Podcasts about zoomar

As the world's first, number one, and only open source film photography podcast, we take pride in that in each episode you all get to influence the discussions we have.  For Episode 74, we decided to take it a step farther and dedicate the entire episode to two broad topics that listeners of this show have suggested to us.  The first is to cover the confusing and wide array of third party lenses and the second to go over some tips and tricks for home film development.  Never ones to disappoint our listeners, the gang took your suggestions to heart and turned both into a whole episode...mostly! Joining Anthony, Paul, Theo, and Mike was a full house of returning callers A.J. Gentile, Dan Cuny, Dan Hausman, Mario Piper, Michael Wescott (Wes) Loder, Miles Libak, Ray Nason, Robert Coates, Will Pinkham, and Mark (sorry, Mark, we didn't get your last name!) We quickly jump into a lens discussion first clarifying what exactly is considered a Third Party Lens maker?  From there the wormhole quickly opens as we bounce around with discussions regarding Asanuma, Vivitar, Kiron, and what Mike calls the "German B-List Lens Makers" like Steinheil, A.Schacht, Staeble, Enna-Werk, and many others. Wes jumps in and pivots the discussion to the vast array of lenses available for the Akarette/Akarelle and Lordomat systems, and then Mike quickly gets back on track professing his love for the Wirgin Edixa. We cover the Voigtländer Zoomar and the rash of very good Chinese lens makers like TTArtisan, 7Artisans, Light Lens Labs, and the obscure Japanese lens maker MS-Optics. For home development, we cover a whole host of hacks from doubling up on rolls of 120 on a single spool, how Mike pushes HC-110 to the absolute limit when developing black and white and Anthony chimes in with his suggestions for how to make shooting a Minox camera the most affordable way possible.  We get into other things like tips for flatbed scanning and what everyone thinks about digitizing.  It was certainly a live discussion, but I should probably stop typing here and encourage you to listen to the episode. For the next episode, we are revisiting one of our favorite brands of camera, Pentax!  Although we have dedicated multiple whole episodes to Pentax, this time we have Pentax historian Gerjan van Oosten who authored "The Ultimate Asahi Pentax Screw Mount Guide 1952 - 1977" which I consider to be one of the most definitive Pentax resources ever written.  The amount of info that Gerjan has about Pentax, Takumars, and everything relating to screw mounts is far more than we can ever hope to capture in a single episode, but we will certainly try!  To accommodate Gerjan's European time zone, Episode 75 will be recorded on Monday, August 5th at the special time of 2pm Central Daylight Time, 3pm Eastern Daylight Time, and 9pm Central European Time. The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. In This Episode Clarification on the Ricoh Singlex and the Nikon F Mount / Recommendations for PASM Manual Focus Cameras What is a Third Party Lens Maker? / Almost Every Japanese Camera Company Started Off Making Lenses Asanuma Was One of the First Good Third Party Lens Makers / Later Became Kiron Vivitar Was a Marketing Company But Was Instrumental in Developing Computer Designed Lenses Vivitar Serial Numbers / Ponder & Best / Vivitar Flash Units What are T-Mount Lenses? / T-Mount vs Adaptall How Did Sears Become Such a Big Camera Distributor? /  Focal, Photo-Quelle, Revue, Hanimex The Beginning of Zoom Lenses / Nikkor 43-86 Zoom / TV Lenses Akarelle, Akarette, and Arakrex / German "B-List" Lens Makers / Lordomat Lenses Mike Really Likes the Steinheil Quinon Lens / Wirgin Edixa SLR Lenses Are Not the Same As Regular M42 Lenses Voigtländer Zoomar 36-82mm f/2.8 Lens / The Beauty of Imperfect Lenses / Some Lenses Can Be Too Perfect Chinese Lenses / Light Lens Labs, TTArtisan, 7Artisans Lenses / MS-Optics Lenses Voigtländer Cosina Lenses / Super-Nokton 28mm f/0.8 / Paul Loves the Nikkor 58mm f/1.4 Tricks for Loading Film on Paterson Reels / Loading Robot and Photavit Cassettes Developing Your Own Film Saves a Ton of Money / High Upfront Cost to Get Started Scanning with a Flatbed vs Digitizing / Negative Lab Pro / Building a Home Development Kit Loading Two Rolls of 120 Onto the Same Reel / Mike Prefers the Unicolor C41 Kit Monobaths / Scanning vs Digitizing / Kodak TMax Kills Fixer A Flatbed Scanner is More than Adequate for 90% of Film Scanning Avoiding Newton Rings / A&R Glass / Target Photo Frames Anthony Economizes Shooting Minox Cameras By Cutting His Own Film Nikon S Rangefinder Lenses / Compatibility Between Nikon and Contax Lenses Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Dan Cuny - https://www.dancuny.com/camera-collecting-blog Wes Loder - https://wesloderandnikon.blogspot.com/ Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/

