Podcasts about bela bartok

We're taking a musical detour this week as Patrick throws a little classical music into your ears. All week, he's going to be counting down his top 10 classical jams! Number 10 is an album from renowned Canadian pianist Glenn Gould and number nine is a slamming set of string quartets composed by Bela Bartok. Crank it up, peoples! Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

The commission for a new Clarinet Concerto from the great American composer Aaron Copland came from a rather unlikely source: Benny Goodman, the man known as the King of Swing. Goodman was one of the most famous and important jazz musicians of all time, but in the late 1940s, swing music was on the decline, and bebop had taken over. Goodman experimented with bebop for a time but never fully took to it in the way that he had so mastered swing. Goodman then turned towards the classical repertoire, commissioning music from many of the great composers of the time, such as Bela Bartok, Darius Milhaud, Paul Hindemith, Francis Poulenc, and of course, Aaron Copland. Copland eagerly agreed to the commission, and spent the next year carefully crafting the concerto, which is full of influences from Jazz as well as from Latin American music, perhaps inspired by the four months Copland spent in Latin America while writing the piece. What resulted from all this was a short and compact piece in one continuous movement split into two parts. With an orchestra of only strings, piano, harp, and solo clarinet, Copland created one of the great solo masterpieces of the 20th century. It practically distills everything that makes Copland so great into just 18 minutes of music. Today on the show we'll talk about the difficulty of the piece, something that prevented Benny Goodman from performing the concerto for nearly 2 years, as well as the immense difficulty of the second movement for the orchestra. We'll also talk about all of those quintessentially Copland traits that make his music so wonderful to listen to, and the path this concerto takes from beautiful openness to jazzy fire. Join Us!  Recording: Martin Frost with the Norwegian Chamber Orchestra Pedro Henrique Alliprandini dissertation: https://getd.libs.uga.edu/pdfs/alliprandini_pedro_h_201812_dma.pdf

This week on The Sound Kitchen you'll hear the answer to the question about the climate change case at the International Court of Justice. There's The Sound Kitchen mailbag, “The Listener's Corner” with Paul Myers, Ollia's “Happy Moment”, and Erwan Rome's “Music from Erwan” – all that, and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.WORLD RADIO DAY is coming up - it's on 13 February. As we do every year, we'll have a feast in The Sound Kitchen, filled with your voices.Send your SHORT recorded WRD greetings to thesoundkitchen@rfi.fr by 1 February. This year's theme is "Radio and Climate Change", but you don't have to talk about the theme – if you just want to say "hello!", that's fine, too.Be sure you include your name and where you live in your message.Most importantly, get under a blanket to record. This will make your recording broadcast quality.Bombard me with your greetings !!!!The RFI English team is pleased to announce that Saleem Akhtar Chadhar, the president of the RFI Seven Stars Listening Club in District Chiniot, Pakistan, won the RFI / Planète Radio ePOP video contest, in the RFI Clubs category. Bravo Saleem! Mubarak ho!Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On 7 December, I asked you a question about the International Court of Justice (ICJ), which had just begun to hear evidence from 98 countries and 12 organizations about climate change, and how to establish rules for rich nations to support poorer ones, who are on the frontlines of climate change.It's a landmark case: brought by students in 2019 from the University of Vanuatu – the Pacific Island nation heavily impacted by climate change – led to a UN General Assembly resolution in 2023, asking the ICJ for a formal opinion on the legal obligations of states to protect the climate system. The court will also consider whether large polluting nations can be held liable for damages to vulnerable countries like small island states.You were to re-read Paul Myer's article “Small island nations lead fight for climate justice at UN's top court”, and send in the answer to this question: In addition to the small island states and developing countries, who else will the ICJ hear from?The answer is, to quote Paul's article: “The court will also hear from the United States and China – the world's top two emitters of greenhouse gases. The oil producer group OPEC will also give its views.The 15 judges at the ICJ will hear submissions until 13 December and deliver their decision next year.”In addition to the quiz question, there was the bonus question, suggested by Liton Ahamed Mia from Naogaon, Bangladesh: What do you remember about your first boat journey, and how did you feel when you were back on land?Do you have a bonus question idea? Send it to us! The winners are: Fatematuj Zahra, the co-secretary of the Shetu RFI Listeners Club in Naogaon, Bangladesh. Fatematuj is also this week's bonus question winnerCongratulations on your double win, Fatematju!Also on the list of lucky winners this week is A. K. M. Nuruzzaman, the president of the RFI Amour Fan Club in Rajshahi, Bangladesh, and two RFI Listeners Club members from India: Babby Noor al Haya Hussen from Baripada, and Radhakrishna Pillai from Kerala State.Rounding out the list of this week's winners is RFI English listener Liton Islam Khondaker from Naogaon, Bangladesh.Congratulations, winners!Here's the music you heard on this week's programme: Hungarian Folk Dances by Bela Bartok, performed by the Orpheus Chamber Orchestra; “Dance With Pennons” from Three Japanese Dances by Bernard Rogers, performed by the Eastman Wind Ensemble conducted by Frederick Fennell; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer; “Happy” by Pharrell Williams, and “The Intrepid Fox” by Freddie Hubbard, performed by Hubbard and the Freddie Hubbard Quintet.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “'Exhausted' Frenchman held in Iran since 2022 reveals identity in plea for help”, which will help you with the answer.You have until 10 February to enter this week's quiz; the winners will be announced on the 15 February podcast. When you enter be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceClick here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.   

