Podcasts about The Naked Gun

Send us Fan MailShow Forensic Files: S2E9 Something's FishyGUEST HOST : JAMIE ( Sarah's Fricken Husband) Sue Snow dies of Cyanide poisoning and IT'S NOT HER HUSBAND!This episode has everything: The Simpsons, The Naked Gun, Forensic Files Carol, Zorbaz delicious pizza, Wisconsin Dells trashiness, TITS, PUSS, and husbands that do not kill! What??? Support the showCheck out our website: https://www.buzzsprout.com/837988Linktree: https://linktr.ee/itsalwaysthehusbandpodcastLike our Facebook page and join our group!!Instagram: @itsalwaysthehusbandpodcastTwitter: @alwaysthehubsEtsy Shop: https://www.etsy.com/shop/ItsAlwaysTheHusband?ref=simple-shop-header-name&listing_id=776055218Theme song by Jamie "I'm Gonna Kill You, Bitch" Nelson

Follow Tim on IG: @timchantarangsu Follow Rick on IG: @rickyshucks Follow Nikki on IG: @NikkiBlades Check out Goodie Brand at https://www.GoodieBrand.com Check out Tim's Patreon for exclusive content at https://www.patreon.com/timchantarangsu To watch the No Chaser podcast on YouTube go to: www.youtube.com/timothy Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/NoChaserPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

Spoilers for Scary Movie. Jason and Rachel review Scary Movie, the sixth installment in the franchise and the return of the Wayans Brothers. The movie brings back Anna Faris, Regina Hall, Ghostface, horror spoof chaos, offensive jokes, stoner comedy, and a whole lot of nostalgia — but did it actually make us laugh? We talk about the Wayans Brothers returning to the franchise, the Teyana Taylor cold open, the packed-but-quiet theater experience, Scary Movie 3 holding up surprisingly well, The Naked Gun comparison, whether the jokes pull their punches, and why this reboot left us more sad than satisfied. Available on YouTube, Apple Podcasts & Spotify Support the show on Patreon for ad-free episodes & bonus content : http://bit.ly/44Mo8xU Like & Subscribe Leave a 5-star review if you're enjoying Thumb War Email us: ThumbWarPod@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hi We're Gab and Dylan, welcome to Podcasts!Welcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt0493430/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome02:46 What's it about?11:48 Opinion Time46:26 Let's get to the facts56:30 Mail Time01:01:12 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, Tootsie, The Changeling, The Birdcage, Superman, The Mitchells vs. the Machines, The Nightmare Before Christmas, Twins, Training Day, When Harry Met Sally, Jurassic Park, Willy Wonka & the Chocolate Factory, Clueless, Project Hail Mary, and Big Fat Liar

STILL FUNNY WITHOUT THE WAYANS BROS?! Scary Movie 4 Full Length Watch Alongs & Early Access:   / thereelrejects   Support The Channel By Getting Some REEL REJECTS Apparrel! https://www.rejectnationshop.com/ Greg Alba & Jackie Bonsignore react to Scary Movie 4, the outrageous horror-comedy sequel that spoofs Saw, The Grudge, War of the Worlds, The Village, and more. Starring Anna Faris as Cindy Campbell and Regina Hall as Brenda Meeks, this entry might be the most chaotic and joke-packed movie in the entire franchise. We react to the legendary Saw opening with Shaquille O'Neal and Dr. Phil, Brenda's hilarious return, the Grudge parody, the alien invasion storyline inspired by War of the Worlds, the Tom Cruise & Oprah spoof, the Village twists, and some of the wildest visual gags the series ever attempted. Greg & Jackie also discuss why this one feels stronger than some of the previous sequels and why Regina Hall continues to be one of the franchise's secret weapons. The film stars Anna Faris (The House Bunny, Mom) as Cindy Campbell, Regina Hall (Girls Trip, The Best Man) as Brenda Meeks, Craig Bierko (Cinderella Man, Boston Legal) as Tom Ryan, Leslie Nielsen (Airplane!, The Naked Gun) as President Harris, Bill Pullman (Independence Day, While You Were Sleeping) as Henry Hale, and features memorable appearances from Shaquille O'Neal, Dr. Phil, Michael Madsen, Molly Shannon, Carmen Electra, and more. Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone likes to laugh, but not everyone agrees about what's funny. So if something tickles you, don't worry what anyone else thinks. That's the attitude the "How We Heard It" hosts had when they dove into this week's topic: goofy movies we can't resist. There are different kinds of intentionally funny movies, from slapstick to smart humor wrapped in absurd premises. Crude jokes, innuendo, outrageous sight gags and bizarre plot twists all find their way into these movies. Then there are the unintentionally funny movies, sometimes so bad or hokey that you groan more often than you giggle. But they're funny all the same, despite their intentions. Spotlighted in this episode are films from the 2020s going back to movies from before we were born, ranging from big budget cinematic adventures featuring A-list stars to those with shoestring budgets and a cast of nobodies. The hosts pass judgment on oldies like "Blazing Saddles," "Airplane!" and "Naked Gun" to not-quite-as-oldies like "Dumb and Dumber," "Death Becomes Her" and "Joe Dirt" to more recent film fare like "Splitsville," "Fackham Hall" and "Bodies Bodies Bodies." Of course, humor has changed through the years, so "How We Heard It" also takes a look at the films that haven't held up over time. Some of those old bits were classic, but some make you wonder why anyone ever thought they were funny in the first place.

Bob and Nolan have a lot of movie blind spots. They need the audience to decide which classic move is worse to have never seen before: The Naked Gun or Willy Wonka?

