Kommentaren!---Instagram: https://www.instagram.com/filmfruehstueck/

Wuthering Heights - our chief film critic threw 5 stars at it, while our guest Bianca Farmakis said it’s the worst movie she’s ever seen. What can lovers and haters of Emerald Fennell’s adaptation agree on? And what’s with all the egg smashing anyway? Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme.See omnystudio.com/listener for privacy information.

When Emily Brontë published “Wuthering Heights,” in 1847, critics were baffled, alarmed, and mostly unimpressed. James Lorimer, writing in the North British Review, promised that the novel would “never be generally read.” Nearly two centuries later, it's regarded as one of the great works of English literature. In a live taping of Critics at Large at the 92nd Street Y, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the staying power of the original text and the countless adaptations it's inspired, from the 1939 film featuring Laurence Olivier to Andrea Arnold's 2011 version. The most recent attempt comes from the director Emerald Fennell, whose new “Wuthering Heights,” starring Margot Robbie and Jacob Elordi, reads as a romantic fever dream. The movie has been polarizing in part for the way it excises some of the weirder and wilder aspects of its source material. But what's discarded—or emphasized—can also be revealing. “It's an audacious proposition to adapt a great novel … I don't think it needs to be faithful, necessarily,” Fry says. “The adaptation itself becomes a portrait of the time in which it's made.”Read, watch, and listen with the critics:“Wuthering Heights,” by Emily BrontëKate Bush's “Wuthering Heights”Emerald Fennell's “Wuthering Heights” (2026)“Emerald Fennell's ‘Wuthering Heights' Never Plumbs the Depths,” by Justin Chang (The New Yorker)“Barbie” (2023)“Saltburn” (2023)“Promising Young Woman” (2020)“Jane Eyre,” by Charlotte Brontë“The Communist Manifesto,” by Friedrich Engels and Karl Marx (1848)Peter Kosminsky's “Wuthering Heights” (1992)William Wyler's “Wuthering Heights” (1939)Andrea Arnold's “Wuthering Heights” (2011)“All the King's Men,” by Robert Penn Warren“I Love L.A.” (2025–)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

For our fourth instalment in the Books to Screen series, Hannah was joined by author and friend of the pod Catherine Airey to discuss the adaptation of the moment - Wuthering Heights! This film has attracted so much attention and has been at the centre of the cultural conversation in the last week so it would have been silly not to cover this in this series. In this episode, Hannah and Catherine discuss the controversial casting of a white actor as Heathcliff, whether this was a faithful adaptation or fan fiction, our thoughts on Nelly as a villain, Isabella's new trajectory plus so much more!If you enjoy this episode please do rate, review & subscribe, for more content you can find us over on Patreon. You can follow us via Instagram, X & Tik Tok. You can buy Catherine's novel here or you can pre-order the paperback here. You can follow Catherine via Instagram. Buy tickets for Catherine's upcoming event with Roxy Dunn here. Books & other mentions in this episode: The Hunger Games: Catching Fire by Suzanne CollinsThe Hunger Games: Catching FireTwilightI Capture The Castle (2003)I Capture The Castle by Dodie SmithThe Idiot by Elif BatumanAs Young As This by Roxy DunnThe Odyssey (2026)Vladimir (2026)Margo's Got Money Troubles (2026)The Rachel Incident (Upcoming)Anna Karenina (2012)Anna Karenina by Leo TolstoyWuthering Heights (2011)Wuthering Heights (1939)Promising Young Woman (2020)Saltburn (2023)Rhiannon Lucy Cosslett- Wuthering Heights / Class article Let us know your thoughts by emailing us apairofbookendspod@gmail.com or you can DM us @apairofbookendspod on Instagram. Until next time, happy reading!

Emerald Fennell follows up her earlier provocations with one aimed at lovers of literature, "WUTHERING HEIGHTS." Marya E. Gates ("Cinema Her Way") joins Adam and Josh to unpack it all. Then, a Pantheon Project review of John Ford’s Best Picture-winning HOW GREEN WAS MY VALLEY, and listeners advocate for the best '90s movie soundtrack. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.)Intro (00:00:00-00:02:12)Wuthering Heights with Marya E. Gates (00:02:13-00:48:41)Filmspotting Family (00:48:42-00:52:32)Robert Duvall, Frederick Wiseman (00:52:33-01:01:56)Next Week, Notes (01:01:57-01:05:16)Polls (01:05:17-01:19:39)How Green Was My Valley (01:19:40-01:52:17)Credits / New Releases (01:52:18-01:55:51) Notes/Links: -Filmspotting Pantheonhttps://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Did Australian politics just take a little topple off a glass cliff, or is the ‘rolling’ of Liberal leader Sussan Ley much more complicated than that? We’ve got the TLDR. And, Wuthering Heights is everywhere and so is criticism of just what kind of “greatest love story” it is. A very sexy one, or a downright irresponsible one? Also, looksmaxxing. What is it? Who’s doing it? And why does it have to involve 17 different tablets every morning and a whole lot of money? Oh, and a little round up of scurrilous gossip for you. What do Celeste Barber, Ada Nicodemou and the Beckham family all have in common? They’re all trying to navigate some big emotional moments via social media. And look, for the Beckhams, it’s not going well… Listen to Amelia Lester, Holly Wainwright and Jessie Stephens get into all that and other stuff too, on today’s Mamamia Out Loud. SUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: "Uh-Oh, I'm A Finger Princess" Listen: Jessie and Clare Stephens' Weird Twin Shit Just Got Weirder Listen: An Affair Confession Live On Air Listen: The Best (And Worst) Generations Of Parents. A Leaderboard! Listen: The Most Bizarre Celebrity Profile We’ve Ever Read Listen: Do I Matter? & The Bathroom Taboo Listen: The Female Emaciation Era — Holly & Jessie Weigh In Listen: An Urgent Theory About Kim Kardashian & Lewis Hamilton Listen to The Quicky: “Outrageous & Provocative” Holly Wainwright’s Surprising Review of Wuthering Heights Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media Watch Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: A brutally honest review of Wuthering Heights, a movie that will force you to scream. Marty Supreme is a perfect film, except for one distracting detail. Emerald Fennell was talking to her male friends when she came up with Promising Young Woman. Australia's favourite comedy couple Celeste Barber and Api Robin have separated. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloudBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

The Moors have never looked like this.

