Podcasts about Gilgamesh

GILGAMESH AND THE BIRTH OF WRITTEN LEGEND Colleague Moudhy Al-Rashid. Al-Rashid discusses Cuneiform, a writing system used for over 3,000 years to record languages like Sumerian and Akkadian. She details the Epic of Gilgamesh, a tale of a tyrannical king who finds wisdom and friendship with the wild man Enkidu. While Gilgamesh was likely a real historical figure, his story evolved into high poetry about mortality and leadership. The segment notes that kingship was believed to have descended from heaven. NUMBER 3 1896 UR

SHOW 12-29-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR UR THE PRINCESS'S MUSEUM AT THE DAWN OF HISTORY Colleague Moudhy Al-Rashid. Moudhy Al-Rashidintroduces Ennigaldi-Nanna, a princess and high priestess of the moon god in the ancient city of Ur. Excavators discovered a chamber in her palace containing carefully arranged artifacts from eras much older than her own, effectively serving as a museum. A clay cylinder found there acted as a museum label, preserving the history of ancient kings to lend legitimacy to her father, King Nabonidus, and his dynasty. NUMBER 1 THE STORIES TOLD BY MESOPOTAMIAN BRICKS Colleague Moudhy Al-Rashid. Moudhy Al-Rashidexplains how millions of mud bricks reveal the history of ancient Mesopotamia, from the construction of massive temples to the 9-kilometer wall of Uruk. These bricks were often stamped with the names of kings to ensure their deeds were known to the gods. Beyond royal propaganda, bricks preserve intimate moments, such as the accidental paw prints of dogs or footprints of children left while the clay dried in the sun. NUMBER 2 GILGAMESH AND THE BIRTH OF WRITTEN LEGEND Colleague Moudhy Al-Rashid. Al-Rashid discusses Cuneiform, a writing system used for over 3,000 years to record languages like Sumerian and Akkadian. She details the Epic of Gilgamesh, a tale of a tyrannical king who finds wisdom and friendship with the wild man Enkidu. While Gilgamesh was likely a real historical figure, his story evolved into high poetry about mortality and leadership. The segment notes that kingship was believed to have descended from heaven. NUMBER 3 HOMEWORK AND HEARTACHE IN ANCIENT SCHOOLS Colleague Moudhy Al-Rashid. Excavations of a "schoolhouse" in Nippur revealed thousands of practice tablets, showing the messy first attempts of children learning to write. These artifacts include literary accounts of school life, complaints about food, and even teeth marks from frustrated students. The curriculum was rigorous, covering literacy and advanced mathematics like geometry, which was essential for future scribes to calculate field yields and manage the bureaucracy. NUMBER 4 THE ALCOHOLIC TYRANTS OF THE WEST Colleague Professor James Romm. James Romm introduces Syracuse as a dominant power in the 4th century BCE under the rule of Dionysius the Elder, who rose from clerk to autocrat. Dionysius fortified the city's geography to create a secure military base and adopted the Persian custom of polygamy, marrying two women on the same day. This created a rivalrous, "unhappy family" dynamic in a court notorious for heavy drinking and "Syracusan tables" of excess. NUMBER 5 PLATO'S FAILED FIRST MISSION TO SICILY Colleague Professor James Romm. Professor Romm details Plato's background, including his connection to the Thirty Tyrants in Athens and his philosophy of "forms." Plato was invited to Syracuse by Dion, who hoped the philosopher could reform the tyrant Dionysius the Elder. However, this first visit was a disaster; Plato attempted to lecture the ruler on ethics and moral behavior, resulting in the philosopher being dismissed from the court with dishonor. NUMBER 6 THE BANISHMENT OF DION Colleague Professor James Romm. Plato returned to Syracuse to tutor Dionysius the Younger, hoping to create an enlightened monarch, but found a court defined by drunkenness and immaturity. The experiment failed when Dion, Plato's ally, sent a letter to Carthage that the tyrant interpreted as treason. Dionysiusbanished Dion and kept Plato under a form of house arrest to maintain the appearance of an alliance, while the tyrant solidified his power. NUMBER 7 A PHILOSOPHER OBSERVES A COMING WAR Colleague Professor James Romm. At the Olympic Games, Plato met the exiled Dion and learned that the tyrant had confiscated Dion's property and given his wife to another man. Despite the growing tension, Plato visited Syracuse a third time in 361 BCE to attempt reconciliation. Romm argues that Plato's harsh description of the "tyrannical man" in The Republic was directly inspired by his personal observations of living under the roof of the Syracusan tyrant. NUMBER 8 REVOLUTION, ASSASSINATION, AND CHAOS Colleague Professor James Romm. Dion launched an invasion to liberate Syracuse, but the revolution unleashed chaotic populist passions he could not control. After ordering the assassination of a rival, Dion fell into a depression and was eventually assassinated by a faction of his own army. Rommnotes that ancient historians, including Plutarch, largely protected Dion's reputation to safeguard the prestige of Plato's Academy, despite Dion's failure to become a true philosopher king. NUMBER 9 THE TYRANT WHO BECAME A SCHOOLTEACHER Colleague Professor James Romm. Professor James Romm discusses the surprising fate of Dionysius II, the tyrant of Syracuse. After the Corinthian leader Timoleonarrived to liberate the city, Dionysius surrendered and was allowed to retire to Corinth rather than facing execution. There, the former absolute ruler became a music teacher, leading to the proverb "Dionysius is in Corinth," a saying used for centuries to describe the unpredictability of fortune and the fall of the powerful. NUMBER 10 PHILOSOPHER KINGS AND THE RIVER OF HEEDLESSNESS Colleague Professor James Romm. James Romm explores Plato's Republic, arguing that philosophers make the best kings because they perceive the true "forms" of justice rather than earthly shadows. The discussion turns to the "Myth of Er," a story of the afterlife where souls travel for a thousand years before choosing their next life. Plato warns that drinking too deeply from the River of Heedlessnesserases memory, whereas philosophers strive to recall the forms. NUMBER 11 PLATO'S LETTERS AND THE WHITEWASHING OF DION Colleague Professor James Romm. The conversation examines Plato's thirteen letters, specifically the five Romm believes are genuine regarding the Syracuse affair. Platoviewed himself as a wise lawgiver capable of reforming a tyrant, though he was naive about practical politics. In the seventh letter, Plato attempts to rehabilitate the reputation of his associate Dion, spinning the narrative to portray Dion as a virtuous victim of evil rather than admitting his political failures. NUMBER 12 THE RETURN OF THE NOBLE MONARCH Colleague Gregory Copley. Gregory Copley argues that the world has reached "peak republicanism," where republics have become inefficient political battlegrounds. He defines nobility not as a class structure, but as a quality of honorable leadership that embodies the state's values. Copley suggests modern monarchies, like that of King Charles III, are reinvigorating this role by acting as apolitical symbols of unity and diplomacy, unlike elected leaders who only represent their voters. NUMBER 13 THE DANGERS OF TRANSACTIONAL NATIONALISM Colleague Gregory Copley. Copley warns that suppression in republics often leads to uncontrollable demands for liberty, citing the collapse of the Shah's Iran and the USSR. He distinguishes between "tribal nationalism," based on shared history, and "state nationalism," which is often transactional. Copley argues that transactional systems eventually fail because the state runs out of resources to trade for support, leading to corruption and the potential fracturing of society. NUMBER 14 CONSTITUTIONS, BELIEF, AND THE EMPIRE Colleague Gregory Copley. Copley describes the US Constitution as the "de facto crown" holding the American empire together, though it faces challenges from populist movements. He argues that a "faith-based electorate" or a "belief in beliefs" is essential for social unity, noting that when people stop believing in God, they will believe in anything. Monarchy utilizes mysticism and continuity to maintain this unity, a quality difficult for republics to replicate. NUMBER 15 THE REASSERTION OF ANCIENT EMPIRES Colleague Gregory Copley. Copley contends that China is reasserting its identity as an empire, with the Communist Party seeking legitimacy by connecting with imperial history despite previous rejections of the past. Similarly, he views Vladimir Putin as a nationalist attempting to restore the memory and grandeur of the Russian Empire. The segment concludes by suggesting the US might "lease" the symbolic nobility of King Charles III during state visits to borrow necessary leadership prestige. NUMBER 16

Deze week hoor je in NRC Vandaag onze serie Wilde eeuwen, het begin. Een van de verhalende series die we dit jaar maakten: perfect voor tijdens de dagen rond Kerst.Het is 3.200 jaar geleden. Schrijver Sîn-leqi-unnini verwerkt zijn angsten in een episch verhaal over Gilgamesj. Zal dat indruk maken op de nieuwe Babylonische koning? Heeft u vragen, suggesties of ideeën over onze journalistiek? Mail dan naar onze ombudsman via ombudsman@nrc.nl.Voor deze aflevering is onder meer gebruikt gemaakt van deze literatuur:Karen Sonik. ‘Characterization and Identity in Mesopotamian Literature: The Gilgamesh Epic, Enuma elish, and Other Sumerian and Akkadian Narratives' in Dahlia Shehata e.a. (eds) Contemporary Approaches to Mesopotamian Literature. How to Tell a Story, Brill 2024. Sophus Helle. ‘Gilgamesh Returns' in Articulations, in juni 2024.Amanda H. Podany. 'Weavers, Scribes, and Kings A New History of the Ancient Near East', Oxford University Press 2022. Sophus Helle. 'Gilgamesh: A New Translation of the Ancient Epic', Yale University Press 2021 Andrew George. 'The Epic of Gilgamesh. The Babylonian Epic Poem and Other Texts in Akkadian and Sumerian', Penguin 2020 (tweede druk).Herman van Stiphout. 'Het epos van Gilgames', SUN 2011 (derde druk). Gwendolyn Leick (ed). 'The Babylonian world', Routledge 2007 Benjamin R. Foster. 'Before the muses: an anthology of Akkadian literature', CDL Press 2005 (derde druk). Zie ook ‘Het epos van Gilgamesj: hoe een held mens wordt' in NRC op 6 juli 2019.Tekst en presentatie: Hendrik SpieringRedactie en regie: Mirjam van ZuidamMuziek, montage en mixage: Rufus van BaardwijkBeeld: Jeen BertingVormgeving: Yannick MortierZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Stephen Mitchell has translated or adapted some of the world's most beautiful and spiritually rich texts, including The Gospel According to Jesus, The Book of Job, Gilgamesh, Tao Te Ching, Bhagavad Gita, The Iliad, The Odyssey, Beowulf, The Selected Poetry of Rainer Maria Rilke, Rilke's Letters to a Young Poet, and The Way of Forgiveness. In his latest book, The First Christmas: A Story of New Beginnings, he brings the Nativity story to life as never before. In this special episode, Jacke talks to Stephen about his translations, his search for spiritual truths, and his work imagining the story of the first Christmas from multiple points of view. PLUS Jacke continues his way up the charts of the Greatest Books of All Time with a look at #4 on the list, The Catcher in the Rye by J.D. Salinger. Note: A version of this episode first ran in December 2021. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textMerry Christmas friends! kk here goes:HOUSE OF THE WORLD.Ancient story and artifact meets lo-fi and Mediterranean hip hop in this journey to reclaim the art of the Bible's creation story. Poetry… in cosmological motion.  haha!HOUSE OF THE WORLD was craft-brewed to give you the wisdom that our end is in our beginning.If you grew up with the Bible and it seemed like you were the only one who had serious questions about the creation story... here is a way forward with full acceptance of science and reason applied to ancient literature in context.We think this can profoundly help you rediscover who you are and what you are here to do and how to hold the sacred text of your childhood now that you've grown up.Along the way you'lllearn how the world made in Genesis 1 is less "planet spinning in space and more cosmic snow globe floating safely through chaos waters."discover how in creation myths, the creator God makes the world by separating into realms (sky, land, sea) and assigning roles (flying things, land animals, sea creatures).observe what it means in context to be made in the statue (צלם) of the divine counsel and ask "what is the best way to be a divine counsel mini-figure anyways?"meet a lovable collection of archetypal-first-humans from near Eastern Literature and consider what the first humans in first human stories actually represent.explore ancient artifacts and musings from ancient literature like the Book of the Dead and the Epic of Gilgamesh to Seneca, New Testament authors, and Rabbinic Midrash Agaddah.At the end of the day, we made HOUSE OF THE WORLD to help you reclaim ancient story for a better tomorrow. See you inside!Be good to each other!Mark and EricFor Text and Rock Poetry, Podcasts, and Video Content or to contact Mark and Eric, visit us at www.textandrock.com. You can find all of social handles here: TEXT AND ROCK SOCIALS.Want to support the show, experience our best creative work, buy one of our books or give an uncommonly better gift or art and heart? Ha! Head to the TEXT AND ROCK DIGITAL PRESS.

