Podcast appearances and mentions of esther anatolitis

Welcome to my two-part interview series! In this episode I sat down with Alexander Voltz from the Australian Monarchist League, to ask him what the arguments are for Australia to maintain its system of constitutional monarchy and reject the possibility of becoming a republic. Of course to hear the other side of this discussion I encourage you to watch my interview with Esther Anatolitis of the Australian Republic Movement: https://spotifycreators-web.app.link/e/htFVpjWHZOb Learn more about the AML here: https://www.monarchist.org.au/ Learn more about the ARM here: https://republic.org.au/ Support the channel on patreon here: https://www.patreon.com/AuspolExplained Like Auspol Explained on Facebook: https://www.facebook.com/Auspol-Explained-107892180702388 Auspol Explained would like to acknowledge the Whadjuk Nyoongar people and their Elders as the owners and custodians of the Land that the episode was recorded and edited on. This Land was stolen and never ceded. It always was and always will be Aboriginal Land.

Welcome to my two-part interview series! In this episode I sat down with the co-chair of the Australian Republic Movement, Esther Anatolitis, to ask her what the arguments are for an Australian republic and why we shouldn't stick with our system of constitutional monarchy. Of course to hear the other side of this discussion I encourage you to watch my interview with Alexander Voltz of the Australian Monarchist League: https://spotifycreators-web.app.link/e/HMdEUmUHZOb Learn more about the ARM here: https://republic.org.au/ Learn more about the AML here: https://www.monarchist.org.au/ Support the channel on patreon here: https://www.patreon.com/AuspolExplained Like Auspol Explained on Facebook: https://www.facebook.com/Auspol-Explained-107892180702388 Auspol Explained would like to acknowledge the Whadjuk Nyoongar people and their Elders as the owners and custodians of the Land that the episode was recorded and edited on. This Land was stolen and never ceded. It always was and always will be Aboriginal Land.

La visite du roi Charles III et de la reine Camilla a permis aux partisans de la monarchie constitutionnelle et aux fans de la famille royale d'afficher leur soutien. De leur côté, les partisans d'une République d'Australie ont saisi l'occasion pour remettre en question le système actuel. Entretien avec Esther Anatolitis, co-directrice du mouvement australien pour la République.

La visite du roi Charles III et de la reine Camilla a permis aux partisans de la monarchie constitutionnelle et aux fans de la famille royale d'afficher leur soutien. De leur côté, les partisans d'une République d'Australie ont saisi l'occasion pour remettre en question le système actuel. Entretien avec Esther Anatolitis, co-directrice du mouvement australien pour la République.

Tom Elliott has questioned the co-chair of the Australian Republic Movement, Esther Anatolitis, over their campaign called "Monarchy, The Farewell Oz Tour". See omnystudio.com/listener for privacy information.

Welcome to the Monday Breakfast show for October 14, 2024. On today's show: Rob spoke with Nina, one of the producers of the Untold Stories of Injustice podcast, a five-part podcast series produced here at 3CR Community Radio. The pair spoke about the prison industrial complex, how the podcast came to be, as well as barriers in creating such an important piece of media. Following that we play a clip from episode four of  the Untold Stories of Injustice podcast titled 'The Injustice System'. The episode features a conversation between Formerly Incarcerated Girls; Justice Advocates Melbourne (FIGJAM) member Lyanne who spoke with Tizzie, an intensive outreach worker who fiercely advocates for girls, young women and non-binary folks in contact with justice system. Between their combined lived experience and practice wisdom regarding intersectionality, their understanding of the complexities that many vulnerable and marginalised people face is held with compassion and integrity. This enables a robust and thought-provoking conversation, picking apart themes & exploring in detail some of the common circumstances that push people into the injustice system. Explicitly naming the elephant in the room. Catch the full episode at 3cr.org.au/untoldstories or listen to the next episode on 9AM this Friday.Eric interviewed candidate for Lord Mayor Jamal Hakim and his deputy Esther Anatolitis, discussing the struggles facing community-led art spaces in the CBD. They discussed their 'Future Postcode 3000' initiative, which aims to address the exodus of arts spaces from the CBD and how they plan to support and revitalize community-led arts and creative spaces in the city.The show ends with a replay of Rob's conversation with Keiran Stewart-Assheton, President of the Black Peoples Union to coincide with the anniversary of the Voice to Parliament results being announced. The conversation took place before the results were announced last year and covers the Voice to Parliament itself as well as how its campaigns affected the Blak Sovereignty and Liberation movements across the continent. SONGS:- 'Running with the Hurricane' - Camp Cope- 'Never Too Much' - Luther Vandross- 'Hide & Seek' - Bumpy 

