Podcasts about afro brazilian

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Salve! This is a preview for a bonus episode exclusive for ⁠paid subscribers⁠!Every episode is a different song. This is the song today:"Nanã" by Moacir SantosMoacir Santos was a highly influential composer, arranger, and multi-instrumentalist known for his innovative approach to Brazilian music, particularly his fusion of jazz with Afro-Brazilian rhythms. He mentored prominent musicians like Sergio Mendes, who recorded "Nanã" in 1964. Mario Telles then wrote the lyrics for the song, which became a tremendous success performed by Wilson Simonal. Recorded numerous times, Moacir Santos finally did his version of "Nanã" for his 1965 album "Coisas," a masterpiece arrangement unparalleled by any of the countless versions recorded before or after

The New Preachers of Egypt—so named because of their novel preaching styles, which incorporate everything from melodrama to music to self-help—came to prominence on the world's first Islamic television channel on the cusp of the Arab Spring uprisings. They promoted an innovative and inclusive Islamic piety that millions of young middle-class viewers found radical and compelling—but were scorned as neoliberal by leftists, as stealth Islamists by secularists, and as too Westernized by other Muslim preachers. Drawing on long-term fieldwork with the New Preachers, their producers, and followers in Cairo, Yasmin Moll shows how Islamic media and the social life of theology mattered to contestations over the shape of a New Egypt. These mass-mediated fractures within Islamic Revivalism were happening at a time of both revolutionary possibility and authoritarian entrenchment. The New Preachers' Islamic media inspired a "revolution within" that transcended the country's divisions and anticipated the ethos of creativity, solidarity, and coexistence that soon would mark Tahrir Square, the ethical epicenter of the 2011 uprising. Vividly written and boldly theorized, The Revolution Within: Islamic Media and the Struggle for a New Egypt (Stanford University Press, 2025) challenges conventional accounts of the 2011 revolution and its aftermath as a struggle between secular and religious forces, reconsidering what makes a practice virtuous, a public Islamic, a way of life Godly. Yasmin Moll is Assistant Professor of Anthropology at the University of Michigan. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Salve! This is a previous of our latest episode. All episodes are available for only a week before becoming exclusively for ⁠⁠subscribers at Patreon⁠⁠. In episode #80, we talked about the history of the vocal group Os Tincoãs. They introduced a new musical concept, not yet explored in Brazilian popular music: vocal arrangements for songs originating from Afro-Brazilian religious rituals, so present in their homeland in Bahia. We dived deep into their album "O Africanto dos Tincoãs", released in 1975, but we also expanded by talking about their beginning, their biggest hits, the importance of religious synchretism in their music, and the cult status that followed the trio since the early 2000s. Follow our playlist on Spotify: Brazuca Sounds Podcast Soundtrack.

Amaro Freitas was born in Recife, on the northeastern coast of Brazil. He began playing the piano in church, discovering jazz after his first exposure to the music of Chick Corea. What Freitas has done since is a small miracle of syncretism: his style as a pianist and composer nods to the modern jazz tradition but also the sounds of Afro-Brazilian and indigenous music — and the music of nature, some of which he gathered in field recordings from the Amazon. Earlier this year, Freitas sat down with Josh Jackson during the Winter Jazzfest in New York, for a wide-open conversation about his album Y’Y and so much more. We know you’ll enjoy it.Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

