Podcast appearances and mentions of derek bermel

This Saturday and Sunday, the Albany Symphony presents Vivaldi's “The Four Seasons” - plus two brilliant recent works, “The History of Red” by Reena Esmail and “Murmurations” by Derek Bermel. Both concerts will be performed at the Troy Savings Bank Music Hall and will feature Baroque violin superstar soloists Ravenna Lipchik, Edson Scheid, Amelia Sie and Shelby Yamin.Music Director and conductor David Alan Miller joins us now along with two of the violinists Amelia Sie and Ravenna Lipchick.

ROCO performs new works by Derek Bermel, Marcus Maroney, Michael Abels, and others!

* * * Now you can subscribe to Harmonious World and help spread the word * * *Welcome to the latest episode of Harmonious World, featuring a conversation with composer and clarinettist Derek Bermel.Derek's latest album includes compositions for a range of ensembles and soloists and the first track I feature is Derek himself on clarinet. Intonations is a wonderful album.Thanks to Derek for allowing me to play extracts from Intonations alongside our conversation.Thank you for listening to Harmonious World. Please rate, review and share and don't forget that you can also subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showThanks for listening to Harmonious World. You can support the show by becoming a subscriber.Please rate and review wherever you find your podcasts - it really helps.Follow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

In the music of Derek Bermel, familiar oppositions – between classical and vernacular, comic and serious, visceral and cerebral – start to break down. In Intonations (2016) for string quartet, a series of ragged chords, like the sound of someone blowing idly on a harmonica, is taken apart, reassembled, and woven into a web of dazzlingly ornate counterpoint. In A Short History of the Universe (as related by Nima Arkani-Hamed) (2013), a raucous, jazzy glissando becomes the unlikely basis of meditation on cosmology and the nature of time. The music on this album is full of such moments of strange alchemy, in which seemingly antithetical qualities merge and transform each other unpredictably.Purchase the music (without talk) at:Derek Bermel (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Haley Taylor talks with Grammy nominated composer and clarinetist Derek Bermel about his new album Migrations. The album includes his Migration Series for Jazz Ensemble and Orchestra (2006); the song cycle Mar de Setembro (2011), with texts by Eugénio de Andrade; and the three-movement orchestral A Shout, a Whisper, and a Trace (2009), in performances by the Juilliard Jazz Orchestra, saxophonist Ted Nash, clarinetist Bermel, Brazilian jazz vocalist Luciana Souza, and the Albany Symphony under its music director, David Alan Miller.

COMPOSER Derek Bermel talks about his 1 Track, MIGRATION SERIES

Composer, clarinetist, and conductor Derek Bermel is a master architect of musical emotions with a great taste for 'interior design'; i.e. the details, nuances, and beauty he creates by bringing so much attention to detail to his rich orchestration. This episode centers on three of his compositions that have one thing in common: The Human Voice. Find out how his passion for the voice fuels his never-ending imagination to keep on creating.

Academy Award-winning composer and clarinetist Derek Bermel does a lot of traveling, soaking up the musical traditions as he goes. His recent album, Migrations, received a Grammy nomination in the Best Contemporary Classical Composition category. In this episode, Bermel teaches about composer Bela Bartok who inspired one of the pieces on the album. Bartok moved from his native Hungary to New York City at the outset of World War II, and while a lot of great music came out of his journey, his is also a really human story about being a stranger in a strange land. Bermel also talks about the migration of his own European Jewish family and how it influenced his work.

Haley Taylor talks with Grammy nominated composer and clarinetist Derek Bermel about his new album Migrations. The album includes his Migration Series for Jazz Ensemble and Orchestra (2006); the song cycle Mar de Setembro (2011), with texts by Eugénio de Andrade; and the three-movement orchestral A Shout, a Whisper, and a Trace (2009), in performances by the Juilliard Jazz Orchestra, saxophonist Ted Nash, clarinetist Bermel, Brazilian jazz vocalist Luciana Souza, and the Albany Symphony under its music director, David Alan Miller.

Haley Taylor talks with Grammy nominated composer and clarinetist Derek Bermel about his new album Migrations. The album includes his Migration Series for Jazz Ensemble and Orchestra (2006); the song cycle Mar de Setembro (2011), with texts by Eugénio de Andrade; and the three-movement orchestral A Shout, a Whisper, and a Trace (2009), in performances by the Juilliard Jazz Orchestra, saxophonist Ted Nash, clarinetist Bermel, Brazilian jazz vocalist Luciana Souza, and the Albany Symphony under its music director, David Alan Miller.

