Podcasts about Gilgamesh

This month's episode of the Three Ravens Bestiary is all about one of our favourite topics - Wargs and Werewolves!We start with J.R.R. Tolkien, exploring how the species of intelligent wolf he invented - the Warg - combined Old English and Old Norse words and ideas, bringing different traditions of werewolf belief crashing into the public consciousness.It is this, brought into monster movies over time, that really created the 'Modern' werewolf.Though where does the werewolf's story begin?We're throwing a broad net on this one, including discussions of Skinwalkers and Wendigos, the Epic of Gilgamesh and the first-ever "man beast" in the form of Enkidu; we touch on the Classical myth of King Lycaon of Arcadia, transformed into a wolf due to his inhuman transgressions, and discuss how the Great European Werewolf Panic, which lasted for over 300 years, changed folk belief about the links between Black Magic and werewolves forever.It's a grand and sweeping story, and goes to explain a few things about why werewolves are pretty much always scary, why Wargs matter so much, and how modern cinema-goers are maybe a bit more like Odin than they probably realise.So, pull up your Wolf Pants, leave the silver bullets at home, and let's get lupine! Aroooo!Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Is the AI boom about to hit the ceiling? Josh and Jon nitpick Neil DeGrass Tyson, talk about Gilgamesh and dollar bills. A fake lawyer has incredible success. The Dad Bros read a couple of Emails and give a little attention to 3I/Atlas. Drink of the Show: Sycamore Jungle Juice SHOW LINKS Secret Link Visit... The post Ep 636 – Lack of Curiosity appeared first on Dad Bros.

Drawing on her own family history for inspiration, Heather Rose delivers a compelling and heart rending saga of a father and daughter torn apart by a terrible crime. In “A Great Act of Love” Caroline Douglas carries her dark secret to the penal colony of Van Dieman’s Land to begin life anew - but can she escape her past; does she even want to? + It’s no small thing to decide to be a publisher in today’s busy book marketplace but that’s what Emily Riches did. Aniko Press’s first offering is “The Slip” by Miriam Webster who was recently interviewed on Episode 56 this podcast. Aniko also publishes a literary journal and is always on the lookout for new talent. GuestsHeather Rose, author of “A Great Act of Love” Emily Riches, founder of Aniko Press https://www.anikopress.com/ Other books that get a mention: Heather mentions Rebecca Yaros’ “Fourth Wing”, Robert Galbraith’s crime series, Maggie O’Farrell’s “The Marriage Portrait”, Hannah Kent’s “Always Home, Always Homesick”, Richard Macfarlane’s “Is A River Alive?” and “The Epic of Gilgamesh”. INSTAGRAM @heather_rose_writes @allenandunwin @aniko pressSee omnystudio.com/listener for privacy information.

Drawing on her own family history for inspiration, Heather Rose delivers a compelling and heart rending saga of a father and daughter torn apart by a terrible crime. In “A Great Act of Love” Caroline Douglas carries her dark secret to the penal colony of Van Dieman’s Land to begin life anew - but can she escape her past; does she even want to? + It’s no small thing to decide to be a publisher in today’s busy book marketplace but that’s what Emily Riches did. Aniko Press’s first offering is “The Slip” by Miriam Webster who was recently interviewed on Episode 56 this podcast. Aniko also publishes a literary journal and is always on the lookout for new talent. GuestsHeather Rose, author of “A Great Act of Love” Emily Riches, founder of Aniko Press https://www.anikopress.com/ Other books that get a mention: Heather mentions Rebecca Yaros’ “Fourth Wing”, Robert Galbraith’s crime series, Maggie O’Farrell’s “The Marriage Portrait”, Hannah Kent’s “Always Home, Always Homesick”, Richard Macfarlane’s “Is A River Alive?” and “The Epic of Gilgamesh”. INSTAGRAM @heather_rose_writes @allenandunwin @aniko pressSee omnystudio.com/listener for privacy information.

Brendan Graham Dempsey is a metatheory researcher at the Institute of Applied Metatheory and host of the Metamodern Meaning podcast. His work bridges evolutionary theory, developmental psychology, and worldview studies, bringing empirical rigour to questions about how human consciousness and culture evolve. His latest book, Psyche and Symbolic Learning, is the second in a planned ten-volume series exploring these themes through the lens of hierarchical complexity and neo-Piagetian developmental frameworks. You can find Brendan's work at: Metamodern Meaning podcast: https://www.youtube.com/@BrendanGrahamDempsey Brendan's Substack: https://brendangrahamdempsey.substack.com/ Brendan's website: https://www.brendangrahamdempsey.com/ Our previous chats: Philosophy Wisdom and MetamodernismCritiquing MetamodernismIn this conversation, Brendan introduces me to the ambitious world of metatheory – an attempt to create a unified, coherent understanding of all human knowledge by bridging disciplines from neuroscience to sociology to the humanities. We explore his new role researching worldviews empirically at the Institute of Applied Metatheory, where he's working to bring scientific rigour to questions that have long been speculative: Can we measure the complexity of worldviews? Do cultures develop through predictable stages? How complex is the Bible compared to Homer, or a text message to your mam? We dive deep into hierarchical complexity, a psychological framework that quantifies the sophistication of thinking across domains and time periods. Brendan shares fascinating research comparing the cognitive complexity of ancient religious texts, from early biblical narratives to the Epic of Gilgamesh, revealing how literacy transforms meaning-making structures. We discuss the difference between metatheory and interdisciplinary work, why spiral dynamics isn't quite a metatheory, and how this research programme aims to give metamodernism and integral theory the empirical grounding they've long needed. This is a conversation for those curious about the big questions: How does all human knowledge fit together? Can we study worldviews scientifically? And what does it mean to truly understand complexity? ⏳ Timestamps 00:00 James's Intro 01:30 Brendan's new role at the Institute of Applied Metatheory 03:24 What is metatheory? Situating theories within a bigger picture 06:05 Cognitive science vs. metatheory: Where are the edges? 07:37 Consilience and the unified theory of knowledge 10:27 What is the “normal science” of metatheory? 15:14 Applying metatheory: From integral medicine to worldview research 20:48 Systematising worldview terminology: Paradigms, gestalts, and meaning-making structures 23:03 Measuring cognitive complexity in texts 24:11 Can we validate developmental claims empirically? 25:08 Hierarchical complexity and neo-Piagetian psychology 28:30 Dynamic skill theory: Why you're not “at a stage” 32:30 What does complexity mean? Is it like IQ? 33:00 Complexity as a scale of task performance, not hardware 35:05 Skill webs and context-dependent performance 37:12 Measuring texts: From texting your mam to ancient scriptures 42:14 Scoring the Bible: Early narratives vs. scribal texts 44:43 The documentary hypothesis and complexity differences in biblical sources 45:09 Literacy's impact: Hunter-gatherer texts vs. scribal complexity 46:24 Homer, Gilgamesh, and the wisdom of Ptahhotep: Comparing ancient complexity 49:48 Translation challenges in measuring ancient texts 56:49 Education, zip codes, and complexity gaps 59:28 Why developmental models are more optimistic than IQ 1:04:24 Metatheory and metamodernism: How they relate 1:03:15 Testing metamodern and integral claims about worldview development 1:04:24 Metatheory and metamodernism: How they relate 1:10:21 Integral theory and the metamodern landscape 1:12:03 Guest recommendations: Layman Pascal and Nick Headland 1:14:08 Where to find Brendan

The Epic of Gilgamesh is allegedly the Oldest Written Tale in Human History. We will cover this , as well as give a summary of the tale , in my style. Ill open the streamyard towards end, should anyone want to opine on this subject.********************************************************Get your What is Truth Merch Here!⁠⁠⁠⁠⁠https://whatistruthpodmerch.itemorder.com/shop/home/⁠⁠⁠⁠⁠Find all my links here⁠⁠⁠⁠⁠⁠https://linktr.ee/whatistruthpodcast⁠⁠⁠⁠⁠⁠⁠To catch a live show, Please Follow me on Odysee and Rumble!Please rate 5 stars if you enjoy the content! For vast majority of my content follow me on Odysee⁠⁠⁠⁠⁠⁠https://odysee.com/@Weezy:a⁠⁠⁠⁠⁠⁠Now on Rumble!⁠⁠⁠⁠⁠⁠https://rumble.com/user/Whatistruthpodcast⁠⁠⁠⁠⁠⁠Follow me on Twitter!⁠⁠⁠⁠⁠⁠https://twitter.com/WhatTruthPod⁠⁠⁠⁠⁠⁠Join our Telegram channel Group⁠⁠⁠⁠⁠⁠https://t.me/witweezy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@WHATISTRUTHTV⁠⁠⁠⁠⁠⁠Listen on your Favorite podcast player!⁠⁠⁠⁠⁠⁠https://www.minds.com/weezytruth/⁠⁠⁠⁠⁠⁠Daddygate Podcast⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/TheDaddyGatePodcast⁠⁠⁠⁠⁠⁠If you would like to "Tip" the show Click the Patreon Link. Support will help me improve the show. Much Love to all whom already have!⁠⁠⁠⁠⁠⁠https://www.patreon.com/What_is_Truth⁠⁠⁠⁠⁠⁠If you would like to join the WHAT IS TRUTH? PODCAST private FACEBOOK group, hit the link! Private Facebook group⁠⁠⁠https://www.facebook.com/groups/429145721412069/?ref=share⁠⁠⁠⁠⁠⁠Email WHATISTRUTHPODCAST@gmail.com

