Podcasts about bront

As the northern edge of the Castle Eschatonica grows closer, the adventurers within begin to sense a change in the dungeon around them. While the Celestial Echoes that make up the hallways and rooms of the castle were once neatly separated, now it seems that the people and places from the various past Perpetuan worlds have begun to overlap and interact. In search of information, Brontë, Veile, Elena, and Caoimhe seek help from an otherworldly machine. Meanwhile, on the other side of the castle, a gang of otherworldly beings seeks help from the trio of Antistrophe, Jonathan, and Uncle Nicky.  This Week on Perpetua: Escape the Rumbling Castle! 02 Perpetua Guide [In Progress v.06] Some Feedback [Page 64 of 65] Doom_Tree_Anne  So, I HAVE to know… who is everyone's favorite Agony? Back in Imago 2: Ancestral Fault, I HATED Miss Mephitic, because I just thought compared to the other Agonies, she was a really boring design. Who cares about a bunch of vines!? But with the music box/ballerina re-design in this game… I think she might have jumped to the top of the list! I guess we have to wait and see if she keeps it going forward… TheUnforgivenIII My favorite is definitely Melo. That guy seems like he'd be cool to chill out with and listen to music with. Alukard83 Wow, color me surprised Unforgiven! I thought you'd be an Ira guy, through and through.  TheUnforgivenIII Why the hell would I like that stupid little idiot baby? Alukard83 Well, now I think it might be a bad idea to tell you why. As for my favorite, this is the first time I'm really meeting them, but I gotta say, I really love Connie. I love it when something references something else, you know? And she's sort of a walking (well, rolling) reference machine! TheDiamondRanger What's An Agony? The strategy guide says they're like equipable spells but it sounds like they're NPCS too!? CarlsSr You're such a Wan. Hosted by Austin Walker (austinwalker.bsky.social) Featuring Ali Acampora (ali-online.bsky.social), Art Martinez-Tebbel (amtebbel.bsky.social), Jack de Quidt (notquitereal.bsky.social),  Janine Hawkins (@bleatingheart), Sylvi Bullet (@sylvibullet), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (swandre3000.bsky.social) Produced by Ali Acampora Music by Jack de Quidt (available on bandcamp) Cover Art by Ben McEntee (https://linktr.ee/benmce.art) With thanks to Amelia Renee, Arthur B., Aster Maragos, Bill Kaszubski, Cassie Jones, Clark, DB, Daniel Laloggia, Diana Crowley, Edwin Adelsberger, Emrys, Greg Cobb, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, Jake Strang, Katie Diekhaus, Ken George, Konisforce, Kristina Harris Esq, L Tantivy, Lawson Coleman, Mark Conner, Mike & Ruby, Muna A, Nat Knight, Olive Perry, Quinn Pollock, Robert Lasica, Shawn Drape, Shawn Hall, Summer Rose, TeganEden, Thomas Whitney, Voi, chocoube, deepFlaw, fen, & weakmint This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.  

Cathi Unsworth was a teenage Goth, enthralled as much by Joy Division and the Banshees as by the Brontës, Bram Stoker and Aubrey Beardsley. We loved her book ‘Season of the Witch' and she's since put together a soundtrack album, ‘Dressed In Black', featuring the Goth divas she most admires and adores. And talks to us here about everything from murder ballads, the Industrial Revolution and Victorian literature to … … John Peel, Siouxsie, Joy Division and her teenage Goth conversion among the “hedge-goths” and “field-goths” of rural Norfolk … the phenomenal life, lyrics and mysterious disappearance of ‘Swamp-witch' Bobbie Gentry … has Goth eaten Punk? … why BBC banned Billie Holiday's “Gloomy Sunday” … the ‘death discs' of John Layton, the Shangri-Las and Twinkle … how Cabaret and Julie Driscoll coloured Siouxsie and the Banshees … Shirley Collins' Death And The Lady – “now that's what I call a pandemic!” … did Liz Fraser speak fluent Faerie? … Nico – “if I had a machine-gun I'd kill you all!” … and how Juliette Gréco looked the devil in the face. Order copies of ‘Dressed In Black: Goth Divas From The Dark Side' here: https://acerecords.co.uk/various-artists-dressed-in-blackHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

When the Guardian drops a list of the 100 Greatest Novels in English it's time to drop everything to talk about it. Luckily pod-regular guest, journalist Phil Chaffee and Joseph Dance, host of the Curious Readers podcast, also had views, and were willing to get together on a Sunday evening to share them. You'll hear our hits, our misses, how many we've read, whether we should have read more and much musing on whether a list like this is the way to get people excited about reading. We explore the joys of the sub-lists – the contributor lists – all squirrelled away on a sub-section of the Guardian's website, that arguably provide more excitement and inspiration than the fairly canonical top 100. Which is the best Brontë? Which is the best Austen? Do we age into certain books? If you've read all seven volumes of Proust shouldn't that count for more than one entry? All this and much, much more. Enjoy – this was an absolute delight to make and I hope it makes you smile as much as it did me.Have your say: get in touch on Instagram @bookclubreviewpodcast or email thebookclubreview@gmail.com, or head to our website for full shownotes. What would be in your top-10?Check out the Patreon for all kinds of extras, from our monthly book club to extra shows and Kate's reading diaries. Find it at patreon.com/thebookclubreviewThe Guardian's List of the 100 Greatest Novels published in English, copied below for ease of reference.*underlined – the ones Kate has readMiddlemarchBelovedUlyssesTo the LighthouseIn Search of Lost TimeAnna KareninaWar and PeaceJane EyrePride and PrejudiceMadame BovaryThe Great GatsbyBleak HouseEmmaMrs DallowayMoby-DickNineteen Eighty-FourOne Hundred Years of SolitudePersuasionThe Life and Opinions of Tristram Shandy, GentlemanWuthering HeightsThe Portrait of a LadyThings Fall ApartMidnight's ChildrenThe Remains of the DayLolitaDon QuixoteThe TrialThe Brothers KaramazovPale FireFrankensteinThe Prime of Miss Jean BrodieThe God of Small ThingsDavid CopperfieldWolf HallGreat ExpectationsThe Handmaid's TaleInvisible ManThe Age of InnocenceTheir Eyes Were Watching GodSong of SolomonHeart of DarknessThe Magic MountainHousekeepingGiovanni's RoomThe Golden NotebookThe LeopardVanity FairThe MetamorphosisA Fine BalanceWide Sargasso SeaMy Brilliant FriendThe Golden BowlThe Transit of VenusOrlandoThe WavesMansfield ParkThe Sound and the FuryDisgraceNever Let Me GoHowards EndThe Rings of SaturnHalf of a Yellow SunWhite TeethThe Good SoldierThe Color PurpleThe Master and MargaritaThe Man Without QualitiesBlood MeridianCrime and PunishmentJude the ObscureKindredOur Mutual FriendAusterlitzNervous ConditionsThe Bluest EyeDraculaThe RainbowA House for Mr BiswasGo Tell It on the MountainRebeccaBuddenbrooksThe End of the AffairA Farewell to ArmsThe Talented Mr RipleyThe VegetarianThe Turn of the ScrewThe Line of BeautyRagtimeThe Left Hand of DarknessJacob's RoomLife and FateSentimental EducationInvisible CitiesThe Known WorldThe Return of the NativePedro PáramoCatch-22The RoadThe Go-BetweenMy ÁntoniaParticular books we touch on in the showThings Fall Apart by Chinua AchebeUlysses by James JoyceIn Search of Lost Time by Marcel ProustMy Brilliant Friend by Elena FerranteWuthering Heights by Emily BrontëAs I Lay Dying by William FaulknerVillette by Charlotte BrontëOrlando, The Waves and To the Lighthouse by Virginia WoolfOne Hundred Years of Solitude by Gabriel García MárquezMiddlemarch by George EliotPedro Páramo by Juan RulfoRebecca by Daphne du MaurierThe Leopard by Giuseppe Tomasi di LampedusaNervous Conditions, The Book of Not and This Mournable Body by Tsitsi DangarembgaThe Transit of Venus by Shirley HazzardDon Quixote by Miguel de CervantesThe Magic Mountain by Thomas MannBuddenbrooks by Thomas MannLonesome Dove by Larry McMurtryBlood Meridian by Cormac McCarthyThe Memory Police by Yoko OgawaThe English Understand Wool by Helen DeWittA Season of Migration to the North by Tayeb SalihThe Princess of Clèves by Madame de LafayetteThe Cairo Trilogy by Naguib MahfouzThe Makioka Sisters by Jun'ichirō TanizakiThe Trial and Metamorphosis by Franz KafkaThe Go-Between by L. P. HartleyMoby-Dick by Herman MelvilleA House for Mr Biswas by V. S. NaipaulThe New Life by Tom CreweMiss Marjoribanks by Mrs OliphantThe Palliser novels by Anthony TrollopeThe Warden by Anthony TrollopeThe Man Without Qualities by Robert MusilThe Known World by Edward P. JonesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