“Spirituality is the art of relaxation.”These are the words of Ju of Obaluaê, and they set the tone for this first step into The Language of the Orixás — a living, ongoing series within This Cosmic Life.In this tender and powerful transmission, Ju shares from over 15 years of practice as a medium, priestess, and translator between worlds. We speak of mediumship not as performance, but as a path of deep listening — where the body becomes an offering to something more vast than the self.We explore:Spiritual autonomy as the ability to soften into trustThe role of the medium as a bridge — not a containerUmbanda and the reverence for the natural forces that live through the OrixásHow connecting to the spirit requires surrender, humility, and loveThis is a conversation for those who feel spirit move through them — in breath, in silence, in tremble.For those learning to trust their own access.For those returning home to the earth, and to their own sacred speech.Ju is an ordained Priestess of Sacred Umbanda, initiated by Alexandre Cumino at Colégio Pena Branca in São Paulo. She is also a Fire Alchemist through the same lineage and an Alchemist of Exú, initiated by Fátima Saraceni. Deeply rooted in the mysteries of Exú, Pombagira, and the healing forces of Obaluaê, Ju channels transformative teachings through ritual, voice, and presence.She is the founder of Escola do Pentagrama, a spiritual school dedicated to autonomy, oracular wisdom, and the living language of the Orixás — offering e-books, courses, and meditations to seekers and make Afro-Brazilian spirituality accessible across the worlds. → Explore her work or join her next offering at: escoladopentagrama.comTara Samadhi, a sound mystic, astrologer, and devotional guide weaving together True Sidereal wisdom, plant medicine, and the sacred currents of sound. This Cosmic Life is my soul altar — a space for sacred dialogue, mystical study, and remembering ourselves as divine.More at: tarasamadhi.comWays to walk deeper with us:— Share this episode with someone who is waking up to their spiritual force.— Leave a review to support the temple of voice.— Subscribe to This Cosmic Life for more transmissions.— Connect with Ju and her offerings at escoladopentagrama.com

In this episode, Kiara Cristina Ventura sits down with multidisciplinary artist Avila Santo to explore the rituals, rhythms, and revelations behind his evolving creative practice. From ancestral memory to the dream realm, Avila shares insights on his latest work, his connection to the spiritual, and the power of art as portal and provocation. This intimate conversation dives into the textures that shape his world—both seen and unseen.About Avila Santo:Born in Los Angeles in 1991, Avila Santo is a multidisciplinary artist of Afro-Brazilian and Jewish descent working across music, sound, and ritual. A graduate of Berklee College of Music with a B.A. in Professional Music and Latin Percussion, he is also a Capoeira professor and an initiated Awo of Isese Ifa in Nigeria. His work, rooted in rhythm and reverence, explores the intersections of diasporic identity, spirituality, and the natural world. Avila has collaborated with institutions like A24, LACMA, HBO, and Sony Music, and is currently a 2025 Music Resident at Pioneer Works in Brooklyn. (avilasanto.com | @avilasanto )This episode is part of PROCESSA TALKS, a podcast and curatorial series produced by Processa—a roving platform founded by Kiara that supports experimental exhibitions, conversations, and collaborations with Black and Brown artists.Learn more and donate to support our work at processa.art

Good afternoon, I'm _____ with today's episode of EZ News. Tai-Ex opening The Tai-Ex opened up 214-points this morning from yesterday's close, at 21,341 on turnover of 5.5-billion N-T. The main board gained ground on Tuesday despite large-cap semiconductor stocks losing some early gains amid ongoing investor concerns over the U-S' tariff policies. Market watchers say although the index staged a technical rebound from Monday's downturn, investors remain cautious about the U-S introducing possible tariffs on semiconductors. Guatemala president to be in Taiwan Wednesday before heading to Japan Guatemala's President Bernardo Arevalo is visiting Taiwan today. It is his first visit to Taiwan since taking office in 2024 and the trip is part of an Asian tour that will also take him to Japan. Arevalo has said the trip to Taiwan is aimed at strengthening bilateral relations and attracting foreign investment, and he will be meeting with President Lai Ching-te. The Guatemalan president is being accompanied (陪伴) during his visit by the country's economics and foreign ministers as well as his wife. Digital ministry to order social media firms to publish transparency reports Digital Minister Huang Yen-nan says Meta, LINE, TikTok and Google will be required to publish transparency (透明性，公開處理) reports before the end of the year as part of government-led efforts to combat fraud. According to Huang, the move means the four companies will be subject to formal regulatory supervision. Huang says the companies submitted fraud prevention plans in May. The transparency reports are part of the Fraud Crime Hazard Prevention Act, which took effect at the end of July of last year. It means that social media companies must verify the identities of advertisers and sponsors, create fraud prevention plans, and remove any fraudulent advertisements within a set timeframe after receiving a notification from authorities. Family of flamethrower attack suspect detained The family of the man accused of carrying out an "antisemitic attack" with a makeshift (暫時代替，臨時湊合) flamethrower in the US state of Colorado has been detained by Immigration and Customs Enforcement custody. US Secretary of Homeland Security Kristi Noem confirmed the news on Tuesday. Nick Harper reports from Washington. Brazil Affirmative Action Law Signed Brazil's President Luiz Inacio Lula da Silva has signed a new law to expand the country's affirmative action policies. The law signed on Tuesday increases the quota for government jobs reserved for Blacks from 20% to 30% and adds Indigenous people and descendants of Afro-Brazilian enslaved people to the group of beneficiaries. The changes apply to permanent (長久的，永久的) and public employment positions across Brazil's federal administration, agencies, public foundations, public companies and mixed-capital companies run by the government. As approved by Congress, the quota will be revised in 2035. Brazil's government said 55% of the country's population is made up of Black or mixed-race people. It added that more than 70% of Brazilians living below the poverty line are also Black or mixed race, while only 1% of people from those ethnicities are in leadership positions in the private sector. That was the I.C.R.T. EZ News, I'm _____. －－－－以下訊息由 SoundOn 動態廣告贊助商提供－－－－ 新鮮事、新奇事、新故事《一銀陪你聊“新”事》 第一銀行打造公股銀行首創ESG Podcast頻道上線啦 由知名主持人阿Ken與多位名人來賓進行對談 邀請您一起落實永續發展 讓永續未來不再只是想像 各大收聽平台搜尋：ㄧ銀陪你聊新事 https://sofm.pse.is/7qk76c -- 「親家JIA」19-27坪，全新落成，坐擁大安核心門牌。 350公尺達忠孝復興站，直通市府、機場、車站，850公尺接建國高架。 四大百貨、綠廊公園環繞，七分鐘生活圈涵蓋大潤發與市場，便利質感兼具。 城市菁英嚮往的私藏寓所，首選「親家JIA」，即刻入主 02-2772-6188。 https://sofm.pse.is/7qmry6 -- Hosting provided by SoundOn