TVC 641.1: Part 2 of a conversation that began last week with Josh Mills, son of Edie Adams and the curator of the estates of Ernie Kovacs and Edie Adams, and Pat Thomas, author of Invitation to Openness: the Jazz & Soul Photography of Les McCann, Material Wealth: Mining the Personal Archive of Allen Ginsberg, and Did It! Jerry Rubin: An American Revolutionary. Josh and Pat are two of the co-authors, along with Ben Model, of Ernie in Kovacsland: Writings, Drawings, and Photographs from Television's Original Genius, a marvelously conceived book that not only gives readers a true glimpse into the mind of Ernie Kovacs, but shows the many media outlets for Ernie's creativity that went beyond television. Topics this segment include the back story of Zoomar, the satirical novel about advertising and television that Ernie published in 1957, but which is still timely today; Take a Good Look, the “anti-game show” that Ernie hosted (ABC, 1959-1961) that, in many respects, is also the essence of Ernie Kovacs; and the perforated, three-page foldout in Ernie in Kovacsland that pays homage to Ernie's long association with MAD magazine. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the first episode of Season 3 of the Camerosity Podcast, the guys and I opened up the call-in lines for the first time since late July and asked everyone who has travelled lately, what their ideal travel cameras are.  When deciding to take some cameras on a trip, what makes the cut or doesn't, and why.  In addition to travelling with cameras, what are your tips for getting through airport security, is it worth getting your film hand checked, or should you separate your film from your cameras into separate luggage. Joining Anthony, Paul, Theo, and Mike are returning callers Mark Faulkner, Patrick Rapps, John Roberts, Howard Sandler, and first time callers Maxwell Whitaker, Mina Saleeb, and Kevin Knipp who all help us answer those questions. In addition to our travel tips, we also stray into the world of mirror lenses and other strange lenses of the 20th century like the Voigtländer Zoomar, KMZ Rubin-1, and the Minolta Rokkor-X 40-80mm f/2.8 "Gear Box Lens".  As we often do, much praise is heaped upon Voigtländer and the Bessamatic SLR and Cosina Bessa Rangefinders, we share our opinions of Minox submini cameras, the Carl Zeiss Jena Werra, AGFA Karat 36, plus many, many others. Later, hear Anthony admit that he's struggling with the decision of whether he needs to rebuy another Leica M3, whether or not people mix digital and film on vacations, and how many times Paul has bought the same camera more than once. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are going red, for Red October.  That's right, the Camerosity Podcast is going to discuss the Soviet Photo Industry.  What are the best cameras to pick up for someone new to the hobby, which ones to avoid, and what are some under the radar models.  So for those of you looking to expand on your Soviet GAS, be sure to join us on Monday, October 2nd for the recording of Episode 56! In This Episode How Do You Decide Which Cameras Will Go With You on a Trip / Theo and Anthony Are Going to Asia Bringing At Least One Digital Camera on a Trip / Panasonic Lumix LX Series John Roberts Took a Canon F1 and Nikon Z5 and Used the Same Lenses Using an Adapter / Mike Loves the Z5 Mina Took a Nikon F-801 with Two AF Lenses Inspecting Film Through Airport Security / Put Film in Clear Bags, Be Polite, and Make the Inspection as Easy as Possible Some Airports Have a No Hand Check Policy / If You Are Eligible for TSA Pre-Check, Do It / ISO 800 Film And Up / CT Scanners Film Shield Bags Are Lined with Lead / Paul Once Lost an Entire Pelican Case of Film in Airport Security Anthony Is Going to Japan / Voigtänder Perkeo II / Olympus XA4 / Minox 35 Howard Brings Cheap Cameras On Trips / Rollei 35 B / Mike Gets Stressed Out If He Brings Too Many Cameras Paul Travels Specifically for Photography and Food / His Wife Traveled with an RB67 One Year If Your Cameras Are Stolen While Travelling, A Tip Is To Also Lose Your Passport So You'll Stop Thinking About the Cameras Getting Film Stolen is Worse Than Cameras Stolen / Travel With Your Cameras and Film Separately Good Compact Digitals for Travel / Ricoh GR / Panasonic Lumix LX100 Olympus Pen F Digital and Film Cameras / Half Frame vs APS-C Micro 4/3 Cameras Are Quite Good / Olympus OM-D EM1X / Olympus Pen Digitals Maxwell's Ideal Travel Camera is a Minox B He Bought from Paul / Getting and Developing Minox Film Slitting Film / 3D Printing Slitters / Using a TLR to Slit Film Anthony is Going to Attempt to Barter His Way to a Good Camera in Japan By Selling Argus C3s Theo and Anthony Love the Zeiss-Ikon Contessa 35 / Mike Not So Much / Voigtländer Vito III Carl Zeiss Jena Werra Series / The Werra is the Only Carl Zeiss Jena Camera Leaf Shutters That Go Faster than 1/500 / Kodak Tourist and Chevron / Minolta V2, V3, and Others Rudi Made Anthony Take a Bunch of 110 Cameras and 110 Film from Him / Minolta and Pentax 110 SLRs Mike Didn't Like the Canon 110ED / Anthony Loved his Minox 110 and the Vitoret 110 Voigtländer Was Owned by Zeiss, Then Rollei, then Licensed to Cosina for the Bessa Rangefinders Voigländer Vitessa, Vito C, Bessamatic, Ultramatic / Voigtländer Zoomar Lenses Russian MTO 500 and 1000mm Mirror Lenses / Maksutov Invented the Catadioptric Lenses for Telescopes Soviet Rubin-1 Is Not a Copy of the Zoomar But is Similar / The Zoomar Originally Came on the KMZ Zenit 6 Mike Attempts to Explain How a Mirror Lens Works / Mirror Lenses Are Almost Always Found in Mint Condition Nikon and Minolta Mirror Lenses / The Rokkor 250mm f/5.6 Mirror Lens is Very Good Minolta Rokkor-X 40-80mm f/2.8 Gearbox Lens Show Suggestions for Season 3 / Yashica / TLRs / Subminis Viscawide 16mm Swing Lens Camera / Large Format / Robert Shanebrook / Another Euro Episode Leicaflex SL Mirror Locks Just like the Nikon F How Many Cameras Have You Bought More Than Once? Anthony Is Starting to Miss His Leica M3 / Voigtländer Cosina Made Bessas / Contax RTS II and RTS III The Earlier AGFA Karat is the Rangefinder for People Who Don't Like Rangefinders We Have Lots Planned for Season 3, Stay Tuned! Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Chuck Rubin Photographics - https://www.facebook.com/p/Chuck-Rubin-Photographics-100054624692201/ Mina Saleeb - https://www.instagram.com/crookandflail Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