Raymond Bisha and composer Derek Bermel discuss the latter’s Migrations, a 3-work programme that observes the universal phenomenon of human transit through an eclectic mix of styles: Migration series depicts the movement of African Americans from the south to the north of the United States in search of a better life during the first half of the 20th century; Mar de Setembrounites the composer’s experiences of Brazil and Portugal through settings of melancholy poems reflecting the countries’ sea cultures; and A Shout, a Whisper, and a Trace is an orchestral work that embodies Béla Bartók’s experience of New York, his place of refuge during World War II, presenting an alternative view of the city through the eyes of an immigrant.

It's been described as one of the most remarkable collections of minds on the planet. It has a brilliant international faculty, but no students. Its researchers have made some of the most significant scientific discoveries of the 20th century, but it has never had a laboratory. Sally Marlow joins scholars for the start of a new term at The Institute for Advanced Study, Princeton New Jersey, conceived as a paradise for curiosity-driven research in mathematics, natural sciences, social science and history. The Institute has more than once been called an Intellectual Hotel, and that certainly captures its leisurely pace, but appearances can be deceptive. Scholars here have an extraordinary ability to work on what everyone else is looking at, but to see something differently. Since its founding in 1930, it's been home to a remarkable number of world-class thinkers, the most famous of whom was Albert Einstein who exerted a gravitational pull on attracting many scientists of promise to the Institute. From John von Neumann, widely credited with inventing the programmable computer, to J. Robert Oppenheimer, lead architect of the atomic bomb, to the surprise arrival of poet and playwright T.S. Eliot - the Institute's first Artist in Residence, Sally Marlow gets beneath the skin of some of its rich history and its extraordinary ethos, wondering how the weight of the past plays out on those bright minds there today. As a scholar herself at the Institute of Psychiatry, Psychology and Neuroscience, King's College London, Sally knows that space and time to think is becoming increasingly challenged, So what happens when you turn thinkers loose from the constraints of a traditional academic institution? And amidst the Institute's hotbed of string theorists, she seeks answers to Einstein's biggest, most tantalising question of all - whether there's a grand, all-embracing theory, a unified theory of everything, that will complete our understanding of the laws of the universe. Featuring interviews with Robbert Dijkgraaf, Director of the IAS, Myles Jackson, Professor of History of Science, Joan Scott Professor Emerita in the School of Social Science, particle physicist Nima Arkani-Hamed, Freeman Dyson, retired theoretical physicist , historian George Dyson , Christina Sormani, Professor of Maths at City University New York, archivist Casey Westerman and composer and former artist in residence Derek Bermel. Image courtesy of Dan King, Institute for Advanced Study

