Podcast appearances and mentions of Richard Tuttle

Cet événement est organisé conjointement par l'École d'architecture Paris-Malaquais et les Beaux-arts de Paris, en lien avec l'enseignement « L'entour ». Il sera modéré par Yann Rocher et Alain Berland. L'enseignement de master "L'entour", consacré à l'histoire et à la technique de la scénographie d'exposition, est encadré par Thierry Leviez (Pavillon Bosio) et Yann Rocher (École d'architecture Paris-Malaquais). Il est commun à l'École d'architecture Paris-Malaquais, aux Beaux-Arts de Paris et au Pavillon Bosio – École supérieure d'arts plastiques de Monaco. Chris Dercon, Directeur Général de la Fondation Cartier pour l'Art Contemporain « Tout au long de ma carrière, j'ai toujours été intéressé par le « display », la monstration, et l'architecture des expositions – ces deux termes qui sont plus parlants que le simple mot « scénographie ». Qu'il s'agisse de commissaires tels qu'Alexander Dorner ou Reynold Arnould, de l'artiste Richard Hamilton ou des architectes Lina Bo Bardi, Carlo Scarpa ou Friedrich Kiesler, ces pionniers ont souvent parlé, ainsi que d'autres à la suite, du pouvoir de la monstration. J'ai eu le grand plaisir de travailler avec des praticiens innovants de ce milieu, comme Dan Graham, Rem Koolhaas, Wolfgang Tillmans ou Anselm Kiefer. Lors de cette conférence, je présenterai et commenterai 40 ans de scénographies expérimentales sur lesquelles j'ai travaillé de New York à Rotterdam, en passant par Munich, Londres ou encore Paris. S'ajoutant à ces noms et à ces collaborations, je montrerai également des projets expérimentaux auxquels j'ai participé avec Hubert Damisch, Hans Haacke, Paul McCarthy, Ai Weiwei ou Richard Tuttle ; et le dernier en date : l'exposition du photographe Juergen Teller et de l'architecte Tom Emerson. » Chris Dercon est historien de l'art, commissaire d'exposition et directeur de musée, d'origine belge, né à Lier en 1958. Il effectue ses études à la Rijksuniversiteit Leiden en Histoire de l'art, études théâtrales, et à la Vrije Universiteit à Amsterdam en études cinématographiques. Il a travaillé en tant qu'enseignant, critique et journaliste. Il dirige des institutions culturelles depuis 1988 : il commence en tant que directeur de la programmation du PS1 New York en 1988, à Rotterdam de 1990 à 1995 il dirige le Witte de With (Melly Kunstinstituut), puis le Boijmans Van Beuningen de 1996 à 2002. De 2003 à 2011 il dirige la Haus der Kunst à Munich. De 2011 à 2016, il dirige la Tate Modern de Londres. De 2017 à 2018, il dirige la Volksbühne Berlin. De 2019 à 2023, il est nommé président de la Réunion des Musées Nationaux et du Grand Palais où il dirige le projet de restauration du Grand Palais. Il est actuellement Directeur Général de la Fondation Cartier, et travaille sur le projet du nouveau bâtiment de la Fondation Cartier. Amphithéâtre des Loges Mercredi 10 janvier 2024 Crédit photo : Richard Tuttle, I Don't Know. The Weave of Textile Language, Tate Modern, Londres, 2015

Funeral Service for Richard L. "Dick" Tuttle (1930-2022)Recorded November 9, 2022Celebrating the Life of Dick TuttleJan. 6, 1930 – Nov. 4, 2022 Lions Club Memorial Presentation- Gene Oliver Greeting- Prayer: Pastor Jim Wade Reading of Obituary: Shea Tuttle- Granddaughter Reading Psalm 23: Congregation Words of Comfort- Rev. John McRoberts Special Music Hymn:  Grandchildren:Erin LockridgeShea TuttleKristin TuttleRev. Drew Willson  Message: “Do Not Let Your Heart Be Troubled”John 14” Selected VersesPastor Jim Wade Special Music Hymn: GrandchildrenCommendation: US Army Presentation-- Lt. Colonel (Ret) Robert Leach Special Music Hymn: “How Great Thou Art-- Congregation Closing Prayer  

One of the master artists of our time, Richard Tuttle joins to talk about his 60+ year career that has revolutionized the landscape of temporary art.

By Jessica Simmons, Carla issue #24. Read by Lindsay Preston Zappas. Read the full issue at contemporaryartreview.la/print-issue-24. 

