Podcasts about candice breitz

Join us for part 2 of this Panel on wtf is going on in Germany. My German guests include Ilyas who is a German Muslim, Claus is a German who was raised with very right-wing views but has since shed them, and we also have John who has a Master's degree in German Studies and lived there as an exchange student. We discuss aspects of German identity, history, nationalism and the thinking behind some of the blind and bizarre support we see for Israel, the stifling of pro-Palestinian views - especially in the arts, the treatment of left leaning Jewish people who are critical of Israel, the Herero & Nama genocide, the ICJ, ex-muslims & ‘liberal' Muslims in Germany becoming tools of the right, & more. —— All guests on the Aftershow are Patrons of the Polite Conversations. Truly amazing to get to chat with fascinating patrons of the show from all around the world. Subscribe via Patreon to access the full episode. If you enjoy the show pls consider supporting via patreon.com/nicemangos and/or leaving a review on Spotify or Apple Podcasts. _____ Links: In case u are unfamiliar with trump-voting ‘liberal muslim' Asra Nomani, here's a book she wrote https://x.com/ilyasibnkarim/status/1674447440785686530?s=61&t=w7q_ejvwZ_gCFj9WV50Lqw Masha Gessen: Hannah Arendt would not qualify for the Hannah Arendt prize in Germany today https://amp.theguardian.com/commentisfree/2023/dec/18/hannah-arendt-prize-masha-gessen-israel-gaza-essay Masha Gessen: In the Shadow of the Holocaust https://www.newyorker.com/news/the-weekend-essay/in-the-shadow-of-the-holocaust Germany officially recognises colonial-era Namibia genocide: https://www.bbc.com/news/world-europe-57279008 Germany Officially Recognizes It Committed Genocide In Present-Day Namibia https://www.npr.org/2021/05/28/1001233776/germany-officially-recognizes-it-committed-genocide-in-present-day-namibia How Germany's colonial genocide shapes Namibia today https://x.com/ayakibrahim/status/1746289541097415017?s=61&t=w7q_ejvwZ_gCFj9WV50Lqw Germany Is Known for Its Heavily Funded, Thriving Art Scene. But a Slew of Cancellations Is Threatening That Reputation: https://news.artnet.com/art-world/germany-cancellations-2407316 We're starting to see Germans assert that they are sole arbiters of Holocaust memory and understand it on a deeper level than Jewish descendants https://x.com/davidgross_man/status/1735312154905981153?s=61&t=w7q_ejvwZ_gCFj9WV50Lqw Germany: checkpoints in Palestinian neighbourhood https://x.com/ruairi_casey/status/1741813613843640496?s=61&t=w7q_ejvwZ_gCFj9WV50Lqw An association sponsored by the Federal Foreign Office calls for international law violations: https://x.com/hahauenstein/status/1747251240600506631?s=61&t=w7q_ejvwZ_gCFj9WV50Lqw Marione Ingram is an 88-year-old Holocaust survivor and peace activist who has been demanding a ceasefire in Gaza. She just had a series of talks canceled in Germany, for which she says she never got a real explanation. https://x.com/democracynow/status/1747983242186125383?s=61&t=w7q_ejvwZ_gCFj9WV50Lqw On Candice Breitz - Germany smothering the Arts: https://www.washingtonpost.com/world/2023/12/22/germany-antisemitism-israel-gaza-arts-censorship/ Candice Breitz https://www.theguardian.com/artanddesign/2023/dec/07/a-frenzy-of-judgement-artist-candice-breitz-on-her-german-show-being-pulled-over-gaza On Adam Bromberg: Germany is Criminalising Palestinian Solidarity https://tribunemag.co.uk/2023/06/germany-is-criminalising-palestinian-solidarity German official targets Jewish artist over alleged anti-Semitism for criticising Israel Occupation https://www.middleeastmonitor.com/20230202-german-official-targets-jewish-artist-over-alleged-anti-semitism-for-criticising-israel-occupation/