PBS Hour returns with a double feature billing and first up is before prestige television became a streaming empire, PBS treated literature like sacred text.From Austen and Dickens to the Brontës and modern revivals like The Count of Monte Cristo, Episode 8 of PBS Hour explores how public television turned books into living, breathing emotional experiences.These weren't rushed adaptations.They lingered.They trusted us to feel.Corsets, class politics, longing, revenge, and women quietly dismantling entire systems with a single look across a ballroom.PBS didn't just adapt books. It opened the door to worlds many of us never thought belonged to us.New episode of PBS Hour streaming now via Livi's Corner.#PBSHour #BooksOnScreenAnd next in this double feature is Episode 9 as I dive into Independent Lens and POV the PBS documentary space.From criminal justice and labor to immigration, caregiving, and survival, these films didn't just document systems.They documented what it feels like to live inside them.Featuring: ▪️ Always in Season▪️ We Are the Radical MonarchsPBS Hour is a love letter to the stories that refused to disappear.#IndependentLens

In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Spencer Murphy — Assistant Professor in Media and Communications at Coventry University, specialist in film theory and cross-cultural cinema, and founder of the Coventry East Asian Film Society — for a wide-ranging, enthusiastic, and genuinely entertaining conversation about British film. What is a British film, exactly? Is it about the money, the cast, the crew, the story, or the setting? How does class permeate almost every British film ever made, from Ealing comedies to Harry Potter? Why does the British landscape function as a character in its own right? And why do Americans connect so deeply with British cinema when its sensibility — restrained, ironic, self-deprecating — is so different from Hollywood's? Jonathan and Spencer also trade their top five British films each, debate the new Wuthering Heights adaptation (neither of them liked it), and discuss why British cinema's literary inheritance is both its greatest strength and, sometimes, its creative limitation. Links Spencer Murphy at Coventry University BFI Top 100 British Films Dead Man's Shoes (2004, Shane Meadows) The Full Monty (1997) The Remains of the Day (1993) Rebecca (1940, dir. Alfred Hitchcock) Tamara Drewe (2010, dir. Stephen Frears) Friends of Anglotopia Takeaways Defining what constitutes a British film is genuinely one of the hardest questions in film studies — it can't be reduced to funding source, shooting location, cast, or director alone. Both Jonathan and Spencer agree the most satisfying answer involves who is behind the artistic vision, but even that gets complicated fast. The "Mary Poppins test" is Spencer's shorthand for films that feel very British on the surface but aren't authentically so — the tourist's vision of Britain, the chocolate-box version that meets an expectation rather than reflecting a reality. British film has a deep and complicated two-way relationship with how Britain represents itself to tourists — Hollywood's vision of Britain shapes what visitors expect, and British places have increasingly adapted to meet those expectations, from Harry Potter shops in York's Shambles to the way villages brand themselves around filming locations. Class is the single most persistent thread running through British cinema across every decade and genre — from Ealing comedies to Downton Abbey to Trainspotting — and Spencer argues it's almost impossible to think of a major British film that isn't, consciously or not, about the class system. British cinema's literary inheritance — the endless cycle of Jane Austen, Brontë, and Robin Hood adaptations — is both a commercial lifeline and a creative constraint. Spencer sees it as potentially reducing the space for new voices and contemporary stories, though he acknowledges the money it generates can fund smaller, more singular films. The British landscape is not just a setting in British cinema — it functions as a character, carrying regional pride and identity in a way that Hollywood rarely matches. Spencer notes that British location managers and production designers feel a deep obligation to get place right in a way their American counterparts don't always have. Spencer's explanation for why Americans love British film comes down to one word: self-deprecation. British culture — and British cinema — is not afraid to ridicule itself, to see its own shortcomings, and to raise them with others in a way that doesn't quite offend. He sees this as the quality Hollywood fundamentally cannot replicate. The new Wuthering Heights adaptation was a near-universal disappointment for both Jonathan and Spencer — not for lack of visual quality, but for failing the fundamental question every film must answer: who is this for? Spencer's most unexpected recommendation is Dead Man's Shoes (2004) by Shane Meadows — a harrowing, masterful, deeply regional Midlands film that he shows students as one of the most authentic and powerful representations of working-class Britain ever put on screen. The incoming Harry Potter TV series — set explicitly in the 1990s with a period-appropriate visual aesthetic — is likely to have a bigger impact on British tourism than anything since the original films, and will once again reshape what visitors expect Britain to look and feel like when they arrive. Soundbites "When I grew up, I really loved Hong Kong movies — Bruce Lee. The thing that fascinated me was you had streets with Chinese signs, but then Royal Albert Street, buses that looked like London buses. I remember my dad saying, 'Oh, it's part of Britain.' And I was like, what? That can't be so." — Spencer on the connection between British colonialism and his career in film. "It's almost like a snake eating its tail. Britain adapts to meet the expectation that its own exported films have created. You go to the Shambles in York and every other shop sells Harry Potter things and tea — because that's what people want to see." — Spencer on cinema's two-way influence on British culture and tourism. "Class in the UK is not purely related to finance. You can be a very, very wealthy working class person. You could be a millionaire and you'll always be working class. That idea of class being embedded generationally — going back hundreds and hundreds of years — movies articulate that struggle." — Spencer on why class is the defining thread of British cinema. "I'm from the Black Country — a heavily industrial area. I moved into what people would call a very middle class job as a lecturer at university. But my accent, the way I speak, where I'm from — it's working class and it will never leave me." — Spencer on living the class story British cinema tells. "You could argue British cinema is trying, in the 1940s post-war period, to lay out the parameters of class once more — because the great leveller of class was the Second World War, when it really didn't matter who your parents were. People were dying at every rank." — Spencer on class and British cinema's post-war identity crisis. "I always think of it as the King Charles test. He gave that speech in Congress — understated, but deeply critical, undercutting the president in a way where nobody could quite call him out for it. That is quintessentially British. And I think British film does that too." — Spencer on why Americans love British cinema's self-deprecating wit. "You're never going to see a British version of Top Gun. It's just never going to happen. Hollywood can be very congratulatory. British cinema is not afraid to ridicule what it is to be British — and I think that appeals to American audiences enormously." — Spencer on the fundamental difference between British and American cinema. "Wuthering Heights — I watched it and I thought, I don't even know what it felt like, but it didn't feel British to me. I wasn't sure who it was made for. Is this made for 19 year olds? Because I don't get it." — Spencer on the Emerald Fennell adaptation. "Dead Man's Shoes is harrowing and awful, but it had a massive impact on me. It touches on class, on the 1980s, on the downtrodden. It's a film I've seen about three times. I show it to students because it's just masterful." — Spencer on his most unexpected British film recommendation. "When they replayed the Royal Wedding coverage in the pub, you know what came on after it on BBC One? Wallace and Gromit. The perfect chaser of all that Britishness." — Jonathan on the most quintessentially British television scheduling decision ever made. ⠀ Chapters 00:00 Introduction — Jonathan sets up the episode and introduces Spencer Murphy 01:50 Spencer's Journey into Film — VHS tapes, corner video stores, Hong Kong martial arts films, and an accidental PhD 04:36 Jonathan Meets His Wife at Film School — A brief Anglotopia origin story 05:13 Southeast Asian Cinema and the British Colonial Lens — How post-1997 Hong Kong shaped Spencer's thinking about national cinema 08:52 What Is a British Film? — The question neither host can fully answer, and why that's the right response 12:36 Jonathan's Working Definition — Setting, cast, and the authenticity test 13:37 The Merchant Ivory Problem — When a British story isn't quite a British film 14:32 The Mary Poppins Test — How to spot a tourist's version of Britain on screen 16:17 Harry Potter, Bond & Lawrence of Arabia — Are America's favourite "British" films actually British? 18:46 Cinema's Two-Way Effect on Britain — How films shape the places they portray 20:53 Harry Potter as Britain's Biggest Cultural Export — And the new TV series that will change tourism again 22:29 The Visual Identity of the Harry Potter TV Show — Why setting it in the 1990s is a smart move 24:28 British Film Genres — Social realism, heritage drama, comedy, Hammer Horror, and what each adds to the British identity 26:50 Class as British Cinema's Defining Thread — Why it runs through every genre from Ealing to Peaky Blinders 31:33 The Full Monty, Billy Elliot & Richard Curtis — Class in 1990s British film 33:36 Accents, Class & the Transatlantic Voice — From clipped 1930s RP to Trainspotting's Scots 38:45 British Cinema & Literary Adaptation — Strength or creative constraint? 42:49 The New Wuthering Heights — Two film lovers find they agree it didn't work, and debate why 47:36 Landscape as Character — How place functions in British cinema differently from Hollywood 52:08 Why Americans Love British Film — Self-deprecation, irony, and the King Charles Congressional speech 55:23 The Battle of Britain vs Top Gun — How British and American cinema represent heroism differently 55:50 Spencer's Top Five British Films — Rebecca, Dr. No, The Devil Rides Out, The Full Monty, Dead Man's Shoes 59:14 Jonathan's Top Five British Films — The Remains of the Day, Master and Commander, About Time, Tamara Drewe, That Hamilton Woman, Hot Fuzz, On Chesil Beach, and Wallace & Gromit 1:03:06 Wallace & Gromit After the Royal Wedding — The perfect end to any discussion of British culture 1:04:08 Wrap-Up — Spencer must dash, a second episode is promised, and a call to share your own favorite British films Video Version