On va se plonger avec vous dans le plus vieux récit mythologique qui soit connu aujourd'hui : L'épopée de Gilgamesh Gilgamesh, le célèbre roi d'Ourouk , C'est l'histoire d'un roi qui à la mort de son ami, face à la douleur de sa perte, décide de parcourir le monde à la recherche de l'immortalité. Ca c'est le thème majeur de cette épopée, il y en a d'autres, plus mineurs qui sont développé au fil du récit. On en évoquera quelques-uns avec Yasmine Boudaka et son invitée Ariane Thomas, directrice du département des Antiquités orientales du Louvre Sujets traités : épopée, Gilgamesh, mythologie, roi, Ourouk, immortalité, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

El Dia de Todos Los Santos asociado al de Difuntos camina entre los vivos disfrazados de zombis, muertos vivientes a la manera Halloween. Sus raíces en el medievo y sus danzas macabras, me recuerda Ana Cristina Herrero, autora de "La Madre Muerte” como me recordaba Alonso Zamora Vicente, “Ven muerte, tan escondida que no te sienta venir...” o el “Gilgamesh” ( el 2º milenio a.C.) Cada una de las canciones desde "Alfonsina y el Mar” hasta las mías propias como “Memoria del Agua o "Tus Muertos” lo recuerda, "Recuerda que eres Mortal” (“memento mori”) iba repitiendo el esclavo al oido del general victorioso en su entrada triunfal. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

El Dia de Todos Los Santos asociado al de Difuntos camina entre los vivos disfrazados de zombis, muertos vivientes a la manera Halloween. Sus raíces en el medievo y sus danzas macabras, me recuerda Ana Cristina Herrero, autora de "La Madre Muerte” como me recordaba Alonso Zamora Vicente, “Ven muerte, tan escondida que no te sienta venir...” o el “Gilgamesh” ( el 2º milenio a.C.) Cada una de las canciones desde "Alfonsina y el Mar” hasta las mías propias como “Memoria del Agua o "Tus Muertos” lo recuerda, "Recuerda que eres Mortal” (“memento mori”) iba repitiendo el esclavo al oido del general victorioso en su entrada triunfal. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Want more exclusive content?! http://prometheuslens.supercast.com to sign up for the "All Access Pass" and get early access to episodes, private community, members only episodes, private Q & A's, and coming documentaries. We also have a $4 dollar a month package that gets you early access and an ad free listening experience!====================ABOUT:Join me on my boy Nick's show, The Occult Rejects! This was my first time going on The Occult Rejects with Nick. Enjoy!====================

Episode: We're back with Tablet X of the Epic of Gilgamesh! Enjoy this next installment with Amy and Chris as Gilgamesh goes in search of Utnapishtim! Click to listen back to PART 1,  PART 2, PART 3, PART 4, PART 5, PART 6, PART 7, PART 8, PART 9, and PART 10. Hosts: Chris McKinny and Amy Balogh Image Attribution: Item CBS7771 at Penn Museum - https://www.penn.museum/collections/object_images.php?irn=245958#image1

On this episode Dan and Kevin cover: American work life, No Kings, BDSM monsters, that damn cardinal, accusations, setting the stage, Werewolves of Poligny, Gilles Garnier, pre-historic times, Gilgamesh, King Lycaon, bad geography, Peter Stumpp, propaganda, an entire family of wolves, child serial killer, the Hound of God, hysteria in decline, the Tallow Man, vampire vs werewolf, What We Do In The Shadows, and much much more!!Please like, subscribe, and follow where ever you listen.The Beard StrugglePodUp!PatreonMerchBuy Us A CoffeeYouTubeInstagramBlue SkyTiktokThe Sassholes Insta!!Music from Uppbeat (free for Creators!):https://uppbeat.io/t/all-good-folks/curiosityLicense code: 7QU9IW0B2IJBFZJYMusic from Uppbeat (free for Creators!):https://uppbeat.io/t/christian-larssen/suburban-honeymoonLicense code: 1OKNVEXYPW8QAYSHMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/kevin-macleod/bass-vibesLicense code: YYUZSRCQDGQROBB4Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/mountaineer/kick-backLicense code: QMHHB6U0M6H9WWENRead lessMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/albert-behar/tickling-the-ivoriesAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sumergirse en el mar de la burocracia implica introducirse de lleno en una tempestad administrativa de proporciones titánicas. Eso lo saben bien Jabier Etxagibel (guion) y Ernesto murillo “Simónides” (dibujo), que en el libro “No es mi trabajo” (Autsaider Comics, 2025) nos relatan la odisea del propio Jabier para prejubilarse con una pensión digna, hasta acabar enrolado en una unidad policial de la tercera edad. La leyenda de Gilgamesh se queda pequeña ante tamaña epopeya.Escuchar audio

en deux épisodes On va se plonger avec vous dans le plus vieux récit mythologique qui soit connu aujourd'hui : L'épopée de Gilgamesh Gilgamesh, le célèbre roi d'Ourouk , C'est l'histoire d'un roi qui à la mort de son ami, face à la douleur de sa perte, décide de parcourir le monde à la recherche de l'immortalité. Ca c'est le thème majeur de cette épopée, il y en a d'autres, plus mineurs qui sont développé au fil du récit. On en évoquera quelques-uns avec Yasmine Boudaka et son invitée Ariane Thomas, directrice du département des Antiquités orientales du Louvre Sujets traités : L'épopée , Gilgamesh, Ourouk, roi, récit, mythologique Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'épopée de Gilgamesh en deux épisodes On va se plonger avec vous dans le plus vieux récit mythologique qui soit connu aujourd'hui : L'épopée de Gilgamesh Gilgamesh, le célèbre roi d'Ourouk , C'est l'histoire d'un roi qui à la mort de son ami, face à la douleur de sa perte, décide de parcourir le monde à la recherche de l'immortalité. Ca c'est le thème majeur de cette épopée, il y en a d'autres, plus mineurs qui sont développé au fil du récit. On en évoquera quelques-uns avec Yasmine Boudaka et son invitée Ariane Thomas, directrice du département des Antiquités orientales du Louvre Sujets traités : L'épopée , Gilgamesh, Ourouk, roi, récit, mythologique Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

301-oji laida. Pradeda ją, kaip ir pirmąją laidą, kompozicija „Asayake“. Ir ta proga skambės daugiausia 8 dešimtmečio džiazo inspiruotos roko grupės, taip pat ir džiazo meistrai, pasitelkę fanko ritmus – įdomiausi žanrų, nuotaikų deriniai kai grojaraštyje: Casiopea, Gong, Gilgamesh, Herbie Hancock, Emerson, Lake and Palmer ir kiti.Ved. Lukas Devita

Unlocked after 1 year for patrons only -- We examine the Epic of Gilgamesh as a piece of literature, for its strange dream-like style and form, its points of similarity to Biblical and ancient Greek and European mythology, and finally, its deep levels of psychological and political allegory, ultimately revealing the love between Enkidu and Gilgamesh as a parable of the fraught relationship between civilization and the wild. Image: Gilgamesh grappling with Enkidu; illustration by Wael Tarabieh. Our previous lecture on the discovery of the Library of Ashurbanipal, where the Epic of Gilgamesh was rediscovered: Historiansplaining – Unlocked-the-great-archaeological-discoveries-pt-3-the-library-of-ashurbanipal The SOAS's recordings of scholars reading Akkadian texts: https://www.soas.ac.uk/baplar/recordings Suggested further reading: George, "The Epic of Gilgamesh"; N.K. Sandars, "The Epic of Gilgamesh"; Heidel, "The Epic of Gilgamesh and Old Testament Parallels"; Stephen Mitchell, "Gilgamesh"; Michael Schmidt, "Gilgamesh: The Life of a Poem"; Rivkah Scharf Kluger, "The Archetypal Significance of Gilgamesh."

Final Fantasy V Part 5: Gilgamesh is the best - Episode 485 Matt's writing the notes again this week and he's not good at it! Uh... jokes! Funny things that we say in the ep! Gilgamesh is great, actually Why is the best animation in the game hidden in the credits? We finish Final Fantasy V We announce the next game And more!  This Week: Finish Final Fantasy V! Next Week: The first 7 chapters of South of Midnight! Our Patreon: http://patreon.com/squarerootspodcast Thanks to Steven Morris for his awesome theme! You can find him at: https://bsky.app/profile/stevenmorrismusic.bsky.social and https://www.youtube.com/user/morrissteven Contact Square Roots! Twitter: @squarerootspod Facebook: https://www.facebook.com/groups/486022898258197/ Email: squarerootspodcast (at) gmail (dort) com

Who were the Nephilim? Did fallen angels really take human wives? And what made God so grieved that He chose to flood the earth? In this eye-opening message from Genesis 5–6, Pastor Zach Terry dives deep into one of the most mysterious and controversial passages in the Bible. From ancient giants and demonic corruption to the preservation of Noah's line and the prophetic connection to the return of Christ—this sermon unpacks the truth behind the Nephilim, perverted marriages, and the spiritual warfare that shaped human history.