Markus Wråke gästar podden, vi pratar om varför vi ska energieffektivisera fastigheter och vi tar en titt på hur framtiden kommer att se ut för fastighetsägarna. Hosted on Acast. See acast.com/privacy for more information.

Studenterna Isabella och Andrietta delar mig sig av sina bästa tips gällande studieteknik. Hur mycket tid behöver man egentligen lägga på plugget och skiljer det sig mycket från gymnasiet? Vad är en tenta och vad händer om man kuggar den? Det och mycket mer i Studentdjungeln med Isabella och Andrietta. Läs textversionen av poddavsnittet: https://www.lu.se/textversion-av-poddavsnittet-zoomar-pa-studieteknik

Quentin Tarantino is known for his elaborate love songs to Hollywood, and of course, his ultra-violence on screen. Zoomar digs deep into this legendary name and why he seems to be every directors, favorite director. Dan Scully breaks down the over and under rated from the canon of Quentin. 

The difference between good and bad editing is obvious, but Zoomar explores the difference between great editing and amazing work with Oscar-Winning Editor, Mike Hill. 

::Spoilers:: An era has ended, and Zoomar breaks down the ups and downs from this amazing conclusion of an epic brand. But did it all make sense? Paige Powers helps unpack this unbelievable movies. 

One area that Zoomar's Amazing Podcast hasn't spent enough time with is the 80s. Josh Mieley from Chips, Dips, and Dorks: The 80's Movie Podcast is here to fix that. Is it just nostalgia, or was there a magical moment in the 80s? Zoomar explores the over and underrated from this bizarre time period. 

Zoomar digs down into why holiday movies seem to be so hit or miss. Why playing on the emotions of the season can be so successful and why don't more producers step into the genre. Neill McKenna, the perpetual everyman, breaks down the overrated and underrated Christmas movies. 