"Der Lauf der Donau, das Hauptwerk des 10-jährigen Bela Bartok, kann mit dem multiethnischen Charakter des Flusses als Gruß eines Kindes an sein späteres Ich gelesen werden", erzählt die Schriftstellerin Anna Weidenholzer. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 10.01. 2025

durée : 00:18:28 - Disques de légende du vendredi 10 janvier 2025 - Enregistré à Prague en mars 1963 pour Supraphon, ce Concerto pour orchestre de Bela Bartok par Karel Ancerl témoigne de la collaboration miraculeuse du chef et de l'Orchestre de la Philharmonie tchèque de Prague.

durée : 00:18:28 - Disques de légende du vendredi 10 janvier 2025 - Enregistré à Prague en mars 1963 pour Supraphon, ce Concerto pour orchestre de Bela Bartok par Karel Ancerl témoigne de la collaboration miraculeuse du chef et de l'Orchestre de la Philharmonie tchèque de Prague.

Depuis le temps que nous accueillons des artistes dans nos murs, pour des représentations mais aussi pour des semaines de répétitions, nous avons pu entrevoir une grande diversité des façons de travailler chez les chorégraphes. Certains imposent la pratique du yoga, de la méditation ou lisent des poèmes à leurs interprètes avant de commencer la journée de travail. D'autres préparent méthodiquement leur espace jusqu'à nettoyer le sol eux-mêmes avant d'y danser, quand certaines équipes ne commencent pas avant 14h et laissent filer les répétitions jusque tard dans la soirée. Il y a des chorégraphes qui arrivent le premier jour de répétition avec un spectacle déjà entièrement écrit, et d'autres qui écrivent la danse au fur et à mesure, à partir des propositions des interprètes.L'invité de cet épisode a pour sûr, sa manière bien à lui d'organiser le travail de plateau. Nous l'avons enregistré à distance depuis son bureau à Nantes, sa parole est aussi précise et ciselée que sa danse. Rencontrez aujourd'hui Louis Barreau, qui incarne à merveille la combinaison de l'exigence et de la générosité. Bruno Lobé, directeur du Manège, nous explique comment il a découvert son travail.

Bela Bartok - Ten Easy Pieces: Bear DanceJeno Jando, pianoMore info about today's track: Naxos 8.555329Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Violinist Elizabeth Chang speaks to Mary Claire Murphy about her unique album Sonatas and Myths, featuring seminal works by early 20th century composers Bela Bartok, Karol Szymanowski, and Ernst von Dohnanyi.

Historia y música y cómo ha influenciado Bela Bartok. Producción y conducción: Cristian Briseño "Cristrombon". Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com 

„Moderne Musik“ - das war seinerzeit kein Schreckenswort. Zumindest nicht, solange man sich nicht mit der Zwölftonmethode eines Arnold Schönberg auseinandersetzen musste. Nebst der „Wiener Schule“ blühten auch die Neoklassik eines Igor Strawinsky, die Volksmusik-Anklänge bei Béla Bartók und Leoš Janáček, oder die letzten symphonischen Versuche des großen finnischen Spätromantikers Jean Sibelius.