As the autumn series of the Edict overflows into Official Winter, we go arty with Esther Anatolitis, editor of Australian literary journal Meanjin and a colossus striding the Melbourne arts scene and beyond.In this episode we discuss the controversy over Vincent Namatjira's portrait of billionaire Gina Reinhart, and why Melbourne is so arty and, allegedly, so liveable. We touch upon Cole's Book Arcade, Melbourne being a UNESCO City of Literature, being Greek — her not me — and much more.This conversation was recorded on 20 May 2024, so listen all the way to the end for some updates.Disclosure: Meanjin is a client, though I am not being paid for this and it was all my idea.Full podcast details and credits at:https://the9pmedict.com/edict/00220/Please support this podcast by considering a tip:https://the9pmedict.com/tip/https://skank.com.au/subscribe/

In this episode, hear an online conversation between Zadie Smith and Esther Anatolitis (editor of Meanjin). Smith's new book The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity, and the mystery of 'other people.' Set in late 19th century London, Smith uses the real-world Tichborne Trial as a storytelling spine. At the time, this trial captivated England. At its core, it was a trial about identity: Sir Roger Tichborne, long believed dead, arrives back in England to claim his title. The only witness called is Andrew Bogle, a former enslaved man from Jamaica. Reacting to the story is Mrs Eliza Touchet, the housekeeper and cousin of once successful novelist William Ainsworth.

Ahead of this October's Writers Festival of Belgium, we meet Esther Anatolitis, the Editor of Australia's oldest and most venerable Literary Journal ‘Meanjin'. Esther is a stalwart of literature festivals, one of the founders of the Australian Emerging Writers Festival, now in its 20th year, and previous head of Express Media. She wants to ensure that all voices are heard in the run up to the Aboriginal and Torres Strait islander voice to Parliament referendum later on this year. She also answers the question: what is a Writers Festival anyway? In conversation with Alia Papageorgiou.

Bernard Caleo is back for ‘Drawn Out', our monthly comics segment; Artist Robert Clinch discusses 'Romancing the Streetscape', an exhibition at Hawthorn's Town Hall Gallery celebrating streetscapes, parks and buildings iconic to Melbourne; Meanjin editor and arts advocate Esther Anatolitis dissects the new National Cultural Policy ‘Revive', designed to renew Australia's arts, entertainment and cultural sector. With presenter Richard Watts.

How do you talk about your work? How do you connect with what drives you? How have the past couple of years disrupted your practice? And how long has it been since you've paused and reflected on how and why you create work – and what might come next? In this conversation, long-time MPavilion collaborator Esther Anatolitis provides much-needed space and time for reinvigoration designed to reconnect you with your practice, your peers and your future.

Arts Day on the Hill is Australia’s annual focus on building sector capacity for sustained government engagement and lasting policy reform. This year’s Arts Day on the Hill took place on Wednesday 12 August 2020. In this podcast, NAVA’s Esther Anatolitis is joined by artists Nadia Odlum and Sha Sarwari in reviewing our experiences and next steps, with Nicholas Pickard, former policy adviser, joining half-way to offer a national political perspective on the debrief.

A few weeks before her three year tenure as the head of the National Association of the Visual Arts (NAVA) was concluded, Greek-Australian polyglot Esther Anatolitis spoke to SBS Greek about the state of affairs in arts and the plight of artists in Australia during the pandemic. - H Σταθία Ανατολίτη, εκτελεστική διευθύντρια της NAVA, υποστηρίζει ότι η πανδημία και τα περιοριστικά μέτρα έχουν καταφέρει σημαντικό πλήγμα στον καλλιτεχνικό και γενικότερα πολιτιστικό τομέα. Τονίζει ότι το κονδύλιο της ομοσπονδιακής κυβέρνησης αποτελεί σταγόνα στον ωκεανό για τους καλλιτέχνες.