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Emerald Fennell, originally episode 540 from 2023-11-15.Original writeup below:An excellent chat with the very awesome Emerald, whose work you will likely have caught up with over the past few years in any one of her many capacities. Playing Camilla on The Crown, writing on Killing Eve, or writing and directing 2020's brilliant Promising Young Woman. Here we catch up with Emerald in promotionland to hear about her new film Saltburn, which we'll see in cinemas around mid-November. But as you will know from this podcast, it's not as basic as simple promotion - Pip gets into a lot of the mechanics of Emerald's world, including process, world building, reference, inspiration, small and big screen, casting, personal idea hierarchies, and so much more. It's a real pleasure to hear about it all in depth, so set aside some time to really enjoy this one. You shall!PIP'S PATREON PAGE if you're of a supporting natureWUTHERING HEIGHTSIMDBTWITTERSALTBURNPROMISING YOUNG WOMANTHE CROWN SEASON 5PIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Lucy Fenwick Elliott talks to director Emerald Fennell and cast members Alison Oliver, Shazad Latif and Hong Chau about their new film Wuthering Heights.   A passionate, tumultuous love story set against the backdrop of the Yorkshire moors, "Wuthering Heights" explores the intense and destructive relationship between the tempestuous Catherine Earnshaw (Margot Robbie) and her tortured counterpart, Heathcliff (Jacob Elordi).   Their forbidden passion for one another eventually turns from amorous to intoxicating in Academy Award-winner Emerald Fennell's (Saltburn, Promising Young Woman) devilish twist on one of the greatest romances of all time: an epic tale of lust, love and madness. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

Le mercredi 11 février sort en salles, pour la Saint-Valentin, "Hurlevent", la nouvelle adaptation du livre d'Emily Brontë, réalisée par Emerald Fennell, déjà à l'origine de Promising Young Woman et Saltburn. On s'est réunies autour du micro pour parler de cette adaptation avec Margot Robbie et Jacob Elordi en tête d'affiche, dont l'annonce a été très controversée.Animation : Mariana AgierParticipantes : Enora Abry, Mariana Agier, Diane LestageRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Lʹunique roman dʹEmily Brontë, publié en 1847, " Les hauts de Hurlevent " a déjà été porté sur grand écran par William Wyler, Luis Bunuel, Jacques Rivette, Andrea Arnold notamment. Cʹest au tour de la cinéaste des sulfureux " Promising Young Woman " et de " Saltburn " de proposer une relecture moderne de cette histoire située sur les landes du Yorkshire, au XIXè siècle. Catherine Earnshaw sʹest entichée de Heathcliff, orphelin que son père a adopté. Devenus adultes, ils étouffent leur relation encore platonique qui défie les conventions sociales. Pour assurer son avenir financier, Catherine décide dʹépouser Edgar Linton, son voisin, provoquant le départ de Heathcliff, humilié par cette union. Des années plus tard, Heathcliff revient, riche et habité par un désir de vengeance qui dévore tout sur son passage. Par Rafael Wolf et Noémie Desarzens.

We're back, Whorrors!  In honor of what we hope to be a promising year ahead, we're dancing to Stars are Blind in the pharmacy to kick the season off with 2020's Promising Young Woman.***CONTENT WARNING: discussion sexual abuse/assault, r*pe, suicide Follow us on Instagram at @thewhorrorspodcastEmail us at thewhorrorspodcast@gmail.comArtwork by Gabrielle Fatula (gabrielle@gabriellefatula.com)Music: Epic Industrial Music Trailer by SeverMusicProdStandard Music License Sources: Cassandra Wiki: https://en.wikipedia.org/wiki/Cassandra Gilbert, Sophie. “Promising Young Woman Sets a Ravishing Trap.” The Atlantic, 28 Dec. 2020, www.theatlantic.com/culture/archive/2020/12/emerald-fennell-promising-young-woman-subverting-femininity/617467/. Accessed 16 Dec. 2025.Gilchrist, Tracy E. “Laverne Cox on How Promising Young Woman Examines the ‘Nice Guy' Trope.” The Advocate, 5 Jan. 2021, www.advocate.com/film/2021/1/05/laverne-cox-how-promising-young-woman-examines-nice-guy-tropePromising Young Woman Wiki: https://en.wikipedia.org/wiki/Promising_Young_WomanPromising Young Woman IMBd: https://www.imdb.com/title/tt9620292/ Stephen Nothum [authorstephennothum]. Tik Tok. 