If there's one film that set tongues (literally) wagging this year, it's the latest adaptation of Emily Brontë's masterpiece of gothic fiction, WUTHERING HEIGHTS.  Directed by one of cinema's most de rigueur darlings, Emerald Fennell, WUTHERING HEIGHTS showcases Fennell's trademark maximalism, bold subversiveness, and canny eye for visual magic tricks. The formula should have been a perfect match of fiction and filmmaker. So why did it leave us feeling kind of… meh?  SITC all-star guest star Cecilia Conti and special guest Josh Reinhold join Torie to hash out their feelings about Fennell's new take on Brontë's classic. And honestly, the film reads more like a smut fanfiction or two-hour music video than a true-to-text take on a venerable and deeply complex work of literature.  Starring Margot Robbie and Jacob Elordi as doomed lovers Cathy and Heathcliff, Fennell's sex-ed up rendition is more style than substance. All the same, the candy-coated visuals are glorious, the metaphors are ripe, and the acting ain't half bad. The sex itself is decidedly PG-13, but it was enough to confirm that Jacob Elordi is very much most likely a damn good kisser.

In this episode, we sit down with Dr. Claire O'Callaghan for a rich and thought-provoking conversation on Wuthering Heights by Emily Brontë, a novel that continues to unsettle, challenge, and captivate readers across generations. Together, we explore the wild and untamed landscape of the moors, not just as a setting, but as a force that shapes the emotional and psychological terrain of the characters themselves. Even for those who haven't read the novel, the names Catherine and Heathcliff seem to exist out in the cultural ether, familiar and almost mythic. Many readers come to the book expecting a sweeping romance, shaped in part by film adaptations that present their story as one of enduring love. But this is not that kind of novel. Our discussion grapples with the book's deeply unhealthy and often destructive portrayals of love, relationships marked more by obsession and vengeance than tenderness or mutual care. Violence, both physical and psychological, looms large, and we consider how Brontë uses it not merely for shock, but as a lens into grief, trauma, and the human capacity for endurance. As we reflect on how the book changes depending on when and how it's read, we ask why Wuthering Heights feels so different at various stages of life, and how what once seemed romantic can later reveal itself as deeply tragic. We also explore the novel's ghostly supernatural elements and how the house itself seems haunted. And yet, despite its darkness, Wuthering Heights is not without hope. In the relationship between Cathy and Hareton, we see the possibility of renewal, a quiet but powerful redemption that hints at healing, growth, and a break from the destructive patterns of the previous generation. By the end of this conversation, you may find yourself not only reconsidering the novel, but also longing to step into its world, because if you haven't yet visited Haworth, home of the Brontë family, you'll likely want to now. And for those eager to go even deeper, be sure to explore more of Dr. O'Callaghan's work, including her recent contribution to the transcription of a long-lost manuscript by Charlotte Brontë, a discovery that continues to expand our understanding of one of literature's most remarkable families. https://claireocallaghan.com/

On The Literary Life Podcast with Angelina Stanford and Thomas Banks this week, we will wrap up our discussion of Jane Eyre by Charlotte Brontë. After sharing their commonplace quote for this week, Thomas and Angelina jump right into recapping the important plot points of this last section of the book. They start with some contrasts between St. John and Rochester, then they talk about the journey of the soul and the image of marriage. They also consider the parallels of her return to Thornfield and the reversals in these scenes, as well as how Brontë fulfills the various fairy tale endings she set up earlier in the book. You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past. Find everything at HouseofHumaneLetters.com, where you can also sign up for the HHL newsletter to stay in the loop about all the latest happenings! Join us back here next week for an introduction to Alexander Pope and the Neo-classical Poets, followed by an episode on Pope's "The Rape of the Lock". In May, we will have a special guest interview of Malcolm Guite all about his new book, Galahad and the Grail. You can check out the full version of our show notes for this episode at https://theliteray.life/324. 

Publicado pela primeira vez em 1847, O Morro dos Ventos Uivantes permanece como um dos maiores clássicos da literatura inglesa. Escrita por Emily Brontë, a história não apenas resistiu ao tempo, mas assombrou gerações de leitores, acumulando incontáveis adaptações e reimaginações ao longo dos anos. Pegando carona na recém-lançada versão de 2026, estrelada por Margot Robbie e Jacob Elordi, nesta semana o RdM atravessa os ventos cortantes de Wuthering Heights para mergulhar em uma narrativa sobre vingança, obsessão e ciclos geracionais de trauma, onde o amor e a violência destroem e consomem tudo ao seu redor. Entre propriedades enigmáticas, discussões sobre classe e raça, personagens intensos e muito drama, nos acompanhe enquanto exploramos o romance de Brontë e algumas de suas adaptações mais marcantes. Mas, se algo começar a bater à sua janela durante esse episódio, talvez seja melhor não responder. Afinal de contas, nem todo chamado vem do mundo dos vivos. Pode ser o passado insistindo em voltar… ou, pior ainda, o fantasma de Catherine, esperando para finalmente entrar.O RdMCast é produzido e apresentado por: Gabi Larocca, Gabriel Braga e Thiago Natário.Apoie o RdM e receba recompensas exclusivas: https://apoia.se/rdmCITADOS NO PROGRAMA:O Morro dos Ventos Uivantes (livro, 1847)O Morro dos Ventos Uivantes (1939)Escravos do Rancor (1954)O Solar dos Ventos Uivantes (1970)O Morro dos Ventos Uivantes (minissérie, 1978)O Morro dos Ventos Uivantes / Arashi ga oka (1988)O Morro dos Ventos Uivantes (1992)O Morro dos Ventos Uivantes (2003)O Morro dos Ventos Uivantes (minissérie, 2009)O Morro dos Ventos Uivantes (2011)“O Morro dos Ventos Uivantes” (2026)Citações off topic:Rebecca, a Mulher Inesquecível (1940)A outra volta do parafuso (livro, 1898)A Lista de Schindler (1993)Bela Vingança (2020)Saltburn (2023)Kate Bush – Wuthering Heights – Official Music Video – Version 1EPISÓDIOS CITADOS:RdMCast #243 – Especial Alfred HitchcockSiga o RdMYoutube: https://www.youtube.com/c/Rep%C3%BAblicadoMedoInstagram: @republicadomedoTwitter: @RdmcastEntre em contato através do: contato@republicadomedo.com.brLoja do RdMConheça nossos produtos: https://lojaflutuante.com.br/?produto=RdmPODCAST EDITADO PORFelipe LourençoESTÚDIO GRIM – Design para conteúdo digitalPortfólio: https://estudiogrim.com.br/Instagram: @estudiogrimContato: contato@estudiogrim.com.br

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

durée : 00:58:23 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - La traductrice Josée Kamoun nous parle d'une histoire d'amour et de fantômes qui ne cesse de la hanter : "Les Hauts de Hurlevent" d'Emily Brontë. Et si ce roman qui explore les méandres de la passion, de la violence et de l'inconscient nous confrontait à la part la plus énigmatique de nous-mêmes ? - réalisation : Nicolas Berger - invités : Josée Kamoun Traductrice