Send us Fan MailA spoof can be chaotic and still feel precise, but only if the movie commits. We just watched The Naked Gun reboot and ended up in a full-on argument about what modern parody movies need to work: clean setups, real escalation, and actors who play the moment like it's life or death.We dig into non sequitur comedy and why “random” isn't the same as “surprising.” Tony loves the occasional left-field swing, Dan wants the jokes to build instead of getting tossed away, and we both agree performance is everything. We talk about the straight man role, why some deliveries feel like reading a punchline off a cue card, and why Danny Huston comes off like the person most in sync with the movie's tone. We also shout out the bits that actually hit: the chili dog scene, the fish people riff that keeps heightening, the perfectly timed Dave Bautista moment, and a few blink-and-you-miss-it visual jokes.Then we get into the risky stuff: reference comedy and who it's for. When a film leans on Clippy, TiVo, Buffy the Vampire Slayer, and niche culture jokes, is that clever specificity or just dating yourself on purpose? If you like movie review podcasts that go beyond thumbs up or thumbs down, this one gets into comedic timing, parody structure, and why a short runtime can be a blessing when the jokes are hit or miss.Subscribe for more weekly watches, share the episode with a friend who loves spoof comedies, and leave a review with the one gag you laughed at the hardest. What was your funniest moment?Written Lovingly by AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

Bennett Yellin and Peter Farrelly talk about meeting each other in school and immediately connecting over their shared sense of humor. Bennett talks about substance abuse in college, while Peter discusses being a very hard driver at work. You talk about getting very lucky working with Eddie Murphy and David Zucker, and about bringing Bobby Farrelly into the group when they were writing movies together. Peter talks about being extremely loyal, living in Ojai, and never feeling like Los Angeles was really his town. Bennett talks about growing up in Beverly Hills in an Orthodox Jewish family. Peter tells a story about using the wrong knives while staying at Bennett's house because meat is not supposed to touch milk. Peter says he doesn't think Rotten Tomatoes is fair, and he also doesn't think criticism is very helpful. Bennett recently wrote a horror movie, Día de Muertos. Peter is a good audience member and wants everyone to contribute. Bennett knew everything about movies, while Peter knew almost nothing about them. Peter also has a very happy crew. Bio:  -Peter John Farrelly (born December 17, 1956) is an American film director, screenwriter, producer, and novelist. Along with his brother Bobby, the Farrelly brothers are best known for directing and producing quirky and romantic comedy films such as Dumb and Dumber, Shallow Hal, Me, Myself and Irene, There's Something About Mary, and the 2007 remake of The Heartbreak Kid. Farrelly solo-directed and co-wrote the comedy-drama Green Book (2018), which won the Audience Award at the Toronto International Film Festival in 2018, the Golden Globe Award for Best Screenplay, and the Academy Awards for Best Picture and Best Original Screenplay. He has been married to Melinda Farrelly since December 31, 1996. They have two children. -Born and raised in Los Angeles, Bennett received his B.A. in Fiction from U.C.L.A.  Still not ready to enter the real world, he enrolled at UMass in Amherst for an M.F.A. in fiction.  It was there — on the first day of school — that he met and befriended Peter Farrelly.  On a lark, they tried writing a comedy together and this spec script ultimately got into the hands of Eddie Murphy and the Zucker Brothers, creators of Airplane and The Naked Gun.  Both Murphy and the Zuckers asked the duo to write movies for them, and their career was off and running. Yellin wrote exclusively with Peter for years until they asked his brother Bobby to join them.  The three went on to write a number of unproduced features together until they created Dumb and Dumber in 1994 and reunited in 2014 to co-write the official sequel chronicling the further idiotic adventures of Harry and Lloyd, Dumb and Dumber To. In 2007, the Farrelly Brothers branched out on their own and Yellin partnered with James Robert Johnson to create a professional writing duo that has endured for sixteen years.  Among the plethora of projects they've tackled during their career — some produced, others not — the two have co-written Let's Scare Jessica to Death for Paramount Pictures, the Fox situation comedy Unhitched, the direct-to-DVD thriller Joy Ride 2: Dead Ahead, Paramount Pictures' Hotel For Dogs 2, the Anchor Bay action-thriller In the Blood with Gina Carano, the 20th Century Fox family film, Santa's Little Helper, and the Warner Brothers re-boot of the Police Academy series, Police Academy: Takin' it to the Streets.  More recently, Yellin and Johnston have co-written a live action family stage show adaptation of the hugely popular Angry Birds IP, and their original supernatural thriller Dia de Muertos has recently completed filming and is set to be released in 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Send us Fan MailEpisode 615.David Zucker | Director: The Naked Gun, Airplane, Top Secret.David joins me  for a second time to talk The Naked Gun, Airplane, Top Secret, Val Kilmer and awful remakes.Absolute Legend. #airplane #thenakedgun #nakedgun #leslienielsen #comedy #movie #davidzucker #podcast #baseketball #treyparker #mattstone #scarymovie #topsecret #reggiejackson #kareemabduljabbar #jive #darektorscutInstagram:   / mondaymorningcritic  Facebook:   / darektorscut  TikTok:   / mondaymorningcritic  darektorscut@gmail.comdarektorscut.comSupport the show

This podcast is now less than 6 degrees separated from Kevin BaconWelcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt1570728/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome03:15 What's it about?15:23 Opinion Time46:49 Let's get to the facts58:02 Mail Time01:06:42 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, Tootsie, The Changeling, The Birdcage, Superman, The Mitchells vs. the Machines, The Nightmare Before Christmas, Twins, Training Day, When Harry Met Sally, Jurassic Park, Willy Wonka & the Chocolate Factory, Clueless, Project Hail Mary, and Big Fat Liar

This week Max welcomes back comedy legend director, David Zucker (AIRPLANE, THE NAKED GUN 1 and 2, TOP SECRET, RUTHLESS PEOPLE, SCARY MOVIE 3 and 4, BASKETBALL and THE KENTUCKY FRIED MOVIE)