Kardinalsynderna, eller de sju dödssynderna, fick sin klassiska utformning under medeltiden. Men de märks av än idag. Ibland som dygder och ibland som krafter som förändrar världen, säger Dan Jönsson. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Ibland undrar jag om inte den moderna civilisationens stora misstag är att den har vant oss av med tanken att det då och då är rätt att bryta mot lagen. Att hur sinnrikt lagarna än formuleras kommer det alltid finnas något som står över dem. Idén om en högre rättvisa, en gudomlig lag, verkar numera bara vara något som lever kvar hos religiösa fanatiker eller, ännu värre, totalt bindgalna missdådare. Som seriemördaren i David Finchers filmthriller Seven till exempel, en överintellektuell ensling som har inspirerats av den katolska läran om de sju dödssynderna. En efter en prickas de av: en man tvingas äta tills magsäcken spricker; en prostituerad kvinna får underlivet uppskuret med en rakbladsförsedd dildo, och så vidare. I upptakten till den dramatiska slutscenen sitter den gripne mördaren och provocerar sina fångvaktare från polisbilens gallerförsedda baksäte med sina iskalla, moralfilosofiska resonemang. Vem är oskyldig? frågar han. Kan de förneka att de ser på medan våldet och ondskan breder ut sig omkring dem, under lagliga och ordnade former? Kan de klandra honom för att visa världen hur den ser ut?  Demonerna sitter ständigt på våra axlar, i varje val vi gör. Det är förstås en dåres predikan. För bara en dåre skulle väl ta upp kampen för denna medeltida etik som vi i vår tid står så totalt främmande inför? Eller hur? Vi med vår sekulära tolerans? Vår tid med sin normkritik och sin pragmatiska marknadsmoral? Är det kanske inte rentav så att de gamla dödssynderna har blivit nästan en sorts dygder? I reklam och populärkultur har ordet syndigt en förförisk klang av spänning och förhöjd livskänsla. Synd säljer, helt enkelt. Och undan för undan anpassar sig den offentliga moralen. Hyckleriet rationaliseras bort, på punkt efter punkt. Varför låtsas som om affärsverksamhet handlar om att ta ansvar och förvalta traditioner? Nej, den härskande moralen verkar tvärtom bekräfta finanshajen Gordon Gekkos tes från filmen Wall Street, att girighet är något gott. Att unna sig njutningar och lyx ses i vårt konsumtionssamhälle som avundsvärt och avunden i sig kan ju vara en stark drivkraft om man vill bli framgångsrik. Så kan man hålla på. Ser man sig omkring hittar man exempel överallt på hur lättja, kättja eller högmod ses som, om inte direkt medborgerliga dygder, så en sorts eftersträvansvärda livsstilsmarkörer. Att synda är idag att modigt bryta mot auktoritära regler och normer; något som leder till befrielse snarare än fördömelse. I den tyske författaren Simon Strauss uppmärksammade roman Sieben Nächte (Sju nätter) genomför den unge berättaren en sorts personlig ritual där han under sju nätter ägnar sig åt någon av dödssynderna. Precis som i "Seven" finns en systematisk plan, och målet är just att slippa undan vuxenlivets tomhet, besvärja den fördömelse som i vår tid snarare utgår från en egoistisk konsumtionsmoral än från en auktoritär pliktetik. Samtidigt ska man ha klart för sig att det ju är den där eviga, gudomliga lagen som utgör motorn i hela projektet. Ser alltså ut som om vi fortfarande behöver den, av någon anledning. Girighet kan kallas driv och ambition, men bara så länge graferna i boksluten pekar uppåt. En intressant detalj i den medeltida mytologin är att det till var och en av de sju dödssynderna hör en demon. Högmodet personifieras av Lucifer, kättjan av Asmodeus, girigheten förstås av Mammon, och så vidare. Demonerna pekar ut en viktig dimension hos dödssynderna, nämligen deras personliga, individuella karaktär. Den engelske teologen Graham Tomlin tolkar det