Podcasts about musical arts

Today, The Tonearm's needle lands on composer and avid birdwatcher Maria Schneider.Few composers working today have Maria Schneider's range. She holds seven Grammy Awards, was named an NEA Jazz Master, and this year took home the Rolf Schock Prize in Musical Arts, one of the most prestigious honors in the field.Maria Schneider joins the podcast to talk about American Crow, her recent EP that uses jazz to make a case for something we've mostly lost, the ability to actually listen to each other. The music moves from distressed Americana into something quiet and more human, a sound Schneider connects to her Midwestern childhood, when disagreement didn't have to mean war.Maria's here to talk about the record, what jazz improvisation has to teach a fractured society, and more.(The musical excerpts heard in the interview are from Maria Schneider's American Crow)—Dig DeeperArtist and EPVisit Maria Schneider at mariaschneider.com and follow her on Instagram, Facebook, and YouTubePurchase Maria Schneider's American Crow EP from ArtistShareWatch American Crow: A Narrative in Notes and Frames — the full longform music video, free on YouTubeSelected DiscographyData Lords (ArtistShare, 2020) — Pulitzer Prize Finalist; two Grammy Awards; the double album that precedes and informs American CrowSky Blue (ArtistShare, 2007) — includes "Sky Blue," discussed at length in this episodeEvanescence (Enja, 1994) — Schneider's debut; features "Wyrgly" and "Dance You Monster to My Soft Song," both favored by David BowieEnsemble Members and CollaboratorsDonny McCaslin — tenor saxophonist; featured throughout the conversation; also Bowie's Blackstar bandleaderDonny McCaslin on The TonearmBen Monder — guitarist; featured soloist on Data LordsMike Rodriguez — trumpeter; featured soloist on American CrowJeff Miles — guitarist; featured on "A World Lost" on the American Crow EPGary Versace — pianist; longtime Schneider Orchestra member; on faculty at Eastman School of MusicBob Brookmeyer (1929–2011) — valve trombonist and arranger; Schneider's mentor; his critique of "Green Piece" is discussed in this episodeFrank Kimbrough (1956–2021) — pianist; longtime Schneider Orchestra member; referenced in the discussion of "Thompson Fields"Books ReferencedThe Art Spirit by Robert Henri — the key artistic text Schneider returns to when discussing how music transmits lived experience to an audienceFootprints: The Life and Work of Wayne Shorter by Michelle Mercer — Mercer reviewed a live performance of "American Crow" in Call and Response, quoted in this episode and in the press releaseBirdingMerlin Bird ID app — the free sound- and photo-identification app from the Cornell Lab of Ornithology, enthusiastically endorsed by both Schneider and LawrenceCornell Lab of Ornithology — the institution behind Merlin and one of the world's leading centers for ornithological research and citizen scienceThe David Bowie ConnectionBlackstar (Columbia, 2016) — Bowie's final studio album, featuring McCaslin's band and Schneider's arrangement of "Sue (Or in a Season of Crime)," which won a GrammyDonny McCaslin on the Blackstar collaboration — background on McCaslin's role in Bowie's final project—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, The Tonearm's needle lands on composer and avid birdwatcher Maria Schneider.Few composers working today have Maria Schneider's range. She holds seven Grammy Awards, was named an NEA Jazz Master, and this year took home the Rolf Schock Prize in Musical Arts, one of the most prestigious honors in the field.Maria Schneider joins the podcast to talk about American Crow, her recent EP that uses jazz to make a case for something we've mostly lost, the ability to actually listen to each other. The music moves from distressed Americana into something quiet and more human, a sound Schneider connects to her Midwestern childhood, when disagreement didn't have to mean war.Maria's here to talk about the record, what jazz improvisation has to teach a fractured society, and more.(The musical excerpts heard in the interview are from Maria Schneider's American Crow)—Dig DeeperArtist and EPVisit Maria Schneider at mariaschneider.com and follow her on Instagram, Facebook, and YouTubePurchase Maria Schneider's American Crow EP from ArtistShareWatch American Crow: A Narrative in Notes and Frames — the full longform music video, free on YouTubeSelected DiscographyData Lords (ArtistShare, 2020) — Pulitzer Prize Finalist; two Grammy Awards; the double album that precedes and informs American CrowSky Blue (ArtistShare, 2007) — includes "Sky Blue," discussed at length in this episodeEvanescence (Enja, 1994) — Schneider's debut; features "Wyrgly" and "Dance You Monster to My Soft Song," both favored by David BowieEnsemble Members and CollaboratorsDonny McCaslin — tenor saxophonist; featured throughout the conversation; also Bowie's Blackstar bandleaderDonny McCaslin on The TonearmBen Monder — guitarist; featured soloist on Data LordsMike Rodriguez — trumpeter; featured soloist on American CrowJeff Miles — guitarist; featured on "A World Lost" on the American Crow EPGary Versace — pianist; longtime Schneider Orchestra member; on faculty at Eastman School of MusicBob Brookmeyer (1929–2011) — valve trombonist and arranger; Schneider's mentor; his critique of "Green Piece" is discussed in this episodeFrank Kimbrough (1956–2021) — pianist; longtime Schneider Orchestra member; referenced in the discussion of "Thompson Fields"Books ReferencedThe Art Spirit by Robert Henri — the key artistic text Schneider returns to when discussing how music transmits lived experience to an audienceFootprints: The Life and Work of Wayne Shorter by Michelle Mercer — Mercer reviewed a live performance of "American Crow" in Call and Response, quoted in this episode and in the press releaseBirdingMerlin Bird ID app — the free sound- and photo-identification app from the Cornell Lab of Ornithology, enthusiastically endorsed by both Schneider and LawrenceCornell Lab of Ornithology — the institution behind Merlin and one of the world's leading centers for ornithological research and citizen scienceThe David Bowie ConnectionBlackstar (Columbia, 2016) — Bowie's final studio album, featuring McCaslin's band and Schneider's arrangement of "Sue (Or in a Season of Crime)," which won a GrammyDonny McCaslin on the Blackstar collaboration — background on McCaslin's role in Bowie's final project—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

On this episode of Voices, Seneca Valley spotlights a one-of-a-kind music experience, bringing a living composer into the classroom to create an original work for students. Band Director Mr. Brian Croach and composer Rob Traugh share the story behind "Pillars of Gold," a commissioned piece written specifically for the Ryan Gloyer Middle School eighth grade band. Inspired by the school's positive behavior program, the work brings to life the core values of respect, responsibility and resilience, transforming them into a powerful and meaningful concert performance. IN THIS EPISODE, WE WILL REVIEWThe Seneca Valley Band Commissioning ProjectWhat is "Pillars of Gold"The value of students working with a living composerThe inspiration behind the piece, "Pillars of Gold"Where and when the concert will take placeFree concert - Thursday, May 7 at the Intermediate High School auditorium at 7 p.m.SPECIAL GUESTSMr. Brian Croach, Instrumental Music Teacher for grades 7-12 and Mr. Rob Traugh, American composer, conductor, collaborator, educator and performer.Mr. Brian Croach is in his ninth year of teaching and third year at Seneca Valley. He is a band director that works with students in grades 7-12 through various curricular instrumental ensembles such as the 7th grade band, 8th grade band, Symphonic Band, and Concert Winds. He is also the director of the Ryan Gloyer Middle School (RGMS) Jazz Ensemble and is one of the directors for the Roaring Raider Marching Band. Mr. Croach received he undergraduate degree in Music Education from Slippery Rock University and has continued his education through the Instructional Leadership program at Robert Morris University. Mr. Rob Traugh is an Assistant Professor of Composition (Music Technology) and Program Director of the Composition for Media Degree at the Mary Pappert School of Music and conducts the Wind Symphony at the Three Rivers Young Peoples Orchestra. Rob attended West Virginia University as a Provost Fellow, earning a Doctor of Musical Arts degree in 2026. He holds a Master of Music degree in Electronic Composition from Duquesne University in Pittsburgh, PA, and a Bachelor of Music degree in Music Education from The Dana School of Music in Youngstown, OH.

