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The scary (Dystopia)Microsoft AI chief gives it 18 months—for all white-collar work to be automated by AIAI Will Destroy Millions of White Collars Jobs in the Coming Months, Andrew Yang Warns, Driving Surge of Personal BankruptciesRing cancels Flock deal after dystopian Super Bowl ad prompts mass outrageAmazon and Flock Safety have ended a partnership that would've given law enforcement access to a vast web of Ring cameras. The decision came after Amazon faced substantial backlash for airing a Super Bowl ad that was meant to be warm and fuzzy, but instead came across as disturbing and dystopian.Ring's Founder Knows You Hated That Super Bowl Ad. Since the commercial aired, Jamie Siminoff has been trying to quell an outcry over privacy concerns with his doorbell cameras.Platforms bend over backward to help DHS censor ICE critics, advocates say MMAnthropic is clashing with the Pentagon over AI useAnthropic's relationship with the Department of Defense is “under review” as the two sides negotiate over how the company's AI models can be used.The startup wants assurance that its models will not be used for autonomous weapons or mass surveillance.The DOD wants to use Anthropic's models “for all lawful use cases” without limitationDavid Sacks, the venture capitalist serving as the administration's AI and crypto czar, has accused Anthropic of supporting “woke AI” because of its stance on regulation.Our Big Data OverlordsMeta Begins $65 Million Election Push to Advance A.I. AgendaMark Zuckerberg faces jury in landmark trial over alleged youth harm linked to social mediaThe lawsuit, K.G.M. v. Meta Platforms, Inc., et al., was filed by a 20-year-old California woman identified by her initials. She alleges that Meta and other tech companies deliberately engineered their platforms to hook young users, contributing to her depression and suicidal thoughts, and seeks to hold them accountable.Regarding Instagram's enforcement efforts, plaintiffs asked whether Meta removed all 4 million under-13 users the company had identified on the platform in 2018. Zuckerberg responded that while the company did not remove all of them, it had implemented tools to detect and address underage accounts and was working to improve those systems.According to reports, Zuckerberg has not directly answered the central question of the case: whether Instagram is addictive. The plaintiff's attorney, Mark Lanier, asked if people tend to use something more if it's addictive. “I'm not sure what to say to that,” Zuckerberg said. “I don't think that applies here.”He said he believes in the “basic assumption” that “if something is valuable, people will use it more because it's useful to them.”When he was asked about his compensation, Zuckerberg said he has pledged to give “almost all” of his money to charity, focusing on scientific research. Lanier asked him how much money he has pledged to victims impacted by social media, to which Zuckerberg replied, “I disagree with the characterization of your question.”Zuckerberg's courthouse entourage showed up in Meta Ray-BansMeta Adding Facial Recognition to Its Smart Glasses That Identifies People in Real Time, Hoping the Public Is Too Distracted by Political Turmoil to Care MMApple sued by West Virginia for alleged failure to stop child sexual abuse material on iCloud, iOS devicesSpaceX said to weigh dual-class IPO shares to empower MuskMacron Blasts Social Media's Free Speech Defense as ‘Bullshit'The stupid (ESG edition)Goldman Sachs to Drop D.E.I. Criteria for Board Members MMThe move would be the Wall Street firm's latest retreat from diversity mandates that its chief executive, David Solomon, had once made a priority.The decision is a result of a deal that Goldman struck with the National Legal and Policy Center, a conservative nonprofit group that has been pressuring numerous companies to drop diversity, equity and inclusion mandates, the people said.As part of its agreement with Goldman, the National Legal and Policy Center, which has a small investment in the bank, withdrew a shareholder proposal demanding that diversity criteria for the board be dropped.In March 2019, Mr. Solomon, his top deputy John Waldron and the firm's chief financial officer at the time, Stephen M. Scherr, declared diversity and inclusion “a top priority.”