Nous avions eu le plaisir de rencontrer le talentueux Jesse Lonergan en début d'année, et nous nous quittions alors avec l'impatience de pouvoir découvrir Drome, son nouvel album, qui était encore à quelques mois de sa sortie. Depuis, l'ouvrage est arrivé au catalogue de 404 Graphic, et nous avons profité du retour de Jesse en France cet automne pour se poser entre quatre yeux pendant le festival Quai des Bulles et échanger de nouveaux mots autour de cet imposant album.Le retour de Jesse Lonergan sur First Print !Une nouvelle interview SuperFriends à retrouver à l'audio (et tout bientôt en français et à l'écrit sur Comicsblog.fr), au cours de laquelle nous revenons sur la conception de Drome, la technique de dessin et de découpage de Jesse Lonergan, et des différents niveaux de lecture de cette oeuvre.Vous pouvez commander Drome à ce lien !Si vous appréciez notre travail, ne manquez pas de le faire savoir. On a besoin de votre soutien pour faire découvrir nos émissions mais aussi pour mettre en avant le travail de nos invité(e)s ! Vous pouvez partager le podcast partout sur vos réseaux, en parler à vos connaissances, et nous apporter un soutien financier sur Tipeee ! Merci à toutes et tous de votre écoute et à bientôt pour le prochain podcast !Soutenez First Print - Votre podcast comics (& BD) préféré sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

From Sumeria, to Greece, to India, to the depths of the dark ages we explore the stories that have inspired everything that came later with a professor of mythology and medieval literature. This particular professor also happens to be Cody's mom, so this is also a great episode to explore Cody's psyche, for those brave enough to explore a dark and twisted place. Join the Hugonauts book club on discordOr you can watch the episode on YouTube if you prefer videoIf you want to do some reading, here are our suggestions on the best translations of these myths (and even a couple great graphic novels): Epic of Gilgamesh, trans. Andrew George, Penguin ClassicsThe Odyssey, trans. Robert FaglesThe Odyssey, Gareth Hinds graphic novelThe Iliad, Penguin ClassicsThe Aeneid, trans. Robert Fagles Penguin ClassicsAge of Bronze Series, Eric Shanower (series of graphic novels on Trojan War)Hercules, Fred Van LenteMonkey, trans. Arthur WaleyBeowulf, trans. Seamus HeaneyThe Popul Vuh, trans. Michael Bazzett, Milkweed EditionsThe Nibelungenlied, trans. AT Hatto, PenguinChretien de Troyes, Arthurian Romances, trans. William W. Kibler, PenguinLe Morte D'Arthur, Sir Thomas Malory, Penguin ClassicsTales from the Thousand and One Nights, trans. N.J. Dawood, Penguin ClassicsSindbad and Other Stories from Arabian Nights, trans Husain HaddowySinbad the Sailor, Penguin ClassicsThe Ramayana, Abridged and Translated by Arshia Sattar, Penguin Classics OR any children's/YA book to get started. There are hundredsIf you want to jump around, here are the timestamps for all the books we talked about: 0:00 - Intro1:45 - The Epic of Gilgamesh6:35 - The Odyssey10:12 - The Iliad12:09 - The Aeneid14:12 - Hercules15:53 - Monkey (Excerpts from Journey to the West)21:00 - Beowulf25:25 - The Popul Vuh28:23 - The Nibelungenlied33:21 - King Arthur Myths (Malory, De Troyes)36:56 - Tales From the Thousand and One Nights41:40 - Sinbad the Sailor45:10 - The Ramayana49:55 - Our Top 3 favorite myths

This week, Carter dives into some recent viewing (Scrooge, Narnia, Sea Beast) and Scott shares tales of a germy Santa and a trip to the mall.We cover the week's game (Split Fiction) and read listener mail, including a comment about Scott's supposed man-crush and a hilarious story about confusing a balaclava with baklava (the "face pastry").Finally, we explore the deep history of the Noah flood myth, revealing its true origins in the Sumerian Epic of Gilgamesh and discussing the real-world geological event (the flooding of the Persian Gulf) that inspired it. And loads more! Hosted on Acast. See acast.com/privacy for more information.

This week, Carter dives into some recent viewing (Scrooge, Narnia, Sea Beast) and Scott shares tales of a germy Santa and a trip to the mall.We cover the week's game (Split Fiction) and read listener mail, including a comment about Scott's supposed man-crush and a hilarious story about confusing a balaclava with baklava (the "face pastry").Finally, we explore the deep history of the Noah flood myth, revealing its true origins in the Sumerian Epic of Gilgamesh and discussing the real-world geological event (the flooding of the Persian Gulf) that inspired it. And loads more! Hosted on Acast. See acast.com/privacy for more information.

In our final deep dive into the Gongaga chapter of Final Fantasy VII Rebirth, we talk through learning more about Cissnei's background, meeting Cid Highwind (different than OG FFVII), the Gilgamesh voice actor, and how we all lost hair navigating the maze of bouncy mushrooms that is the Gongaga region.

On October 6, 2023, Rabbi Meir Soloveichik sat at his desk facing a deadline for his monthly column. Israel's citizens were then furiously debating judicial reform, but he'd already had his say on that matter. He decided to write about something else instead: a Jeopardy episode where three educated contestants stared blankly when asked to identify the source of this line: "Yea, though I walk through the valley of the shadow of death." This, among the most famous images in all of Western literature, comes of course from Psalm 23. And none of the contestants knew it.   Rabbi Soloveichik submitted the piece on October 6, hours before the festival of Shemini Atzeret. The next morning, October 7, the Jewish people would be thrust into the valley of the shadow of death. T'hillim, as the Psalm are known in Hebrew, would, over the following weeks and months, accompany the Jewish people's every thought. Their distress could be articulated in David's very own words, linking their pain to his pain, their redemptive dreams to his redemptive dreams, their future to his future.   In his new podcast, "Poetry and Prayer: A Daily Journey Through the Psalms," Soloveichik walks listeners through all 150 psalms, one by one. For today's episode, he sits down with Jonathan Silver, the editor of Mosaic, to discuss this ambitious project. He puts forward a striking claim in the course of the conversation: the Psalms represent something unprecedented in ancient literature. While Homer or Gilgamesh depict external action—heroic deeds, cosmic battles—the Psalms take their reader (or reciter) inside someone else's soul. The Psalmist explores the full range of human emotion—doubt and faith, despair and joy, rage and delight—all while maintaining an awareness of God's presence. It's the first example in world literature of what the critic Edward Cahill calls "the eye of interiority."   When Iranian missiles fell on their cities at 2:00 am one night, Israelis immediately Googled "T'hillim" on their iPhones. An IDF soldier named Yossi Hershkovitz composed a new melody to Psalm 23 while serving in Gaza, and was killed days later—his tune surviving because a comrade taught it to his children. In America, the Psalms shaped the country's founding, from the First Continental Congress reading Psalm 35 to Lincoln quoting from the book in his Second Inaugural. More recently, Secretary of State Marco Rubio delivered a speech in Jerusalem's City of David connecting American exceptionalism to the very site where the Psalms were written.   This episode of the Tikvah Podcast is sponsored by Samuel and Malka Harris Susswein in honor of Sam Susswein's birthday. If you are interested in sponsoring an episode of this podcast, or of any other in Tikvah's growing podcast network, we invite you to join the Tikvah Ideas Circle.  

Want more exclusive content?! http://prometheuslens.supercast.com to sign up for the "All Access Pass" and get early access to episodes, private community, members only episodes, private Q & A's, and coming documentaries. We also have a $4 dollar a month package that gets you early access and an ad free listening experience! ==================== Join me as a talk with my friends David and Nestor on their new show "Shadows of a Greater Reality". We talk about my book and some of the themes behind the research. Enjoy!====================