Who were the Nephilim? Did fallen angels really take human wives? And what made God so grieved that He chose to flood the earth? In this eye-opening message from Genesis 5–6, Pastor Zach Terry dives deep into one of the most mysterious and controversial passages in the Bible. From ancient giants and demonic corruption to the preservation of Noah's line and the prophetic connection to the return of Christ—this sermon unpacks the truth behind the Nephilim, perverted marriages, and the spiritual warfare that shaped human history.

Who were the Nephilim? Did fallen angels really take human wives? And what made God so grieved that He chose to flood the earth? In this eye-opening message from Genesis 5–6, Pastor Zach Terry dives deep into one of the most mysterious and controversial passages in the Bible. From ancient giants and demonic corruption to the preservation of Noah's line and the prophetic connection to the return of Christ—this sermon unpacks the truth behind the Nephilim, perverted marriages, and the spiritual warfare that shaped human history.

Unlocked after 1 year for patrons only: He is the earliest human being whose name and life story are known to history. We examine the origins and contents of the most ancient narrative ever found anywhere on Earth, and trace how it has been rediscovered, re-used, and re-translated in the modern world, becoming a living and evolving text in a time of anxiety over the fate of civilization. Please sign on as a patron in order to keep the podcast going and to hear patron-only lectures, including part 2 on the Epic of Gilgamesh! -- https://www.patreon.com/c/u5530632 Image: Sumerian bas-relief sculpture of a man subduing a bull, possibly representing Gilgamesh slaying the Bull of Heaven, 2200s BC. Our previous lecture on the discovery of the Library of Ashurbanipal, where the Epic of Gilgamesh was rediscovered: https://soundcloud.com/historiansplaining/unlocked-the-great-archaeological-discoveries-pt-3-the-library-of-ashurbanipal Suggested further reading: George, "The Epic of Gilgamesh"; N.K. Sandars, "The Epic of Gilgamesh"; Heidel, "The Epic of Gilgamesh and Old Testament Parallels"; Stephen Mitchell, "Gilgamesh"; Michael Schmidt, "Gilgamesh: The Life of a Poem."

In this live episode, Russ delivers his presentation on flood myths from around the world. It is amazing how many common elements are found in this common story that comes from the ancestors of so many different peoples! Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a paypal donation:https://paypal.me/snakebros

Welcome, my devilish fiends!Join me as we trace the roots of the vampire back to the women who came before her: Lamia, Lilith, and the succubi.These "monstrous" figures haunted ancient myth and medieval imagination, embodying male fears of female power, pleasure, and autonomy. Long before Dracula, they turned desire into danger and defiance into sin. Their stories reveal how myth and theology worked together to make women's power appear monstrous and how those same fears still shape the vampire we know today. So, close your doors and windows, turn off the lights, get cozy, and join me... ***Listener Discretion is Strongly Advised*******************Sources & References:Epic of Gilgamesh – references to lilītu demons.The Alphabet of Ben Sira.The Zohar (Book of Splendor).Philostratus, Life of Apollonius of Tyana.Heinrich Kramer and Jacob Sprenger, Malleus Maleficarum.King James VI of Scotland, Daemonologie.John Keats, Lamia.Sarah Iles Johnston, Restless Dead: Encounters Between the Living and the Dead in Ancient Greece (University of California Press, 1999).Daniel Ogden, Drakōn: Dragon Myth and Serpent Cult in the Greek and Roman Worlds (Oxford University Press, 2013).Judith Plaskow, The Coming of Lilith: Essays on Feminism, Judaism, and Sexual Ethics, 1972–2003 (Beacon Press, 2005).Gershom Scholem, Kabbalah (Quadrangle/New York Times Book Co., 1974).Raphael Patai, The Hebrew Goddess (Wayne State University Press, 1990).Jeffrey Burton Russell, Witchcraft in the Middle Ages (Cornell University Press, 1972).Deborah Lyons, Dangerous Gifts: Gender and Exchange in Ancient Greece (Princeton University Press, 1997).Diane Apostolos-Cappadona, Dictionary of Women in Religious Art (Oxford University Press, 1996).Nina Auerbach, Our Vampires, Ourselves (University of Chicago Press, 1995).Paul Barber, Vampires, Burial, and Death: Folklore and Reality (Yale University Press, 1988).Barbara Creed, The Monstrous-Feminine: Film, Feminism, Psychoanalysis (Routledge, 1993).Marina Warner, From the Beast to the Blonde: On Fairy Tales and Their Tellers (Farrar, Straus and Giroux, 1995).****************Leave Us a 5* Rating, it really helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************MUSIC & SOUND FX:"Beast by Beast" by Edward Karl Hanson"An Obsession" by DayonEpidemic SoundFind the perfect track on Epidemic Sound for your content and take it to the next level! See what the hype is all about!

Gilgamesh is the oldest and greatest hero of recorded human legend. The epic as a whole questions what it means to be human, warns of the dangers of spurning a beautiful woman, and meditates deeply on the meaning of immortality. All that plus a good adventure story at the same time! James Bleckley of the Oldest Stories Podcast sits down with Nathaniel Heutmaker of the Grail Sciences Podcast to discuss this ancient tale from both an historical and an occult perspective. The Grail Sciences Podcast covers the deeper meaning of the Holy Grail and a variety of occult topics. Nathaniel is deeply read in a variety of world traditions, and expertly weaves it all together over at grailsciences.com/The Oldest Stories Podcast covers the history, myth, and culture of ancient Mesopotamia, from the invention of writing until the fall of Nabonidas. James has been filling out the story of the oldest civilization for over 6 years at oldeststories.net

This conversation with Peter delves into the rich history and culture of Britain, exploring the interplay between myth and reality, particularly through the lens of Arthurian legends and the influence of Christianity. We also delve into the exploration of ancient civilizations, focusing on archaeological finds, the Neolithic period, and the connections between zodiac symbols and historical narratives. We discuss the significance of cultural exchanges, the influence of geography on ancient societies, and the legacy of figures like Arthur in the context of myth and history. Peter also touches on the idea of secret knowledge being passed down through generations, highlighting the intertwining of history and mythology in understanding our past. We look for connections between the Holy Grail, the Bronze and Iron Ages, and the historical context of King Arthur.   Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Introduction to the Brothers of the Serpent Podcast 04:43 The Legends of Lud and His Sons 12:04 Historical and Mythological Figures in Welsh Tradition 16:29 The National vs. Regional Arthur 18:12 The Significance of Memorials and Inscriptions 20:59 Discussion on Archaeological Findings 25:36 The Significance of Burial Practices 27:26 Christianity's Arrival in Britain 30:11 Joseph of Arimathea's Role in Early Christianity 33:07 Cultural Interactions and Language Barriers 36:01 Legends of Jesus' Missing Years 38:33 Neolithic Monuments and Their Mysteries 43:00 The Zodiac and Ancient Mapping 47:16 Exploring the Legacy of Arthurian Legends 47:45 Exploring Ancient Monuments and Zodiacs 49:12 The Transition from Neolithic to Bronze Age 51:17 The Story of Queen Albine and Her Legacy 52:39 Cultural Exchanges and Influences in Ancient Britain 56:20 The Role of Adventurers in Knowledge Exchange 01:01:25 Connecting Myths: The Epic of Gilgamesh and Welsh Traditions 01:07:23 The Significance of Mapping and Surveying in Ancient Cultures 01:12:16 Hidden Knowledge and Ancient Traditions 01:15:25 The Glastonbury Zodiac and Its Significance 01:19:10 Arthurian Legends and Secret Knowledge 01:22:38 The Ark of the Covenant and the Holy Grail 01:24:45 The Bronze Age and Trade Routes 01:32:39 Hillforts and Their Historical Context 01:38:40 Political Upheaval and Innovation 01:40:59 Chariots: A Historical Perspective 01:42:58 The Continuation of Ancient Traditions 01:44:06 The Etruscans and the Fall of Troy 01:44:57 The Legend of King Arthur 01:48:09 Mythologizing Historical Figures 01:52:00 The Role of Oral Tradition 02:00:00 Druidism and Its Evolution 02:10:00 Cultural Interactions and Historical Contexts