Peter Parker: Spider-Man is back! But he is not in a good way as his personal life collapses, the exile #BenReilly returns. Causing him to retreat into an alter ego he calls ‘The Spider' as he attempts to bury Parker and his pain. Can the emergence of Ben's own alter ego #TheScarletSpider be enough to convince him to claw himself ‘Back From The Edge' or will he need a little help from an old friend who has recently been #BornAgain #Daredevil to remember the lesson he learned so long ago about 'Power & Responsibility.' Join myself, Tony Farina & Tony Holt Jr. as we discuss #JudasTraveller, a suicidal Brontë sister & how to pronounce Puma as #TheCloneSaga continues… #PrepareForPrattleThis podcast features these Clone Saga story arcs…Power & Responsibility - Prologue (Only Ben Reilly's Cameos from Web Of Spider-Man #114-116, Spider-Man #48-50, Spectacular Spider-Man #215-216 & Amazing Spider-Man #393)Power & Responsibility (Web Of Spider-Man #117, Amazing Spider-Man #394, Spider-Man #51 & Spectacular Spider-Man #217)The Exile Returns (Web Of Spider-Man #118-119, Spider-Man #52-53 & Spider-Man Unlimited #7)Back From The Edge (Amazing Spider-Man #395, Spectacular Spider-Man #218, Amazing Spider-Man #396, Spectacular Spider-Man #219)If you want a quick summary of LifeTheft & Pursuit you can find them here… https://tinyurl.com/mrhfseay & https://tinyurl.com/bdh3we7zCheck out Tony Holt Jr.'s Linktree ⁠https://linktr.ee/tonyholtjr⁠ & Tony Farina's website… ⁠https://www.arfarina.com/⁠ We will be going through The Clone Saga in chronological order as opposed to release order as per Marvel's own suggested reading order on Marvel Unlimited where you can subscribe to read the individual digital issues… ⁠https://tinyurl.com/22mww353⁠Or buy the  five Complete Clone Saga Epic collections (still available physically or digitally.) Click on each individual collection to see the issues collected therein. ⁠https://tinyurl.com/2c2qra6g⁠You can also purchase the two newly reprinted omnibuses available both digitally & physically which collects all the previous mentioned collections. ⁠https://tinyurl.com/2y5g97tw⁠For more details on the behind the scenes and what was occurring month to month during the saga check out The Life Of Reilly Blog! ⁠http://www.benreillytribute.x10host.c...Where to find the Spider-Dan & The Secret Bores Podcast…Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/secretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@spiderdansecretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@dan_bores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/spiderdansecretbores/?hl=en⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/CeVrdqdpjk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.imdb.com/title/tt22023774/?ref_=nv_sr_srsg_0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/spiderdan_2006/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like, share, comment, subscribe etc. and don't forget to use the #PrepareForPrattle when you interact with us.If you want to #JoinThePrattalion and to be briefed in full on the #SecretBores head over to #PrattleWorld ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.spiderdanandthesecretbores.com/⁠

Analitzem l'

Do you have any thoughts or ideas about the show? Send us a text! Hello CreatorsComing soon: Build Without Breaking, a new performing arts interview series releasing toward the end of the year.Follow us on Instagram to follow the launch:instagram.com/buildwithoutbreakingpodLet me guide you into a bedtime poetry reading inspired by the renewed buzz around Wuthering Heights and the world that shaped Emily Brontë. We talk about her deep love of animals, nature, and home, and why Yorkshire's wild moors and harsh wind feel stitched into the rhythm of her lines. The poems move through darkness, devotion, and doubt: a storm you cannot leave, love and friendship measured by seasons, hope that turns away, moonlight that settles the room, a rose that withers, mist that softens tomorrow, and a final walk that holds grief with quiet honesty. If you're looking for a sleep podcast for performers and creatives, calming narration, and Emily Brontë poems to help with insomnia and anxious nights, press play and get comfortable. Subscribe, share this with a fellow sleepless creative, and leave a review so more listeners can find a gentler way to end the day.Sweet dreams,Florence xSupport the showOur Links:Subscribe to our Newsletter!www.sleeplesscreativespodcast.co.ukOur producerInstagramLinkedinDo you want to feature as one of our Guest Readers in your own special episode? If you work or study in the Performing Arts or Creative Industry in any capacity, we would love to have you.Applications open on 1st September every year, follow us on Instagram to keep up with the announcements!Sleepless Creatives is hosted by Florence St Leger, and produced by Canary Studios.The opening theme is Reflection by Birds of Norway.

In this episode of the Anglotopia Podcast, Jonathan Thomas is joined by Mia Ferullo, Digital Engagement Officer, and Sam, Programme Officer at the Brontë Parsonage Museum in Haworth, Yorkshire — and co-hosts of the museum's own acclaimed podcast, Behind the Glass: A Parsonage Podcast. Together they explore what makes the Parsonage one of Britain's most atmospheric and emotionally resonant literary destinations, from the world's largest collection of Brontë artefacts to the wild moorland that inspired the novels themselves. The conversation spans the remarkable story of three sisters who published against the odds under male pseudonyms, the often-overlooked legacy of Anne Brontë and patriarch Patrick Brontë, the concept and standout episodes of Behind the Glass, and the swirling cultural moment around Emerald Fennell's new big-screen adaptation of Wuthering Heights starring Margot Robbie and Jacob Elordi. Mia and Sam also share practical advice for American Anglophiles planning their first visit to Haworth, including the best time of year to go and how to get there. Links Brontë Parsonage Museum — bronte.org.uk Behind the Glass: A Parsonage Podcast Keighley and Worth Valley Railway — kwvr.co.uk Visit Yorkshire — visityorkshire.com Friends of Anglotopia Takeaways The Brontë Parsonage Museum in Haworth is home to the world's largest collection of Brontë artefacts, including handwritten manuscripts, first editions, writing desks, and extraordinary miniature books the sisters made as children. Almost everything on display in the Parsonage is genuine Brontë furniture and objects — not set dressing — making it one of the most authentically preserved literary homes in Britain. The Brontë sisters published their novels under male pseudonyms not just for anonymity, but to avoid the prejudice that would have greeted female authors — and the books were still considered shocking and coarse when they appeared. Anne Brontë is widely regarded as the most overlooked of the three sisters, lacking the pop culture adaptations and name recognition that Jane Eyre and Wuthering Heights have accumulated over generations. Patrick Brontë, often cast as a footnote or even a villain in the family story, played a significant role in his daughters' development — educating them in the classics and sparking their imaginative lives by bringing home a set of toy soldiers for Branwell. Behind the Glass: A Parsonage Podcast invites guests to choose a single object from the collection as a jumping-off point, allowing deep dives into rarely seen items — including Charlotte's tea cosy and its fascinating gendered history. Emerald Fennell's new Wuthering Heights film has driven a surge of visitors to the museum, with people noting in the visitor book that the film brought them to Haworth for the first time. Controversy around Wuthering Heights is nothing new — the original 1847 novel was condemned as vulgar and depraved by contemporary reviewers, making modern critical debate very much in keeping with Emily Brontë's legacy. A new television adaptation of Jane Eyre has been announced, which the museum is already looking ahead to as potentially another major cultural moment. August is the best month to visit Haworth when the heather is in full purple bloom on the moors, though autumn's fog and mist give the village an irresistibly gothic atmosphere perfect for Brontë fans. Soundbites "When you go up behind the Parsonage, you've got the moorlands. There's the ruin of Top Withens up there, supposed to be the influence for Wuthering Heights. You feel like you can really step into the pages of the book." — Sam on Haworth's atmospheric setting. "There are moments where you think, gosh, this all started here where I work, and I'm there every day. They actually wrote Jane Eyre and Wuthering Heights in this room, on this writing desk." — Mia on the weight of working at the Parsonage. "The writing desks contain all the same materials the Brontës left in them. Everything's been preserved exactly as it was when they died." — Mia on her favourite objects in the collection. "It's believed that Emily died on the sofa. And I think that's something people find very moving — especially when they've come from abroad, because Haworth isn't easy to get to even if you live in the UK." — Sam on emotional moments with visitors. "They had to use pseudonyms so nobody would know who they were, and there'd be no prejudice against them being women writers. And still the books were called coarse and shocking — people thought women shouldn't even be reading them." — Mia on the Brontës publishing against the odds. "I think Anne definitely gets overlooked. Jane Eyre and Wuthering Heights have very much become part of pop culture — there are more movies, more adaptations, pop songs written about them. Anne doesn't get that same exposure." — Sam on the most neglected Brontë sister. "You can almost compare the Brontës to Shakespeare — how his work is reinterpreted in different settings and time periods. That's why the Brontës' work is so timeless. You can draw on certain elements and themes and keep it fresh." — Sam on why new adaptations keep coming. "We never really want to tell visitors what to think. We want people to read the books and make their own minds up." — Mia on the museum's approach to literary interpretation. "I don't think we expected it to be quite as big as it was. Seeing all the money that went into the premieres and the marketing — we've just been wanting to grab a bit of everything to remember it, because how often does something like this come along?" — Sam on the scale of the Wuthering Heights film moment. "It just came from this little house in this little village in Yorkshire." — Sam on the extraordinary global legacy of the Brontë Parsonage. Chapters 00:00 Introduction — Jonathan sets the scene at the Brontë Parsonage Museum and introduces Mia and Sam 01:39 What Is the Brontë Parsonage Museum? — Location, atmosphere, and what to expect from a visit 03:21 Mia's Role as Digital Engagement Officer — Social media, digital content, and the podcast 04:07 Sam's Role as Programme Officer — Events, workshops, live music, and how she joined the podcast 05:18 The Collection — Manuscripts, miniature books, writing desks, and authentic Brontë artefacts 06:47 The Weight of the Place — Favourite objects and emotional moments on the job 09:50 Behind the Glass Podcast — The format, concept, and how objects anchor each episode 10:52 Standout Episodes — Holly Ringland, Charlotte's tea cosy, and the gendered history of everyday items 12:43 Who's Listening — Reaching new audiences and the American visitors who came because of the podcast 14:13 The Brontës for Newcomers — Why the sisters matter and what made their achievement so remarkable 15:52 Honouring Each Sister Individually — How the museum balances Charlotte, Emily, and Anne 17:51 The Most Overlooked Brontë — Why Anne deserves more attention 18:50 Patrick Brontë — His real role in the family and his presence throughout the house 20:28 The Moors and the Novels — How the landscape shapes the reader's understanding of the books 21:53 The Wuthering Heights Film Moment — The mood at the museum as the Emerald Fennell adaptation lands 23:16 Have They Seen the Film? — Mia and Sam's reactions, and the Charli XCX album recommendation 23:45 Is It a Good Adaptation? — Discussing Fennell's personal interpretation versus fidelity to the novel 26:21 Misreading Wuthering Heights — The novel's darkness and moral complexity versus its romance reputation 27:10 A Long History of Controversy — Why provoking critics is part of Emily Brontë's legacy 27:35 Do Adaptations Drive Visitors? — The film's impact and the newly announced Jane Eyre series 28:41 Jane Eyre Nostalgia — Jonathan's favourite adaptation and a digression into Wide Sargasso Sea 29:38 How to Pronounce Haworth — And why British place names are endlessly confusing 30:06 Practical Tips for Visiting — What to expect, how busy it gets, and wear good shoes 31:24 Getting There from London — Trains, connections, and the steam railway from Keighley 32:00 Make a Week of It — Combining Haworth with York, Manchester, and the Yorkshire Moors 32:53 Best Time of Year to Visit — August heather, autumn mist, and gothic atmosphere 33:34 The Literary Gothic Trail — Adding Whitby to a Yorkshire literary itinerary 34:12 What's Coming Up at the Museum — Hair jewellery workshops, live music at Easter, and upcoming events 35:12 Wrap-Up — Jonathan's outro, Friends of Anglotopia, and a recommendation to pick up Wuthering Heights Video Version