If you want to understand the future of learning and equip yourself with the best possible tools for operating at the top of your game, I believe becoming polymathic is your best bet. And to succeed in mastering multiple skills and tying together multiple domains of knowledge, it’s helpful to have contemporary examples. Especially from people operating way out on the margins of the possible. That’s why today we’re looking at what happens when a poet decides to stop writing on easily destroyed paper. Ebooks and the computers that store information have a shelf life too. No, we’re talking about what happens when a poet starts “writing” into the potentially infinite cellular matter of a seemingly unkillable bacterium. This is the story of The Xenotext. How it came to be, how it relates to memory and the lessons you can learn from the years Christian Bök spent teaching himself the skills needed to potentially save humanity's most important art from the death of our sun. Poetry. But more importantly, this post is a blueprint for you. The story of The Xenotext is a masterclass in why the era of the specialist is over, and why the future belongs to the polymaths who dare to learn the “impossible” by bringing together multiple fields. What on earth could be impossible, you ask? And what does any of this have to do with memory? Simple: Writing in a way that is highly likely to survive the death of the sun changes the definition of what memory is right now. And it should change what we predict memory will be like in both the near and distant future. https://www.youtube.com/watch?v=HwQiW1XDAvI Encoding Literature Into Life: The Xenotext Christian Bök, often described as a conceptual poet, has run experiments with words for decades. For example, Eunoia is a univocal lipogram. That means, in each chapter, Bök used only words containing one of the vowels. This is a constraint, and it leads to lines like, “Awkward grammar appals a craftsman.” And “Writing is inhibiting.” There are other “programs” or constraints Bök used to construct the poem. As a result, you hear and feel the textures of your own mother tongue in a completely new way as you read the poem. But for The Xenotext project, Bök wondered if it would be possible to discover the rules and constraints that would enable himself, and conceivably other poets and writers, to encode poetry into a living organism. That leads to a fascinating question about memory that many mnemonists have tackled, even if they’re not fully aware of it. Can a poem outlive the civilization that produced it? If so, and humans are no longer around, how would that work? The Science of How Biology Becomes Poetry As far as I can understand, one of the first steps involved imagining the project itself, followed by learning how it could be possible for a poem to live inside of a cell. And which kind of cell would do the job of protecting the poetry? It turns out that there’s an “extremophile” called Deinococcus radiodurans. It was listed in the Guinness Book of World Records as the most radiation resistant bacterium on planet Earth. As a life form, its DNA was sequenced and published in 1999. According to the Wikipedia page on The Xenotext, Bök started conceiving of encoding poetry into DNA and then inserting it into the bacterium circa 2002. But the project is about more than having poetry persist within a cell so it can transmit the work without errors later. It’s a kind of combinatory puzzle in which the bacterium acts as a kind of co-author. In order to pull this project off, Bök needed to enlist the help of scientists while mastering multiple skills many people would not normally consider “writing.” But as we head into the future, we definitely should. Radical Autodidacticism: Reaching New Heights Through Deep Discipline To this day, many educators talk about the importance of being a specialist. But The Xenotext project and the work Bök put into it forces us to redefine what it means to be a self-directed learner in the 21st century. When Bök decided to encode a poem into the DNA of an extremophile bacterium, he didn’t just “dabble” in science or explore various interests as a multipotentialite. Nor did he read a few pop-sci books and expect an organism to write a poem in return. No, he spent many years studying genomic and proteomic engineering. He coded his own computer program to help him “unearth” the poetry, all while writing grants and collaborating with multiple experts. The Skill Stack If you’re a lifelong learner with big dreams, it’s useful to examine how people with autodidactic and polymathic personality traits operate. One of the first skills is to allow yourself to dream big. Giving oneself permission like this might not seem like a skill. But since we can model any polymath or other person who inspires us, you probably won’t be surprised that many of the most inspiring polymaths regularly daydream. Picking a dream and pursuing it despite any obstacles is also a skill. And once you’ve got a project, the next step is to take a cue from a polymath like Elon Musk and break your goal down into the most basic principles. No matter how unusual or unlikely your dream, it’s a useful exercise. When it comes to analytical thinking and breaking a goal down so you can start pursuing it, it’s often useful to look at your existing competence. In Bök’s case, I believe he wrote Eunoia by culling words manually from dictionaries over many years. But he couldn’t brute force The Xenotext in that way due to all the biological chemistry involved, so he had to become what you might think of as a computational linguist. My point is not to diminish the originality of this project in any way. But I think it’s helpful to recognize that The Xenotext is not wildly divorced from the skills Bök already had. It’s an evolution that draws from them. There’s also the skill of what Waqas Ahmed calls synesthetic thinking in his book, The Polymath. Not to be mistaken with synesthesia, synesthetic thinking involves imagining an outcome through at least one other sense. In Bök’s case, The Xenotext involves imagining the use of living beings other than human as being part of art. And he has described the possibility that his work could reach “a sufficiently intelligent civilization that has fast computers and smart cryptographers.” This is the skill of sensing beyond our own species and taking the risk of trying to reach them. Even if we’re long gone. We Need Deathless Memory Now, I have a confession to make. One of the many reasons I’m so fascinated by The Xenotext is that my memory is incredibly weak. That’s why I use mnemonics with such passion, including for memorizing poetry. Recently, I had the chance to interview Christian Bök, who you can probably tell by now, I consider to be one of the most rigorous intellects alive. And right in the middle of the interview, I started reciting one of his books from Book I of The Xenotext. For all the mnemonics in the world, I choked. Now, sometimes, this happens just because I have mouth problems and things get a bit sticky. Other times, it’s exhaustion and yet other times, I manage to recite poems with no problem at all. I’m mentioning this human moment in my career as a mnemonist not because I have a deep need to confess. No, this fragile, ephemeral human moment while talking about encoding and retrieving information perfectly from its placement within a living cell suggests the possibility that life really can be the most durable storage device in the universe. And to see this project come to fruition after all the years Bök pushed through multiple struggles inspires me in countless ways. For one thing, Bök’s project strikes me as the ultimate memory strategy. Was Poetry the Original Hard Drive? As Bök reminded me during our discussion, poetry was a memory technology long before writing existed. Rhythm, rhyme, and meter were engineering tools used to ensure information survived the “game of telephone” across generations. In Bök’s words: “We certainly owe every great epic story of the sort like the Epic of Gilgamesh or the Iliad… stories that were intended, of course, to transmit important cultural information over long periods of time. We need poets to be able to create that work and make it memorable enough… to persist over time.” And it is in this context that Christian Bök realized something terrifying: “There’s nothing that we’ve built so far on the planet Earth that would probably last more than a few tens of billions of years at most.” Until his work on The Xenotext succeeded, we have had nothing to rely on apart from our brains assisted by techniques like the Memory Palace, or silicon prostheses. But the computers and servers we now use to store our collective memory are just as subject to rot as paper. Even our homes would be ground into “an almost undetectable layer of geological dust” in just a few million years. So Bök’s selection of a deathless bacterium isn’t just a petri dish stunt. By choosing a specific bacterium that is “widely regarded as one of the most unkillable things ever to have evolved on the planet Earth,” Bök has created a memory inside a “message in a bottle thrown into an enormous ocean” that might actually survive the death of our sun. How to Develop Your Own Polymathic Persistence  Reading this, you might be thinking, “I’m just a student,” or “I’m just a writer.” Bök could have thought that too. As he told me: “My assumption was that I’ve got training in English literature… Obviously, in order to embark upon such a project, I had to acquire a whole set of new skills, familiarize myself with a lot of very difficult discourses.” And so he made the decision to step outside of his lane, joining other innovators who have done the same. But how do you engage in a project that takes decades without burning out? Bök gave me three specific clues you can apply to your own learning journey. One: Embrace the Unknown Bök told me that if he had known how hard the project would be, he might not have started. He called this his “saving grace,” yet how many times do we turn away from our dreams because we don’t know the size of the mountain. Nelson Dellis told me something similar once about memory training. He’s a memory champion, but also a climber who has summited Everest. He said you don’t have to worry about whether the top of the mountain is there or not. Just focus on where you’re going to place your hands next. Two: Focus on Incremental Achievement Even as Bök’s project threw new obstacles at him, he told me: “I gave myself accomplishments or achievements that were incremental, that I knew I could probably fulfill, and would embark upon those doable tasks in an effort to acquire the required skill set in order to accomplish the remainder of these tasks.” In other words, he stacked small, doable wins on top of each other. And kept stacking until he had built a ladder to the impossible. Three: Tunnel Through the Noise Bök was candid about some of the loneliness on the path of the polymath. Sadly, he noted: This project, especially, has been beleaguered with all kinds of obstruction and difficulty that were added to the already difficult task at hand and the improbable kinds of risks that I had to adopt in order to be able to accomplish it. His advice having pushed through and made it to the other side? “If you’re going through hell, keep going. Don’t stop, because otherwise, you’re in hell… Just keep going, try to tunnel through.” Bök's work definitely makes a big statement when it comes to 21st century poetry. But for me, it's also a statement about memory and human potential. The Xenotext challenges us to stop thinking of computers as something that has eclipsed the human brain as the ultimate storage and retrieval device. It places our attention squarely back on the relationship between poetry and life, and the aspects of language that were in so many ways already a technology “infecting” our cells. If you want to become a polymath and enjoy a legacy that lasts, you must be willing to endure what Bök described as “36 different side quests” of complex projects, you must be willing to look at subjects and skills that seem “impossible” and learn them anyway. Ready to start your own “impossible” learning project? I have a guide that will help you develop your own curriculum: This Self-Education Blueprint will help you transform scattered curiosity into tightly interwoven levels of expertise. That way, the knowledge you accumulate gets put to use, and above all, helps others too.

Is the idea of “progress” the propaganda of the ruling class? Yes, according to Samuel Miller McDonald, author of Progress: How One Idea Built Civilization and Now Threatens to Destroy it. McDonald traces this “narrative formula” back 5,000 years to the first market empires in Mesopotamia—societies that were parasitic from the start, extracting from nature for profit and expansion. The Mesopotamian epic Epic of Gilgamesh, McDonald argues, is essentially a celebration of deforestation. Fast forward a few thousand years and modern industrialization didn't corrupt this system; it supercharged it. His solution? Sortition, agroecology, and dissolving elite power. “I have more faith in the general public,” he tells me about a contemporary world dominated by what he sees as extractive billionaires like Bill Gates and Peter Thiel, “than in people who seek positions of power and control.” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Welcome to this Edition of award-winning Everything Compliance. In this episode, we have the quartet of Matt Kelly, Jonathan Marks, and special guests Lisa Fine and Dr. Hemma Lomax with Tom Fox, the Compliance Evangelist, as host. 1. Matt Kelly looks at the recent Millicom Cellular FCPA enforcement action.  He shouts out to the ChatGPT em-dash and rants about the federal government's attempts to ban all state regulation of AI.   2. Jonathan Marks reviews the failures of internal controls in the NBA and MLB around the ongoing betting scandals. He shouts out MacKenzie Scott for her $70 MM donation to Historically Black Colleges and Universities (HBCUs) in 2025, continuing her support after a $560 million donation to 27 HBCUs in 2020.  3. Special Guest Panelist Dr. Hemma Lomax considers where Agentic AI in compliance is heading. She rants about ChatGPT em dashes and shouts out recent legal tech conferences.   4. Special Guest Panelist Lisa Fine looks at three key issues on her mind about compliance for 2026. She shouts out to the Compliance Week survey, Inside the Mind of the CCO, and encourages all listeners to participate.   5. Tom Fox shouts out to GenZ and their play with the numbers 6,7, and traces the use of numerology in texts back to the Book of Genesis and the ancient text of Gilgamesh.  The members of Everything Compliance are: Karen Woody is one of the top academic experts on the SEC. Woody can be reached at kwoody@wlu.edu Matt Kelly is the Founder and CEO of Radical Compliance. Kelly can be reached at mkelly@radicalcompliance.com Jonathan Armstrong is our UK colleague and an experienced data privacy/data protection lawyer in London. He can be reached at Armstrong@puntersouthall.law. Jonathan Marks can be reached at jtmarks@gmail.com Karen Moore is a principal at Sounding Board Compliance and can be reached at karen.moore@soundingboardcompliance.com The host, producer, and sometimes panelist of Everything Compliance is Tom Fox, the Voice of Compliance. He can be reached at tfox@tfoxlaw.com.  The award-winning Everything Compliance is a part of the Compliance Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to fan fav of Everything Compliance-Shout Outs and Rants. In this episode, we have the quartet of Matt Kelly, Jonathan Marks, and special guests Lisa Fine  and Dr. Hemma Lomax with Tom Fox, the Compliance Evangelist as host.  1. Matt Kelly shouts out to the ChatGPT em-dash and rants about the federal government attempts to ban all state regulation of AI.  2. Jonathan Marks shouts out to MacKenzie Scott for her donation of $700MM donation to Historically Black Colleges and Universities (HBCUs) in 2025, continuing her support after a $560 million donation to 23 HBCUs in 2020.  3. Special Guest Panelist Dr. Hemma Lomax rants about ChatGPT em-dashes and shouts out to recent legal tech conferences.  4. Special Guest Panelist Lisa Fine looks shouts out to the Compliance Week survey Inside the Mind of the CCOand encourages all listeners to participate.  5. Tom Fox shouts out to GenZ and their play with the numbers 6,7 and traces the use of numerology in texts back to the Book of Genesis and the ancient text of Gilgamesh.  The regular panelists of Everything Compliance-Shout Outs and Rants are: Karen Woody – Is one of the top academic experts on the SEC. Woody can be reached at kwoody@wlu.edu Matt Kelly – Founder and CEO of Radical Compliance. Kelly can be reached at mkelly@radicalcompliance.com Jonathan Armstrong –is our UK colleague and an experienced data privacy/data protection lawyer in London. He can be reached at Armstrong@puntersouthall.law Jonathan Marks can be reached at jtmarks@gmail.com Karen Moore is a principal at Sounding Board Compliance, and can be reached at moore@soundingboardcompliance.com   The host and producer, and sometime panelist of Everything Compliance is Tom Fox the Voice of Compliance. He can be reached at tfox@tfoxlaw.com.  The award-winning Everything Compliance is a part of the Compliance Podcast Network.