Rohin Kickett is a NAVA Board Member and Nyoongar artist from the Balardong region Western Australia. In this podcast, NAVA’s Esther Anatolitis talks to Rohin Kickett about his personal leadership journey, community development models for Art Centres and key issues around Indigenous art production.

Rama Nicholas chats about her 'Serious Comedy' show The Lucky Ones; Sarah debriefs on her first ever baby scan; Esther Anatolitis talks about the future of the City of Melbourne; food expert Michel Harden riffs on home delivery disruptors; Ben Ulm talks about Who Gets To Stay In Australia? screening on SBS; Simon Hinkley explores wingless bloodsuckers, aka fleas; and Gez encounters an old friend on her way to dinner. With presenters Sarah Smith, Daniel Burt, and Geraldine Hickey. Website:  https://www.rrr.org.au/explore/podcasts/breakfastersFacebook: https://www.facebook.com/Breakfasters3RRRFM/Twitter:     https://twitter.com/breakfastersInstagram:  https://www.instagram.com/breakfasters/?hl=en

The art industry is on high alert after the NSW Government withheld an annual grant from Australia's biggest multi-arts venue Carriageworks, forcing it to go into voluntary administration. Executive Director of the National Association for the Visual Arts, Esther Anatolitis discusses how COVID-19 has affected the arts industry. Since the pandemic venues have been shut down, meaning drag queens are unable to perform live in person, in front of large crowds until further notice. Drag Artist, Etcetera Etcetera talks about what the drag community is currently doing online and the potential future of drag. See omnystudio.com/listener for privacy information.

Bumping into someone or something/s is not what it used to be, or will be in the future. "One of the first things that will happen is that we're going to surprise ourselves by being surprised, you know, we're going to have that experience of going, 'Oh, God. That's, that's what I was missing'" - Esther Anatolitis Post pandemic populations are likely to experience suprise, satisfaction and maybe serendipity missing from isolation life. LINKS FROM THE EPISODE Esther's piece in The Guardian, with 100+ signatories, and link to all the relevant pieces including the Minister's from the day before. Esther's ecent twitter thread bringing together all the economists. National Association of the Visual Arts Collingwood Yards The Guardian: Coronavirus hit Australia’s arts industry hard and early. Our support package is designed to help ABC News: Coronavirus has shut down Australia's arts industry but artists say the Government has ignored them Australian Government Arts update ABOUT ESTHER ANATOLITIS Esther is the Executive Director at the National Association of the Visual Arts, Deputy Chair of Collingwood Yards, also Hon A/Professor at RMIT. Esther's personal website Esther on Twitter Suggestions for topic or guest Contact the show - hello@postpandemic.xyz The 7 questions for every guest 1. What will be different about after the pandemic? 2. What do you think will become obsolete? 3. What will be different in your daily life? 4. What positives do you see coming from COVID19? 5. How do you think you’ll describe the pandemic to someone in the future that didn't experience it? 6. If you were to write a book, film or TV series about the global pandemic what would you call it? 7. What should we be paying attention to now that will affect life after the pandemic? Post Pandemic is hosted by Courtney Carthy Production by Nearly Media Cover artwork by Studio Baker Theme music created by Alex ShulginSee omnystudio.com/listener for privacy information.

In this podcast, Esther Anatolitis is in conversation with Toby Dennett from the Arts Council of Ireland about their 'Paying the Artist' policy released earlier this year.

On this week’s episode Richard explores the impact of COVID-19 on the arts sector.Richard talks to Daniel Santangeli, Artistic Director & Co-CEO of Footscray Community Arts Centre which is a part of the Arts West Alliance. Footscray Community Arts Centre have shut their doors out of respect for the members of their community who are most at risk during this crisis, especially those with a disability and Indigenous Australians. However, they are keeping the space open just for artists with a disability. They are hoping to provide a place where there’s a reduced risk of infection for these practitioners to work. Footscray Community Arts Centre are also advocating for the government to provide an arts stimulus package, so the arts sector can do what it does best, “which is provide community connection through creativity”.Next Richard talks to Esther Anatolitis from the National Association for the Visual Arts. Her organisation is keeping track of the disruption to the arts industry and is also lobbying the government for a stimulus package. She hopes that the Australian government will rediscover its role through its handling of the crisis.Finally Richard talks with Amelia Wallen who is the Director of West Space. West Space have just moved to a new location in Collingwood. They were preparing to put on their first exhibition in their new gallery when they had to postpone due to the pandemic. They are currently working on ways to make the work accessible to the public through this crisis. Wallen says that the exhibition is timely in that it’s “looking at the different conditions under which artists produce work and this is a condition unlike no other.”