kristna syndabegreppet just i den riktningen: synden är destruktiv eftersom den isolerar oss. Från det gudomliga, förstås men också från det mänskligt gemensamma, vill säga: från det samhälleliga. Synden är asocial. Historiskt kan dödssynderna alltså ses som ett sätt att tabubelägga individens förhävelse på det allmännas bekostnad. Disciplineringen av den enskilda människans drifter var det som garanterade samhällsordningens bestånd. Tomlins förståelse av den asociala synden är lika giltig idag. Vår postmoderna, liberala moralsyn är bara ett annat sätt att reglera de normer som ska hindra driften från att gå till överdrift. Det är ju inte den där enstaka porrfilmen eller den extra pralinen till kaffet som är problemet. Kättjan eller frosseriet urartar när den blir självändamål eller riktar sig mot fel objekt (som pedofili eller hetsätning). Lättjan är en välförtjänt belöning för de välbeställda, men blir ett stigma när den förknippas med fattigdom, som hos långtidsarbetslösa. Girighet kan kallas driv och ambition, men bara så länge graferna i boksluten pekar uppåt. Och framför allt: om synden alltså i grunden handlar om den enskildes förhållande till det kollektiva, det vill säga om hur vi här och nu ska kunna leva tillsammans så är moralens yttersta funktion att hindra dessa asociala överträdelser från att ta sig ett gemensamt uttryck. Så fort vreden tar sig kollektivt uttryck blir den en politisk kraft. Här blir alltså moralen politik. Zoomar man ut till en kollektiv nivå visar det sig att en av de sju dödssynderna verkar svårare att hantera än de andra nämligen vreden. Om det idag finns mer eller mindre accepterade kanaler för att reglera kollektiv lättja (som charterresor), frosseri (ta restaurangbufféer) eller kättja (till exempel swingerklubbar) så finns ingen liknande institutionalisering av den kollektiva vreden. Vad skulle det i så fall vara: första maj-demonstrationer? Möjligen; vreden är i alla fall den av dödssynderna som mest öppet ger uttryck åt det som någonstans är alla dessa synders kardinalfel: upproret mot den rådande ordningen. Så fort vreden tar sig kollektivt uttryck blir den en politisk kraft. Som filosofen Peter Sloterdijk konstaterar är det omöjligt att tänka sig den politiska världshistorien utan vreden som en drivande energi. Genom alla revolter, självständighetsförklaringar och reformkrav har den kollektiva indignationen varit motorn bakom de konflikter som har fått förändringar till stånd. Men, säger Sloterdijk: denna vredens tid verkar numera vara förbi. Det politiska livet i västerlandets liberala demokratier utmärks av en strävan mot konsensus snarare än konfrontation, förhandling snarare än revolt. Politiken fyller en sublimerande funktion, kanaliserar den potentiellt upproriska vreden och leder in den i banor som stärker ordningen istället för att utmana den. Jag skulle tro att den högerradikala våg som just nu sköljer genom västvärlden i mångt och mycket är en reaktion på denna sublimering; vreden bryter sig igenom de tillrättalagda kanalerna som en syndaflod, det välförtjänta straffet för en civilisation där vår gemensamma framtid och överlevnad mer och mer verkar ha blivit en fråga om privat moral. Demonerna sitter ständigt på våra axlar, i varje val vi gör. Inför deras blickar tvingas vi välja mellan att se bort eller se dem i vitögat. Som när poliserna i "Seven" tar några öl under en paus i detektivarbetet och efter en stund hamnar i en, nåja, lite konstgjord diskussion om storstadsdjungelns ondska och brutalitet. Hur lätt det är att trubbas av och om det inte är just den reflexen bland de skötsamma och laglydiga, denna likgiltighet, som är det värsta? Den allra dödligaste synden. Ska man undvika den måste man kanske då och då bryta mot lagen. Dan Jönsson, författare och kritiker