Listen to JCO's Art of Oncology article, "A Fight Bigger Than Myeloma” by Dr. Adeel Khan, an Assistant Professor of Medicine and Public Health at UT Southwestern. The article is followed by an interview with Dr. Adeel Khan and host Dr. Mikkael Sekeres. Dr. Khan shares the story of a patient whose multiple myeloma diagnosis and treatment serves as a reminder of the civil liberties progress we've made and that we have more to go. TRANSCRIPT Narrator: A Fighter Bigger Than Myeloma, by Adeel M. Khan, MD, MPH, MS  I met her during the early part of my clinical training in hematology/oncology. She was in her late 70s, dressed in a rust-colored cardigan and a headwrap with patterns that reminded me of Ghanaian kente cloth. Her eyes were sharp, her tone polite but direct. You could tell from the moment she spoke that she had lived a life where she had to advocate—for herself, for her family, for her place in rooms that were not always welcoming.  Her chart said “multiple myeloma, R-ISS II,” but it did not say that she had first come to an emergency room at least a year earlier complaining of back pain and fatigue and had been told it was probably arthritis or old age. It did not mention that she had seen three different doctors before someone ordered the laboratory tests that finally began to work up her anemia and increasingly compromised kidney function. It would take another trio of doctors to eventually order a magnetic resonance imaging whose ghostly lytic lesions led down the path to a bone marrow biopsy and her cancer diagnosis. When I brought this up gently during one of our early appointments, she looked at me and said, “They don't hear pain the same when it comes from someone like me.” As a Black woman from the Deep South, she had grown up learning how to navigate a health care system that did not always believe her. She told me stories about being dismissed, misdiagnosed, and interrupted. She was born into an era of structural violence where she would be ignored at best and mistreated at worst. She carried the weight of those moments, but she also carried strength, and clarity, and the kind of dignity that made people sit up straighter in their leather chairs when she entered the room. She was one of the most quietly revolutionary people I have ever known, having grown up during a time of civil rights activism. She had even taken part in bending Dr King's long arc of the moral universe toward justice and could share story upon story from her glory days. Her myeloma treatments were not easy. Chemotherapy rarely is. She shared that there were days when her body was tired of fighting, when her bones ached, her blood counts dropped, and her neuropathic pain throbbed. In the back of my mind, I thought how tragic it was that her delayed diagnosis added unnecessary complications and whether she too thought of that. She was fully mindful of the issues people with her skin color faced in our American healthcare system and society as a whole and revealed how that motivated her to carry forward. “If I don't take up space here,” she told me once, “then someone else like me won't either.” Over the course of our visits, I came to understand that she did not see her myeloma as the hardest fight of her life. Not by a long shot. Her primary struggle was centered on life in Birmingham in the 1950s where separate but equal was still the law of the land; her mother cleaned houses, her father worked odd jobs, and her own prospects were uncertain. She admired the writings of Richard Wright and Jean Toomer and was not shy in sharing her passions. One day, during a particularly tough visit—her disease had progressed and we were down to limited options—I found myself meandering. We went through the usual workup and discussions: laboratory test results, symptoms, and treatment options. I offered the prospect of clinical trials, but she shook her head gently and said, “I've done my time in experiments—I can't give myself to a system that gave my people so little.” I paused. It was the first hint of what would become a larger conversation—not just about medicine, but about history. She was well aware of the atrocities of the Tuskegee syphilis trials in her home state, the Kligman experiments on incarcerated Black men, and the forced sterilization of women of color. As dependent upon medicine as she was in her old age, it carried a bloody stain of dehumanizing racism that soured her against it. Outwardly, I had little in common with her. As a young South Asian man growing up in times more conscious of racial injustice, I was far removed from these historical crimes. Although I learned of them during my education, I did not internalize their impact on the patients in front of me in clinic. But through her I came to comprehend just how scarring and enduring these events can be and how they can rob someone of trust. And the truth is the health care system had not treated her well. She had personal stories of doctors who did not believe her pain, nurses who assumed she was uneducated,  and being passed over for better options, better care, and better answers. “But I kept showing up,” she said. “Because that's what we do. We show up even when we're not wanted.” Her stories to me were revelations. In her younger years, she had helped organize teachers at her school when they tried to fire a fellow Black teacher who seemingly spoke too loud in a meeting. She had lived through redlining, through the crack epidemic, through watching young Black men vanish into prisons, and still she rose every day and worked as a public school teacher for decades. She worked for a system that largely did not work for her. I came to admire that about her—that in simply living day-to-day life with plain dignity and acute awareness of society's issues, she promoted change by living it. “You want to talk about cancer?” she once said, half laughing. “Try walking into a bank in 1972 with a good credit score and a Black face. That's a disease this country still hasn't cured.” Curiously, she did not say these things with bitterness. Not even anger, really. Just clarity. Like someone who had long ago made peace with the truth, even if it was sharp. In clinic, she challenged my every assumption—about treatment tolerance, about compliance, about who is difficult, and who is “advocating.” And she taught me to look differently at the ways bias lingers in medicine. Not just in data or policies, but in subtle moments: the tone we use when explaining options, the hesitations in our tests and referrals, and the assumptions we may not even realize we are making. And she did not just expect good care—she demanded it. She told me early on, “Don't you treat me like I'm anything other than your mother.” That landed. And in seeing patients before me now, I remind myself to wonder who they were in their past lives, what baggage burdens them, and how it all shapes their perspectives. So from my view, she fought multiple myeloma with everything she had, but from hers, she fought something bigger: an entire system shaped by inequality. And ultimately, she made me better to realize that, not just as a doctor, but as a human being. In my years since knowing her, completing my training, and beginning my practice, I reflect on her grace. I think not just about her life, but what it means to practice medicine in a world that often forgets what patients carry with them into the clinic—generations of weight, of injustice, of strength. Mikkael Sekeres: Welcome back to JCO's Cancer Stories, The Art of Oncology. This ASCO podcast features intimate narratives and perspectives from authors exploring their experiences in oncology. I'm your host, Mikkael Sekeres. I'm Professor of Medicine and Chief of the Division of Hematology at the Sylvester Comprehensive Cancer Center, University of Miami. I am so happy that today we are joined by Adeel Khan, who's Assistant Professor of Medicine and Public Health at UT Southwestern in Dallas to talk about his Journal of Clinical Oncology article, “A Fight Bigger than Myeloma.” Our guest's disclosures will be linked in the transcript. Adeel, thank you so much for contributing to JCO and for joining us to discuss your article. Adeel Khan: Thank you so much for having me. It's a pleasure to be here. Mikkael Sekeres: Adeel, I don't want to be disingenuous to our readers by acting as if we've just met. You and I have known each other for a decade since you were still in your training. I wonder if for our listeners you can tell us a little bit about yourself, where are you from and and walk us through your career so far. Adeel Khan: More than happy to. So, I grew up mostly in Oklahoma, but I've sort of lived around in the Northeast and here in the Southwest where I am currently. I did college at the University of Oklahoma. I did medical school at the University of Michigan. I did residency with good fortune at the Cleveland Clinic where I happened to get to know you and have continued to know you since. I did my fellowship then in hematology oncology at Beth Israel Deaconess in the Harvard system and along the way of all that I did a Masters of Public Health at Harvard and a Masters of Science and Epidemiology at Columbia, and that pinball finally settled here to UT Southwestern here in Dallas which I am very happy to make my second home. Mikkael Sekeres: That's great. I will say just for our listeners you've been a superstar since the moment you were a resident. It's been a real treat for me to get to know you over the years. Adeel Khan: Thank you so much. Mikkael Sekeres: Can you tell us a little bit about your own story as a writer? You're a good writer. We get submissions from some really good writers every single week. It's a real privilege to be an editor for the Art of Oncology section and it's always reinvigorating to me to see how many good writers there are in medicine. How did you start your journey as a writer and how long have you been writing reflective narrative pieces? Adeel Khan: I would say if I went back to let's say high school, you know, people tend to be divided into kind of like the sciency types versus the literary arts types and you're kind of an either/or, you know, you didn't really have as much crossover then. But you know, I actually didn't mind when we had an essay due and I liked writing back then, and when I entered college I did a minor in English because I actually did enjoy that and I just liked the idea of being able to put your thoughts on paper in a way immortalizing them. Adeel Khan: And then as I sort of pursuing medicine more and more, publishing is really- it has all kinds of flavors to it and scientific publishing is obviously what has been emphasized, but you know, there's so many things to talk about within medicine. There's the science and the art of the field, and as I've moved along, I've written different pieces focusing really on patient stories and interactions. And I think my motivation has always been that as I have gotten particularly nowadays increasingly busy, I've had the fortune and misfortune of becoming more and more busy, it's easy to lose the opportunity to really connect with people that makes what we do meaningful. And so in those times when you know, and they can be rare, but when you really get to connect with someone in front of you who you're helping to care for, it's really refreshing and it's rejuvenating and I've tried to keep that with me as long as I can as I've gone through my journey. Mikkael Sekeres: There's a lot of jumping off points from what you just said, Adeel. I wonder if I can start with do you consider yourself an English major who's good at science or do you consider yourself a scientist who's a good writer? Adeel Khan: I think I'm too humble to say either. I think I was really a science major who just happened to like writing and reading and kept that as a part of myself. Mikkael Sekeres: Because I think there are a cadre of doctors who are actually English majors and have learned to turn science into storytelling and that's their entrée into science and medicine. I remember I talked for a while with David Scadden about this. He's a brilliant translational scientist who's based at Mass General who also teaches a writing course to the Harvard undergrads and who was an English major when he was an undergrad at Case Western. We've talked about this, about how there are people, I'll include myself in this, who just think different, who probably have these liberal arts brains and they figured out a way to convert science into a way a liberal arts person can understand it. Adeel Khan: Yeah, I mean narrative medicine has been I think around all along and it has only kind of been recently named as a field, but I mean it very much speaks to that that there's so much more than just G proteins in medicine. Mikkael Sekeres: I'm thrilled to hear that by the way. You mentioned you were an English minor. Are there particular writers who are an influence on you or can you talk about what's the most recent book or article you've read? Adeel Khan: Oh, that is a great question. Paulo Coelho is someone I've liked for a long time, The Alchemist. I really liked it because I read it after I had lived in Egypt. I lived in Egypt between college and med school as a study abroad program, and I had actually been to the Faiyum Oasis where the protagonist in that story ends up. And so it was just a fascinating story to me that I could trace some of the steps that are discussed