Dana and Tom with Betsy and Trent (co-hosts and creators of Never Seen It podcast) discuss Promising Young Woman (2020) for its 5th Anniversary: written and directed by Emerald Fennell, cinematography by Benjamin Kracun, music by Anthony Willis, editing by Frederick Thoraval, starring Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown, and Jennifer Coolidge.Plot Summary: Promising Young Woman is a darkly clever thriller written and directed by Emerald Fennell. The film stars Carey Mulligan as Cassie Thomas, a woman whose life was derailed after a tragedy involving her best friend, Nina. By day, Cassie works in a coffee shop and seems aimless. But at night, she secretly confronts men who try to take advantage of women who appear drunk—forcing them to face their actions.When Cassie reconnects with an old classmate, Ryan (Bo Burnham), she begins to hope for a normal life again. However, as she seeks justice for Nina, Cassie's plan takes a shocking and emotional turn.Guest:Betsy and TrentNever Seen It podcast (@neverseenit_pod on Twitter and Letterboxd, @neverseenitpod1 on IG, @neverseenit on TikTok, patreon.com/neverseenitpodPreviously on the 2024 Post Oscars Reaction Show, All the President's Men (1976) RevisitChapters:00:00 Introduction, Cast, and Background for Promising Young Woman02:38 Welcome Back Betsy and Trent06:03 Initial Thoughts on Promising Young Woman09:34 After 5 Years, Do We Still Feel the Same About PYW?15:29 Picking Through the Ending20:48 Top Revenge Fantasy Movies25:40 What is the Legal Case at the End of the Film?40:14 Plot Summary for Promising Young Woman41:02 What is Promising Young Woman About?51:56 Did You Know?59:43 First Break01:02:13 What's Happening with Betsy and Trent?01:10:36 The Cinema Legacy Poll Rankings - #2-101:30:03 Thank You to Everyone01:31:06 Best Performance(s)01:43:35 Best Scene(s)02:00:24 Second Break02:01:04 In Memoriam02:09:40 Best/Funniest Lines02:12:48 The Stanley Rubric - Legacy02:22:00 The Stanley Rubric - Impact/Significance02:28:03 The Stanley Rubric - Novelty02:37:53 The Stanley Rubric - Classicness02:47:30 The Stanley Rubric - Rewatchability02:55:21 The Stanley Rubric - Audience Score and Final Total02:56:55 Remaining Questions for Promising Young Woman03:03:23 Thank You to Betsy and Trent, Remaining Thoughts03:09:37 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or

On the 496th episode of Piecing It Together, we are LIVE from Maya Cinemas with Gina Mizzoni, Luella Chavez and Daniel Howat to talk about The Housemaid! This Lifetime-esque thriller stars Sydney Sweeney and Amanda Seyfried and is a celebration of crazy chicks. Puzzle pieces include Promising Young Woman, Fatal Attraction, White Oleander and Flowers In The Attic.As always, SPOILER ALERT for The Housemaid and the movies we discuss!Written by Rebecca SonnenshineDirected by Paul FeigStarring Amanda Seyfried, Sydney Sweene, Brandon Sklenar and Michele MorroneLionsgateGina Mizzoni is a photographer and also happens to be David's wife.Follow Gina and check out her work on Instagram @ginamizzoniphotographyDaniel Howat is a film critic and regularly contributes to Next Best Picture.Check out Daniel's work on Next Best Picture at https://nextbestpicture.com/author/daniel/And follow Daniel on Twitter @howatdkLuella Chavez is an actress and comedian.Check out Luella's YouTube channel at https://www.youtube.com/@luellachavez365And Follow Luella on Twitter @luellachavezMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is "I Got My Eye On U" from the new The Pup Pups album Pup Pup Radio! out now!Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my...

Buy Caroline's book here. The Blurb: From the single ladies of Beyoncé and Taylor Swift songs to Phoebe Waller-Bridge's irreverent television series Fleabag (2016–2019) to as far back as Miss Havisham in Great Expectations, the stereotype of the damaged single woman has long pervaded music, books, television, and Hollywood movies. Spinster tropes, witch burnings, and nineteenth-century diagnoses of hysteria have reflected and continue to inform the stories told about society's singletons, most notoriously in the original bunny boiler, Fatal Attraction (1987), and popularized in Single White Female (1992) and Promising Young Woman (2020). In Single & Psycho, author Caroline Young explores how broader social trends such as the antifeminist backlash of the 1980s, contemporary debates about tradwives and childless cat ladies, and the absence of single women of color on-screen shape the way women are (mis)perceived and (mis)treated. Young weaves the history of a stereotype with her own fight against stigma as a single woman as well as her struggles with infertility, infusing incisive analysis with personal experience in this approachable, savvy exposé of one of mainstream media's most enduring clichés. Single & Psycho: How Pop Culture Created the Unstable Single Woman is a dynamic addition to the ongoing dialogue surrounding the #MeToo movement and societal expectations of women. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Buy Caroline's book here. The Blurb: From the single ladies of Beyoncé and Taylor Swift songs to Phoebe Waller-Bridge's irreverent television series Fleabag (2016–2019) to as far back as Miss Havisham in Great Expectations, the stereotype of the damaged single woman has long pervaded music, books, television, and Hollywood movies. Spinster tropes, witch burnings, and nineteenth-century diagnoses of hysteria have reflected and continue to inform the stories told about society's singletons, most notoriously in the original bunny boiler, Fatal Attraction (1987), and popularized in Single White Female (1992) and Promising Young Woman (2020). In Single & Psycho, author Caroline Young explores how broader social trends such as the antifeminist backlash of the 1980s, contemporary debates about tradwives and childless cat ladies, and the absence of single women of color on-screen shape the way women are (mis)perceived and (mis)treated. Young weaves the history of a stereotype with her own fight against stigma as a single woman as well as her struggles with infertility, infusing incisive analysis with personal experience in this approachable, savvy exposé of one of mainstream media's most enduring clichés. Single & Psycho: How Pop Culture Created the Unstable Single Woman is a dynamic addition to the ongoing dialogue surrounding the #MeToo movement and societal expectations of women. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest is Caroline Young, author of Single & Psycho: How Pop Culture Created the Unstable Single Woman. We talked about the many ways unmarried women are represented in movies and television and how they are often vilified. From Fatal Attraction and its fascinating inspiration Diversion to Gone Girl and the singletons of Bridget Jones and Sex and the City, we covered a lot of ground. More about Caroline: Instagramhttps://www.instagram.com/carolinejillyoung/ Official Sitewww.carolinejyoung.com Titles discussed:Diversion (1979)Fatal Attraction (1987)Thelma and Louise (1991)Basic Instinct (1992)The Hand That Rocks the Cradle (1992)Sex and the City (TV, 1998)Obsession (2023)Fatal Attraction (TV, 2023)The Girl on the Train (2016)Gone Girl (2014)Promising Young Woman (2020)The Boy Next Door (2015)The Real Fatal Attraction (2025)Baby Reindeer (2024)