On The Literary Life Podcast this week, Angelina and Thomas cover chapters 13-19 of Charlotte Brontë's Jane Eyre. Today's episode includes more discussion of the important symbols and images in these chapters. Angelina highlights the stories of Bluebeard, Beauty and the Beast, and Cupid and Psyche and their connections to this book. She and Thomas also talk about the trope of the "reformed rake" and how it relates to Brontë is setting up that possibility here. In these chapters we see more fire images, as well as several things that point to this story as a journey of the soul for both Jane and Mr. Rochester. You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past. Find everything at HouseofHumaneLetters.com, where you can also sign up for the HHL newsletter to stay in the loop about all the latest happenings! Don't forget to visit https://theliterary.life/321 for the full show notes for this episode!

In this week's episode we're sharing our Spring Bucket List since it's officially the first week of Spring. It's still pretty cold where we live, so a lot of this is wishful thinking, but it's fun to plan things to look forward to. We're also sharing an extra hot Hot Take Debate about kids and iPads. Thank you to this week's sponsor: Sign up for your one-dollar-per-month trial and start selling today at Shopify.com/abm Head to Wayfair dot com right now to shop all things home. Elsie: Get new hair & general glow up for the joy of it Read all the Brontë novels Start buying fresh flowers & practicing making little arrangements Paint all the time Finish our Mouse Mansion! Emma: Easter baskets Decorate entry way Refresh fairy garden Start walking outside again Wallpaper the kitchen You can support us by leaving us a couple of 5 star recipe reviews this week at abeautifulmess.com Have a topic idea for the podcast? Write in to us at podcast@abeautifulmess.com or leave us a voicemail at 417-893-0011.  

Klangkunstwerk über die englische Dichterin Emily Brontë. Sie kannte die karge Schönheit der Moore aus ihrer Kindheit. Das Duo Merzouga entdeckt in Brontës Gedichten Songs für unsere Zeit und entführt uns in den faszinierenden Lebensraum Moor. Wer das Hörspiel am Radio hören will: Samstag, 21.03.2026, 20.00 Uhr, Radio SRF 2 Kultur In ihren «Poems from the Moor» beschwört Emily Brontë die besondere Atmosphäre der Landschaft Yorkshires. Zwei Jahrhunderte später verbringt ein Klangkünstler ein Jahr in einer Moorlandschaft. Daraus entsteht die Vertonung von Brontës Gedichten als «Songs from the Moor». Das Klangduo Merzouga setzt diese in eine zeitgenössische Klanglandschaft aus Moor-Sounds und Field-Recordings brummender Wasserkäfer. In den Schichten des Torfbodens verbirgt sich ein Archiv der Landschaft. Gräser, Moose und Pollen, die im nassen Moor über Jahrtausende erhalten bleiben, erlauben einen Blick in die Geschichte. In der Verschränkung von Musik und Wissenschaft, Klangkunst und Lyrik lotet das Kölner Klangkunstduo die Bedeutung der Moore für die Bewältigung der Klimakrise aus und versucht, Begeisterung zu wecken für diesen faszinierenden Lebensraum zwischen Wasser und Land. ____________________ Mit: Veronika Bachfischer, Jean Paul Baeck und Filippa Gojo (Gesang) ____________________ Tontechnik: Christoph Rieseberg und Jens Müller – Regie: Janko Hanushevsky und Eva Pöpplein (= Merzouga) ____________________ Produktion: Deutschlandfunk 2024 ____________________ Dauer: 56'

In this episode: we hear from Dr Claire O'Callaghan, Senior Lecturer in English at Loughborough University and Editor-in-Chief of Brontë Studies, the official journal of the Brontë Society; Prof Melissa Fegan, Professor of Irish and Victorian Literature at the University of Chester; and Dr Sophie Franklin, Postdoctoral Fellow at the School of English, Drama and Film at University College Dublin and author of ‘Violence and the Brontës: Language, Reception, Afterlives'. She is also an Associate Editor of the Brontë Studies journal.

Teri Bracken's career as Brontë Fall began almost accidentally. The singer, songwriter and multi-instrumentalist who was born and raised in the Chicago suburbs had always been a music obsessive, dreaming of forming her own bands and playing on stages. While working as the “door girl” at an indie music venue in Chicago, a chance opportunity allowed her to book her first gig as an artist. She quickly came up with a band name (honoring her favorite writers, the Brontë sisters), compiled all the original songs she had, and never, ever looked back. Bracken's road to acclaimed songwriter began in childhood, when she picked up piano at age 7. Classical violin lessons soon followed, and eventually she was tapped as the singer/violinist in a college rock band with a group of nineties rock loving frat boys. After leaving the guys, she further pursued her passion for violin playing at Berklee, which is where she fell in love with songwriting once and for all. Bracken eventually made her way to Nashville—a dream come true considering it is a songwriter's mecca.Teri Bracken's new album as Brontë Fall, Not Done Yet is about resolve and spirit and ignoring anything in the way of dreaming — even yourself. Bracken wrestles with herself throughout the album. She almost quits, she pulls herself back; she laughs at those who told her to get a more sustainable career; she curses herself for not getting a more sustainable career. The album, defiant and beautiful and mournful and triumphant, is a chronicle of a life lived exactly as Bracken wants, compromising to no one in her quest to continue building a budding and supportive scene for alt-Americana around the country.https://www.brontefall.com/https://linktr.ee/brontefall?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4CGNhbGxzaXRlAjE1AAGnDw6Xr5SZcvarPqUSegemPi_U49RAUn0rrULQYte9wwxe-sJ5Wj_5fRz1ceA_aem_i0Syg85DVncZ8lqfU72o2wTheme song: “Hollywood Faded' by Luna Halo@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com