in the book and it's so much- it's a story about self discovery which at that phase of life that I was in was you know, very much a theme of my own life. And so that's one that definitely stands out in my head. Mikkael Sekeres: Do you think reading pieces outside of medicine makes you a better scientist? Adeel Khan: I think absolutely. I think it makes you a better human being. In some ways I lament that so much of what I do reading now is so much just about what's in the field, what's new in myeloma, what's new in hematology oncology and I sort of miss the escape to reading other things and being able to pursue it. And even broader than just what a novel really offers. I mean, I grew up reading comic books too and I've always loved superheroes and fiction whether it's Star Wars and other things. And really they're just stories and the medium- there might be connotations whether it's a comic book or a or a novel, but they're just different mediums, but the fact that they're just stories is fundamental. I actually think to myself that it's so fascinating that the earliest piece of writing that we've really retained as human beings is we believe, the Epic of Gilgamesh, which is really a story of a superhero when you think about it, you know, and it's it's fiction, it's phantasmic in so many ways. But it speaks to how stories are just vital as people. Mikkael Sekeres: And what is it about graphic novels or my kids now of course call them graphic novels. We're not allowed to call them comic books. Adeel Khan: As they've been renamed, yeah. Mikkael Sekeres: What is it about graphic novels or comic books or the story of a hero that appeals to us in medicine? Adeel Khan: I think it's in some ways a parable of what we're doing. There's something so powerful and fundamental about this idea of good-evil and we can rename it in different ways, but that you're trying to overcome something that's an issue, an obstacle. And when you think about what we do in- particularly in oncology, that's very much what we're trying to do. We're trying to overcome an illness, a disease, to try to help the person in front of us. And it has different aspects to it. It could be someone pursuing something in a lab, it can be treating someone in front of you in clinic, but that simple dichotomy of there's something good about what you're doing because there's something bad in front of you is just the fundamental that runs through it all. Mikkael Sekeres: It's fascinating. I wonder if 30, 40, 50 years ago people would have said, “Oh, it's because the doctor is the hero,” but we don't view ourselves that way anymore. The patient is the hero. I love how you posit this as a good versus evil, the evil of course being cancer and the good everything that our patients do and that we try to to help to do to overcome that. Adeel Khan: For sure. Mikkael Sekeres: You wrote a really great essay about a woman who was a patient of yours. Can you tell me a little bit about what inspired you this time to make this connection and to write about this woman? Adeel Khan: Within the past year or so as I had been just really- the fortune and misfortune of getting busier, I lamented that I just wasn't able to spend as much time with patients in the way that I used to. One of the beauties of medical school and you know, to some degree residency and certainly fellowship is that you just have a little bit more time as a trainee, student and trainee where you can really bond with your patients I think a little bit more. And so in trying to kind of refresh my motivation, I was thinking about just kind of randomly some stories that I've kept in the back of my mind and this patient's story is one that stood out to me as I was recalling things. It was so fascinating to me because she had the disease which I now focus on. And the way that she viewed it and the way that she viewed it as a part of her life was just so different than what I think most people think of. And in that way it was very revitalizing that her focus in her life was part of a broader theme of the way that I think she viewed society. And this was just one piece of her own part of that much, much larger puzzle. Mikkael Sekeres: You really write lovingly about her and about how meaningful her context was in how you cared for her and what her experience was in the medical system. I wonder if I can read a little bit of what you wrote because it really did grab me as well. I'm going to start out by quoting you where you say, “Outwardly, I had little in common with her. As a young South Asian man growing up in times more conscious of racial injustice, I was far removed from these historical crimes. Though I learned of them during my education, I did not internalize their impact on the patients in front of me in clinic. But through her, I came to comprehend just how scarring and enduring these events can be and how they can rob someone of trust.” Wow, there's a lot there. Could you start with what was your perspective as a young South Asian man growing up in Oklahoma and what your view was of racial injustice compared to what her experience was of racial injustice? Adeel Khan: Yeah, I have to admit I don't know that I thought that much of it back then and I think that that's part of what it is. You know, being someone who was South Asian, I'm Pakistani, I have Indian roots, and coming into American history and as we learned about it there's so much about slavery and the theme of slavery unfortunately and and the struggles that enslaved peoples have. And you know, as a relatively recent immigrant, I didn't see myself in that narrative. I didn't see myself in that historical reality. But I knew about it intellectually, you know, I knew about the Tuskegee Syphilis Experiments, you know, I learned about all these things and and you learned about how atrocious so much of it is. But again, not being so directly connected, I did not put myself in that same role as someone to view it so close to myself. I will say it hit a little bit more after 9/11 when you know, I was randomly stopped at airport security a little bit more often in those days and again, I think that speaks to racial injustices, you know, I was certainly profiled looking back then, I've been held by TSA in the past, but even that is very minor compared to what African Americans have dealt with here. And this patient in just kind of sharing her tidbits during our time together, I was not directly asking her so much of this. She was really offering a lot of it to me as we would talk and she would be very generous in sharing parts of her story. And over time I kind of understood the broader narrative of her life. You know, it was clear how much of all that was actually in the forefront of her head. Adeel Khan: And I think she might have been a little bit more unique in the way that she kept it there, but she was hyper vigilant of issues of society and the roots that brought a given society to where it is here. I kind of got to know her, this is during the COVID pandemic and this was after the injustice of what happened to George Floyd and so it was a theme that I think people were talking about more and so I think she felt comfortable in saying really what was quite a bit that was stewing in the back of her head seemingly at all times. Mikkael Sekeres: It's so interesting you talk about what you endured after 9/11 as being, I'm going to quote you now, “minor” compared to what she's been through, but even a minor affront like that can really compromise your trust. You write about her, “As a Black woman from the deep South, she had grown up learning how to navigate a healthcare system that did not always believe her.” Can you expand on that a little bit? How is it that the healthcare system didn't believe her and what can we do going into interactions with patients from different backgrounds where we're incorporating that there's a compromise of trust and we have to make up for that? Adeel Khan: Yeah, and I think you know, it's so unfortunate that so many people have stories like this where, in her case really it was back pain that was her presenting symptom. This is long before she knew me. And she'd had the back pain for quite some time, but being an older woman, she was in her 70s at that time, she was not in phenomenal health for other reasons. It sounds like she was just kind of ignored, told that it was old age, tendon changes, she did not have meaningful imaging for some time. When she finally did after seeing a slew of different providers, that's when it was revealed like there's something more significant here. And then when you kind of piece that a little bit retrospectively and I think she certainly sensed this and I did when I- hindsight's always 20/20, when I looked through things, it's like, well, this probably could have been caught much earlier. It's just that no one really I think listened to what she was speaking to with her pain and the gravity that was actually behind it. And it just speaks to the fact that I think we have to be more thoughtful in what we take away from patients and not to ignore even small comments because they might be revealing of something much bigger behind them. Mikkael Sekeres: You quote her, you have some really great quotes in your essay where you just listen to what she says and transcribe it because what she says is very meaningful. And one of the quotes you provide from her is, “They don't hear pain the same when it comes from someone like me.” Wow. “When it comes from someone like me,” someone like her, how was it that people weren't hearing her description of pain, something that was different that was going on in her body and how can we be more attentive to people when they complain about things like pain? Adeel Khan: It's unfortunate that there's even known data to show how depending upon a patient's melanin content in their skin, how likely they are to get pain medications and what happens to them is different and this is an unfortunate example of that where I think she just wasn't heard properly. And so it wasn't addressed properly and she was not shy about saying that. I mean I think she sensed that. She was very clear in feeling that herself and in wanting to have better care, she was still prevented and hence why she had to go from provider to provider. Mikkael Sekeres: You've lived in a bunch of different places in the country. I mean, following your path, you've been in Oklahoma, you've been in Michigan, Ohio, Massachusetts, and now Texas. Do you think that we as providers have to have different levels of sensitivity depending on where in the country we're practicing and how some of our patients' trust in healthcare may have been compromised in those different parts of the country? Adeel Khan: I think absolutely. I mean this particular patient was from Alabama which has a heavy history that she was again very aware of and for those of us reading history books are also very aware of too. And it's interesting how, while the U.S. is in some ways- has some aspects that are monolithic, but it's very much not so. It's very patchy and people are different, you know, if I take one theme that we're talking about here is obviously racial injustice, but if you take something like obesity, you know, prevalence rates are very different throughout the country and attitudes surrounding it are also very different. And I think we do- ought to be mindful that in treating the patient in front of us, it's not done without context. And so how they view their illness and their situation is going to be different depending upon the state, depending upon the city, depending upon actually even the era that they grew up in. So I would say now, if you took actually a similar patient, but you put her in a very modern context post-year 2000, she's likely to have different feelings of the situation around her than someone who was born in this case in the 1940s. And that just speaks to the fact that circumstances change and we should be recognizing that as providers, even though it's not always easy to. Mikkael Sekeres: Well, it just emphasizes how very important it is to know the history of the place where we practice and how it's affected our patients' perceptions of healthcare and trust and being cared for, particularly now as there's such a movement to whitewash that history and eliminate it from major institutions like the Smithsonian. It has been such a pleasure to have Adeel Khan here. He is Assistant Professor of Medicine, Public Health at UT Southwestern in Dallas and wrote just a great JCO article called “A Fight Bigger Than Myeloma.” Adeel, thank you so much for submitting your article and for joining us today. Dr. Adeel Khan: Thank you so much for having me. It's been a pleasure. Mikkael Sekeres: If you've enjoyed this episode, consider sharing it with a friend or colleague or leave us a review. Your feedback and support helps us continue to have these important conversations. If you're looking for more episodes and context, follow our show on Apple, Spotify, or wherever you listen and explore more from ASCO at ASCO.org/podcasts. Until next time, this has been Mikkael Sekeres for JCO Cancer Stories: The Art of Oncology. The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement.   Show Notes Like, share and subscribe so you never miss an episode and leave a rating or review.  Guest Bio: Dr Adeel Khan is an Assistant Professor of Medicine and Public Health at UT Southwestern.