Welcome to the Instant Trivia podcast episode 1128, where we ask the best trivia on the Internet. Round 1. Category: The Quotable Einstein 1: "Life is like riding" one of these; "to keep your balance you must keep moving". a bicycle. 2: This "is more important than knowledge". imagination. 3: "I never think of" this period of time. "It comes soon enough". the future. 4: This "cannot be kept by force. It can only be achieved by understanding". peace. 5: "As long as there are sovereign nations possessing great power," this "is inevitable". war. Round 2. Category: Begins And Ends With The Same Vowel 1: Golden and triple double chocolate are varieties of this sandwich cookie. an Oreo. 2: One who lives in Haifa or Tel Aviv. an Israeli. 3: It's the area of study where kids make the acquaintance of polynomials. algebra. 4: For the Latin for "fox mange", it's the loss of hair. alopecia. 5: To take in marriage, or to speak in favor of a cause. espouse. Round 3. Category: Presidents' Speeches: One Word Off 1: Reagan:"Mr. T, open this gate! Mr. T, tear down this wall!". Gorbachev. 2: LBJ:"The Great Pumpkin rests on abundance and liberty for all". Society. 3: Lincoln:"A world divided against itself cannot stand". house. 4: FDR:"In the field of world policy I would dedicate this nation to the policy of the good time". neighbor. 5: George H.W. Bush:"A thousand points of purchase, of all the community organizations... doing good". light. Round 4. Category: Classical Dance 1: Jean-Baptiste Lully pioneered music for this dance whose name, from the Latin for "small", comes from its small, dainty steps. a minuet. 2: Not "sausage" but this dance follows "Vienna Blood" in a Johann Strauss Jr. title. waltz. 3: Between 1915 and 1917, after traveling among rural people, Bela Bartok wrote 6 "Romanian" these "Dances". Folk. 4: Bach's keyboard suites include music for this happy dance, 5 letters long (not 3) and starting with "G" (not "J"). a gigue. 5: The gopak or hopak from Tchaikovsky's "Mazeppa" is a dance of these people who really know their steppes. the Cossacks. Round 5. Category: Numbers In Song 1: The Beatles promised they'd love their girl this many days a week. 8. 2: It's the length of the Camptown racetrack. 5 miles long. 3: Biggest hit for The Crests was about a birthday cake with this many candles. 16. 4: According to Bobby Vee, the night has this many eyes. a thousand. 5: ? and the Mysterians' only #1 hit was about crying this many tears. 96. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Welcome to the Instant Trivia podcast episode 1104, where we ask the best trivia on the Internet. Round 1. Category: Confirmation Code Is Rlktd 1: R as in this unusual way 1950s football lineman Bob St. Clair liked his meat. raw. 2: L as in this island event where you literally pig out. a luau. 3: K as in this brown seaweed that can be used as soup stock or turned into a powder for use as a seasoning. kelp. 4: T as in this old word, a promise to marry that you might plight. troth. 5: D as in this word for a quilt that in French means a bird's plumage. duvet. Round 2. Category: The Mother Of All Words. With Mother in quotation marks 1: A female sponsor for a child at baptism. a godmother. 2: Title for a female adult leader of a small group of Cub Scouts. a den mother. 3: Nacre. mother-of-pearl. 4: It's what Emma Lazarus called the Statue of Liberty in her poem for it. the Mother of Exiles. 5: The H110MX-S is this product from Foxconn. a motherboard. Round 3. Category: Chamber Music 1: A 1996 sonata by Lowell Lieberman is for flute and this, also a popular pairing at weddings. a harp. 2: Though pianists like Rubinstein might protest, Brahms' 2-player opus 78 is known as this instrument's sonata. violin. 3: A violinist, cellist and pianist from Denmark rhymingly call themselves this "con Brio". a Trio. 4: Bela Bartok wrote a trio called "Rhapsody" for this woodwind whose sound opens "Rhapsody In Blue". clarinet. 5: This composer's "Musical Offering" is based on a theme given him by Frederick the Great in 1747. Bach. Round 4. Category: Buff Actors 1: 45 seconds of Sharon Stone and this naked actor were cut from "Basic Instinct" to get an R rating. Michael Douglas. 2: In his 1995 film "Braveheart", this actor-director showed us what Scotsmen wear under their kilts. Mel Gibson. 3: Holly Hunter was speechless when Harvey Keitel exposed himself in this 1993 film. The Piano. 4: Killer Schwarzenegger cyborg whose time travel device can't send his clothes with him. the Terminator. 5: Jaye Davidson surprised movie audiences when he slipped out of his clothes in this 1992 film. The Crying Game. Round 5. Category: Nfl Rules 1: (Hi, I'm Brian Mitchell.) A punt returner who waves his hand over his head isn't swatting for flies, he's signaling for this. a fair catch. 2: (I'm Dan Fouts, Hall of Famer.) As it should be, there's an automatic 15-yard penalty for roughing the kicker or this person. the quarterback. 3: (Hi, I'm Keyshawn Johnson.) This infraction includes but is not limited to hooking the receiver, grabbing my arm, etc.. pass interference. 4: (Hi, I'm Hall of Famer Dan Hampton.) Also a hockey penalty, it's called for using the hands illegally -- hey, it was the only way to stop me. holding. 5: (Hi, I'm Joey Galloway.) Only one player at a time may do this, run parallel to the line to confuse the defense. go in motion. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

SynopsisDecades before the Cuban revolution, some decidedly revolutionary sounds had their birth in that country's capital city on today's date in 1930 during a concert of ultramodern music presented by the Havana Philharmonic.The concert offered the premiere performance of a new Piano Concerto by American composer Henry Cowell, who also was the soloist. Cowell's concerto broke new ground — and perhaps a few piano strings — by employing what Cowell dubbed “tone clusters.” These dense, dissonant chords were produced by pounding the keys of the piano with the fist, palms or extended forearms.Cowell also took his new techniques to the Old World in the 1920s and ‘30s, performing concerts of his works in Europe. These attracted the attention of Bela Bartok, who asked Cowell's permission to employ tone clusters in his works, and Arnold Schoenberg, who invited Cowell to perform for his Berlin composition classes.Cowell's oft-stated goal was to embrace what he described as “the whole world of music,” whether dissonant or consonant, radical or traditional, Western or non-Western. Perhaps that ideal was even more revolutionary than his Piano Concerto must have seemed back in 1930.Music Played in Today's ProgramHenry Cowell (1897-1965) Piano Concerto; Stefan Litwin, piano; Saarbrucken Radio Symphony; Michael Stern, cond. Col Legno 20064

Bela Bartok - Romanian Folk DancesBalazs Szokolay, pianoMore info about today's track: Naxos 8.550052Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Scotland-based American conductor Kellen Gray is Assistant Conductor of the English National Opera and Assistant Conductor of the Royal Scottish National Orchestra. He's attuned to the orchestral repertory, including Bela Bartok, Antonin Dvorak, Aaron Copland, and Ralph Vaughan Williams. He's also passionate about championing African-diasporic composers, and has two critically acclaimed albums - African-American Voices 1 and 2 - with the Royal Scottish National Orchestra. Suzanne spoke with Kellen Gray about his introduction to music growing up in South Carolina, and how it continues to impact his work as a conductor.

Throughout the history of Western Classical Music, folk music has imprinted itself as an invaluable resource for composers from all over the world. In fact, it's easier to make a list of composers who never used folk music in their compositions than it is to make a list of the composers who did! This tradition began long before the 20th century, but the work of composers like Bartok and a resurgence in the influence of nationalist music sparked a massive increase in composers using folk music throughout the 20th century and into the 21st. Bartok is thought of as the king of using folk music, as he was essentially the worlds first ethnomusicologist. But Stravinsky, who used dozens of uncredited folk tunes in his Rite of Spring, as well as Bernstein, Copland, Gershwin, Grainger, Vaughan Williams, Szymanowski, Dvorak, and so many others embraced folk music as an integral source for their music. This was in stark contrast to the second Viennese school composers like Schoenberg, Berg and Webern, and post World War II composers like Stockhausen, Boulez, and others who deliberately turned their backs on folk music. One composer who straddled both worlds during their lifetime was the Polish composer Witold Lutoslawski, a brilliant composer whose career started out in the folk music realm, though not entirely by choice, and ended up in music of aleatory, a kind of controlled chaos! One of his first major works, the Concerto for Orchestra is the topic for today's show, and it is heavily influenced by folk music from start to finish. It is a piece also inspired and might even be a bit of an homage to the great Bela Bartok and his own Concerto for Orchestra, which was written just ten years earlier. Lutoslawski, if you're not familiar with him, is one of those composers that once you learn about him, you can't get enough of him. I'll take you through this brilliant and utterly unique piece today from start to finish. Join us!