  Today, I'm so happy to bring you the incredible cellist Joshua Roman!  Joshua is a multifaceted artist with a remarkably vibrant career as a soloist, chamber musician, composer, curator, artistic director, and philanthropist!  In this episode, we discuss practicing purposefully and building a meaningful career, and he tells about the impact and mission of his popular Popper Etude Project and Challenge. As you'll see Joshua's journey and approach to music-making are rooted in authenticity and a sense of purpose and are highly inspiring!  I know you'll find value and a source for a deeper reflection in this conversation! In our discussion, Joshua elaborates on: How he feels that the multiple facets of his career are all parts of being a complete musician His beginnings in Oklahoma and his studies at the Cleveland Institute How it's we should follow our heart and use our skills to explore what we love - pushing passed the bounds of what we were “taught” and explore further What he thinks about building a meaningful career – how we get the career that we build Why it's important to figure out what we want and focus on that The importance of questioning ourselves, getting to know ourselves, exploring our passions, and see if and how we can incorporate them into our career “Find your voice and build your career around your voice” Why there is no luck: “it's a series of things that you build on” Why we need both to be prepared and get opportunities Some of the challenges he faced on the way to his dream career How important it was for him to feel like what he did mattered The Popper Project and the Popper Challenge – what and why How it turned into a way for cellists to come together and created a supportive and inspiring community “Why do we need to practice etudes at all” How he maximizes practice   MORE ABOUT JOSHUA: Website: https://www.joshuaroman.com/ YouTube channel: https://www.youtube.com/channel/UCFT1OzgeBtU69e5v6sIwSag Patreon: https://www.patreon.com/joshuaroman Facebook: https://www.facebook.com/joshuaromancello/ Instagram: https://www.instagram.com/joshuaromancello/   Biography Cellist / Composer / Curator Joshua Roman has earned an international reputation for his wide-ranging repertoire, a commitment to communicating the essence of music in visionary ways, artistic leadership and versatility. As well as being a celebrated performer, he is recognized as an accomplished composer and curator, and was named a TED Senior Fellow in 2015. Recent seasons have seen Roman perform recitals and concert with orchestras around the US and the world, including performances of Mason Bates's Cello Concerto (which was written for him) and his very own concerto.  Roman is also a very active chamber musician and shares the stage with today's finest musicians. Roman has demonstrated inspirational artistic leadership throughout his career. As Artistic Director of TownMusic in Seattle he has showcased his own eclectic musical influences and chamber music favorites, while also promoting newly commissioned works. Under his direction, the series has offered world premieres of compositions by some of today's brightest young composers and performances by cutting-edge ensembles. In the 2015-16 season at TownMusic he presented his own song cycle, … we do it to one another, based on Tracy K. Smith's book of poems Life on Mars, with soprano Jessica Rivera. He has also recently been appointed the inaugural Artistic Advisor of award-winning contemporary streaming channel Second Inversion, launched by Seattle's KING-FM to cultivate the next generation of classical audiences. The cellist additionally took on a new curatorial role last summer, as Creative Partner of the Colorado Music Festival & Center for Musical Arts. The same organization sponsored him in April 2016 at the 68th Annual Conference on World Affairs on the University of Colorado campus, where he contributed his innovative ideas about how classical music is conceived and presented.  Roman performed at the Kennedy Center Arts Summit that same month and is a member of the 2016 Kennedy Center Honors artists committee. Roman's cultural leadership includes using digital platforms to harness new audiences. In 2009 he developed “The Popper Project,” performing, recording and uploading the complete etudes from David Popper's High School of Cello Playing to his dedicated YouTube channel. In his latest YouTube project, “Everyday Bach,” Roman performs Bach's cello suites in beautiful settings around the world. He has collaborated with photographer Chase Jarvis on Nikon video projects, and Paste magazine singled out Roman and DJ Spooky for their cello and iPad cover of Radiohead's “Everything in Its Right Place,” created for the Voice Project. For his creative initiatives on behalf of classical music, Roman was named a TED Fellow in 2011, joining a select group of next-generation innovators who show potential to positively affect the world. He acted as curator for an outdoor amphitheater performance at the TED Summit in Banff in the Canadian Rockies this past summer. Beyond these initiatives, Roman's adventurous spirit has led to collaborations with artists outside the music community, including his co-creation of “On Grace” with Tony Award-nominated actress Anna Deavere Smith, a work for actor and cello which premiered in February 2012 at San Francisco's Grace Cathedral. His outreach endeavors have taken him to Uganda with his violin-playing siblings, where they played chamber music in schools, HIV/AIDS centers and displacement camps, communicating a message of hope through music. Before embarking on a solo career, Roman spent two seasons as principal cellist of the Seattle Symphony, a position he won in 2006 at the age of 22. Since that time, he has appeared as a soloist with the San Francisco Symphony, Los Angeles Philharmonic, Mariinsky Orchestra, New World Symphony, Alabama Symphony, and Orquesta Sinfónica Nacional del Ecuador, among many others. An active chamber musician, Roman has collaborated with established artists such as Andrius Zlabys, Cho-Liang Lin, Assad Brothers, Earl Carlyss, Christian Zacharias and Yo-Yo Ma, as well as other dynamic young soloists and performers from New York's vibrant music scene, including the JACK Quartet, Talea Ensemble, Derek Bermel and the Enso String Quartet. A native of Oklahoma City, Roman began playing the cello at the age of three on a quarter-size instrument, and gave his first public recital at age ten. Home-schooled until he was 16, he then pursued his musical studies at the Cleveland Institute of Music with Richard Aaron. He received his Bachelor's Degree in Cello Performance in 2004, and his Master's in 2005, as a student of Desmond Hoebig, former principal cellist of the Cleveland Orchestra. Roman is grateful for the loan of an 1899 cello by Giulio Degani of Venice.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

The River Oaks Chamber Orchestra performs world premieres by Derek Bermel and Anthony DiLorenzo, with additional works by Mendelssohn and Vaughan Williams.

The River Oaks Chamber Orchestra presents the final concert of its 2005-2006 inaugural season, with works by Debussy, Haydn, Bermel, and more, with guest soloist Timothy Jones!

We all know the Pastoral Symphony of Beethoven, Mendelssohn's Hebrides Overture inspired by Fingal's Cave, and the music by Vaughan Williams inspired by the English countryside. But in the modern era, the urban environment is inspiring many composers to capture its sounds in music. Hosted by Seth Boustead Produced by Jesse McQuarters David Sampson: Chicago Moves, IV, Lake Shore Drive (excerpt) Gaudete Brass Bernard Hoffer: Road Rage Neoteric David DeVasto: II. Sudden and VI. London, 1665 fr. Winter Seven DeVasto, p.; Scott Uddenberg, vocals Chiayu: Urban Sketches Members of the Curtis Institute Joseph Kokkyar: Brady Street fr. Streets and Bridges Jeri-Mae Astolfi, p. Patricia Morehead: Cityscape Czech Philarharmonic Orchestra/Robert Ian Winstin Derek Bermel: Mulatash Stomp Christopher Taylor, p.; Derek Bermel, cl.; Heleen Hulst, v. Michael Torke: South Beach, Midnight fr. Miami Grands Miami Piano Circle Diane Jones: Street Song Trio Casals John Adams: The City and Its Double fr. City Noir (excerpt) St. Louis Symphony/Robertson

