Podcast appearances and mentions of Benedict Cumberbatch

Rachael Herron's latest: The Seven Miracles of Beatrix Holland, is, truly and in so many ways, the book only she can write. It pulls from every part of her life: identity, spirituality, a love of what's magical in the world, her joy in crafting and her understanding of community and family. I, of course, wanted to know: how did you find the guts to put it all on the table? We talked about vulnerability, the challenges of writing the book of your heart, and learning to play with what you fear. Rachael says, “I'm spoiled for any smaller kind of writing. I'm not sure I can go back.”You're gonna love it. Links from the Pod:The Seven Miracles of Beatrix HollandInk in Your Veins podcastRachel's website: https://rachaelherron.comThe Jennifer Lynn Barnes “take my money” list.The War of Art, Steven Pressfield#AmReading:Careless People, Sarah Wynn-Williams This Is Not a Book About Benedict Cumberbatch, Tabitha Carvan Transcript below:EPISODE TRANSCRIPTMultiple SpeakersIs it recording? Now it's recording—yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.KJ Dell'AntoniaHey, listeners, this is the Hashtag AmWriting Podcast, the place where we help you play big in your writing life, love the process, and finish what matters. I am KJ Dell'Antonia, and today I am bringing to you an interview with Rachael Herron. I just finished talking to Rachael, and I really enjoyed this. We talked about vulnerability. We talked about the challenges of writing the book of your heart. We talked about what should show you where that book is, the idea that the fear is where you should play. It's, it's a really great interview, and I know that you are going to enjoy it.Let me tell you a little bit about Rachael. She is the author of so many, so many books, thrillers and romances, and most recently, in the book that we are talking about, The Seven Miracles of Beatrix Holland. And I have to read you—Rachael's going to describe this to you, but I got to read you the very short thing that basically made me say, take my money. And it went like this. A psychic tells Beatrix Holland that she'll experience seven miracles and then she'll die. No problem, though, Beatrix isn't worried. She is above all things pragmatic. She vastly prefers a spreadsheet to a tall tale. Then the miracles start to happen.It's a really great book, and more importantly, it's a big book. It is a book where Rachael is writing what comes from deep inside, and it is a book that only Rachael could write. And that is why I asked Rachael to join me today. I hope that you enjoy this interview, and before I release you to it, I just want to remind you that the place to go to talk more about writing big and playing big in your writing life is anywhere that we are: the AmWriting Podcast, Hashtag AmWriting, AmWritingPodcast.com. Find us on Substack. Find us by Googling. Grab those show notes—you should be getting them—and join us for all the different ways that we need to come together in a community to give each other the strength to do our very best and biggest work.So I'm going to ask you to describe The Seven Miracles of Beatrix Holland to me. But also before I even do, I want to say how much I enjoyed it. And also so we have been spending most of our time on the AmWriting Podcast lately talking about writing—writing big and striving big and trying to do something different and bigger and better than what you have done before. We, I think as writers, we're always trying to up our game, but there's upping your game, and there's reaching for the stars. And I felt like this book reached for the stars in a way that you maybe didn't even set out to because to me, as someone who has read much of your work and followed your career and listened to a lot of the Ink in Your Veins Podcast and sort of just knows what's going on with Rachael, this is the book that only you could write. So when I say this is your big book, I don't mean, you know, that this is, is going to be a—I'm sorry—I don't actually mean that 200 years from now, people will be passing this around.Rachael HerronExactly.KJ Dell'AntoniaWhat I mean is that this is you. This is and it's you. All of your books are you, but this was really you in a way that felt downright magical to me. And it's a magical book. So can you tell us a little bit about Beatrix Holland? And I will also say that even before I read it that you had me at the premise. So give us that.Rachael HerronWell, I don't know how to talk about it now that you've talked me up so well. But thank you. Thank you for, you know, being honestly an ideal reader for this book. The Seven Miracles of Beatrix Holland is about a woman who is pragmatic and sensible and doesn't believe in, you know, mumbo jumbo, not really worried about that kind of thing. But she is told by a psychic that she will experience seven miracles and then she will die and whatever, that's not a big deal. It doesn't bother her, because none of it is true. She doesn't believe it. And then, me… miracles start to occur; things that even she cannot say are not miracles. And so therefore, maybe, what about that death thing that's going to be preying on her mind?KJ Dell'AntoniaSo on top of that…Rachael HerronWho likes what the book is about…KJ Dell'AntoniaWe're on an island, and there's family secrets being revealed. And there are amazing family secrets that I think many of us would, I mean, they're kind of awful, and I've talked to some people, and some people would be thrilled by them, and some wouldn't, but yeah, just it just kind of keeps giving and giving and giving. And it's funny because you say I'm the ideal reader, and actually, I don't know that I necessarily would be…Rachael HerronOh, that's even better…KJ Dell'AntoniaExcept, if somebody else had written this, I would not be the ideal reader. And I don't think that's because I know you. I think it's because of the way that you wrote that. And when what I when I say, I wouldn't be the ideal reader, I am getting a little tired of books that are giving me certain specific elements that are very trendy right now and that people feel obliged to give me. And you know you have, certainly, you've got LGBTQ characters in this, but also you have LGBTQ characters in your life. You are yourself such a character.Rachael HerronAs my wife is one of them over in the other room.KJ Dell'AntoniaAnd this isn't me saying I will only read books about queer people by queer authors. No, no, no. It's that these are the thing, the elements of this book that sort of fall into that, that are just there, because that's your life and what you see…Rachael HerronRight. Right.KJ Dell'AntoniaAnd it just is perfectly natural. And of course, you have a lot of—and it's in the sort of the same way that, of course, there's a lot of witchiness and spirituality, because it's part, it's part of you and part of who you are. So it's, it's, it reads as authentic.Rachael HerronOh, that's such a, that's such a—that's such a huge compliment. I wrote this book to please myself.KJ Dell'AntoniaThat's what… that's my next question. Don't make me. Don't make me interrupt you. What? That was my question. What was your intention? What did you set out to do with this book?Rachael HerronI—so this is my sixth genre, and I've been writing for—I've been published for 15 years, and this is my 26 or 27th book. I've lost, I can't remember, maybe more. I have a list somewhere. And I have always thought about, you know, the market and what people want to read and what people want to hear, as you know, as you know this, you've been, you've been doing the same thing a long time.KJ Dell'AntoniaAnd there's nothing wrong with that.Rachael HerronThere's nothing wrong with writing tree, market around market, exactly. But, but in this case, I wanted to write a book, and I wanted to have fun, and, and, and to be honest, I talk about this regularly is that I was going to self-publish it. I didn't even want to deal with my agent coming back and saying, oh, you should edit it this way. Or, you know that this or that editor doesn't want it, or they wanted to change in some way. I wanted to write a—I wanted to write a series of about found family, and I did, I did the Jennifer Lynn Barnes thing, the adored Taylor, where I just, I just made the list of everything I love the most. You know, I love witch stuff. I love practical magic. I love sisters. I love twins separated at birth. Why wouldn't I? I love grumpy, grumpy, older women and fireflies and all of the things that I love the most. And I and I wrote that book, and it was one of the fastest books I've ever written, and not because I was rushing, just because it came easily. I was following my heart and following my gut, and I was also following my tarot cards. When I would get stuck, I would just pull a tarot card and see what it did with my subconscious and moved me forward, and I it was just play. And then I revised it quickly. I hired my favorite editor, edited it, got it copy edited, and then I decided, oh gosh, I don't think I want to do a whole series, and I'm not sure if I want to self-publish, because that's a lot of work, so I'll just let my agent have it and to see if she could sell it. And she said, okay, I'll take a look at it and see if I could sell it. And then it sold at auction because it was, I don't… there's no because there it was just no surprise. There's no because there's no because there's never a because in publishing. You can also write the book of your heart.KJ Dell'AntoniaYeah, and then this—the rest of the story wouldn't fall that way and it would never sell that way…Rachael HerronExactly. So it happened to go this way. And of course, a lot of it is a lot of it is luck. Cozy, cozy, queer fantasy is, you know, on an upswing right now, but that wasn't, you know, a couple years ago. It took a couple years for it to come out.KJ Dell'AntoniaWhat do you love most? Yeah, what do you love most about this book and the experience?Rachael HerronThe thing I love most about the whole experience is that it has spoiled me for any other kind of writing; I think now, which may be a good or a bad thing. Ask me in a few years. But I kind of refuse now to write a book that I don't desperately want to write, that I can't stop thinking of. Because I've written a lot of books that I love, but they were, you know, what they were, they were my job. They were the book I sold. And now I will write the book that I sold. Now I will do, do what the contract says. And I don't want to do that anymore. I just want to write the books that grab me and fascinate me and keep me in their thrall and what that means is that I have to, you know, focus on other ways to bring in money and to support. And really, I'm now, I'm supporting this writing passion with things like teaching and with, you know, you know, old backlist books. But I'm not, I'm not sure if I can go back. I don't want to, I don't want to be a work a day writer, writing to a contract that I don't maybe love as much as other contracts I've had, right?KJ Dell'AntoniaYeah.Rachael HerronSo, yeah, it's spoiled me a little bit that way.KJ Dell'AntoniaSo are there other ways that this book feels bigger than things that you have written before? And this is again; we're not denigrating our old work. We're not…Rachael HerronNo, of course not. Of course not. I think that every—for me, it's always been a goal that for every book that I write, it needs to be me playing bigger. It needs to be me playing truer, more, more free. And in this book, it's only recently come up in my in my consciousness that I think that I needed to leave the United States and move around the world to New Zealand. And one of the reasons we left the states was because we were scared of the way LGBTQ rights are, are trending. There's 867 pieces of legislation that are anti LGBTQ on the dockets right now in the United States, and that's, that's up by like 700% in the last four years, and it's and it's terrifying. But it I didn't strike me until recently that this is my first novel that has a queer love story. It's not a romance, but there's a queer, queer love story inside it. And I finally, perhaps, felt safe enough to do that, you know, because it and when I came into the industry, I came in writing straight romances, because that's what would sell. And when I would ask to write other things that was turned down by traditional publishing because they thought it wouldn't sell. And then, you know, obviously self-publishers came along and said, oh, there is a market. Wow, look who wants to read these books. But, and so it was me kind of exposing myself in that way, and also me exposing myself in in the way that Beatrix does is that I always, I also just want to believe in magic. I want to believe I want to believe in things out there that I can't explain, that are bigger than me, that I don't actually need a name for or to understand. Because if I could understand something that is that big, something that is powering the universes, I can't be expected to understand that. But can I, can I engage with it? Can I play with it in the in the exact same way that that Beatrix does? I think the answer is yes. And I did. When I would pull the tarot cards to help me write the next chapter if I got stuck, it was an actual process of engaging with a larger thing, saying, I don't know how to write this book. Help me write this book. Asking for help in writing this book from, from whatever is out there. I don't have, I don't have big ideas about it, but yeah. So that was, that was, it was scary, and maybe that's why I originally wanted to self-publish it, because then it, it felt like I could keep total control.KJ Dell'AntoniaSure.Rachael HerronIf I did that,KJ Dell'AntoniaOf course, you could keep anyone who wouldn't like it from reading it then.Multiple Speakers[Both laughing]KJ Dell'AntoniaYeah, okay, so maybe not so much. But no, I get it. It must have felt…Rachael HerronYeah.KJ Dell'AntoniaLess vulnerable. So I was going to ask you next, what was hard about it. And I guess that's, is that what was hard? But maybe something else was.Rachael HerronLet's see, what was that? So that was hard, being that honest and vulnerable. And you know how when we write our novels, the thing that we want to do is be as truthful as possible, even though we're just making up a pack of lies. It's it feels more true often than even memoir can when we're when we're doing this. What else felt hard? Not much felt hard about this book. And I have had books that I have struggled with like I am wrestling muddy alligators for decades at a time. It feels like those that's what those that's what those books feel like. And there's nothing wrong with those books. They were just; you know where I was at the moment. But this book, I it's one of those gift books. It just, I must have struggled, and I do not remember. I honestly do not remember struggling.KJ Dell'AntoniaWell… I wish for…Rachael HerronI just remember it being joy.KJ Dell'Antonia…all of us. I wish that. I wish that journey for all of us. Oh. Yeah, yeah…Rachael HerronAs usual, I struggle whenever I get copy edits back. When I get copy edits back, I realize I don't know how to write a sentence.KJ Dell'AntoniaSo if any of our listeners are sort of trying to find within themselves the freedom to write what they really want to write, and maybe can't even figure out what the heck that would be, what would you say to them…asking for a friend?Rachael HerronI would encourage them to do one of those “ID lists”, to sit down and write a list of the thing that if you saw that something about it was on the box of the of the video cassette at the video rental store, because that's how old I am, if you saw that listed on there, would you pick it up and rent the movie? Write down all of the things that you love the most and then actually use it as an exercise in creativity within constraints. How many of those things can you actually shove in there? Can you get them? Can you get them all in there? The other thing I like to ask myself when this question comes up is, if I am alone—well, it doesn't actually matter if I'm alone or not—but if I, if I walk into the bookstore, any bookstore, and and I reject any “shoulds,” you know, should I look for that cookbook I was thinking about, or should I look for that new nonfiction I heard about on the podcast, if I'm if I'm released of all shoulds, where will I want to—and say somebody tells me you can only look at one section of the store today. What is the section of the store that I will go stand in front of and pull books off the shelf and look at? And perhaps that is a clue as to where you should be writing.KJ Dell'AntoniaAnd how about freeing yourself up to actually do it. We can't all move to New Zealand, Rachael.Rachael Herron[Laughing] Freeing yourself up do you mean to write the book, to write that book?KJ Dell'AntoniaTo write that book. I don't. Yeah, most of my listeners—well, most of our listeners aren't you know, we tend to be a podcast for professionals or people that are playing professional so, you know, these aren't people who can't put their butt in the chair, but to be vulnerable and admit that you want to go bigger and then do it. That's a different question. Got any advice for that?Rachael HerronI do like to think of Steven Pressfield's advice from his book The War of Art, where he talks about resistance with the capital R. And the place where you feel the most resistance, that's your that's your compass that is pointing north to what you what, what you are meant to do. And a lot of times when we think about these bigger stories that we may want to write someday, the someday, right when I get there, I'll write it someday, that you've already got this compass pointing you there, and it is terrifying. And the fear of how can I do that now is maybe the thing that says that you do not need to put aside the fourth book in the series that you're writing that you need to finish before you write this next series. You can do that. But maybe listening to that resistance, listening to that fear, and dedicating 15 minutes, three times a week, to playing with the idea of this book. If you were to start to write it anytime in the future, you can, you can at least be courting it and flirting with it, making it know that you are going to be available to write that, that book of your heart, because everybody, every we all need that. We all need that. We also need to pay the bills and do the professional writing and do all that too.KJ Dell'AntoniaYeah, yeah.Rachael HerronBut…KJ Dell'AntoniaWe got to; we got to try to do the biggest things we can. All right. Well, that's a great place to lead into my next question, which is, what have you read recently where you really thought the writer was playing big?Rachael HerronCan I give you two?KJ Dell'AntoniaOf course!Rachael HerronOkay, the first one, and strangely, these are both nonfiction. So make of that what you will, Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism by Sarah Wynn-Williams, who is a QE. Have you heard of this one?KJ Dell'AntoniaOh yeah. This is the…Rachael HerronOh yeah, the Facebook book.KJ Dell'AntoniaThe Facebook book. We moved fast, and we did indeed break things.Rachael HerronWe did move fast. We broke things. And Sarah has a uniquely Kiwi sense when she's looking at them, because she goes in and she's really watching it all happen. And I don't care about Facebook. I don't actually engage with all of the stuff that said about it. And this book is written basically it felt like a thriller. It was—I couldn't put it down. And she was fearless, the things that she said. No wonder Zuckerberg wanted to silence it. He looks like a moron. And she was absolutely fearless. And it was one of those schadenfreudy, why am I reading this? Why can't I put this down? But I can't put it down. And I think it was because of her bravery.KJ Dell'AntoniaYeah.Rachael HerronSo I really enjoyed it for that. And then the other one I want to tell you about is kind of on the flip side. And you may not have heard about this one. It's called This Is Not a Book About Benedict CumberbatchKJ Dell'AntoniaNot only have I heard about this one, it's entirely possible that I sent it to you.Rachael HerronReally?!KJ Dell'AntoniaI love this book! All right, go on. Go on.Rachael Herron…The Joy of Loving Something--Anything--Like Your Life Depends On It, by Tabitha Carvan. Oh, my god, isn't it brilliant? She writes about how, yes, she does love Benedict Cumberbatch, who I'd really never considered very much in my lifeKJ Dell'AntoniaNo, I couldn't pick him out of a lineup of youthful-ish…Rachael HerronYeah.KJ Dell'AntoniaBritish-ish…Rachael HerronYeah.KJ Dell'AntoniaActor-ish,Rachael HerronAnd she loves him, loves him, loves him, no, no joke, loves him. And the whole book is about recovering from any shame around loving the thing that you were put on this earth to freaking love with your whole heart, no matter what anybody says. And I really think the Benedict Cumberbatch is a really great thing to tie this whole book in.KJ Dell'AntoniaIt had to be something like that, because if it was like knitting, I mean,Rachael HerronRight, exactly.KJ Dell'AntoniaOkay, that's fine, honey, you can love your knitting. And you know it also is…Rachael HerronExactly,KJ Dell'AntoniaYou know, it also is…Rachael HerronThis is not a book about yogurt. Who cares, you know. But Benedict Cumberbatch is funny to say. He's actually kind of funny to look at when you do look at him, when you do look him up. And it's so evocative, and it is, and it is something that people would snicker at.KJ Dell'AntoniaYeah.Rachael HerronRight? People would snicker.KJ Dell'AntoniaStill even… yeah, it's like, she snickers it herself. But also she's like, okay, why? Why is that, you know? Why would it be? What if I were super obsessed with the stats of some obscure ball—baseball player, no one would mock that. If I wanted to watch every football game played by, you know…Rachael HerronThat blew my mind when she said that, of course, of course. So, and she goes deep. She's again, she's so brave. She plays big. She goes into what it means. How does it like? How does it affect her husband? What does she think about how it affects her husband? Like she goes all of the places. I'm so, I bet you did tell me about it, and I'm so glad that you did.KJ Dell'AntoniaI love, I love. I keep extra copies to force people to read it. I tie people up in like, you know parts of my house and force them… no. I don't really do that.Rachael Herron[Laughing] I love that. But, and what are those all have in common? I think that what are, the both those books have in common? Is these women who, who, at any point, anybody in the whole world could have told them that's not really a good idea to write.KJ Dell'AntoniaYeah, no, that's exactly right.Rachael HerronAnd it would've been true.KJ Dell'AntoniaYeah. It would have been true. It would have been excellent advice.Rachael HerronExcellent advice not to write that book.KJ Dell'AntoniaReally, you should not admit that you love Benedict. Or really, I mean, you're never going to work in this town again, man.Rachael HerronYou're never going to work in this town again. And the whole, during the whole book of Careless People, she's talking about being inside, she is inside the beast that is doing the damage. And that's and that's brave too. And I don't think Seven Miracles is as brave as those books, but there was, but there was bravery and resistance around moving, moving toward, really putting yourself on display.KJ Dell'AntoniaRun towards the fear.Rachael HerronAnd that's what we writers do.KJ Dell'AntoniaThat's our theme.Rachael HerronYeah, run towards the fear. Even if you can only give it 15 minutes a day or so, three times a week, that's enough. That's good enough to tell your bravery. It should come back more.KJ Dell'AntoniaYes.Rachael HerronScooch, door bravery, little scooches.KJ Dell'AntoniaEdge towards the fear. Tip toe.Rachael HerronOh, that's beautiful. I love that you're doing this series.KJ Dell'AntoniaWe love it too. So, yeah, it's going great. Well again, thank you. I was really excited to talk to you about this book. I was really excited to read this book. I enjoyed the heck out of it, and I think, listeners, that you would too. You should absolutely check it out as well as all the rest of Rachael's work. Links of course, as always, in the show notes, and follow Rachael in all the places. Although, to me, the best thing to do is to go and listen to the Ink in Your Veins Podcast. Because obviously, people, you're a podcast listener, you wouldn't be here. Where do you most like to be followed, Rachael?Rachael HerronAt Ink in Your Veins or on Rachaelherron.com/write, if you are a writer and want to get on the on the writing encouragement list. But I just want to thank you for doing this amazing show and for having me. I feel very, very honored to be here.KJ Dell'AntoniaWell, thank—thank you. All right. And as we say in every episode, until next week, kids, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Celebrate the season with the world's greatest detective as Jay and Shua unwrap a sleigh-full of Sherlockian fun. This week they explore the legacy, the films, and the lasting cultural footprint of the master of deduction. From classic portrayals to comedic twists, enjoy a festive look at Holmes history mixed with plenty of Enjoy Stuff merriment. Facebook friends, gather your clues and join the holiday investigation!   News The First Snow of Fraggle Rock now streaming on Apple TV+, as of December 5.   My Arcade launches the Pac-Man 45th Anniversary Collection of retro gaming devices.   Build Vecna's Mind Lair with the new Stranger Things Creel House LEGO set.   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Shua returns to the bustling metropolis of anthropomorphic animals with Disney's newest sequel. He digs into the expanded world-building, the humor, and the surprisingly heartfelt story moments that continue to bring Zootopia to life. Jay experienced Tarantino's full, unified cut of Kill Bill in glorious cinematic style. He enjoyed the atmosphere of seeing both volumes melded together as originally intended, soaking in the action, music, and stylized storytelling.     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay revisits Tomorrowland (2015), Brad Bird's optimistic sci-fi adventure exploring imagination, futurism, and the power of dreamers. He reflects on how the film balances retro-futuristic charm with modern storytelling while celebrating the cultural legacy of Tomorrowland itself. Read his article on RetroZap.com. And make sure to play around with the interactive map on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU.   Enjoy Detecting!  This week, Jay and Shua slip on the deerstalker cap and head down Baker Street for a holiday celebration of Sherlock Holmes. They explore the character's origins, his evolution across literature, comics, radio, and film, and what has made Holmes an enduring cultural force for nearly 140 years.   The discussion highlights major adaptations ranging from Basil Rathbone and Christopher Lee to Benedict Cumberbatch and Robert Downey Jr., with detours into comedic versions, animated favorites, and even Max Headroom himself—Matt Frewer—who portrayed the detective in multiple TV movies. They also honor the anniversaries of The Adventure of Sherlock Holmes' Smarter Brother and Young Sherlock Holmes, celebrating the creativity and influence of these beloved films.   Who's your go-to Sherlock Holmes? Are you good at solving mysteries? Let us know! First person that emails me with the subject line, "Elementary my dear Earbuds!" will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com 