“When we unite around a common goal, we make progress together,” the men wrote in an email to the staff. They said they would “improve each year” toward goals that included a new recruiting class comprising “50 percent women, 11 percent Black professionals and 14 percent Hispanic/Latino professionals in the Americas, and 9 percent Black professionals in the U.K.”The next year, Mr. Solomon said Goldman would no longer take a company public in the United States or Europe unless it had at least one “diverse” board member. By 2021, a company would need at least two diverse board members in order for Goldman to agree to work on its initial public offering.Inspire Investing CEO: Nike's DEI Is A Legal Liability, Shareholders Coming For AnswersNike's DEI fight is no longer just a social media "culture war" argument. The U.S. Equal Employment Opportunity Commission (EEOC) is investigating Nike over allegations the company's DEI practices discriminated against white employees and job applicants.Robert Netzly, CEO of Inspire Investing: "Discrimination, whether it's black people or white people, gay people or straight people, is discrimination."Robert Netzly is a globally recognized authority in the Biblically Responsible Investing (BRI) movement, author of the book "Biblically Responsible Investing: On Wall Street As It Is In Heaven." Robert holds a B.S. degree in Liberal Studies from an online university. This article was from OutKick, which aims to expose the destructive nature of "woke" activism and is the antidote to the mainstream sports media that often serves an elite, left-leaning minority instead of the American sports fan. OutKick is owned by Fox Sports' parent company Fox CorporationFederal agency sues Coca-Cola bottler over work event that excluded menA Coca-Cola distributor and bottler is being sued for alleged sexual discrimination over a corporate networking event that excluded men, announced the U.S. Equal Employment Opportunity Commission, which filed the lawsuitAccording to the EEOC's lawsuit, in September 2024, Bedford, N.H.-headquartered Coca-Cola Northeast held a two-day employer-sponsored trip and networking event at the Mohegan Sun Casino and Resort in Connecticut. Coca-Cola Northeast privately invited female employees and then excused the female employees who attended the event from their normal work duties on Sept. 10 and 11, 2024, and paid them their normal salary or wages without requiring them to use vacation or other paid time off. Coca-Cola Northeast did not invite any male employees to the event.Trump revokes landmark ruling that greenhouse gases endanger public healthUS President Donald Trump has reversed a key Obama-era scientific ruling that underpins all federal actions on curbing planet-warming gases.The so-called 2009 "endangerment finding" concluded that a range of greenhouse gases were a threat to public health. It's become the legal bedrock of federal efforts to rein in emissions, especially in vehicles.Bill Maher Eviscerates Donald Trump Over ‘Biggest Dick Move in American History'The boring (ESG edition)Starbucks' investor group urges shareholders to replace directors over labor rowStarbucks faced fresh pressure on Wednesday from a coalition of investors including public-sector pension funds that urged shareholders to vote against the reelection of two directors, citing persistent failure to manage labor relations.The move against Starbucks' lead independent director, Jorgen Vig Knudstorp, and Beth Ford, chair of the board's Nominating and Corporate Governance Committee, comes as the company is locked in a prolonged effort to reach a collective agreement with its unionized baristas.Companies are cycling through CEOs—and replacing them with first-timers MMSome 168 new CEOs were appointed in 2025, the highest total since 2010. The defining shift was who got the job. Among incoming CEOs, 84% were serving in their first enterprise CEO role, reversing a multi-year tilt toward leaders with prior public-company experience.As recently as 2024, more than one in five new CEOs had already led a public company. That share fell sharply in 2025. Of the 140 first-time CEOs appointed, 116 had no prior enterprise CEO experience. Two-thirds had never served on a public company board, meaning many are stepping into the role without prior exposure to shareholder oversight or public company governance.CEO hopefuls have a new rival for the top job: their own board directorsAppointing board directors as CEOs was once a “break glass in case of emergency” strategy reserved for scandal, illness, or sudden resignation. While it remains a minority path compared