A Reason For Hope with Pastor Scott Richards! Sharing the Word one question of the heart at a time. Tags: Resurrected Bodies, Pro Choice Verses, and Gilgamesh

This month's episode of the Three Ravens Bestiary is all about one of our favourite topics - Wargs and Werewolves!We start with J.R.R. Tolkien, exploring how the species of intelligent wolf he invented - the Warg - combined Old English and Old Norse words and ideas, bringing different traditions of werewolf belief crashing into the public consciousness.It is this, brought into monster movies over time, that really created the 'Modern' werewolf.Though where does the werewolf's story begin?We're throwing a broad net on this one, including discussions of Skinwalkers and Wendigos, the Epic of Gilgamesh and the first-ever "man beast" in the form of Enkidu; we touch on the Classical myth of King Lycaon of Arcadia, transformed into a wolf due to his inhuman transgressions, and discuss how the Great European Werewolf Panic, which lasted for over 300 years, changed folk belief about the links between Black Magic and werewolves forever.It's a grand and sweeping story, and goes to explain a few things about why werewolves are pretty much always scary, why Wargs matter so much, and how modern cinema-goers are maybe a bit more like Odin than they probably realise.So, pull up your Wolf Pants, leave the silver bullets at home, and let's get lupine! Aroooo!Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Is the AI boom about to hit the ceiling? Josh and Jon nitpick Neil DeGrass Tyson, talk about Gilgamesh and dollar bills. A fake lawyer has incredible success. The Dad Bros read a couple of Emails and give a little attention to 3I/Atlas. Drink of the Show: Sycamore Jungle Juice SHOW LINKS Secret Link Visit... The post Ep 636 – Lack of Curiosity appeared first on Dad Bros.

Brendan Graham Dempsey is a metatheory researcher at the Institute of Applied Metatheory and host of the Metamodern Meaning podcast. His work bridges evolutionary theory, developmental psychology, and worldview studies, bringing empirical rigour to questions about how human consciousness and culture evolve. His latest book, Psyche and Symbolic Learning, is the second in a planned ten-volume series exploring these themes through the lens of hierarchical complexity and neo-Piagetian developmental frameworks. You can find Brendan's work at: Metamodern Meaning podcast: https://www.youtube.com/@BrendanGrahamDempsey Brendan's Substack: https://brendangrahamdempsey.substack.com/ Brendan's website: https://www.brendangrahamdempsey.com/ Our previous chats: Philosophy Wisdom and MetamodernismCritiquing MetamodernismIn this conversation, Brendan introduces me to the ambitious world of metatheory – an attempt to create a unified, coherent understanding of all human knowledge by bridging disciplines from neuroscience to sociology to the humanities. We explore his new role researching worldviews empirically at the Institute of Applied Metatheory, where he's working to bring scientific rigour to questions that have long been speculative: Can we measure the complexity of worldviews? Do cultures develop through predictable stages? How complex is the Bible compared to Homer, or a text message to your mam? We dive deep into hierarchical complexity, a psychological framework that quantifies the sophistication of thinking across domains and time periods. Brendan shares fascinating research comparing the cognitive complexity of ancient religious texts, from early biblical narratives to the Epic of Gilgamesh, revealing how literacy transforms meaning-making structures. We discuss the difference between metatheory and interdisciplinary work, why spiral dynamics isn't quite a metatheory, and how this research programme aims to give metamodernism and integral theory the empirical grounding they've long needed. This is a conversation for those curious about the big questions: How does all human knowledge fit together? Can we study worldviews scientifically? And what does it mean to truly understand complexity? ⏳ Timestamps 00:00 James's Intro 01:30 Brendan's new role at the Institute of Applied Metatheory 03:24 What is metatheory? Situating theories within a bigger picture 06:05 Cognitive science vs. metatheory: Where are the edges? 07:37 Consilience and the unified theory of knowledge 10:27 What is the “normal science” of metatheory? 15:14 Applying metatheory: From integral medicine to worldview research 20:48 Systematising worldview terminology: Paradigms, gestalts, and meaning-making structures 23:03 Measuring cognitive complexity in texts 24:11 Can we validate developmental claims empirically? 25:08 Hierarchical complexity and neo-Piagetian psychology 28:30 Dynamic skill theory: Why you're not “at a stage” 32:30 What does complexity mean? Is it like IQ? 33:00 Complexity as a scale of task performance, not hardware 35:05 Skill webs and context-dependent performance 37:12 Measuring texts: From texting your mam to ancient scriptures 42:14 Scoring the Bible: Early narratives vs. scribal texts 44:43 The documentary hypothesis and complexity differences in biblical sources 45:09 Literacy's impact: Hunter-gatherer texts vs. scribal complexity 46:24 Homer, Gilgamesh, and the wisdom of Ptahhotep: Comparing ancient complexity 49:48 Translation challenges in measuring ancient texts 56:49 Education, zip codes, and complexity gaps 59:28 Why developmental models are more optimistic than IQ 1:04:24 Metatheory and metamodernism: How they relate 1:03:15 Testing metamodern and integral claims about worldview development 1:04:24 Metatheory and metamodernism: How they relate 1:10:21 Integral theory and the metamodern landscape 1:12:03 Guest recommendations: Layman Pascal and Nick Headland 1:14:08 Where to find Brendan

The Epic of Gilgamesh is allegedly the Oldest Written Tale in Human History. We will cover this , as well as give a summary of the tale , in my style. Ill open the streamyard towards end, should anyone want to opine on this subject.********************************************************Get your What is Truth Merch Here!⁠⁠⁠⁠⁠https://whatistruthpodmerch.itemorder.com/shop/home/⁠⁠⁠⁠⁠Find all my links here⁠⁠⁠⁠⁠⁠https://linktr.ee/whatistruthpodcast⁠⁠⁠⁠⁠⁠⁠To catch a live show, Please Follow me on Odysee and Rumble!Please rate 5 stars if you enjoy the content! For vast majority of my content follow me on Odysee⁠⁠⁠⁠⁠⁠https://odysee.com/@Weezy:a⁠⁠⁠⁠⁠⁠Now on Rumble!⁠⁠⁠⁠⁠⁠https://rumble.com/user/Whatistruthpodcast⁠⁠⁠⁠⁠⁠Follow me on Twitter!⁠⁠⁠⁠⁠⁠https://twitter.com/WhatTruthPod⁠⁠⁠⁠⁠⁠Join our Telegram channel Group⁠⁠⁠⁠⁠⁠https://t.me/witweezy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@WHATISTRUTHTV⁠⁠⁠⁠⁠⁠Listen on your Favorite podcast player!⁠⁠⁠⁠⁠⁠https://www.minds.com/weezytruth/⁠⁠⁠⁠⁠⁠Daddygate Podcast⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/TheDaddyGatePodcast⁠⁠⁠⁠⁠⁠If you would like to "Tip" the show Click the Patreon Link. Support will help me improve the show. Much Love to all whom already have!⁠⁠⁠⁠⁠⁠https://www.patreon.com/What_is_Truth⁠⁠⁠⁠⁠⁠If you would like to join the WHAT IS TRUTH? PODCAST private FACEBOOK group, hit the link! Private Facebook group⁠⁠⁠https://www.facebook.com/groups/429145721412069/?ref=share⁠⁠⁠⁠⁠⁠Email WHATISTRUTHPODCAST@gmail.com

On va se plonger avec vous dans le plus vieux récit mythologique qui soit connu aujourd'hui : L'épopée de Gilgamesh Gilgamesh, le célèbre roi d'Ourouk , C'est l'histoire d'un roi qui à la mort de son ami, face à la douleur de sa perte, décide de parcourir le monde à la recherche de l'immortalité. Ca c'est le thème majeur de cette épopée, il y en a d'autres, plus mineurs qui sont développé au fil du récit. On en évoquera quelques-uns avec Yasmine Boudaka et son invitée Ariane Thomas, directrice du département des Antiquités orientales du Louvre Sujets traités : épopée, Gilgamesh, mythologie, roi, Ourouk, immortalité, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

El Dia de Todos Los Santos asociado al de Difuntos camina entre los vivos disfrazados de zombis, muertos vivientes a la manera Halloween. Sus raíces en el medievo y sus danzas macabras, me recuerda Ana Cristina Herrero, autora de "La Madre Muerte” como me recordaba Alonso Zamora Vicente, “Ven muerte, tan escondida que no te sienta venir...” o el “Gilgamesh” ( el 2º milenio a.C.) Cada una de las canciones desde "Alfonsina y el Mar” hasta las mías propias como “Memoria del Agua o "Tus Muertos” lo recuerda, "Recuerda que eres Mortal” (“memento mori”) iba repitiendo el esclavo al oido del general victorioso en su entrada triunfal. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Want more exclusive content?! http://prometheuslens.supercast.com to sign up for the "All Access Pass" and get early access to episodes, private community, members only episodes, private Q & A's, and coming documentaries. We also have a $4 dollar a month package that gets you early access and an ad free listening experience!====================ABOUT:Join me on my boy Nick's show, The Occult Rejects! This was my first time going on The Occult Rejects with Nick. Enjoy!====================

Episode: We're back with Tablet X of the Epic of Gilgamesh! Enjoy this next installment with Amy and Chris as Gilgamesh goes in search of Utnapishtim! Click to listen back to PART 1,  PART 2, PART 3, PART 4, PART 5, PART 6, PART 7, PART 8, PART 9, and PART 10. Hosts: Chris McKinny and Amy Balogh Image Attribution: Item CBS7771 at Penn Museum - https://www.penn.museum/collections/object_images.php?irn=245958#image1

