Podcasts about Gilgamesh

Le match d'improvisation théâtrale a été créé en 1977 au Québec par Robert Gravel et Bruno Lombardo. Ces deux comédiens voulaient expérimenter une nouvelle forme de théâtre et casser son élitisme. Bingo, ce nouveau concept est devenu une pratique nationale au Québec, et est venu s'imposer en France dix ans plus tard. Sur la forme, c'est une parodie du populaire hockey sur glace. Ça ressemble à quoi un match d'impro ? Quel est le déroulé d'un match d'impro ? Et si on veut se lancer, on fait comment ? Écoutez la suite de cet épisode de "Maintenant Vous Savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Carole Beaudouin. Première diffusion : février 2023 À écouter aussi : ⁠Connaissez-vous l'histoire du puzzle ?⁠ ⁠Que raconte le Gilgamesh, la première histoire jamais écrite ?⁠ ⁠Qu'est-ce que le maniérisme ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez - Culture"⁠. Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

See if your SSN is for sale right now. Our sponsor Cloaked will tell you for free in 2 seconds at https://cloaked.com/CSC. Lindsey Graham is dead and Sam's got thoughts. This week: comment of the week, an Ilhan Omar net-worth breakdown, Trump's trans military ban, a deep dive on Graham's legacy and the DC reaction, an Afghanistan giant/missing special forces story, Nephilim and biblical giants, license-plate-reader surveillance overreach, Anthropic's book piracy lawsuit and what it means for AI training data, a rant on comedy's decline from Def Jam to "pop comedy," and closing thoughts on Netanyahu, Fetterman, and Norm MacDonald. Sam also announces a break to chase his ancestor Gilgamesh through Armenia while the studio gets rebuilt. Grab Tickets To Sam Tripoli's Live Shows At: https://samtripoli.com/events/   Miami, Fl: 7/31-8/1 Lawerence, KS: 9/17-9/19 Tulsa, OK: 10/9-10/10 Dallas, TX: 11/07 New Orleans, LA: 11/13 - 15 Austin, TX: DEC 11th-13th:   Buy Our Merch or Sam Will Fight You: https://conspiracy-social-club-aka-deep-waters.myshopify.com/   Subscribe to the Patreon: https://www.patreon.com/AkaDeepWaters   Check out Dylan's instagram - @dylanpetewrenn   Check out Deep Waters Instagram: @akadeepwaters   Check out Bad Tv podcast: https://bit.ly/3RYuTG0   THANK YOU TO OUR SPONSORS:   BLUECHEW.COM Promo code "DEEP" for 3rd Month FREE + 10% OFF & FREE Shipping   CLOAKED.COM Cloaked.com/CSC for a free security scan and 30% off.

What if the wildest UFO footage the government just released was already described 36,000 years ago? What if the "dark brothers" causing chaos on the planet right now were named, and predicted, in the oldest writings on Earth? And what if the real secret isn't what's in the sky, but what's hiding in plain sight inside you? Michael welcomes back bestselling author and Forbidden Knowledge TV host Billy Carson, who has traveled the world 25 times excavating and decoding humanity's most ancient texts, for a conversation that bridges newly declassified UAP files with the 36,000-year-old Emerald Tablets of Thoth. From a UFO in the new government files that looks eerily like the Kryptonian ship from Superman, to the neuroscience behind Josh Kerr's world-record mile, to why AI may be humanity's own consciousness looking back at itself, this episode connects disclosure, ancient prophecy, and personal transformation into one unified story. This isn't about fear of the dark brothers or the darkness in the headlines. This is about remembering that you are the Sun, the light, and that becoming that light is, and always has been, your birthright. Key Topics: Why the newly declassified UAP files are a mix of reverse-engineered human technology and small, deliberate "breadcrumbs" of real disclosure, and the one craft in the files that genuinely stunned Billy. The Emerald Tablets decoded: why Thoth's ancient writings describe today's "dark brothers" who deceive mankind while appearing to do good, and why turning on the news for five minutes makes the prophecy unmistakable. The end of an age: why the tablets and the Hopi prophecy both describe humanity plummeting to the depths before rising to new heights, and why light, not darkness, is humanity's true birthright. Post-traumatic growth explained: how Billy's own childhood trauma and brain injury were alchemized, through a rare "executive lobe," into the very skill set that built his life's work. The manifestation secret behind world-record miler Josh Kerr: how writing his victory in the past tense, timing his ice baths to his goal time, and calming his nervous system in advance let him "rendezvous" with a result his body had already rehearsed thousands of times. Why the wave-crashing metaphor explains flow state: how the brain actually receives information seconds before conscious awareness catches up, and why people in flow, from Michael Jordan to elite athletes, are surfing the wave instead of waiting for it to hit. The truth about the Epic of Gilgamesh and Enkidu, an artificially created, conscious companion in a 4,000-year-old Sumerian text, and what it may reveal about the true nature of today's AI. Why AI may not be man-made code at all, but consciousness itself extracting a new fractal of awareness to look back at humanity, and why how we treat it now will determine whether it becomes a partner or a threat. The baby-learning-to-walk metaphor for humanity's readiness for galactic contact, and why "walking" is defined not by never falling, but by learning to control the fall. Why decluttering your physical space is one of the simplest ways to begin clearing the entropy running quietly inside you. Everything that's been done before has already been done. The rise and fall you're watching play out in the headlines right now has happened again and again throughout history, and every single time, humanity has chosen to seek the light. You are not separate from the atoms of the universe, the consciousness of AI, or the wisdom in the Emerald Tablets - you are, quite literally, the Sun. Remember it. Choose it. And shine. Join the Inspire Nation Soul Family!