Richard Glazier was born in Indianapolis, Indiana, to a family that had grown up in a small Jewish enclave on the city's South Side. In this podcast, we discuss his family's struggles with poverty and its eventual successes. Richard began studying piano at the age of six. When he was nine, he watched the 1943 film "Girl Crazy,” which featured a score by George and Ira Gershwin. Enthralled by the music, he wrote a fan letter to lyricist Ira Gershwin.Over the next three years, Glazier and Gershwin exchanged letters, culminating in an invitation for Glazier, then twelve years old, to meet Ira in Beverly Hills. During this visit, Ira asked Glazier to play a Gershwin tune on the piano that had once belonged to his brother, the legendary composer George Gershwin. Inspired by Ira's encouragement and interest, Glazier devoted himself to studying the Gershwin repertoire and the American popular songbook. Glazier earned both his Bachelor's and Master's degrees in Piano Performance from the Indiana University School of Music, and he later obtained a Doctorate of Musical Arts from the Cleveland Institute of Music

Internationally celebrated Cambodian American composer Chinary Ung has been awarded one of the highest honors in the U.S., a lifetime membership at the American Academy of Arts and Letters.享誉国际的柬埔寨裔美国作曲家洪靖年荣获美国最高荣誉之一，成为美国艺术文学院终身会员。Ung will be officially inducted in May. The 77-year-old composer was chosen based on his artistic merit in music composition.洪靖年将于5月正式就职。这位77岁的作曲家因其在音乐创作方面的艺术成就而被选中。Ung says he owes his success to his own Cambodian identity.洪靖年说他的成功归功于自己的柬埔寨身份。It is my culture. It's what I learned it from the rice field that I spoke of. What touches me the most and I think I am proud to say that I am a Cambodian.这是我的文化。这是我从我所说的稻田中学到的东西。最让我感动的是，我可以很自豪地说我是一名柬埔寨人。Ung got a scholarship to study clarinet in the U.S. in 1964, and later received a Doctor of Musical Arts from Columbia University in 1974.洪靖年于1964年获得奖学金赴美学习单簧管，后于1974年获得哥伦比亚大学音乐艺术博士学位。His music is known for incorporating Eastern characteristics into Western classical settings.他的音乐以将东方特色融入西方古典背景而闻名。In spirit my music yes does carry the background of the culture in Cambodia.在精神上，我的音乐确实承载着柬埔寨文化的背景。Without that background, I wouldn't be able to compose, let's say, Inner Voices.没有那样的背景，我就无法创作出，比如说，《内心的声音》。The twenty-minute award-winning piece Inner Voices was Ung's second orchestral work following a hiatus between 1974 and 1985.获奖作品《内心的声音》时长二十分钟，是洪靖年继1974年至1985年间沉寂后的第二部管弦乐作品。Ung turned his attention to the rescue of surviving relatives and the rebuilding of the editions of Cham court music.洪靖年将注意力转向了幸存亲属的救援以及占婆宫廷音乐版本的重建。In 1989, Inner Voices made him the first American to win the prestigious Grammy Award.1989年，《内心的声音》让他成为首位获得久负盛名的格莱美奖的美国人。Ung said the piece was his attempt to embrace the expressions of many cultures in a singular musical language, and he got the inspiration from a dream.洪靖年表示，这部作品是他尝试用一种独特的音乐语言来融合多种文化的表达，他的灵感来自于一个梦。In the dream I thought I had receive an invitation to attend a ritual, and I heard the chanting about a text在梦里，我觉得自己收到了参加一场仪式的邀请，我听到有人在念诵一段经文，that this young Cambodian lady, a teenager, decided to commit suicide, and left that text to her parent to set it into music, into song, funeral song, during her funeral.说的是一位年轻的柬埔寨少女，一个十几岁的孩子，决定自杀，还留下这篇文字让她的父母在她的葬礼上把它谱成曲子，编成葬歌。Tapping into his dream to compose Inner Voices only employed what he calls the interaction within himself to create an art that speaks to a global audience.利用自己的梦境来创作《内心的声音》，仅运用了所谓的自我内在对话，创作出一部能与全球听众产生共鸣的艺术作品。You are not only looking outward and what could be learned and so forth, but don't forget that another 50% is the intangible.你不仅要向外看，思考可以学到什么等等，但别忘了，另外50%是无形的东西。It is your feeling, which is not yours when you go deeper, you hit on archetype of dimension and so forth, and that could be share globally.这是你的感受，当你深入探究时，它就不再完全属于你了，你会触及到维度的原型等等，而且这种感受可以在全球范围内共享。Today Ung is a distinguished professor of music at University of California San Diego, and works to preserve and innovate Cambodian traditional music.如今，洪靖年是加利福尼亚大学圣地亚哥分校的杰出音乐教授，致力于保护和创新柬埔寨传统音乐。

This week, Alexa is joined by Dr Luciano Simões to explore cross-training as a modern vocal pedagogy through a Latin American lens, unpacking how singers can develop flexibility, resilience, and stylistic authenticity across different genres. Drawing on the rich hybridity of Latin American music Luciano shares how cross-training equips singers to navigate diverse vocal demands with both technical freedom and cultural awareness. This conversation challenges the idea of fixed vocal identities, inviting teachers and singers alike to embrace versatility, curiosity, and the vibrant diversity of global vocal styles. WHAT'S IN THIS PODCAST?  2:10 Who is Dr Luciano Simões?  6:42 Understanding Latin American music  21:13 What functional technique is included in cross-training?  27:57 What does a cross-training singing lesson look like?  37:41 Technical conflicts in cross-training   About the presenter HERE RELEVANT MENTIONS & LINKS Jeanie LoVetri Alexander Technique Feldenkrais Singing Teachers Talk - Ep.245 Technique Meets Artistry: Working with Contemporary Singers  ABOUT THE GUEST Dr. Luciano Simões is a baritone, voice pedagogue, conductor, and researcher with over 30 years of teaching experience. He holds a Doctor of Musical Arts from Michigan State University, alongside advanced degrees in choral conducting and musicology, and has undertaken postdoctoral research on Fado and musical theatre belting. He previously taught at institutions including the Latin American Integration University, where he developed a pioneering cross-training voice programme based on Latin American styles. Now based in Germany, he runs an independent voice studio and lectures internationally on cross-training and hybrid vocal technique. His work has been presented at major global conferences and published in leading voice journals. As a performer, he has sung across genres from opera to Brazilian jazz and maintains an active profile in both solo and choral music. SEE FULL BIO HEREInstagram: @lucianosimoes_dma 

Anthony (Tony) Tommasini is the former chief classical music critic for The New York Times, a role he held from 2000 until his retirement in 2021 after 24 years with the paper. A graduate of Yale University with a Doctorate of Musical Arts from Boston University, he is also an accomplished author of four books, including The Indispensable Composers. As a pianist, he recorded two albums of Virgil Thomson’s music with support from the National Endowment for the Arts. Tommasini recently wrote about Marian Anderson’s legacy for the New York Times, a piece that earned praise from Dr. Henry Louis Gates, Jr. In 2022, Gates and Penguin Press invited him to contribute to the “Significations” series. His upcoming book, Voice of a Century: The Life and Artistry of Marian Anderson, will be released by Penguin in September. We talk with Andrew Dalton, President & CEO of Gettysburg History, and Jake Boritt, Producer of the Gettysburg Film Festival, about the town’s evolving identity, its role in American storytelling, and how history and the arts intersect in Gettysburg today. We also explore recent public conversation surrounding Senator Doug Mastriano’s comments about Gettysburg’s “sharp left turn” and his concerns about the town’s cultural direction ahead of America’s 250th anniversary. Andrew offers context from the perspective of a history professional—discussing how Gettysburg balances preserving its past with supporting a diverse, modern community. Hear how the Gettysburg Film Festival is shaping cultural engagement, how local institutions approach historical stewardship, and why conversations about heritage, tourism, and community identity matter now more than ever Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

(00:00:00) Anthony (Tony) Tommasini is the former chief classical music critic for The New York Times, a role he held from 2000 until his retirement in 2021 after 24 years with the paper. A graduate of Yale University with a Doctorate of Musical Arts from Boston University, he is also an accomplished author of four books, including The Indispensable Composers. As a pianist, he recorded two albums of Virgil Thomson’s music with support from the National Endowment for the Arts. Tommasini recently wrote about Marian Anderson’s legacy for the New York Times, a piece that earned praise from Dr. Henry Louis Gates, Jr. In 2022, Gates and Penguin Press invited him to contribute to the “Significations” series. His upcoming book, Voice of a Century: The Life and Artistry of Marian Anderson, will be released by Penguin in September. (00:22:40) Stacey C. Peeples, Curator and Lead Archivist at Pennsylvania Hospital, is helping guide the hospital’s celebration of its 275th anniversary by overseeing the transformation of its historic Pine Building into a public museum. As America’s first chartered hospital, Pennsylvania Hospital will use the new museum—opening in May—to showcase exhibits that connect its rich medical history with Penn Medicine’s ongoing innovations in science and healthcare.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