L'arte contemporanea e la spiritualità hanno più punti in comune di quanto non si creda. In fin dei conti, gli spazi bianchi e silenziosi delle gallerie e dei musei ricordano sempre più la sacralità di un tempio e molti artisti hanno fatto il possibile per creare attorno a sé una vera e propria aura mistica. Costantino e Francesco parlano di asceti come John McCracker e Agnes Martin, di sciamani come Joseph Beuys e James Lee Byers e di artisti contemplativi come James Turrell e Hilma Af Klint. Inoltre, conosceremo Desirée, la cagnolina di Francesco, massima espertadi reincarnazione.In questa puntata si parla di Bruce Nauman, John McCracken, Stanley Kubrick,Arthur C. Clarke, David Zwirner, James Hayward, Desirée (detta Desi), JamesTurrell, Pippo Baudo, Giambattista Tiepolo, Vittorio Sgarbi, Philippe Daverio,James Lee Byars, Harald Szeemann, Joseph Beuys, Ötzi, Arlecchino, Pulcinella,Gino De Dominicis, Urvasi, Gilgamesh, The Blues Brothers, Kenneth Anger,Lucifero, Louise Bourgeois, Martin Scorsese, David Lynch, Hilma Af Klint,Rudolph Steiner, Carl Gustav Jung, Vasilij Kandinskij, Kenneth Noland,Wojciech Fangor, Ugo Rondinone, On Kawara, Agnes Martin, Ralph WaldoEmerson, Henry David Thoreau, Walt Whitman e Richard Tuttle.

Kelly and Julia touch on the college admissions scandal as an excuse to watch all of Olivia Jade's GRWM makeup vlogs, Julia reminisces about escorting Richard Tuttle to Dick Blick, and Kelly weird-flexes her Catholic upbringing when things get deep and the gals wonder what hell is like. Also LoveSacs are discussed in painstakingly poignant detail. Julia gets a little worked up and says "like" a lot, she's going to work on these things in the future.

Joe and Matthew join artist Bojana Ginn at her studio to explore her unique cross-disciplinary path. They examine her work and how she finds balance in the creative life. Sustainability, immigration, and communism are discussed. Richard Tuttle gets a mention. Finally, she reveals how she found her own personal Yoda.   Who Is Bojana Ginn? […] The post A Cocktail of Contradictions With Bojana Ginn | Episode 21 appeared first on Brain Fuzz.

Mit Richard Tuttle (*1941) wurde 2015 ein grösserer Sammlungsblock aufgebaut, den der amerikanische Künstler in einem Saal des Museums installierte. Nun ist Tuttle erneut präsent mit einer Ausstellung, die im Dialog mit den gleichzeitig gezeigten Werken von Hans Arp steht. Von äusserer Verwandtschaft der Œuvres der beiden Künstler zu sprechen, wäre nicht angebracht. Die Berührung verläuft auf einer anderen Ebene: Tuttle interessiert der Gedanke, dass Arp nicht nur Bildhauer, sondern auch Dichter war und dass in seinem Werk Sprache und Skulptur miteinander verbunden sind, ein Thema, an dem er ebenfalls arbeitet. Arps Skulptur steht, wie Tuttle sagt, auf dem Sockel der Sprache.Damit ist schon etwas zum geistigen Ansatz ausgesagt, von dem Tuttle in seiner Ausstellung ausgeht. Tuttle ist ein Künstler, der den Entstehungsprozess seiner Werke stets thematisiert, und dies gilt auch für diese Ausstellung, die nicht von einer im voraus bestimmten, festen Aufreihung von Werken, sondern vom Werden eines Ensembles bestimmt ist. Das griechische Wort “kallirroos”, das Tuttle aus seiner Lektüre antiker Texte als Titel für die Ausstellung gewählt hat, bedeutet “schön-fliessend”, eine Qualität, die sowohl für Arps wie für Tuttles Arbeit gilt. Neben wichtigen älteren Werken wie den in den frühen 1970er Jahren konzipierten, jeweils an Ort ausgeführten Paper Octagonals oder den Wire Pieces wird Tuttle vor allem neue, für die Ausstellung geschaffene Arbeiten zeigen.