The Australian Government has vanished the Arts portfolio within the new Department of Infrastructure, Transport, Regional Development and Communications. No mention of 'The Arts' at all.  The lack of any reference to the arts in the new department’s title, and the loss of a dedicated department overseeing the arts and cultural sector, is of significant concern within the arts. In this edition of the podcast, Esther Anatolitis of the National Association for the Visual Arts expresses NAVA's perspective on the change.  Also, the Media Entertainment and Arts Alliance is delivering a campaign to ensure The Arts is not forgotten within the corridors of Parliament House, nor within the local community. MEAA members Jonathan Biggins, Camilla Ahkin, Jonathan Mill, and Equity Director Andrew Crowley express their frustration and their plans Transcripts of interviews are available for download HERE. The transcriptions are made possible by the support from Pixel Perfect Prolab - The photolab for professionals.

"The artist doesn't have to be starving. It should not be starving. It is not the way that it should be. You should be able to be an artist and sustain yourself." In this episode, NAVA's Executive Director, Esther Anatolitis, is in conversation with Renuka Bauri, Director of Communications and Advocacy for Canadian Artists Representation / Front des artistes canadiens (CARFAC National). CARFAC was established by artists in 1968 and promotes the national voice of Canada’s professional visual artists; promotes a socio-economic climate that is conducive to the production of visual arts in Canada; and conducts research and engages in public education for these purposes.

Recorded live at the launch of Arts Day on the Hill and the inauguration of the Parliamentary Friendship Group for Contemporary Arts and Culture, Co-Chaired by John Alexander, Maria Vamvakinou, and Adam Bandt. Hosted by Esther Anatolitis, we also heard from guest speakers including the Minister and Shadow Minister for the Arts and Welcome to Country by Aunty Matilda House. Arts Day on the Hill is a new program presented by the National Association by the Visual Arts (NAVA) to create an annual national focus on advocacy for the arts. https://visualarts.net.au/nava-events/2019/arts-day-hill/

“I think we'll see organisations essentially deciding which artists get supported as opposed to artists applying directly to a funding body… There's independence at stake: the idea that artists can maintain independent practices where they instigate projects that may or may not operate within an institutional context...” This podcast looks at Connie Anthes and Rebecca Gallo’s collaboration Make or Break and what happens when arts policy neglects artists. Make or Break is a collaboration between Connie Anthes and Rebecca Gallo that began in 2015. Make or Break has worked across gallery, institution, festival and nightclub contexts to produce a range of process-based art projects. These have included creating experimental economies that address precarity and privilege; using galleries as live work spaces; performing personal admin for an audience; co-writing texts; circulating fictional currencies; making books; celebrating the invisible labour of strangers; and facilitating conversations and workshops as alternatives to traditional forms of research. Make or Break is passionate about exposing the role and visibility of labour, process and the artist/audience relationship in ways that question and challenge the social and political systems that surround us. NAVA in conversation Logo by Laura Pike Music by Marcus Whale Editing by Bec Stegh

Esther Anatolitis in conversation with artists Abdul Abdullah, Çigdem Aydemir and Harriet Body presented in partnership with Parramatta Artist Studios as part of Movers and Makers 2019.

Spinning our Podcast Prizewheel didn't predict the Australian election result (did anyone?), but it has selected an interview with Esther Anatolitis, Exec Director with the National Association for the Visual Arts, describing the electoral impact on Australian arts and culture. Alexie Glass-Kantor gives us insight into the massive growth of Artspace's 52 Artists 52 Actions from an Instagram project and publication, to a bricks and mortar exhibition. David Williams talks about the task of staging the White Rabbit Gallery exhibition A Fairy Tale in Red Times at the National Gallery of Victoria. Transcripts of the interviews are available HERE This podcast is supported by Pixel Perfect Prolab, the premier lab for faithful photographic reproduction.