Join besties Mia and Mietta as they look back on the week that was! From topical controversies and news to the 2025 Emmys, the JOY Breakfast girls are serving hot takes and the hottest new music to start your Tuesday right. This week’s show is packed full of special guests! Chris Schildt from OzChild on Foster Care Week 2025, ‘TROY' cast members Lyndon Watts and Celine Ajobong, and JOY's own Triana Butler on the upcoming live Rainbow Sessions! Topics overview: Charli xcx's second wedding ceremony in Italy, 77th Primetime Emmy Awards, King Princess' return/new album, trials for anti-aging drugs for dogs, canceled TV shows that deserved another season, the upcoming ‘JOY Rainbow Sessions' announcement!, female politician ejected from chamber after labelling the Northern Ireland Deputy Speaker “patronising”, Mietta's AFL Grand Final predictions (based on nothing but her gut and the vibes), Mia's miscellaneous thoughts; what is the purpose of wind?, we need more original Pixar movies, and parasocial relationships=cool, HOT TO WATCH!: The ‘Golden' Bachelor, The Stolen Girl, Benedict Cumberbatch in ‘Eric', A Very British Brothel documentary, the Charlie Sheen doc, let's talk.. Follow on Instagram: @joybreakfast @joy949 Mietta Hyland-Johns: @miettahj_ , Mia Bizzotto: @b1zzotti The post Tuesday Breakfast – Episode 14 – with Mia and Mietta: ft. Chris Schildt (OzChild), Lyndon Watts & Celine Ajobong (‘TROY' Malthouse), and Triana Butler appeared first on JOY Breakfast.

Long before he played a world-famous detective, a comic book superhero, or one of literature's most famous dragons, Benedict Cumberbatch was robbed by a group of thieves in South Africa, who bound him up and threw him in the trunk of a car...and then drove him to what he thought would be an early death. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

welcome back to Bottom of the Stream with Adam and Nick - eh were you can find all the latest news from the world of streaming and movies all in one place, here! This week we have plenty of Stranger Things news as the Netflix machine goes bezerk with its marketing budget; find out what's next for Benedict Cumberbatch and discover which 2000s action/comedy franchise is making a comeback at the behest of the orangest man in the world. We answer the question of the week and, sound the new feature klaxon, put some of your hot takes in front of our panel of experts - us!   Please consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream   We also have a discord so join us to hang out https://discord.gg/wJ3Bfqt

The return of Sarah Spring!Sarah returns to the show to dissect more Shakespeare, this time we look at the most famous speech in the world, “To be, or not to be” and the brilliant dialogue between Beatrice and Benedick in Much Ado about Nothing. We look at what makes “To be, or not to be” so famous as well as so beautiful. In Act 3 Scene 1 of Hamlet, the young Danish prince tormented by the suspicious death of his father and his mother's quick remarriage to his uncle Claudius, contemplates whether to face his “sea of troubles” or remove himself from the face of the planet. Hamlet asks is it worth facing this awful situation in his family or should he take his own life and be free of the burden? Begging the question, is it worth facing our demons or do we risk flying to an “undiscovered country” that we can't return from and know nothing about in the hope it will relieve us from our torments? Special mention to Benedict Cumberbatch and his interpretation at the Barbican in 2015 which we look at in a lot of detail!Done so many different ways with actors of both genders and a multitude of life experiences, this soliloquy speaks to every human being before us, right now and for those to come. Hence why it is so famous!Sarah and I take a deep dive into the speech and find what it means to us individually and the many ways it can be interpreted. As well as the emotional connection she has to Much Ado about Nothing and why it means so much to her. Check out her socials for more information and how to get in touch!Pleasure as always Sarah thank you!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning The Uncensored Critic Podcast was heard in over 34 countries in 2024. In the same year streams grew by 39%, listeners increased by 30%, brand new listeners were up by 88% and followers were up 136%. The show has an average rating of 5/5 Stars. Official stats from #SpotifyWrapped 2024. 

In today's show David and Chas innumerate a Gratitude List and explain why the modern era is the best time to be a surfer, welcome Benedict Cumberbatch into the brotherhood, honor Mom John as the greatest mother of all time, wonder where they'd be without surfing's quiet gift of discipline, realize that cold plunges are free, and explain why it's okay to pretend to be religious. Plus Barrel or Nah?! Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor Benedict Cumberbatch tells Brendan about his activism, the waste created in the making of a movie, why toxic masculinity needs to constantly be called out, how becoming a father affected his acting and how his own grief surfaced when playing a grief-stricken husband and father in his latest film, ‘The Thing With Feathers'.

"The Thing With Feathers" is a British independent drama film starring Benedict Cumberbatch that is written and directed by Dylan Southern and adapted from the book "Grief Is the Thing with Feathers" by Max Porter. It had its world premiere at the 2025 Sundance Film Festival, where Cumberbatch's haunting performance as a grief-stricken father was praised. Cumberbatch was kind enough to spend some time speaking with us about his experience working on the film, which you can listen to below. Please be sure to check out the film, which is now playing in limited theatrical release from Briarcliff Entertainment. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Step into our stretch limousine — it's Benedict Cumberbatch. Corndogs, Nature vs. Nurture, and [very lightly touching upon] How-To Clean Yourself. It's a podcast, folks… and it's called SmartLess, k? Subscribe to SiriusXM Podcasts+ to listen to new episodes of SmartLess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week's episode of the Empire Podcast sees the podteam — Chris Hewitt, Helen O'Hara, and James Dyer — play themselves as they discuss great 'as themselves' performances in the movies. They also run their collective eye over the week's movie news, including heartening Star Trek developments, review Train Dreams, Wicked: For Good, Playdate, and Sisu: Road To Revenge, and talk about Black Friday bargains into the bargain. Interview-wise, our cup runneth over as ever, as Chris has interesting chats with The Thing With Feathers star/director, Benedict Cumberbatch and Dylan Southern; [20:57 - 36:22 approx] Train Dreams star/director, Joel Edgerton and Clint Bentley; [59:10 - 1:15:34 approx] and Now You See Me: Now You Don't star/not director, Ariana Greenblatt. [1:39:14 - 1:53:45 approx] And if anyone wants the Empire Podcast made available as a sleep story, please do get in touch. Enjoy!