✨ We're wrapping up Feminist Masterpiece Theater with a bang! ✨ In Episode 193, we dive into Promising Young Woman (2020) with guests Noel K. & Cassandra Hodgins. Revenge, dark comedy, and a fearless fight for justice—don't miss this one!

The 2008 Best Picture line up had some heavy hitters that are still on people's lists of their favorite movies of all time. So when we saw a legal thriller smack dab in the middle of the stacked season, we were skeptical. However, Tony Gilroy's tight script and directorial debut, Michael Clayton, had us on the edge of our seats from the moment Tom Wilkinson's voice over started until we sat in disbelief in the back of the cab with George Clooney. What did you think of Michael Clayton? Let us know on Twitter, Instagram or Threads! Listen to the score, track played I'm Not The Guy You Kill Read the script Watch Andor and Rogue One Watch The Pelican Brief, Runaway Jury, Black Bag, Primal Fear, Columbus, Paranormal Activity, Aftersun, The Witch, Hereditary, The Iron Giant, Monkey Man, Ex Machina, Swiss Army Man, Eighth Grade, Sound of Metal, Tick Tick Boom, 12 Angry Men, Shiva Baby, Zola, Queen & Slim Listen to our other episodes we talked about - Marriage Story, Call Me By Your Name, District 9, Get Out, Minari, Citizen Kane, Past Lives, Lady Bird, A Star is Born, Promising Young Woman, Frost/Nixon, Oppenheimer, Avatar: The Way of Water That time we almost died Theme music by RomanBelov    #MichaelClayton #BestPicture #BestDirector #BestActor #BestSupportingActor #BestSupportingActress #BestOriginalScreenplay #BestOriginalScore #Oscars2008 #2008Oscars #AcademyAwards #Oscars 

How does your protagonist's final choice resolve the plot, character arc and theme? In this episode, Stu and Chas focus solely on the final choices made by protagonists and how that reflects their character journey and successfully, or not, dramatises the internal. We compare and contrast different uses of narrative POV in respect to these final choices, in particular whether and when the audience is made aware of the options available to the character, the act of making the choice, and the consequences of the choice. We breakdown examples from DUNGEONS & DRAGONS: HONOR AMONG THIEVES, FINDING NEMO, MICHAEL CLAYTON, PROMISING YOUNG WOMAN and TALK TO ME. As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.  CHAPTERS 00:00:00 - Opening 00:00:18 - Why Final Choices? 00:10:45 - DUNGEONS & DRAGONS: HONOR AMONG THIEVES 00:19:09 - FINDING NEMO 00:28:45 - MICHAEL CLAYTON 00:53:11 - PROMISING YOUNG WOMAN 01:16:38 - TALK TO ME 01:41:45 - Key Learnings 01:50:13 - Thanks awesome patreons! RELATED EPISODES DZ-04: Catharsis and the Poist-coital Cigarette DZ-84: Choices & Decisions DZ-87: Keeping Genre Fresh DZ-33: Protagonist vs Hero DZ-58: Game of Thrones - Character Exposition DZ-34: Game of Choices LINKS MICHAEL CLAYTON by Tony Gilroy PROMISING YOUNG WOMAN by Emerald Fennell TALK TO ME by Danny Philippou & Bills Hinzman based on a concept by Daley Pearson Michael Arndt: What makes an insanely good ending Every Frame a Painting: Snowpiercer - Look Left or Right   RELATED EPISODES DZ-04: Catharsis and the Poist-coital Cigarette DZ-84: Choices & Decisions DZ-87: Keeping Genre Fresh DZ-33: Protagonist vs Hero DZ-58: Game of Thrones - Character Exposition DZ-34: Game of Choices More Draft Zero is brought to you more often by our awesome Patreons. Especially Lily, Paulo, Alexandre, Malay, Jennifer, Thomas, Randy, Jesse, Sandra, Theis, and Khrob. Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter. BUY DRAFT ZERO MERCH via TeePublic SUBSCRIBE TO SHOT ZERO via Substack