With Samira Ahmed. Historian Justin Champion reviews a major new TV drama series set during the time of the Great Fire of London, when the country was at war and there were also fears of Catholic plots against King Charles II. Rachel Joyce's first novel The Unlikely Pilgrimage of Harold Fry was the bestselling debut of 2012. She describes her new book The Love Song of Miss Queenie Hennessy as a companion to that novel, and tells Samira why she returned to their story. American artist Richard Tuttle has been commissioned to install a new work in the Tate Modern's Turbine Hall and also has a retrospective of his work opening at the Whitechapel Gallery in London. Richard Tuttle talks about his hopes for his new Turbine Hall commission and Rachel Campbell-Johnston reviews both exhibitions. Leonora Gummer from the Artists' Collection Society explains how artists can make sure they get paid as their works are sold on from collector to collector. Eighteen years since East Is East hit the London stage, playwright and actor Ayub Khan Din stars alongside Jane Horrocks in a fresh revival of his modern, multiracial drama. Samira talks to Ayub Khan Din about his own British-Pakistani upbringing in the north of England and the politics of race and identity in flux.

Audio recording of American Artist Lecture Series: Richard Tuttle talk at Tate Modern

Richard Tuttle in conversation with Michelle Jacques, Associate Curator, Contemporary Art, and Georgiana Uhlyarik, Assistant Curator, Canadian Art.

Richard Tuttle in conversation with Michelle Jacques, Associate Curator, Contemporary Art, and Georgiana Uhlyarik, Assistant Curator, Canadian Art.

Rosemary Furtak was the librarian at the Walker Art Center in Minneapolis for more than 25 year. She was co-curator of  ‘Text Messages', an exhibit on artist's books shown in 2009 at the Center. We talk here about her early championing of the artist book genre -  her definition being: "a book that refuses to behave like a book ("like the 35,000 books that sit in the stacks"), the line between books and art, and words and art, and librarians and curators…and how to go about collecting artist books. We talk too about the challenges of cataloguing artist Ed Ruscha's 26 Gasoline Stations, about the prolific and surprising Dieter Roth, inexpensive materials and Richard Tuttle, and Lawrence Weiner's Statements, and his art making process. The works of these four were highlighted in the exhibition.  

In her talk from April 7, 2007, artist Sumakshi Singh discusses the impact of minimalist works by Richard Tuttle on her own intricately detailed installations and experimental performances. Artists Connect is a regularly scheduled series of lectures given by Chicago-area artists. In these illustrated talks, artists describe their own work in relation to one or several works in the collection of the Art Institute. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

(C) 2007 Richard Tuttle. Distributed by PennSound: http://writing.upenn.edu/pennsound/

(c) 2007 Richard Tuttle. Distributed by PennSound: http://writing.upenn.edu/pennsound

Dr. Rich Tuttle and Kim Bleiweiss discuss resin-based root canal sealers and resin susceptibility to free radicals. Dr. Richard Tuttle has been practicing dentistry for 30 years. He had a dental career in the military and currently works in Ultradent's Research and Development department. Kim Bleiweiss has also been working in the dental industry for 30 years, including positions at Deseret Dental Supply; Whaledent, Int'l; Harry J. Bosworth, Co.; and Ultradent Products.

Drs. Rich Tuttle and Shea Bess discuss various impression making techniques and the features they appreciate in PVS materials. Dr. Richard Tuttle has been practicing dentistry for 30 years. He had a dental career in the military and currently heads up Ultradent's Research and Development department. Dr. Shea Bess practices dentistry in South Jordan, Utah.

Born in Beijing, China, but raised in Massachusetts, Mei-mei Berssenbrugge molds language with seemingly effortless beauty and grace that invites the reader on a journey between worlds. Among many other awards and distinctions, Berssenbrugge has received two NEA Fellowships and two American Book Awards. She has published three books of poetry, and Hiddenness, a collaboration with Richard Tuttle. Her selected poems, I Love Artists, is forthcoming from UC Press (April, 2006). She lives in New Mexico.

Born in Beijing, China, but raised in Massachusetts, Mei-mei Berssenbrugge molds language with seemingly effortless beauty and grace that invites the reader on a journey between worlds. Among many other awards and distinctions, Berssenbrugge has received two NEA Fellowships and two American Book Awards. She has published three books of poetry, and Hiddenness, a collaboration with Richard Tuttle. Her selected poems, I Love Artists, is forthcoming from UC Press (April, 2006). She lives in New Mexico.

"Social Insecurity" at Catherine Clark Gallery; Catharine Saiki and Anthony May at Hang Art; and Richard Tuttle at Crown Point Press