Howdy Take listeners—it's about time for another Now & Ben, don't you think? This time it's Benedict Cumberbatch—who chats to our Ben about his new film ‘The Thing With Feathers', alongside director Dylan Southern. Based on the bestselling Max Porter novel, the movie follows Cumberbatch's character ‘Dad' through his grief at the sudden death of his wife, and his efforts to raise their two sons alone. It's a hefty subject matter and emotional performance—but as you'll hear there were some pretty hilarious on-set antics too. When you're working with two child actors and a guy in a giant crow costume, things are bound to be some laughs... Enjoy, and watch out for more of these bonus interview nuggets dropping into the Take feed every ‘Now & Ben'. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this live episode of Girls On Film, host Anna Smith sits down with the extraordinary women behind THE THING WITH FEATHERS, a moving new feature film adapted from Max Porter's award-winning novel. Recorded at an exclusive Girls On Film screening of the film on 18 November at Vue West End in London, Anna speaks with: Lucy Sullivan: artist, author, and comic book creator Nicola Hicks: acclaimed sculptor and designer of Crow Leah Clarke: one of producers with THE THING WITH FEATHERS Tahra Zafar: who worked on creature and costume effects Together, they delve into the unique challenges women face in their respective fields, reflect on the artistic processes that shape their work, and celebrate the power of creative communities in sustaining and inspiring their careers. Directed by Dylan Southern and starring Benedict Cumberbatch, Vinette Robinson, and David Thewlis, THE THING WITH FEATHERS is a lyrical exploration of love, loss, and the mysterious ways we heal. A huge thank you to Vue Lumiere for partnering on this event, and to everyone who joined us for this live conversation. THE THING WITH FEATHERS is released in select UK cinemas on 21 November 2025. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Negin Nia Intern: Ruby Bradshaw Audio Editor: Jack Howard Principal Partners: Vanessa Smith and Peter Brewer Podcast Cover: @charleston51 © HLA Agency

While America waits for President Trump to sign the Epstein bill into law, Sen. Chuck Schumer stressed that the country wants to see ALL of the government's files. Elsewhere, federal judges blocked Texas's gerrymandered redistricting plan, and author Olivia Nuzzi revealed that RFK Jr. takes psychedelics. Stephen takes a moment to examine a viral video out of Detroit, where a local man came into contact with a very special goat. Acclaimed actor Benedict Cumberbatch shares a story about showing up at Peter Jackson's studio for motion-capture work on “The Lord of The Rings” films even though the director said it wasn't necessary to make the trip. Catch his new film, “The Thing with Feathers,” in theaters November 28th. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

What can insights from the psychology of technology teach us about wisdom in the age of AI? In this special follow-up episode, Igor and Charles are joined by Steve Rathje to explore how classic ideas like the Turing Test hold up now that AI can talk compellingly about human wisdom. Steve unpacks what today's generative models are actually capable of, Igor is intrigued by how quickly the line between human and machine reasoning seems to be blurring, and Charles realises that telling human insight from machine insight isn't nearly as straightforward as he'd hoped. The trio also reveal the results of our listener poll — who sounded the wisest, and was the audience able to spot the AI? Welcome to Episode 67. Special Guest: Steve Rathje.