‘Both the ‘Community and Cultural Development’ (CACD) and the ‘Emerging and Experimental Arts’(EEA) sector are the vanguards of the exploration of new genres of artistic practice and artistic practice and I think it’s a really exciting part of the Australian arts ecology as we move into the future’ -Jeremy Smith In the midst of travelling around remote and regional Australia, Jeremy Smith sits down the Esther Anatolitis at the NAVA office to talk about his role at the Australia Council for the Arts, and the future of community, emerging and experimental arts in Australia. The conversation covers Jeremy's career trajectory, recent projects and future plans. Jeremy provides provocations for artists and organisations working in Australia, and asks 'what difference can I make in the here and now?'

'Any conversation becomes easier when there is a starting point of universal and collective understanding' Joe Toohey Joe Toohey is the Executive Director of Regional Arts Victoria and he sat down with Esther Anatolitis in Melbourne to discuss Artlands 2018. Artlands is the national biennial event for regional arts in Australia, and was held this year in Bendigo. For information about the program, and future events, head to their website​.

Esther speaks with Tess Maunder ahead of the launch of her new publication, Absolute Humidity. Absolute Humidity is a volume that aims to re-position conversations about the climate, weather and the environment by placing artist’s voices at the centre of the discussion. The publication focuses on contemporary artists from the Asia-Pacific region, including twenty-eight new conversations and other contributions that form a new constellation of inquiries. Through this project, contributors discuss how ideas surrounding weather, the environment and the climate be conceptualised by artists producing fresh ideas surrounding artistic agency. Tess Maunder is a writer, curator. editor and researcher based in Brisbane.

In Cairns for the annual Indigenous Art Fair, Esther speaks with Artistic Director Janina Harding about this year's program. Curator and artist Bianca Beetson discusses her recent exhibition at NERAM gallery, and her son Aidan Finn about his study of contemporary Australian Indigenous art at Griffith University. Finally, Esther speaks to artist Laliana Tusa and her mother about their work featured at the fair. For more information about the CIAF program, head to the website: https://ciaf.com.au/

Soda_Jerk​ sits down with Esther Anatolitis in the NAVA office to talk about their most recent and controversial work, 'Terror Nullius, a political revenge fable in three acts'. The artists discuss their approach to making work as a seizing and hacking of culture as an act of political resistance and solidarity. Formed in Sydney in 2002, Soda_Jerk is a two-person art collective who work at the intersection of documentary and speculative fiction.

In the window of the Australia Council building in Sydney, Esther Anatolitis is in conversation with Gosia Wlodarczak, during her drawing residency. They discuss Gosia's approach to drawing as looking and focus, what that means, and how she built her art practice in Poland and Australia over the years.

Artist Abdul-Rahman Abdullah in conversation with Esther Anatolitis about his most recent work in 'Enough خلاص Khalas' exhibition at UNSW Galleries, and the development of his practice as a professional artist in Australia.

For this episode, artist Chris Fox is in conversation with Esther Anatolitis and Penelope Benton around public art, and his most recent public artwork at Wynyard Station, 'Interloop'. The conversation discusses the value and role of art in the public space, and the challenges inherent in public art policy and delivery - through competing stakeholders and agendas. This episode unpacks the challenges facing contemporary artists working in public space, and makes suggestions for change. Check out Chris Fox's work via his website: http://chrisfox.com.au/

For this episode, Esther Anatolitis is in conversation with artist Sarah Goffman. Sarah describes her work as an obsession and compulsion, and her role as 'trash converter' as she reframes plastics and everyday consumer products and packaging into beautiful objects through the critical lens of waste and excess consumption. For more information about Sarah's work, and upcoming shows, head to her website: http://www.sarahgoffman.com/

Esther Anatolitis in conversation with Elvis Richardson, the curator of 2018 Adelaide Biennial. They discuss the exhibition, artists and the arts in South Australia.

For this episode, Esther Anatolitis is in conversation with artist and activist, Elvis Richardson. Founder of the Countess Report, Elvis has been exposing gender inequity in the arts since the blog launched in 2008, and subsequent 'counts' of gender imbalance in gallery and museum representation, media and opportunities. Elvis lives and works in Melbourne, and has an upcoming show at Kyneton Contemporary Art Triennial, and a new website for The Countess Report.