Stuudios on muusikateadlane Tiia Järg.

Dieser Tage spielt Kirill Gerstein in Wien Bartóks Drittes Klavierkonzert, das letzte vollende Werk des ungarischen Komponisten, 1944 im amerikanischen Exil geschaffen. Da zählte Bartók bereits zu den „Klassikern der Moderne“. Begonnen hat er stilecht mit einer Rhapsodie im Gefolge von Franz Liszt, dann war er radikaler Avantgardist und zwischendurch auch Volksmusikforscher – und in jeder Phase hat er ein Klavierkonzert komponiert: Wilhelm Sinkovicz unternimmt im Musiksalon diesmal eine akustische Bartók-Zeitreise.

‘Los niños en la Literatura', capítulo dedicado a la niñez y que hoy Patricia del Río nos ofrece una vasta gama de novelas donde los pequeños son los protagonistas y, sobre todo, el papel que juega la infancia en la sociedad a lo largo de la historia de la humanidad. El escritor inglés, Charles Dickens, es quizás quién más ha reflejado la problemática infantil en sus novelas ‘Oliver Twist', ‘David Copperfield' y ‘Grandes esperanzas', que son una muestra de la dureza con que eran tratados los niños y las niñas en la Inglaterra del siglo XVIII. También ‘El señor de las moscas', de William Golding; ‘Perú', de Gordon Lish; y ‘Anna', de Niccolò Ammaniti. La literatura peruana no es ajena a esta realidad; nuestro poeta mayor, César Vallejo, lo pone de manifiesto en ‘Paco Yunque', el niño víctima de bullyng; así como José María Arguedas en ‘Los ríos profundos' y Enrique Congrains en ‘El niño de junto al cielo. Hacemos referencia también a Alfredo Bryce Echenique, autor de ‘Un mundo para Julius', que también ha sido llevada al cine; a Mario Guibellini, en ‘La canción del capitán Garfio', y Juan Carlos Ortecho de ‘La fe de ayer'. En el séptimo arte, recomendamos las películas ‘Cinema paradiso' y ‘La vida es bella'. El invitado de la semana es el escritor Santiago Roncagliolo, quien en ‘El año que nació el demonio', nos remonta a la Lima virreinal del siglo XVII, ciudad enlodada por el crimen y la corrupción, con la disyuntiva de distinguir los caminos que separan el bien del mal. Las canciones alusivas son ‘Teach your children', Crosby, Stills, Nash & Young; ‘Canción para un niño en la calle', Diego El Cigala; ‘Santa Rosa', Daniel Drexler; ‘Se buscan valientes'; ‘Mi verdad', Maná & Shakira; ‘For children Vol. 1, Sz. 42: Nro 3 quasi adagio', Bela Bartok; ‘For children Vol. 1, Sz. 42: Nro 13 Ballade; For children Vol. 1, Sz. 42: Nro 19 Allegretto; Cinema paradiso', Ennio Morricone; y‘La pequeña', Miki Gonzales. Todo esto y mucho más en Letras en el tiempo, este domingo a las 19:00 h por RPP. Escúchanos también por rpp.pe y podcast del programa en las diversas plataformas. Edición de audio: Andrés Rodríguez ||| Episodio 30 – Cuarta temporada 2023.

‘Los niños en la Literatura', capítulo dedicado a la niñez y que hoy Patricia del Río nos ofrece una vasta gama de novelas donde los pequeños son los protagonistas y, sobre todo, el papel que juega la infancia en la sociedad a lo largo de la historia de la humanidad. El escritor inglés, Charles Dickens, es quizás quién más ha reflejado la problemática infantil en sus novelas ‘Oliver Twist', ‘David Copperfield' y ‘Grandes esperanzas', que son una muestra de la dureza con que eran tratados los niños y las niñas en la Inglaterra del siglo XVIII. También ‘El señor de las moscas', de William Golding; ‘Perú', de Gordon Lish; y ‘Anna', de Niccolò Ammaniti. La literatura peruana no es ajena a esta realidad; nuestro poeta mayor, César Vallejo, lo pone de manifiesto en ‘Paco Yunque', el niño víctima de bullyng; así como José María Arguedas en ‘Los ríos profundos' y Enrique Congrains en ‘El niño de junto al cielo. Hacemos referencia también a Alfredo Bryce Echenique, autor de ‘Un mundo para Julius', que también ha sido llevada al cine; a Mario Guibellini, en ‘La canción del capitán Garfio', y Juan Carlos Ortecho de ‘La fe de ayer'. En el séptimo arte, recomendamos las películas ‘Cinema paradiso' y ‘La vida es bella'. El invitado de la semana es el escritor Santiago Roncagliolo, quien en ‘El año que nació el demonio', nos remonta a la Lima virreinal del siglo XVII, ciudad enlodada por el crimen y la corrupción, con la disyuntiva de distinguir los caminos que separan el bien del mal. Las canciones alusivas son ‘Teach your children', Crosby, Stills, Nash & Young; ‘Canción para un niño en la calle', Diego El Cigala; ‘Santa Rosa', Daniel Drexler; ‘Se buscan valientes'; ‘Mi verdad', Maná & Shakira; ‘For children Vol. 1, Sz. 42: Nro 3 quasi adagio', Bela Bartok; ‘For children Vol. 1, Sz. 42: Nro 13 Ballade; For children Vol. 1, Sz. 42: Nro 19 Allegretto; Cinema paradiso', Ennio Morricone; y‘La pequeña', Miki Gonzales. Todo esto y mucho más en Letras en el tiempo, este domingo a las 19:00 h por RPP. Escúchanos también por rpp.pe y podcast del programa en las diversas plataformas. Edición de audio: Andrés Rodríguez ||| Episodio 30 – Cuarta temporada 2023.