Three-time Oscar nominee Carey Mulligan, known for roles in films such as Maestro, Promising Young Woman and Suffragette, returns to our cinema screens in the comedy drama The Ballad of Wallis Island. She talked to Anita Rani about playing ex-folk singer Nell, working on a film set with a young baby, and why she loves musicals.Earlier this week, goalkeeper Mary Earps, one of England's most high profile footballers, announced her retirement from the international game. Her decision comes just five weeks before the Lionesses go to the European Championships to defend their title. Jessica Creighton was joined was joined by football writer for the Guardian Suzy Wrack, and sports lecturer at the University of Worcester and professional goalkeeping coach, Dr Julia West, to discuss why Mary took this decision.Announcements of cuts to foreign aid this year from both the UK and US governments, amongst others, have left many organisations facing funding issues and putting their programmes at risk. As humanitarian crises continue across the world, including in Ukraine, Gaza, Sudan, with many vulnerable people suffering including women and girls, the need to provide aid remains as high as ever. Dr Helen Pankhurst, Senior Advisor on Gender Equality for Care International UK, and Sofia Calltrop, the UN Women Chief of Humanitarian Aid, discussed with Kylie Pentelow the effects of these cuts on women and girls globally and the importance of gender equality programming.The American folk trio I'm With Her have routinely taken time out from their individual careers to dream up songs together. On their long-awaited second album Wild and Clear and Blue, they sing about reaching into the past, navigating a chaotic present, and bravely moving forward into the unknown. They joined Kylie in the studio.Presenter: Anita Rani Producer: Annette Wells Editor: Sarah Jane Griffiths

Two deeply disturbing cases in France have reignited national debate about how the justice system handles sexual violence. In December last year, Dominique Pelicot was found guilty of repeatedly drugging and raping his wife while she was unconscious and inviting other men to do the same. This week, Joël Le Scouarnec, a retired surgeon, was sentenced to a maximum of 20 years in jail for sexually abusing almost 300 people, mostly children. His victims have spoken out against this sentence and lawyers have called for a change in the law. Jessica Creighton is joined by Blandine Deverlanges, a feminist activist and the Founder of Les Amazones d'Avignon, and BBC correspondent Hugh Schofield to discuss the situation. Three-time Oscar nominee Carey Mulligan, known for roles in films such as Maestro, Promising Young Woman and Suffragette, returns to our cinema screens in the comedy drama The Ballad of Wallis Island. She talks about playing ex-folk singer Nell, working on a film set with a young baby, and how she feels about turning 40. The Secret Intelligence Service, known as MI6, is about to appoint a new chief and it's looking very likely that it will be a woman for the first time in the organisation's 115-year history. Former BBC defence correspondent Gordon Corera and spy novelist Ava Glass tell Jessica who's in the running and how significant it is that this organisation could be run by a woman.A new blood test which will help develop personalised cancer treatment is going to be rolled out across the NHS. The technique, known as a 'liquid biopsy' will be offered as a standard for lung cancer patients, and the NHS is now planning on expanding this testing to advanced breast cancer patients. Jessica is joined by Peter Johnson, national clinical director for cancer at NHS England, to discuss how this works and the impact it could have.Earlier this week, goalkeeper Mary Earps, one of England's most high profile footballers, announced her retirement from the international game. Her decision comes just five weeks before the Lionesses go to the European Championships to defend their title. Joining Jessica to discuss her decision is football writer for the Guardian Suzy Wrack, and sports lecturer at the University of Worcester and professional goalkeeping coach, Dr Julia West. Presenter: Jessica Creighton Producer: Andrea Kidd

In aflevering 50 (een mijlpaal! Typ gerust hoera in de comments) kiest theatermaakster en rockster Luna Janssens 3 films uit mijn kast: 28 Days Later (2002, Danny Boyle) The Blair Witch Project (1999, Eduardo Sánchez, Daniel Myrick) Promising Young Woman (2020, Emerald Fennell) Komen ook ter sprake: Scream, Saltburn, Performance!

Look, sorry, okay? This one is short, at least.    Mememes: Day Shift (film); The Devil All The Time (film); Landscape With Invisible Hand (film); Dante's Peak (film); The Lair of The White Worm (film); KNOW1NG (film); Knock At The Cabin (film); Promising Young Woman (film); Star Wars Skeleton Crew (tv); The Acolyte (tv); Severance (tv); Venom 3 film)

 Big dogs, tiny dogs, diving into celebrity fashion controversies, cultural appropriation, awkward social situations. Our review of Promising Young Woman, and the evolving world of adult entertainment. Plus: gross food opinions, Mother's Day emotions, and how language around sexual violence is shifting. Timestamps: 00:00 Intro: Cuddly Critters & Viral Pet Friendships 03:04 Shopping Habits & Identity 06:02 Weird Food Preferences & Texture Talk 08:56 Dating Drama & Cringey Customer Stories 11:53 Fashion Trends & Social Norms 14:59 The Rise of AI in Adult Entertainment 17:51 Inclusive Smut & Modern Romance Novels 21:05 Promising Young Woman Breakdown 31:57 Gender Bias in the Legal System 35:05 Revenge Plots & Consequences 38:43 Language, Consent & Rape Culture 41:30 Trust Issues & Societal Shifts 44:51 Justice from the Victim's POV 46:45 Media Representation & Cultural Impact 51:38 Life Lessons & Personal Stories Send us a textSupport the showShare this episode with your besties! Connect with Honestly Smartlesshonestlysmartless.comIG: @honestlysmartlessTikTok: @honestlysmartlessChelsea's IG: @chelsea_turanoLindsay's IG: @dr.lindsayregehrYouTube: Honestly Smartless Send us a text Support the show and will give you a shout out

It's a subject we've covered many times on the pod with reviews of You Were Never Really Here, The Man Who Killed Hitler and Then the Bigfoot, Bacurau, Promising Young Woman, Pig, Vengeance, and of course, Do Revenge. How could we forget Thelma? We have even covered a revenge flick set in India with the triumphant RRR. Needless to say, it's a subject we know and love, but few revenge movies come as sexy and stylish as Dev Patel's Monkey Man. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media  