'the five fundamental elements of the universe is sitting in reciprocal relationship, so no one is stronger than the other, that one either kill or killed by others, and that's the how the whole universe keep changing and keeping that good balance with everything' Mami Kataoka. For this episode, Esther Anatolitis is in conversation with Mami Kataoka, the Artistic Director of Superposition, the 21st Biennale of Sydney. Esther and Mami discuss superposition and thermo-dynamic equilibrium, a concept drawn from quantum physics, and how it is applied to contemporary art systems and artists and the direction of this years Biennale. 21st Biennale of Sydney runs 16 March - 11 June 2018 in various locations around Sydney. More information via www.biennaleofsydney.art

What does 2018 hold for contemporary arts? Let’s start this new year the right way. The Australian Parliament commences its new year on the week beginning Monday 5 February, with both Houses sitting for four days. At the same time, artists across Australia are showing work in independent and state-owned galleries; in public and unconventional spaces; and in studios and online. Each one of these exhibitions offers perspectives on contemporary Australia that are sensitive and complex, timely and urgent. Like each bill before Parliament, these exhibitions have involved many months—or indeed, years—of work to prepare for this moment. So what have Australia’s artists chosen to make work about? What does the critical mass of these exhibitions tell us about the pressing issues of today? What is on the arts agenda, and how will we take it into the future? This interactive discussion on contemporary advocacy for contemporary arts was led by Esther Anatolitis, the executive director of the National Association for the Visual Arts. Creative practitioners and curious minds were invited to take part in this pressing, political and pivotal conversation. Main image by Bec Capp

'If we want change, we gotta make it ... we need to participate', Richard Bell. For this episode, artist and activist Richard Bell is in conversation with Esther Anatolitis about politics, social change, the role of art and the responsibility of artists. Richard is involved in the current Artspace instagram project, #52artists52actions, featuring an artist a week throughout 2018, each tackling an urgent political issue.

In this week's podcast we're talking to you about the Scorsese exhibition showing now at ACMI, then we watch the political conspiracy thriller 'Secret City', directed by Emma Freeman and finally we are joined by Esther Anatolitis to discuss recent funding cuts to the arts in Australia and strategies to survive.

"Risk is not so risky. It’s a necessity. It is how forms develop, how we find new audiences, new artists, how cultural conversations happen." - Angharad Wynne-Jones In our momentous final, fifth episode on responsibility, Fleur and Jana speak with two great women of the Australian performing arts: all-round cultural leaders Angharad Wynne-Jones, Artistic Director of Arts House Melbourne, and Esther Anatolitis, Director of Regional Arts Victoria (formerly CEO of Melbourne Fringe). In an emotional, grounding ending to the series, we touch on some important, often neglected questions: how do we create an ecology that supports the artist, as well as the arts?" "The independent arts is a hell of a lot stronger than any arts minister in any doomed-to-fail attempt to politicise the ways that art gets made.” - Esther Anatolitis This is a very special episode. As Angharad and Esther spoke with an authenticity and feeling that is rare in public discourse. We felt very privileged to have them with us, and we all left in tears. Discussed in this episode: George Brandis, being a person with a 'decision-making potential and capacity to be confused', the future, 'creating new artistic frameworks for established arts companies' and what that could possibly mean, the difference between advocacy and lobbying, audiences, the importance of having rigorous conversations about art, being accountable to the rate-payers of the City of Melbourne, bushfires, Kat Muscat, burn-out, and what is cultural leadership anyway?! With this episode ends our season on responsibility, Fleur's baby, a season which has taken us some very deep places. We will take a short break now, to recover from the rollercoaster and consider what to do next. But stay tuned: we have more exciting and intellectually rigorous conversations to come. Podcast bibliography: Keith Gallasch: Interview, Angharad Wynne-Jones, RealTime 109, June-July 2012 Michael Short: Esther Anatolitis enters The Zone, The Age, April 25, 2011 Richard Watts: Kat Muscat's life celebrated at emotional Melbourne farewell, ArtsHub, August 4, 2015 see Angharad Wynne-Jones speak about FOLA 2014 estheranatolitis.net.