There is something about the scrappy independent distributor A24, when other houses lose their compass, A24 seems to make the films that speak directly to our soul. Spike Eskin joins Zoomar to discuss the best of A24 Films and what it is about them that we find so captivating. 

Comedian Neill Carroll joins Zoomar to break down the overrated and underrated movies that make us laugh. From the movies that get funnier with each watch, to the classic films that we smiled throughout, we explore the divinity of comedy. 

So many comedic actors command the screen in dramatic roles, as well, but why is it only a one-way street? Is it true, or just another Hollywood trope? Resident expert Neill McKenna joins Zoomar to discuss why the likes of Robin Williams and Tom Hanks can transition from comedy to drama, and all the amazing actors you forgot started from the world of funny. 

The Kung Fu craze of the 1980s had a brief resurgence at the turn of the century, but has its moment passed? Martial arts enthusiast and Kung Fu movie expert, Carlos Estrella, joins Zoomar to talk about the real life skills of your favorite martial artists, and the most overrated and underrated movies in the genre. 

Pixar changed animated storytelling forever, but why are some more memorable than others? Resident emotional specialist Michael Cerio joins Zoomar to discuss the overrated and underrated from the Pixar universe, plus some DARK Pixar fan theories, and a review of children's movies from a bonafide expert. 

This is the end, so how was it? Does is matter how a movie ends anymore, or just how the journey felt in Acts I and II? Zoomar Executive Producer Anthony Mazzarelli chimes in on the overrated and underrated endings for movies. Can a good ending save a bad movie, or vice versa? Zoomar explores the greatest third acts on film. 

While much attention has been given to female directors, the percentage of movies made by women continues to fall, Zoomar looks into the cannon of the female directors. Which female directors are overrated and underrated? Zoomar tackles the female phenomenon with Mara Reinstein of http://maramovies.com

What are the overrated and underrated movies that have been nominated for Best Picture? Tracy L. Connors of http://www.enoughalready.us weighs in on Zoomar's ongoing Oscar coverage. How has the Academy changed, or has it? Plus the movies that never got nominated or won and you totally forgot about. 