Brendel, Gerdwww.deutschlandfunkkultur.de, Fazit

Uma guerra pode fazer todo tipo de vítimas, não apenas mortos e feridos no campo de batalha ou entre os civis próximos. A Alemanha se orgulha por ser um país de cena cultural aberta e livre, sobretudo depois da reunificação levada a cabo em 1991. Entretanto, no passado recente, artistas e intelectuais têm manifestado preocupação diante do que descrevem como um clima de “repressão” por acusações que consideram exageradas de antissemitismo, o que teria se acentuado a partir de outubro deste ano, com o conflito envolvendo o Hamas, o governo israelense, o ataque terrorista de 7 de outubro e o bombardeio e ocupação da Faixa de Gaza, com vítimas civis tanto do lado israelense quanto do palestino.  Flávio Aguiar, analista políticoA reclamação dos artistas e intelectuais alcançou repercussão internacional graças a um artigo no New York Review of Books (19/10/2023) e uma reportagem no The New York Times (7 e 8/12/2023). O artigo é assinado por Susan Neiman, de origem judaica, diretora do Einstein Forum, organização acadêmica com sede em Potsdam, ao lado de Berlim, voltada para a cooperação internacional. Nele, a autora deplora que o esforço por combater o antissemitismo descambou para uma às vezes velada, às vezes ostensiva repressão contra quem manifeste críticas a Israel e ao governo israelense. Uma das bases deste desvirtuamento estaria em resolução adotada pelo Parlamento Federal que considera qualquer forma de boicote a Israel como um ato antissemita; outra base seria também a consideração de que a segurança de Israel tornou-se uma “razão de Estado” na Alemanha, o que implica um apoio incondicional às ações daquele país e de seu governo. A partir daí, qualquer declaração ou ação de artistas ou intelectuais que propiciem uma acusação ou sequer suspeita de antissemitismo leva à exclusão dos autores dos planos de fomento - financiamento - público de atividades culturais, venham a acusação ou a suspeita de onde vierem. Aponta ela que esta prática vem ocorrendo já há alguns anos no país.Casos A reportagem do The New York Times lista uma série de casos de artistas que tiveram exposições ou premiações canceladas, ou suspensas por fazerem declarações consideradas hostis a Israel depois do ataque de 7 de outubro e da retaliação israelense em Gaza e na Cisjordânia ocupada. Também comparece à lista pelo menos um caso de artista que fez anos atrás uma declaração considerada hostil a Israel. Um dos casos mais contundentes listados no jornal é o da artista judia sul-africana Candice Breitz que, por ter criticado a retaliação de Israel em Gaza, teve sua exposição, prevista para 2024, cancelada no estado de Saarland. Diga-se de passagem que a exposição nada tinha a ver com a questão palestina ou israelense, versando sobre prostituição na África do Sul.O antissemitismo continua sendo um problema ora latente, ora explícito na Alemanha, assim como em outros países, e merece repulsa, assim como a islamofobia ou qualquer outra forma de discriminação racial, cultural, política, religiosa, de gênero ou ainda outras. O problema, aponta Neiman em seu artigo, é que esta preocupação vem descambando para o que chama de uma forma de “histeria” que promove ou aceita qualquer tipo de denúncia, com ou sem fundamento, como motivo suficiente para cancelar atividades ou personalidades de iniciativas culturais.Artistas e intelectuais de origem judaica, além de outras e outros, têm se manifestado em favor do diálogo ao invés da exclusão. A ministra da Cultura alemã, Claudia Roth, também se manifestou em favor de uma maior tolerância, afirmando que a exclusão deva ser um último recurso, ao invés de algo liminar. Entretanto, o problema persiste, uma vez que curadores de arte e diretores de museus ou outras instituições culturais temem perder o apoio institucional caso alguma de suas atividades levante uma sombra de suspeita de antissemitismo.Problema também em outros paísesO problema não é só da Alemanha. Em novembro, o conhecido artista chinês Ai Wei Wei, que apoia as reivindicações dos palestinos, teve uma exposição em Londres cancelada porque seus patrocinadores consideraram que este não era “o momento oportuno” para fazê-la, diante de apreensões por ele formuladas sobre a situação dos palestinos na Faixa de Gaza. Disseram respeitar o artista, e que considerariam a conveniência de retomar a iniciativa em outra ocasião. Nos Estados Unidos, denúncias da deputada do Partido Republicano por Nova York Elise Stefanik, uma entusiasta apoiadora de Donald Trump, levaram à convocação pela Câmara de três presidentas de universidades norte-americanas, Harvard, Princeton e o MIT, Massachussets Institute of Technoogy.As três foram acusadas de não porem ênfase suficiente na condenação do eventual ou suposto antissemitismo em manifestações pró-palestinos entre seus estudantes. Em consequência, a presidenta da Universidade de Princeton, Elizabeth Magill, renunciou. A deputada republicana comemorou: “Uma já foi”. Há quem veja nisto o renascimento do macarthismo repressivo dos anos 50, de triste memória. 