Send us Fan MailShaq in a DC Comics superhero suit should be an automatic good time, but Steel (1997) somehow lands in the uncanny valley between Saturday afternoon fun and “please take this seriously.” We rewatch it scene by scene and call out the exact moments where the movie could have leaned into camp, tightened the story, or just admitted the premise is ridiculous. Instead, we get tanks creeping through the LA hills, a sonic weapon demo that goes sideways, and cops who treat chasing a seven-foot armored vigilante like a casual commute. We dig into what works (the self-aware free throw jokes, a few surprisingly solid sonic effects, the magnet hammer chaos) and what doesn't (plot jumps, over-explained police work, and character dynamics that never pick a lane). Judd Nelson's villain energy is a highlight, mostly because watching him posture up at Shaq will never not be funny. And yes, we talk about the moment the movie goes fully off the rails: reverse psychology saves the day, and Sparks' wheelchair turns into an action-movie arsenal in a finale that's equal parts confusing and unforgettable. After we close the Steel case file, we shift to what we're watching lately, including new TV picks, plus a detour into a comedy podcast interview that left us with questions about Paul Walter Hauser. We also tee up next week's plan to hit the new Naked Gun. Subscribe for more movie breakdowns, share this with a friend who loves a lovable mess, and leave us a review with your pick for the most baffling superhero movie.Written lovingly by AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

This week Max welcomes back comedy legend director, David Zucker (AIRPLANE, THE NAKED GUN 1 and 2, TOP SECRET, RUTHLESS PEOPLE, SCARY MOVIE 3 and 4, BASKETBALL and THE KENTUCKY FRIED MOVIE)

Paul welcomes Ed Helms into the Unspooled booth for a deep dive into Top Secret!, the gloriously absurd 1984 comedy from ZAZ while Amy is away. Between stories about Meet Dave, Ed's lost role as “Lieutenant Buttocks,” and a celebration of his history podcast SNAFU, the two make the case that Top Secret! may be even funnier than Airplane! or The Naked Gun — just harder to categorize. Listen to Ed's podcast SNAFU here: https://podcasts.apple.com/us/podcast/snafu-with-ed-helms/id1635374692  You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Surely they can't be serious. In another coup for the Stuff Dreams Are Made Of (our first comedy coup?), David and Ryan of Mandel, Condal and Taylor have a hilarious chat with comedy legend David Zucker. They talk all about Airplane! and the Naked Gun and Scary Movie sagas, what makes spoof work, casting for comedy, and of course, collecting. The guys also learn that Mr. Zucker kept an impressive amount of high-quality prop gags from Airplane!, has absolutely never seen or heard of House of the Dragon, and that he also has a very surprising (and rather serious) collection obsession of his own. Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Bluesky https://bsky.app/profile/propspodcast.bsky.social SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/ Check out MasterCrash here: https://www.youtube.com/@MasterCrashComedy Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jordan's business trip. In-Game purchases. More concerts for Jordan. Ghost 7up. Erik to the neurologist. Good examples of AI: Elliot Page, Naked Gun. NFL schedule release videos.  VIDEO EPISODE on  YOUTUBE  www.youtube.com/@itseriknagel AUDIO EPISODE: IHeartRadio | Apple | Spotify Socials: @itseriknagel

The anarchic comedian, writer and filmmaker Mel Brooks turns 100 years old this June. Across a career spanning more than seven decades, Brooks has turned cinematic satire into an art form, through razor-sharp spoofs like Blazing Saddles, Young Frankenstein and Spaceballs. But while these films are now acclaimed as all-time comedy classics, the broader genre of the spoof has often struggled for respectability. Not least Scary Movie - one of the most commercially successful film franchises of recent years, despite widespread critical panning. With Scary Movie 6 on the horizon, Ellen E Jones and Mark Kermode ask - what makes for a truly great movie spoof?Critic and Screenshot regular Anne Billson talks Ellen through a selection of spoofs, from classic Hollywood-era films from the Marx Brothers and Bob Hope, to the parody boom of the 2000s, including films like Date Movie and Epic Movie. Mark talks to David Zucker - one third of the filmmaking trio Zucker Abrahams Zucker -about the landmark disaster spoof Airplane!, and why he believes the recent attempt to revive the team's hit The Naked Gun series missed the mark. And Ellen speaks to Keenen Ivory Wayans, the creative force behind the Wayans entertainment dynasty, and the director of a string of spoofs, including I'm Gonna Git You Sucka and Scary Movie - about why he feels his films have been misunderstood. Producer: Jane Long A Prospect Street production for BBC Radio 4

The best movie ever made featuring people dyed blue and Frankie MunizWelcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt0265298/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome00:37 What's it about?04:07 Opinion Time40:36 Let's get to the facts01:03:38 Mail Time01:11:34 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, Tootsie, The Changeling, The Birdcage, Superman, The Mitchells vs. the Machines, The Nightmare Before Christmas, Twins, Training Day, When Harry Met Sally, Jurassic Park, Willy Wonka & the Chocolate Factory, Clueless, and Project Hail Mary

Watch it here: https://youtu.be/FTxaFVD0LC0

Today on Too Opinionated, we're joined by legendary actress Morgan Fairchild, a true television icon whose career spans decades—and whose impact goes far beyond the screen. From her early breakout on:

Mike Myers does a Scottish accent in this movie so there's something you've never seen or heard beforeWelcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt0108174/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome02:22 What's it about?04:37 Opinion Time35:11 Let's get to the facts44:58 Mail Time59:37 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, Tootsie, The Changeling, The Birdcage, Superman, The Mitchells vs. the Machines, The Nightmare Before Christmas, Twins, Training Day, When Harry Met Sally, Jurassic Park, Willy Wonka & the Chocolate Factory, Clueless, and Project Hail Mary

Gab Dylan talk cinema, but you know, say it in your best Rocky voiceWelcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt12042730/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome02:01 What's it about?05:51 Opinion Time01:02:17 Let's get to the facts01:15:05 Mail Time01:25:24 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, Tootsie, The Changeling, The Birdcage, Superman, The Mitchells vs. the Machines, The Nightmare Before Christmas, Twins, Training Day, When Harry Met Sally, Jurassic Park, Willy Wonka & the Chocolate Factory, and Clueless