On this episode Dan and Kevin cover: American work life, No Kings, BDSM monsters, that damn cardinal, accusations, setting the stage, Werewolves of Poligny, Gilles Garnier, pre-historic times, Gilgamesh, King Lycaon, bad geography, Peter Stumpp, propaganda, an entire family of wolves, child serial killer, the Hound of God, hysteria in decline, the Tallow Man, vampire vs werewolf, What We Do In The Shadows, and much much more!!Please like, subscribe, and follow where ever you listen.The Beard StrugglePodUp!PatreonMerchBuy Us A CoffeeYouTubeInstagramBlue SkyTiktokThe Sassholes Insta!!Music from Uppbeat (free for Creators!):https://uppbeat.io/t/all-good-folks/curiosityLicense code: 7QU9IW0B2IJBFZJYMusic from Uppbeat (free for Creators!):https://uppbeat.io/t/christian-larssen/suburban-honeymoonLicense code: 1OKNVEXYPW8QAYSHMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/kevin-macleod/bass-vibesLicense code: YYUZSRCQDGQROBB4Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/mountaineer/kick-backLicense code: QMHHB6U0M6H9WWENRead lessMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/albert-behar/tickling-the-ivoriesAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

en deux épisodes On va se plonger avec vous dans le plus vieux récit mythologique qui soit connu aujourd'hui : L'épopée de Gilgamesh Gilgamesh, le célèbre roi d'Ourouk , C'est l'histoire d'un roi qui à la mort de son ami, face à la douleur de sa perte, décide de parcourir le monde à la recherche de l'immortalité. Ca c'est le thème majeur de cette épopée, il y en a d'autres, plus mineurs qui sont développé au fil du récit. On en évoquera quelques-uns avec Yasmine Boudaka et son invitée Ariane Thomas, directrice du département des Antiquités orientales du Louvre Sujets traités : L'épopée , Gilgamesh, Ourouk, roi, récit, mythologique Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'épopée de Gilgamesh en deux épisodes On va se plonger avec vous dans le plus vieux récit mythologique qui soit connu aujourd'hui : L'épopée de Gilgamesh Gilgamesh, le célèbre roi d'Ourouk , C'est l'histoire d'un roi qui à la mort de son ami, face à la douleur de sa perte, décide de parcourir le monde à la recherche de l'immortalité. Ca c'est le thème majeur de cette épopée, il y en a d'autres, plus mineurs qui sont développé au fil du récit. On en évoquera quelques-uns avec Yasmine Boudaka et son invitée Ariane Thomas, directrice du département des Antiquités orientales du Louvre Sujets traités : L'épopée , Gilgamesh, Ourouk, roi, récit, mythologique Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Unlocked after 1 year for patrons only -- We examine the Epic of Gilgamesh as a piece of literature, for its strange dream-like style and form, its points of similarity to Biblical and ancient Greek and European mythology, and finally, its deep levels of psychological and political allegory, ultimately revealing the love between Enkidu and Gilgamesh as a parable of the fraught relationship between civilization and the wild. Image: Gilgamesh grappling with Enkidu; illustration by Wael Tarabieh. Our previous lecture on the discovery of the Library of Ashurbanipal, where the Epic of Gilgamesh was rediscovered: Historiansplaining – Unlocked-the-great-archaeological-discoveries-pt-3-the-library-of-ashurbanipal The SOAS's recordings of scholars reading Akkadian texts: https://www.soas.ac.uk/baplar/recordings Suggested further reading: George, "The Epic of Gilgamesh"; N.K. Sandars, "The Epic of Gilgamesh"; Heidel, "The Epic of Gilgamesh and Old Testament Parallels"; Stephen Mitchell, "Gilgamesh"; Michael Schmidt, "Gilgamesh: The Life of a Poem"; Rivkah Scharf Kluger, "The Archetypal Significance of Gilgamesh."

Final Fantasy V Part 5: Gilgamesh is the best - Episode 485 Matt's writing the notes again this week and he's not good at it! Uh... jokes! Funny things that we say in the ep! Gilgamesh is great, actually Why is the best animation in the game hidden in the credits? We finish Final Fantasy V We announce the next game And more!  This Week: Finish Final Fantasy V! Next Week: The first 7 chapters of South of Midnight! Our Patreon: http://patreon.com/squarerootspodcast Thanks to Steven Morris for his awesome theme! You can find him at: https://bsky.app/profile/stevenmorrismusic.bsky.social and https://www.youtube.com/user/morrissteven Contact Square Roots! Twitter: @squarerootspod Facebook: https://www.facebook.com/groups/486022898258197/ Email: squarerootspodcast (at) gmail (dort) com

Who were the Nephilim? Did fallen angels really take human wives? And what made God so grieved that He chose to flood the earth? In this eye-opening message from Genesis 5–6, Pastor Zach Terry dives deep into one of the most mysterious and controversial passages in the Bible. From ancient giants and demonic corruption to the preservation of Noah's line and the prophetic connection to the return of Christ—this sermon unpacks the truth behind the Nephilim, perverted marriages, and the spiritual warfare that shaped human history.

Who were the Nephilim? Did fallen angels really take human wives? And what made God so grieved that He chose to flood the earth? In this eye-opening message from Genesis 5–6, Pastor Zach Terry dives deep into one of the most mysterious and controversial passages in the Bible. From ancient giants and demonic corruption to the preservation of Noah's line and the prophetic connection to the return of Christ—this sermon unpacks the truth behind the Nephilim, perverted marriages, and the spiritual warfare that shaped human history.

Who were the Nephilim? Did fallen angels really take human wives? And what made God so grieved that He chose to flood the earth? In this eye-opening message from Genesis 5–6, Pastor Zach Terry dives deep into one of the most mysterious and controversial passages in the Bible. From ancient giants and demonic corruption to the preservation of Noah's line and the prophetic connection to the return of Christ—this sermon unpacks the truth behind the Nephilim, perverted marriages, and the spiritual warfare that shaped human history.

Unlocked after 1 year for patrons only: He is the earliest human being whose name and life story are known to history. We examine the origins and contents of the most ancient narrative ever found anywhere on Earth, and trace how it has been rediscovered, re-used, and re-translated in the modern world, becoming a living and evolving text in a time of anxiety over the fate of civilization. Please sign on as a patron in order to keep the podcast going and to hear patron-only lectures, including part 2 on the Epic of Gilgamesh! -- https://www.patreon.com/c/u5530632 Image: Sumerian bas-relief sculpture of a man subduing a bull, possibly representing Gilgamesh slaying the Bull of Heaven, 2200s BC. Our previous lecture on the discovery of the Library of Ashurbanipal, where the Epic of Gilgamesh was rediscovered: https://soundcloud.com/historiansplaining/unlocked-the-great-archaeological-discoveries-pt-3-the-library-of-ashurbanipal Suggested further reading: George, "The Epic of Gilgamesh"; N.K. Sandars, "The Epic of Gilgamesh"; Heidel, "The Epic of Gilgamesh and Old Testament Parallels"; Stephen Mitchell, "Gilgamesh"; Michael Schmidt, "Gilgamesh: The Life of a Poem."

In this live episode, Russ delivers his presentation on flood myths from around the world. It is amazing how many common elements are found in this common story that comes from the ancestors of so many different peoples! Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a paypal donation:https://paypal.me/snakebros

Welcome, my devilish fiends!Join me as we trace the roots of the vampire back to the women who came before her: Lamia, Lilith, and the succubi.These "monstrous" figures haunted ancient myth and medieval imagination, embodying male fears of female power, pleasure, and autonomy. Long before Dracula, they turned desire into danger and defiance into sin. Their stories reveal how myth and theology worked together to make women's power appear monstrous and how those same fears still shape the vampire we know today. So, close your doors and windows, turn off the lights, get cozy, and join me... ***Listener Discretion is Strongly Advised*******************Sources & References:Epic of Gilgamesh – references to lilītu demons.The Alphabet of Ben Sira.The Zohar (Book of Splendor).Philostratus, Life of Apollonius of Tyana.Heinrich Kramer and Jacob Sprenger, Malleus Maleficarum.King James VI of Scotland, Daemonologie.John Keats, Lamia.Sarah Iles Johnston, Restless Dead: Encounters Between the Living and the Dead in Ancient Greece (University of California Press, 1999).Daniel Ogden, Drakōn: Dragon Myth and Serpent Cult in the Greek and Roman Worlds (Oxford University Press, 2013).Judith Plaskow, The Coming of Lilith: Essays on Feminism, Judaism, and Sexual Ethics, 1972–2003 (Beacon Press, 2005).Gershom Scholem, Kabbalah (Quadrangle/New York Times Book Co., 1974).Raphael Patai, The Hebrew Goddess (Wayne State University Press, 1990).Jeffrey Burton Russell, Witchcraft in the Middle Ages (Cornell University Press, 1972).Deborah Lyons, Dangerous Gifts: Gender and Exchange in Ancient Greece (Princeton University Press, 1997).Diane Apostolos-Cappadona, Dictionary of Women in Religious Art (Oxford University Press, 1996).Nina Auerbach, Our Vampires, Ourselves (University of Chicago Press, 1995).Paul Barber, Vampires, Burial, and Death: Folklore and Reality (Yale University Press, 1988).Barbara Creed, The Monstrous-Feminine: Film, Feminism, Psychoanalysis (Routledge, 1993).Marina Warner, From the Beast to the Blonde: On Fairy Tales and Their Tellers (Farrar, Straus and Giroux, 1995).****************Leave Us a 5* Rating, it really helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************MUSIC & SOUND FX:"Beast by Beast" by Edward Karl Hanson"An Obsession" by DayonEpidemic SoundFind the perfect track on Epidemic Sound for your content and take it to the next level! See what the hype is all about!

Gilgamesh is the oldest and greatest hero of recorded human legend. The epic as a whole questions what it means to be human, warns of the dangers of spurning a beautiful woman, and meditates deeply on the meaning of immortality. All that plus a good adventure story at the same time! James Bleckley of the Oldest Stories Podcast sits down with Nathaniel Heutmaker of the Grail Sciences Podcast to discuss this ancient tale from both an historical and an occult perspective. The Grail Sciences Podcast covers the deeper meaning of the Holy Grail and a variety of occult topics. Nathaniel is deeply read in a variety of world traditions, and expertly weaves it all together over at grailsciences.com/The Oldest Stories Podcast covers the history, myth, and culture of ancient Mesopotamia, from the invention of writing until the fall of Nabonidas. James has been filling out the story of the oldest civilization for over 6 years at oldeststories.net

This conversation with Peter delves into the rich history and culture of Britain, exploring the interplay between myth and reality, particularly through the lens of Arthurian legends and the influence of Christianity. We also delve into the exploration of ancient civilizations, focusing on archaeological finds, the Neolithic period, and the connections between zodiac symbols and historical narratives. We discuss the significance of cultural exchanges, the influence of geography on ancient societies, and the legacy of figures like Arthur in the context of myth and history. Peter also touches on the idea of secret knowledge being passed down through generations, highlighting the intertwining of history and mythology in understanding our past. We look for connections between the Holy Grail, the Bronze and Iron Ages, and the historical context of King Arthur.   Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Introduction to the Brothers of the Serpent Podcast 04:43 The Legends of Lud and His Sons 12:04 Historical and Mythological Figures in Welsh Tradition 16:29 The National vs. Regional Arthur 18:12 The Significance of Memorials and Inscriptions 20:59 Discussion on Archaeological Findings 25:36 The Significance of Burial Practices 27:26 Christianity's Arrival in Britain 30:11 Joseph of Arimathea's Role in Early Christianity 33:07 Cultural Interactions and Language Barriers 36:01 Legends of Jesus' Missing Years 38:33 Neolithic Monuments and Their Mysteries 43:00 The Zodiac and Ancient Mapping 47:16 Exploring the Legacy of Arthurian Legends 47:45 Exploring Ancient Monuments and Zodiacs 49:12 The Transition from Neolithic to Bronze Age 51:17 The Story of Queen Albine and Her Legacy 52:39 Cultural Exchanges and Influences in Ancient Britain 56:20 The Role of Adventurers in Knowledge Exchange 01:01:25 Connecting Myths: The Epic of Gilgamesh and Welsh Traditions 01:07:23 The Significance of Mapping and Surveying in Ancient Cultures 01:12:16 Hidden Knowledge and Ancient Traditions 01:15:25 The Glastonbury Zodiac and Its Significance 01:19:10 Arthurian Legends and Secret Knowledge 01:22:38 The Ark of the Covenant and the Holy Grail 01:24:45 The Bronze Age and Trade Routes 01:32:39 Hillforts and Their Historical Context 01:38:40 Political Upheaval and Innovation 01:40:59 Chariots: A Historical Perspective 01:42:58 The Continuation of Ancient Traditions 01:44:06 The Etruscans and the Fall of Troy 01:44:57 The Legend of King Arthur 01:48:09 Mythologizing Historical Figures 01:52:00 The Role of Oral Tradition 02:00:00 Druidism and Its Evolution 02:10:00 Cultural Interactions and Historical Contexts