JJ and Matt are joined by Victor Rice and Kristoph Toth to discuss their new project, Heritage: On Bartok's Path, which combines ska with traditional Hungarian folk songs. A true ska visionary, Rice conceived of the new genre-mixing album years ago, and enlisted Toth's band, the Pannonia Allstar Ska Orchestra to make it a reality. We talk Scofflaws! We talk about Samba Rocksteady! And of course, we talk Bela Bartok!

SynopsisToday's date in 1931 marks the birthday of the first notable Native American composer of concert music. His name was Louis Ballard, and he was born in Devil's Promenade in Oklahoma. His father was Cherokee, and his mother Quapaw.   As a young boy Ballard attended – but managed not to be irreparably damaged by – one of those notorious boarding schools where Native American students were taught to forget everything about their own language and culture. Ballard somehow remained rooted in Quapaw language and traditions at the same time his interest in European classical music developed, and in 1962 became first American Indian to receive a graduate degree in music composition.Inspired by the example of Bela Bartok, who incorporated the folk music of Eastern Europe in his works, Ballard attempted to do the same with Native American source material in concert works both large and small. He was nominated for a Pulitzer Prize in 1971 and in 1974 his orchestral piece Incident at Wounded Knee was performed at Carnegie Hall and taken on an Eastern European tour by Saint Paul Chamber Orchestra, who had commissioned the work.This Louis Ballard chamber piece for two winds and piano is entitled “Mid-Winter Fires.”Music Played in Today's ProgramLouis Ballard (1931-2007): Mid-Winter Fires (Amy Morris, f; Mark Serrup, ob; Mary Goetz, p.) Indande Records 52352

Béla Bartók verabschiedet sich mit seinem frühen Violinkonzert gleich doppelt: von seiner Geliebten Stefi Geyer, die nichts mehr von ihm wissen will - und von der Spätromantik. In dem 1908 vollendeten Werk kündigt sich ein radikaler stilistischer Wandel an. Von Michael Lohse.

Synopsis Any composer who sets out to write a violin concerto knows that his or her new work will be measured against the famous concertos of the past. But in the fall of 1936, when the Hungarian composer Bela Bartok decided to write a violin concerto, he asked his publisher to send him some recent work of his contemporaries. After seeing what Karol Szymanowski, Kurt Weill, and Alban Berg had accomplished in the form, Bartok set to work, with much input from his violinist friend, Zoltan Szekely, for whom the new concerto was being written. Bartok was in America when Szekely premiered his Concerto with the Amsterdam Concertgebouw Orchestra, conducted by Willem Mengelberg. It was only in America, some years later, in 1943, that Bartok first heard his Concerto at a New York Philharmonic concert. He wrote, "I was most happy that there is nothing WRONG with the scoring. Nothing needs to be changed, even though orchestral accompaniment of the violin is a very delicate business." If Bartok was happy with the scoring, he wasn't very pleased with one New York music critic, who wrote that he didn't think the new work would ever displace the great violin concertos of Beethoven, Mendelssohn, or Brahms. "How is it possible to write such an idiotic thing," commented Bartok. "What fool fit for a madhouse would want to displace these works with his own?" Music Played in Today's Program Béla Bartók (1881 - 1945) Violin Concerto No. 1 Kyung-Wha Chung, violin; Chicago Symphony; Sir Georg Solti, conductor. London 411 804

Tom Service intrepidly explores Bluebeard's Castle - the one-act Symbolist opera by Hungarian composer Bela Bartok first performed in 1918 which features just two characters: Duke Bluebeard and his fourth wife Judith. Newly married, he brings her home to his murky castle for the very first time, where she finds a torture chamber, armoury, treasury, garden, and lake of tears. And unfortunately for Judith, it's not long before she discovers just what happened to those first three wives... With Harvard Professor of Folklore and Mythology Maria Tatar. Producer: Ruth Thomson

DSO Music Director Laureate Leonard Slatkin and his friend Garrick Ohlsson are back in town this weekend to performs Johannes Brahms's mighty Piano Concerto No. 1. The DSO also plays music by Igor Stravinsky and Bela Bartok. 90.9's Peter Whorf asked the Maestro about the concerto's place in Brahms's symphonic timeline…

Synopsis In January of 1939, the famous jazz clarinetist Benny Goodman was playing each night at New York's Paramount Theater. On today's date that year he also appeared on the stage of Carnegie Hall. The occasion was the American premiere of a new chamber trio by the Hungarian composer Bela Bartok, commissioned by Goodman at the suggestion of Bartok's compatriot, violinist Joseph Sizgeti. The work was billed as a two-movement “Rhapsody” for clarinet, violin and piano. Now, in 1939 Goodman was at the peak of his popularity with the swing-crazed youth of America, and the New York Times music critic felt the need to write: “There is no indication that Bartok wrote the clarinet part for Benny's clarinet, so jitterbugs reading this review have been simply wasting their time. The work is as Hungarian as goulash, and Mr. Goodman was artist enough to restrain himself from any insinuation of swing. Indeed, considering that he had probably left the stage of the Paramount Theatre some minutes before he appeared on that of Carnegie Hall, the purity of his style and the bright neatness of his technique were particularly admirable.” The following year, Goodman and Szigeti recorded the trio with Bartok himself at the piano. For that occasion, Bartok added a third movement, and the resulting work was re-titled Contrasts. Music Played in Today's Program Béla Bartók (1881 –1945) Contrasts Benny Goodman, clarinet; Joseph Szigeti, violin; Bela Bartok, piano CBS/SONY 42227