Das Saarlandmuseum hat eine für 2024 geplante Ausstellung der jüdischen Künstlerin Candice Breitz abgesagt – wegen angeblich kontroverser Aussagen zum Gazakrieg. Unser Kunstkritiker Carsten Probst kritisiert die zahlreichen Absagen auf Verdacht. Probst, Carstenwww.deutschlandfunkkultur.de, Fazit

How can art institutions adapt to meet the changing cultural landscape in the coming decades, and what are the new models that will evolve to fill these needs? Fotografiska, a private, for-profit photography museum, is offering a novel possibility. Fotografiska's self proclaimed mission is to offer a unique cultural destination where people can discover world class photography alongside one of a kind programming with top tier restaurants and bars on site. With expanded late night hours open until 11 p. m. on Fridays and Saturdays, Fotografiska believes it gives the public a more flexible platform for encountering culture than the traditional, often sterile museum setting. But it's a model that's not without skeptics, who worry that prioritizing experienced culture risks undermining curatorial rigor. Founded in Stockholm in 2011, today Fotografiska is a global enterprise with locations in Tallinn, Estonia and New York City, and the international expansion continues with a Berlin outpost that opened just last month with exhibitions by celebrated artists including Juliana Huxtable and Candice Breitz at the Kunsthaus Tascheles—a destination with a unique cultural history for the city. The museum's first location in Asia is also set to be unveiled this month in Shanghai. Behind Fotografiska's ascent is Yoram Roth, the institution's chairman, and a Berlin based entrepreneur focused on arts and culture. With a career background that ranges from entertainment and music production to publishing, Roth brings a dynamic energy, unique vision, and infectious attitude to the art sphere. This week, Artnet editor Katie White spoke to Roth about Fotografiska, and a new era of cultural experiences.

How can art institutions adapt to meet the changing cultural landscape in the coming decades, and what are the new models that will evolve to fill these needs? Fotografiska, a private, for-profit photography museum, is offering a novel possibility. Fotografiska's self proclaimed mission is to offer a unique cultural destination where people can discover world class photography alongside one of a kind programming with top tier restaurants and bars on site. With expanded late night hours open until 11 p. m. on Fridays and Saturdays, Fotografiska believes it gives the public a more flexible platform for encountering culture than the traditional, often sterile museum setting. But it's a model that's not without skeptics, who worry that prioritizing experienced culture risks undermining curatorial rigor. Founded in Stockholm in 2011, today Fotografiska is a global enterprise with locations in Tallinn, Estonia and New York City, and the international expansion continues with a Berlin outpost that opened just last month with exhibitions by celebrated artists including Juliana Huxtable and Candice Breitz at the Kunsthaus Tascheles—a destination with a unique cultural history for the city. The museum's first location in Asia is also set to be unveiled this month in Shanghai. Behind Fotografiska's ascent is Yoram Roth, the institution's chairman, and a Berlin based entrepreneur focused on arts and culture. With a career background that ranges from entertainment and music production to publishing, Roth brings a dynamic energy, unique vision, and infectious attitude to the art sphere. This week, Artnet editor Katie White spoke to Roth about Fotografiska, and a new era of cultural experiences.

A Bruxelles, à la Centrale, centre culturel dédié à l'art contemporain, on découvre l'exposition ‘Extra'. Mehdi-Georges Lahlou et l'artiste sud-africaine Candice Breitz nous présentent des sculptures, des dessins, de gravures, des photos d'archives retravaillées, des installations et vidéos qui explorent la représentation de la violence, ses conséquences sur la géopolitique actuelle et appréhendent le rôle crucial de l'archive dans l'élaboration de notre mémoire collective. Rencontre ensuite avec Maxime Delvaux, photographe d'architecture qui parcourt les quatre coins du globe pour nous parler, dans ses images, d'urbanisme, d'architecture patrimoniale et contemporaine. Chez Accattone, il vient de publier un ouvrage coédité avec Architecture Curating Practice, qui rassemble cinq destinations architecturales, cinq séries photographiques dont les noms donnent leur titre au livre : CHÂTEAU DE CHAMBORD, DILMUN BURIAL MOUNDS, JOŽE PLEČNIK, RÍO TINTO, VICTOR HORTA. Réalisation Fanny Lacrosse

Brinkmann, Sören; Fricke, Annawww.deutschlandfunk.de, CorsoDirekter Link zur Audiodatei

Vorurteile weißer Menschen gegenüber Schwarzen und People of Color stehen im Zentrum einer Videoinstallation von Candice Breitz. In der Ausstellung "Whiteface" im Museum Folkwang demontiert die in Südafrika geborene Künstlerin rassistische Mantras.Von Sabine Oelzewww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

South African artist Candice Breitz talks to Ben Luke about the artists, writers, musicians, film-makers and other figures that have influenced her and inspire her today, and the cultural experiences that have defined her life and work. Breitz is a film-maker whose work, mostly in the form of video installations, explores selfhood and identity, community, race and gender, and reflects on how mass media like television, cinema and music shape our response to them. Among much else, she discusses her recent work Digest, and how it was influenced by the Middle Eastern folk tales One Thousand and One Nights and On Kawara's Today series, or date paintings. She reflects on the power of Octavia Butler's speculative fiction and her complex response to the South African novelist JM Coetzee. She talks about her video works telling the stories of refugees and sex workers. And she discusses growing up in Apartheid South Africa and its bearing on her choice of subjects and media. This episode is sponsored by Bloomberg Connects. See acast.com/privacy for privacy and opt-out information.