Listen to JCO's Art of Oncology article, "A Fight Bigger Than Myeloma” by Dr. Adeel Khan, an Assistant Professor of Medicine and Public Health at UT Southwestern. The article is followed by an interview with Dr. Adeel Khan and host Dr. Mikkael Sekeres. Dr. Khan shares the story of a patient whose multiple myeloma diagnosis and treatment serves as a reminder of the civil liberties progress we've made and that we have more to go. TRANSCRIPT Narrator: A Fighter Bigger Than Myeloma, by Adeel M. Khan, MD, MPH, MS  I met her during the early part of my clinical training in hematology/oncology. She was in her late 70s, dressed in a rust-colored cardigan and a headwrap with patterns that reminded me of Ghanaian kente cloth. Her eyes were sharp, her tone polite but direct. You could tell from the moment she spoke that she had lived a life where she had to advocate—for herself, for her family, for her place in rooms that were not always welcoming.  Her chart said “multiple myeloma, R-ISS II,” but it did not say that she had first come to an emergency room at least a year earlier complaining of back pain and fatigue and had been told it was probably arthritis or old age. It did not mention that she had seen three different doctors before someone ordered the laboratory tests that finally began to work up her anemia and increasingly compromised kidney function. It would take another trio of doctors to eventually order a magnetic resonance imaging whose ghostly lytic lesions led down the path to a bone marrow biopsy and her cancer diagnosis. When I brought this up gently during one of our early appointments, she looked at me and said, “They don't hear pain the same when it comes from someone like me.” As a Black woman from the Deep South, she had grown up learning how to navigate a health care system that did not always believe her. She told me stories about being dismissed, misdiagnosed, and interrupted. She was born into an era of structural violence where she would be ignored at best and mistreated at worst. She carried the weight of those moments, but she also carried strength, and clarity, and the kind of dignity that made people sit up straighter in their leather chairs when she entered the room. She was one of the most quietly revolutionary people I have ever known, having grown up during a time of civil rights activism. She had even taken part in bending Dr King's long arc of the moral universe toward justice and could share story upon story from her glory days. Her myeloma treatments were not easy. Chemotherapy rarely is. She shared that there were days when her body was tired of fighting, when her bones ached, her blood counts dropped, and her neuropathic pain throbbed. In the back of my mind, I thought how tragic it was that her delayed diagnosis added unnecessary complications and whether she too thought of that. She was fully mindful of the issues people with her skin color faced in our American healthcare system and society as a whole and revealed how that motivated her to carry forward. “If I don't take up space here,” she told me once, “then someone else like me won't either.” Over the course of our visits, I came to understand that she did not see her myeloma as the hardest fight of her life. Not by a long shot. Her primary struggle was centered on life in Birmingham in the 1950s where separate but equal was still the law of the land; her mother cleaned houses, her father worked odd jobs, and her own prospects were uncertain. She admired the writings of Richard Wright and Jean Toomer and was not shy in sharing her passions. One day, during a particularly tough visit—her disease had progressed and we were down to limited options—I found myself meandering. We went through the usual workup and discussions: laboratory test results, symptoms, and treatment options. I offered the prospect of clinical trials, but she shook her head gently and said, “I've done my time in experiments—I can't give myself to a system that gave my people so little.” I paused. It was the first hint of what would become a larger conversation—not just about medicine, but about history. She was well aware of the atrocities of the Tuskegee syphilis trials in her home state, the Kligman experiments on incarcerated Black men, and the forced sterilization of women of color. As dependent upon medicine as she was in her old age, it carried a bloody stain of dehumanizing racism that soured her against it. Outwardly, I had little in common with her. As a young South Asian man growing up in times more conscious of racial injustice, I was far removed from these historical crimes. Although I learned of them during my education, I did not internalize their impact on the patients in front of me in clinic. But through her I came to comprehend just how scarring and enduring these events can be and how they can rob someone of trust. And the truth is the health care system had not treated her well. She had personal stories of doctors who did not believe her pain, nurses who assumed she was uneducated,  and being passed over for better options, better care, and better answers. “But I kept showing up,” she said. “Because that's what we do. We show up even when we're not wanted.” Her stories to me were revelations. In her younger years, she had helped organize teachers at her school when they tried to fire a fellow Black teacher who seemingly spoke too loud in a meeting. She had lived through redlining, through the crack epidemic, through watching young Black men vanish into prisons, and still she rose every day and worked as a public school teacher for decades. She worked for a system that largely did not work for her. I came to admire that about her—that in simply living day-to-day life with plain dignity and acute awareness of society's issues, she promoted change by living it. “You want to talk about cancer?” she once said, half laughing. “Try walking into a bank in 1972 with a good credit score and a Black face. That's a disease this country still hasn't cured.” Curiously, she did not say these things with bitterness. Not even anger, really. Just clarity. Like someone who had long ago made peace with the truth, even if it was sharp. In clinic, she challenged my every assumption—about treatment tolerance, about compliance, about who is difficult, and who is “advocating.” And she taught me to look differently at the ways bias lingers in medicine. Not just in data or policies, but in subtle moments: the tone we use when explaining options, the hesitations in our tests and referrals, and the assumptions we may not even realize we are making. And she did not just expect good care—she demanded it. She told me early on, “Don't you treat me like I'm anything other than your mother.” That landed. And in seeing patients before me now, I remind myself to wonder who they were in their past lives, what baggage burdens them, and how it all shapes their perspectives. So from my view, she fought multiple myeloma with everything she had, but from hers, she fought something bigger: an entire system shaped by inequality. And ultimately, she made me better to realize that, not just as a doctor, but as a human being. In my years since knowing her, completing my training, and beginning my practice, I reflect on her grace. I think not just about her life, but what it means to practice medicine in a world that often forgets what patients carry with them into the clinic—generations of weight, of injustice, of strength. Mikkael Sekeres: Welcome back to JCO's Cancer Stories, The Art of Oncology. This ASCO podcast features intimate narratives and perspectives from authors exploring their experiences in oncology. I'm your host, Mikkael Sekeres. I'm Professor of Medicine and Chief of the Division of Hematology at the Sylvester Comprehensive Cancer Center, University of Miami. I am so happy that today we are joined by Adeel Khan, who's Assistant Professor of Medicine and Public Health at UT Southwestern in Dallas to talk about his Journal of Clinical Oncology article, “A Fight Bigger than Myeloma.” Our guest's disclosures will be linked in the transcript. Adeel, thank you so much for contributing to JCO and for joining us to discuss your article. Adeel Khan: Thank you so much for having me. It's a pleasure to be here. Mikkael Sekeres: Adeel, I don't want to be disingenuous to our readers by acting as if we've just met. You and I have known each other for a decade since you were still in your training. I wonder if for our listeners you can tell us a little bit about yourself, where are you from and and walk us through your career so far. Adeel Khan: More than happy to. So, I grew up mostly in Oklahoma, but I've sort of lived around in the Northeast and here in the Southwest where I am currently. I did college at the University of Oklahoma. I did medical school at the University of Michigan. I did residency with good fortune at the Cleveland Clinic where I happened to get to know you and have continued to know you since. I did my fellowship then in hematology oncology at Beth Israel Deaconess in the Harvard system and along the way of all that I did a Masters of Public Health at Harvard and a Masters of Science and Epidemiology at Columbia, and that pinball finally settled here to UT Southwestern here in Dallas which I am very happy to make my second home. Mikkael Sekeres: That's great. I will say just for our listeners you've been a superstar since the moment you were a resident. It's been a real treat for me to get to know you over the years. Adeel Khan: Thank you so much. Mikkael Sekeres: Can you tell us a little bit about your own story as a writer? You're a good writer. We get submissions from some really good writers every single week. It's a real privilege to be an editor for the Art of Oncology section and it's always reinvigorating to me to see how many good writers there are in medicine. How did you start your journey as a writer and how long have you been writing reflective narrative pieces? Adeel Khan: I would say if I went back to let's say high school, you know, people tend to be divided into kind of like the sciency types versus the literary arts types and you're kind of an either/or, you know, you didn't really have as much crossover then. But you know, I actually didn't mind when we had an essay due and I liked writing back then, and when I entered college I did a minor in English because I actually did enjoy that and I just liked the idea of being able to put your thoughts on paper in a way immortalizing them. Adeel Khan: And then as I sort of pursuing medicine more and more, publishing is really- it has all kinds of flavors to it and scientific publishing is obviously what has been emphasized, but you know, there's so many things to talk about within medicine. There's the science and the art of the field, and as I've moved along, I've written different pieces focusing really on patient stories and interactions. And I think my motivation has always been that as I have gotten particularly nowadays increasingly busy, I've had the fortune and misfortune of becoming more and more busy, it's easy to lose the opportunity to really connect with people that makes what we do meaningful. And so in those times when you know, and they can be rare, but when you really get to connect with someone in front of you who you're helping to care for, it's really refreshing and it's rejuvenating and I've tried to keep that with me as long as I can as I've gone through my journey. Mikkael Sekeres: There's a lot of jumping off points from what you just said, Adeel. I wonder if I can start with do you consider yourself an English major who's good at science or do you consider yourself a scientist who's a good writer? Adeel Khan: I think I'm too humble to say either. I think I was really a science major who just happened to like writing and reading and kept that as a part of myself. Mikkael Sekeres: Because I think there are a cadre of doctors who are actually English majors and have learned to turn science into storytelling and that's their entrée into science and medicine. I remember I talked for a while with David Scadden about this. He's a brilliant translational scientist who's based at Mass General who also teaches a writing course to the Harvard undergrads and who was an English major when he was an undergrad at Case Western. We've talked about this, about how there are people, I'll include myself in this, who just think different, who probably have these liberal arts brains and they figured out a way to convert science into a way a liberal arts person can understand it. Adeel Khan: Yeah, I mean narrative medicine has been I think around all along and it has only kind of been recently named as a field, but I mean it very much speaks to that that there's so much more than just G proteins in medicine. Mikkael Sekeres: I'm thrilled to hear that by the way. You mentioned you were an English minor. Are there particular writers who are an influence on you or can you talk about what's the most recent book or article you've read? Adeel Khan: Oh, that is a great question. Paulo Coelho is someone I've liked for a long time, The Alchemist. I really liked it because I read it after I had lived in Egypt. I lived in Egypt between college and med school as a study abroad program, and I had actually been to the Faiyum Oasis where the protagonist in that story ends up. And so it was just a fascinating story to me that I could trace some of the steps that are discussed