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements, Vote of Faith: Democracy, Desire, and the Turbulent Lives of Priest Politicians (Fordham UP, 2024) explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex con­nection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution. Maya Mayblin is Senior Lecturer in Social Anthropology at the University of Edinburgh. Her work explores religion, theology, politics, and gender in Brazil and beyond. She is the author of Gender, Morality and Catholicism in Brazil and co-editor of The Anthropology of Catholicism: A Reader. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements, Vote of Faith: Democracy, Desire, and the Turbulent Lives of Priest Politicians (Fordham UP, 2024) explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex con­nection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution. Maya Mayblin is Senior Lecturer in Social Anthropology at the University of Edinburgh. Her work explores religion, theology, politics, and gender in Brazil and beyond. She is the author of Gender, Morality and Catholicism in Brazil and co-editor of The Anthropology of Catholicism: A Reader. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements, Vote of Faith: Democracy, Desire, and the Turbulent Lives of Priest Politicians (Fordham UP, 2024) explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex con­nection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution. Maya Mayblin is Senior Lecturer in Social Anthropology at the University of Edinburgh. Her work explores religion, theology, politics, and gender in Brazil and beyond. She is the author of Gender, Morality and Catholicism in Brazil and co-editor of The Anthropology of Catholicism: A Reader. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements, Vote of Faith: Democracy, Desire, and the Turbulent Lives of Priest Politicians (Fordham UP, 2024) explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex con­nection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution. Maya Mayblin is Senior Lecturer in Social Anthropology at the University of Edinburgh. Her work explores religion, theology, politics, and gender in Brazil and beyond. She is the author of Gender, Morality and Catholicism in Brazil and co-editor of The Anthropology of Catholicism: A Reader. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