Has the preferred storytelling medium shifted from film to television? Zoomar tracked down a couple of millennials to confirm. Is it classic millennial laziness that makes TV a better device to consume? Morgan Roussos and Jack Ross join Zoomar to break down their overrated and underrated and try to defend their generation. 

[Spoilers] The Last Jedi came out last week and Zoomar breaks down the latest installment in the franchise, plus the overrated and underrated films in the Star Wars canon. Was the Last Jedi a critical success and fan disaster? SW fanboy Walter Kosc brings the heat in this review of Episode VII. 

For many people, Danny Boyle represented the fresh and visionary director that the 1990's were waiting for. San Francisco icon Renee Richardson breaks down the over and underrated from the Boyle cannon. What ranks as the crowd favorites from a director that created such visionary movies as ceiling babies and running Indian game show contestants? Zoomar discusses what makes Boyle still resonate with his fans. 

Resident horror movie expert, Rich Zeoli, joins Zoomar to break down the new bloodless horror revival, where suspense is king. 

Vad händer på börsen? Aktiestrateg Martin Guri zoomar in mot 2018 och 2019 Mitt under rapportfloden för tredje kvartalet 2017 är det nu dags att prata om en ny strategirapport som tittar in 2019 och vad börsen kommer att handla om 2018. Hör chefsanalytiker Martin Guri analysera detta och annat tillsammans med Martin Björsell, Head of Equity Strategy & Quant. Disclaimer All opinions and estimates in this podcast are, regardless of source, given in good faith, and may only be valid as of the stated publication date and are subject to change without notice. The podcast is intended only to provide general and preliminary information to investors and shall not be construed as the basis for any investment decision. This publication or report has been prepared by Nordea Markets as general information for private use of investors to whom the publication or report has been distributed, but it is not intended as a personal recommendation of particular financial instruments or strategies and thus it does not provide individually tailored investment advice, and does not take into account the individual investor’s particular financial situation, existing holdings or liabilities, investment knowledge and experience, investment objective and horizon or risk profile and preferences. The investor must particularly ensure the suitability of an investment as regards his/her financial and fiscal situation and investment objectives. The investor bears the risk of losses in connection with an investment. Before acting on any information in this publication or report, it is recommendable to consult one’s financial advisor.

What are the most overrated and and underrated baseball movies of all time? Mike Bertha joins Zoomar to twist the knife in the side of your favorite childhood memories. 

Podcast creator, Spike Eskin, joins Zoomar to discuss the most overrated and underrated actors of this generation (non-legendary). Who makes the cut and who deserves the cutting room floor? Find out in this meandering discussion of what makes an actor great. 

Improv specialist Nick Rowley joins Zoomar to discuss the most delightfully annoying creator of films that we have found to love. The master of the mockumentary, we celebrate the oeuvre of Christopher Guest with a countdown of his most overrated and underrated films, to date. 

What are the most overrated and underrated performances of Ben Affleck? Radio producer and music reviewer Michael Cerio takes time form his busy media schedule to make an emotional plea for the acting skills of Ben Affleck. 

Fan boy and comic book nut, Corey Purcell, joins Zoomar to discuss the most overrated and underrated comic book movies of all time. 

Onsdagens program handlar om S lite okända tvilling: Z. För Z varken syns eller hörs speciellt ofta. Ständigt blir Z utknuffad av populära syskonet S, som är lite mjukare i kanterna och ligger bättre i munnen. Man kan ju förstå att Z deppar ihop, behövs hen överhuvudtaget? JA, Z kom igen nu, klart du gör! För hur coolt skulle det vara med zombies, Zorro eller Zlatan utan dig? Inte speciellt coolt. Det är ju dessutom du som är svänget i jazz och kryddan i pizza. Så zip it alla haters!