Send us Fan MailFor our next Sequel Month The Sequel movie, Shawn and Colin welcome back Brian Christensen to chat about the sequel comedy classic 'Naked Gun 2 1/2: The Smell Of Fear'. We discuss all those important things like favorite lines, topical humor that has aged like fine milk, the OJ of it all,.the endless charm of Frank Drebin, and so very much more. Is this a sequel that surpasses the original? What did we think? Tune in to find out!5 Star reviews help drive us up the charts. Please take a minute and review us.If you would like to contact or donate to us: iusedtolikethisone@gmail.comwww.patreon.com/iusedtolikethisoneWebsite: www.iusedtolikethisone.comInstagram: @iusedtolikethisoneTwitter: @iused2likethis1Facebook: I Used To Like This OneBluesky: @iusedtolikethisone.bsky.socialSpecial Guest: Brian Christensen (@TheBChristensen)Created/Produced/Hosted by: Shawn Wells and Colin StewartEdited by: Shawn WellsOriginal Music by: Lindon Carter (look for his band 'Carter & the Capitals' on all music streaming platforms)Official Substitute Co-hosts: Aaron Knowles (@TheShortBoxHero), Chris Goffredo. Sponsorship Corner sponsored by movieposters.com *****With over 100,000 titles to choose from, movieposters.com is the #1 destination for posters from your favorite films + stars. Use LIKETHISONE at checkout for 15% off your purchase. *****Special Thanks To: Tracy Sheremeta, Lindon Carter, David Son, Aaron Knowles, Chris Goffredo, Kris Wells and Graham Wells for their contributions to the show.Hear more content from Shawn with his other podcast 'In Front Of The Yellow Line'.Buy friend and sometimes co-host Aaron's Book! 'The Algorithmic Frontier: Exploring the Power of AI in Social Media and Content Creation'   https://a.co/d/1gIpsgQ©️2026 And Sometimes Why? Productions.

Dan Gregor and Doug Mand are part of the writing teams behind The Naked Gun, Crazy Ex-Girlfriend, and How I Met Your Mother. These guys know how to make people laugh. But being funny is only half the battle. Over the years, they've also figured out how to walk into a room, read it, and actually get a project sold. In this episode, they share their strategies for selling a pitch and what happens when it all goes wrong. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is it, like, a total Movie To Watch Before eYou Die or is it as if?Welcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt0112697/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome05:07 What's it about?12:26 Opinion Time50:44 Let's get to the facts01:06:04 Mail Time01:16:48 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, Tootsie, The Changeling, The Birdcage, Superman, The Mitchells vs. the Machines, The Nightmare Before Christmas, Twins, Training Day, When Harry Met Sally, Jurassic Park, and Willy Wonka & the Chocolate Factory

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! March means it's time for our “Get Your Ass to March” series where we cover movies that relate to the planet Mars and/or the 1990 sci-fi classic, Total Recall, but it also means it's time for Alex, Tim, and returning guests Chrissy Kurpeski and K-Tron to celebrate The Kuatos! Our annual award ceremony for our favorite movies of the year, both new and new to us!  Favorite lines of the year! Favorite performances, special effects and death scenes! A special award called Chekhov's Kuato! The musical stylings of Liam Neeson and Pamela Anderson in The Naked Gun! Leonardo DiCaprio making a frustrating phone call! Endlessly imaginative practical effects, an usual backpack, and brotherly hugs in Steven Kostanski's Deathstalker! Julia Garner's foul language and Aunt Gladys' final scene in Weapons! Unbelievable effects, Oona Chaplin, Stephen Lang, and a burger in Avatar: Fire and Ash! The amazing music, makeup effects, costume design, and cast in Sinners! Awkward Yautja humor and a unique musical score in Predator: Badlands! Allison Williams, a useful exoskeleton, and a supportive musical performance in M3GAN 2.0! KPop Demon Hunters, Ash, Primate, Beast of War, Heart Eyes, Superman, Companion, Happy Gilmore 2, V/H/S/Halloween, The Monkey, Ballerina, Havoc, Mission: Impossible – The Final Reckoning, Final Destination Bloodlines, Black Bag, Reflection in a Dead Diamond, Black Phone 2, A House of Dynamite, Bugonia, Wake Up Dead Man, and Nobody 2! Plus movies that were new to us like Lifeforce, Flow, Warriors of the Year 2072, The Substance, Spontaneous Combustion, R-Point, Day of the Animals, The Coffee Table, Razorback, Femme, and One Cut of the Dead! In addition, Tim and Chrissy share their spoiler-free thoughts on Gore Verbinski's Good Luck, Have Fun, Don't Die, K-Tron goes down a Hitchcock rabbit hole with Dial M for Murder and Rope, while Alex talks Ready or Not: Here I Come and the 35th anniversary re-release of Teenage Mutant Ninja Turtles II: The Secret of the Ooze! You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends! The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. Chrissy Kurpeski can be found on Instagram @absolutelyicebox or Letterboxd @farthouseflix. You can follow K-Tron on Letterboxd @puddingtaco. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod. Theme song is “We Got it Goin On” by Cobra Man.

Writer, director, producer and comedy legend David Zucker joins me to talk about the serious business of comedy, his new - and free - online comedy class MASTERCRASH the secrets to making a NAKED GUN, Kentucky Fried Theatre, moody moments with Val Kilmer, pitching to Warren Beatty, learning from failure, Francis Ford Coppola getting in the way of a brilliant AIRPLANE! sequel, co-directing RUTHLESS PEOPLE and gets us a ticket to Fazio's, the best damn dry-cleaners in the business. Oh, and why the new Naked Gun reboot stinks.Keep an eye out for David's upcoming NAKED COMEDY podcast, featuring his chats with other comedic masters and sign up for MASTERCRASH nowMASTERCRASHDavid Zucker, Jim Abrahams & Jerry Zucker's Book On The History Of AIRPLANE! Subscribe to this podcast now and head on over to the Craig & Friends Patreon to get exclusive content while you support this show