Bonjour à tous et bienvenue dans Callisto, le Podcast qui vous fait voyager à travers les récits mythiques et les légendes !Dans la ville d'Uruk, en Mésopotamie, le roi Gilgamesh n'était pas un roi très sympathique, il était excessif et intransigeant avec son peuple. Pour le châtier, les dieux décidèrent de lui envoyer un rival, Enkidu, qui représentait l'exact opposé de Gilgamesh. Les deux hommes se rencontrèrent et s'affrontèrent en duel, mais aucun d'eux n'arrivera à vaincre l'autre. Ils prirent alors conscience qu'ils étaient complémentaires et qu'à deux il est toujours plus facile d'accomplir de grandes choses…Bonne écoute !

Stories about human beings transforming into wolves are as old as literature itself. Even the ancient Mesopotamian Epic of Gilgamesh featured a story of a man becoming a wolf. The Werewolf may be one of our most ancient and historically durable monsters. Could Werewolf stories reflect a distant, if blurry, historical memory? Belief in real werewolves seems to have peaked during the witch-panics of 16th and 17th centuries. How should we understand the people who confessed to being real werewolves? Tune-in and find out how sympathetic wounds, enchanted girdles, and werewolf ointment all play a role in the story. Join OFH in Greece in 2026! Click HERE to explore the itinerary!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CBS EYE ON THE WORLD WITH JOHN BATCHELOR THE SHOW BEGINS IN THE DOUBTS ABOUT THE AMERICAN ECONOMY AND THE CONSUMER 1940 LONDON   10-3-25 FIRST HOUR 9-915 Slow Rebuilding and Political Manipulation in LA Fire Areas Guest Name: Jeff Bliss Summary: Rebuilding fire-damaged areas like Pacific Palisades is agonizingly slow, potentially taking 9 to 20 years, causing residents to abandon their homes. Red tape delays permit issuance, possibly benefiting real estate speculators, including foreign buyers. There is concern that political leaders are pushing to reshape these communities by moving in tall, low-cost housing. 915-930 Economic Slowdown Evident in Local Consumer Spending and Housing Guest Name: Jim McTague Summary:Despite lower gas prices in Lancaster County, a ripple effect from declining Asian imports is expected. Consumer caution remains high, with "English" shoppers buying essentials and avoiding expensive electronics. Local diners show less vibrancy, suggesting the economy has lost "some spring in its step." High-end real estate sales have also notably "dried up." 930-945 HEADLINE: Trump's War on Cartels and Venezuela Intervention; Supreme Court Takes Up Federal Reserve Governor Firing Case GUEST NAME: Richard Epstein SUMMARY: John Batchelor speaks with Richard Epstein about President Trump's "war" against drug cartels and potential Venezuela intervention, which Epstein deems unlawful executive overreach due to congressional inertia. He suggests overthrowing Maduro would be more strategic. The Supreme Court scheduled oral arguments regarding presidential power to fire Federal Reserve governors, specifically Lisa Cook, addressing the future of independent agencieS. 945-1000 HEADLINE: Trump's War on Cartels and Venezuela Intervention; Supreme Court Takes Up Federal Reserve Governor Firing Case GUEST NAME: Richard Epstein SUMMARY: John Batchelor speaks with Richard Epstein about President Trump's "war" against drug cartels and potential Venezuela intervention, which Epstein deems unlawful executive overreach due to congressional inertia. He suggests overthrowing Maduro would be more strategic. The Supreme Court scheduled oral arguments regarding presidential power to fire Federal Reserve governors, specifically Lisa Cook, addressing the future of independent agencieS. SECOND HOUR 10-1015 Need for Pentagon Leadership in Fortifying US Infrastructure Against Adversaries Guest Name: Henry SokolskiSummary: Russia is allegedly already waging hybrid war against the EU via cable cutting and cyber assaults, which is expected to reach the US. The US is unprepared organizationally. The Pentagon (Secretary of Defense) should lead hardening and proliferation efforts for targets like the electric grid and nuclear plants, but they are currently resistant to doing so publicly. 1015-1030 Need for Pentagon Leadership in Fortifying US Infrastructure Against Adversaries Guest Name: Henry SokolskiSummary: Russia is allegedly already waging hybrid war against the EU via cable cutting and cyber assaults, which is expected to reach the US. The US is unprepared organizationally. The Pentagon (Secretary of Defense) should lead hardening and proliferation efforts for targets like the electric grid and nuclear plants, but they are currently resistant to doing so publicly. 1030-1045 Interstellar Comet 3I Atlas and Martian/Jupiter Missions Guest Name: Bob Zimmerman Summary: Comet 3I Atlas is the third identified interstellar object and the second interstellar comet, much larger than previous ones. Its path brings it within about 20 million miles of Mars, but it is currently blocked by the sun. NASA and European teams are attempting to get data using Mars orbiters and rovers, though the resolution may not match Webb's spectroscopy. Europe is also considering re-aiming the Juice mission. 1045-1100 Webb Telescope Challenges Cosmology Theories with 'Little Red Dots' Guest Name: Bob Zimmerman Summary:The Webb Space Telescope is finding mysterious "little red dots" in the very early universe, observed via infrared due to redshift. Astronomers speculate these might be supermassive black holes, which shouldn't exist so early, challenging the Big Bang theory itself. About 30% of these dots do not appear compact when viewed in ultraviolet light, resembling galaxies instead. THIRD HOUR 1100-1115 HEADLINE: Princess Ennigaldi-Nanna's Chamber: An Early Mesopotamian Museum GUEST NAME: Moudhy Al-Rashid SUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Princess Ennigaldi-Nanna, high priestess to moon god Sin in Ur, who maintained ancient artifact collections in her palace. Items 1,500 years older than her time, alongside cylindrical clay labels, suggest the chamber functioned as the world's earliest known museum, establishing links to ancient history. 1115-1130 HEADLINE: Princess Ennigaldi-Nanna's Chamber: An Early Mesopotamian Museum GUEST NAME: Moudhy Al-Rashid SUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Princess Ennigaldi-Nanna, high priestess to moon god Sin in Ur, who maintained ancient artifact collections in her palace. Items 1,500 years older than her time, alongside cylindrical clay labels, suggest the chamber functioned as the world's earliest known museum, establishing links to ancient history. 1130-1145 HEADLINE: Ancient Mesopotamian Literacy, Math, and the Epic of Gilgamesh GUEST NAME: Moudhy Al-RashidSUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Mesopotamian education teaching advanced mathematics and writing in Sumerian and Akkadian, preserved on homework tablets. The Epic of Gilgamesh, dating to a likely real king around 2800 BCE, tells of a tyrant's transformation into a wise king after learning that life concerns community survival 1145-1200 HEADLINE: Ancient Mesopotamian Literacy, Math, and the Epic of Gilgamesh GUEST NAME: Moudhy Al-RashidSUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Mesopotamian education teaching advanced mathematics and writing in Sumerian and Akkadian, preserved on homework tablets. The Epic of Gilgamesh, dating to a likely real king around 2800 BCE, tells of a tyrant's transformation into a wise king after learning that life concerns community survival FOURTH HOUR 12-1215 Positive Outlook for US-Canada Trade and Middle East Peace Guest Name: Conrad Black Summary: Canadian Prime Minister Mark Carney is meeting with President Trump to discuss economic and security issues, aiming to remove US tariffs. Trade discussions look positive following the Canadian election. Carney also specifically endorsed President Trump's proposed Middle East peace deal, which has major Arab and non-Arab Muslim powers supporting it, deeming it one of the greatest diplomatic achievements since World War II. 1215-1230 8. Italian Political Scandals and the Reinstatement of St. Francis Holiday Guest Name: Lorenzo Fiori Summary:Prime Minister Giorgia Meloni and two ministers face ICC investigation for failing to detain a Libyan warlord, citing risks to Italian workers in Libya. Separately, Italy's Senate unanimously approved reinstating a national holiday honoring St. Francis of Assisi, Italy's patron saint, 800 years after his passing. 1230-1245 Distinguishing Humane Nationalism from Pathological Ideologies Guest Name: Daniel Mahoney Summary:Nationalism must be distinguished from pathological forms like "blood and soil" ideology, which champions ethnic rooting and the subordination of others. Moderate, humane national loyalty is tied to self-government and common humanity, rejecting the path that leads to "zoological wars." Critics often unfairly conflate nationalism with isolationism or imperialism. 1245-100 AM Distinguishing Humane Nationalism from Pathological Ideologies Guest Name: Daniel Mahoney Summary:Nationalism must be distinguished from pathological forms like "blood and soil" ideology, which champions ethnic rooting and the subordination of others. Moderate, humane national loyalty is tied to self-government and common humanity, rejecting the path that leads to "zoological wars." Critics often unfairly conflate nationalism with isolationism or imperialism.