with traditional internal promotions, it is no longer an anomaly.New data from Spencer Stuart highlights the shift. Of the 168 new S&P 1500 chief executives appointed in 2025, the highest annual total since 2010, 19 were drawn from their own company boards, the most since 2020. Spencer Stuart classifies directors as outsiders because they lack day-to-day operating responsibility. Even so, more boards are turning to them.Wall Street banks are paying their CEOs like it's 2006 againMorgan Stanley CEO Ted Pick's pay rises 32% to $45mlnBank of America Lifts Moynihan's Pay 17% to $41 Million for 2025Barclays Ceo Pay Hike: Barclays lifts CEO Venkatakrishnan's pay to over £15 million as bonus pool risesCitigroup bumps CEO Jane Fraser's pay to record $59mBro Culture (The Epstein Edition)Thomas Pritzker, Named in Epstein Files, Retires as Hyatt Executive ChairmanTom Pritzker Retires as Executive Chairman of Hyatt After 22 Years of Service and Will Not Stand for Reelection to Board of DirectorsThe Board has appointed Mark S. Hoplamazian, Hyatt's President and Chief Executive Officer, to succeed Mr. Pritzker as Chairman of the Board“Tom's leadership has been instrumental in shaping Hyatt's strategy and long-term growth, and we thank him for his service and dedication to Hyatt,” said Richard Tuttle, Chair of the Board's Nominating and Corporate Governance Committee. “The Board has engaged in thoughtful succession planning, and we are confident that Mark's deep knowledge of Hyatt's business, strong relationships with owners and colleagues, and proven track record as CEO of nearly two decades positions him well to serve as Chairman and continue driving Hyatt's long-term success.”In a letter to the Hyatt Hotels' Board of Directors, Tom Pritzker wrote, “My job and responsibility is to provide good stewardship. That is important to me. Good stewardship includes ensuring a proper transition at Hyatt. Following discussions with my fellow Board members, I have decided, after serving as Executive Chairman since 2004, and with the company in a strong position, that now is the right time for me to retire from Hyatt. Good stewardship also means protecting Hyatt, particularly in the context of my association with Jeffrey Epstein and Ghislaine Maxwell, which I deeply regret. I exercised terrible judgment in maintaining contact with them, and there is no excuse for failing to distance myself sooner. I condemn the actions and the harm caused by Epstein and Maxwell, and I feel deep sorrow for the pain they inflicted on their victims.”Dubai's DP World replaces CEO after Epstein links emergeDubai's DP World announced Essa Kazim was the new chairman of its board of directors and Yuvraj Narayan was its new group chief executive officer, replacing Sultan Ahmed bin Sulayem.Sulayem had been the CEO of Dubai's largest port operator since 2016 and chairman since 2007.DOJ records showed years of exchanges with Epstein, but Sulayem has not been accused of any criminal wrongdoing.Casey Wasserman to sell talent agency following Jefferey Epstein controversyCasey Wasserman has confirmed that he has started the process of selling his talent agency after it was uncovered that he had ties with Jefferey Epstein. The announcement comes as artists began to leave the agency after it was uncovered that the Wasserman CEO had extensive ties with Jeffrey Epstein and had sent flirtatious emails to Ghislaine Maxwell. Despite denying that he had any personal or business ties with either, Wasserman sent an apology to the 4,000 employees who work at his sports marketing and talent agency, confirming that he would be stepping down from the company. He said: “I'm deeply sorry that my past personal mistakes have caused you so much discomfort […] It's not fair to you, and it's not fair to the clients and partners we represent so vigorously and care so deeply about.”Former Victoria's Secret CEO Les Wexner testifies in House Epstein investigationThe billionaire behind the retail empire that once blanketed shopping malls with names such as Victoria's Secret and Abercrombie & Fitch told members of Congress on Wednesday that he was “duped by a world-class con man” — close financial adviser Jeffrey Epstein. Les Wexner also denied knowing about the late sex offender's crimes or participating in Epstein's abuse of girls and young women.