In this lively episode of Beyond the Shelves, the hosts dive deep into Wuthering Heights—the novel, the new film adaptation, and the passionate discourse surrounding both. After a quick roundup of upcoming author events and current reads, the conversation shifts to Emily Brontë's legacy, the novel's complicated publication history, and why this famously chaotic story continues to captivate readers nearly 200 years later. SHOW NOTES What We're Reading Evil Genius by Claire Ohshetsky (also mentioned Chouette by Claire Ohshetsky) Heap Earth Upon It by Chole Michele Howarth  Tough Guy by Rachel Reid The Fine Print by Lauren Asher Shield of Sparrows by Deveny Perry To Be Read The Lion Women of Tehran by Marjan Kamali The Stationary Shop by Marjan Kamali If an Egyptian Cannot Speak English by Noor Naga You Better Believe I'm Gonna Talk About It by Lisa Rinna  Once There Were Wolves by Charlotte McConaghy Roots of Darkness by Demi Winters Dawn of the North by Demi Winters This Kingdom will not Kill me by Ilona Andrews Wuthering Heights Links: Emily Brontë in Her Smut Era: The Romance Rebranding of "Wuthering Heights" by Shawna Lipton Emerald Fennell's Wuthering Heights is a Deranged, Half-Assed Bodice-Ripper That Entirely Misses the Point Book Bulletin Spotify Partners With Bookshop.org and Debuts Page Match Feature to Bridge Physical, E-book, and Audio Formats Can AI Chatbots Write Emotional Rich Romances? Nationwide Book Banning bill introduced Iowa Library Association Bill Tracker  Man breaks up with woman due to library card American Girl, Samantha: The Next Chapter

Ennis Players are heading into gothic territory for their Spring production at glór. The Moors, a darkly comic play inspired by the world of the Brontë sisters, runs from March 24th to 28th. To find out more, Alan Morrissey was joined by PRO, Sinéad Clancy, Director, Sandra Cox, Director and cast member, Clare Fitzsimons.

Love Stinks! Month continues its march across the moors this week on We Drink & We Watch Things as we confront the year's most scandalous and polarizing adaptation: Emerald Fennell's 2026 reimagining of Wuthering Heights. This isn't your grandmother's Brontë; it's a hyper-stylized, anachronistic, and deeply provocative "bodice-ripper" that trades Victorian restraint for BDSM, heavy-metal corsetry, and a Charli XCX soundtrack. Pour yourself something dark and intoxicating - perhaps our cocktail take on Yearning - and join us as we discuss why this film has everyone from literary scholars to Barbie fans talking.This week, we analyze the relationship between Margot Robbie's fashion-doll Cathy and Jacob Elordi's long-haired, seething Heathcliff. We examine Fennell's decision to strip away the novel's second generation to focus entirely on the toxic, cyclical lust of its leads, and we talk through the film's shocking, "Saltburn-esque" flourishes - like the horse-bridle-and-shackle games that redefine Heathcliff's legendary cruelty. We also consider the controversy surrounding the casting and the film's unapologetic rejection of historical accuracy in favor of creating a "sensory experience" that feels like a teenage girl's fever dream of the 1840s.If you're a Brontë purist ready to clutch your pearls, a fan of Fennell's brand of "campy depravity," or just want to hear us debate whether a story about two people "driving each other mad" is a romance or a red flag, this is the episode you've been waiting for. We're blending our critique of its provocative choices with our biggest disagreement in recent memory, making this a truly wild second chapter in our month of Not-So-Love-Love-Stories. Be with us always - take any form - just don't miss this one!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

On “Invited (to the Party),” Brontë Fall captures a feeling that's both deeply personal and universally understood; that electric moment when perseverance finally turns into recognition. It's a song that glows with earned confidence, not bravado, balancing a pop accessibility with the kind of emotional specificity that makes a listener feel like they've been quietly rooting for her all along. Wrapped in Americana-tinged pop, the track plays like a victory lap that still remembers every mile it took to get there.

DEFENDANT: Emily Brontë EVIDENCE: Goldschmidt Cabernet Sauvignon "Katherine" 2023 SCENE OF THE CRIME: The wild moors of Alexander Valley, Sonoma, CA -- Hey — settle in with a bowl of soup and a good glass, because this episode is equal parts wine tasting and literary sleuthing. We pop a bottle of Goldschmidt's “Catherine” from Stonemason Hill in Alexander Valley (Sonoma), sniff out garnet color, black cherry and red‑plum fruit, a blueberry peak of ripeness, and a lovely stone‑like minerality with velvety tannins. It's approachable, not pretentious, and sits in that sweet spot around $40 — perfect to bring to dinner or enjoy on a stormy night with friends (and a dog wedged between you). Then we tumble headfirst into Wuthering Heights: Emily Brontë's 1847 Gothic whirlwind of obsession, class friction, and moor‑bound drama. We talk about Emily's short, wild life, the Brontë family dynamics, the book's thorny questions (are Catherine and Heathcliff half‑siblings? are they in love or simply consumed by each other?), and why the novel is more morally complicated than the romantic myth that often gets pasted onto it. Finally, we air our grievances with Emerald Fennell's new film: gorgeous visuals, striking costumes, and some undeniably hot scenes — but also some big misses. Miscasting, whitewashing a character whose outsider status is crucial to the story, and a sleight-of-hand that ends up glamorizing an abusive, toxic relationship left us frustrated. If you love Wuthering Heights, don't be fooled: this adaptation is a visually lush reinterpretation, not a faithful or thoughtful translation of the novel's core themes. Short version: drink the Catherine (it's delightful), read the book (it's messy, brilliant, and not for the faint‑hearted), and watch the movie cautiously — especially if you're handing it to younger viewers who might mistake obsessive cruelty for tragic romance.

Emily Brontë's “Wuthering Heights” is a tale of star-crossed lovers: Catherine, the wild daughter of an aristocratic family, and Heathcliff, an orphan whom Catherine's father brings home unexpectedly. While Catherine's brother and mother denigrate Heathcliff, depriving him of an education and forcing him into a servant-like role, Catherine forms an intense, almost spiritual bond with her family's new charge. Despite their deep connection, however, she marries the scion of a nearby wealthy family — a decision that leaves Catherine yearning, Heathcliff bent on revenge and everybody in their orbit on a path to calamity. Brontë's classic has long been a favorite among readers, and the novel is back in the zeitgeist thanks to Emerald Fennell's recent film adaptation. On this week's episode, host MJ Franklin discusses “Wuthering Heights” with colleagues from the New York Times Book Review. Other works discussed: “Wuthering Heights,” the song by Kate Bush “Twilight,” by Stephenie Meyer “But Daddy I Love Him,” by Taylor Swift “Wuthering Heights,” the 2026 film directed by Emerald Fennell “The Safekeep,” by Yael van der Wouden “Mexican Gothic,” by Silvia Moreno-Garcia The “Wuthering Heights” comics in Kate Beaton's “Hark! A Vagrant” series “Villette,” by Charlotte Brontë “Rebecca,” by Daphne du Maurier “The Idiot,” by Elif Batuman “The Great Gatsby,” by F. Scott Fitzgerald “The Count of Monte Cristo,” by Alexandre Dumas Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For decades, cinema has lied to us about Wuthering Heights—and I'm done letting adaptations sell you the wrong half of the story. In this episode, I'm auditing the entire novel (not the TikTok version): the framed narration (Lockwood and Nelly Dean), why unreliable storytelling matters, and the full family tree across Wuthering Heights and Thrushcross Grange. I break down what Hollywood keeps deleting—an entire second generation (Catherine Linton “Cathy,” Linton Heathcliff, and most criminally, Hareton Earnshaw)—and why that missing half is the moral of the book.I walk through the inheritance and property-law engine that drives the plot, how Heathcliff weaponizes debt, marriage, and the legal system to seize both estates, and why this is a revenge epic about power, humiliation, class, race/othering, and generational trauma—not a romance.Then I compare what the 1939 classic and the new 2026 adaptation keep, soften, or break: how 1939 preserves key first-half bones but ends too early, and how 2026 flattens the structural engine (including major character/function changes) while still cutting the second generation—removing the consequences and the repair. I end where Brontë ends: not with soulmates in the snow, but with restoration—literacy, inheritance corrected, and two young people choosing to break the cycle. If you've only seen the movies, this is the missing architecture.You can also watch this video on YouTube: https://youtu.be/qSzlQgSsIt4Get the family tree breakdown here: https://bibliolifestyle.com/wuthering-heights-family-tree-explained/

Abrimos La Ventana de la Música para recibir a Drugos. Paco Nadal habla de la Inglaterra de las hermanas Brontë en Cumbres Borrascosas. Por último, José Romero y Pepa Blanes nos traen adaptaciones de libros.