HEADLINE: Ancient Mesopotamian Literacy, Math, and the Epic of Gilgamesh GUEST NAME: Moudhy Al-RashidSUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Mesopotamian education teaching advanced mathematics and writing in Sumerian and Akkadian, preserved on homework tablets. The Epic of Gilgamesh, dating to a likely real king around 2800 BCE, tells of a tyrant's transformation into a wise king after learning that life concerns community survival 1700 BABYLON

HEADLINE: Ancient Mesopotamian Literacy, Math, and the Epic of Gilgamesh GUEST NAME: Moudhy Al-RashidSUMMARY: John Batchelor speaks with Moudhy Al-Rashid about Mesopotamian education teaching advanced mathematics and writing in Sumerian and Akkadian, preserved on homework tablets. The Epic of Gilgamesh, dating to a likely real king around 2800 BCE, tells of a tyrant's transformation into a wise king after learning that life concerns community survival 1932 BABYLON

This episode travels back to the dawn of writing in Mesopotamia. We explore the world's first known literary work, the Epic of Gilgamesh, and discuss how ancient civilizations in the Near East used cuneiform script not just for records, but to wrestle with the fundamental human questions of life, death, friendship, and the divine. To unlock full access to all our episodes, consider becoming a premium subscriber on Apple Podcasts or Patreon. And don't forget to visit englishpluspodcast.com for even more content, including articles, in-depth studies, and our brand-new audio series and courses now available in our Patreon Shop!

We follow how a remote landmass on the far western fringe of Europe became the home of a lasting Gaelic civilization and a major center of classical and Christian knowledge, before coming under attack by Viking raiders and Anglo-Norman invaders. We examine the English Crown's shifting and increasingly desperate strategies to control Ireland, and the long battle over control of land and religion before Ireland was finally subjected to Protestant domination following the Glorious Revolution. Recommended further reading: Cronin, “A History of Ireland”; Foster, ed., “The Oxford Illustrated History of Ireland”; Ranelagh, “A Short History of Ireland”; Roberson, “The Irish Ice Sheet,” Music: “Danse du Grand Calumet de la Paix” / “Forets Paisibles,” from the opera-ballet “Les Indes Galantes,” by Jean-Philippe Rameau & Louis Fuzelier, 1735, performed by Les Arts Florissants, with vocalists Patricia Petibon & Nicolas Rivenq -- used with the kind authorization of Les Arts Florissants Image: Lavabo, Mellifont Abbey, Ireland Please sign up as a patron at any level to hear patron-only lectures, including the series on the Epic of Gilgamesh! -- www.patreon.com/c/u5530632

Was Noah's flood just a myth—or a historical reality written in Scripture, remembered by nations, and recorded in the rocks?In this episode of Faith of the Fathers, we explore the overwhelming evidence for a biblical, global flood:

From the Thames to the Tigris, the Ure to the Euphrates, rivers have flowed through the history of humanity, shaping our civilisations and sustaining our species. Robert Macfarlane and Elif Shafak illuminate the life-giving force of rivers, the stories they have inspired, and explore the crucial question of how humans can coexist with the natural world on which our survival depends. From the Epic of Gilgamesh to the gods of old, from the ancient Euphrates to the Thames of today, from lost rivers buried deep beneath our feet to the revival of nature on our own doorsteps, Elif and Robert reveal the intricate tapestry woven from human and natural history, and the resilience of nature, memory, and storytelling. On the cusp of today's chaos, in a world balanced between hope and despair, Elif and Robert reveal how we can fight against apathy, insist upon hope, and protect the natural world around us for generations and stories to come. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Double clin d’oeil à Alex et Sibylle Colin-Tocquaine (Agressor et Witches) par rapport à leur conférence au Mennecy Festival, allez voir la vidéo sur la chaîne youtube « Voyage au centre de la scène » de David Martin (ASSHOLE).Cela dit on démarre avec les jeunes retraitées mexicaines de GILGAMESH et les blackeux de AVZHIA (Mexique aussi). Suivis […] L'article LJDH – Bewitched by the Unknow Spell est apparu en premier sur Radio Campus Tours - 99.5 FM.

In the epic Mahabharata, our last warrior, Yudhishthira, with his dog, enters the gates of paradise. He faces the law of the Cosmic Cage, the Demiurge, and his loyal follower, Indra. The journey to the gate was a long, slow act of severance. One by one, the world fell away from Yudhishthira. His brothers, great men who were pieces of his own heart, became frozen monuments on the path. His wife, the fire that had centered his life, was extinguished by the cold. The world stripped him bare, took his kingdom, his family, his strength, leaving him with nothing but the ache of memory and the silent, padding feet of a stray dog that had begun to follow him. The dog was the last living thing that shared his road. It was not a pet; it was a witness. Now he was standing in front of heaven, facing The Logic of a Flawed Paradise, programmed by the Demiurge's flawed, artificial, sterile mind! Will he enter like Noah? Will he hear the pain of Gilgamesh? The epic tale tells us that he did not bargain like Neo in the movie The Matrix. “It was the calmest, most absolute statement of fact the cosmos had ever heard.” More on David: https://www.davidblock.org/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this program: Interview with Alfred Mansour about the Gilgamesh festival at Sydney University; interview with Ninab Toma from ADM about the challenges facing the Assyrian Democratic Movement in northern Iraq; and a NACA feature about the declaration of a Palestinian Statehood.

Alfred Mansour, Treasurer of the Assyrian Australian Association, is coordinating the Gilgamesh Festival, which will be held at the University of Sydney as part of its 150th anniversary celebrations. The association is organising this festival and Mr Mansour is overseeing the festival's activities and has outlined the major events that will take place during the program.

Andrew For America welcomes back to the show Mr. Sam Winchester of the According2Sam podcast. Andrew and Sam talk about the murder of Charlie Kirk, how bad our education system is, post-modernism, the importance of argumentation and how to construct a logical argument, mystery Babylon, the Annunaki, the Epic of Gilgamesh, the Italian Renaissance, a brief history of our presidents (and their crony affiliations) since JFK, George Orwell's book Animal Farm, and more! Exercise your freedom of speech while you still have it people!Visit allegedlyrecords.com and check out all of the amazing punk rock artists!Visit soundcloud.com/andrewforamerica1984 to check out Andrew's music!Like and Follow The Politics & Punk Rock Podcast PLAYLIST on Spotify!!!Check it out here: https://open.spotify.com/playlist/1Y4rumioeqvHfaUgRnRxsy...politicsandpunkrockpodcast.comhttps://linktr.ee/andrewforamericaFollow Future Is Now Coalition on Instagram @FutureIsOrgwww.futureis.org

Every culture claims among its earliest stories, the tale of a great flood that wipes out humanity. The tale of a great flood seems to have first been written down in the Epic of Gilgamesh. As is the case with myths and legends, when multiple cultures share stories, it lends credence to the idea that there is truth to the tale. Such is the case with Noah's Flood and the ark he built to survive that cataclysm. There are scholars who believe that this was not the original story. Whether this story were the original or not, the key take away is that everything on the face of Earth was destroyed by water, save for the people and animals aboard this large vessel. Why did Yahweh decide to destroy everything he created? Was it to destroy the Nephilim and were they able to re-establish themselves. Main theme: Crazy For Thrills by Muse Music with Groove Studios Artwork is by Edward Hicks, 1846

Episode Synopsis:Were the terrorist attacks of September 11th, 2001 the work of foreign enemies set against the American way of life or was this event part of a mega occult-ritual-offering; powerful enough to compel supernatural forces to do the nation's bidding?We talk about this and much more, including:What effect did the real loss of life have on the survivors?Who and how many people really suffered because of 9/11 and the after effects?How did the events unfold on that fateful date?What was Building 7 and why did it fall?How do controlled demotions work?Where there other bombs that went off?Was there Israeli involvement with the 9/11 attacks?What is NORAD and what was it doing on the morning of September 11th, 2001?Were there any Bush family connections that don't “jive” with the official narrative?What was the spiritual significance of the terror attacks?Who was Gilgamesh and is there a connection between him and 9/11?Original Air DateSeptember 6th, 2023Show HostsJason Spears & Christopher DeanOur PatreonConsider joining our Patreon Squad and becoming a Tier Operator to help support the show and get access to exclusive content like:Links and ResourcesStudio NotesA monthly Zoom call with Jason and Christopher And More…Connect With UsLetsTalk@ORPpodcast.comFacebookInstagram