“I was naive, foolish, and gullible to put any trust in Jeffrey Epstein. He was a con man. And while I was conned, I have done nothing wrong and have nothing to hide.”Wexner described himself to the lawmakers as a philanthropist, community builder and grandfather who always strove “to live my life in an ethical manner in line with my moral compass,” according to the statement.Top Goldman Sachs lawyer Kathy Ruemmler to resign over Epstein linksThe latest Justice Department release revealed a trove of communication between the two, including about potential jobs, her romantic life and gifts Epstein had given her. (She called him “sweetie” and “Uncle Jeffrey.”)Goldman's CEO David Solomon says he 'reluctantly' let top lawyer Kathy Ruemmler go after Epstein fallout MMKing Charles' brother Andrew arrested on suspicion of misconductWhite House Shrugs Off Lutnick's Epstein TiesCommerce Secretary Howard Lutnick has acknowledged traveling to Jeffrey Epstein's island and meeting him on another occasion.Elon's bro quits Burning Man board amid outrage over Epstein connectionBlowhard IndexSalesforce cofounder 'not OK' with Benioff's ICE crack: 'Marc made a very bad joke.'The comments occurred during a keynote address at the company's annual internal "Company Kickoff" (CKO) event in Las Vegas, sparking a significant backlash from employees and leadership alike.During the keynote, Benioff reportedly asked employees who had traveled to the event from outside the United States to stand up for recognition. Once they were standing, he made a "joke" to the effect of: "Thank you! Just so the ICE agents [in the building] know [who you are]."He reportedly made a follow-up "callback" later in the presentation, suggesting that ICE agents were also monitoring those who hadn't yet used a specific new Slackbot tool.And another joke about ICE surveilling employee travel: when there are literally employees afraid to travel for work due to current situationSalesforce famously promotes a culture of "Ohana" (family) and equality.Parker Harris (Cofounder): In a follow-up meeting, Harris reportedly called the jokes a "violation of the Code of Conduct" and even noted they could be considered a "fireable offense" for a typical employee.Rob Seaman (Slack GM): The head of the Salesforce-owned platform Slack sent a memo to staff stating he "cannot defend or explain" the jokes and that they did not align with his values.Salesforce employees call on CEO Benioff to cancel ICE ‘opportunities'Elon Musk says Anthropic's philosopher has no stake in the future because she doesn't have kidsPalantir, Which Is Powering ICE, Says Immigration Crackdown May Hurt Hiring MMFrom 10-K filed 2 days ago: “if we are not able to recruit, hire, or retain the talent we need because of increased regulation of immigration or work visas … it could be more difficult to staff our personnel on customer engagements and could increase our costs … Additionally, laws and regulations, such as restrictive immigration laws, may limit our ability to recruit outside of the United States ... If we fail to attract new personnel or to retain our current personnel, our business and operations could be harmed.”
When the artist Jennie C. Jones listens closely to a piece of music, she's particularly attuned to its pauses, in-between moments, and breaks. Widely celebrated for her abstract works in painting, sculpture, and sound art that, in many instances, incorporate architecture or space—through which she often elevates undersung or little-known Black artists and musicians—her practice is largely informed by minimalism and color field painting, as well as by jazz and avant-garde music. Jones currently has two exhibitions on view at the Pulitzer Arts Foundation in St. Louis (through Feb. 1, 2026): “A Line When Broken Begins Again,” which features a selection of new and existing paintings, sculptures, works on paper, and sound pieces, and “Other Octaves,” a group show she curated of works by artists who have been formative to her practice. She was also commissioned to create the 2025 rooftop installation at New York's Metropolitan Museum of Art.On this episode of Time Sensitive, she discusses what listening as a conceptual practice looks like in action, the art of putting together a playlist, and her deep love of things tactile and analog.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes: [04:35] “Jennie C. Jones: A Line When Broken Begins Again” (2025)[04:35] “Other Octaves” (2025)[04:57] Carmen Herrera[04:57] Agnes Martin[04:57] Martin Puryear[04:57] Alma Thomas[04:57] Mildred Thompson[05:21] A Free and Shifting Tonal Center (2024)[7:26] Ellsworth Kelly[11:44] Fred Moten[11:44] “Dynamics” (2022)[13:02] Trisha Brown's “Leaning Duets” (1970)[14:40] Tadao Ando[14:55] “These (Mournful) Shores” (2020)[17:21] Moses Williams[17:21] Louis Dotson[18:20] Richard Tuttle[30:25] Olly Wilson[31:28] Maryanne Amacher[31:28] Arthur Russell[37:10] Jennie C. Jones: Compilation (2015)[38:30] “The Theater of Refusal: Black Art and Mainstream Criticism” (1993)[42:25] “Slow Birds” (2004) [42:25] "Slowly in a Silent Way, Caged” (2010)[42:25] Charlie Parker[1:09:47] “Jennie C. Jones: RPM (revolutions per minute)” (2018)[1:12:06] “Ensemble” (2025)