Episode 52: Good 4 Her - Femme Revenge Horror Part One This episode was recorded on February 27, 2025 and posted on April 5, 2025.  Content Warning: Light vulgarity.  Introduction Welcome to No Bodies Episode 52 Introductions to your Ghost Hosts with the Most - Lonely of Lonely Horror Club and Suzie aka Projectile Varmint Introductions to our guests - Sarah & Kelly of Final Girls Podcast Today's Topic: Good 4 Her - Femme Revenge Horror Defining the Femme Revenge Subgenre The history of rape-revenge media Ethics of creating and consuming rape-revenge media Are femme revenge films “male bashing” or “anti-feminist?” The Coroner's Report What are the ethics of creating and consuming rape-revenge horror? Do these films add to or subtract to the horror genre as a whole? Media Discussion M.F.A. (2017) Promising Young Woman (2020) Revenge (2017) Thank you to our guests! Check out Kelly & Sarah's show Final Girls wherever you get your podcasts! Follow Final Girls on instagram @finalgirlspodcast.  Keep Up with Your Hosts Check out our instagram antics and drop a follow @nobodieshorrorpodcast.  Subscribe to our YouTube channel for exclusive video episodes coming soon! Take part in our audience engagement challenge - The Coroner's Report! Comment, share, or interact with any Coroner's Report post on our socials to be featured in an upcoming episode.  Projectile Varmint - keep up with Suzie's film musings on Instagram @projectile__varmint Lonely - read more from Lonely and keep up with her filmstagram chaos @lonelyhorrorclub on Instagram and www.lonelyhorrorclub.com. Original No Bodies Theme music by Jacob Pini. Need music? Find Jacob on Instagram at @jacob.pini for rates and tell him No Bodies sent you!  Leave us a message at (617) 431-4322‬ and we just might answer you on the show! Sources McAndrews, M. B. (2019, October 8). [Through Her Eyes] The history of Rape-Revenge films and the importance of female directors. Bloody Disgusting! https://bloody-disgusting.com/editorials/3586210/eyes-history-rape-revenge-films-importance-female-directors/ Wikipedia contributors. (2025, January 16).  Rape and revenge. Wikipedia. https://en.wikipedia.org/wiki/Rape_and_revenge#:~:text=Rape%20and%20revenge%2C%20or%20rape,underground%20cinema%2C%20and%20arthouse%20cinema.  

We're here with your Oscar hangover cure to break the seal on the THOB Class of 2023 and we brought Louis Peitzman along for the chaos. It's Saltburn time! After the COVID-era Oscar success of Promising Young Woman, all eyes were on Emerald Fennell to deliver again with her follow-up. Barry Keoghan stars in the film as a … Continue reading "331 – Saltburn (with Louis Peitzman!)"

"Have you ever dreamed of a better version of yourself?" The Substance asks just how far will you go for youth and beauty. It critiques the pressure society puts on people, especially women, to be perfect. It also put us through the paces. Between the body horror, and the sound design the three of us were quite queasy while watching this, but that doesn't stop us from admiring the performances, the production design and the criminally not nominated sound design. Coralie Fargeat, we're keeping our eyes peeled for your next venture. What did you think of The Substance? Let us know on Twitter, Instagram or Threads! Listen to the score, tracked played The Substance Read the script Listen to our other episodes we talked about - The Zone of Interest, The Favourite, The Curious Case of Benjamin Button, Anatomy of a Fall, Parasite, Roma, Promising Young Woman, Black Swan, Women Talking Watch I Like To Watch with Trixie and Katya Theme music by RomanBelov    #TheSubstance #BestPicture #BestDirector #BestActress #BestOriginalScreenplay #BestMakeupAndHairstyling #Oscars2025 #2025Oscars #AcademyAwards #Oscars 

This week on the season premiere of And the Runner-Up Is, Kevin welcomes back AwardsWatch executive editor Ryan McQuade to discuss the 2020 Oscar race for Best Actress, where Frances McDormand won for her performance in "Nomadland," beating Viola Davis in "Ma Rainey's Black Bottom," Andra Day in "The United States vs. Billie Holiday," Vanessa Kirby in "Pieces of a Woman," and Carey Mulligan in "Promising Young Woman." We discuss all of these nominated performances and determine who we think was the runner-up to McDormand. 0:00 - 18:16 - Introduction 18:17 - 41:42 - Viola Davis 41:43 - 1:11:28 - Andra Day 1:11:29 - 1:35:05 - Vanessa Kirby 1:35:06 - 2:02:24 - Carey Mulligan 2:02:25 - 2:26:37 - Frances McDormand 2:26:38 - 3:31:07 - Why Frances McDormand won / listener questions 3:31:07 - 3:39:45 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow And the Runner-Up Is on Twitter, Instagram, and Bluesky Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Laced with hyper-pink and gut punches that will leave you reeling, this is the revenge thriller you never see coming. This week, we're getting into 2020's Promising Young Woman and unpacking the subtle religious references all the way to blatant, systemic societal problems that women deal with every.single.day. Cassie's journey may be fueled by heartbreak and loss, but man-oh-man does she provide us with the vengeful catharsis that we probably need now more than ever.Get ready to unravel webs of complicity, and grapple with the film's controversial ending. Join us as we explore the provocative questions "Promising Young Woman" raises about justice, forgiveness, and the prices we pay for seeking retribution. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit babes.substack.com