We celebrate the podcast's 21st series with a group of dances by Hungarian composer Bela Bartok. We discuss Transylvania, phonographs, and horse heads. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

Avui hem sentit: "Suite de danses"; "Concert per a piano i orquestra n

Happy October and all the ghoulish stuff that comes with it. We here at ATTT HQ are getting tired from patting ourselves on the back for another Halloween Spectacular in the books with the certifiably insane Matt Dinan in our 11th October go-around. This time we're delving deeper into the terrifying world of classic horror movies and their accompanying scores. These are the sounds that strike fear to all those who hear them, whether or not they've seen the attached classic horror films. This week's playlist reads like a great menu of horror cinema, which you might be inspired to indulge in, at least for the rest of October. If you missed Part 1 then by all means, get to it:https://www.podomatic.com/podcasts/alltimetopten/episodes/2022-10-10T04_00_00-07_00Get your fix of silly Halloween fun over at Matt's LA Frankenstein Youtube Channel:https://www.youtube.com/channel/UCnnTJKNN8AIgKsGZh7MOCbgIf you must have more ATTT in your life then you'd better check out the Patreon Thing, where we're still cooking up monthly bonus episodes. Find out more at the website:https://alltimetoptenpod.com

Reimagining an opera is a delicate balance. Discovering a new perspective while honoring the spirit of the original work requires a special level of care and artistry. So how does one reimagine an opera like Bela Bartok's haunting Bluebeard's Castle, a work straight from the realms of Gothic horror, for a new audience? Director Daisy Evans and conductor Stephen Higgins come to the mic for this episode of BlinkOpera to talk about their inspiration and process of rediscovering this chamber opera as an exploration of a very familiar experience - traveling a path of a life with dementia. Welcome to Season 3 of The Atlanta Opera Podcast's BlinkOpera, the series built to give you an introduction to operas told from the artists who actually perform them and know them intimately. So, let's listen to the highlights, unpack the plot, and hear about performance anecdotes in a time-efficient and fun way! Recording: Bartok: Bluebeard's Castle; London Sinfonietta; Stephen Higgins

Johan Julius Christian Sibelius, compositor finlandês, morre em 20 de setembro de 1957 devido a uma hemorragia cerebral. Considerado excepcional artista na Finlândia, desempenhou papel determinante entre finais do século XIX e princípios do século XX na criação de um estilo musical próprio. Sobre o valor de sua obra, há posições controversas: enquanto o crítico e filósofo alemão Theodor Adorno o considera amador e antiquado, o compositor húngaro Bela Bartok o situa entre os grandes de seu tempo.Veja a matéria completa: https://operamundi.uol.com.br/hoje-na-historia/31324/hoje-na-historia-1957-morre-o-compositor-finlandes-johan-sibelius#:~:text=Johan%20Julius%20Christian%20Sibelius%2C%20compositor,de%20um%20estilo%20musical%20pr%C3%B3prio.----Quer contribuir com Opera Mundi via PIX? Nossa chave é apoie@operamundi.com.br (Razão Social: Última Instancia Editorial Ltda.). Desde já agradecemos!Assinatura solidária: www.operamundi.com.br/apoio ★ Support this podcast ★

‘Escritores perseguidos'. Homenaje de Patricia del Río al escritor de origen indio, Salman Rushdie, quien hace más de un par de semanas sufrió un atentado por perseverar en su derecho a escribir con libertad. Autor de ‘Hijos de la medianoche', la mejor de sus novelas, y ‘Los versos satánicos', considerado uno de los libros más peligrosos del mundo, se ganó el repudio y persecución del fundamentalismo islámico por considerarlo una amenaza para su cultura y religión. En este especial, también le rendimos homenaje a los escritores de todos los tiempos que pagaron su terquedad por seguir escribiendo con el destierro, el maltrato, el golpe o la muerte. Al respecto, el escritor Iván Thays, comenta sobre el atentado a Rushdie y los riesgos de este tipo de literatura. En la secuencia ‘El libro de la semana', conversamos con Hugo Viladegut Bush, educador, locutor profesional y ‘la voz institucional' de Radio Programas del Perú, de su reciente libro Locución de la ‘A' a la ‘Z'. Manual para locutores y para quienes quieran mejorar el habla personal. Por su parte, el periodista Diego Pajares recomienda películas inspiradas en esta temática: ‘Misery', con James Caan y Kathy Bates; y ‘Basada en hechos reales', de Delphine de Vigan. Mientras que Julio Zavala, crítico literario y gerente de la librería ‘Escena libre', comenta los libros imprescindibles de la semana: ‘El rehén', de Gabriel Mamani (novela); '72 fotogramas', de Alberto ‘Chicho' Durant (relatos); y ‘Soy señora. Testimonio de Irene Jara', de Francesca Denegri (ensayo). Las canciones que hacen alusión a este especial son: ‘Clouds', con Ema Shah; ‘For children', de Bela Bartok, Vol. 1 y 2, Sz 42; ‘Memoria raíz', por Batallones femeninos; ‘Quiero salir Managua', por Ailime; ‘L'elisir d'amore / Act 2: Una furtiva lágrima', por Juan Diego Florez; ‘Los dinosaurios', de Charly García; ‘Derecho de vivir en paz', de Víctor Jara. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Andrés Rodríguez ||| Episodio 32 – Tercera temporada.