In this thought-provoking episode, Tony and Jesse delve into Jesus's twin parables of the hidden treasure and the pearl of great price from Matthew 13:44-46. They explore the profound economic metaphor Jesus uses to illustrate the incomparable value of the Kingdom of Heaven. Through careful examination of both parables, they discuss what it means to "count the cost" of following Christ while simultaneously recognizing that no earthly sacrifice can compare to the infinite worth of gaining Christ. The conversation moves between practical application—considering how believers assess value in their spiritual lives—and deeper theological reflections on Christ's perfect sacrifice that makes our entrance into the Kingdom possible in the first place. Key Takeaways The Kingdom of Heaven has such surpassing value that sacrificing everything to obtain it is considered a joyful exchange, not a loss. Both parables show different paths to discovering the Kingdom (unexpected finding vs. intentional seeking), but identical responses: selling everything to obtain the treasure. The parables are not primarily commanding material poverty, but rather illustrating the "sold-outness" required in pursuing the Kingdom of God. Counting the cost of discipleship is not only permissible but necessary to fully appreciate the value of what we gain in Christ. The ultimate treasure we receive in salvation is not merely benefits like eternal life, but God Himself—union with Christ and fellowship with the Trinity. Christ Himself is the one who ultimately fulfills these parables perfectly, giving everything to purchase us as His treasure. The irresistible draw of the Kingdom illustrates how God's grace works in the heart of believers, compelling joyful surrender. Exploring the Incomparable Value of the Kingdom The economic metaphor Jesus employs in these parables is striking—both the hidden treasure and the pearl are deemed so valuable that the discoverers "sell all they have" to obtain them. As Tony and Jesse point out, this transaction reveals something profound about how we should view the Kingdom of Heaven. It's not simply that the Kingdom is valuable; it's that its value so far exceeds anything else we possess that the comparison becomes almost absurd. As Tony notes, "For sure the worth of the kingdom of heaven surpasses anything we could imagine... there's no measure that is satisfying, there's no measure that can actually show us how worthwhile it is." This perspective transforms how we understand sacrifice in the Christian life. When opportunities or comforts are foregone because of our faith, we're not simply losing something—we're experiencing the reality that we've chosen something infinitely more valuable. The parables teach us to view these moments not with regret but with a clearer vision of the treasure we've received in Christ. The Ultimate Prize: God Himself Perhaps the most powerful insight from the discussion is the realization that the ultimate treasure of salvation is not the benefits we receive, but God Himself. As Tony eloquently states: "All of those things are attending gifts. But what we get in salvation ultimately is we get God... we get union with God, we get fellowship with Jesus Christ in the power of the Holy Spirit. We get swept up into the life of the Trinity... We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that." This perspective reshapes how we understand the value proposition of the gospel. It's not merely that we receive eternal life, freedom from suffering, or other benefits—though these are real. The pearl of great price is relationship with God Himself. This helps explain why both men in the parables respond with such dramatic, all-encompassing sacrifice. When we truly grasp what's being offered, nothing seems too great a price to pay. Memorable Quotes "What we get in salvation ultimately is we get God. We get union with God, we get fellowship with Jesus Christ in the power of the Holy Spirit. We get swept up into the life of the Trinity... We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that." — Tony Arsenal "I often say in my own line of work, that cost only matters in the absence of value... it's like at the end of days when we think about the worthiness of our God, that there's no one like him, that he's unequal, that he has no rival, that the gospel is the sweetest message that we're rescued literally from the pit. We'll just say no matter what the cost of us personally, great or small, totally worth it." — Jesse Schwamb Full Transcript [00:00:08] Tony Arsenal: All of those things are attending gifts. But what we get in salvation ultimately is we get God we get union with God, we get fellowship with Jesus Christ in the, the power of the Holy Spirit. We, we get swept up into the life of the, the God of the universe. Like the life of the Trinity indwells us. And we, we become a part of that. We get swept up into that. We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that. [00:00:47] Jesse Schwamb: Welcome to episode 469 of The Reformed Brotherhood. I'm Jesse. [00:00:54] Tony Arsenal: And I'm Tony. And this is the podcast with ears to hear. Hey brother. [00:00:59] Jesse Schwamb: Hey brother. Discussing the Value of the Kingdom of Heaven [00:01:00] Jesse Schwamb: Speaking of ears to hear, we're back at it again with a whole new, or let's say different parable from our Lord and Savior Jesus. And we've been talking about how really these parables give us this view of the face of heaven through these earthly glasses. And I am pretty interested in our conversation about what's coming up because sometimes we don't like to put too fine a points to our, our point of question to our faith. And in this case, we're gonna get to ask the question, what is it all worth, this kingdom of heaven, this rule and reign of Christ? What is it all about? Who are the beneficiaries of it? And what is it all actually worth? There's a little bit of economics in this, so we're gonna get there. And while we talk and do a little affirming or denying, you should just go ahead write to just skip, go. Do not collect $200 or maybe. Pass, go and collect $200. I dunno. But just go to Matthew chapter 13 and hang out there for just a second. Affirmations and Denials [00:01:58] Jesse Schwamb: But first, I'm always curious to know whenever we talk, are you gonna affirm with something or are you gonna die against something? We've been on a string of lots of affirmations, but I'd like to think that's just because we're fun, loving, optimistic people. But there was a day where we had to do both. And now that I only have to choose one, I do find myself gravitating almost naturally toward the affirming width. But I leave it to you, Tony, are you affirming with or denying against? [00:02:22] Tony Arsenal: I, unfortunately am denying tonight. Technical Issues with Apple Podcasts [00:02:25] Tony Arsenal: So you and I already talked about it a little bit, but uh, I'm denying Apple Podcast Connect. Oh yes. So, uh, I. Obviously, like if you're affected by this, you're not hearing the episode 'cause it's not updating for you. But, uh, if you happen to be using Apple to listen to the podcast and for some reason you're listening somewhere else, maybe you realize that the podcast has not been updating for several weeks. And so you went to a different podcast catcher. Um, apple just decided for some reason that none of our feeds were gonna update. No good reason. So I've got a ticket out to Apple and hopefully we'll get it fixed. Uh, if you do know someone who listens to the show and they use Apple, please tell them to subscribe to something else or to, uh, go to the website. You can get all of the, all of the episodes on our website. You could go to Spotify, you could do something like, uh, overcast or PocketCasts. Um, it really is just Apple. It's, it's the actual account that we use to, uh, to access. Apple's Directory is not pulling new episodes and it's not pulling new episodes on another show that I run as well. So, uh, it's not just this show, it's not our RSS feed. These things happen. It'll, you know, you'll get four or five episodes all at one time. When it, when it corrects itself, usually they're pretty quick. I put in a ticket like late on Friday afternoon, so I didn't expect them to get to it on, uh, Saturday or Sunday. So hopefully by the time you're hearing this, uh, it's resolved. I would hope so, because that means it would be about a week from today. Um, so hopefully they'll have a resolve. But yeah, it's just th thorns and thistles. This is our own, our own, uh, manifestation of the curse here in this little labor that we do. It's, it's thorns and thistles right now, but no big deal. Just, uh, catch up when you can. And, uh, yeah, so denying Apple Podcasts now, really, it's, it's a great service and this is a, a little glitch. It's, it's just a little frustrating. [00:04:20] Jesse Schwamb: The sweat of our brow. Yes. Here it is. We're just toiling over getting Apple to please release our episodes. Well, it'll be your happy day if you use Apple Podcasts and then get a bunch of them all at once. That's fantastic. It's like the gift that is over in abundance. Supporting The Reformed Brotherhood [00:04:36] Jesse Schwamb: Yeah, it is a good reminder that you just said, Tony, that everybody should go, just take some time. Head on over to our form brotherhood.com. You can find all the other 400 some odd episodes living over there. And while you're over there and you're perusing or searching by topic to see what we've talked about before, you're probably gonna think to yourself, this is so incredible. How is this compendium, this omnibus of all these episodes just hanging out here free of cost? And I'm so glad you're thinking about that because there are so many lovely brothers and sisters who have decided just to give a little bit to make sure that all that stuff gets hosted for free for you Yeah. And for us, so that anybody can go and explore it and find content that we hope will be edifying. So if that's something you're interested in, maybe you've been listening for a while and thought, you know what? I would like to give a little bit one time or reoccurring, we would love to, for you to join us in that mission. You can go to patreon.com/reform brotherhood, and there's all the information for you to give if that's something that you feel you would like to do, and we would be grateful for you to do it. [00:05:32] Tony Arsenal: Yeah. Yeah. We, we have a group of people who support the show. They make it possible for your, uh, your ear holes to be filled with our voices. And, uh, but again, you know, the costs are going up all around and, and we would, uh, certainly love to have people partner with us. Um, we've committed to making show that the, making sure that the show is free and available. Um, it's never our intention to put anything behind a paywall or to, to barrier and in that way, but we can only do that if there's people who are supporting the show and making, making sure that we've got the funding that we need to, to keep going. So, thank you to everybody who gives, thank you to anyone who's considering it, uh, and thanking anybody who decides to, uh, jump on board with that. [00:06:11] Jesse Schwamb: Right on. We're appreciative who we really are. [00:06:13] Tony Arsenal: Yeah. So Jesse, what are you affirming or denying today? Exploring Open Webcam DB [00:06:16] Jesse Schwamb: Uh, this is what I've kind of done before, but I think I've found a new place for it. I just am continually impressed and fall in love with how great and big and lovely God's world is. So I love these types of sites that give you insight into this great big world, even if it's in unexpected places or maybe in strange places. So I'm affirming with a website called Open webcam db.com. Open webcam db.com. And it's exactly like what it sounds like. It's a database that has something like 2000 live cameras streaming daily from over 50 countries, all searchable by a category. So you can find natural landscapes, airports, construction sites, and one of my recent favorites, honestly, and this is. It's so strange, but kind of awesome is this warehouse, it's called Chinese Robotic Warehouse Buzz, and it's just robots moving pallets around or like stacks of all of these items. It's mesmerizing. But I would encourage you go to open webcam db.com, search for like your stage or your country. You'll find so many amazing things. So I've sat and just watched, you know, between tasks or when you know you just need a break or you're just curious about the world. Like I look, I watched the Krakow Maine Market Square quite a bit because it's. Beautiful and brilliant, and to think about the people moving to and fro and what they're doing, what their lives are like. There's some great scenes from San Francisco Bay. There is a bird feeder in Gettysburg, Pennsylvania that I often watch. So of course, like go out as we've said, and live and breathe and be in your own communities. And as well, if you're looking at scratch that itch of just seeing all these different places, all the different things that are happening in God's created world, I can firmly and unreservedly recommend open webcam db.com for that. [00:07:58] Tony Arsenal: Nice, nice, uh, little known fact at one point, Dartmouth Hitchcock, which is the hospital that I worked for, had to block a penguin cam, uh, because it was causing such a productivity drain combined with an actual measurable decrease in internet bandwidth at the hospital. 'cause so many people were watching this little penguin cam at some zoo in Boston. I think it probably was. Yeah, I, I love this kind of stuff. I think this kind of stuff is great. Uh, I use, uh, Dartmouth College has a, like a live one that I use all the time, especially when we're trying to figure out what the weather's gonna do. You can see it on the camera. Uh, we, we often will, you know, see, especially as we get closer to the season when we're talking about traveling to the beach and whatnot, uh, often look at the ocean grove. Oh, that's right. Uh, pier cam. So yeah, check it out. Uh, sounds like a fun time. Do not share it with too many of your friends at work. Or it may crash the network and Yeah. But [00:08:53] Jesse Schwamb: yeah, for [00:08:54] Tony Arsenal: sure. That was a funny email that they had to send out. I remember that [00:08:57] Jesse Schwamb: for sure. Use, use the penguin cam responsibly. I just did a quick search. There are four different penguin cams. Uh, three of them are in the United States, one is in New Zealand, and you better believe I'm gonna be checking those bad boys out. Yes. I didn't even think about. The penguin feature here and penguins are an amazing animal. Like we could stop right now and just shift our topic to penguins if you want to. [00:09:16] Tony Arsenal: Yeah. ' [00:09:16] Jesse Schwamb: cause there's so much there. And the spiritual truths are so broad and deep, but I just think penguins are kind of undervalued. Birds. Everybody should go check them out. [00:09:26] Tony Arsenal: Yeah. Yeah. They're, they're pretty cool. [00:09:28] Jesse Schwamb: Yeah. Um, I'm like, I will watch any Penguin documentary and just be astounded by Penguin. Like, whether they're Emperor Penguins or South African Penguin, wherever. I just think they're phenomenal and hilarious and seem to be living the dream. And he doesn't want a little bit of that. [00:09:46] Tony Arsenal: You just gotta get Morgan Freeman to do the voiceover in any documentary or, or nature documentary is better with Morgan Freeman doing the voiceover. [00:09:55] Jesse Schwamb: Well, I all, this might be a deep cut real quick, but I just learned this, and I'm guessing some of our listening brothers and sisters probably already know this. Maybe you do too, Tony. So, Benedict Cumberbatch, do you know where I'm going with this? Yep, [00:10:06] Tony Arsenal: yep. Pen wing. [00:10:07] Jesse Schwamb: Yeah. I didn't. I cannot say that word or stumbles over its pronunciation. He did some kind of big documentary in which Penguins played at least some part. Yeah. And they were in an interview. They were giving him such a hard time because they played his reading of it like within the same kind of five minutes. And his, the word just kept degenerating in his mouth every time he said it. So it became like almost undistinguishable from the actual word. And it's like initial pronunciation. It was so hilarious. Apparently it's a big joke on the internet and I just didn't know it. [00:10:38] Tony Arsenal: Especially for someone like Bent Cumberbatch who just is, uh, like he's a world-class voice actor. [00:10:44] Jesse Schwamb: Right. [00:10:45] Tony Arsenal: And like a super smart ude guy and he just can't say the word penguin and penguin. Yeah. [00:10:51] Jesse Schwamb: Yeah. He said, you got everybody go look it up. 'cause it is super hilarious. And now it's kind of gotten stuck in my head. But um, again, this suddenly became like the All Penguin episode all of a sudden. [00:11:01] Tony Arsenal: I mean like, he can pronounce his own last name just fine, but the word penguin escapes him. I like to call 'em blueberry crumble bottom or whatever. Crumble bunch. [00:11:11] Jesse Schwamb: Uh, see that's the good stuff right there. That's what everybody we know. This is what you all tune in for. This is what you're missing when Apple Podcast doesn't send everything out on time. Yeah. You're welcome. [00:11:22] Tony Arsenal: Yeah. The Parable of the Hidden Treasure and the Pearl [00:11:23] Tony Arsenal: Well, Jesse, why don't we, why don't we get into it? Because you know it, it's interesting. Let's [00:11:27] Jesse Schwamb: get into it. [00:11:28] Tony Arsenal: Well, it's interesting because when you, you know, you kind of, we, we sort of do the little lead to the episode and I, I suddenly realized that I think I've been interpreting this parable very differently than maybe you have or other people. Great. Do, uh, because I, I think I, I think I might have a different take on it. Let, let's do it. Yeah. So let's get into it. Uh, do you have the, the text in friend you wanna read? Uh, why don't we just do 44 all the way through 46? We'll do both parables in one reading. We'll come back and talk about it. [00:11:54] Jesse Schwamb: Yeah. Sorry, everybody. So here's a two for one for you. Beginning in where we're in verse 44 of Matthew chapter 13. This is Jesus speaking. The kingdom of heaven is like treasure hidden in a field which a man found and covered up. Then in his joy, he goes and sells all that he has and buys that field again. The kingdom of heaven is like a merchant in search of fine pearls, who on finding one pearl of great value, went and sold all that he had and bought it. Interpreting the Parables [00:12:22] Tony Arsenal: I think maybe this is the, like the beauty of parables, uh, when Christ doesn't give us a interpretation. I, I think we're, we're, we're not free to like make up whatever we want, but these kinds of teaching tools are useful because the fact that there can be multiple interpretations actually is, is probably intentional. [00:12:43] Jesse Schwamb: Right. [00:12:43] Tony Arsenal: So it's funny because I think when you intro the episode here, it sounds like you're going to the kingdom of Heaven being a treasure hidden in a field, being something that we should sell everything we have and go after. And when I read this, I read it as the kingdom of Heaven is like a treasure hidden a field. And the man who is Jesus goes and sells all that. He has. He gives all that he has and buys the field. So, and I, I think this is one of those ones where like. Probably both of those things are in play. Sure. But it's interesting 'cause I've never, I've never really read this and thought about myself as the person who buys the field. [00:13:19] Jesse Schwamb: Yeah. Interesting. [00:13:20] Tony Arsenal: I've probably heard sermons or read devotionals where people have said that and it just never clicked. And it didn't register until just now. And you were, when you were, uh, introing the parable that maybe you are the, maybe your way of introing your, your interpretation. Maybe that's the dominant one. So I, I looked at a couple quick, um, commentaries while you were speaking and I didn't get a chance to do my commentary reading before the episode. It seems like I'm the weird one. So, but it's interesting, um, 'cause again, I think that's the, kind of the beauty of parables is that sometimes the, the, um. Ambiguity of what the possible meaning could be, probably plays into the, the, um, teaching technique itself. [00:13:58] Jesse Schwamb: Yeah, I, I think that's fair. I totally can take and understand what your perspective is on this. What I find interesting is that these, we've got these two abutting each other, like the cheek to cheek parallel approach here, and in doing so, there seems to be like kind of an interesting comparison between the two. Actors in this. And I think we should get into that. Like why in one case Jesus is talking about a person who finds this in a field, which by the way, I think the, the thing that jumps out to me first about that person is this person doesn't actually own the field at first. Right. That the treasure is in. So that is interesting. I'm totally with you. But then the second one, so in the first one there's kinda almost like this sense, and I don't wanna like push this too far, but that this person who finds this treasure does so very unexpectedly, perhaps like he's even the hired hand and of course not the one who owns the field. [00:14:48] Tony Arsenal: Yeah. [00:14:49] Jesse Schwamb: And in the second case, we have somebody who almost is volitionally looking for this thing of great value, but finds the one thing above all the other things that they're used to looking for that clearly has the greatest and most. You know, essential worth and therefore the end is always the same in both of 'em. They give everything they have. They're willing for forsake all other things with great joy, recognizing the great value that's in front of them. I think there is a place to understand that as Christ acting in those ways. I think there's also interesting, again, this comparison between these two people. So I'm seeing this as we've got these varied beneficiaries of the kingdom. They both come to this place of the incomparable value of the kingdom, but then there's also like this expulsive power of the kingdom. All, all of that's, I think in there, and again, these are really, really, really brilliant, I think, because the more that you spend time meditating on these, the layers just kind of come and they fall away and you start to really consider, well, why again is Jesus using these two different characters? Why is he using this kinda different sense of things of, of worth what the people are actually after? I think all of it's in play. You're totally right. [00:15:54] Tony Arsenal: Yeah. Yeah. The Cost and Value of the Kingdom of Heaven [00:15:55] Tony Arsenal: So I think, you know, when we think about the kingdom of heaven, when we think about these perils, we made this point last week, we shouldn't, um, we shouldn't restrict, we have to be careful not to restrict the comparison to just like the first noun that comes up, [00:16:08] Jesse Schwamb: right? [00:16:08] Tony Arsenal: So it's not just that the kingdom of heaven is like a treasure, it, it is like a treasure, but it's like a treasure that's hidden in a field. Yes. And it's not just like a treasure that's hidden in a field, it's a treasure that's hidden in a field which a man found and covered up. Right? So, so like we have to look at that whole sequence. And I think, I think, um, you know, obviously like the, the interpretation that we are the, we're the man who finds the kingdom of heaven and we, you know, we go and buy the field. Um, that, that obviously makes perfect sense now that I'm looking at a few different commentaries. It seems to be the predominant way that this gets interpreted. And we, we look at it and we say, what, well, what does this mean for like our Christian life? Like. What does it mean? Do we have to, do we have to give everything away? Do we have to sell everything we have? Is that the point of the parable? I think some people make that the point of the parable. Um, I'm not convinced that that actually is the point of the parable. Um, because it, you know, it, it, it just, there's lots in the scripture that, that, uh, doesn't seem to require that Christians automatically like, give away everything they have. Um, maybe that's your calling. Maybe it is something that God's calling you to do to sort of, um, divest yourself of your, your belongings, either to sort of fight materialism or greed or, or just because like you're gonna need to have that fluidity and liquidity to your assets 'cause you're gonna need to move around or whatever it is. But I don't think we look at this parable and have like a, like a, a command for a life of poverty or something like that. Right. Um, really this is more about the. Utter sold outness of the Christian to pursue and seek the kingdom of God. [00:17:48] Jesse Schwamb: Right? Right. [00:17:49] Tony Arsenal: And and I think that that's the same in both, even though the way that the person in the parables comes a, comes across the kingdom or they come across this, this thing of great value or thing of great price, that they find their response in both parables is the same. And to me, that that actually tells me that that's more the point of these parables. Um, or, or maybe we shouldn't even think of these as two parables, right? Some of the introductory language that we see in when we transition from one parable to another, we don't really see that here. Uh, and if, if we're gonna follow that, actually we would be going to the next parable would also kind of fall into this. But he says the kingdom of heaven is like a treasure. And then in 45 he says, again, the kingdom of heaven is like a merchant in search of fine pearls. We're gonna run into something like this later on when we get to like the parable of the lost sheep and the parable of lost coins. Where there are these distinct parables, but they're kind of stacked on top of each other in order to make a specific point. All of the parables that are sort of in these parable stacks are making the same point. And so I think it's not so much about like, how do we find the Kingdom of Heaven or how do we come upon the kingdom of heaven? It's more about what do we do once we've come upon it? Once we've thrown it's, that's the point of the parable that we need to unpack. [00:19:03] Jesse Schwamb: That's right. And I would add to that, like who is it that is the beneficiary of this kingdom? We have two different, very different individuals, which I, again, I think, we'll, we'll talk a little bit about, but I'm totally with you. I, I think it's, it's easier, it's almost too narrow and too easy to say. Well, this is really just about like physical ma or about wealth. Like in some way the, what we're being taught here is that you have to get rid of everything of value in exchange for this. In some ways, that almost feels too transactional, doesn't it? As if like what, what we need to do is really buy the kingdom. We express our seriousness about this kingdom or the rule and reign of God by somehow just giving up everything that we own as if to prove that we're really worthy of receiving that kingdom that we prayed enough. Right. That we've done enough, even though that we're contrite enough. Yeah. And all that stands like in direct opposition to the mercy and grace, which God gives to us through his son by the power of the Holy Spirit to bring us into this kingdom. So we know it can't really be about that. And so that leads me back again to just like the lovely details here. And like you've already said in the first case, here's what really strikes me is. For probably most of us in the West, this idea of treasure is novel and maybe romantic. There's a adventure and an energy to it. Because we've all heard stories about this, whether it's like, I don't know, pirates of the Caribbean or the county Mount Cristo. Like there's something about treasure finding some kind of, or national treasure. Sorry, that just came to my mind. Like I couldn't go any further without mentioning Nick Cage. So you know, like there's something there that pulls us in that finding this thing almost unexpectedly in a hidden place of immense worth and value is, has a real draw to it. But I imagine that in Palestine being like a war torn region in Jesus' day, in the way people might store goods of great value in the fields they own. And then of course the owner may never be able to achieve for lots of reasons, including death. And then somebody might stumble upon it. And as I understand the, the laws there, of course, if you were to stumble upon something. I was in somebody else's property and and on earth that thing take it out of the ground. In this case, you would be by law required to bring that back to the person who owned the field. So there's something interesting here that this first person, probably the more meager and humble of the two with they at least respected, like their socioeconomic status is let's, we could presume maybe going about their normal work. They find this unexpectedly in the field and it's immediately recognized to be something of great value that it is to stop and to, again, there's like a measuring that happens behind the scenes. This person at least is measuring of all the things that I own, all things I could possibly own. The better thing for me to do is to consolidate all the rest of my wealth. And this case, again, it's not the message of the story to do this, it's the exemplification of what's happening here. This person is so sold out to ensure that they acquire this great treasure that they stumbled upon, that they will take literally everything else of value that they own to exchange it for this very thing. So I'm totally with you because I think the predominant message here is not like take all your wealth and make sure that you give it to the church or that it goes to ministry or to missions. That may all be well and good and it may all be the kind of calling that you receive. However, I think the principle message here is the kingdom of God is so valuable that losing everything on earth, but getting the kingdom is a happy trade off. Like that's actually a really, really good deal. And so having the omnipotent saving reign of Christ in our lives is so valuable that if, if we lose everything in order to have it, it would be a joyful sacrifice. [00:22:20] Tony Arsenal: Yeah. Yeah. And you know, I think, um, I think there is a level of. Encouragement in Sacrifice and Joy in the Kingdom [00:22:27] Tony Arsenal: Sacrifice that happens for every Christian and. I mean, I, I know there's a lot of people who they, uh, come to faith as young children and we've kind of talked about that as like, that's that testimony that, you know, I think everybody really wants is like they wish they never had a time that they didn't know Jesus and Right. I don't know any parent that I've ever spoken to, and I'm certainly not any different here that doesn't want that testimony for Jesus, but, or for, for their kids in their relationship with Jesus. But. I think most people who come to faith at some point in their life when they're able to remember it, like they, they have a conscious memory of their conversion experience. There is this sort of sense of sacrifice and e even a sort of a sense of loss. Um, I think there, there are times where, and, and you know, I think maybe, um, even people who've always been in the faith, um, they probably can resonate with this. I think there are times when we might look at how our lives could have been different or could be different if we weren't in the faith. Um, and, and sometimes there's a sort of wistfulness to that. Like being a Christian can sometimes be difficult right On, um, you know, maybe you miss a promotion opportunity because you're not willing to work on the Lord's day or because you're not willing to do something unethical. Like you, you miss out on some sort of advancement and you think, well, if I could just, you know, if I could have just gotten past that, like my life would be much different. And what this parable teaches us is. That's an