Henry is gone, and a gloom falls over the house. Sir Thomas suspects that Maria doesn't want to marry Rushworth, but she marries him anyway. Fanny and Miss Crawford start hanging out, and Fanny secures a dinner invitation. Topics discussed include Fanny's glow-up, how Fanny and the Bertrams feel about the slave trade, Maria's revenge plot, flirt-harping, the Brontës' use of the word "ejaculate," Fanny's love of nature, the Doge at the court of Louis XIV, and Edmund and Mary's fundamental incompatibility.Patron Study Questions this week come from Avi and Linnea. Topics discussed include Fanny's question about the slave trade and our characters wanting to change each other.Becca's Study Questions: Topics discussed include Fanny cozying up to Sir Thomas, the retiring of the WTF Maria Tracker, zeroing in on the love triangle, and Mary and Fanny's friendship.Funniest Quote: "It was a very proper wedding. The bride was elegantly dressed; the two bridesmaids were duly inferior; her father gave her away; her mother stood with salts in her hand, expecting to be agitated; her aunt tried to cry; and the service was impressively read by Dr. Grant."Questions moving forward: Is this the last we're seeing of the Bertram sisters? What will happen between Mary and Fanny?Who wins the chapters? Maria!Glossary of People, Places, and Things: Avatar: The Last Airbender, Heated Rivalry, Wuthering Heights, Jane Eyre, the Doge at the court of Louis XIV, Schitt's CreekNext Episode: Mansfield Park Volume II Chapters 5-6Want an alternative to marrying rich? Try learning to invest your own money and grow your own wealth! Molly's partner Mel is teaching an online investing workshop for beginners on March 7. Tickets and details can be found at https://moneywithmelmarch7.eventbrite.com. And follow her on instagram at @money.with.mel. Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Is Wuthering Heights “the greatest love story of all time?” Or is it a tale of hate, violence, and vengeance? Or maybe a gothic satire? This hour we look at Emily Brontë’s novel and how it was received when it was published in 1847. Plus, a look at the highest-grossing movie of the year so far — Emerald Fennell’s loosely adapted “Wuthering Heights” — and how it stacks up against other retellings. GUESTS: Richard Brody: The movies editor for Goings On About Town at The New Yorker Claire O’Callaghan: Editor-in-chief of Brontë Studies and the author of Emily Brontë Reappraised Irene Papoulis: Taught writing for a long time at Trinity College MUSIC FEATURED (in order): Wuthering Heights – Cecile McLorin Salvant Wuthering Heights – Kate Bush I Am Stretched on Your Grave – Eithne Ni Uallachain Out of Myself – Charli xcx Chains of Love – Charli xcx As Time Goes By – Julie London The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Den nyeste fortolkning af klassikeren ‘Wuthering Heights’ kandiderer allerede til at blive årets mest omdiskuterede film. For mens både anmeldere og dedikerede Brontë-fans trækker filmen gennem mudderet, er der også mange, som overgiver sig til filmens svulstighed - og ikke mindst Jacob Elordi-faktoren. Den originale roman blev udgivet i 1847 af Emily Brontë, som døde året efter dens udgivelse. Hun efterlod sig ingen interviews, ingen litterære saloner og ingen PR-strategi. På den måde er hun litteraturhistoriens ultimative anti-brand. Helt omvendt forholder det sig med Emerald Fennell, instruktøren bag den biografaktuelle udgave af ‘Wuthering Heights’. For når Fennell bevæger sig ind i Brontës univers, er det næsten som at se en meget selvsikker gæst gå ind i et hjemsøgt hus og sige: “Jeg har lavet en moodboard. I denne uge taler vi om både romanen og filmen og diskuterer, hvad der sker, når en mytisk og tavs forfatter møder en instruktør med en tydelig, pompøs signatur. Og så spørger vi, om det overhovedet er nødvendigt at skulle vælge side mellem de to. PANEL Cecilie Lind, forfatter. Anbefaling: Se filmen ‘Ordet’ fra 1955. Bodil Skovgaard Nielsen, kulturskribent på Dagbladet Information. Anbefaling: Lyt til nummeret ‘Reconvexo’ af Maria Bethânia. Emma Rosenzweig, kunstner og forfatter. Anbefaling: Se filmen ’The Gold Diggers’ fra 1983. Vært: Lucia Odoom. Anbefaling: Læs ‘Glasessayet’ af Anne Carson og ’Til Havs’ af Dörte Hansen. REDAKTION Lucia Odoom og Jonas Bach-Madsen. See omnystudio.com/listener for privacy information.

Happy Thursday, you pop culture junkies.    In this episode of Pop Culture Mondays on Thursdays, we're breaking our usual "no-politics" rule because the internet simply wouldn't let us look away. From viral memes to heavy hearts, here is everything moving the needle this week.   • The Pam Bondi Meme-fication: Normally, we skip the Sunday shows, but the "50,000 memes" spawned by Pam Bondi's latest media appearances were too creative to ignore. We dive into how digital creators turned a political moment into a masterclass in internet humor. • Clavicular Goes Mainstream: Following up on last week's deep dive into the "looksmaxxing" trend, the movement's poster child, Clavicular, has officially hit the big leagues with a feature in The New York Times. We discuss whether this profile helps or hurts the community's controversial reputation. • Remembering James Van Der Beek: A somber look at the passing of a TV icon. We discuss the heartbreakingly intimate photos shared by his inner circle and address the growing online controversy surrounding the GoFundMe organized for his family. • Wisdom from Kuwait: On a lighter note, we're obsessed with the two young boys from Kuwait currently dropping life lessons and accidental philosophy across social media. It's the wholesome content we all needed. • Wuthering Heights Discourse: The internet has thoughts on the latest adaptation of the Brontë classic. Is it a cinematic triumph or a gothic miss? We round up the best (and snarkiest) takes. • The Watch List: Stick around for a quick-fire round of the new trailers, drops, and hidden gems you need to have on your radar for the weekend.     NYT article on Clavicular: https://www.nytimes.com/2026/02/13/style/clavicular-looksmaxxing-braden-peters.html?smid=nytcore-ios-share This week's newsletter: https://popculturemondays.com/2026/02/16/but-50000/  

This week we're wandering into the mist and madness of the Yorkshire moors for Emerald Fennell's 2026 reimagining of Wuthering Heights! We'll discuss the electric, obsessive chemistry between Margot Robbie's Catherine and Jacob Elordi's Heathcliff, and how this version leans into the wild, untamed, and frankly toxic nature of Brontë's original text. We'll talk about the haunting gothic aesthetic, the cycles of revenge, and whether any soul can truly survive the Heights.To capture the stormy romance and the rugged landscape, we're mixing up a drink that's as turbulent as a Yorkshire gale: Moores Tempest. This cocktail is a beautiful balance of wild sweetness and earthy aromatics, much like the characters themselves.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch Shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.drinkthemovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Please Drink Responsibly*

Emerald Fennell's Wuthering Heights is messy, heat, confrontational, and absolutely not interested in pleasing everyone. On this episode of Thumb War, we break down Fennell's bold interpretation of the Brontë classic — from erotic denial and cruelty-as-romance to audience backlash, Valentine's Day chaos, and why this movie feels designed to make people uncomfortable. Is it brilliant? Is it too much? Or is that the whole idea? Available on YouTube, Apple Podcasts & Spotify Support the show on Patreon for ad-free episodes & bonus content : http://bit.ly/44Mo8xU Like & Subscribe Leave a 5-star review if you're enjoying Thumb War Email us: ThumbWarPod@gmail.com Full Thumb War episode out now. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Only 9 episodes left, and this one is all corsets, cruelty, and complicated desire. Emily Suggs — our resident literary adaptation assassin — returns to the mic after publicly side-eyeing the marketing campaign for the new Wuthering Heights. The big question: did director Emerald Fennell deliver a fever-dream romance worthy of the Brontë chaos…or was this all perfume and no poison? To keep the seduction simmering, we pair it with Dangerous Liaisons, the gold standard of powdered-wig manipulation. If you like your romance weaponized and your flirtation fatal, this double feature is basically a lace glove hiding brass knuckles. On the beverage front, Emily zigzags expectations with two non-alcoholic canned mocktails from Athletic Brewing Company, proving you can keep your wits sharp even while discussing reckless passion. Meanwhile, David reaches deep into the magic bag and pulls out a 2017-bottled Oude Geuze from 3 Fonteinen — a spontaneously fermented, beautifully aged Belgian bruiser that's as complex and unpredictable as the characters on screen. It's bodice-ripping. It's sex-charged. It's literary. It's petty. It's Beer and a Movie at its most unhinged and articulate. Nine episodes left. Don't miss the scandal.