As astrophysicists like Neil deGrasse Tyson learn more about the cosmos and present their often strange and wondrous findings to the public, the creative mind can't help but be captivated and inspired, and composers are certainly no exception. From super strings to quarks, multiple dimensions to M theory, we'll play several imaginative works by composers captivated by our universe. Hosted by Seth Boustead Produced by Jesse McQuarters Daniel Kellogg: Beginnings from Divinum Mysterium (excerpt) eighth blackbird Derek Bermel: Heart of Space fr. Short History of the Universe JACK Quartet; Derek Bermel, clarinet Daniel Kellogg: The Spirit of God Moved Upon the Face of the Waters from Divinum Mysterium (excerpt) eighth blackbird Evan Ziporyn: Ka fr. Sulvasutra The Silk Road Ensemble Tristan Murail: Gondwana (excerpt) ORTF National Orchestra/Yves Prin Mark Petering: String Theory fr. Three Pieces for Mixed Trio Adams Marks, piano; Andrew Williams, violin; Jennifer Woodrum, clarinet (Fifth House Ensemble) Michael Gandolfi: The Fractal Terrace fr. The Garden of Cosmic Speculation Atlanta Symphony Orchestra/Spano John Corigliano: The Mannheim Rocket Helsinki Symphony Orchestra/Storgårds

Composer Kevin Puts returns to this year's Cabrillo Festival of Contemporary Music with his new Flute Concerto and a Pulitzer Prize on his credit. Kevin and I talked about the new work and its charming backstory; about his love of heartfelt music, whatever proponents of modernist abstraction may say; and about his choice of a contemplative composing career over the athletic rigors of concert piano. In the second part of the show, globe-trotting composer/clarinetist Derek Bermel describes Dust Dances, an orchestral piece based on his studies of the West African xylophone known as the gyil. Both Dust Dances and the Flute Concerto will be performed on opening night of the Cabrillo Festival.

Since its first performance in 1977, the American Composers Orchestra (ACO) has been the only orchestra in the world dedicated solely to commissioning and performing music written by American composers. We spoke with new Artistic Director, Derek Bermel about his vision for the group, and took a look back at a few interesting and groundbreaking performances by this revolutionary group of performers. Hosted by Seth Boustead Produced by Jesse McQuarters Margaret Brouwer – Breakdown John Harbison – Piano Concerto David Bowie – Heroes Philip Glass – Symphony No. 4 Charles Norman Mason – Addition Neil Rolnick – iFiddle Concerto

Jessica Sibelman is a composer and clarinetist who has performed and has had her works performed throughout the east coast at venues including New York's Carnegie Hall, Lincoln Center's Avery Fischer and Alice Tully Halls, CAMI Hall, Symphony Space, Philadelphia's Kimmel Center, and The Boston Symphony Orchestra Cafe. In 2004, Jessica began her clarinet performance training with Andrew Lamy, Miriam Lockhart and David Sapadin. Jessica began her composition studies under Daniel Bar-Hava at the Manhattan School of Music Precollege, where she had her orchestral and chamber works frequently featured in performances. She has had both her orchestral works and chamber music performed by the Kinhaven Music School Symphony in 2003 and 2004. Jessica continued her education at the New England Conservatory of Music with a minor in composition under Malcolm Peyton and studied clarinet with Ricardo Morales, Richard Stoltzman (chamber music), and Craig Nordstrom. In Boston, Jessica has had her music performed at venues including The New England Conservatory of Music’s Jordan Hall and Williams Hall, as well as the Boston Symphony Orchestra’s Café. Jessica was accepted into the prestigious New York Youth Symphony’s Making Score, where she studied under Derek Bermel. After the NYYS Making Score Final Concert at CAMI Hall, Jessica was mentioned in The Symphony Magazine (October, 2004) as having given “a star-turn performance” of her Clarinet Quintet. In June, 2009, Jessica made her Debut Concert at The Kaufman Center’s Merkin Concert Hall with her orchestra, The New York Chamber Virtuosi. Jessica has had a reading of her music with the American Composers' Orchestra in May 2008, and has had recent performances of her Octet at Symphony Space in 2008, and a featured performance at Galapagos Art Space in August 2009.