understandable, like that's an understandable emotion or response. Um, and there is this weighing of the cost. And in the parable here, he, like you said, there's this calculation that goes on in the background. He finds this treasure, he makes the calculation that to have this treasure is worth. Everything it's worth everything he has. He sells everything he has, and he buys the field in order to get the treasure right. And, and there's some interesting textual dynamics going on through this chapter. We've talked about how the parables kind of like the imagery across the parables in chapter 13 here of Matthew, they kind of flip certain figures around and almost, it's almost intentional because he is getting the treasure and the treasure. The kingdom of heaven here is like the treasure, but he's also getting the field right. And the kingdom of heaven is, is the field in other parables. Um, but this, this calculation that happens, um. I don't know, maybe my heart is just sensitive to this right now. I, I, I, I feel like a lot of times we look at that sort of wis wistful second glance at what could have been if we were not Christians, and we automatically feel like that's gotta be a sinful impulse. Like, how could I ever even consider what life might have been? Like this parable implies that that's the thing we actually have to do. You have to know and consider what it is you've sacrificed or will be sacrificing in order to make this transaction happen. You can't just blanketly say like, oh, of course. You know, you've gotta, you've gotta count the cost, as it were, and then you have to actually make the purchase. So I think we should look at this as a source of encouragement. Um, like I said, I'm not sure why. I feel like maybe there's, maybe there's just a, a. I dunno, I'm feeling a little weird and charismatic right now. I feel like this is something that I definitely need to be saying, like, I feel like someone needs to hear this. Maybe it's just me that needs to hear this. And that's, I'm tricking myself by thinking of someone else. But we are able, as Christians, I think God permits us and in some sense, maybe even expects and commands us to recognize what we have given to be Christians in order that we might realize how much we have gained with that transaction. It's not just this like remorse or regret, um, for the sake of remorse or regret. It's to be able to see how good and how beautiful and how worth it is the kingdom of God, uh, to, to, to claim that. [00:26:23] Jesse Schwamb: I like that there is a great discipline and a great joy in remembering worth and worthiness. So there's gonna be times, like you said, when it's hard and if you look back, look back at the ministry of Jesus, I've often thought that he's like a poor evangelizer from like modern standards. Yeah. Because often people come to him and say things like. I, I wanna be part of the kingdom of God. Well, what do I need to do to enter the kingdom of God? And here you have like a seemingly a willing convert. And he always says things like this, like, you gotta go count the cost. Yeah. Like is, is this worth it to you? Like you have to deny yourself, you have to hate your own father and your mother, and your wife and children, and brothers and sisters, even your own life. Otherwise you cannot be my disciple. And in this kind of language, it's clear that Jesus is saying you fail often. And maybe this goes back like you're saying, Tony, it's like the parable of the soil that you fail to really take into account what it means to follow with full fidelity, to commit yourself in a fully unencumbered way. Are you willing to do that? Are you willing to consider that? And as human beings, we're just not good often at counting costs. We're not good at thinking about opportunity costs. And it's interesting here that we're called out to say, even if you've already purchased the field as so to speak, that as if you've been saved by Christ, to continue to remember how good it is to be in the kingdom of God. And that the joy. Of knowing as like the Heidelberg Catechism says in the first question that all things are subservient to our salvation. Yeah. That incredible worth of, that should be a source of encouragement in times of great trial and tribulation, no matter how big or small, so that this joy that this person has when they go and sells everything he has and he buys this field, you know those details, like you're saying, do press us. It really comes to us with this idea that we should be able to see plainly why having Christ is more valuable than all other things. If the omnipotence all wise, God is ruling, ruling over all things for our joy, then everything must be working for our good, no matter how painful and in the end, God is gonna triumph over all evil and all pain. So this kingdom is a real treasure. Like it is a, it is a real. A real quantity in our life and our wellbeing and in our spiritual consistency, that'll ought demand some reflection of how valuable it truly is. And then knowing that in our minds, that like influencing our behavior, our other thought patterns, and then our actual feelings about stuff. So that when, like you said, we're passed over, we're looked over, we're ridiculed for something, we go back and we count it all joy to be worthy of being part of God's kingdom, knowing that it was because of the entrance and acceptability and the identity in that kingdom that we experience. Those things, those hardships begin with. [00:29:05] Tony Arsenal: Yeah. Yeah. And, and I, um, I don't want us to miss out on the fact that even as the parable may be encouraging or forcing us to think about. The cost. It, it really is trying to emphasize the great value of the kingdom. Right? Right. We, like I said, we, we don't just count the cost. In order to count the cost for its own sake. We count the cost in order to understand the great blessing that is ours in Christ. Right. All I, I count all that I have as a loss compared to the greatness of Christ Jesus. And, um, I think we just don't often do that. I, I, I think as Christians, that's probably a thought that is in our head more as young Christians, especially if we come to the faith in, in a time in our life where we're aware of things like that. We think about things like that. Reflecting on the Cost of Faith [00:29:59] Tony Arsenal: You know, I was 15 when I first came to faith and, um, I, I don't think I was in a frame of mind as a 15-year-old boy to think about, like. The cost of what I was doing, right? It's not like I was a particularly popular kid. I didn't have a, you know, I didn't, I wasn't unpopular, but it wasn't like I lost a ton of friends when I became a Christian. I didn't really lose anything that was measurable. Um, but I do think that, as, you know, someone now in my forties, looking back at, you know, 15, 20, 25 years of, of Christian life, it's easy to see that things could have been different on a sort of temporal scale. Like my, my life could probably be more comfortable in terms of wealth or opportunities or other things that might, uh, aren't, aren't even bad things necessarily. There is a sense of sacrifice. But again, God has brought us into this kingdom and he's given us parables like this and given us the ability to recognize. That we do have a cost, that there is a cost to be counted in order that we might now look at it and praise him for how great and glorious and valuable the gift that he's given us is. Understanding the Parable of the Pearl [00:31:08] Tony Arsenal: And so I think, you know, I think that's the same basic meaning of this second, second half of the same parable. I guess the, the pearl of great price or the pearl of great value. But it's not exactly the same, right? It's not like Christ is just repeating the same ver, you know, parable with, with different words for variation. Um, every word is breathed out by God and profitable for teaching correction, reproof, and training and righteousness. And I had a, I had a prophet in, uh, in Bible college who would say like, difference means difference. And he was often talking about like minute things, like the difference, um, or why, why is this word used instead of that word? This word would've worked. And, and the author chose that one. There's a reason for that. Difference means difference, but. Christ here chooses to, to tell the parable a second time, um, in a slightly different way. Uh, and Matthew chooses to record these in the same sense next to each other in slightly different ways. So what, what do we, what do we wanna pull out of this second parable that's different and what do we think it's telling us that's a little bit different than the first version Y? [00:32:14] Jesse Schwamb: Yeah, that's a great question. Diverse Approaches to the Kingdom of Heaven [00:32:16] Jesse Schwamb: Uh, I love this idea because not until really, I was thinking about it this week when I read through them, was I really, again, drawn to the differences between these two main characters. Interestingly, I think in both, and we can make the case that the, the treasure, the kingdom of heaven here represented in both this pearl or in this literal treasure is in a way hidden. Certainly the first man is not necessarily looking for, it's still revealed to him, but the second in a way. And on the other hand, he knew this guy knows treasure. He's been seeking it with diligence in vigor, or at least like this is what he does for a living in his vocational career. He's out there trading pearls, presumably, and he knows something about them and how to evaluate them effectively. And so it's his business and he's dedicated himself to finding them. And apparently he's seen plenty of them over the years. But then all of a sudden, and this is wild, the beautiful, all of a sudden, clearly the search comes to like an abrupt end because he finds this one of immeasurable value, so much beauty exceeding and value exceeding all the other ones. And he doesn't need to search anymore. He just finds the one pearl that he can retire on a pearl with more than everything else. Or anything else that he's ever possessed and he gets it again. He does. And this brings him into symbol two with the first man. He does the same thing, then liquidate everything else and go after this one. Great pearl. So to me, and I'm curious your perspective on this, I'm not necessarily promulgating that. Well, the first one is not a seeker and the second one is like a seeker of of God things. Right? There is though, like you said, a difference in their approach and what they're after. And so I think what we can take from this, at the very least, is that there is diversity in these beneficiaries of the kingdom of God that's covering everybody. And just by these two kind of bookended or polar examples, that's what Jesus draws us to. But I would turn the question back to you. What do you think about this second guy? What do you think about the fact that his business is searching after these things? What? What do we take away from that? [00:34:07] Tony Arsenal: Yeah. The Ultimate Value of the Kingdom [00:34:07] Tony Arsenal: And you know, the thing that drop that jumps out to me immediately in the first parable, the kingdom of heaven is, is like the treasure hidden in the field, [00:34:16] Jesse Schwamb: right? [00:34:16] Tony Arsenal: In the second one, the kingdom of heaven is the merchant who's searching, [00:34:20] Jesse Schwamb: right? [00:34:20] Tony Arsenal: Right. The kingdom of heaven is like the merchant in search of fine pearls who finds one. That's right. And so I think that they kind of are like, almost like mirror images of each other, right? One of them is about the treasure and what it takes to come upon it and then obtain it. The second is about the person who is coming upon the treasure and, and finding it. And then what it takes again to obtain that treasure. And I think, I think you're right, there is an element here that. Um, in this second parable, the person who is seeking for this treasure is one he's seeking for the treasure, right? Right. You get the image in this, in this first parable that the dude just kind of stumbles upon it. Um, I've heard this Todd as like, it's actually more like a guy who's just walking through a field rather than like a person working the field. And I'm not sure that matters that much, but there is this sense in the first parable that the guy kind of stumbles upon it. He wasn't looking, it wasn't what he was trying to do, but you're right in the second one, the kingdom of heaven, and this is where I, this is where I think I need to think more about it, is what does it mean for the kingdom of heaven to be like a merchant searching for fine pearls right [00:35:23] Jesse Schwamb: on. [00:35:23] Tony Arsenal: Rather than the pearls being the kingdom of heaven, which is what we see in the first bearable. Um, and I don't know the answer to that question. I think I need to, need to think about it and study it a little bit more. But I do like this distinction that in, in the first case, it's sort of a happy accident. And in the second case, this is, this is the life, this man's life work. He finds he's, he's in search of fine pearls. I'm not sure I know exactly what he's trying to do with the fine pearls. It seems like it implies that he's a pearl merchant or a pearl trader, but then he finds this pearl. He doesn't seek to sell it. He buys it. Right. [00:36:00] Jesse Schwamb: Right. [00:36:00] Tony Arsenal: And, and the, the, the fact that the parable stops with him buying it sort of implies that like. He actually is not going to sell it. He's just gonna keep this pearl. Now before the, the pearls, the, the source of the value of the pearls was kind of in the, the financial gain that selling or trading them could bring. But now he suddenly finds this pearl that is so valuable. It's so great, it's so beautiful. Everything he was working to obtain before all of the money he's gathered by finding and selling pearls in the previous like mode of living. He now gets rid of all of that just to purchase this one pearl and presumably to keep it. And I think that again, is kind of a, kind of a, um, statement on our Christian life is that we, we probably have all sorts of things that we've been doing our whole life and we are seeking to, to move forward in our life. And the kingdom of heaven is kind of the ultimate goal of all of that, for those who are in Christ, for those who are called according to his purpose. The purpose is not just to accumulate wealth. It's not even necessarily, uh, in and of itself to like grow in righteousness. It's to be transformed to the, uh, to the image of God's glory son, for the purpose of making him great, making his name renowned. Right. When we look at that passage in Romans that have kind alluded to, he's, he would transform into the image of Christ so that he might be the first born among many brothers. The Incomparable Worth of Salvation [00:37:24] Tony Arsenal: Ultimately, our, our sanctification and glorification is about making Jesus great and glorified, um, to give him glory, to have our glorification reflect his already intrinsic glory and the gift that he gives us, and I think that's kind of, kind of in play here, is that. Uh, we might have all sorts of goals in our life. We might have goals in our Christian life, um, that are good things that we should strive for, but at the end of the day, all of those things only serve to bring us to the kingdom of heaven, which is this pearl of great price that we, we purchase, we buy it and we just kind of hang onto it. It is its own treasure and it's, it's not about what this, this treasure can bring to us, right? Which is what the fine pearls were before they were about what the merchant can find and sell. It's, it's now about just obtaining the pearl and enjoying that pearl. Um, which I think is a little bit different than, than, um, what I would've thought of with the par before. [00:38:19] Jesse Schwamb: Yeah, I totally agree with you. I think, I think you're actually onto something with the distinction because I think of. So much of my career has been spent in financial services among people who are buyers and sellers of things. They're traders. And the way I read this was very similar to what you were saying to me. What resonated was if this gentleman or this person is. Trading, collecting these pearls. Presumably they have appreciation for the beauty of the pearl itself. So there is like something innate that draws them to this particular thing. And with that experience and with that knowledge and with that, that appreciation of that beauty. I think when they see this other pearl, it moves from, well, why would I ever sell that? I've seen everything. This is the most beautiful pearl I've ever laid my eyes on. And now I want to keep it for me. I want to have it in my possession. I want to cherish it and not just keep it in the inventory and then turn around and sell it for markup, presumably, because there is no nothing that would be of greater value to this person. 'cause they just sold everything else that they had. So they, it's appreciation for the pearl itself. It's going after that finding and seeking that great beauty. And then that led me right into Philippians chapter four, where Paul writes the church in Philippi, beginning of verse eight. Finally, brothers, whatever is true, whatever's honorable, whatever's just whatever's pure, whatever's lovely, whatever's commendable. If there's any excellence, if there. Anything worthy of praise, think about these things. What you have learned and received and heard and seen in me. Practice these things and the god of peace will be with you. So this idea, like you and I, Tony, have talked about like the world has great wisdom, it has great knowledge, it has things that can lead us by way of common grace into certain amounts of peace. But the pearl of great price, the seeking after the going after all these great things is to find the gospel, to be given the gospel it revealed to you. And then say everything else I count as a loss. Everything else is worthless compared to this thing. And if you're a person that can appreciate even just by turn of mind or God's influence in your life, you know, knowledge and wisdom, and you're seeking after that, which is the ultimate expression and representation of those things, and then you find you come upon this pearl of great price, the gospel wisdom and the beauty of God represented in his son Jesus Christ. And you say, this is it. I, I know enough to know, again, by the regeneration that comes through the spirit, this is the real deal. Then I think the message still stands. We come through two different directions into the same final culminating point, which is there is a condition for having this kingdom of God, for having the king on your side as your friend, but the condition isn't like wealth or power or negotiating or intelligence or even good trading behavior or going out and finding the right thing. The condition is that we prize the kingdom more than anything else we own. The point of selling everything in these parables is to simply show where our hearts are at. And so I often say in my own line of work, that cost only matters in the absence of value. Actually, it's true for everything that we. We presumably spend our time or our money on cost only matters in the absence of value. And I think like you and I could do a fun little experiment where I don't know, you ever talking to somebody about something and you're paying a cost to have that service delivered to you and you're, and you're just like totally worth it, like I would do totally worth it. Like, yeah, that's kind of the vibe I'm getting here. It's like at the end of days when we think about the worthiness of our God, that there's no one like him, that he's unequal, that he has no rival, that the gospel is the sweetest message that we're rescued literally from the pit. We're just say no matter what the cost of us personally, great or small, totally worth it, that that's what we'll be saying for all of eternity as we worship him. [00:41:45] Tony Arsenal: Yeah, and I think even more than saying, totally worth it. I think when we are given our new eyes to see, and we no longer see through a da a glass dimly, we're gonna recognize saying that it was worth, it is is like it's a pale, like it's a faulty answer to begin with because the, for sure the worth of the kingdom of heaven surpasses anything we could imagine. And in our, you know, locked in little meat brains that we have now, we're kind of com we're just comparing it to. You know, like what, what we could have had or what we, what we've given up. Um, it, it's gonna be an incomparable comparison. Like there's no, there's no measure that is satisfying, there's no measure that can actually show us how, how worthwhile it is. And, you know, we've, we've made a point of it, like the, the blessing of salvation and, and really like what it is that we're getting, uh, in, in the. You know, the Christian understanding of salvation, it's not, it's not an eternal destiny. It's not bigger mansions in heaven. It's not freedom from death. All of those things come with it. All of those things are attending gifts. That's right. But what we get in salvation ultimately is we get God we get union with God, we get fellowship with Jesus Christ in the, the power of the Holy Spirit. We, we get swept up into the life of the, the God of the universe. Like the life of the Trinity indwells us. And we, we become a part of that. Uh, not, not in the, you know, like. Eastern Orthodox deification sense, although I think there's a proper way we can talk about deification. Um, but we get swept up into that. We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that. There's nothing that we could ever point to. Um, it's funny, my, my wife and I, um, this is a little corny, but, um, we'll often say to, to each other instead of saying, I love you more than anything, we'll say, I love you more than everything. Right. And, and it's, it's a way to say like. You could take all that there is in the world, everything that I have that I could possibly consider and sum up the value. And I love my wife more than that. I love my children more than that. So it's not that I love them more than any one thing, it's that I love them more than everything combined. And this is even greater than that, right? We, we will look back at our lives and if, if it's even in our mind, if we even can, can comprehend anymore. The idea of thinking about what it costs us to obtain this pearl of great value, which is the kingdom of heaven, which is just another way to say, is just fellowship with the God of the universe. Um, we'll look at it and say no matter what it was. No matter what it could have been, I would give everything I, I love God more than everything. Right. Right. There's nothing that could ever possibly be considered that even comes close to what we gain in, in Christ Jesus, in union with, with God. And I think that's the point of this, like I think the guy who, um. Christ's Perfect Sacrifice and Our Response [00:44:58] Tony Arsenal: I think about what it would take for me to even like to sell everything, like the concept of selling everything I own. I'm not even sure how I would do that, to be honest with you. Like, I don't even know the mechanism for that kind of thing. But the idea that there's anything that could be valuable enough that I would just sell every piece of human property that I have, there's probably nothing like that in this world. Like, there probably isn't. And to, to take that comparison and then basically say like, that's just what the kingdom of God is like. 'cause that's the other thing I think we miss about parables is you, you only make a comparison when you can't describe something, um, analytically, right? There's the difference between analogically and analytically Ana lot analytically means we're able to actually quantify and explain it kind of in strict terms, right? I can, I can say that, um, uh, a heavy object ways, X number of grams or it, you know, or, um. Pounds or whatever. I can, I can measure that and make an analytical statement, or I can make an analogy, an analogy that is comparative. Uh, but by definition, or almost by by nature of the thing, when you make that comparison, you're kind of saying like, not only is it like this, but it's actually it, like it's more like this than I can even describe. Right? So when we're talking about the kingdom of Heaven here, and we say it's, it's like, it's like a man who goes, he finds a treasure and then he sells everything. He has to get that treasure. It's infinitely more like that than it actually can be described. Does that make sense? I feel like I'm rambling on that a little bit. Maybe trying to describe something that can't be described is, is hard to do. [00:46:35] Jesse Schwamb: It's, that's, yeah. But yeah, that's, that's very difficult to do. I'm actually totally with you on this. I think I understand clearly what you mean, this idea that no matter how hard we actually try to value it, we'll be incapable of doing so. Yes. And at best, it almost seems like this is a strange command in a way because it's, it's asking us to do in some ways a thing that is impossible for us to do. However, I think what you're saying is it doesn't mean that we shouldn't turn our minds toward that. We're a bit like people who, I don't know if this show is still on PBS, but like, do you know that show, remember that show The Antiques Road Show? Yeah. Where people would like come, they'd ran ransack their homes or their garages with these old antique items and they bring them to this road show where there'd be experts who would value them. And inevitably we'll be like those people who come with what we think is like a. A thousand dollars clock that we got at a garage sale thinking, wouldn't it be great? I know this is valuable. It's probably a thousand dollars. It'll be, look at the return, tenfold return, I'll get on this item, and then instead finding that it's worth $10 million when it's appraised. Yeah, I assume it'll be just like that in the Beautific vision that even maybe for all of eternity will be growing in our appreciation for just how valuable this great salvation is. And yet at the same time, I think what this should encourage us to do is to pray things like God make us real in seeing and savoring Christ in his saving work above all the other things. Yeah. So that, as you said in your example, we would cherish him above everything, above all things that you have that right place in our hearts or that we be inclined to undertake that posture, which says, God, though I cannot understand it in full. Would you help me to see that? Encouragement in Our Spiritual Journey [00:48:08] Jesse Schwamb: And I wanna just say like, as a word of encouragement, maybe I'm speaking more to myself here so everybody else can disregard this if you like, but I think sometimes there can be a little bit of intimidation then when you hear these things and say like, ah, I'm just not, I just dunno if I love God enough, like I wanna love him, or I want to want to love him more. And I think even that posture is appropriate. Yeah. Sometimes there, oftentimes in my personal life, I'll pray something like, God, help me to know how much you love me and would you give me the strength to love you back? So that even that awareness, that energy, that volition, that vitality, that, that heat, all of that, that fire itself is kindled by the Holy Spirit. It's not like we need to like try to again manufacture here. Because the point of these, these stories is not again, that we just find the means to do a transactional exchange here, but that instead we really just sit in the full promises of God. And of course to that, I would say we always need to go back to, to something like Romans eight. I mean, I know that we should, like you said, Tony, the. The standard description we give for the Bible is the one that gives itself, which is that all of it, all of it's is carried along by the Holy Spirit. All of it is God breathe. All of it is useful for something. And yet, of course, I say somewhat tongue in cheek that, you know, if I have 10 minutes to live, I'm probably not gonna the s descriptions of reading a genealogy, I'm going straight from Roman and say, Romans say, I think it's just like the pinnacle of the scriptures. And so just a couple of verses at the end there, because I think this is, this is leading us into what is this great treasure? What is the kingdom of God? Why do we value it so much? What is the saving power? And uh, these verses, I mean, always just entirely get me ready to run through a wall. So this is the end of, of Romans eight beginning verse 35. Who shall separate us from the law of Christ? Shall tribulation or distress or persecution or famine or nakedness or danger or sword as it is written for your sake. We are being killed all the day long. We are regarded as sheep to be slaughtered. No. In all these things, we are more than conquerors through him who loved us for I'm sure that neither death nor life, nor angels, nor rulers, nor things present, nor things to come, nor powers, nor height, nor depth, nor anything else in all creation, will be able to separate us from a love of God in Christ Jesus, our Lord. [00:50:22] Tony Arsenal: Yeah. Yeah. That's, that's a good word. And I, I, I like what you're saying too, is, is I think we, we can. There's this paradoxical thing that happens when the scriptures is trying to encourage us to do something, is we often like to get our, in our own way. And, and actually that becomes a source of discouragement for us. The Bible calls us to something and we know we can't live up to it. And that's actually like part and parcel of, of reform theology to recognize that this is law, like the, the, the, the, you know, maybe not in like the strict sense, like when we talk about dividing the scripture into law and gospel, um. It may not be that this particular passage would fall under that rubric of law normally, but this idea that we need to count the cost and that we need to be treasuring Christ more and more, and then when we feel like I'm just not getting it. I'm just not there. Like, I don't, I don't treasure Christ as much as I so should. Um, that Yeah, that's right. Nobody does. Nobody can, like, that's, that's kind of the point of this, and that's why it's law is it's, it shouldn't drive you in Christ. It should not drive you to despair. Right. It should not drive you to discouragement. It should drive you to gratitude that God saved you anyways. That, that this pearl of great value is still yours even though you can't possibly deserve it. Um, you know, we're, we're a little bit different than the, the merchant and the man who finds the treasure in the field in that we can't sell everything we have and obtain it like they have the ability to do that in the, in the parables. Right. Um, we, we don't, and we never will. And so rather than let that drive you to being discouraged that like you're just not getting. I recognize God is of infinite value and we are finite creatures. So we, we could, uh, value God perfectly. Like whatever that means, and I don't even know what that means, but we could value and cherish and love God perfectly as far as our capacities are concerned, and it still would not be enough to sufficiently merit God's favor for us. Like as much as we can, even in, even in eternity. As much as we can value and worship and love and praise Jesus, he is worth infinitely more than we could ever give, even when we do it perfectly. And this is, this is why you know Christ coming to die, to live on our behalf, to die in our place. Why that's necessary is because only this is a, maybe a different take on it. We, I think we talk a lot about how, um. Only God could, could carry, bear the wrath of God and not be destroyed. Right. Right. Only God could, um, could stand up under his own wrath, could stand up under the wrath of God and bear that punishment and not be destroyed. And so therefore, um, Christ had to be not just a man, but had to be God. But on the flip side. And God requires perfect perpetual obedience, which involves loving the Lord your God, perfectly with your whole heart at all times. Right? Only God can do that too. So it's not just that God. It's not just that G