A richly cinematic and compelling look at priest-politicians in Brazil and their religious and secular entanglements, Vote of Faith: Democracy, Desire, and the Turbulent Lives of Priest Politicians (Fordham UP, 2024) explores the complex intersection of democracy, patriarchy, and religiosity in Brazil. For over a hundred years, Catholic priests have been running for government office, challenging Brazil's constitutional separation of church and state and its self-image as a modern, secular nation. Priests find themselves walking a tightrope between religious and secular demands in one of Brazil's poorest regions. Vote of Faith is a beautifully crafted ethnography based upon decades of fieldwork that tells the story of the ambiguous and frequently transgressive relationship between Catholicism and state governance, a relationship ultimately mediated by kinship, gender, and sexuality. For the protagonists of Vote of Faith, democracy becomes a sphere in which divine will and human ambition compete with one another, a tension embedded in the vernacular concept of faith. In the Brazilian context, faith signifies a complex set of assumptions about the nature of the world, assumptions derived not just from Christianity, but also from Afro-Brazilian and secular ideas about power, causation, and human agency. In combining ethnographic, theological, and feminist perspectives, Vote of Faith places desiring bodies at the very heart of Catholicism's complex con­nection to multiple forms of power and offers provocative new angles on the question of the secular. The first work by an anthropologist to explore the unique phenomenon of the mayor-priest, this book offers an essential new angle on emerging debates about secularity as the condition of separation of the religious from the political. Brimming with originality, Vote of Faith is required reading for those interested in the gendered and sexual dimensions of the secular, the plasticity of religion, and the fundamental nature of the world's largest religious institution. Maya Mayblin is Senior Lecturer in Social Anthropology at the University of Edinburgh. Her work explores religion, theology, politics, and gender in Brazil and beyond. She is the author of Gender, Morality and Catholicism in Brazil and co-editor of The Anthropology of Catholicism: A Reader. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joining us on the show today is Malu Reynaud! Malu Reynaud is Brazilian and passionate about religion and spirituality. After a change in career teaching and practicing Law, she decided to pursue a master's degree in Religious Studies (University of South Florida), where she is a teaching assistant. She is currently focusing her research on Afro-Brazilian Religions and Spiritism.We talk about Brazilian Spiritism, its relationship with Afro-Brazilian faiths like Candomble & Umbanda, the "Pope of Samba" Zeca Pagodinho's open incorporation of spiritism into his music, and more!You can find Malu on Insight Timer here: https://insig.ht/vJJTe6odDTbWant to support this podcast and my other work?  Sign up for my Patreon here: https://www.patreon.com/c/wayw... or contribute to my KoFi here: https://ko-fi.com/ryansmithwfi

In this episode, Jewel sits down with Howard Tucker, former nonprofit CEO turned global travel advisor, for a captivating conversation on life, business, and Black liberation—Bahia style. Howard shares his powerful story of transitioning from leading a national organization in the U.S. to building a new life in Afro-Brazilian paradise. From the history of Salvador's African roots and samba origins to the realities of buying real estate abroad and navigating cultural nuance, Howard delivers an honest, soulful look at what it means to live well—on your own terms. Whether you're a corporate exec, a world traveler, or just craving something different, this is your invitation to explore the global possibilities of Black life and legacy.   Join us! ➡️ Black Executive Men on Linkedin ➡️ Apply here for Black Executive Men Community ➡️ Join here for Black Executive Men Elite  ➡️ Sign up here for Black Executive Men Capital Network 

If you loved Sinners, you'll wanna tune in. This week on Black History Year, we're asking, "What happens when a whole town decides the map no longer defines them--and then proves it?" On this special crossover episode with the film-fanatics at The Micheaux Mission, host Darren is cracking open the must-see Afro-Brazilian thriller "Bacurau" (2019). Part Western, part sci-fi, part anti-colonial manifesto (YES, that), they explore how collective audacity can turn survival into revolution--and why this genre-busting film might be a blueprint to getting real, trill freedom. Be sure to find Len Webb and Vincent Williams of The Micheaux Mission at https://www.micheauxmission.com/. New episodes of their podcast go LIVE every Tuesday at 7 p.m. ET. You can also find it on YouTube @micheauxmission. — This podcast is brought to you by PushBlack, the nation's largest non-profit Black media company. You make PushBlack happen with your contributions at BlackHistoryYear.com. Most folks do 5 or 10 bucks a month, but truly, anything helps. Thanks for supporting the work.With production support from Leslie Taylor-Grover and Brooke Brown, Black History Year is produced by Cydney Smith, Darren Wallace, and Len Webb, who also edits the show. Lilly Workneh is our Executive Producer and Black History Year's host is Darren Wallace. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Salve! This is a bonus episode for Brazuca Sounds ⁠paid subscribers⁠!Every episode is a different song. This is the song today:"Emoriô" and "Naturalemente" by Fafá de BelémToday we're celebrating the first compacto (single) released in 1975 by singer Fafá de Belém. "Emoriô" was written by João Donato with lyrics by Gilberto Gil, and its Afro-Brazilian arrangements, heavy percussion, and repetitive chorus elevated 19-year-old Fafá into a Brazilian star. The B-side, "Naturalmente", written by Donato with lyrics by Caetano Veloso, is no less impressive, with its carimbó rhythm, and putting a spotlight for the first time on the North sounds of Brazil, especially the state of Pará, where the singer was from. Caetano's lyrics are "a veritable linguistic playground", almost a catalog of Amazonian terminology, and I recommend checking out the full translation with our friends at Translationsmith.