The Moors have never looked like this.

durée : 00:28:47 - La Série fiction - Après les avoir désunis, la mort rend enfin justice à l'amour de Cathy et Heathcliff. - réalisation : Juliette Heymann

Wuthering Heights, written by Emily Brontë in 1847, depicts a gothic world full of violence and passion, set against the wild Yorkshire Moors.So how did the daughter of a clergyman create such a story? How was it received at the time? And what darkness and intrigue happened in the Brontê's lives that could have influenced such stories?With a new Wuthering Heights film being released, Anthony and Maddy are exploring that world with you in today's episode.It's one of relentless death and tragedy, wild creativity, and supernatural belief, all to the backdrop of an industrial Victorian England.If you're interested to find out more, you can watch the documentary Death at the Parsonage: The Brontês, on HistoryHit.com.This episode was edited and produced by Stuart Beckwith. The senior producer was Freddy Chick.You can now watch After Dark on Youtube! www.youtube.com/@afterdarkhistoryhitSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.After Dark: Myths, Misdeeds & the Paranormal is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Hello you, welcome back to Hot History! I'm so excited to chat about the Brontë sisters today and my god we're DEEPING it! From their education, family dynamic, life on the moors, time in Brussels, publications and untimely deaths, we're looking at each sister and their works in total. PLUS to my greatest shock and surprise, the fact that Haworth is also home to the iconic op shop in Wild Child!! Next week will also be our first ‘hot take' episode and the question is: Why are we so obsessed with the Nazis. If you have a hot take on this, I want to hear it so please email me at hello@hothistory.com!If you're wanting more Hot History content you can follow along on ⁠Instagram⁠, ⁠TikTok⁠ and ⁠YouTube⁠ and of course, right here!Till next week, Ainslie x

The new Wuthering Heights film is already sparking debate. From saucy costume choices to renewed arguments over what Heathcliff should look like,  raising a bigger question: Why are we still arguing about a novel published nearly 200 years ago? Today in The Bunker, Alex von Tunzelmann is joined by historian, playwright and author Samantha Ellis, How to be a Heroine, to ask: have we all been getting Wuthering Heights wrong this whole time? Buy Samanth's book How To Be A Heroine Or, what I've learned from reading too much through our affiliate bookshop and you'll be helping the podcast by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. www.patreon.com/bunkercast  Written and presented by Alex von Tunzelmann. Producer: Liam Tait. Audio production: Simon Williams. Music by Kenny Dickinson. Artwork by James Parrett. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. THE BUNKER is a Podmasters Production.www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

President Trump has told the Israeli prime minister, Benjamin Netanyahu, that talks with Iran over its nuclear programme will continue. For the first time since demonstrations in January, the BBC is able to report from inside Iran and our Chief International correspondent Lyse Doucet has been speaking to people in the capital, Tehran. Also on the programme: the Winter Olympian balancing winning medals with her homework; and we hear from Brontë country in northern England - where a rather saucy new interpretation of Wuthering Heights has been filmed.(Trump meets Netanyahu in Washington, 11 February 2026. Credit:Getty Images)

After reading some of Charlotte Brontë's Tales of Angria (#682), John and Sophia go a-Brontë-ing again. They discuss Lucasta Miller's extraordinary survey of the Brontë cult and the durable, troubled legacy of their fiction.

Wuthering Heights is a story full of passion, violence and sexual tension.So it's no surprise that it shocked Victorian readers when it first came out. How did Emily Brontë, the daughter of a clergyman, create such a provocative world? How did the Brontê sisters write about sex and sexuality in their work? And how accurate is the new film to the original story?!Joining Kate today is Dr Claire O'Callaghan, author and Brontë scholar, to take us back to Victorian England at the peak of the Industrial Revolution, and find out more about this scandalous story.For tickets to the live show of Betwixt the Sheets in May, follow the link here https://www.fane.co.uk/betwixt-the-sheets This episode was edited by Hannah Feodorov. The producer was Stuart Beckwith. The senior producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Dead Funny History: The Brontës. Join historian Greg Jenner for a fast-paced, funny and fascinating journey through the lives of the Brontë sisters, Charlotte, Emily and Anne, three literary legends whose tragic family story inspired some of the greatest novels of the 19th century.This episode of Dead Funny History is packed with jokes, sketches and sound effects that bring the past to life for families and Key Stage 2 learners. From their Yorkshire parsonage to their tiny books written in doll-sized handwriting, the Brontës were bursting with creativity. But their lives were also filled with heartbreak, illness and rejection.Discover how the sisters used gender-neutral pen names to get published, how their brother Branwell tried (and mostly failed) to join in, and how their novels, Jane Eyre, Wuthering Heights and Agnes Grey, were shaped by their real-life experiences as governesses, teachers and grieving siblings.Expect parodies, sketch comedy, and a quiz to test what you've learned. There's a mournful bell for every tragic twist and a goat who's surprisingly good at literary criticism. It's history with heart, humour and high production value. Perfect for curious kids, families, and fans of You're Dead To Me.Written by Jack Bernhardt, Gabby Hutchinson Crouch and Dr Emma Nagouse Host: Greg Jenner Performers: Mali Ann Rees and John-Luke Roberts Producer: Dr Emma Nagouse Associate Producer: Gabby Hutchinson Crouch Audio Producer: Emma Weatherill Researcher: Dr Emmie Rose Price Goodfellow Script Consultant: Dr Amber Regis Production Coordinator: Liz Tuohy Production Manager: Jo Kyle Studio Managers: Keith Graham and Andrew Garratt Sound Designer: Peregrine AndrewsA BBC Studios Production

A sudden confrontation! Having 'sniffed out' a lead, Antistrophe, Brontë, and Caoimhe have dug their way towards the truth. That truth rests in the underground archive of the Hexcloaks' regional headquarters in Cenn, City of Iron Chains. But such a basement does not go unguarded. To arms, Team ABC! This week on Perpetua: In Too Deep 03  Perpetua Guide [In Progress v.055] NPCs & Monsters [PNMS] Hortensius, Venomous Hexcloak [NMHR] Traits: Joyful, Experimental, Cruel Stats: DEX 6, INS 10, MIG 6, WLP 10 Attacks: Toxic Whip, Poison Cloud Special Abilities: Heal In-Game Description: A misanthropic hexcloak with a mastery of toxins, venoms, and other poisons. Hortensius may not seem like the most dangerous of the Cenn Hexcloak Trio, but his mastery of poisons means that he can really wear you down (or set you up for another of the trio to knock you out.) Unsurprisingly, he resists poison damage. Starter Tip: Poison Cloud can hit everyone, and it always hits. Get ready to use some tonics!  Maxi, Earthen Hexcloak [NMMX] Traits: Tough, Direct, Snobbish Stats: DEX 10, INS 6, MIG 12, WLP 6 Attacks: Stone Maul Special Abilities: Status Immunity, Stoneshield In-Game Description: A Hexcloak soldier who combines expertise of earthen enchantment with finely honed martial prowess. Maxi is proof that sometimes all you need is a big stick. She doesn't have special attacks or active abilities, just a collection of strong defensive passives and a really high Might (which she tends to keep high because of her Status Immunity ability).  Starter Tip: She resists both earth and, more importantly, physical damage. Spell damage is your best bet here! Mercurion, Voltaic Hexcloak [NMMR] Traits: Laconic, Rude, Mercurial Stats: DEX 10, INS 10, MIG 6, WLP 6 Attacks: Electrified Dagger, Hexipistol, Fulgur Special Abilities: Flying (Bugged?) In-Game Description: Impudent in speech. Electric in action. Mercurion seems to be the leader of the Cenn Hexcloak Trio, and for good reason. They can dish out big damage QUICK with their Fulgur ability (and it also has a low chance of making you dazed). Try to knock them down even quicker, or else Hortensius' heal will make them a real pain in your behind. Starter Tip: The game says they're flying, and they have a hovering animation, but some people have reported that Mercurion isn't actually flying in their boss fight. So don't worry if it seems broken, it's just a bug!