“No endeavor to write a travel book is ever lost, since it gives you a useful perspective on (and intensified attention to) the reality of the travel experience itself. When embraced mindfully, the real-time experience of a journey is invariably its truest reward.” –Rolf Potts In this episode of Deviate, Rolf touches on nine lessons from attempting to write a (never finished) van-life vagabonding memoir at age 23, including: On Pilgrims in a Sliding World (1:00) Lesson #1: No work is lost (and “failure” has lessons to teach) On the author as a character (6:30) Lesson #2: “Show, don't tell” is still good narrative advice On depicting other people (14:30) Lesson #3: Travel books require reporting (not just recollecting) On recounting dialogues (22:30) Lesson #4: Be true to what was said (but make sure it serves a broader purpose) On veering from the truth (32:30) Lesson #5: The truth tends to work better than whatever you might make up On depicting places (39:30) Lesson #6: “Telling details” are better than broad generalizations about a place On neurotic young-manhood (48:30) Lesson #7: Balance narrative analysis with narrative vulnerability The seeds of Vagabonding (1:01:30) Lesson #8: Over time, we write our way into what we have to say The journey was the point (1:06:30) Lesson #9: In the end, taking the journey counts for more than writing it Books mentioned: The Geto Boys, by Rolf Potts (2016 book) Vagabonding, by Rolf Potts (2003 book) The Anxiety of Influence, by Harold Bloom (1973 book) On the Road, by Jack Kerouac (1957 book) The Catcher in the Rye, by J.D. Salinger (1951 book) Epic of Gilgamesh (12th century BCE Mesopotamian epic) Don Quixote, by Miguel de Cervantes (17th century novel) The Travels of Sir John Mandeville (14th century travelogue) True History, by Lucian of Samosata (2nd century novella) Three Cups of Tea, by Greg Mortenson (21st century memoir) Marco Polo Didn't Go There, by Rolf Potts (2008 book) Labels: A Mediterranean Journal, by Evelyn Waugh (1930 book) Essays, poems, and short stories mentioned "The Mystical High Church of Luck," by Rolf Potts (1998 essay) "Greenland is Not Bigger Than South America", by Rolf Potts (1998 essay) “The Faces,” by Robert Creeley (1983 poem) "Reflection and Retrospection," by Phillip Lopate (2005 essay) "Why so much travel writing is so boring," by Thomas Swick (2001 essay) "10 Rules of Writing," by Elmore Leonard (2001 essay) "In the Penal Colony," by Franz Kafka (1919 short story) Places and events mentioned People's Park (activist park in Berkeley) 924 Gilman Street (punk-rock club in Berkeley) Alphabet City (neighborhood New York City's East Village) Brentwood (Los Angeles neighborhood) 1994 Northridge earthquake Panama City Beach (Florida spring-break city) Gainesville (Florida college town) Athens (Georgia college town) Big Sur (coastal region of California) Humboldt Redwoods State Park (park in California) Other links: "Van Life before #VanLife" (Deviate episode) Paris Writing Workshops (Rolf's annual creative writing classes) Picaresque (prose genre) Roman à clef (fictionalized novel about real-life events) "Jumping freight trains in the Pacific NW" (Deviate episode) "Telling travel stories, with Andrew McCarthy" (Deviate episode) "Rolf Potts: The Vagabond's Way" (Ari Shaffir's Skeptic Tank podcast) "A personal history of my grunge-bandwagon band" (Deviate episode) Gettysburg Address (Abraham Lincoln speech) José Ortega y Gasset (Spanish philosopher) Jack Handey (American humorist known for "Deep Thoughts" jokes) Laurel Lee (American memoirist) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

“No endeavor to write a travel book is ever lost, since it gives you a useful perspective on (and intensified attention to) the reality of the travel experience itself. When embraced mindfully, the real-time experience of a journey is invariably its truest reward.” –Rolf Potts In this episode of Deviate, Rolf touches on nine lessons from attempting to write a (never finished) van-life vagabonding memoir at age 23, including: On Pilgrims in a Sliding World (1:00) Lesson #1: No work is lost (and “failure” has lessons to teach) On the author as a character (6:30) Lesson #2: “Show, don't tell” is still good narrative advice On depicting other people (14:30) Lesson #3: Travel books require reporting (not just recollecting) On recounting dialogues (22:30) Lesson #4: Be true to what was said (but make sure it serves a broader purpose) On veering from the truth (32:30) Lesson #5: The truth tends to work better than whatever you might make up On depicting places (39:30) Lesson #6: “Telling details” are better than broad generalizations about a place On neurotic young-manhood (48:30) Lesson #7: Balance narrative analysis with narrative vulnerability The seeds of Vagabonding (1:01:30) Lesson #8: Over time, we write our way into what we have to say The journey was the point (1:06:30) Lesson #9: In the end, taking the journey counts for more than writing it Books mentioned: The Geto Boys, by Rolf Potts (2016 book) Vagabonding, by Rolf Potts (2003 book) The Anxiety of Influence, by Harold Bloom (1973 book) On the Road, by Jack Kerouac (1957 book) The Catcher in the Rye, by J.D. Salinger (1951 book) Epic of Gilgamesh (12th century BCE Mesopotamian epic) Don Quixote, by Miguel de Cervantes (17th century novel) The Travels of Sir John Mandeville (14th century travelogue) True History, by Lucian of Samosata (2nd century novella) Three Cups of Tea, by Greg Mortenson (21st century memoir) Marco Polo Didn't Go There, by Rolf Potts (2008 book) Labels: A Mediterranean Journal, by Evelyn Waugh (1930 book) Essays, poems, and short stories mentioned "The Mystical High Church of Luck," by Rolf Potts (1998 essay) "Greenland is Not Bigger Than South America", by Rolf Potts (1998 essay) “The Faces,” by Robert Creeley (1983 poem) "Reflection and Retrospection," by Phillip Lopate (2005 essay) "Why so much travel writing is so boring," by Thomas Swick (2001 essay) "10 Rules of Writing," by Elmore Leonard (2001 essay) "In the Penal Colony," by Franz Kafka (1919 short story) Places and events mentioned People's Park (activist park in Berkeley) 924 Gilman Street (punk-rock club in Berkeley) Alphabet City (neighborhood New York City's East Village) Brentwood (Los Angeles neighborhood) 1994 Northridge earthquake Panama City Beach (Florida spring-break city) Gainesville (Florida college town) Athens (Georgia college town) Big Sur (coastal region of California) Humboldt Redwoods State Park (park in California) Other links: "Van Life before #VanLife" (Deviate episode) Paris Writing Workshops (Rolf's annual creative writing classes) Picaresque (prose genre) Roman à clef (fictionalized novel about real-life events) "Jumping freight trains in the Pacific NW" (Deviate episode) "Telling travel stories, with Andrew McCarthy" (Deviate episode) "Rolf Potts: The Vagabond's Way" (Ari Shaffir's Skeptic Tank podcast) "A personal history of my grunge-bandwagon band" (Deviate episode) Gettysburg Address (Abraham Lincoln speech) José Ortega y Gasset (Spanish philosopher) Jack Handey (American humorist known for "Deep Thoughts" jokes) Laurel Lee (American memoirist) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Nations: What are they? Are they defined by language, by “culture,” by blood, or something else? How do you know if you are part of one? —and is everyone in the world a member of one nation or another? We follow how the rise of medieval kingdoms and universities and the print revolution made it possible for people in the West to imagine themselves as part of extended kinship groups united by a common language and ancestry, how these abstract “nations” differed from all earlier social groupings, how nations have developed a standard template for national history and mythology, and how since the French Revolution, “nationalism” has inspired the loyalties and fired the passions of millions. Finally, we consider how scholars and critics have torn the concept of the nation to shreds, and then have tried to account for the profound transformations in consciousness and time made it possible for people to conceive of themselves as belonging to nations in the first place. Apologies for the osprey squawking in the background of the lecture! Music: “Danse du Grand Calumet de la Paix” / “Forets Paisibles,” from the opera-ballet “Les Indes Galantes,” by Jean-Philippe Rameau & Louis Fuzelier, 1735, performed by Les Arts Florissants, with vocalists Patricia Petibon & Nicolas Rivenq. Please sign up as a patron at any level to hear patron-only lectures, including the series on the Epic of Gilgamesh! -- https://www.patreon.com/c/u5530632

Billy Carson will be your mentor. Join the 4BK Academy https://4bkacademy.comThe Anunnaki flood story is one of the most shocking narratives in the ancient Sumerian tablets. In this video, Paul Wallis and Billy Carson uncover the hidden truth about how the gods debated humanity's survival, why the flood was unleashed, and how the biblical Noah story is a condensed version of a much older epic.The Sumerian tablets reveal a darker plan: limiting humanity's growth through disease, famine, and artificial scarcity. Discover how Enlil and Enki clashed over the fate of mankind, and why this battle for control echoes into our modern world.

David Block joins me for a new trilogy and a new campaign against the Golem God. He states: The most important books of epic stature speak about the same phenomena. From the Epic of Mahabharata to the Epic of Gilgamesh and the Bible, the message is clear. The ultimate expression of the sovereign's power is not to create, but to have the will to destroy your own creations when they have served their purpose. To be a true god is to be willing to burn your own heaven to the ground, it is from the ashes of heaven, Gods are born! More on David: https://www.davidblock.org/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288