Autor: Reinhardt, Anja Sendung: Kultur heute Hören bis: 19.01.2038 04:14

Din ugentlige kulturelle anbefalings-buffet. Værter på Poptillægget Lucia Odoom og Eva Eistrup anbefaler og linker løs til alt, hvad de læser, ser og lytter til og samler desuden både gæster og lytternes bedste anbefalinger af tv, film, musik, podcast og tidstypisk internetstøj i en stor, fråderen bunke.  Eva Eistrup anbefaler:To bonus-podcasts til dem der er besatte af NXIVM-kulten: Uncover: Escaping NXIVM og NXIVM on trial Bogen ‘I Like to Watch’ af The New Yorker-journalisten Emily Nussbaum. Tv-serien 'Buffy the Vampire Slayer og Emily Nussbaums fremragede essay om serien.  Lucia Odoom anbefaler: Den svenske Netflixserie ‘Snabba Cash’ Sangerinden Erika de Casier og hendes klaptelefon-R’n’B Politikens kunstkritiker Mathias Kryger anbefaler: Arthur Jafa på kunstmuseet Louisiana Løber fra den 21. april til 31. oktober 2021. Toyin Ojih Odutola – Modvægtens teori På museet Kunsten i Aalborg: 21. april til 30. maj 2021 This is not Africa - Unlearn what you have learned Aaiún Nin, Athi-Patra Ruga, Barthélémy Toguo, Bernard Akoi-Jacson, Billie Zangewa, Bolatito Aderemi-Ibitola, Bronwyn Katz, Candice Breitz, Dan Halter, Euridice Getulio Kala, Grada Kilomba, Jeanette Ehlers & La Vaughn Belle, Kapwani Kiwanga, Kelvin Haizel, Meschac Gaba, Moffat Takadiwa, Nástio Mosquito, Njideka Akunyili Crosby, Molan Oswald Dennis, Robel Temesgen, Sammy Baloji, Sethembile Msezane, Tabitha Rezaire, Tracy Naa Koshie Thompson og Zanele Muholi. Løber fra 21. april til 24. oktober 2021   

Das englische Wort für Entbindung ist „Labour“ – „Labour“ bedeutet aber auch „Arbeit“ und dass so eine Geburt harte Arbeit ist, davon können sich alle jetzt mit eigenen Augen überzeugen. Die Künstlerin Candice Breitz hat für ihre Videoarbeit „Labour“ Frauen bei der Geburt gefilmt in allen blutigen Details.

Themen u.a.: Videoinstallation "Love Story" von Candice Breitz; Musikfest der Bundeswehr mit Johannes B. Kerner; Musikerin Amanda Palmer in Essen; Service Serie: "The Spy"; Service Kino: "Systemsprenger"; Moderation Stefanie Junker

In this episode, we talk to artists who have sparked consciousness and debate around the ongoing suffering of displaced peoples. Drawing the Line discusses how art can act as an alternative vehicle to spread awareness and encourage change.Featuring interviews with Candice Breitz, Ben Quilty and Gabrielle de VietriFeaturing music by Behrouz Boochani. Journalist and poet Behrouz Boochani has been held in immigration detention on Manus Island for four years.Image: Ben Quilty, High Tide Mark (2016)Capture Podcast surveys the creative, sociocultural, and political concerns of local and international contemporary artists and designers.The podcast series is a collaboration between RMIT University and the National Gallery of Victoria.This episode was produced on the lands of the Wurundjeri people of the Kulin Nation. We would like to thank all our contributors and you for listening.

Hva skal til for å fange moderne menneskers oppmerksomhet? Dette er utgangspunktet fra Candice Breitz i verket Love Story som vises på Stavanger kunstmuseum her hjemme.

ART! This week we talk of art (visual) with Tim, Kat and Rob, including Tony Hart, GCSE coursework, Candice Breitz and Pop about Art. Featuring music from Art Brut, Solange Knowles, Marilyn Manson and Sportique! Here’s the Tony Hart clip we mention, it’s about three minutes in: Sorry Tony…

Submission for the Weigle Information Commons' 2009 Mashup Contest at Penn Libraries. The annual Mashup Contest celebrates student creativity with video and multimedia.