In this bonus episode we are tying into our month-long discussions about 80s sci-fi comedies we are turning our attention to the revered cult classic directed and written by the spoof legend Mel Brooks, Spaceballs. Over the course of our conversation you will hear us talk about how this movie connected with audiences and alienated critics, and why that might have been the case, how Brooks who was one of the pioneers of the spoof comedy ended up overshadowed by more raunchy comedians together with edgier spoofs like Airplane! and The Naked Gun and how Spaceballs remains quite unique because even though it is there to parody one of the biggest movies of all time, it has cultivated its own footprint as well. Finally, we talk about Rick Moranis in his iconic role, we squabble over Bill Pullman and also note that Elon Musk has potentially done some cultural damage by including associations to Spaceballs in his products. Tune in and enjoy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy Burrows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es The Naked Gun, es una película de parodia de comedia de acción estadounidense de 2025 dirigida por Akiva Schaffer, quien coescribió el guión con Dan Gregor y Doug Mand. Es la cuarta película de la franquicia Naked Gun.   Plot: Siguiendo los pasos de su padre, un detective trabaja para resolver un caso de asesinato y salvar su departamento de policía del cierre.   Espero que lo disfruten ;) Información adicional del podcast: Enlace del sitio web oficial de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl  

Braga, King, and Ski talk The Naked Gun. Seth MacFarlane was enlisted to revive a classic and enlisted Akiva Schaffer, Liam Neeson, and Pam Anderson to do it. It nails the tone of the originals, but is that a good thing? Can Neeson live up to Leslie Nielsen? Is it any good? Listen!

It’s the seventh annual CineMAC & GUvie Awards - celebrating the best & worst of 2025 movies!Fill out the categories and send us your results! THE “TRAILURE FAILURE” AWARD (WORST OR DECEIVING TRAILER) TEASER PLEASER (BEST TRAILER OR PREVIEW) THE PIRATE AWARD (DESERVED OR NEEDED AN RRRRR RATING) THAT WAS THIS YEAR!? ARE MOVIES SEXY AGAIN? THE MAC AWARD (WORST FACIAL HAIR) WIGS N’ THINGS (WIGS IN MOVIES) THE PANTSLESS AWARD (WHO CHARMED THEM OFF?) WHAT A WASTE (WORST CAST) 007: NO TIME TO DIE AWARD (DECEIVING OR WORST TITLE) CG-WHY AWARD (WORST CGI) MADE ME (OR SOME OTHER IDIOT) BELIEVE… DAMEO THAT CAMEO COST WHAT? (BEST CAMEO) Y’ALL SEE THAT EASTER EGG? SLEEPY JOE AWARD (MOVIES GU FELL ASLEEP TO OR SHOULDN’T SLEEP ON) BEST POPCORN BUCKET THE MCU…. GOTTA SEE THIS! THE “TAKE A KNEE” AWARD I’LL GET AROUND TO IT AWARD I GOT AROUND TO IT AWARD THE CLIFF CLAVIN/NEWMAN/HARVEY (FROM HEY! ARNOLD) MAILMAN AWARD PINOCCHIO AWARD (TOO MUCH OF ONE PROPERTY OR GENRE) LINDSAY LOHAN (ACTOR IN 2 ROLES) THE MR. MAGOO AWARD - WORST VISION? THE “STOP, IT’S ALREADY DEAD!” AWARD - DEAD FRANCHISE DAVEY EYEBALL AWARD - BEST VISION LIKE A BOSSY AWARD (BEST MOVIE SCORE… OR SOUNDTRACK?) WHATEVER THE OPPOSITE OF THAT IS? THE MAC’S RACK AWARD THE MAC’S CRACK AWARD SORRY NOT SORRY AWARD (MOVIE REVIEWED POORLY BY CRITICS THAT WE LIKED) AM I DUMB AWARD (A MOVIE THAT REVIEWED WELL THAT WE DIDN’T CARE FOR) TO THE MAX (BEST IMAX MOVIE OR BEST MOVIE ON HBO MAX RIGHT NOW) YOU DROPPED THE BOMB ON ME… AWARD (BIGGEST BOX OFFICE BOMB OR BEST USE OF A BOMB) THE MAC & GU AWARD (BEST OR WORST DUO OR WORST) THE DR. MANHATTAN AWARD BEST FINISH THE “I AM YOUR FATHER” AWARD (JAW DROP MOMENT) THE EGO AWARD (OPPOSITE OF A JAW DROP - THE LEAST SURPRISING MOMENT) COME BACK PLAYER OF THE YEAR THE ANTON CHIGURH AWARD (BEST VILLAIN) ROY (OR BOS? BREAK OUT STAR?) PLEMONADE MVP NOBEL PEACE PRIZE (PODCAST OF THE YEAR) 40 DOGGER AWARD WE’LL BE BACK AWARD (BAD MOVIE THAT TELLS YOU THERE'S MORE) IT’S MY MONEY AND I NEED IT NOW AWARD (MOST ANTICIPATED MOVIE ON 2026) BUT WAIT, THERE’S MORE! (BEST POST CREDIT) Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.

In this episode of The Naked Gun Rewatch, Cory and Eoghan return to Police Squad for some classic deadpan comedy as they discuss The Naked Gun (2025). Blog Post

Once again, Dennis is joined via Zoom by Glenn Gaylord, Senior Film Critic at The Queer Review and star of the YouTube channel Glenn Hates Everything and actor-writer-film enthusiast Drew Droege to talk about the movies of 2025. Part 1 was last week. Here's Part 2 and the films discussed include: Song Sung Blue, Hamnet, Blue Sun Palace, Before We Forget, It Was Just an Accident, The Parenting, A Nice Indian Boy, Sirat, Friendship, A Night Like This, Pee-wee As Himself, Lurker, Marty Supreme, The Naked Gun, Wicked: For Good, Kiss of the Spider Woman, Sentimental Value, F1, Superman, Bugonia, Dust Bunny, Peter Hujar's Day, Dead Man's Wire, Companion, Enigma, My Mom Jayne, Strange Journey and Come See Me In the Good Light.