Salve! This is a preview to our bonus episode for ⁠paid subscribers⁠!Every episode is a different song. This is the song today:"Jorge da Capadócia" by Jorge BenApril 23rd is a state holiday in Rio de Janeiro, celebrated in honor of Saint George's Day. Among his many devotees is Jorge Ben, who paid tribute to the saint in several songs, sometimes blended with Afro-Brazilian spirituality, through Saint George's syncretic counterpart, Ogum. One of his most iconic songs is "Jorge da Capadócia", released in 1975 on the album Solta o Pavão, featuring direct lines from a traditional prayer to Saint George, invoking protection against enemies. Find the full translation with our friends at Translationsmith. Over the years, the song has become a staple of Brazilian music, covered by influential artists like Caetano Veloso, pop singer Fernanda Abreu, and hip-hop legends Racionais MCs.

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones's right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family's past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors' lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family. Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones's right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family's past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors' lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family. Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones's right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family's past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors' lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family. Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones's right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family's past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors' lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family. Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones's right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family's past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors' lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family. Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives. Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this chapter we talk with the social anthropologist Roger Sansi. Roger has worked on Afro-Brazilian culture and religion, the concept of the fetish, and on contemporary art. His publications include the books Fetishes and Monuments, Sorcery in the Black Atlantic, Economies of relation: Money And Personalism in the Lusophone World. One of Roger's important researches has been on the animist religion Candomblé, which we discover more about in our conversation, exploring the subtle borders between the visible and invisible, the material and immaterial. Presenter:alfonso borragán and Sarah Bayliss Guests: Roger Sansi Producer: UCL Arts and Sciences

When the American troops withdrew from Afghanistan, they left behind $7bn of military supplies. Where are they now? Hafizullah Maroof from BBC Afghan will take us inside the Kabul flea market that sells second-hand military equipment to the Taliban. Plus: the origin story of capoeira, the Afro-Brazilian sport that blends dancing and martial arts, with Joao Fellet from BBC Brazil and Debula Kemoli from BBC Africa; and how the BBC's Pronunciation unit works with Language Service journalists to make sure we get international names right, with Martha Figueroa-Clark and Jo Kim.Presented by Faranak Amidi. Produced by Alice Gioia and Caroline Ferguson.(Photo: Faranak Amidi. Credit: Tricia Yourkevich.)

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands' bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands' sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray. Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal. Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands' bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands' sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray. Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal. Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands' bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands' sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray. Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal. Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands' bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands' sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray. Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal. Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands' bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands' sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray. Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal. Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands' bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands' sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray. Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal. Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands' bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands' sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray. Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal. Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands' bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands' sacred ecologies. Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray. Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal. Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Our digital mailboxes continue to overflow with new music. This week, we hear from a Colombian-Venezuelan super group, a new Afro-Brazilian band, and Ana gets another jazz lesson from a Latin jazz orchestra.Songs featured in this episode:• XIXA, "Xolo de Galáxia"• Meme del Real, "Princesa"• Jessie Reyes, "GOLIATH"• Arturo O'Farrill & the Afro-Latin Jazz Orchestra, "Dia de los Muertos III Mambo Cadaverous"• Trinka, "Grego"• Astropical, "Me Pasa (Piscis)"Audio for this episode of Alt.Latino was edited and mixed by Simon Rentner. Our project manager is Grace Chung. NPR Music's executive producer is Suraya Mohamed. Our VP of Music and Visuals is Keith Jenkins. Special gracias to Hazel Cills: Thanks for everything!!Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