‘Escritores perseguidos'. Homenaje de Patricia del Río al escritor de origen indio, Salman Rushdie, quien hace más de un par de semanas sufrió un atentado por perseverar en su derecho a escribir con libertad. Autor de ‘Hijos de la medianoche', la mejor de sus novelas, y ‘Los versos satánicos', considerado uno de los libros más peligrosos del mundo, se ganó el repudio y persecución del fundamentalismo islámico por considerarlo una amenaza para su cultura y religión. En este especial, también le rendimos homenaje a los escritores de todos los tiempos que pagaron su terquedad por seguir escribiendo con el destierro, el maltrato, el golpe o la muerte. Al respecto, el escritor Iván Thays, comenta sobre el atentado a Rushdie y los riesgos de este tipo de literatura. En la secuencia ‘El libro de la semana', conversamos con Hugo Viladegut Bush, educador, locutor profesional y ‘la voz institucional' de Radio Programas del Perú, de su reciente libro Locución de la ‘A' a la ‘Z'. Manual para locutores y para quienes quieran mejorar el habla personal. Por su parte, el periodista Diego Pajares recomienda películas inspiradas en esta temática: ‘Misery', con James Caan y Kathy Bates; y ‘Basada en hechos reales', de Delphine de Vigan. Mientras que Julio Zavala, crítico literario y gerente de la librería ‘Escena libre', comenta los libros imprescindibles de la semana: ‘El rehén', de Gabriel Mamani (novela); '72 fotogramas', de Alberto ‘Chicho' Durant (relatos); y ‘Soy señora. Testimonio de Irene Jara', de Francesca Denegri (ensayo). Las canciones que hacen alusión a este especial son: ‘Clouds', con Ema Shah; ‘For children', de Bela Bartok, Vol. 1 y 2, Sz 42; ‘Memoria raíz', por Batallones femeninos; ‘Quiero salir Managua', por Ailime; ‘L'elisir d'amore / Act 2: Una furtiva lágrima', por Juan Diego Florez; ‘Los dinosaurios', de Charly García; ‘Derecho de vivir en paz', de Víctor Jara. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Andrés Rodríguez ||| Episodio 32 – Tercera temporada.

1938 – La espesura de esas emociones invadiría al compositor y pianista húngaro Bela Bartok cuando le escribe a la señorita Müller Widmann tras la entrada de Alemania a Viena. En la voz, Bárbara Espejo.

Before his stop in Calgary on July 2nd, for the Calgary Jazz Festival. The Cross Border Interviews with Chris Brown caught up with the Musician on his upcoming tour through Western Canada. A fearless, versatile explorer, two-time Juno Award winning pianist/composer Andy Milne has been a distinct and respected voice at the heart of New York's creative jazz scene for 30 years, collaborating with dancers, visual artists, poets and musicians spanning jazz, classical, pop, folk, and world music. At the piano he skillfully blends poetic gravitas with a playful sense of order. He has recorded and toured throughout the world with Ravi Coltrane, Ralph Alessi, Carlos Ward and Carla Cook, and has collaborated with a range of artists including Andrew Cyrille, Sekou Sundiata, Avery Brooks, Bruce Cockburn, Fred Hersch, Ben Monder, Dianne Reeves, Jen Shyu, Tyshawn Sorey and Jamie Baum. A former student of Oscar Peterson, Milne was at the center of the M-BASE Collective as a core member of saxophonist Steve Coleman's bands, as well as performing with Cassandra Wilson and Greg Osby. Milne composed and produced the scores for seven documentary films by acclaimed director William Shatner and has released 11 recordings as a leader or co-leader. He is the recipient of numerous awards and commissions, including the prestigious Civitella Fellowship. In addition to his multiple projects, Milne is a sought-after educator, serving as an assistant professor of music at The University of Michigan. and the Assistant-Director at The School for Improvisational Music. Milne draws inspiration from politics, philosophy, homeopathy, comedy, and science fiction, with musical influences that bridge Thelonious Monk, Art Tatum, Herbie Nichols, Bela Bartok, Joni Mitchell and Stevie Wonder. *************************************************** Purchase Tickets Today: July 2nd Calgary Show: https://www.jazzyyc.com/jazz-events/andy-milne-unison/ July 3rd Edmonton Show: https://andymilne.com/events/andy-milne-unison-us-canada-summer-tour-5/ *************************************************** Follow the Cross Border Interview Podcast: Instagram: https://www.instagram.com/crossborderpodcast/ Twitter: https://twitter.com/CrossBorderPod Facebook : https://www.facebook.com/CrossBorderInterviews Youtube: https://www.youtube.com/channel/UCI2i25ZVKTO84oUsLyO4jig Website: https://www.crossborderinterviews.ca/ Back the Show: https://www.patreon.com/CrossBoderInterviewPodcast The Cross Border Interview Podcast was Produced and Edited by Miranda, Brown & Associates Inc © 2022

Formed in Israel nearly twenty years ago, the Ariel Quartet is currently Faculty Quartet-in-Residence at the University of Cincinnati's College-Conservatory of Music. We're joined by three members of the group to preview their debut album, which essays the String Quartet No. 2 of Johannes Brahms alongside Bela Bartok's String Quartet No. 1.