Cet événement est organisé conjointement par l'École d'architecture Paris-Malaquais et les Beaux-arts de Paris, en lien avec l'enseignement « L'entour ». Il sera modéré par Yann Rocher et Alain Berland. L'enseignement de master "L'entour", consacré à l'histoire et à la technique de la scénographie d'exposition, est encadré par Thierry Leviez (Pavillon Bosio) et Yann Rocher (École d'architecture Paris-Malaquais). Il est commun à l'École d'architecture Paris-Malaquais, aux Beaux-Arts de Paris et au Pavillon Bosio – École supérieure d'arts plastiques de Monaco. Chris Dercon, Directeur Général de la Fondation Cartier pour l'Art Contemporain « Tout au long de ma carrière, j'ai toujours été intéressé par le « display », la monstration, et l'architecture des expositions – ces deux termes qui sont plus parlants que le simple mot « scénographie ». Qu'il s'agisse de commissaires tels qu'Alexander Dorner ou Reynold Arnould, de l'artiste Richard Hamilton ou des architectes Lina Bo Bardi, Carlo Scarpa ou Friedrich Kiesler, ces pionniers ont souvent parlé, ainsi que d'autres à la suite, du pouvoir de la monstration. J'ai eu le grand plaisir de travailler avec des praticiens innovants de ce milieu, comme Dan Graham, Rem Koolhaas, Wolfgang Tillmans ou Anselm Kiefer. Lors de cette conférence, je présenterai et commenterai 40 ans de scénographies expérimentales sur lesquelles j'ai travaillé de New York à Rotterdam, en passant par Munich, Londres ou encore Paris. S'ajoutant à ces noms et à ces collaborations, je montrerai également des projets expérimentaux auxquels j'ai participé avec Hubert Damisch, Hans Haacke, Paul McCarthy, Ai Weiwei ou Richard Tuttle ; et le dernier en date : l'exposition du photographe Juergen Teller et de l'architecte Tom Emerson. » Chris Dercon est historien de l'art, commissaire d'exposition et directeur de musée, d'origine belge, né à Lier en 1958. Il effectue ses études à la Rijksuniversiteit Leiden en Histoire de l'art, études théâtrales, et à la Vrije Universiteit à Amsterdam en études cinématographiques. Il a travaillé en tant qu'enseignant, critique et journaliste. Il dirige des institutions culturelles depuis 1988 : il commence en tant que directeur de la programmation du PS1 New York en 1988, à Rotterdam de 1990 à 1995 il dirige le Witte de With (Melly Kunstinstituut), puis le Boijmans Van Beuningen de 1996 à 2002. De 2003 à 2011 il dirige la Haus der Kunst à Munich. De 2011 à 2016, il dirige la Tate Modern de Londres. De 2017 à 2018, il dirige la Volksbühne Berlin. De 2019 à 2023, il est nommé président de la Réunion des Musées Nationaux et du Grand Palais où il dirige le projet de restauration du Grand Palais. Il est actuellement Directeur Général de la Fondation Cartier, et travaille sur le projet du nouveau bâtiment de la Fondation Cartier. Amphithéâtre des Loges Mercredi 10 janvier 2024 Crédit photo : Richard Tuttle, I Don't Know. The Weave of Textile Language, Tate Modern, Londres, 2015
Funeral Service for Richard L. "Dick" Tuttle (1930-2022)Recorded November 9, 2022Celebrating the Life of Dick TuttleJan. 6, 1930 – Nov. 4, 2022 Lions Club Memorial Presentation- Gene Oliver Greeting- Prayer: Pastor Jim Wade Reading of Obituary: Shea Tuttle- Granddaughter Reading Psalm 23: Congregation Words of Comfort- Rev. John McRoberts Special Music Hymn: Grandchildren:Erin LockridgeShea TuttleKristin TuttleRev. Drew Willson Message: “Do Not Let Your Heart Be Troubled”John 14” Selected VersesPastor Jim Wade Special Music Hymn: GrandchildrenCommendation: US Army Presentation-- Lt. Colonel (Ret) Robert Leach Special Music Hymn: “How Great Thou Art-- Congregation Closing Prayer
One of the master artists of our time, Richard Tuttle joins to talk about his 60+ year career that has revolutionized the landscape of temporary art.
By Jessica Simmons, Carla issue #24. Read by Lindsay Preston Zappas. Read the full issue at contemporaryartreview.la/print-issue-24.