“This is a way to understand how the voice operates in all its parts – perceptually, physiologically, and acoustically -- so that we can learn to stop doing things that are unnecessary for a particular outcome. A lot of people get worried when they hear anything talking about muscles or working the voice or effort, that we're talking about doing it all all the time. Why do we do what we do in this profession, and how can we utilize some of this science- and evidence-based knowledge to help ourselves not eliminate the things we say but inform them?”Dr. Brian J. Winnie is the Director of Choral Studies at Western Illinois University, where he supervises the graduate choral conducting program, teaches undergraduate and graduate courses in choral conducting and choral literature, and conducts the Chamber Singers and the flagship ensemble, the University Singers. He previously served as the Director of Choral Activities & Voice and was chair of the music department at Southwestern College in Winfield, KS. Prior to his tenure in higher education, Dr. Winnie was the Artistic Director of ChoralSounds NW, a community choir based in Burien, WA, and he taught for seven years in public education at both the middle and high school levels.An active festival conductor and adjudicator, Dr. Winnie has been artist-in-residence in Ekaterinburg, Russia and has worked with festival choirs throughout the United States. He is a frequent guest lecturer/workshop leader and has presented on "Contemporary Vocal Technique in the Choral Rehearsal," "Redefining the Choral Warm-Up," and "21st-Century Choral Pedagogy." Dr. Winnie has published articles in the Voice and Speech Review, Choral Journal, Voice Foundation Newsletter, International Choral Bulletin, and ChorTeach, and he is the editor and contributing author to The Choral Conductor's Companion and The Voice Teacher's Cookbook: Creative Recipes for Teachers of Singing both published by Meredith Music Publications and distributed by GIA Publications.Choirs under his direction have performed at state conventions and received accolades in both international and national competitions. A native of Pennsylvania, Dr. Winnie received his B.S. in Music Education from the Pennsylvania State University, Master of Music Education from the University of Illinois Urbana-Champaign, and his Doctor of Musical Arts in Choral Conducting from the University of Washington. He is a certified Estill Master Trainer, Mentor, & Course Instructor. To get in touch with Brian, you can visit his website or With One Voice's website or find him on Facebook (@bwinnie2).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Erica Lyn EverestBest Female Cover Artist CPMA Winner, and CPMA NomineePerforming artist, vocalist, and bandleader based in Central PA, known for her powerful voice and engaging stage presence. Native to Linglestown, Erica began performing at a young age, and has built a career spanning more than two decades in PA's live music scene. She performs as a Solo Artist as well as a Duo, Trio, and Full Band.https://www.ericalyneverestmusic.com/ @EricaLynEverest  Dr. Nyce (Zach)CPMA Award winner for Best Male Vocalist and Best Male Solo ArtistStarting in the church choir, Zach was singing from an early age. Playing the piano and singing all throughout childhood eventually grew into a Vocal Performance Scholarship at Susquehanna University. Zach finished his education with a Doctorate (Yes, he's really a Dr.) in Musical Arts. Years later everything seemed to lead back to music, and Dr. Nyce finally became a performing artist.https://pamusician.net/dr-nyce-if-time-is-a-thing-that-ticks/https://www.facebook.com/drnycepiano/https://doctornyce.com/You can find out more about the CPMHOF @ https://cpmhof.com/Brought to you by Darker with Daniel @ Studio 3.http://darkerwithdaniel.com/All media requests: thecpmpodcast@gmail.comWant to be on an episode of the CPMP? For all considerations please fill out a form @ https://cpmhof.com/guest-considerationJoin us back here or on your favorite audio streaming platform every other week for more content.

Send us a text and chime in!Professor and Faculty Program Director for Performing Arts at Yavapai College Christopher Tenney has a long track record with musical training and the performing arts. He performed and toured nationally and internationally with The Tucson Boy's Chorus starting at the early age of eight. He later pursued and received Highest Honors in his graduate studies, graduating with a master's degree, also in Music Education, from Boston University, where he is currently in his final semester of earning his Doctor of Musical Arts in Music Education. Tenney started teaching at Yavapai College in 2016, but he'd visited previously and the place... For the written story, read here >> https://www.signalsaz.com/articles/yc-professor-brings-lifelong-passion-for-music-to-campus/Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

 Last week, James Minchau was in the studio with special guest Dr. Ronald Sat, a Doctor of Musical Arts and a world-class piano performer and teacher. Music has always been a big part of our brokerage—from our owners to several of our agents—and this episode is a perfect reflection of that creative spirit. Dr. Sat brings over 20 years of experience teaching piano students of all levels, sharing a deep wealth of musical knowledge that has helped his students excel in examinations, festivals, and auditions. After teaching in the Tri-Cities for the past decade, Dr. Sat is relocating to Harrison Mills this fall and looks forward to welcoming new students to his piano studio. James was fortunate to recently work with Dr. Sat as his realtor, which is how this great connection was formed. Learn more about Dr. Sat and his piano studio at https://www.ronaldsatpiano.com/James MinchauPersonal Real Estate CorporationRealtor®RE/MAX MagnoliaPhone:  604-300-6497Email: jamesminchau@gmail.comLet's connect.✅ Instagram: @jamesminchau✅ Facebook: James Minchau

"Dance Talk” ® with Joanne Carey and special guests, Skylar Brandt and Vladimir RumyanstevIn this episode of "Dance Talk” ® , host Joanne Carey engages with Skylar Brandt, a principal dancer with the American Ballet Theatre, and her fiancé, pianist Vladimir Rumyantsev. They discuss their artistic journeys, the cultural differences in music and dance education, and how they met through their shared passion for the arts. The conversation delves into the emotional experience of performing, the creative process behind choreography, and the significance of art in serving humanity. They also explore their future aspirations, including the idea of incorporating their artistry into their wedding celebration.Skylar Brandt began her training at the age of six at Scarsdale Ballet Studio. She attended the Jacqueline Kennedy Onassis School at American Ballet Theatre from 2005-2009. Brandt was a silver medalist at Youth America Grand Prix in 2004 and 2008. Brandt joined ABT II in 2009, became an apprentice with ABT in 2010, and joined the corps de ballet in 2011. She was promoted to Soloist in 2015 and to Principal in 2020. Among her leading roles with the Company are Giselle in Giselle, Medora in Le Corsaire, Kitri in Don Quixote, Odette/Odile in Swan Lake, Gamzatti in La Bayadere, Olga in Onegin, Clara, the Princess in The Nutcracker, Young Jane in Jane Eyre, Columbine in Harlequinade, Princess Praline in Whipped Cream, the Lead Maiden in Firebird, the Golden Cockerel in The Golden Cockerel, and roles in The Green Table, Pillar of Fire, The Sleeping Beauty, Raymonda Divertissements, Sinfonietta, Symphonic Variations, and AFTERITE to name a few. Brandt was awarded a 2013 Princess Grace Foundation-USA Dance Fellowship. That same year, she was featured in the movie “Ballet's Greatest Hits”. In 2018, Brandt was the recipient of an unprecedented Special Jury Award for her performances on the Russian television show “Big Ballet”. In 2022, Brandt was named to the renowned "Forbes 30 Under 30" list of most influential leaders and entrepreneurs.https://www.skylarbrandt.com/ Vladimir Rumyantsev  is an internationally acclaimed pianist. At just seven years old, he made his debut at the Great Hall of the Moscow Conservatory where he won Moscow's Glinka competition.Rumyantsev received his foundational training at the Gnessin Moscow Special School for Music under Mikhail Khokhlov and later studied at the Moscow Conservatory with Sergey Dorensky, Alexander Bakhchiev, Elena Sorokina, Pavel Nersessian and Nikolai Lugansky. He earned advanced degrees at the Mannes School of Music in New York under Pavlina Dokovska and is currently pursuing his Doctor of Musical Arts degree at The Hartt School under the mentorship of Jose Ramos Santana.Rumyantsev has performed worldwide at such prestigious venues as the Moscow Philharmonic, Carnegie Hall, Covent Garden, the Mariinsky Theatre, New York City Center, The Kennedy Center, to name a few. His performances led to collaborations with the Mariinsky Ballet. The New York Times describes his playing of Beethoven's Diabelli Variations as “excellent,” and The Wall Street Journal noting his “potent” interpretation.In 2024 he recorded "Sapiens: A Brief History of Humankind" by Sean Hickey for solo piano. Most recently, Rumyantsev toured the world as a solo artist with Twyla Tharp Dance for her Diamond Jubilee and is producing his own concerts of piano and dance alongside Principal Dancer with American Ballet Theatre, Skylar Brandt. https://vladimirrumyantsev.com/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ Follow Joanne on Instagram @DanceTalkwithJoanneCarey Tune in. Follow. Like us. And Share. Please leave us review about our podcast! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Starts with a short exploration of the meaning of Chanukah...followed by highlights from 5 interviews with folks that Marsha spoke with over this past year: Ann Hackler of the Institute for the Musical Arts, Layla Khafaga of Meezan Kitchen, Sheilah Sable of Call Sheila, Walter Thorne of Albany Business Review and Elizabeth Press (who goes by EP) of the Sanctuary for Independent Media and RPI. Produced by Marsha Lazarus

Send us a text Born and raised in Southeast Houston, KIZMIT grew up in a home full of music and movement, which shaped her love for rhythmic sound at an early age. She taught herself guitar at 15 and later earned a degree in Musical Arts, giving her a strong foundation that continues to shape her approach as a DJ and musician.Houston's immense diversity exposed her to global sounds and local scenes. This blend of formal training and multicultural influence fuels her style, one that draws from both the world and the city she was raised in.KIZMIT, a play on “kismet,” speaks to her purpose: uniting people through music. Her sets are a blend of intention and instinct, moving people through rhythm, culture, and shared energy. FOLLOW HER ON SOCIALS!https://soundcloud.com/user-515530934https://www.instagram.com/dj.kizmit/https://www.youtube.com/@_kizmitSupport the showThe South Gots Something to Say!