in the book and it's so much- it's a story about self discovery which at that phase of life that I was in was you know, very much a theme of my own life. And so that's one that definitely stands out in my head. Mikkael Sekeres: Do you think reading pieces outside of medicine makes you a better scientist? Adeel Khan: I think absolutely. I think it makes you a better human being. In some ways I lament that so much of what I do reading now is so much just about what's in the field, what's new in myeloma, what's new in hematology oncology and I sort of miss the escape to reading other things and being able to pursue it. And even broader than just what a novel really offers. I mean, I grew up reading comic books too and I've always loved superheroes and fiction whether it's Star Wars and other things. And really they're just stories and the medium- there might be connotations whether it's a comic book or a or a novel, but they're just different mediums, but the fact that they're just stories is fundamental. I actually think to myself that it's so fascinating that the earliest piece of writing that we've really retained as human beings is we believe, the Epic of Gilgamesh, which is really a story of a superhero when you think about it, you know, and it's it's fiction, it's phantasmic in so many ways. But it speaks to how stories are just vital as people. Mikkael Sekeres: And what is it about graphic novels or my kids now of course call them graphic novels. We're not allowed to call them comic books. Adeel Khan: As they've been renamed, yeah. Mikkael Sekeres: What is it about graphic novels or comic books or the story of a hero that appeals to us in medicine? Adeel Khan: I think it's in some ways a parable of what we're doing. There's something so powerful and fundamental about this idea of good-evil and we can rename it in different ways, but that you're trying to overcome something that's an issue, an obstacle. And when you think about what we do in- particularly in oncology, that's very much what we're trying to do. We're trying to overcome an illness, a disease, to try to help the person in front of us. And it has different aspects to it. It could be someone pursuing something in a lab, it can be treating someone in front of you in clinic, but that simple dichotomy of there's something good about what you're doing because there's something bad in front of you is just the fundamental that runs through it all. Mikkael Sekeres: It's fascinating. I wonder if 30, 40, 50 years ago people would have said, “Oh, it's because the doctor is the hero,” but we don't view ourselves that way anymore. The patient is the hero. I love how you posit this as a good versus evil, the evil of course being cancer and the good everything that our patients do and that we try to to help to do to overcome that. Adeel Khan: For sure. Mikkael Sekeres: You wrote a really great essay about a woman who was a patient of yours. Can you tell me a little bit about what inspired you this time to make this connection and to write about this woman? Adeel Khan: Within the past year or so as I had been just really- the fortune and misfortune of getting busier, I lamented that I just wasn't able to spend as much time with patients in the way that I used to. One of the beauties of medical school and you know, to some degree residency and certainly fellowship is that you just have a little bit more time as a trainee, student and trainee where you can really bond with your patients I think a little bit more. And so in trying to kind of refresh my motivation, I was thinking about just kind of randomly some stories that I've kept in the back of my mind and this patient's story is one that stood out to me as I was recalling things. It was so fascinating to me because she had the disease which I now focus on. And the way that she viewed it and the way that she viewed it as a part of her life was just so different than what I think most people think of. And in that way it was very revitalizing that her focus in her life was part of a broader theme of the way that I think she viewed society. And this was just one piece of her own part of that much, much larger puzzle. Mikkael Sekeres: You really write lovingly about her and about how meaningful her context was in how you cared for her and what her experience was in the medical system. I wonder if I can read a little bit of what you wrote because it really did grab me as well. I'm going to start out by quoting you where you say, “Outwardly, I had little in common with her. As a young South Asian man growing up in times more conscious of racial injustice, I was far removed from these historical crimes. Though I learned of them during my education, I did not internalize their impact on the patients in front of me in clinic. But through her, I came to comprehend just how scarring and enduring these events can be and how they can rob someone of trust.” Wow, there's a lot there. Could you start with what was your perspective as a young South Asian man growing up in Oklahoma and what your view was of racial injustice compared to what her experience was of racial injustice? Adeel Khan: Yeah, I have to admit I don't know that I thought that much of it back then and I think that that's part of what it is. You know, being someone who was South Asian, I'm Pakistani, I have Indian roots, and coming into American history and as we learned about it there's so much about slavery and the theme of slavery unfortunately and and the struggles that enslaved peoples have. And you know, as a relatively recent immigrant, I didn't see myself in that narrative. I didn't see myself in that historical reality. But I knew about it intellectually, you know, I knew about the Tuskegee Syphilis Experiments, you know, I learned about all these things and and you learned about how atrocious so much of it is. But again, not being so directly connected, I did not put myself in that same role as someone to view it so close to myself. I will say it hit a little bit more after 9/11 when you know, I was randomly stopped at airport security a little bit more often in those days and again, I think that speaks to racial injustices, you know, I was certainly profiled looking back then, I've been held by TSA in the past, but even that is very minor compared to what African Americans have dealt with here. And this patient in just kind of sharing her tidbits during our time together, I was not directly asking her so much of this. She was really offering a lot of it to me as we would talk and she would be very generous in sharing parts of her story. And over time I kind of understood the broader narrative of her life. You know, it was clear how much of all that was actually in the forefront of her head. Adeel Khan: And I think she might have been a little bit more unique in the way that she kept it there, but she was hyper vigilant of issues of society and the roots that brought a given society to where it is here. I kind of got to know her, this is during the COVID pandemic and this was after the injustice of what happened to George Floyd and so it was a theme that I think people were talking about more and so I think she felt comfortable in saying really what was quite a bit that was stewing in the back of her head seemingly at all times. Mikkael Sekeres: It's so interesting you talk about what you endured after 9/11 as being, I'm going to quote you now, “minor” compared to what she's been through, but even a minor affront like that can really compromise your trust. You write about her, “As a Black woman from the deep South, she had grown up learning how to navigate a healthcare system that did not always believe her.” Can you expand on that a little bit? How is it that the healthcare system didn't believe her and what can we do going into interactions with patients from different backgrounds where we're incorporating that there's a compromise of trust and we have to make up for that? Adeel Khan: Yeah, and I think you know, it's so unfortunate that so many people have stories like this where, in her case really it was back pain that was her presenting symptom. This is long before she knew me. And she'd had the back pain for quite some time, but being an older woman, she was in her 70s at that time, she was not in phenomenal health for other reasons. It sounds like she was just kind of ignored, told that it was old age, tendon changes, she did not have meaningful imaging for some time. When she finally did after seeing a slew of different providers, that's when it was revealed like there's something more significant here. And then when you kind of piece that a little bit retrospectively and I think she certainly sensed this and I did when I- hindsight's always 20/20, when I looked through things, it's like, well, this probably could have been caught much earlier. It's just that no one really I think listened to what she was speaking to with her pain and the gravity that was actually behind it. And it just speaks to the fact that I think we have to be more thoughtful in what we take away from patients and not to ignore even small comments because they might be revealing of something much bigger behind them. Mikkael Sekeres: You quote her, you have some really great quotes in your essay where you just listen to what she says and transcribe it because what she says is very meaningful. And one of the quotes you provide from her is, “They don't hear pain the same when it comes from someone like me.” Wow. “When it comes from someone like me,” someone like her, how was it that people weren't hearing her description of pain, something that was different that was going on in her body and how can we be more attentive to people when they complain about things like pain? Adeel Khan: It's unfortunate that there's even known data to show how depending upon a patient's melanin content in their skin, how likely they are to get pain medications and what happens to them is different and this is an unfortunate example of that where I think she just wasn't heard properly. And so it wasn't addressed properly and she was not shy about saying that. I mean I think she sensed that. She was very clear in feeling that herself and in wanting to have better care, she was still prevented and hence why she had to go from provider to provider. Mikkael Sekeres: You've lived in a bunch of different places in the country. I mean, following your path, you've been in Oklahoma, you've been in Michigan, Ohio, Massachusetts, and now Texas. Do you think that we as providers have to have different levels of sensitivity depending on where in the country we're practicing and how some of our patients' trust in healthcare may have been compromised in those different parts of the country? Adeel Khan: I think absolutely. I mean this particular patient was from Alabama which has a heavy history that she was again very aware of and for those of us reading history books are also very aware of too. And it's interesting how, while the U.S. is in some ways- has some aspects that are monolithic, but it's very much not so. It's very patchy and people are different, you know, if I take one theme that we're talking about here is obviously racial injustice, but if you take something like obesity, you know, prevalence rates are very different throughout the country and attitudes surrounding it are also very different. And I think we do- ought to be mindful that in treating the patient in front of us, it's not done without context. And so how they view their illness and their situation is going to be different depending upon the state, depending upon the city, depending upon actually even the era that they grew up in. So I would say now, if you took actually a similar patient, but you put her in a very modern context post-year 2000, she's likely to have different feelings of the situation around her than someone who was born in this case in the 1940s. And that just speaks to the fact that circumstances change and we should be recognizing that as providers, even though it's not always easy to. Mikkael Sekeres: Well, it just emphasizes how very important it is to know the history of the place where we practice and how it's affected our patients' perceptions of healthcare and trust and being cared for, particularly now as there's such a movement to whitewash that history and eliminate it from major institutions like the Smithsonian. It has been such a pleasure to have Adeel Khan here. He is Assistant Professor of Medicine, Public Health at UT Southwestern in Dallas and wrote just a great JCO article called “A Fight Bigger Than Myeloma.” Adeel, thank you so much for submitting your article and for joining us today. Dr. Adeel Khan: Thank you so much for having me. It's been a pleasure. Mikkael Sekeres: If you've enjoyed this episode, consider sharing it with a friend or colleague or leave us a review. Your feedback and support helps us continue to have these important conversations. If you're looking for more episodes and context, follow our show on Apple, Spotify, or wherever you listen and explore more from ASCO at ASCO.org/podcasts. Until next time, this has been Mikkael Sekeres for JCO Cancer Stories: The Art of Oncology. The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement.   Show Notes Like, share and subscribe so you never miss an episode and leave a rating or review.  Guest Bio: Dr Adeel Khan is an Assistant Professor of Medicine and Public Health at UT Southwestern.