Benedict Cumberbatch speaks to Kate Molleson about the new film adaptation of Max Porter's Grief Is the Thing with Feathers, an exploration of loss and berievement.On Tuesday night, the winner of the Baillie Gifford Prize for Non-Fiction 2025 was announced. They join Kate to dicuss their work, and the significance of taking home the prize. 100 years ago, one of the best viola players of her generation – Rebecca Clarke – gave a sold-out concert at London's Wigmore Hall. All of the music on the programme she had written herself. A new album of her works and a series of events will mark the centenery. Tenor Nicholas Phan and writer and broadcaster Leah Broad discuss.And composer and songwriter Anna Appleby reflects on the music of Catalan star Rosalia, whose fusion of pop and monumental classical sounds is making waves in the music industry.

Fin de semana de castañadas, Halloween, panellets, castañas y muchas películas que llegan a los cines para dar miedo, risa o ambas cosas. En una primera parte recomendamos tres pelis ya estrenadas: Maspalomas, Un simple accidente y Jugar con fuego. Hacemos un avance del Festival de Cine de Terror de Molins de Rei que celebra del 7 al 16 de noviembre su edición número 44. Y, para acabar, los estrenos de esta semana: Together con Dave Franco y Alison Brie, Esa cosa con alas con Benedict Cumberbatch, Los Tigres de Alberto Rodríguez con Antonio de la Torre y Bárbara Lennie, Recién nacidas de los hermanos Dardenne.

Min 4: LOS TIGRES (4 estrellas) En Los Tigres, Alberto Rodríguez vuelve a sumergirse -esta vez literalmente- en el territorio que mejor domina: el del drama social revestido de thriller. Tras La isla mínima o Modelo 77, el cineasta sevillano pone el foco en un mundo apenas explorado por el cine español, el de los buzos industriales que se juegan la vida en silencio bajo las aguas del puerto de Huelva. Antonio de la Torre encarna con su habitual magnetismo a un buzo veterano que, junto a su hermana -una impecable Bárbara Lennie-, se enfrenta al límite físico y moral de su oficio cuando descubren un alijo de cocaína en un petrolero hundido. A partir de ahí, el director construye un relato de atmósfera opresiva, cargado de tensión y verdad, que combina el pulso del cine de género con una mirada profundamente humana al sacrificio y la precariedad laboral. Min 14 CUERPOS LOCOS (1 estrella) La directora Ana Murugarren se adentra en el terreno de la comedia familiar con Cuerpos Locos, un relato construido sobre el clásico intercambio de identidades que esta vez enfrenta a una niña de diez años, Ana, y su futura madrastra, Sara. Cuando ambos cuerpos se cruzan por una extraña tormenta electromagnética, la jueza deberá sobrevivir al mundo infantil y la niña al entorno del juzgado, en un choque de perspectivas que va de la adversidad a la comprensión mutua. El reparto, encabezado por Paz Padilla, con la participación de Antonio Resines, Ricardo Castella y otros nombres destacados del cine español, se mueve con soltura en una propuesta visualmente ambiciosa para su género --la presencia de efectos especiales y localizaciones en el País Vasco amplían el marco habitual de la comedia--, aportando dinamismo aunque sin escapar del esquema familiar de manual. MIn 17: TOGETHER (3,5 estrellas) En su ópera prima, el director Michael Shanks ofrece un relato inquietante de horror corporal que explora la dependencia emocional y la disolución de identidad en pareja. Alison Brie y Dave Franco â€"que además son pareja en la vida realâ€" interpretan a Millie y Tim, quienes se trasladan al campo buscando un nuevo comienzo. Lo que arranca como un intento de renovación se convierte en un descenso hacia lo extraño cuando descubren una cueva y un agua que desencadenan mutaciones físicas y simbólicas: el cuerpo se convierte en metáfora de unión, transformación y terror. Min 23: A PESAR DE TI (2'5 estrellas) Dirigida por Josh Boone, esta adaptación de la novela de Colleen Hoover reúne a Allison Williams (Morgan Grant), Mckenna Grace (Clara Grant) y Dave Franco (Jonah Sullivan) en una historia que parte de una familia aparentemente estable: madre, hija adolescente y padre. Morgan, que en su juventud dejó de lado sus sueños para asumir la maternidad, ve cómo su relación con Clara se tensa conforme la joven crece y rechaza el camino que su madre le trazó. Cuando un accidente trágico arrolla la vida familiar y emerge una traición inesperada, madre e hija quedan obligadas a reconstruirse mientras se aferran a lo que aún les queda. Min 27: ESA COSA CON ALAS (3 estrellas) En Esa cosa con alas, el director Dylan Southern propone un filme que mezcla el drama emocional con lo sobrenatural y el terror psicológico. Benedict Cumberbatch interpreta a un padre que, tras la repentina muerte de su esposa, se ve obligado a cuidar solo de sus dos hijos mientras una presencia inquietante se apodera lentamente de su hogar. El guion juega con la ambigüedad: ¿es la aparición unánime de su culpa, del duelo acumulado o un ente real que se alimenta del miedo? El reparto incluye además figuras como David Thewlis, cuya voz aporta a lo perturbador de la historia, y Sam Spruell, en un papel que tensiona aún más la fragilidad del protagonista. La trama se estructura con sobriedad y tensión creciente, permitiendo que la atmósfera â€"más que el susto fácilâ€" sea la que conduzca el viaje hacia una devastación interna. Min 32: RECIÉN NACIDAS (4 estrellas) En Recién nacidas, los hermanos belgas Jean-Pierre Dardenne y Luc Dardenne regresan al cine social con una mirada coral impactante: cinco adolescentes â€"Jessica, Perla, Julie, Ariane y NaÃma" conviven en un centro materno mientras enfrentan el reto de criar a sus hijos nacidos de circunstancias difíciles. La película se desarrolla en espacios austeros, casi de documental, y apuesta por el realismo puro al mostrar la precariedad, la ausencia paterna, las adicciones o el pasado traumático de estas jóvenes. El reparto, considerablemente formado por actrices no profesionales o poco conocidos como Elsa Houben, Janaína Halloy, Samia Hilmi, Lucie Laruelle y Babette Verbeek aporta frescura y autenticidad al relato. Los Dardenne, que firman tanto dirección como guión, emplean su característico estilo de cámara cercana al cuerpo y al silencio, sin grandes adornos, buscando que la verdad de los personajes se imponga. Min 35: MONSIEUR AZNAVOUR (3 estrellas) En Monsieur Aznavour, los directores Mehdi Idir y Grand Corps Malade trazan con pulso firme el ascenso de Charles Aznavour desde sus humildes orígenes como hijo de refugiados armenios hasta convertirse en leyenda de la canción francesa. Protagonizada por Tahar Rahim â€"quien encarna al artista con intensidad y convicciónâ€" la cinta despliega la lucha constante de un hombre cuya voz parecía no tener cabida en su tiempo y que, sin embargo, se negó a escuchar ese veredicto. Su encuentro con Édith Piaf se convierte en la bisagra de una carrera forjada en escenarios pequeños, sacrificios familiares y una voluntad que desafiaba toda norma. La película no solo recrea los éxitos y la consagración del protagonista, sino también las raíces invisibles de su mito: el exilio, la pobreza, la creación musical fuera de los márgenes, todo ello bajo una estética cuidada, fotográfica y sobria que sirve de marco a la emoción. Min 37: EL EFECTO DE LAS GUERRERAS K-POP (3 estrellas) Hablamos con Raquel Hernández del fenómeno provocado en Netflix por Las guerreras K-pop, dirigida por Maggie Kang y Chris Appelhans, se presenta un mundo vibrante que fusiona el espectáculo del K-pop con la acción sobrenatural más desenfadada. La trama gira en torno a las superestrellas del pop coreano Rumi, Mira y Zoey, quienes llevan una doble vida: por el día llenan estadios y seducen multitudes como el grupo HUNTR/X, y por la noche se convierten en cazadoras de demonios para proteger a sus fans de amenazas ocultas. Su impacto en la plataforma ha sido tal entre los seguidores que este fin de semana se ha estrenado en varias salas españolas en formato karaoke. Min 40: LA PELI DE TU VIDA: CON INMA CUESTA La actriz española de cine, teatro y televisión reconocida por su versatilidad y magnetismo interpretativo, premiada en el reciente Festival Abycine 2025, atiende cara a cara la petición de Estamos de Cine y nos cuenta porqué considera 'Tómbola' (Luis Lucía. 1962) el título que marcó su amor y dedicación al cine. Min 47: BSO "TRILOGÍA INDIANA JONES" Y ya que hace justo una semana, Aitor Arregi, el Moriarti más aventurero, apostó por Indiana Jones como la "trilogía de su vida", tenemos en bandeja rendir homenaje a la aportación del gran John Williams para las tres primeras entregas. Ángel Luque se frota las manos desde que escuchó el veredicto de Arregi en Estamos de Cine. Ahora nos toca disfrutarlo