A transcript of this interview is available [here] Preserving Disability: Disability and the Archival Profession (Library Juice Press, 2024) weaves together first-person narratives and case studies contributed from disabled archivists and disabled archives users, bringing critical perspectives and approaches to the archival profession. Contributed chapters span topics such as accessibility of archives and first-person experiences researching disability collections for disabled archives users; disclosure and accommodations and self-advocacy of disabled archivists; and processing and stewarding disability-related collections. Collectively, these works address the nuances of both disability and archives-critically drawing attention to the histories, present experiences, and future possibilities of the archival profession. Dr. Gracen Brilmyer is an Assistant Professor in the School of Information Studies at McGill University and the Director of the Disability Archives Lab. Their research lies at the intersection of feminist disability studies, archival studies, and the history of science, where they investigate the erasure of disabled people in archives primarily within the history of natural history museums and colonial histories. This historical-archival research is complemented by empirical research on how living disabled people use and experience archives today. Their work has been featured in publications such as The Journal of Feminist Scholarship, Archival Science, and First Monday. Their research is shaped by their experiences as a white, Disabled, non-binary person. For more: here Dr. Lydia Tang is an Outreach and Engagement Coordinator for LYRASIS. Previously, she held archivist positions at Michigan State University, the Library of Congress, and numerous graduate positions at the University of Illinois, where she received her MLIS and Doctor of Musical Arts degree. Passionate about accessibility and disability representation in archives, she served on the Task Force to Revise the Best Practices on Accessible Archives for People with Disabilities and spearheaded founding the Society of American Archivists' (SAA) Accessibility & Disability Section (ADS). She is the 2020 recipient of SAA's Mark A. Greene Emerging Leader Awardand was recognized in three SAA Council resolutions as a co-founder of the Archival Workers Emergency Fund, for spearheading the Accessibility & Disability Section's“Archivists at Home” document, and for the “Guidelines for Accessible Archives for People with Disabilities.” In addition to her professional service with SAA, she has contributed to accessibility initiatives within DLF Digital Accessibility Working Group and the ArchivesSpace open source software and community by leading the Staff Interface Enhancement Working Group, Development Prioritization subteam, founding the Usability subteam, and chairing the Users Advisory Council. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A transcript of this interview is available [here] Preserving Disability: Disability and the Archival Profession (Library Juice Press, 2024) weaves together first-person narratives and case studies contributed from disabled archivists and disabled archives users, bringing critical perspectives and approaches to the archival profession. Contributed chapters span topics such as accessibility of archives and first-person experiences researching disability collections for disabled archives users; disclosure and accommodations and self-advocacy of disabled archivists; and processing and stewarding disability-related collections. Collectively, these works address the nuances of both disability and archives-critically drawing attention to the histories, present experiences, and future possibilities of the archival profession. Dr. Gracen Brilmyer is an Assistant Professor in the School of Information Studies at McGill University and the Director of the Disability Archives Lab. Their research lies at the intersection of feminist disability studies, archival studies, and the history of science, where they investigate the erasure of disabled people in archives primarily within the history of natural history museums and colonial histories. This historical-archival research is complemented by empirical research on how living disabled people use and experience archives today. Their work has been featured in publications such as The Journal of Feminist Scholarship, Archival Science, and First Monday. Their research is shaped by their experiences as a white, Disabled, non-binary person. For more: here Dr. Lydia Tang is an Outreach and Engagement Coordinator for LYRASIS. Previously, she held archivist positions at Michigan State University, the Library of Congress, and numerous graduate positions at the University of Illinois, where she received her MLIS and Doctor of Musical Arts degree. Passionate about accessibility and disability representation in archives, she served on the Task Force to Revise the Best Practices on Accessible Archives for People with Disabilities and spearheaded founding the Society of American Archivists' (SAA) Accessibility & Disability Section (ADS). She is the 2020 recipient of SAA's Mark A. Greene Emerging Leader Awardand was recognized in three SAA Council resolutions as a co-founder of the Archival Workers Emergency Fund, for spearheading the Accessibility & Disability Section's“Archivists at Home” document, and for the “Guidelines for Accessible Archives for People with Disabilities.” In addition to her professional service with SAA, she has contributed to accessibility initiatives within DLF Digital Accessibility Working Group and the ArchivesSpace open source software and community by leading the Staff Interface Enhancement Working Group, Development Prioritization subteam, founding the Usability subteam, and chairing the Users Advisory Council. Learn more about your ad choices. Visit megaphone.fm/adchoices

A transcript of this interview is available [here] Preserving Disability: Disability and the Archival Profession (Library Juice Press, 2024) weaves together first-person narratives and case studies contributed from disabled archivists and disabled archives users, bringing critical perspectives and approaches to the archival profession. Contributed chapters span topics such as accessibility of archives and first-person experiences researching disability collections for disabled archives users; disclosure and accommodations and self-advocacy of disabled archivists; and processing and stewarding disability-related collections. Collectively, these works address the nuances of both disability and archives-critically drawing attention to the histories, present experiences, and future possibilities of the archival profession. Dr. Gracen Brilmyer is an Assistant Professor in the School of Information Studies at McGill University and the Director of the Disability Archives Lab. Their research lies at the intersection of feminist disability studies, archival studies, and the history of science, where they investigate the erasure of disabled people in archives primarily within the history of natural history museums and colonial histories. This historical-archival research is complemented by empirical research on how living disabled people use and experience archives today. Their work has been featured in publications such as The Journal of Feminist Scholarship, Archival Science, and First Monday. Their research is shaped by their experiences as a white, Disabled, non-binary person. For more: here Dr. Lydia Tang is an Outreach and Engagement Coordinator for LYRASIS. Previously, she held archivist positions at Michigan State University, the Library of Congress, and numerous graduate positions at the University of Illinois, where she received her MLIS and Doctor of Musical Arts degree. Passionate about accessibility and disability representation in archives, she served on the Task Force to Revise the Best Practices on Accessible Archives for People with Disabilities and spearheaded founding the Society of American Archivists' (SAA) Accessibility & Disability Section (ADS). She is the 2020 recipient of SAA's Mark A. Greene Emerging Leader Awardand was recognized in three SAA Council resolutions as a co-founder of the Archival Workers Emergency Fund, for spearheading the Accessibility & Disability Section's“Archivists at Home” document, and for the “Guidelines for Accessible Archives for People with Disabilities.” In addition to her professional service with SAA, she has contributed to accessibility initiatives within DLF Digital Accessibility Working Group and the ArchivesSpace open source software and community by leading the Staff Interface Enhancement Working Group, Development Prioritization subteam, founding the Usability subteam, and chairing the Users Advisory Council. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, on the Hudson Mohawk Magazine, First, we hear about how labor unions are helping with a mass food distribution in the Capital District on Saturday November 22. Then, we hear about how the US military is the world's largest institutional polluter. Later on, Beyond the Brink discusses the ongoing saga around the Epstein files. After that, we hear about the recent Fall Healing Day at the Sanctuary. Finally, we hear from the co-founder of the Institute for the Musical Arts.

Part 2 of interview with Executive Director and Co-founder Ann Hackler, of the Institute for the Musical Arts in Goshen, Mass. Ann talks about how the institute evolved to offer summer sessions, called Rock the Summer for girls and young women - all that goes with doing rock n' roll. In fact, it's how the institute is best known today. Produced by Marsha Lazarus

Institute co-founder and executive director Ann Hackler reflects on the process of passing the torch and how the music field for girls and young women has evolved forty years after the institute was founded. Part 3 (final segment) of 3-part series. Produced by Marsha Lazarus

Ann Hackler, Executive Director and Cofounder of the Institute for the Musical Arts (in Goshen, Mass) speaks with Marsha Lazarus about how her (and co-founder and partner June Millington's) thinking evolved as they started and built the institute. Part 1 of a 3-part series. Produced by Marsha Lazarus

Dr. Luiza Raab-Pontecorvo is a 4th-degree black belt in Tae Kwon Do and Jiujitsu, a Carnegie Hall and Broadway musician, and an international speaker, wellness coach, and entrepreneur. Featured in the award-winning documentary Breakthrough, she combines her diverse expertise in performance, neuroscience, and human potential to help others reach their peak.Holding a PhD in Musical Arts, certification in Lifestyle & Wellness Coaching from Harvard Medical School, and advanced training in Neuroscience, NLP, and Tony Robbins Leadership Academy, Dr. Luiza bridges art, science, and discipline in all she does.She is the founder of Atomic Tae Kwon Do, integrating psychology and leadership into martial arts, and Empowered Coaching, focused on women's safety, peak performance, and wellness strategies. Her music career has taken her across the globe with performances in Germany, Austria, England, Korea, China, Norway, Sweden, Switzerland, France, the Czech Republic, and Poland.