Bonjour à tous et bienvenue dans Callisto, le Podcast qui vous fait voyager à travers les récits mythiques et les légendes !Dans la ville d'Uruk, en Mésopotamie, le roi Gilgamesh n'était pas un roi très sympathique, il était excessif et intransigeant avec son peuple. Pour le châtier, les dieux décidèrent de lui envoyer un rival, Enkidu, qui représentait l'exact opposé de Gilgamesh. Les deux hommes se rencontrèrent et s'affrontèrent en duel, mais aucun d'eux n'arrivera à vaincre l'autre. Ils prirent alors conscience qu'ils étaient complémentaires et qu'à deux il est toujours plus facile d'accomplir de grandes choses…Bonne écoute !

Stories about human beings transforming into wolves are as old as literature itself. Even the ancient Mesopotamian Epic of Gilgamesh featured a story of a man becoming a wolf. The Werewolf may be one of our most ancient and historically durable monsters. Could Werewolf stories reflect a distant, if blurry, historical memory? Belief in real werewolves seems to have peaked during the witch-panics of 16th and 17th centuries. How should we understand the people who confessed to being real werewolves? Tune-in and find out how sympathetic wounds, enchanted girdles, and werewolf ointment all play a role in the story. Join OFH in Greece in 2026! Click HERE to explore the itinerary!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

HEADLINE: Ancient Mesopotamian Literacy, Math, and the Epic of Gilgamesh GUEST NAME: Moudhy Al-RashidSUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Mesopotamian education teaching advanced mathematics and writing in Sumerian and Akkadian, preserved on homework tablets. The Epic of Gilgamesh, dating to a likely real king around 2800 BCE, tells of a tyrant's transformation into a wise king after learning that life concerns community survival 1700 BABYLON

HEADLINE: Ancient Mesopotamian Literacy, Math, and the Epic of Gilgamesh GUEST NAME: Moudhy Al-RashidSUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Mesopotamian education teaching advanced mathematics and writing in Sumerian and Akkadian, preserved on homework tablets. The Epic of Gilgamesh, dating to a likely real king around 2800 BCE, tells of a tyrant's transformation into a wise king after learning that life concerns community survival 1932 BABYLON

CBS EYE ON THE WORLD WITH JOHN BATCHELOR THE SHOW BEGINS IN THE DOUBTS ABOUT THE AMERICAN ECONOMY AND THE CONSUMER 1940 LONDON   10-3-25 FIRST HOUR 9-915 Slow Rebuilding and Political Manipulation in LA Fire Areas Guest Name: Jeff Bliss Summary: Rebuilding fire-damaged areas like Pacific Palisades is agonizingly slow, potentially taking 9 to 20 years, causing residents to abandon their homes. Red tape delays permit issuance, possibly benefiting real estate speculators, including foreign buyers. There is concern that political leaders are pushing to reshape these communities by moving in tall, low-cost housing. 915-930 Economic Slowdown Evident in Local Consumer Spending and Housing Guest Name: Jim McTague Summary:Despite lower gas prices in Lancaster County, a ripple effect from declining Asian imports is expected. Consumer caution remains high, with "English" shoppers buying essentials and avoiding expensive electronics. Local diners show less vibrancy, suggesting the economy has lost "some spring in its step." High-end real estate sales have also notably "dried up." 930-945 HEADLINE: Trump's War on Cartels and Venezuela Intervention; Supreme Court Takes Up Federal Reserve Governor Firing Case GUEST NAME: Richard Epstein SUMMARY: John Batchelor speaks with Richard Epstein about President Trump's "war" against drug cartels and potential Venezuela intervention, which Epstein deems unlawful executive overreach due to congressional inertia. He suggests overthrowing Maduro would be more strategic. The Supreme Court scheduled oral arguments regarding presidential power to fire Federal Reserve governors, specifically Lisa Cook, addressing the future of independent agencieS. 945-1000 HEADLINE: Trump's War on Cartels and Venezuela Intervention; Supreme Court Takes Up Federal Reserve Governor Firing Case GUEST NAME: Richard Epstein SUMMARY: John Batchelor speaks with Richard Epstein about President Trump's "war" against drug cartels and potential Venezuela intervention, which Epstein deems unlawful executive overreach due to congressional inertia. He suggests overthrowing Maduro would be more strategic. The Supreme Court scheduled oral arguments regarding presidential power to fire Federal Reserve governors, specifically Lisa Cook, addressing the future of independent agencieS. SECOND HOUR 10-1015 Need for Pentagon Leadership in Fortifying US Infrastructure Against Adversaries Guest Name: Henry SokolskiSummary: Russia is allegedly already waging hybrid war against the EU via cable cutting and cyber assaults, which is expected to reach the US. The US is unprepared organizationally. The Pentagon (Secretary of Defense) should lead hardening and proliferation efforts for targets like the electric grid and nuclear plants, but they are currently resistant to doing so publicly. 1015-1030 Need for Pentagon Leadership in Fortifying US Infrastructure Against Adversaries Guest Name: Henry SokolskiSummary: Russia is allegedly already waging hybrid war against the EU via cable cutting and cyber assaults, which is expected to reach the US. The US is unprepared organizationally. The Pentagon (Secretary of Defense) should lead hardening and proliferation efforts for targets like the electric grid and nuclear plants, but they are currently resistant to doing so publicly. 1030-1045 Interstellar Comet 3I Atlas and Martian/Jupiter Missions Guest Name: Bob Zimmerman Summary: Comet 3I Atlas is the third identified interstellar object and the second interstellar comet, much larger than previous ones. Its path brings it within about 20 million miles of Mars, but it is currently blocked by the sun. NASA and European teams are attempting to get data using Mars orbiters and rovers, though the resolution may not match Webb's spectroscopy. Europe is also considering re-aiming the Juice mission. 1045-1100 Webb Telescope Challenges Cosmology Theories with 'Little Red Dots' Guest Name: Bob Zimmerman Summary:The Webb Space Telescope is finding mysterious "little red dots" in the very early universe, observed via infrared due to redshift. Astronomers speculate these might be supermassive black holes, which shouldn't exist so early, challenging the Big Bang theory itself. About 30% of these dots do not appear compact when viewed in ultraviolet light, resembling galaxies instead. THIRD HOUR 1100-1115 HEADLINE: Princess Ennigaldi-Nanna's Chamber: An Early Mesopotamian Museum GUEST NAME: Moudhy Al-Rashid SUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Princess Ennigaldi-Nanna, high priestess to moon god Sin in Ur, who maintained ancient artifact collections in her palace. Items 1,500 years older than her time, alongside cylindrical clay labels, suggest the chamber functioned as the world's earliest known museum, establishing links to ancient history. 1115-1130 HEADLINE: Princess Ennigaldi-Nanna's Chamber: An Early Mesopotamian Museum GUEST NAME: Moudhy Al-Rashid SUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Princess Ennigaldi-Nanna, high priestess to moon god Sin in Ur, who maintained ancient artifact collections in her palace. Items 1,500 years older than her time, alongside cylindrical clay labels, suggest the chamber functioned as the world's earliest known museum, establishing links to ancient history. 1130-1145 HEADLINE: Ancient Mesopotamian Literacy, Math, and the Epic of Gilgamesh GUEST NAME: Moudhy Al-RashidSUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Mesopotamian education teaching advanced mathematics and writing in Sumerian and Akkadian, preserved on homework tablets. The Epic of Gilgamesh, dating to a likely real king around 2800 BCE, tells of a tyrant's transformation into a wise king after learning that life concerns community survival 1145-1200 HEADLINE: Ancient Mesopotamian Literacy, Math, and the Epic of Gilgamesh GUEST NAME: Moudhy Al-RashidSUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Mesopotamian education teaching advanced mathematics and writing in Sumerian and Akkadian, preserved on homework tablets. The Epic of Gilgamesh, dating to a likely real king around 2800 BCE, tells of a tyrant's transformation into a wise king after learning that life concerns community survival FOURTH HOUR 12-1215 Positive Outlook for US-Canada Trade and Middle East Peace Guest Name: Conrad Black Summary: Canadian Prime Minister Mark Carney is meeting with President Trump to discuss economic and security issues, aiming to remove US tariffs. Trade discussions look positive following the Canadian election. Carney also specifically endorsed President Trump's proposed Middle East peace deal, which has major Arab and non-Arab Muslim powers supporting it, deeming it one of the greatest diplomatic achievements since World War II. 1215-1230 8. Italian Political Scandals and the Reinstatement of St. Francis Holiday Guest Name: Lorenzo Fiori Summary:Prime Minister Giorgia Meloni and two ministers face ICC investigation for failing to detain a Libyan warlord, citing risks to Italian workers in Libya. Separately, Italy's Senate unanimously approved reinstating a national holiday honoring St. Francis of Assisi, Italy's patron saint, 800 years after his passing. 1230-1245 Distinguishing Humane Nationalism from Pathological Ideologies Guest Name: Daniel Mahoney Summary:Nationalism must be distinguished from pathological forms like "blood and soil" ideology, which champions ethnic rooting and the subordination of others. Moderate, humane national loyalty is tied to self-government and common humanity, rejecting the path that leads to "zoological wars." Critics often unfairly conflate nationalism with isolationism or imperialism. 1245-100 AM Distinguishing Humane Nationalism from Pathological Ideologies Guest Name: Daniel Mahoney Summary:Nationalism must be distinguished from pathological forms like "blood and soil" ideology, which champions ethnic rooting and the subordination of others. Moderate, humane national loyalty is tied to self-government and common humanity, rejecting the path that leads to "zoological wars." Critics often unfairly conflate nationalism with isolationism or imperialism.

This episode travels back to the dawn of writing in Mesopotamia. We explore the world's first known literary work, the Epic of Gilgamesh, and discuss how ancient civilizations in the Near East used cuneiform script not just for records, but to wrestle with the fundamental human questions of life, death, friendship, and the divine. To unlock full access to all our episodes, consider becoming a premium subscriber on Apple Podcasts or Patreon. And don't forget to visit englishpluspodcast.com for even more content, including articles, in-depth studies, and our brand-new audio series and courses now available in our Patreon Shop!

We follow how a remote landmass on the far western fringe of Europe became the home of a lasting Gaelic civilization and a major center of classical and Christian knowledge, before coming under attack by Viking raiders and Anglo-Norman invaders. We examine the English Crown's shifting and increasingly desperate strategies to control Ireland, and the long battle over control of land and religion before Ireland was finally subjected to Protestant domination following the Glorious Revolution. Recommended further reading: Cronin, “A History of Ireland”; Foster, ed., “The Oxford Illustrated History of Ireland”; Ranelagh, “A Short History of Ireland”; Roberson, “The Irish Ice Sheet,” Music: “Danse du Grand Calumet de la Paix” / “Forets Paisibles,” from the opera-ballet “Les Indes Galantes,” by Jean-Philippe Rameau & Louis Fuzelier, 1735, performed by Les Arts Florissants, with vocalists Patricia Petibon & Nicolas Rivenq -- used with the kind authorization of Les Arts Florissants Image: Lavabo, Mellifont Abbey, Ireland Please sign up as a patron at any level to hear patron-only lectures, including the series on the Epic of Gilgamesh! -- www.patreon.com/c/u5530632

In the epic Mahabharata, our last warrior, Yudhishthira, with his dog, enters the gates of paradise. He faces the law of the Cosmic Cage, the Demiurge, and his loyal follower, Indra. The journey to the gate was a long, slow act of severance. One by one, the world fell away from Yudhishthira. His brothers, great men who were pieces of his own heart, became frozen monuments on the path. His wife, the fire that had centered his life, was extinguished by the cold. The world stripped him bare, took his kingdom, his family, his strength, leaving him with nothing but the ache of memory and the silent, padding feet of a stray dog that had begun to follow him. The dog was the last living thing that shared his road. It was not a pet; it was a witness. Now he was standing in front of heaven, facing The Logic of a Flawed Paradise, programmed by the Demiurge's flawed, artificial, sterile mind! Will he enter like Noah? Will he hear the pain of Gilgamesh? The epic tale tells us that he did not bargain like Neo in the movie The Matrix. “It was the calmest, most absolute statement of fact the cosmos had ever heard.” More on David: https://www.davidblock.org/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Every culture claims among its earliest stories, the tale of a great flood that wipes out humanity. The tale of a great flood seems to have first been written down in the Epic of Gilgamesh. As is the case with myths and legends, when multiple cultures share stories, it lends credence to the idea that there is truth to the tale. Such is the case with Noah's Flood and the ark he built to survive that cataclysm. There are scholars who believe that this was not the original story. Whether this story were the original or not, the key take away is that everything on the face of Earth was destroyed by water, save for the people and animals aboard this large vessel. Why did Yahweh decide to destroy everything he created? Was it to destroy the Nephilim and were they able to re-establish themselves. Main theme: Crazy For Thrills by Muse Music with Groove Studios Artwork is by Edward Hicks, 1846