This episode contains spoiler alerts and sensitive content - viewer discretion is advised In this episode of Welcome to the Poddy, ⁠Claybrin McMath⁠ takes a compelling look at Promising Young Woman, the 2020 film that blends dark humor with biting social commentary. The film follows Cassie, played by Carey Mulligan, on a mission to exact revenge on those who wronged her best friend, all while navigating the complexities of consent and the insidious effects of sexual harassment. Claybrin reviews this movie that follows Cassie who seeks to right the wrongs of the past by targeting those who wronged her best friend. The film's blend of dark humor and drama offers a unique twist on the revenge genre, ending in a shocking yet satisfying way. Key Takeaways: Justice and Revenge: The podcast critically explores the effectiveness and morality of justice, particularly when delayed, through examples like Bill Cosby and Emmett Till. Cinematic Techniques: Discuss how quick cuts and color contrasts enhance the emotional impact and underline the film's dark themes. Societal Commentary: Critiques societal norms that protect individuals based on status or connections, emphasizing accountability in professional environments. Character Complexity: Praises Carey Mulligan's performance for capturing the complex dualities of her character, reflecting broader societal issues. Film's Social Impact: Highlights the role of films in challenging societal norms and prompting reflection and potential social change. Personal Reflections and Ratings: Offers a personal and highly positive review of the film, noting its profound impact despite its challenging nature. Coping with Trauma: Suggests alternative, non-traditional methods like humor and public speaking as ways to handle trauma. Cost of Revenge: Philosophically reflects on the personal and societal costs of seeking revenge, questioning its true value and consequences. Timestamp and Key highlights: [00:07:42]- Introduction to the Movie “Promising Young Woman” [00:08:39] - Background about the movie [00:10:28]- In-depth Discussion on Film's Reception and Complexity of the Film's Themes [00:14:41] – Exploration of Cassie's Risky Approach to Confrontation [00:16:00] – Exploration of Nina's Fate and the Theme of Consent [00:26:25] – Impact of Uncomfortable Films on Audience Perception [00:37:12] – Contrast Between Film's Style and Dark Themes [00:47:24] – Societal Reflections and Cinematic Techniques [01:01:14] – Societal Commentary on Gender and Crime [01:15:02] – Film Review and Personal Rating This episode is powered by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Lyka - Use code gigi-135 for 50% off your first week from ⁠https://lyka.com.au/⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bung Bung Coffee - Use code PODDY for 15% off on all orders from ⁠www.bungbungcoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Opus Clip ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- Get 30% off your first month of the Pro plan by signing up here- ⁠https://www.opus.pro/?via=efb857⁠ Please take the time to drop us a 5-star review! 

Hello friends and familiars! We're back with some of that cherry-picked trash. Dalton loves discourse. So, we picked a focal point of discourse from 2020, Emerald Fennell's Promising Young Woman. Is it a femme Joker? Is it a superhero movie? Is it a high-heeled noir in disguise? We talk genre, vengeance, discourse, and much, much more as we bring Promising Young Woman to the analysis table.  TIMESTAMPS 00:30 - Introductions and Synopsis 04:24 - Quick Promising Young Woman Reviews 22:53 - Expanding the Syllabus 36:22 - Analysis 54:05 - Shelf or Trash 54:46 - Wrap Up and Next Week's Film

Hello? This is your embodied Divine Feminine power calling. Will you answer the call? As we witness the swan song of patriarchy, let's turn up the heat together. Hear bold declarations, inspired guidance, and get excited. We're in this together and all of you are needed. Help support this podcast with your likes, 5-stars, reviews and referrals! Help support my work by booking a session, or gifting one :⁠ https://www.jenniferwai.com/⁠ Follow me on Instagram : ⁠@thejenniferwai⁠, or on TikTok ⁠@sacredcomedy⁠ This episode is dedicated to my beloved ⁠Aunt Suzanne Westgaard⁠; the ultimate words warrior and protector of animals. Movies mentioned in the episode: No Men Beyond this Point (mockumentary), Promising Young Woman, Louder: The Soundtrack of Change, Moxie Music in this Episode: Mu-ziq - Phiescope Lucius - Go Home

Josh and Drusilla recorded this the day before the election. Yikes! From wiki: “The Night of the Hunter is a 1955 American film noir thriller directed by Charles Laughton and starring Robert Mitchum, Shelley Winters and Lillian Gish. The screenplay by James Agee was based on the 1953 novel of the same name by Davis Grubb. The plot involves a serial killer (Mitchum) who poses as a preacher and pursues two children in an attempt to get his hands on $10,000 of stolen cash hidden by their late father.”Also discussed: Conclave (2024), 12 Angry Men, dad movies, Gentlemen Prefer Blondes, Anora, Scream (2022), Promising Young Woman, A Series of Unfortunate Events, Lilian Gish, busy bodies of cinema, The Dark Crystal, Cape Fear, King of the Hill, Don Bluth kids, Over the Garden Wall, NEXT WEEK: Green Room (2015)Follow them across the internet:Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/