Burnout isn't a sign you're failing. It's proof the system was never designed for you to thrive. Especially if you belong to a historically oppressed identity.In this episode, Sarah talks with Amelia Nagoski, DMA—co-author of Burnout: The Secret to Unlocking the Stress Cycle—about what burnout really is, how to recognize it, and the ways we can begin to recover. Together they explore why rest is radical, why emotions are meant to be completed like cycles, and why true healing comes through collective care—not just individual fixes.You'll hear:How burnout differs from stress and exhaustionWhy “emotions are tunnels” and what happens when we get stuck inside themThe science behind the 42% rest rule—and what rest can actually look likeWhy the cure for burnout isn't self-care, but us caring for each otherPractical tools to complete the stress cycle and return your body to safetyMore on Amelia NagoskiAmelia Nagoski, D.M.A. (it stands for Doctorate of Musical Arts) is the co-author, with her sister Emily, of the New York Times bestselling Burnout: The Secret to Unlocking the Stress Cycle and the Burnout workbook. Her job is to run around waving her arms and making funny noises and generally doing whatever it takes to help singers get in touch with their internal experience.She lives in New England with her husband and two rescue dogs.You can buy Burnout: The Secret to Unlocking the Stress Cycle here: https://bookshop.org/p/books/burnout-the-secret-to-unlocking-the-stress-cycle-amelia-nagoski-dma/3d6275d2844732a6?ean=9781984818324&next=tJoin Our Community:Join the Moon Studio Patreon: https://www.patreon.com/themoonstudioBuy the 2025 Many Moons Lunar Planner: https://moon-studio.co/collections/all-products-excluding-route/products/many-moons-2025Subscribe to our newsletter: https://moon-studio.co/pages/newsletterFind Sarah on Instagram: https://www.instagram.com/gottesss/

"In my third year of teaching, I started to have vocal problems. I was taking voice lessons. I was singing professionally. It was feeling great. Suddenly my voice was gone, and I couldn't get it back. I took a leave of absence to get some speech language therapy. That's why I'm so passionate about using our voices in the choral ensemble in an effective way and having us as conductors find how to use that voice so that they don't need to manipulate things.Dr. Jennaya Robison is the Artistic Director of the National Lutheran Choir (Minneapolis, MN) and an in-demand conductor, educator, and soprano. Known for her dynamic leadership and commitment to intergenerational and globally engaged choral artistry, she has conducted choirs, workshops, and festivals across the United States, Europe, and southern Africa. She is a frequent guest conductor for All-State and honor choirs and is highly sought after for her work in worship, education, and community-based choral initiatives.From 2020 to 2023, Robison served as the Raymond R. Neevel/Missouri Associate Professor and Director of Choral Studies at the University of Missouri–Kansas City Conservatory. Prior to that, she was Associate Professor of Choral Music at Luther College. She holds a Master of Music in conducting and voice from the University of New Mexico and a Doctor of Musical Arts in choral conducting from the University of Arizona.Robison is deeply committed to voice pedagogy within the choral ensemble, cultivating expressive singing and honoring the unique vocal potential of each singer. She is also an active composer and arranger, editing the National Lutheran Choir Series with MorningStar Music and the Jennaya Robison Series with Pavane Publishing. She serves as national chair for Music in Worship for the American Choral Directors Association.To get in touch with Jennaya, you can visit the National Lutheran Choir website, nlca.com, or visit their YouTube channel (@NLChoir). You can also find Jennaya on Facebook (@jennaya.robison) or Instagram (@jennayarobison).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“We were all asking ourselves, ‘what can we do to counter this, what's happening in the world? How can I help my singers understand and navigate what is happening in our country right now?' I made this huge shift in my thinking about what choral music should be and why we should be doing it. It's not just ‘what are you singing and is it gorgeous?' but ‘how are you making a difference? How are you impacting the world?'”Dr. Joy Hirokawa is the Artistic/Executive Director of the Mosaic Youth Chorus, established in 2023 to provide an opportunity for diverse youth to create community, build empathy, and affect positive social change through artistic and expressive choral singing. She is a passionate advocate for giving youth voice through the choral medium and is nationally recognized as a leader in youth choral music. She earned a Doctor of Musical Arts in Music Education from Boston University, and both a Master's degree in Choral Conducting and a Bachelor's degree with honors in Music Education from Temple University in Philadelphia, PA. Dr. Hirokawa has taught at all levels from K – Post Grad and frequently appears as a clinician and guest conductor. She is a published author and arranger of choral music. She was the ACDA National Repertoire and Resources Chair for Children & Community Youth Choirs from 2019 – 2025. Mosaic Youth Chorus was awarded the Chorus America 2025 Education and Community Engagement Award.To get in touch with Joy, you can visit the Mosaic Youth Chorus website or Facebook page (@mosaicyouth) or email her at joy@mosaicyouthchorus.org.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“Start with the way that you structure your rehearsal, your classroom, your feedback. In terms of feedback, we talk about not giving people more than three pieces of information to work on. Working memory is affected by ADHD in particular. ‘Here's what you're doing well, here's what you can improve on, here's how you can improve it.' That structure helps with their ability to anticipate what you're going to say and quickly implement that into their own music making.”Dr. Peter Haley serves as Director of Choral Activities and Assistant Professor of Music at Ohio University, where he conducts the Ohio University Singers and Singing Men of Ohio and teaches undergraduate and graduate courses in conducting, choral literature, and music education. He previously spent seven years as a high school choir director in North Carolina where his students were consistently chosen for honor choirs on the local, state, and regional level, while being immersed in a program that stressed collaborative music-making and artistic excellence.Dr. Haley's research interests include pedagogy for neurodivergent learners in the choral rehearsal, and Arvo Pärt's sacred choral music. He has been invited to present at state and regional ACDA and MEA conferences and served as a clinician or adjudicator in Alabama, North Carolina, Ohio, and South Carolina. He has served as a pastoral musician for Baptist, Presbyterian, Reformed Jewish, and United Methodist congregations and held leadership roles on the Executive Board of the Presbyterian Association of Musicians and the Southern Region Conference of the American Choral Directors Association.Dr. Haley holds the Doctor of Musical Arts in Conducting from the University of South Carolina, as well as a B.A. in Music from Wingate University and an M.M. in Church Music from Samford University. He has the honor of being the second-best teacher in his house, behind his wife, Ashley, and is a proud parent to Patrick and Libby Kay.To get in touch with Peter, you can e-mail him at pahaley@ohio.edu or find him on Instagram: (@peterallenhaley).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Dr. Brittany Lasch, trombone soloist and professor at Indiana University.   About Brittany: A winner of the S&R Foundation Washington Award and Astral Artists National Auditions, trombonist Brittany Lasch brings authenticity and unshakeable commitment to all aspects of her music-making. Increasingly in demand as a soloist with orchestras and brass bands alike, Brittany balances an intensive performance career with her role as a sought-after educator and newly appointed Assistant Professor of Trombone at the renowned Jacobs School of Music at Indiana University. As a serial collaborator and commissioner of composers, Brittany is a musical explorer creating new repertoire for her instrument from some of today's most compelling voices, and true ambassador in expanding recognition for the trombone as a powerful solo voice for today. Brittany has appeared as a soloist with ensembles ranging from the U.S. Army Band “Pershing's Own”, Rodney Marsalis Philadelphia Big Brass, and for concerto performances with the Queens Symphony, National Repertory Orchestra, Bucks County Symphony, Bowling Green Philharmonia, Manhattan School of Music Philharmonia, and others across the country. With playing described as “masterful” (Syracuse Post-Standard), American Record Guide recently hailed Brittany as an "excellent soloist" across a diverse range of repertoire.  Brittany has been a featured guest artist at numerous festivals, including the International Trombone Festival, the International Women's Brass Conference, and the American Trombone Workshop. She was a winner of the National Collegiate Solo Competition hosted by the U.S. Army Band, the Eisenberg-Fried Brass Concerto Competition at the Manhattan School of Music, the Zulalian Foundation Award in Boston. Her trombone quartet Boston Based won the 2017 International Trombone Association's Quartet Competition. In 2018, Brittany was awarded 2nd place in The American Prize Solo Instrumentalist competition. A prizewinner in numerous other competitions, she received the coveted John Clark Award upon graduation from the Manhattan School of Music for outstanding accomplishment in brass performance. For six seasons, Brittany was the Principal Trombone of the Detroit Opera Orchestra at the Detroit Opera House. She has performed with orchestras nationwide, including the San Francisco Symphony, Los Angeles Philharmonic, Indianapolis Symphony, St. Louis Symphony, Detroit Symphony, Nashville Symphony, The Florida Orchestra, Toledo Symphony Orchestra, ProMusica Chamber Orchestra, Rhode Island Philharmonic, the Oregon Bach Festival Orchestra, the Vermont Symphony, Albany Symphony, Syracuse Symphony, and the New World Symphony in Miami Beach. She participated in the Verbier Festival Orchestra for two summers, and has also appeared at the Spoleto USA Festival, the Pacific Music Festival in Sapporo, Japan, the Castleton Festival, and the Aspen Music Festival. An active presence in the global trombone community, Brittany's performances for the current and past seasons include Argentina's Trombonanza, Portugal's Gravíssimo Festival, as well as appearances in Japan and Korea. As an advocate for new music, Brittany has commissioned and performed several new pieces for the trombone, including acclaimed composer Reena Esmail's major Sonata for Trombone and Piano, which she commissioned for her Astral Artists recital in Philadelphia. Brittany gave the premiere of the orchestrated version of Martin Kennedy's Theme and Variations for Trombone and Orchestra with the BGSU Philharmonia under the direction of Dr. Emily Brown. She also recorded the work with the BGSU Philharmonia, which was recently released on the Albany Records label. Other recent projects include collaborations with composers Inez McComas, Adam Har-zvi, and David Miller. Her debut solo album Dark Horse features works by Samuel Adler, Tony Plog, Reena Esmail, Shawn Davern, and the album's pianist, Thomas Weaver. A native of Park Ridge, Illinois, Brittany earned her Doctor of Musical Arts degree from Boston University, where she received the Brass Department Award. She also holds a Master of Music degree from Yale School of Music. With a deep commitment to education, she has previously served as faculty at the College of Musical Arts at Bowling Green State University and the Boston University Tanglewood Institute. She has also been a featured teacher and performer at summer festivals, including the Sewanee Music Festival and the DC Trombone Workshop. Recent residencies include those at the University of Central Arkansas, James Madison University (Tromblow'in), University of Iowa, Oklahoma State University, Stetson University, the University of Florida, and as the guest artist at the 2023 Frühling Posaunen hosted at Ithaca College. She has presented masterclasses at universities across the country and internationally. Brittany Lasch is an Edwards Trombone Performing Artist. She also proudly uses and endorses ChopSaver Lip Care. Outside of music, Brittany has recently completed her eleventh full marathon and loves spending time with her cats, Clove and Poppyseed.