You wouldn't go weeks without showering—so why are you walking around carrying weeks, months, or even years' worth of energy buildup? That exhaustion you can't shake? The way you feel stuck, drained, and carrying too much—even after resting? That's not just stress. That's an energy hygiene problem.Most of the advice out there—sage, salt baths, and crystals—only scratches the surface. But if you don't get to the real energy leaks, you'll stay in the same cycle.In this episode, we're exposing what's really draining you, stealing your peace, and keeping you exhausted—without you even realizing it.Listen now. Because the cost of ignoring this? More exhaustion, more burnout, and more of your energy slipping away to things that don't serve you.Threads: @hellawellwithdanielleUpcoming Yoga Retreat in Brazil July 21-29, 2025Learn MoreJoin me and Saisha from Thick Thigh Yoga for an unforgettable yoga retreat in the heart of Bahia, Brazil. Together, we'll immerse ourselves in the richness of Afro-Brazilian culture, enjoy breathtaking natural beauty, and reconnect with ourselves through yoga, meditation, and meaningful community. This retreat is your opportunity to step away from the noise, reset your energy, and embrace a transformative experience that will nourish your mind, body, and spirit.Ready to explore, restore, and thrive? Let's make it happen in Bahia!

Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What if the most radical thing you could do today is rest—without the side order of guilt? Even now, rest feels like a privilege we have to earn or explain. We're expected to be the strongest in the room, always holding it together, and never letting up. But rest isn't lazy—rest is an act of resistance.In this episode, we're unpacking why rest feels so hard, how to let go of the guilt, and how yoga therapy can help you reclaim rest as your right.Want to experience the next level of rest this year? Join me this July for the Black on the Mat Brazil Retreat—nine days of yoga, community, and unapologetic rest in paradise.Upcoming Yoga Retreat in Brazil July 21-29, 2025Learn MoreJoin me and Saisha from Thick Thigh Yoga for an unforgettable yoga retreat in the heart of Bahia, Brazil. Together, we'll immerse ourselves in the richness of Afro-Brazilian culture, enjoy breathtaking natural beauty, and reconnect with ourselves through yoga, meditation, and meaningful community. This retreat is your opportunity to step away from the noise, reset your energy, and embrace a transformative experience that will nourish your mind, body, and spirit.Ready to explore, restore, and thrive? Let's make it happen in Bahia!

Cities are fraught sites in the national imagination, turned into identity markers when “urban” and “rural” indicate tastes rather than places. Cities bring chaos, draining the lifeblood of the nation like a tick draws blood from its host, to paraphrase Thomas Jefferson's anti-urban polemics, which might have been written during any election year—centuries or months ago. Racism and anti-urbanism were born conjoined during the Revolution. Like their Atlantic coastal counterparts in the US North, Southern cities —similarly polyglot and cosmopolitan—resist the dominant, mutually inclusive prejudices of the nation that fails to contain them on its eroding, flooding coasts. Captive City: Meditations on Slavery in the Urban South (University of Pennsylvania Press, 2024) explores the paths of slavery in coastal cities, arguing that captivity haunts the “hospitality” cultures of Charleston, New Orleans, Savannah, and Baltimore. It is not a history of urban slavery, but a literary reflection that argues for coastal cities as a distinct region that scrambles time, resisting the “post” in postindustrial and the “neo” in neoliberalism. Jennie Lightweis-Goff offers a cultural exploration bound by American literature, especially life-writing by the enslaved, as well as compelling reassessments of works by canonical writers such as Frederick Douglass, Harriet Jacobs, and Hector St. John de Crevecoeur. Lightweis-Goff reveals how the preserved yet fragile landscapes of these cities are haunted—not simply by the ghost tours that are signature stops for travelers in their historic districts—but by the echoes of slavery in their economies and built environments. Jennie Lightweis-Goff is a scholar, lyric essayist, and, most essentially, a New Orleans flâneur. She is the author of two scholarly books, Blood at the Root and Captive City. Her essays have appeared in the major journals of U.S. literature, including Signs, American Literature, Mississippi Quarterly, minnesota review, and south. Her creative nonfiction has appeared in The Los Angeles Review of Books, The Point, Liberties, and at her Substack, The Butcher's Darling, where she writes on grief, precarious labor, sobriety, and intellectual work that was "born in the back of the house." Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies