Podcasts about art artists

Just this past week, tech giant Google unveiled its new AI music tool, ”Music AI Sandbox,” which the company says will be “the ultimate collaborator” for musicians.It's an example of how rapidly AI is integrating into the art world — for better or for worse.MPR News guest host Chris Farrell and his guests talked about what the rise of artificial intelligence means for artists, musicians, actors and writers.

In this episode, Adult Services Assistant Department Head talks of her love for Leonardo (da Vinci no DiCaprio) and Vinnie van Gogh. Lynette's Book Recommendation: James by Percival Everett

Rajan Sakya is the CEO of KGH Group of Hotels, Resorts & Travel and founder of the Museum of Nepali Arts (MoNA). He shares the story behind the unexpected beginnings of MoNA and the compelling reasons behind its establishment, even though it wasn't part of their business vision. In this insightful conversation, he delves into the declining interest and passion for art in Nepal, shedding light on the challenges faced by the artistic community. He also explores ways to revive Nepal's rich cultural heritage and ignite a renewed appreciation for art.

Delve into the evolving landscape of artistic creation as artists unite in an open letter to Congress, championing generative AI. Discover how AI is reshaping the boundaries of creativity and empowering artists to explore new realms of expression. Get on the AI Box Waitlist: AIBox.aiJoin our ChatGPT Community: Facebook GroupFollow me on Twitter: Jaeden's Twitter

Support the show

MC is closing down 2022 with a one-hour special -- a breezy, somewhat geeky, opinionated, and taped-live-in-the-studio conversation between host Jeff Martin and producer Scott Gregory. The discussion topic is outstanding LP covers as rendered by known and/or notable artists. Kind of a long title, of course, but you get the idea -- and it's a pretty fun listen. With a few tangents, yes, but with lots of tasty music clips as well. Kick back, relax, and turn it up.

"We all have reasons for moving. I move to keep things whole." - Mark Strand"Have you guys seen the new squeezable sauerkraut?!?" - MeLINKS:Purchase Mark Strand's "Selected Poems" HERE.Check out my Artforum review!Buy a "ME READING STUFF" shirt or sweatshirt HERE. See my drawings in "HELL and the Paradisal" HERE.Get free shipping on all books in my SHOP! (use Coupon Code "BOOK")Check out Easton's Books in Mount Vernon, Washington HERE.Learn more about The Trevor Project!And here's my WEBSITE. 

This episode is also available as a blog post: https://thecitylife.org/2022/02/15/sfmoma-celebrates-art-artists-and-community-with-two-big-events-april-8-10/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Dancer, bodyworker, somatic educator and Art.coop co-organizer Marina Lopez joins us for episode 8 of Half Past Capitalism. Marina has been involved in solidarity economy organizing through Cooperation Humboldt in Northern California, and more recently in organizing an educational series following the release of the Art.coop report, "Solidarity Not Charity - Grantmaking in the Solidarity Economy". We discuss the role of art in the solidarity economy movement, the reception to the report, and what it's like to dance about an economy. Read the report: https://art.coop/report/ Follow @_artcoop on Twitter: https://twitter.com/_artcoop and Instagram: https://www.instagram.com/_artcoop/ * * * Half Past podcast links: https://anchor.fm/halfpastcapitalism Subscribe on Youtube; https://www.youtube.com/c/HalfPastCapitalism Patreon: https://www.patreon.com/halfpastcapitalism Twitter: http://www.twitter.com/druojajay Half Past Blog: http://halfpast.dru.ca/

Andrew Chisholm shares about encountering God's grace, presence and power through art in all its forms and the ministry of artists and artisans.

In this episode, we are in conversation with Diana Award Recipient of 2021, Afruza Tanzi. Tanzi works with an organization called Protibha as a Program Officer. The organization focuses on empowering women and artisans who can make a sustainable living through their talents. Afruza is working on challenging gender stereotypes and the stigma of working women by empowering women in marginalized communities to gain financial independence through skills training and workshops.

"A Theology of Art" "Artists of the world, may your manly different paths lead to that Ocean of beauty where wonder becomes awe, exhilaration, unspeakable joy." -St. John Paul II The same with our "Creator" we too are creators. Artists made in the image and likeness of the perfect artist, called to participate in the grand work of Art that He is continuously forming and creating. Join me as I talk about Art and the source of the intrinsic human trait of creativity. And many more! See you mga #kaholy! #TheologyTambayan #TheologyofArt #SeasonFive Part 2 of 2

"A Theology of Art" "Artists of the world, may your manly different paths lead to that Ocean of beauty where wonder becomes awe, exhilaration, unspeakable joy." -St. John Paul II The same with our "Creator" we too are creators. Artists made in the image and likeness of the perfect artist, called to participate in the grand work of Art that He is continuously forming and creating. Join me as I talk about Art and the source of the intrinsic human trait of creativity. And many more! See you mga #kaholy! #TheologyTambayan #TheologyofArt #SeasonFive Part 1 of 2

Cassandra Jones is an Ojai artist with a list of exhibits and permanent collections that would go on for days. Most proximately, she is the first artist-in-residence at Taft Gardens, the acclaimed westside Mediterranean flora showcase. She is also the wife of Wilco keyboardist Mikael Jurgensen and a mother, a task made harder by quarantine confinement. We cover a lot of ground in our talk - the dawn of modern design, including the Bauhaus movement, that emerged from the pandemic of 1918 and its lessons for today, working and creating during the current pandemic, the Renaissance, Greece and Los Angeles. Mostly we discuss our growing anticipation for what comes next - the feeling that Ojai is about to burst into bloom after this hard year. Among our references: Derek DelGuadio's amazing show on Hulu, "In & Of Itself," with its incredible illusions, sleight-of-hand and storytelling that transcends description; Boccacio's "Decameron," Vasari's "Lives of the Saints," and Andrew Bird. You can check out Cassandra's work at cassandracjones.com.

On this episode, in the wake of India's 71st anniversary as a republic, we'll speak about the farmers' protests that have been raging across the country for more than two months now in opposition to the three farm laws enacted in September 2020. I speak to Shweta Bhattad, a farmer and visual artist, performer, sculptor and founder member of the Gram Art Project collective, a group of farmers, artists, and other members of the community based in her village of Paradsinga in Madhya Pradesh. With a focus on issues of women's safety, education and the female body, Shweta works with agricultural materials and roots her artistic practice in the context of rural cultivation as a political, social and economic mode of life. She has exhibited widely, including at the Vancouver Biennale in 2014 and at KHOJ, New Delhi in 2017 as part of Evidence Room, a retrospective of a five-year public art initiative called Negotiating Routes: Ecologies of the Byways. Along with her co-founders of the Gram Art Project, Shweta won the FICA Public Art Grant in 2015 for India's first land art festival, the Gram Dhara Chitra Utsav. On today's episode, we discuss her artistry and farming work as well as the Gram Art Project's initiatives, against the backdrop of the farmers' protests. Click here to access the Image Guide+ and view the images and material being discussed in the podcast: https://sites.google.com/view/artalaap-podcast-resources/episode-3. Click here to access the time-stamped English language transcript here: https://cutt.ly/PkkDWDf Credits: Producer: Tunak Teas Design & artwork: Mohini Mukherjee Marketing: Dipalie Mehta Musical arrangement: Jayant Parashar Images: Shweta Bhattad & the Gram Art Project Audio courtesy: Vernouillet by Blue Dot Sessions [CC BY-NC 4.0] Translation and transcription: Akansha Naredy Additional support: Kanishka Sharma, Amy Goldstone-Sharma, Raghav Sagar, Shalmoli Halder, Arunima Nair References: Kabir Jhala, 'How an artist-led newspaper in Delhi is helping to organise the 'world's biggest protest', The Art Newspaper, 25 January 2021. Kamayani Sharma, 'A Good Harvest', Take On Art: Take Ecology, January-June 2017. Snigdha Poonam. 'Suicide Town', Huffington Post, 1 June 2016. Vandana Kalra, 'How the farmers' protest found resonance in art', The Indian Express, 17 January 2021. Jacques Rancière, The Politics of Aesthetics: The Distribution of the Sensible, trans. Gabriel Rockhill, Continuum (London, New York), 2004.

In Latinx Art: Artists, Markets, and Politics (Duke UP, 2020), Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Latinx Art: Artists, Markets, and Politics (Duke UP, 2020), Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Latinx Art: Artists, Markets, and Politics (Duke UP, 2020), Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Latinx Art: Artists, Markets, and Politics (Duke UP, 2020), Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Latinx Art: Artists, Markets, and Politics (Duke UP, 2020), Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Latinx Art: Artists, Markets, and Politics (Duke UP, 2020), Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is impossible to separate the workings of the art world – and what these institutions deem valuable — with the compounding racist, sexist, and classist ideas that run through American society. For artists who identify with the pan-ethnic category of Latinx, institutional marginalization in the contemporary art world brings forth urgent questions around the politics of identity, the marketing of ethnicity, and the future of arts institutions. To unpack these dynamics, we spoke to cultural anthropologist and NYU professor Dr. Arlene Davila, about her new book, "Latinx Art: Artists, Markets and Politics" from Duke University Press. Our listeners get 30% off their purchase of "Latinx Art" on the Duke University Press website by using the code "E20DVILA" at checkout https://www.dukeupress.edu/latinx-art Follow Professor Davila on Twitter @ArleneDavila1

In this episode, Kristen and Kyla received 5 recordings from artists discussing how the pandemic has affected their lives so far.Recorded in May:Lydia Hall- an actor trained in musical theatre. London, UKLisa Buchfink - a visual artist. Edmonton, CanadaRecorded in June:Brad Fehr - a visual artist. Edmonton, CanadaRecorded in July:Panthea Vatandoost - an actor for television, film, and theatre, and a founder and artistic director for Medusa Theatre Society. Vancouver, CanadaJagen Johnson - an actor for film, television, and voiceovers. Vancouver, Canada Website: https://www.pullback.org/research/artistscovidTwitter: https://twitter.com/PullbackPodcast Instagram: https://www.instagram.com/pullbackpodcast/?igshid=i57wwo16tjko Facebook: https://www.facebook.com/PullbackPodcast/ Pullback is produced and hosted by Kristen Pue and Kyla Hewson. Logo by Rachel Beyer and Evan Vrinten.

In this episode, Kristen and Kyla are joined by Nisha Patel, Edmonton's Poet Laureate, to discuss how artists are being affected by COVID-19. Follow Nisha on Instagram or Twitter @AnotherNisha.Website: https://www.pullback.orgNisha's Links: https://www.nishapatel.ca/ and https://www.moonjellyhouse.ca/Twitter: https://twitter.com/PullbackPodcast Instagram: https://www.instagram.com/pullbackpodcast/?igshid=i57wwo16tjko Facebook: https://www.facebook.com/PullbackPodcast/ Pullback is produced and hosted by Kristen Pue and Kyla Hewson. Logo by Rachel Beyer and Evan Vrinten.

Creativity and Environment. Creatives know that their environment and surroundings have a huge impact on their creativity and creative output. In this episode of Creative Happy Hour, cohosts Karena Akhavein and Micah Black examine the history of landscape art and of landscapes in art, from the Dutch Masters to the Impressionists, to David Hockney and Christo and Jeanne Claude, and talk about how artists, creatives, and creative entrepreneurs are impacted by their environment. How does light inspire artists? How do corporations try to make their environments more conducive to creative thought? And why do those efforts often fail? What are some of the issues with installation art that interacts with the landscape? The answer to these questions and more in this episode of Creative Happy Hour. Join us and get drunk on the creative possibilities.

Terrell & Demi attempt to talk black artists and queerness. Buuuuut... idk, we’re a mess. We did manage to talk Toni, Kara Walker, the white gaze, and our personal forays into art. It’s another long one, but tune in anyway? And chime in about possible format changes! (See backend of the episode.) Intro/Outro music “Throw That Boy Pussy” - Fly Young Red --- Send in a voice message: https://anchor.fm/thatgayshit/message Support this podcast: https://anchor.fm/thatgayshit/support

A whole new appreciation for Art & Artists. Great listener feedback about the kids from Art Buddies. An update on Sheila Weller's book about Carrie Fisher. Val Kilmer announces new memoir.

Art, what is it? Artists, who are they? The creative process is a strange, mysterious, and sometimes intimidating thing. It may not take talent to make art, but it does seem to take a sense of reckless abandon.  topics include: title of artist, artistic talent, visual art, performance art, music, concept, color, design, art school, Bob Dylan, Rolling Thunder Revue, Bohemian, doing strange things, social experimentation, pentagram, four elements, spirit, human hand, thumb, mind, consciousness, philosophy, science, religion, alchemy, decay, nature, artifice, raw materials, medium 

Welcome to Episode 9 of the Arty Anglais Podcast. The Podcast where we talk about art, culture and society to help you learn English naturally. This week I'm talking about reading and I'm happy to share an interview I had with Eli Castelli who wrote the book 'There is No F in ART. I'll talk a little about conceptual art before sharing the interview with Eli. We'll talk about:Why he wrote the book and all about the book coverHis trips to The Tate Modern in LondonWhy he thinks art should be for everyone; and Reverse shoplifting We talk lots about artists and how clever they are and how they provoke their audiences. Some of the artists and places you'll hear him and myself talk about include:The Tate Modern in London Urban Nation in Berlin Marcel DuchampMichelangelo and the Sistine ChapelBanksy (The Street Artists) & The Shredder incident Charles Saatchi Jeff Koons Damien HirstJackson Pollock  You can find the transcript with images for today's episode here. Don't forget to subscribe on iTunes or Spotify and leave us an evaluation to help grow the podcast so more people can find us. You can get in touch with Tara at info@artyanglais.com

Today we dive into some of the ethical dilemmas in the music industry to create awareness of our societal responsibility to know the real stories behind the music and artists we're listening to. Don't forget to SUBSCRIBE, SHARE the podcast with a friend and leave a 5 STAR RATING with a positive comment!

Listen to episode 317 of the Inspirational Living podcast: The Springs of Joy | Art, Artists & Poetry. Edited and adapted from The Springs of Joy by Robert F. Horton. Inspirational Podcast Excerpt: Welcome to the Inspirational Living podcast. If you are looking to buy a Christmas gift that will be treasured for years to come, and perhaps even passed down through generations, now is the time to purchase one (or all three) of our inspirational books of life lessons. Buy now and you can get 30% off the purchase price by using the coupon code LIVINGHOUR30. Learn more at our website InspirationalLifeLessons.com. Today’s reading was edited and adapted from The Springs of Joy by Robert F. Horton, published in 1915. There is a higher truth. There is a realm of reality which is lifted above the things perceived by our senses and the experiences of human life. There is a joy and light and music in the waters, which do not rise within the city but come from the eternal hills beyond. It is that kind of everlasting joy which I would like to talk about today. It must be evident to everyone that we can only maintain joyfulness by living above the actual facts and events of human life. If we are immersed in them (completely immersed), there cannot be perpetual joy. There may be an occasional touch of pleasure. There may even sometimes be rich, transient delights. But human life is so constructed of cares and sufferings and sorrows that (if we are to live completely immersed within it) perpetual joy is impossible. Very few days can pass for any of us without cares and anxieties, even about the mere way in which we are to live. Complications of business; distractions; intrusions; the worries of the household; a thousand things come pressing in upon us every day and disturb our peace. The apprehension of the future, the anxiety for those we love, things which are perfectly natural and inevitable, will keep care always seated behind us. Therefore, it is evident that joy cannot be perpetual unless it is drawn from a source that is above care. Now, I hear someone saying, “How is it possible to rejoice if death comes, and those whom we love are taken from us? What possibility is there of joy? Joy cannot be lasting when disease and death are always within reach.” Well, with that being true, it must be perfectly evident that if joy is to be perpetual it must be derived from a source that is also entirely above both death and disease. But now I hear someone saying that there are also sorrows — sorrows often much keener than cares or physical pains or even bereavements. Sorrows enter into most human lives — hopeless, irreparable sorrows. We miss all we desired; we are disappointed in every plan and scheme; we feel the burden of all this unintelligible world; we listen to the low, sad music of humanity until it seems to move the soul to perpetual tears....

What is gentrification? How far are artists complicit - wittingly or not - in processes of social cleansing? What can artists do to fight it? Juliet talks to artist-academic Alberto Duman (http://www.albertoduman.me.uk/main.htm) and 'Savage Messiah' author/artist Laura Grace Ford (http://lauraoldfieldford.blogspot.co.uk/) about gentrification, and the role of artists within it. WORKS REFERENCED Colouring in Culture - http://colouringinculture.org/ #NovaraFM on decapitalism - http://novaramedia.com/2017/12/17/nina-power-decapitalism/ Agit-train (Dziga Vertov & Aleksandr Medvdkin) - https://en.wikipedia.org/wiki/Agit-train Archigram, Plug-In City - https://www.archdaily.com/399329/ad-classics-the-plug-in-city-peter-cook-archigram Walter Benjamin Embassy Court (Brighton) - http://www.embassycourt.org.uk/ Mark Fisher (k-punk) on rave - http://k-punk.abstractdynamics.org/archives/009782.html RICHARD FLORIDA, The Rise of the Creative Class (2002) - https://en.wikipedia.org/wiki/Creative_class Walter Gropius Stewart Home - 'Keep Hackney crap' - http://www.uncarved.org/blog/2009/08/keeping-hackney-crap/ ANTHONY ILES & J. BERRY SLATER, No Room to Move: Radical Art and the Regenerate City (2009) - http://www.metamute.org/editorial/articles/no-room-to-move-radical-art-and-regenerate-city JANE JACOBS, The Death and Life of Great American Cities (1961) Fredric Jameson Huw Lemmey - https://www.theguardian.com/profile/huw-lemmey GAVIN MUELLER, 'Liberalism and Gentrification' - https://www.jacobinmag.com/2014/09/liberalism-and-gentrification/ DOUGLAS MURPHY, Last Futures (2016) - https://www.theguardian.com/books/2016/jan/13/last-futures-douglas-murphy-review ALISON & PETER SMITHSON, Robin Hood Gardens - https://www.youtube.com/watch?v=UH5thwHTYNk John Wild - http://www.codedgeometry.net/johnwild/

Motorcycles, Art/Artists, Dancing, Music, Stunts, Freestyle BMX, Drag Racing, Flat Track, Crashes, Drama- This episode has it all. Welcome to episode 99! This is a wrap. In the studio we have OC Jenn (@skeeterhornacek on IG) to help us wrap up a few motor-related issues. In this episode we wrap up: 1. The motor challenge - Even though Chris won the motor challenge 4 -1, he still wanted to pull out some finishing moves (a-la Mortal Kombat) and smash my already pulverized list of "zany" motors to bits. I'll allow it. This week the NR500/NR750 wheelies right over the 1921 Megola radial engined "motorcycle". 2.As EICMA wraps, we'll talk about a couple of bikes that we have no idea about. With IMS coming up next week, we'll have more for you after that. 3.The inaugural and penultimate SoCal motorcycle event rolled through town- Twisted Throttles took over Ramona/Barona in San Diego County. We were there taking in all of the festivities, and we'll give you a wrap up of what went down. There were RWYB Drags, Flat Track, lots of vendors, awesome camping, rural rides, classy Burlesque, Music, BMX, etc. Let's not forget one of the most important components - the artists that make Creative Riding, well...creative! Painter Rick Ortiz: Mixed media on wood instagram: @SAE_CA web: www.blackbird5150.com Photographer Bradley Petruchik Photos galore! Nicest guy ever! instagram: @bradleympetruchik Illustrator Nate Biccum Rad moto illustrations. A comedian waiting to happen! instagram: @n8biccum and #n8illustrate Illustrator Caroline Perron quirky mixed media, oui oui! instagram: @caro74happy Thanks to @Twisted_Throttles_So_Cal , Brian, Blake and the whole crew for putting on the first of many cool events. Also thanks to co-host Chris (@wiggzero9) and Jenn (@skeeterhornacek) for hanging out at the event, and Geoff Patrick for all the banter and just plain hanging out in the pits. What a week... now on to IMS. check us out: web: www.creative-riding.com twitter: @Creative_Rider tumblr: www.creative-riding.tumblr.com FB: @CreativeRidingPodcast IG: @creativeridingpodcast email: creativeridingpodcast@gmail.com and of course find, rate and review us any podcast platform. -Cheers

On September 24, Bryan Pierce continued in the series, "Truth in Art: Artists" by taking a look at Frida Kahlo.

On September 17, Bryan Pierce used the example of Edvard Munch as part of the Truth in Art series focusing on artists.

On September 10, Bob Burns took a look at Mako Fujimaro and the concept of beauty as part of the, "Truth in Art: Artists" series.

On September 3, Bryan Pierce started a new series titled "Truth in Art: Artists." This week, he specifically took a look at Picaso.

Christina Rees and Rainey Knudson discuss celebrities doing performance art, and the issue of artists gentrifying poor neighborhoods. Also discussed: killing animals for food + favorite music videos from the 80s!

Manuscript, Archives, and Rare Book Library (MARBL) of Emory University recently acquired two major collections related to African American art and art history - the papers of artist John Biggers and of collector and arts patron Paul R. Jones. Hazel Biggers and Amalia K. Amaki discuss the importance of preserving papers related to artists and art history.