In The Substance, Elisabeth Sparkle (Demi Moore) is an aging celebrity fitness instructor who's fired once she turns 50. She injects herself with a black market drug that creates Sue (Margaret Qualley), a younger, more perfect version of herself. While initially tempted by the promise of renewed youth and fame, she soon realizes that the drug comes with a set of unexpected and dangerous side effects. The body horror film explores unrealistic beauty standards and the dangers of worshiping fame and youth. Though he wasn't a horror fanatic, cinematographer Benjamin Kračun grew up with David Cronenberg and John Carpenter movies. Ben admired visionary director Coralie Fargeat's work on Revenge. Likewise, she was impressed with his work on Promising Young Woman. Ben read through the script of The Substance, then immediately read it again. “I felt emotional reading it,” says Ben. “I don't usually feel that when reading these types of genre scripts. Even though it speaks more to women aging, I think everybody can relate to the fact that we're all aging, everyone has issues. The minute I read it I was just so in tune with Elisabeth." Together, Ben and Fargeat have crafted a film that's equal parts grotesque and darkly satirical, a twisted reflection of our obsession with youth and beauty. The Substance begins in a glamorized Hollywood world that feels romantic and timeless but quickly descends into a nightmare. Ben and Fargeat chose to go old school, using a Translight backdrop on the apartment soundstage for the view overlooking Los Angeles. To differentiate Elisabeth's world from Sue's, Ben used a special pink swirl lens to emphasize color and vibrance on Sue. In contrast, he chose to light Elisabeth with hard light and cooler, bluer colors. Ben found that spherical lenses worked best for the numerous closeups in the film and against the Translight backdrop. As Elisabeth's world crumbles, so do the camera angles, and Ben tested them all during prep. Initially, the frames are meticulously centered, reflecting the order she desperately clings to. But as chaos ensues, the angles become more extreme, mirroring her unraveling sanity. The set for Elisabeth's bathroom was huge and completely white, and a good deal of the action takes place in that room. It was challenging to shoot in that space, but it became a white canvas for Ben's masterful use of camera movement. Fargeat meticulously storyboarded every gruesome transformation, ensuring seamless transitions between practical effects and subtle digital tweaks. All the special effects in the movie were done practically, with special builds, makeup, prosthetics, and movie blood. Digital VFX was used only to help stitch together or smooth out some of the makeup and prosthetic effects. Rather than use a second unit, Ben shot every single frame alongside Fargeat, who wanted to give the film her full attention. This included many top down perspective shots throughout the film, along with several inserts and close ups. Once the cast was wrapped, Ben and the crew moved on to the close-up shots and inserts of the lab on a soundstage where “the substance” is created. In the end, it was the longest shoot he'd ever done at over 100 days. When The Substance premiered at Cannes, Ben was amazed at the audience's reaction. “No one had seen it. We didn't know what the reaction was going to be,” he says. “It was amazing to see it come together in the cinema. That film stands out, it changes with a large audience. When they understand it's satirical, they laugh through the third act.” The Substance is in theaters now. Find Benjamin Kračun: www.benjaminkracun.com Instagram: @benkracun Hear our previous interview with Ben Kračun on Promising Young Woman: https://www.camnoir.com/ep116/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Claire and Gavia review Zoe Kravitz's disappointingly flawed directorial debut, Blink Twice. Naomi Ackie stars as a waitress who gets invited on vacation by a controversial billionaire (Channing Tatum), joining a group of guests on his private island. Drawing comparisons to Promising Young Woman, this psychological thriller belongs to a recent trend of post-MeToo films tackling abusive power structures and sexual assault.

WEDNESDAY! So Bad It's Good Movie Edition! WE HAVE AN ACADEMY AWARD WINNER ON THE SHOW TODAY!! We are blessed to have Emerald Fennell joining the show today to talk about her insanely good new film Saltburn (@saltburnfilm) starring Jacob Elordi and Barry Keoghan! Emerald directed, produced and wrote Saltburn as well as her first film Promising Young Woman which has stayed with me since I've seen it! This episode also contains a lot of why I feel movies and the movie going experience are sacred and I take you behind the scenes of going to the Saltburn premiere tonight! The movie is playing in select theaters this Friday and everywhere on Thanksgiving. Highly recommend! Sign up for our substack for free! https://sobaditsgoodryanbailey.substack.com Also, this show and every show is dedicated to my beautiful mom Rebecca Ann Bailey-July 18th, 1948-August 25, 2023  Timestamps :31-Show Notes 23:35-Emerald Fennell -Check out our latest promo codes here: https://betches.com/promos -Go sign up for the patreon for over 250 episodes NOT on the main feed! https://www.patreon.com/sobaditsgood Also, So Bad It's Good has merch now! Go to www.sobaditsgoodmerch.com to order yours TODAY! If you're enjoying the insane amount of blood, sweat and literal tears of this pod consider telling a friend or rating us 5 stars on iTunes! Special shoutout to Maritza Lopez (Insta: @maritza.gif) for all of her insanely hard work creating these beautiful pieces of art on my instagram and patreon page!!  Instagram: @sobaditsgoodwithryanbailey, @ryanbailey25 Twitter:@ryanabailey25 TIKTOK @sobaditsgoodwithryanb Learn more about your ad choices. Visit megaphone.fm/adchoices

For the follow-up to her acclaimed and controversial début feature film, “Promising Young Woman,” the writer and director Emerald Fennell (also well known as an actor on “The Crown”) has made a dark satire of not just aristocracy but our collective preoccupation with it.  “Saltburn” follows a college student who joins a wealthy classmate at his family's mysterious old country estate, which the director shot as “a sex object.” Fennell is very familiar with this world—albeit from a distance. Her father was a jeweller who sold work to Elton John and Madonna, and Fennell went to the same boarding school as Kate Middleton. “As a female filmmaker, more than any other kind, you're expected to be a memoirist. People are more comfortable with that,” she tells The New Yorker's Michael Schulman. Her previous film, “Promising Young Woman,” about a woman's attempt to hold a rapist accountable, had an extremely dark ending that infuriated many viewers, but that Fennell found to be more honest. “I don't think of myself as a liar at all. I hope I'm very honest—but that's what a liar would say.”