Fin de semana de Halloween y la cartelera aprovecha el buen tirón del cine de terror con un puñado de títulos interesantes, como 'Together' con Dave Franco y Alison Brie reflexionando sobre la dependencia y la toxicidad de una pareja, o 'Esa cosa sin alas', una historia de duelo con Benedict Cumberbatch. En cines está ya también 'Los tigres', la nueva película de Alberto Rodríguez sobre dos hermanos buzos que lidian con la precariedad económica y emocional, esos hermanos son Antonio de la Torre y Bárbara Lennie. Además, se estrenan dos grandes películas que pasaron por Cannes y ahora lo han hecho por la Seminci, la antipelícula de atracos 'The Mastermind' con Josh O'Connor y el drama sobre madres adolescentes de los Dardenne. En televisión, comentamos el estreno de 'It: Bienvenidos a Derry', la adaptación de 'Cometierra' y la vuelta del creador de 'Breaking Bad' con 'Pluribus'.

Are you watching Blue Lights? If not, why not? On this episode is one of the stars of the Belfast-based cop drama. She's a star of stage and screen at the peak of her acting prowess. You may have seen her as Sherlock' Holmes' evil sister in Sherlock alongside Benedict Cumberbatch or starring opposite Suranne Jones in Doctor Foster. If you're really lucky you may have even seen her break-out theatre role as Ophelia in Hamlet at London's Barbican. Sian rarely does podcast interviews - so what an honour to share a couple of glasses of wine and a really lovely chat about the confidence gained from early drama classes, the women who've reached down to help her on her journey, and the illness that nearly ended her career before it really began. Sit back, grab whatever drink you fancy and enjoy! Hosted on Acast. See acast.com/privacy for more information.

Jaren 80-klassieker over een huwelijk in verval, een onvergetelijk portret van een scheiding. Nu verfilmd met Olivia Colman en Benedict Cumberbatch - augustus 2025 in Nederland te zien. Uitgegeven door Ambo|Anthos Spreker: Stijn Westenend

THE ROSES Starring Olivia Coleman and Benedict Cumberbatch is available on Disney Plus beginning this weekend, and as you settle in to watch, enjoy this interview with PC Williams, the brilliant costume designer behind the film. PC shares her creative journey in designing captivating looks for Colman and Cumberbatch. Hear how the costumes evolve alongside the characters, reflecting their descent into madness within the narrative of their tumultuous marriage. Beyond The Roses, in our talk, PC also shares valuable insights for aspiring creatives on navigating the industry, the importance of collaboration, and how to handle meetings that may not feel like the right fit. PC is candid and gives amazing advice about how align with the right job for your career creatively and professionally.00:00 Hello!02:35 PC discusses the effort behind “effortless” looks.09:06 How do you collaborate with talent on the job14:35 Valuable career advice from PC19:42 When you don't get something, do you seek feedback or let it go22:14 PC and her BAFTA win!Watch THE ROSES Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

[School of Movies 2025] "Adapting is like marrying a widow; You respect the memory of the husband, but at some point you gotta get it on." - Guillermo del Toro. In preparation for GDTs long-awaited take on Frankenstein we delved into some of the most significant onscreen versions of Mary Shelley's book. Taking our cues from the excellent piece by Overly Sarcastic Productions we recruit Gothic enthusiast Willow and together as a family talk you through the story, referencing different movies regarding how closely they cleave to the source novel, and how and why they choose to deviate. Many of the elements people take for granted, lightning, green skin, bolts in the neck, flat head, tendency to talk like a caveman all seem to stem from the 1931 James Whale film and its 1935 sequel starring Borris Karloff and Elsa Lanchester. Turns out that the monster, the creation or as he is sometimes called, "Adam" was, as-written a great deal more complex, something some films have expressed in the interim near-century, nearly all of the most significant we talk about, including the 1994 Kenneth Branagh version, the 2011 stage version with Benedict Cumberbatch and Johnny Lee Miller, the Hammer Horror versions with Christopher Lee and Peter Cushing, Frank Roddam's The Bride from 1985, Tim Burton's Frankenweenie, and a surprisingly great two-part TV miniseries from 2004. Accompanying, we have a Cutting Class episode releasing this weekend with a bunch of other adaptations we talked about here but were trimmed out for time and focus, and we will of course be back to talk about Del Toro's version very soon.

️ Monogràfic del Festival de Cinema Fantàstic de Catalunya – SITGES 2025. En aquest episodi fem la ressenya de les pel·lícules més destacades i dels principals encontres del festival. En el primer bloc comentem The Ugly Stepsister, Good Boy, The Furious, Obsession, The Plague, Frankenstein, Together, If I Had Legs I'd Kick You, Slanted, No dejes a los niños solos, Sisu, The Long Walk i un bon grapat més de títols. En el segon bloc continuem amb Alpha, The Life of Chuck, No Other Choice, Bugonia, Black Phone 2, Scarlet, Exit 8, L'homme Qui Rétrécit i moltes més. També repassem els encontres amb Benedict Cumberbatch, que va presentar The Thing with Feathers, i amb Andy i Bárbara Muschietti, que van introduir la sèrie It: Welcome to Derry. Us hi acompanyen l'Ignasi Arbat, la Marta Sanz i l'Agus Izquierdo. Web: https://www.ningunoesperfecte.cat Patreon: https://www.patreon.com/ningunoesperfecte

A couple of small podcasts... that's a refrence to One Battle After Another, folks. Here are the movies of september 2025 SEPTEMBER The Roses- dir. Jay Roach; Olivia Colman, Benedict Cumberbatch, Kate McKinnon, Andy Samberg The Conjuring: Last Rites- dir. Michael Chaves; Patrick Wilson, Vera Farmiga, Mia Tomlinson, Elliot Cowan, Shannon Kook, Steve Coulter The Long Walk- dir. Francis Lawrence; Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Jordan Gonzalez, Joshua Odjik, Mark Hamill, Judy Greer A Big Bold Beautiful Journey- dir. Kogonda; Colin Farrell, Margot Robbie Oh, Hi! - dir. Sophie Brooks;Molly Gordon, Logan Lerman, Geraldine Viswanathan,John Reynolds David Cross HIM- dir. Justin Tipping; Tyriq Withers, Marlon Wayans, Julia Fox, Tim Heidecker The Strangers Chapter 2- dir. Renny Harlin; Madelaine Petsch, Gabriel Basso, Ema Horvath, Brooke Lena Johnson, Richard Brake One Battle After Another- dir. Paul Thomas Anderson; Leonardo DiCaprio, Benicio Del Toro, Chase Infiniti, Sean Penn, Regina Hall, Teyana Taylor, Wood Harris, Tony Goldwyn OCTOBER Bone Lake V/H/S Halloween Good Boy Anemone The Smashing Machine Tron: Ares Roofman Kiss of the Spider Woman Deathstalker If I Had Legs I'd Kick You After the Hunt Guillermo del Toro's Frankenstein The Black Phone 2 Bugonia Shelby Oaks --------------------------------------------------- iTunes: podcasts.apple.com/us/podcast/movi…el/id1082173626 Spotify: open.spotify.com/show/2VE15E5fS0Z…75eb550499c&nd=1 Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/​ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/​ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/

In this installment of TPS Reports the Squares discuss Drew's wedding band, 40-second fart blasts, eggs on top of the roof, Tim Robinson roles, simping for babies, chicken sandwiches & Manscaped sponsorships. Outro song: "Ostriches" by James Begin Smoochie Gang Playlist Term's Album of the Week Playlist Please send questions, stories & whatever else to tpsreportspodcast@gmail.com and feel free to leave us a voicemail at 708-797-3079. The Palmer Squares on Facebook, Twitter, YouTube, Patreon & more Shop for Official TPS Merchandise

Benedict Cumberbatch was willing to name names when asked which co-star made his job the hardest throughout his career. And Matthew McConaughey's son is in his latest movie… but Matthew doesn't consider him a nepo baby. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're joined by a BAFTA winner for an easy-to-make, extra tasty dinner and a spoonful of dessert.  Suranne Jones' acting credits are a must-watch list of shows including Doctor Foster, Vigil, Gentleman Jack and Coronation Street. Add to that list her new show, Frauds, a heist-driven thriller in which she stars alongside Jodie Whittaker.  On the menu for this episode is seared tuna with braised tomatoes & chickpeas, paired on this occasion with a Telmont Champagne Reserve Brut NV - a special accompaniment and a favourite of Suranne's when she is drinking. This is followed by a perfectly seasonal autumn apple & blackberry crumble.  Suranne's a bad influence in Frauds, but pure joy and excellent vibes around the Dish table, bringing a list of food likes and dislikes that matches, and maybe surpasses, the one brought by Benedict Cumberbatch. We get into the magic of Oldham, the power of Corrie and the appeal of Doctor Foster... and Suranne quickly comes clean that she's a Dish superfan having listened to ALL episodes while on set for her new show. We salute you! You can watch full episodes of Dish on YouTube and, new for this season, on Spotify.  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish If you want to get in touch with us about anything at all, contact dish@waitrose.co.uk  Dish from Waitrose is made by Cold Glass Productions

This week on arts24, we explore the rise of virtual talent and the storm surrounding AI actress Tilly Norwood, the digital star unveiled at the Zurich Film Festival that's shaking up the entertainment world. Plus, film critic Emma Jones tells us about the festival's human stars: Russell Crowe reflects on his storied career while accepting a Lifetime Achievement Award, Colin Farrell charms audiences in a new role set in Macau, and Benedict Cumberbatch confronts grief in an unexpected form. We also take a first look at Palme d'Or winner "It Was Just an Accident", a haunting new feature from Iranian filmmaker Jafar Panahi, and dive into "A Big Bold Beautiful Journey", the fantasy romance starring Colin Farrell and Margot Robbie that has left critics divided.

Trump und Netanjahu einigen sich auf Friedensplan für Gaza, «Röstigraben» bei Abstimmungen verliert an Bedeutung, ZFF ehrt Benedict Cumberbatch mit «Goldenem Auge»

We prayed for good TV and The Girlfriend more than delivered! We review Robin Wright and Olivia Cooke's deliciously crazy psychosexual thriller: team Cherry or team Laura? Plus, why millennial women have fallen head over heels for The Summer I Turned Pretty, a look at whether Thailand is as ‘dark' as Zara McDermott's new documentary portrays, and our verdict on divorce comedy The Roses starring Olivia Colman and Benedict Cumberbatch. Also: our thoughts on Yellowface author RF Kuang's new book Katabasis. Enjoy hunnies!Thanks so much to our partner Official London Theatre! Get can up to 50% off theatre tickets with amazing deals on the biggest shows at OfficialLondonTheatre.com.Get 20% off our favourite ready-to-drink cocktails from Whitebox, including the best spicy margs, espresso martinis and negronis, with our code SU20 at Whiteboxcocktails.comWe love hearing from you, DM us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@straightuppod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, email at ⁠⁠hello@straightuppodcast.co.uk⁠ and follow us on TikTok @straightuppod too!Recs/reviewsThe Roses, in cinemas nowThailand: the dark side of paradise, BBCThe Girlfriend, Amazon Prime VideoThe Girlfriend: Warning! This sexy oedipal thriller may be too shocking for vanilla viewers, GuardianThe Summer I Turned Pretty, Prime VideoWhy Are Forty-Something Women Obsessed With The Summer I Turned Pretty?, VogueWhy Almost Every Woman You Know Is Obsessed With The Summer I Turned Pretty, ElleIn ‘The Girlfriend,' Robin Wright and Olivia Cooke ‘go feral.' But who's the real villain?, LA TimesKatabasis by RF KuangThe Problem With RF Kuang's Fiction, SlateKatabasis by RF Kuang review – a descent into the hellscape of academia, Guardian. Hosted on Acast. See acast.com/privacy for more information.