Top Secret! (1984) was chosen by Dave, and it arrived during a golden era for absurdist American comedy. Directed by the Zucker-Abrahams-Zucker team — Jim Abrahams, David Zucker, and Jerry Zucker — the film followed the massive success of Airplane! (1980) as the trio continued refining their signature style of rapid-fire sight gags, visual jokes, and deadpan delivery. Rather than parodying a single film, the production blended elements of Cold War spy thrillers with the glossy style of Elvis-era musical films, creating a deliberately ridiculous mash-up that leaned fully into the trio's love of relentless, layered comedy.The film also marked the first starring role for Val Kilmer, who was cast largely because of his musical ability as well as his comedic timing. Production took place primarily in the United Kingdom, with elaborate sets and carefully staged visual gags that often required precise choreography and multiple takes. The filmmakers invested heavily in practical effects and cleverly staged illusions to achieve some of the movie's more elaborate jokes. While Top Secret! performed modestly at the box office compared to the team's earlier success, it gradually developed a strong cult following, and today it's widely regarded as one of the most densely packed gag comedies of the 1980s.TRAILER GUY PLOT SYNOPSISFrom the creators of some of the most outrageous comedies ever made… comes a mission so ridiculous, it might actually work.When an all-American rock star suddenly finds himself caught in a world of secret agents, suspicious governments, and impossible missions, the result is chaos on an international scale. With danger around every corner and nonsense at every turn, nothing is quite what it seems.Top Secret! — the spy movie where the jokes come faster than the bullets.FUN FACTSTop Secret! was Val Kilmer's film debut, launching the career of the future star of Top Gun and The Doors.Kilmer performed all of the singing himself, recording several full musical numbers for the film.The filmmakers created one famous scene by building an entire set backwards and having actors perform actions in reverse.The movie contains one of the highest joke-per-minute rates of any comedy film, packed with background gags and blink-and-you-miss-it jokes.Many of the film's jokes parody 1950s Elvis Presley musicals, including the musical performances.The filmmakers encouraged audiences to watch the movie multiple times, knowing many jokes would be missed on a first viewing.Several gags in the film rely on carefully timed visual illusions, which required extensive rehearsal during production.The movie has become a cult favorite among comedy fans, often ranked alongside Airplane! and The Naked Gun.A number of jokes were edited differently in international versions of the film.The film's layered humor means fans still discover new background jokes decades after its release.Support the ShowIf you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

On this episode of Parenting Is a Joke, writer and podcaster Gideon Evans joins Ophira Eisenberg to talk about raising subway-riding kids in New York while building a creative life that has required real-time pivots from television to podcasting. He explains the surprisingly durable concept behind his history podcast Bad Elizabeth—born out of a pilot recorded with a former Daily Show colleague and eventually profiled in The Guardian—where he and his co-host explore notorious (and occasionally “badass”) Elizabeths, from Elizabeth Holmes to a Hungarian countess who allegedly bathed in blood. The conversation moves between career recalibration in a shrinking TV industry, the financial realities of podcasting (“the margins are thin”), and his complicated relationship with cable news, including why PBS NewsHour and Germany's DW have become more tolerable household options than the sensory overload of Morning Joe. As a dad, he reflects on raising kids who take the subway alone, volunteer at food insecurity programs, and prefer Dungeons & Dragons at Brooklyn Game Lab over cable news debates, and he's honest about masking his own nerves on train platforms so his son won't absorb them. There's nostalgia too—introducing his son to The Naked Gun, watching The Mandalorian together, and discovering that D&D's gelatinous cube is both a metaphor and a legitimate threat—ending on the hard-earned parenting truth that sometimes you get swallowed, and sometimes you roll a fireball spell.

The Analysis crew returns for their annual Oscars extravaganza, and this year the stakes are high. Matt shows up in full Elphaba costume after losing alast years bet. What's on the line this year? The loset has to go full chili dog hot dog experiment like Liam Neeson in Naked Gun, all while painted as "Hot Frankenstein Jacob Elordi. Bob is cautiously optimistic about the Academy for the first time in years, and Hollywood correspondent Spencer Davis joins live from the chaos of Oscar weekend to break down one of the most unpredictable races in recent memory. Across a packed slate of categories, the trio debates the biggest battles of the night—from the Sinners vs. One Battle After Another showdown for Best Picture, to a wild Best Actor race featuring Timothée Chalamet, Michael B. Jordan, Leonardo DiCaprio, and Wagner Moura. They dive deep into the craft categories, argue about the chaotic shorts races that make or break ballots, and break down why this year's nominations represent a rare mix of blockbuster spectacle and intimate filmmaking. Along the way, they discuss the potential career-crowning Oscar for Paul Thomas Anderson, the cultural impact of K-Pop Demon Hunters, the emotional devastation of this year's documentary lineup, and why some races might come down to pure momentum in the final days of voting. It's predictions, debates, hot takes, and Oscar chaos—plus a few existential questions like: Should PTA have won years ago? Is Timothée Chalamet his own worst enemy? And what role would Philip Seymour Hoffman have played in One Battle After Another? Grab your ballots and settle in—because by the end of the episode, the guys lock in their picks for every major category before the biggest night in Hollywood.