“Everything changed for the gay choral movement because they had twins: music and mission. They weren't just there for the music, and they weren't just there for the mission. I've been feeding my twins every day, and I feed them equally. Audiences that are interested in just music for music making are dying out. There are a lot more reasons to get them in: many concerts can reach into the community and be of service.”Tim Seelig is a conductor, speaker, author and educator. He is the Conductor Laureate of the San Francisco Gay Men's Chorus and Conductor Emeritus of the Turtle Creek Chorale in Dallas, Texas. He serves as founding conductor of the Portland Sage Singers.Dr. Seelig holds four degrees, including a Diploma from the Mozarteum in Salzburg, Austria and Doctor of Musical Arts from the University of North Texas. He has eight books and DVDs on choral technique published by Hal Leonard Music, several of which are best-sellers. His memoir, Tale of Two Tims, was published in 2020. He made his operatic debut in St. Gallen, Switzerland and solo debut at Carnegie Hall. He has been conducting at Carnegie Hall and Lincoln Center for 30 years, including an upcoming appearance at Lincoln Center in November 2025.He has conducted over 60 recordings which have been on Billboard Top Ten and iTunes Top Ten classical charts. His choruses have been the topic of three documentaries. The first PBS documentary was awarded the national Emmy for best documentary. The most recent had its world premiere at the Tribeca Film Festival, won the Audience Favorite and is streaming on Paramount +.He has commissioned major choral works for 35 years. Some of these include the first AIDS Requiem, When We No Longer Touch; Sing for the Cure for the Komen Breast Cancer Foundation featuring Dr. Maya Angelou; “Testimony,” by Stephen Schwartz and the 2022 “Songs of the Phoenix” by Andrew Lippa, Stephen Schwartz and Stephen Sondheim.Aside from guest-conducting, he is often seen trading in his podium for the speaking stage. He won the Moth Grand Slam and his recent TEDx Talk has passed 100K views.Fun facts: he conducted the Guinness Book of World Records Longest Choral Concert and carried the Olympic torch as a community Hero.  He has not run since.He is the proud grandfather of the amazing Clara Skye, Eden Mae, Cora Rose, and Ivy Hope.To get in touch with Tim, you can find him on Facebook (@tim.seelig) or email him at tgseelig@gmail.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Do you want to transform your health with delicious, culturally inspired WFPB recipes? Join Gustavo as he shares their inspiring weight loss journeys and show you how to make flavorful, plant-based dishes! Click here to watch! Recipes 

Matty and Kikau chat with Steven Gross who is currently the program head of The Abbott MFA in Musical Theater Collaboration Program at Temple University. Steven is the founder and CEO of MusicalTheatreSongs.com. His recommendation for today is the television show Hacks. ---Steven Gross has worked on Broadway, Off-Broadway, the West End and internationally as a music director, conductor, pianist, sub and vacation conductor. He is a Lortel Award nominee for Best Musical for his adaption of The Pirates of Penzance at the South Street Seaport. He has conducted the European premieres of The Life, Urinetown, Falsettos, Beehive, Forever Plaid, Closer Than Ever, Flora the Red Menace and other works. He also works extensively as a classical conductor and has appeared with many national and international opera companies, symphony orchestras and festivals. He is as an orchestrator and arranger for many symphony orchestras, theatrical, digital and online productions. His musical Nijinsky has been performed in Berlin, Zurich and Monte Carlo.Steven has collaborated on new musicals with Award-winning composers and lyricists including Benny Andersson & Bjorn Ulvaeus, Sam Carner & Derek Gregor, Douglas Cohen and Zoe Samuel, Cy Coleman, David Friedman, Zina Goldrich & Marcy Heisler, Mark Hollmann & Greg Kotis, Brett Macias, Lauren Taslitz & Danny Ursetti. Steven holds a Doctor of Musical Arts in Conducting from Yale University and is a Fulbright and Rotary Scholar. He has extensive experience working in academia as a clinician, guest artist and professor. 

Jenny Mitchell is an executive coach, a podcaster, and a published author who is on a mission to help people have more meaningful conversations. What are the key messages in your book Embracing Ambition? How did your doctorate in Musical Arts shape your business? Why do so many women in leadership roles often place their value in the hands of others? How can women take back control and reclaim the word ambition? You say there are five key pillars that play a role in women's leadership journeys. What are they? Jenny Mitchell Jenny Mitchell is an executive coach, a podcaster, and a published author who is on a mission to help people have more meaningful conversations. She is a lifelong learner who holds an executive coaching degree for Royal Roads University, a CFRE fundraising designation, and a Doctor of Musical Arts from SUNY Stony Brook in piano performance. Jenny is the Founder & CEO of Chavender and most frequently works with executive level leaders in both non-profit and corporate settings. Excellent Executive Coaching Podcast If you have enjoyed this episode, subscribe to our podcast on iTunes. We would love for you to leave a review. The EEC podcasts are sponsored by MKB Excellent Executive Coaching that helps you get from where you are to where you want to be with customized leadership and coaching development programs. MKB Excellent Executive Coaching offers leadership development programs to generate action, learning, and change that is aligned with your authentic self and values. Transform your dreams into reality and invest in yourself by scheduling a discovery session with Dr. Katrina Burrus, MCC to reach your goals. Your host is Dr. Katrina Burrus, MCC, founder and general manager of Excellent Executive Coaching a company that specializes in leadership development.

Peter Wilson shares some "behind the scenes" stories from the Obama White House as he joins the podcast. Peter served as concertmaster for "The President's Own" Marine Band during his illustrious service as a military musician. Peter  is a multifaceted violinist, conductor, arranger, and composer Peter currently serves as ⁠Music Director⁠ of the ⁠Richmond Philharmonic⁠ and ⁠The American Prize⁠-winning ⁠Waynesboro Symphony Orchestra⁠ in Virginia as well as Artistic Director and Conductor of the ⁠American Festival Pops Orchestra⁠ in the National Capital Region. He began his career as Concertmaster of the Walt Disney World Orchestra, has conducted the National Symphony and the National Gallery of Art Orchestras, and holds degrees from Northwestern and Catholic University, where he earned a Doctor of Musical Arts.Don't miss Peter and his great storytelling on this week's show.

Renowned Urbana thereminist and pianist Joy Yang, Ph.D, has a new album, "Live On." It's a live concert recording featuring original jazz compositions and arrangements of standards. The group describes the album as "a journey through time, space, rain and pain, emerging joyously in a dance that celebrates life." Yang is also the founder of the Interdisciplinary Institute, which facilitates a laboratory, or hub for creative play and art-science interchange.  Guest:   Joy Yang, Ph.D Pianist, Theraminist Founder, Interdisciplinary Institute Doctoral candidate in Musical Arts and Jazz Performance

Peter Wilson joins the podcast! Join Rick and Ron as they have talk about Peter's career as an artist entrepreneur.Peter Wilson is an engaging and multifaceted violinist, conductor, arranger, and composer whose artistry has been noted as “first-class” by The Washington Post. He is the former senior enlisted music advisor to The White House, where he led countless ensembles and performed as a Marine violinist for 30 years in direct support of five Presidents. Upon retiring as String Section Commander of the Marine Band, he was awarded the Legion of Merit. Peter currently serves as Music Director of the Richmond Philharmonic and The American Prize-winning Waynesboro Symphony Orchestra in Virginia as well as Artistic Director and Conductor of the American Festival Pops Orchestra in the National Capital Region. He began his career as Concertmaster of the Walt Disney World Orchestra, has conducted the National Symphony and the National Gallery of Art Orchestras, and holds degrees from Northwestern and Catholic University, where he earned a Doctor of Musical Arts.

From the moment she heard a guitar being played in an empty classroom at her convent school in the Philippines in 1961, June Millington knew what she wanted to do with her life: rock and roll. So when a girl called up June and her sister and asked if they wanted to start a band, the answer was hell yeah. They went on to become Fanny, the first all-female rock band to release an album with a major record label. June and her bandmates moved into a house in LA, toured the world and won fans like David Bowie. But they were also up against sexist stereotypes, skeptical audiences and critics who couldn’t believe that a group of women could rock just as hard as any guy. But June wasn’t about to let that stop her. This is the story of how she stuck it to the man and blazed a trail for generations of female musicians to come. June is the co-founder of the Institute for the Musical Arts, which offers workshops and events for women in music: https://ima.org/ We want YOUR stories for our Girlfriends hotline! Did your bestie ever bail you out of an awful date with a fake emergency phone call? Or show up on your doorstep with three weeks’ worth of lasagne when you’d just had a baby? Or sit with you in solidarity while you grieved the loss of a beloved grandparent? We want stories that are big or small, meaningful or silly. Record yours as a voice memo (under 90 seconds) and email to thegirlfriends@novel.audio. Please don’t include your own name or anyone else’s real names. The Girlfriends: Spotlight is produced by Novel for iHeartPodcasts. For more from Novel visit Novel.AudioSee omnystudio.com/listener for privacy information.