L'arte contemporanea e la spiritualità hanno più punti in comune di quanto non si creda. In fin dei conti, gli spazi bianchi e silenziosi delle gallerie e dei musei ricordano sempre più la sacralità di un tempio e molti artisti hanno fatto il possibile per creare attorno a sé una vera e propria aura mistica. Costantino e Francesco parlano di asceti come John McCracker e Agnes Martin, di sciamani come Joseph Beuys e James Lee Byers e di artisti contemplativi come James Turrell e Hilma Af Klint. Inoltre, conosceremo Desirée, la cagnolina di Francesco, massima espertadi reincarnazione.In questa puntata si parla di Bruce Nauman, John McCracken, Stanley Kubrick,Arthur C. Clarke, David Zwirner, James Hayward, Desirée (detta Desi), JamesTurrell, Pippo Baudo, Giambattista Tiepolo, Vittorio Sgarbi, Philippe Daverio,James Lee Byars, Harald Szeemann, Joseph Beuys, Ötzi, Arlecchino, Pulcinella,Gino De Dominicis, Urvasi, Gilgamesh, The Blues Brothers, Kenneth Anger,Lucifero, Louise Bourgeois, Martin Scorsese, David Lynch, Hilma Af Klint,Rudolph Steiner, Carl Gustav Jung, Vasilij Kandinskij, Kenneth Noland,Wojciech Fangor, Ugo Rondinone, On Kawara, Agnes Martin, Ralph WaldoEmerson, Henry David Thoreau, Walt Whitman e Richard Tuttle.
Kelly and Julia touch on the college admissions scandal as an excuse to watch all of Olivia Jade's GRWM makeup vlogs, Julia reminisces about escorting Richard Tuttle to Dick Blick, and Kelly weird-flexes her Catholic upbringing when things get deep and the gals wonder what hell is like. Also LoveSacs are discussed in painstakingly poignant detail. Julia gets a little worked up and says "like" a lot, she's going to work on these things in the future.
Joe and Matthew join artist Bojana Ginn at her studio to explore her unique cross-disciplinary path. They examine her work and how she finds balance in the creative life. Sustainability, immigration, and communism are discussed. Richard Tuttle gets a mention. Finally, she reveals how she found her own personal Yoda. Who Is Bojana Ginn? […] The post A Cocktail of Contradictions With Bojana Ginn | Episode 21 appeared first on Brain Fuzz.
Mit Richard Tuttle (*1941) wurde 2015 ein grösserer Sammlungsblock aufgebaut, den der amerikanische Künstler in einem Saal des Museums installierte. Nun ist Tuttle erneut präsent mit einer Ausstellung, die im Dialog mit den gleichzeitig gezeigten Werken von Hans Arp steht. Von äusserer Verwandtschaft der Œuvres der beiden Künstler zu sprechen, wäre nicht angebracht. Die Berührung verläuft auf einer anderen Ebene: Tuttle interessiert der Gedanke, dass Arp nicht nur Bildhauer, sondern auch Dichter war und dass in seinem Werk Sprache und Skulptur miteinander verbunden sind, ein Thema, an dem er ebenfalls arbeitet. Arps Skulptur steht, wie Tuttle sagt, auf dem Sockel der Sprache.Damit ist schon etwas zum geistigen Ansatz ausgesagt, von dem Tuttle in seiner Ausstellung ausgeht. Tuttle ist ein Künstler, der den Entstehungsprozess seiner Werke stets thematisiert, und dies gilt auch für diese Ausstellung, die nicht von einer im voraus bestimmten, festen Aufreihung von Werken, sondern vom Werden eines Ensembles bestimmt ist. Das griechische Wort “kallirroos”, das Tuttle aus seiner Lektüre antiker Texte als Titel für die Ausstellung gewählt hat, bedeutet “schön-fliessend”, eine Qualität, die sowohl für Arps wie für Tuttles Arbeit gilt. Neben wichtigen älteren Werken wie den in den frühen 1970er Jahren konzipierten, jeweils an Ort ausgeführten Paper Octagonals oder den Wire Pieces wird Tuttle vor allem neue, für die Ausstellung geschaffene Arbeiten zeigen.