Recorded in Atlanta during the Art Papers symposium: Fire Ecology Artist Antonio Darden joins Duncan MacKenzie and Brian Andrews in Atlanta, where the conversation opens with one of the most arresting images in Darden's recent work: an alien laid out on an autopsy table. What begins as a discussion of a strange installation quickly unfolds into a deeply personal exploration of grief, memory, and the ways artists translate trauma into form. Darden describes the work Last One Left, a project that emerged from a cascade of personal losses: the deaths of his mother, brother, and father, leaving him the final surviving member of his immediate family. The alien body becomes a surrogate figure, a way to approach unbearable realities obliquely. Humor, conspiracy culture, and pop imagery become tools for making painful subjects accessible without dulling their impact. As Darden explains, confronting audiences with a literal body can shut down reflection, but a grey alien opens a space where grief can be processed at a distance before it lands. The conversation moves through the complicated emotional landscape that shaped these works: family histories stretching from Trinidad to New York, the lingering trauma of police violence after his brother's death in Atlanta, and the strange burden of becoming the keeper of a family archive of memories, objects, and stories. Darden reflects on what it means to inherit not only possessions but also responsibility for the narrative of a family's past. From there, the discussion shifts to Darden's increasingly theatrical performance practice. He recounts a recent performance staged in an entirely blacked-out theater that blended wrestling mythology, Atlanta rap history, gospel music, cinematic references, and sculptural staging into a chaotic and emotional ritual. Undertaker imagery, Pastor Troy, Lil' Kim, and The Naked Gun collide in a deliberately excessive spectacle meant to mirror the overwhelming density of memory and grief. Throughout the conversation, Darden describes his work as a kind of mental montage. Cars, hip-hop, conspiracy theories, television shows, and family trauma coexist in the same symbolic landscape. Rather than separating high and low culture, he embraces the full range of references that shape lived experience. The episode also turns toward the future, as Darden reflects on fatherhood and the challenge of raising a young son while carrying the weight of family history. In contrast to the losses that haunt his work, his son's creativity and confidence offer a different kind of legacy. What emerges is a portrait of an artist using humor, spectacle, and cultural collage to navigate the most difficult questions of survival, responsibility, and memory. Name Drop List: Antonio Darden – https://www.antoniogdarden.com Craig Drennen – https://craigdrennen.com Jared Christian – https://www.instagram.com/jaredchristian Devonté Hynes – https://en.wikipedia.org/wiki/Dev_Hynes Blood Orange – https://en.wikipedia.org/wiki/Blood_Orange_(musician) Young Thug – https://en.wikipedia.org/wiki/Young_Thug Shawty Lo – https://en.wikipedia.org/wiki/Shawty_Lo Pastor Troy – https://en.wikipedia.org/wiki/Pastor_Troy Lil' Kim – https://en.wikipedia.org/wiki/Lil%27_Kim John P. Kee – https://en.wikipedia.org/wiki/John_P._Kee Gillian Anderson – https://en.wikipedia.org/wiki/Gillian_Anderson Dana Scully – https://en.wikipedia.org/wiki/Dana_Scully The X-Files – https://en.wikipedia.org/wiki/The_X-Files Tupac Shakur – https://en.wikipedia.org/wiki/Tupac_Shakur Michael Jackson – https://en.wikipedia.org/wiki/Michael_Jackson Law & Order: Special Victims Unit – https://en.wikipedia.org/wiki/Law_%26_Order:_Special_Victims_Unit Olivia Benson – https://en.wikipedia.org/wiki/Olivia_Benson Gordon Ramsay – https://en.wikipedia.org/wiki/Gordon_Ramsay Kitchen Nightmares – https://en.wikipedia.org/wiki/Kitchen_Nightmares Kanye West – https://en.wikipedia.org/wiki/Kanye_West Bound 2 – https://en.wikipedia.org/wiki/Bound_2 The Ponderosa Twins Plus One – https://en.wikipedia.org/wiki/The_Ponderosa_Twins_Plus_One The Undertaker – https://en.wikipedia.org/wiki/The_Undertaker Priscilla Presley – https://en.wikipedia.org/wiki/Priscilla_Presley Leslie Nielsen – https://en.wikipedia.org/wiki/Leslie_Nielsen The Naked Gun – https://en.wikipedia.org/wiki/The_Naked_Gun Cyclops – https://en.wikipedia.org/wiki/Cyclops_(Marvel_Comics) X-Men '97 – https://en.wikipedia.org/wiki/X-Men_%2797 Radcliffe Bailey – https://en.wikipedia.org/wiki/Radcliffe_Bailey Art Papers – https://www.artpapers.org/ Fire Ecology – https://www.artpapers.org/fire-ecology/  

For our third annual Top Ten episode, Kourtney joins Will & Jared as they each list their favorite movies they saw in 2025. How many of our favorite movies this year have we had episodes on? Does Will have a disgusting medical story that makes Jared turn his mic off? How does Jared feel about Where the Wild Things Are all these years later? Did anime make in on anyone's list? Listen to find out!Episode may contain spoilers for the following movies: The Naked Gun, Friendship, Eddington, If I Had Legs I'd Kick You, Chainsaw Man, and Weapons.Intro by AJ Stillabower (ajstillabower.com).You can listen to Reno Championship Wrestling & Spellbound and Gagged anywhere you get podcasts.Email the show at debaserpod@gmail.comFollow Debaser on Instagram, Bluesky, and Facebook.Follow Will on Instagram and Jared on Bluesky.Cover art by @DogBitesBackNY

In this episode of the podcast, Ashley Scott Meyers talks with Comedy legend David Zucker. Our guest, David Zucker in known for writing and directing hit Comedy movies such as The Naked Gun (1988), Baseketball and Airplane! Zucker talks about his writing class called Master Crash, a crash course on writing spoof Comedy. Other topics […]

Yes, the famed director of BASEketball (and also Airplane! and Naked Gun, etc....), David Zucker, joins our humble, Northern Indiana podcast! We talk about the creation of BASEketball, David's relationship with Trey Parker and Matt Stone, and the state of the modern comedy. Be sure to check out David's podcast "Naked Comedy" when it comes out (very soon)! ***************************** When slacker friends Joe Cooper (Trey Parker) and Doug Remer (Matt Stone) are challenged to a pickup basketball game against some jocks, they counter by proposing to play a game they learned called BASEketball, which combines basketball and baseball. Release date: July 31, 1998 (USA) Director: David Zucker Starring: Trey Parker; Matt Stone; Yasmine Bleeth; Jenny McCarthy; Robert Vaughn; Ernest Borgnine; Dian Bachar Screenplay: David Zucker, Robert LoCash, Lewis Friedman, Jeff Wright MPAA rating: R Distributed by: Universal Pictures