Two friends and academics recap classic literature and take it off its pedestal. In our eighteenth episode, we cover Virginia Woolf's trans, posho, time-traveling romp, Orlando (1928). Daniel once again gets into a row with medieval expert and enemy of the podcast, Justine; Abby once again gets into a row with friend of the podcast, Jonathan Swift; and we have 'Set the Scenes' on tap.Cover art © Catherine Wu.Episode themes: Orlando Gibbons, 'Fantasia A4, No.1 for Treble, Tenor & Bass Viols with Great Bass'; Ozan Yarman, 'Cumbus Tanbur Recording'; Antonio Vivaldi, 'Cello Concerto G Major - 1 Allegro'; Camille Saint-Saens, 'Cello Concerto No. 1 in A Minor, op. 33, i. Allegro Non Troppo' ; Bela Bartok, 'Divertimento For String Orchestra'. Hosted on Acast. See acast.com/privacy for more information.

This week, I ask you to join me in learning the life and legacy of one of music history's most beloved, but just as misunderstood composers, Edvard Grieg. This special episode is essentially my thesis condensed into a 30 minute podcast episode, and will cover Grieg's upbringing, education, personal life, his place as Scandinavia's most significant musicians, and the mark he left on Parisian culture during the Belle Epoque as one of its most popular composers. In the process, we will better understand how Grieg left a remarkable and personal influence on the generations after him, from Maurice Ravel, to Bela Bartok, to Duke Ellington, to John Cage, and many in between. It is my hope that you come away from this episode with a newfound appreciation of Edvard Grieg's music, life, and legacy.Support the show (https://ko-fi.com/theamericanskald)

Vier Musiker am Rande des Nervenzusammenbruchs, irrwitzige Tempi und vertrackte Rhythmen zwischen Jazz, Balkan und höherer Mathematik - mit seiner Sonate für zwei Klaviere und Schlagzeug betritt Bela Bartok 1937 kammermusikalisches Neuland! (Autor: Ben Süverkrüp) Von Ben Süverkrüp.

Episode 5 is with Jose Nugent, a fiddle player from East Clare who lives and breathes inclusivity in her musical practice. Josie was inspiring to talk to about how she has made it her life mission to use her musical abilities for the power of good. We talk about her passion for teaching music to young people with learning difficulties, therapeutic work with autistic children and older adults with dementia, as well as her cross-community work in the North. She also has a thriving solo practice as a fiddle player and is hugely influenced by the modal structures of Hungarian composer Bela Bartok. We hear a sample of a a jig 'A Cambridge Cycle' from Josies solo album 'Modal Citizen' which you can find at www.josiebrianmusic.info.

Just as Bela Bartok gave a voice to the folk music of Hungary in the 20th century, Alberto Ginastera did the same for the music of Argentina. Many call Ginastera one of the most important South American composers of the past century.

This time on Beast in the Maze, we're taking a look at an album by legends of prog rock King Crimson, 1973's Larks' Tongues in Aspic. We get into all sorts of topics including what is being hit by what, and whether not eating very much organ meat is a failing or a privilege. We also mention several other cultural/musical things, including: Bela Bartok, Goats Head Soup and Beggar's Banquet by The Rolling Stones, Dark Side of the Moon, Tom Waits, HBO's Rome, Primus, The Clash, Emerson Lake & Palmer, "Red Dead Redemption 2," and more! We also reveal which album we'll be covering when we return to Iron Maiden mode on the next episode of the show. Of course, as always, you can follow/contact us on Twitter @beast_maze or check out our website where you can find live picks from the albums we discuss on the show, or you can also reach us via email at mail@beastinthemaze.com.

Our performance of Bela Bartok’s Seven Sketches, Op. 9b, played by our host and pianist Eliana Zebro. Subscribe at pianohistories.substack.com

The Piano Histories Podcast will share a part of Bartok’s story of Chopin’s story, and tell you the complete history of Bela Bartok’s Seven Sketches, Op. 9b. Subscribe at pianohistories.substack.com

This week's' episode features the Schumann Quartet in a performance of Bela Bartok's Quartet for Strings No. 2, BB 75, Op. 17 from April 29, 2018.

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On this day in 1909, Bela Bartok conducted a performance of the scherzo from his second orchestral suite, marking the only time he ever conducted any orchestra in concert. On today's "A Classical Day in the Life", we explore the composer's orchestral maneuvers.

Experience the Intimate Music Series from St. Barnabas core group of musicians — Amy Duerr Day on oboe, Patricia Strange on violin and Patricia Beasley on clarinet with Samuel Brodsky on piano—as they share an evening of rich and lyrical chamber music within the historic and award-winning gardens of Bloedel Reserve. Featuring compositions by Franz Schubert, Bela Bartok, Joao Camacho, Richard Cumming, Robert Sibbing, Felix Mendelssohn and Darius Milhaud, the concert celebrates spring in bloom among the rhododendron and tranquil landscape. Learn more about the Intimate Music Series and other events at Bloedel Reserve here: http://www.bloedelreserve.org/event-calendar/special-events In this “What's Up Bainbridge” podcast radio episode, BCB host Annie Osburn interviews musicians Amy Duerr Day and Patricia Strange about their Mother's Day concert at Bloedel Reserve. From Bartok's “Roman Polka” to Cumming's “Springfield Mountain” and Schubert's “Entr'acte from Rosamunde,” the program promises a diverse repertoire. For more information, please visit blodelreserve.org. Doors open at 7pm, the concert begins at 7.30pm. Tickets are $18 for members and $21 for non-members. For more information about the Intimate Music Series/Chamber Works group, which is co-sponsored by Ovation! Musical Theatre Bainbridge, please visit ovationmtb.com.