With Samira Ahmed. Historian Justin Champion reviews a major new TV drama series set during the time of the Great Fire of London, when the country was at war and there were also fears of Catholic plots against King Charles II. Rachel Joyce's first novel The Unlikely Pilgrimage of Harold Fry was the bestselling debut of 2012. She describes her new book The Love Song of Miss Queenie Hennessy as a companion to that novel, and tells Samira why she returned to their story. American artist Richard Tuttle has been commissioned to install a new work in the Tate Modern's Turbine Hall and also has a retrospective of his work opening at the Whitechapel Gallery in London. Richard Tuttle talks about his hopes for his new Turbine Hall commission and Rachel Campbell-Johnston reviews both exhibitions. Leonora Gummer from the Artists' Collection Society explains how artists can make sure they get paid as their works are sold on from collector to collector. Eighteen years since East Is East hit the London stage, playwright and actor Ayub Khan Din stars alongside Jane Horrocks in a fresh revival of his modern, multiracial drama. Samira talks to Ayub Khan Din about his own British-Pakistani upbringing in the north of England and the politics of race and identity in flux.
Audio recording of American Artist Lecture Series: Richard Tuttle talk at Tate Modern
Richard Tuttle in conversation with Michelle Jacques, Associate Curator, Contemporary Art, and Georgiana Uhlyarik, Assistant Curator, Canadian Art.
Richard Tuttle in conversation with Michelle Jacques, Associate Curator, Contemporary Art, and Georgiana Uhlyarik, Assistant Curator, Canadian Art.
Rosemary Furtak was the librarian at the Walker Art Center in Minneapolis for more than 25 year. She was co-curator of ‘Text Messages', an exhibit on artist's books shown in 2009 at the Center. We talk here about her early championing of the artist book genre - her definition being: "a book that refuses to behave like a book ("like the 35,000 books that sit in the stacks"), the line between books and art, and words and art, and librarians and curators…and how to go about collecting artist books. We talk too about the challenges of cataloguing artist Ed Ruscha's 26 Gasoline Stations, about the prolific and surprising Dieter Roth, inexpensive materials and Richard Tuttle, and Lawrence Weiner's Statements, and his art making process. The works of these four were highlighted in the exhibition.
In her talk from April 7, 2007, artist Sumakshi Singh discusses the impact of minimalist works by Richard Tuttle on her own intricately detailed installations and experimental performances. Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the collection of the Art Institute. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.
(c) 2007 Richard Tuttle. Distributed by PennSound: http://writing.upenn.edu/pennsound
(C) 2007 Richard Tuttle. Distributed by PennSound: http://writing.upenn.edu/pennsound/
Dr. Rich Tuttle and Kim Bleiweiss discuss resin-based root canal sealers and resin susceptibility to free radicals. Dr. Richard Tuttle has been practicing dentistry for 30 years. He had a dental career in the military and currently works in Ultradent's Research and Development department. Kim Bleiweiss has also been working in the dental industry for 30 years, including positions at Deseret Dental Supply; Whaledent, Int'l; Harry J. Bosworth, Co.; and Ultradent Products.
Drs. Rich Tuttle and Shea Bess discuss various impression making techniques and the features they appreciate in PVS materials. Dr. Richard Tuttle has been practicing dentistry for 30 years. He had a dental career in the military and currently heads up Ultradent's Research and Development department. Dr. Shea Bess practices dentistry in South Jordan, Utah.
Born in Beijing, China, but raised in Massachusetts, Mei-mei Berssenbrugge molds language with seemingly effortless beauty and grace that invites the reader on a journey between worlds. Among many other awards and distinctions, Berssenbrugge has received two NEA Fellowships and two American Book Awards. She has published three books of poetry, and Hiddenness, a collaboration with Richard Tuttle. Her selected poems, I Love Artists, is forthcoming from UC Press (April, 2006). She lives in New Mexico.
Born in Beijing, China, but raised in Massachusetts, Mei-mei Berssenbrugge molds language with seemingly effortless beauty and grace that invites the reader on a journey between worlds. Among many other awards and distinctions, Berssenbrugge has received two NEA Fellowships and two American Book Awards. She has published three books of poetry, and Hiddenness, a collaboration with Richard Tuttle. Her selected poems, I Love Artists, is forthcoming from UC Press (April, 2006). She lives in New Mexico.
"Social Insecurity" at Catherine Clark Gallery; Catharine Saiki and Anthony May at Hang Art; and Richard Tuttle at Crown Point Press