This week, we're talking all about The Roses, the new film starring the delightful Olivia Colman and Benedict Cumberbatch. It's a modern remake of the '80s classic The War of the Roses, telling the story of a lovely couple whose marriage begins to unravel, leading to a hilariously escalating divorce.Join us as we compare this updated version to the original, discussing how its deeper character development makes the couple's mean-spirited sabotage feel both uncomfortable and pretty darn funny at the same time. We also dive into the stellar performances from the entire cast, including Andy Samberg and Kate McKinnon, and touch on fun details like the clever gender-role reversal from the original film.

This week we look at 2025 The Roses starring Benedict Cumberbatch and Olivia Coleman. We look at how this story holds up today and what we think the previous version got right.We also play a game where we draft movies from 2007 to see who can make the best collection from that year.Finally, we leave you with something to watch or play next.

Adam and Josh enter the Pantheon for a welcome revisit of Martin Scorsese's 1990 masterpiece GOODFELLAS, which turns 35 this month. Plus, Josh shares thoughts on Olivia Colman and Benedict Cumberbatch in THE ROSES and nominates the sinister new indie LURKER for the Golden Brick. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:02:08) GoodFellas (35th Anniv.) (00:02:09-00:57:17) Filmspotting Family (00:57:18-01:03:19) Lurker, The Roses (01:03:20-01:09:16) Notes (01:09:17-01:17:16) Polls (01:17:17-01:27:59) Credits / New Releases (01:28:00-01:31:24) Links: -Vulture's Movies Fantasy League ("Filmspotters") https://moviegame.vulture.com/ -“Towards a True Children's Cinema: On My Neighbor Totoro” https://www.brightwalldarkroom.com/2017/03/13/towards-a-true-childrens-cinema-on-my-neighbor-totoro/ -Filmspotting Poll: 1960s Musicals https://poll.fm/15976522 Feedback: -Email us at ⁠⁠⁠feedback@filmspotting.net⁠⁠⁠. -⁠⁠⁠Ask Us Anything⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠http://filmspottingfamily.com⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠https://www.filmspotting.net/shop⁠⁠ Follow: ⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ https://www.instagram.com/larsenonfilm ⁠https://bsky.app/profile/larsenonfilm.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back for a new season and are celebrating with two huge stars, who take our Fast Food Quiz VERY seriously. The long wait is over. Dish returns for Season 8 and Nick and Angela welcome two British actors who have conquered Hollywood. Benedict Cumberbatch and Olivia Colman join us to chat about their new film, The Roses (a reimagination of 1989's War of The Roses) where they play a deeply dysfunctional married couple.  We start with gin and tonics and a modified Hugo Spritz for Olivia, before serving a glass of Terre di Vita Organic Zibibbo Sicilia, paired with our main course of roast spatchcock chicken with coriander, red chilli and charred limes. Angela serves the main with french fries and a side of sprouting broccoli, which she sautéed with soy sauce, sesame oil and salt.  Olivia and Benedict take their seats for a welcome meal along with a drink... or three. We loved spending time in their company, hearing about how they raise each other's acting game and Olivia's on-set superpower! We also get THE most comprehensive list of likes and dislikes from Benedict and find out about his unlikely stint as a sous chef. It's good to be back.  You can watch full episodes of Dish on YouTube and, new for this season, on Spotify.  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish If you want to get in touch with us about anything at all, contact dish@waitrose.co.uk Dish from Waitrose is made by Cold Glass Productions - 00:00 Intro 00:59 We're back!  02:56 It's fennel season! 06:28 Welcome Olivia & Benedict!  07:35 How's life?  09:11 Food likes and dislikes  11:36 G&T or a Hugo Spritz? 12:41 Starry-eyed for Angela's cooking!  12:55 Dinner at the Coleman & Cumberbatch households 17:11 Spatchcock is served!  17:34 Recipe information  18:37 Wine pairing  20:09 Fast Food Quiz! 21:57 Olivia & Benedict's new film: ‘The Roses' 23:22 Life as a chef & Benedict's chef experience!  24:51 Angela's time cheffing at Ramsay's ‘The Aubergine'  26:39 Finally getting to work together  28:24 Drunk acting  28:42 Compliments from other actors  30:35 Getting into character  33:27 Alternative career paths for Olivia & Benedict? 34:59 Life in the spotlight 36:12 Benedict Cumberbatch can shapeshift?! 37:16 Benedict LOVES Halloween!  38:11 Dealing with fame 39:51 End of the Show Question! 41:08 Thank you Olivia & Benedict!

Pop in with us this week as we review the new Benedict Cumberbatch and Olivia Colman film The Roses (2:06)! Plus, we're discussing takeaways from TIFF (37:03), the controversial new trailer for Emerald Fennell's “Wuthering Heights” (44:25), and the White Lotus season 4 location revealed (52:19). We're also talking our predictions for the Emmy's (1:00:36), Alexa's review of Wednesday season 2 ( 1:09:41), Lena Dunham's new book (1:19:59), SHEIN Luigi Magione AI model (1:24:02), and the Santa Barbara health clinic TikTok viral video (1:28:58). The Roses (2:06) TIFF (37:03) “Wuthering Heights” (44:25) White Lotus season 4 location revealed (52:19) Emmy's predictions (1:00:36) Wednesday season 2 ( 1:09:41) Lena Dunham's new book (1:19:59) SHEIN Luigi Magione AI model (1:24:02) Health clinic TikTok viral video (1:28:58) Follow us on Instagram at @poppininpodcast!

Adam talks with English actor Benedict Cumberbatch about his new film The Roses, as well as appearing on SNL, the challenge of balancing a successful career with married life and young children, whether couples therapy works, why actors lose their shit on film sets and whether Adam should retire the Christian Bale on set meltdown jingle. Conversation recorded face-to-face in London on 12 June 2025 Thanks to Séamus Murphy-Mitchell for additional editingPodcast illustration by Helen GreenPre-order Adam's album BUCKLE UP with limited signed artworkOrder Adam's book 'I Love You Byeee' EXCLUSIVE NORD VPN DEALTry it risk-free now with a 30-day money-back guarantee!TALK 90s TO ME (Miranda Sawyer podcast on Podfollow)UNCOMMON PEOPLE by Miranda Sawyer - 2025 (WATERSTONES)WHAT HAPPENED TO COUNTER-CULTURE? Presented by Stewart Lee - 2025 (BBC SOUNDS)Comedian Stewart Lee presents a five-part series exploring the evolution and key ideas that have driven counter-culture from its beginnings with the Beats, folk and jazz in the 1950s, to its heights in the 1960s and 70s including the hippies and the early tech-communalists, the new liberation movements and punk, to the 1980s and early 90s, where political power on both sides of the Atlantic pushed back against the values of the ‘permissive society'.MORE LINKS (ON ADAM'S WEBSITE) Hosted on Acast. See acast.com/privacy for more information.

With TIFF kicking off its 50th anniversary, we're throwing it back to some wild and unforgettable festival moments! In 2014, Maurie sat down with Benedict Cumberbatch to talk The Imitation Game — and got him to rate his British accent. That same year, Angelina Jolie wasn't doing press for The Breadwinner, but Maurie got her to stop and answer one bold question. And in 2013, we somehow convinced Daniel Radcliffe that fans wanted him cast in Fifty Shades of Grey. TIFF chaos at its finest!

We're back from the Labor Day holiday and ready to take on the fall movie season here at Breakfast All Day. But first, we're playing a little catch-up with some end-of-summer movies you should know about. First, it's "Caught Stealing," the latest from Darren Aronofsky ("Black Swan," "Requiem for a Dream," "mother!") and perhaps his most accessible film yet. Austin Butler stars as a bartender who gets caught up in in a criminal scheme in late-'90s New York. It's a lark with a dark heart. Zoë Kravitz, Matt Smith, Vincent D'Onofrio and Liev Schreiber co-star. In theaters. Next up is another star-studded movie, "The Roses." You may remember this when it came out in 1989 and was called "The War of the Roses" starring Kathleen Turner and Michael Douglas. This time, Olivia Colman and Benedict Cumberbatch play a wealthy and successful couple whose marriage is about to collapse under the weight of their ambition and resentment. Andy Samberg, Kate McKinnon and Allison Janney co-star. In theaters. Finally, you should definitely check out "Lurker," an indie thriller that expertly explores modern celebrity. Alex Russell ("The Bear," "Beef") makes his writing-directing debut with this story of an up-and-coming pop star (Archie Madekwe) and the canny fan (Théodore Pellerin) who insinuates himself into his inner circle. Lots of twists and deeply uncomfortable moments. In theaters. Save up to 30% on select skillets and dual-handle items all September long with Lodge Cast Iron! Stock up on pieces you'll use to cook delicious, hearty meals throughout the fall and winter: https://lodgecastiron.pxf.io/c/3656599/3247092/23521   (Some links are affiliate links which means if you purchase something, we may receive a small commission at no additional cost to you.)

We have a DOUBLE episode for you this week as Karen Peterson (@KarenMPeterson) and Derek Miranda (@DerekMiranda85) talk THE ROSES and CAUGHT STEALING. As always, featured reviews are done in two parts, a NON-SPOILER review with letter grade and brief discussion, followed by a more in depth SPOILER review. PLOT SUMMARY: THE ROSES A tinderbox of competition and resentments underneath the façade of a picture-perfect couple is ignited when the husband's professional dreams come crashing down. Directed by: Jay Roach Written by: Tony McNamara Starring: Olivia Colman, Benedict Cumberbatch, Andy Samberg, Kate McKinnon, Allison Janney *Clip from THE ROSES courtesy of Searchlight Pictures CAUGHT STEALING Burned-out ex-baseball player Hank Thompson unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of 1990s New York City, forced to navigate a treacherous underworld he never imagined. Directed by: Darren Aronofsky Written by: Charlie Huston Starring: Austin Butler, Regina King, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D'Onofrio, Benito Martínez Ocasio, Griffin Dunne, Carol Kane Timestamps: 00:00 - Intro/What We've Been Watching Lately 20:30 - Non-Spoiler Review, The Roses 29:35 - Non-Spoiler Review, Caught Stealing 42:00 - Spoiler Review, Caught Stealing 1:11:00 - Spoiler Review, The Roses @TheWatchAndTalk (Twitter/Instagram) Letterboxd.com/TheWatchandTalk Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com Support the show! www.Patreon.com/TheWatchAndTalk

So many movies are made about the beginning of a relationship. That first spark of attraction. That first kiss. The new dark comedy “The Roses” is about the other end – when it's all falling apart. Benedict Cumberbatch and Olivia Colman star as Theo and Ivy, a couple who was once very much in love. Two children and a transatlantic move later, they're now struggling to save their marriage.No one thinks it's going to work – including their therapist.Cumberbatch and Colman sit down with host Mary Louise Kelly to discuss how they leveraged their real-life friendship to play two people who love to hate each other.For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.Email us at considerthis@npr.org.This holiday episode was produced by Kira Wakeam and Kathryn Fink. It was edited by Courtney Dorning. Our executive producer is Sami Yenigun.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Screen stars, Benedict Cumberbatch and Olivia Colman hve such a laugh playing Greg's silly games that they refuse to leave the Radio 1 Breakfast Show studio! Listener, Jason kicks off a whole new round of Yesterday's Quiz, there's an Animal News smart speaker special and 10 year old Zara gets a surprise call! Plus, All The Latest Things contains a spoiler alert, that sparks off a disclaimer from Producer Susanna!

This week on The Filmmakers Podcast, returning hosts Conor Boru and Francis Annan are joined by writer Tony McNamara and producer/director Jay Roach to discuss their latest feature film The Roses (2025), starring Olivia Colman, Benedict Cumberbatch, and Andy Samberg, to name a few. Tony McNamara – Academy Award-nominated screenwriter of The Favourite, Poor Things and creator of The Great – is known for his sharp wit, inventive storytelling and fresh take on historical drama. Jay Roach – acclaimed director of Austin Powers, Meet the Parents, Bombshell and the Emmy-winning Game Change – has built a career spanning studio comedies, political dramas and award-winning television. In this conversation, they discuss: the creative messiness of writing the value of collaboration choosing the right ideas to pursue directing comedies producing your own films tips and tricks for emerging filmmakers dealing with pre-production anxiety … and much more. THE ROSES is out now! A tinderbox of competition and resentments underneath the façade of a picture-perfect couple is ignited when the husband's professional dreams come crashing down. OTHER LINKS FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

First a novel and a 1989 hit film, the story of The Roses has been told before. This time around, Benedict Cumberbatch and Olivia Colman play a couple whose love curdles into resentment and then hatred. The film features Andy Samberg and Kate McKinnon, and is directed by Jay Roach (Meet the Parents, Austin Powers) and written by Tony McNamara (Poor Things, The Favourite).Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

"The Roses" is a satirical black comedy film directed by Jay Roach from a screenplay by Tony McNamara that is based on the 1981 novel "The War of the Roses" by Warren Adler, and a remake of the 1989 Danny DeVito film starring Michael Douglas and Kathleen Turner. The new film stars Benedict Cumberbatch, Olivia Colman, Andy Samberg, and Kate McKinnon, delivering highly comedic performances backed by the sharp wit of McNamara's screenplay. Roach was kind enough to spend some time speaking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Searchlight Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

What's better than one brilliant charming British actor? Today on the podcast we bring you two! Benedict Cumberbatch and Olivia Colman, longtime friends, are finally working together in the diabolical black comedy THE ROSES. Here they chat about being mean to children, pet peeves on set, and more. Check out the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Happy Sad Confused patreon here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! We've got discount codes to live events, merch, early access, exclusive episodes, video versions of the podcast, and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Benedict Cumberbatch and Olivia Colman talk 'The Roses'; Bruce Willis' wife Emma Heming Willis speaks out; The Nader sisters talk 'Love Thy Nader' Learn more about your ad choices. Visit podcastchoices.com/adchoices

Benedict Cumberbatch and Olivia Colman talk 'The Roses'; Bruce Willis' wife Emma Heming Willis speaks out; The Nader sisters talk 'Love Thy Nader' Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fire up the oven (and rage) for our review of The Roses! On the menu: Olivia Coleman & Benedict Cumberbatch lead a stellar cast, are 2000s films back?, Americans and their firearms, couple communication, epi-pens and more!Support the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/bePatron?u=44878998⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/abiteofpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   BLUESKY: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/abiteofpodcast.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TWITTER: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ABiteOfPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  THREADS: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@abiteofpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YOUTUBE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@ABiteOfPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WEBSITE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.abiteofpod.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  DISCORD: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/461OOcf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hosts: Derek Ivie and Noah ReedFor business inquiries please contact abiteofpod@gmail.com