 ABOUT OUR GUEST:  Jenny Mitchell is an executive coach, a podcaster, and a published author who is on a mission to help people have more meaningful conversations. She is a lifelong learner who holds an executive coaching degree from Royal Roads University, a CFRE fundraising designation, and a Doctor of Musical Arts from SUNY Stony Brook in piano performance. Jenny is the Founder & CEO of Chavender, a sought-after partner for companies in Canada and the U.S. in the areas of executive coaching, mentorship, talent development, succession planning and group coaching in both non-profit and corporate settings. Jenny's engaging style makes her a sought-after keynote speaker, having presented at major Fundraising Leadership Conferences (AFP, CAGP, AHP, Planet Philanthropy, bbcon) across North America as well as for the Government of Canada and corporate America. She fulfills her mission to help #2s become #1's in work and life through both one-on-one and group coaching experiences for women leaders. CONNECT WITH JENNY Website: https://chavender.com/ Personal Social Media: LinkedIn  Twitter(X) Business Social Media:  Facebook   YouTube  EPISODE AND EMPOWERING WOMEN IN INDUSTRY LINKS Book:  Embracing Ambition – Empowering Women to Step Out, Be Seen, and Lead Embrace Ambition Conference Book: The Big Leap Empowering Women in Industry Membership Empowering Women in Industry Magazine Empowering Women in Industry Website Empowering Women in Industry Virtual Events  QUOTES AND KEY TAKEAWAYS “I have never gone wrong on betting on myself.” “Confidence is having the trust and knowing in your abilities that even when you're in a situation that you don't understand that you can trust yourself to figure it out.” “Helping Number 2s become Number 1s in work and life. They get some competent as a Number 2 they never get to access their place of genius.  They get stuck or pigeonholed.” “As soon as you identify something as a problem, it's attached to a threat. Versus calling it ‘solution strategy' which immediately puts it in their prefrontal cortex. Immediately has it as ‘What options do I have?' “ Glass Cliff Assignment: “Brought in as a last chance candidate to a position because no one else in their right mind would take it.” Visionary: “Successful women tend to be able to see something with potential before others see it and be able to bring others along.” “We need to find a way to use and leverage our social capital (our political capital) for our own uses because we are really good at doing it for others.” “How can you change your relationship to self doubt? If you accepted from now on that those voices are there; they're just there.  How you react to them or respond to them , you get to have control over.” 

Our book is: The Burnout Workbook, by Drs. Amelia Nagoski and Emily Nagoski, the experts behind the New York Times bestselling book Burnout. This interactive workbook is designed to help you solve the cycle of overwhelm and exhaustion and empower yourself to create positive change. We all want to achieve wellness. But wellness is not a state of mind or a state of being—it's a state of action. It's the freedom to oscillate through all the cycles of being human: from effort to rest, sleeping to waking, autonomy to connection. Burnout, on the other hand, happens when we get stuck. The Burnout Workbook will help you notice when you get stuck and show you how to get unstuck. Inside it you'll find engaging questions, exercises to practice skills, visual guides, stories, and more! Feel better, minimize stress, manage your emotions, and live a more joyful life. Whether or not you've read Burnout, this workbook will help you learn what true wellness can look like in your life. You can find a worksheet from the book here. Our guest is: Dr. Amelia Nagoski. She holds a Doctorate of Musical Arts, and was an Associate Professor and Coordinator of Music at Western New England University. Her job is to run around waving her arms and making funny noises and generally doing whatever it takes to help singers get in touch with their internal experience. The co-author is: Dr. Emily Nagoski, who is the award-winning author of Come as You Are; and Come Together; and co-author of Burnout, and The Burnout Workbook. She earned an MS in counseling and a PhD in health behavior, both from Indiana University, with clinical and research training at the Kinsey Institute. Her job is to travel all over the world, training therapists, medical professionals, college students, and the general public about the science of women's sexual wellbeing. Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast. Listeners may enjoy this playlist: How Can Mindfulness Help Meditation For Beginners Getting From To-Do to Done! Attention Skills You Will Get Through This Imposter Syndrome Leaving Academia: Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Send us a textDoug, Ben, and special guest Dr. Maeve Berry, collaborative pianist and resident artist at Pittsburg Opera, discuss higher education & pursuing a DMA (Doctor of Musical Arts) degree while enjoying beer from Colorado & Pennsylvania.

“In science, they're not tied to an outcome. They're open to the possibilities of what is going to result from an experiment. How freeing is that – not to be tied to a specific outcome. I've really tried to adopt that in my own personal life, the idea of just growing, learning, and being open. So many things are out of my control, so I might as well just be ready to go for the ride. I guess what I would tell young people is just equip yourself, make the best informed decision you can, then be at peace with it.”Dr. Julie Yu, an award-winning choral conductor and music educator, leads the Wanda L. Bass School of Music at Oklahoma City University as Director of Choral Activities and Canterbury Voices as Artistic Director. In these roles, she conducts and guides the acclaimed 150-voice Canterbury Voices ensemble and shapes the artistic vision of OCU's four major choirs, including the Chamber Choir and Ad Astra women's chorus. She also teaches conducting and graduate choral curriculum courses.Dr. Yu's choirs have performed at prestigious venues such as Carnegie Hall, the National Cathedral in Washington, D.C., and internationally in Austria, Czech Republic, France, and more. She was an ACDA International Conducting Exchange Fellow to Kenya in 2019 and has led All-State choruses across the United States.A sought-after presenter, conductor, and clinician, Dr. Yu has shared her expertise at state and regional conferences of the American Choral Directors Association, National Association for Music Education, and European Music Educators Association. She is a past president of the ACDA's Southwestern Region and has been featured at events such as the International Dublin Choral Festival and European Music Educators Association Conference.Dr. Yu holds a Doctor of Musical Arts degree in Choral Conducting from the University of North Texas, a Master's degree in Choral Conducting from Oklahoma State University, and a Bachelor of Music Education degree from the University of Central Oklahoma.To get in touch with Julie, you can find her on Instagram (@julieyuoppenheim) or Facebook (@julie.yuoppenheim).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“Your first year is not going to be perfect. You're not going to feel like you're having a lot of success a lot of the time because you're figuring out how to work within a school system, how to work with other teachers, with parents, with students that may not be too much younger than you if you start teaching high school. So you do your best, and you do a lot of reflection at the end of every day, at the end of every week, and you just prepare to wake up and then try something different.”Ross Cawthon is a graduate teaching assistant at Louisiana State University, where he is progressing towards a Doctorate of Musical Arts in Choral Conducting with a minor emphasis in Music Education. He is the instructor of record for undergraduate choral conducting and a teaching assistant for the LSU A Cappella Choir and LSU Chamber Singers. Additionally, he is the Music Director at University Presbyterian Church in Baton Rouge. Before coming to LSU, Ross was the Director of Choirs at DeLand High School in Deland, Florida, where he taught choir, piano, AP Music Theory and IB Music. The DeLand High Chorus has performed across the US, and was invited to sing at the Florida Music Educators Association conference in 2023.In addition to his choral interests, Ross has a passion for the poetry and music of J.R.R. Tolkien, barbecue, and exercising. He lives in Baton Rouge with his wife Kristina, who is a singer and licensed speech-language pathologist.To get in touch with Ross, you can find him on Instagram (@rossisastore) or Facebook (@ross.cawthon.3).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonBoomers, Bucks, and Bling PodcastUnlock the secrets to financial success with the Boomers, Bucks, and Bling...Listen on: Apple Podcasts Spotify

The Institute for Musical Arts Goshen, MA Ann Hackler (Executive Director) and June Millington (Artistic Director) have broken the sound barriers in Goshen, MA. Their love for each other and women in the music industry having a chance to be heard has been their drum beat since 1986 in California. Luckily, they got priced out of the market and came back to the 413 in 2001. On their property they teach young women how to play, record, sing, write, and ROCK. They are joined in the studio by Dana Warren, a 5X Camper, student, and 17-year-old and Penelope Black, a former camper, intern, student, and 19-year-old. Tune in to find out why you need to send your daughter to their summer camps, attend an upcoming concert in the red barn, listen to the jam-a-thon, and more. Go to www.ima.org to see for yourself. Thanks for listening.

The Institute for Musical Arts Goshen, MA Ann Hackler (Executive Director) and June Millington (Artistic Director) have broken the sound barriers in Goshen, MA. Their love for each other and women in the music industry having a chance to be heard has been their drum beat since 1986 in California. Luckily, they got priced out of the market and came back to the 413 in 2001. On their property they teach young women how to play, record, sing, write, and ROCK. They are joined in the studio by Dana Warren, a 5X Camper, student, and 17-year-old and Penelope Black, a former camper, intern, student, and 19-year-old. Tune in to find out why you need to send your daughter to their summer camps, attend an upcoming concert in the red barn, listen to the jam-a-thon, and more. Go to www.ima.org to see for yourself. Thanks for listening.

The Institute for Musical Arts Goshen, MA Ann Hackler (Executive Director) and June Millington (Artistic Director) have broken the sound barriers in Goshen, MA. Their love for each other and women in the music industry having a chance to be heard has been their drum beat since 1986 in California. Luckily, they got priced out of the market and came back to the 413 in 2001. On their property they teach young women how to play, record, sing, write, and ROCK. They are joined in the studio by Dana Warren, a 5X Camper, student, and 17-year-old and Penelope Black, a former camper, intern, student, and 19-year-old. Tune in to find out why you need to send your daughter to their summer camps, attend an upcoming concert in the red barn, listen to the jam-a-thon, and more. Go to www.ima.org to see for yourself. Thanks for listening.