This week on The Nerdpocalypse we talk everything from the Ryan Coogler X-Files reboot to Paramount sweetening their deal for WB to Sony's Spider-Man extended universe reboot, and more.TV & Streaming News:Ryan Coogler (Black Panther, Sinners) is bringing The X-Files back to life with Danielle Deadwyler (The Piano Lesson) as the lead in Hulu's highly anticipated reboot. We break down what this means for the iconic sci-fi franchise and why Coogler's involvement has us pretty interested. PLUS: Ed Skrein (Deadpool) joins Amazon's God of War series as Baldur, the unpredictable son of Odin. We discuss the casting and what to expect from this PlayStation adaptation.Hollywood Business Wars:The battle for Warner Bros. Discovery heats up as Paramount sweetens its $31-per-share offer, potentially derailing Netflix's merger plans. We analyze what this billion-dollar bidding war means for the future of streaming and theatrical releases. THEN: Sony Pictures chairman Tom Rothman confirms they're rebooting the abysmal Sony Spider-Man Extended Universe with "new people" after Madame Web, Morbius, and Kraven the Hunter flopped hard at the box office. We discuss what went wrong and what comes next for Sony's side of Spider-Man's cinematic future.Trailers: We react to the Spider-Noir trailer featuring Nicolas Cage's dark take on Spider-Man.What We're Watching: A Knight of the Seven Kingdoms, Steal, Cross Season 2, and The Naked Gun reboot.Subscribe for weekly breakdowns of the biggest news in movies, TV, streaming, and gaming!CHECKED OUTA Knight of the Seven KingdomsStealCross - S2The Naked GunTOPICS - Section 1‘The X-Files' Reboot Casts Danielle Deadwyler to Star, Ryan Coogler to DirectEd Skrein joins “God of War” as BaldurTOPICS - Section 2Paramount is back in the race to acquire WB with new sweeter dealSony to Reboot Spider-Man Universe With “New People” After Several Box Office FlopsWTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/ChyropratTerrence: https://tinyurl.com/bomovrmyassJay: https://tinyurl.com/selfvampTRAILERSSpider-NoirThe Nerdpocalypse is a weekly podcast covering the latest movie news, TV show news, trailer reactions, and pop culture commentary. We break down Marvel MCU updates, DC Universe news, Star Wars, superhero movies, sci-fi, horror, streaming wars, box office results, casting announcements, and everything happening in Hollywood and the entertainment industry. Hosted by Jay, Micah, and Terrence. A TNP Studios production since 2011. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. Premium content at TheNerdpocalypse.com/premium. For more TNP Studios content, check out Black on Black Cinema (Black film reviews), Dense Pixels (video game news), and Look Forward (progressive politics).

Tonight... On the North AmericanFriends Movie Club.An evil billionaire.An old-school detective.And a device that makes your braingo crazy.We watched the 2025 American actioncomedy parody - The Naked Gun.So pour some cinema-coffee in yourmovie-mug.And then exchange that mug for aslightly larger mug.Because we're the most nakedpodcast on the internet.And this show is the gun!(gunshot sound effect)

This week, Shat The Movies heads behind the Iron Curtain—or at least a Zucker-Abrahams-Zucker version of it—with Top Secret!, the absurdist spy spoof that introduced the world to Val Kilmer as a legitimately charismatic movie star who could also sing, dance, and commit fully to absolute nonsense. Long before Top Gun or The Doors, Kilmer was playing it dead serious in a movie where cows wear boots and visual gags never stop firing. Gene and Big D break down how Top Secret! feels like the forgotten middle child between Airplane! and The Naked Gun, debate whether the joke density is impressive or exhausting, and marvel at Kilmer's willingness to anchor chaos with charm. Along the way, they revisit the underwater bar fight, backward bookstore scene, relentless wordplay, and why this movie rewards obsessive rewatching more than almost any comedy of its era. Is Top Secret! peak parody—or a cult classic that only works if you surrender completely to the bit? Latrine! Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite Produced by Elias Adams

We discuss some of 2025's best, disappointing, and downright awful movies before ultimately deciding on a final four. Be sure to vote in our Twitter poll to help decide what the best movie of 2025 is! Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.

“The Naked Gun” series of films premiered in 1988, a movie continuation of the flop TV show “Police Squad.” While the spoof of police procedurals didn't find an audience when it ran on ABC for just six episodes in 1982, the misadventures of Leslie Nielsen's Lieutenant Frank Drebin were a smash success on the big screen, leading to a trilogy in the late 20th Century, and a reboot film in 2025. The simultaneously stupid and brilliant scripts by director David Zucker, Jerry Zucker, and Jim Abrams, Pat Proft and others were loaded with zingers, absurdist cutaways, and sight gags that, nearly 40 years later, are largely unparalleled. So join the Great Pop Culture Debate for a special Patreon-sponsored episode as we attempt to determine the Best “Naked Gun” Movie Quote.For the warm-up to this episode, in which we discuss additional quotes from the “Naked Gun” series we love, become a Patreon supporter of the podcast today. EPISODE CREDITSHost: Eric RezsnyakPatreon Sponsor: Chad RezsnyakPanelist: Bob ErlenbackSpecial Guest: Todd RezsnyakEditor: Bob ErlenbackIntro/Outro Music: "Dance to My Tune" by Marc Torch#nakedgun #thenakedgun #frankdrebin #moviequotes #1980s #80smovies #comedy #comedymovies #slapstick #parody #bestquote #leslienielsen #nakedgunmovie #priscillapresleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.

Mark and Aaron Neuwirth (@AaronsPS4 on X) talk about their favorite 2025 action scenes from Gladiator Underground, Diablo, Prisoner of War, Baby Assassins 3, Mission: Impossible - The Final Reckoning, Reflection in a Dead Diamond, Holy Night: Demon Hunters, Sisu: Road to Revenge, Nobody 2, Influencers, The Naked Gun, Splitsville, Ballerina, The Prosecutor, The Phoenician Scheme and about 35 other cool movies. Enjoy!Make sure to listen to the Out Now With Aaron and Abe Podcast (@OutNow_Podcast on X) and 2 Black Guys Talk Godzilla (@BlkGodzillaTalk on X).

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our Patreon-sponsored episode devoted to our favorite quotes and exchanges from the original "Naked Gun" film trilogy. Walk through the Round 1 match-ups and see which lines made the cut. The main episode will release on Tuesday, February 10, wherever you listen to podcasts.And if you love pop culture, ⁠⁠⁠sign up for our weekly newsletter⁠⁠⁠ to keep up on all the new movies, music, and TV shows dropping every week!CREDITS:Intro/outro music: "Dance to My Tune" by Marc TorchIG: https://www.instagram.com/greatpopculturedebate/Bluesky: https://bsky.app/profile/gpcd.bsky.socialWebsite: https://www.greatpopculturedebate.com/Patreon: https://www.patreon.com/greatpopculturedebate#podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatestSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.