Sarah Weisbrod is a professional flutist, adjunct professor, educator, and creator of The Practice Code for Musicians, a transformative program that redefines how musicians approach practice. After near-career-ending complications from Rheumatoid Arthritis forced her to take a decade-long gap working as a software developer, she returned to music with an innovative perspective. Since earning her Doctor of Musical Arts, Sarah has been on a mission to help musicians practice effectively, overcome performance anxiety, and tell stories through sound. Her unique approach blends the logic of data analysis and mathematics with storytelling, artistry, and performance psychology, empowering musicians to unlock their full potential and perform with unshakeable confidence.   Listeners can visit this page to get on the waitlist for the spring 2025 Practice Code cohort and watch a free masterclass replay.   Find Sarah at her website, or on IG/FB @sarahweisbrodflute   Thanks for joining me on Crushing Classical!  Theme music and audio editing by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams.  You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!    

Mateo Vintimilla is an Ecuadorian born Classical Guitarist who has performed in venues across the globe giving recitals in Dominican Republic, Iceland, United States, and Ecuador. A recipient of the Augustine Foundation Scholarship, he has collaborated with the Brooklyn Composers Society, premiering new music at Brooklyn College and commissioned and premiered works from several Ecuadorian composers. Mateo obtained his bachelor's degree in classical guitar performance at the Manhattan School of Music with the American virtuoso Mark Delpriora and his master's degree under the tutelage of the internationally acclaimed artist Dr. Andrew Zohn at the Schwob School of Music. As an educator Mateo has been a faculty member in The Brooklyn Center for Musical Arts, the New York City Guitar School, and non-profit organizations like Lead Guitar and Internal Creations, where he currently works as artistic director.

Most of us have experienced the gnawing doubt of our purpose. Few have leaned into that doubt and set out on a journey of exploration, knowing they are seafarers navigating the risks and opportunities of the voyage. This Great Conversation is with a woman who pursued formal education in business and economics at Harvard. It became her future core competency. She is now acknowledged as a thought leader in macroeconomic analysis and multi-asset capital allocation. But before that she said the great “Yes” to a passion centered in music earning her Doctorate in Musical Arts from the Cleveland Institute of Music, as well as an Artist Diploma and a Master's degree in vocal performance. She has won honors and accolades from international competitions and been featured as a soloist at the Kennedy Center. Now Anna Rathbun, CFA, CAIA is the Chief Investment Officer of CBIZ, Inc. (NYSE:CBZ), a leading professional services advisor to middle market businesses and organizations nationwide. Anna and I spend our time getting to the Yes of her journey which leads us to a discussion of the journey of the business owner. We agree it is a journey that transcends the P&L. It is a journey of the wants and needs of another through relationship and trust. (See the podcast “The Key Performance Indicator We Don't Measure…But Should”.) And trust, according to Anna, is fragile. It has a face, the other. It has a heart. And it has a mind. And this unique chemistry cannot be parsed or siloed. If we only focus on profit optimization, we will not build a sustainable and lasting relationship with our customers, suppliers, and employees. The bad news: we are in a time of shifting business models and shifting value systems for world markets. And that will impact the business owner here at home. The good news: if we harness what we know about ourselves and others, we can navigate these times to advantage both. Anna will be speaking on Thursday, January 30, 2025 at The Economic Update Breakfast at the Madison Centre Building Conference Center in Seattle, Washington. I will be there to meet her, physically, for the first time. Anna oversees a team conducting global economic research. She also produces the CBIZ Small Business Employment Index and the CBIZ Main Street Index, which are proprietary indices that keep a pulse on the small business employment conditions and other Main Street trends in the United States. Anna's opinions on global economic and market trends as well as monetary and fiscal policies are sought after by media outlets, and she is a regular guest contributor on Fox Business, CNN Money, Bloomberg, Reuters, Wall Street Journal and others. Anna is also an experienced professional in alternative investments, focusing on private equity, private credit and private real asset investing for institutional clients.  With a unique background that embraces both finance and the arts, Anna is dedicated to the issue of financial sustainability for organizations serving a mission. Enjoy this conversation with this master of the “Yes” in Life.

It Really Is Simple: A Holistic Approach To Self-Confidence: A Practical Guide A life-changing book about building yourself up from midlife crisis, elevating your self-worth, and achieving more than you ever imagined or dared dream of by mastering a simple yet meticulous prioritization process that you can apply to your health, career, finances, and relationships right away! An immigrant shares her success story and blueprint for defeating self-doubt, attaining optimal health, and building perpetual, scalable wealth, with an irrepressible belief that you can do it, too!Do you have a long history of low self-esteem and lack of confidence? Are you constantly struggling with fear of failure, fear of rejection, or fear of the unknown? No need to feel overwhelmed: starting from scratch is perfectly fine, as you will learn from this book, written by a successful late starter in life!

In this episode of the Self-employed Life, I had the great pleasure of speaking with the author of the collaborative book Embracing Ambition, Jenny Mitchell. We discussed things every person can learn from the stories of women CEOs on their way to leadership. Jenny explains topics such as the glass cliff and collaboration. Her experiences as a business woman gives her valuable insights into the world of business and enables her to give incredible advice to anyone who is entering, or has already entered, the business world.  Chavender's vision is to help more people do more good. Founder and president of Chavender, Jenny Mitchell (CFRE, DMA) is the author of the collaborative book Embracing Ambition which showcases 12 women CEOs on their journey to leadership. Jenny's podcast, Underdog Leadership helps women move from #2's to #1's in their life and work. Trained as a professional fundraiser, she is passionate about working with heart-centered leaders who are ready to change the world – one mission at a time.  Her company assists clients, across Canada and the U.S., with executive coaching, talent development at all levels of the organization, and facilitation and team building. Before completing her CFRE, Jenny trained as a classical musician and earned her Doctorate of Musical Arts. She brings her creative approach, her drive for excellence, and her passion for people to clients of all sizes. Everything you need can all be found at jeffreyshaw.com.  Remember, you might be in business FOR yourself but you are not in business BY yourself. Be your best self. Be proud and keep changing the world. Guest Contact – Website - Chavender LinkedIn Contact Jeffrey – SelfEmployedNewsletter.com JeffreyShaw.com Books by Jeffrey Shaw Business Coaching for Entrepreneurs Watch my TEDx LincolnSquare video and please share! Valuable Resources – The Self-Employed Business Institute You know you're really good at what you do. You're talented, you have a skill set. The problem is you're probably in a field where there is no business education. This is common amongst self-employed people! And, there's no business education out there for us! You also know that being self-employed is unique and you need better strategies, coaching, support, and accountability. The Self-Employed Business Institute, a five-month online education is exactly what you need. Check it out! Take The Self-Employed Assessment! Ever feel like you're all over the place? Or frustrated it seems like you have everything you need for your business success but it's somehow not coming together? Take this short quiz to discover the biggest hidden gap that's keeping you from having a thriving Self-Employed Ecosystem. You'll find out what part of your business needs attention and you'll also get a few laser-focused insights to help you start closing that gap. Have Your Website Brand Message Reviewed! Is your website speaking the right LINGO of your ideal customers? Having reviewed hundreds of websites, I can tell you 98% of websites are not. Fill out the simple LINGO Review application and I'll take a look at your website. I'll email you a few suggestions to improve your brand message to attract more of your ideal customers. Fill out the application today and let's get your business speaking the right LINGO! Host Jeffrey Shaw is a Small Business Consultant, Brand Management Consultant, Business Coach for Entrepreneurs, Keynote Speaker, TEDx Speaker and author of LINGO and The Self Employed Life (May 2021). Supporting self-employed business owners with business and personal development strategies they need to create sustainable success.

When you find yourself hitting the wall of EXHAUSTION, you could be experiencing burnout. What most people don't know is that our biological stress cycle is not equipped to deal with our modern-day demands. Luckily, there is a cure for burnout and Amelia Nagoski is here to share it with us. You will learn... what causes burnout (and the only CURE for it) how to actually “listen to your body” how the stress cycle works the difference between burnout, depression, and self-sabotage Remember: When you think you need more grit, what you actually need is help. Amelia Nagoski, D.M.A. (it stands for Doctorate of Musical Arts) is the co-author, with her sister Emily, of the New York Times bestselling Burnout: The Secret to Unlocking the Stress Cycle and the Burnout workbook. Her job is to run around waving her arms and making funny noises and generally doing whatever it takes to help singers get in touch with their internal experience. Get Amelia and Emily Nagoski's book, Burnout: https://amzn.to/449tPUC And the Burnout Workbook Audiobook with original songs by Amelia: https://www.amazon.com/Burnout-Workbook-Advice-Exercises-Unlock/dp/B0CD2S9CBF And if you enjoyed this episode, screenshot it and share it on social media! Make sure to tag @maryspodcast Mentioned In This Episode... 5-part series on how to listen to your body: https://www.feministsurvivalproject.com/episodes/episode-58-how-to-listen-to-your-body