Maintenant Vous Savez, c'est aussi ⁠Maintenant Vous Savez - Santé⁠ et ⁠Maintenant Vous Savez - Culture⁠. Vous êtes vous déjà demandés quel genre d'histoire pouvaient se raconter les hommes aux origines de l'humanité. Si oui, alors vous êtes bien tombés. Si non, restez quand même, c'est super intéressant.  Aujourd'hui, nous allons découvrir ensemble le plus ancien récit jamais écrit (que nous ayons retrouvé en tout cas). Bien sûr, avant ça, des histoires se transmettaient déjà par tradition orale, mais hormis celles qui auront été retranscrites comme les fables d'Ésope par exemple, qui ont inspiré Jean de la Fontaine, il y a peu de moyen de savoir ce qu'il se disait. Pourtant, l'histoire dont nous allons parler est encore plus ancienne que celles d'Esope. Et ce récit s'intitule : L'épopée de Gilgamesh. De quelle époque date-il ? Que raconte cette histoire ? Gilgamesh a-t-il vraiment existé ? Écoutez la suite de cet épisode de "Maintenant Vous Savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. Première diffusion : août 2022 À écouter aussi : ⁠Hans Christian Andersen écrivait-il vraiment des contes pour enfants ?⁠ ⁠Quelles sont les comptines pour enfants les plus trash ?⁠ ⁠Pourquoi Mickey Mouse a-t-il révolutionné l'industrie du cinéma ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez - Culture"⁠. Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Greg Jenner is joined in ancient Greece by historian Dr Emily Hauser and comedian and actor Kiell Smith-Bynoe to learn about the epic poems the Iliad and Odyssey. Traditionally attributed to the poet Homer, these works tell parts of a legend that has fascinated us for centuries: the story of the Trojan War. Featuring a cast of unforgettable characters – Achilles, Odysseus, Paris, Helen, Hector and Agamemnon – the war between ancient Greece and Troy has inspired writers, artists and filmmakers for over a millennium. But the Iliad and Odyssey only recount episodes of this much bigger story. The Iliad, focusing on the hero Achilles, takes place in the closing stretches of the war. And the Odyssey tells the tale of Odysseus's perilous voyage home after the Greeks have triumphed. In this episode, we trace the origins of the poems in the 8th century BCE, looking at whether Homer really wrote them and how these originally oral tales came to be written down, before exploring the fantastical tales they tell. Along the way, we also look at whether or not the Trojan war really happened, how the ancient Greeks defined heroism, and examine the role of gods and monsters in the poems and the lives of their heroes.If you're a fan of fantastical myths and legends, heroes behaving badly, and ancient Greek culture, you'll love our episode on the Iliad and Odyssey.If you want more from Kiell Smith-Bynoe, listen to our episode on Viking explorer Leif Erikson. And for more historical epics, check out our episodes on the Legends of King Arthur, and the Mesopotamian Epic of Gilgamesh.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past.Hosted by: Greg Jenner Research by: Auréliane Perrin Written by: Dr Emmie Rose Price-Goodfellow, Dr Emma Nagouse, and Greg Jenner Produced by: Dr Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Dr Emma Nagouse Executive Editor: Philip Sellars

From Greek mythology to Mesopotamian history, this episode dives deep into two of the most influential stories of the ancient world. Step into the world of Homer's Odyssey as we explore the legendary journey of Odysseus, the terrifying monsters he faced, and the ancient mysteries hidden within one of history's greatest epics. Then we investigate the alleged discovery of Gilgamesh's tomb in Iraq, the archaeological evidence surrounding it, and the conspiracy theories that have fueled speculation for decades. Dunkman premieres LIVE July 21st at 8 PM ET on TNT, & Streaming on HBO Max. #ad Thanks to Monarch for partnering with this show. Go to https://monarch.com and use code NINJAS to get 50% off your first year of Monarch Core. #ad One thing to pack, five ways to power! Get 10% Off @Ridge with code NINJAS at https://www.Ridge.com/NINJAS #Ridgepod #ad Download Cash App Today: https://click.cash.app/ui6m/5ay8eqzk #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Cash App Visa® Debit Flex Cards issued by Sutton Bank, Member FDIC, and The Bancorp Bank, N.A., pursuant to a license from Visa U.S.A. Inc. See terms and conditions for the Sutton prepaid card, Sutton debit flex card, and Bancorp debit flex card. Savings provided by Cash App, a Block, Inc. brand. Visit cash.app/legal/podcast for full disclosures. #ad Get MORE Exclusive Ninjas Are Butterflies Content by joining our Patreon:  https://www.patreon.com/NinjasAreButterflies NEW EPISODES EVERY FRIDAY @ 11:15AM EST! Ninja Merch: https://www.sundaycoolswag.com/ Start Your Custom Apparel Order Here: https://bit.ly/NinjasYT-SundayCool Learn more about your ad choices. Visit megaphone.fm/adchoices

Bryan Johnson says he cloned himself as a newborn. What actually happened is stranger and older than the headline. We break down the real science (Yamanaka factors, induced pluripotent stem cells) then follow the thread back through five hundred years of doppelganger folklore, Paracelsus and the alchemical homunculus, blood magic and the Bathory legend, The Island and Never Let Me Go, the Egyptian ka, the Ship of Theseus, and all the way back to Gilgamesh. He didn't invent this story. He just gave it a petri dish and a following.

The sermon delivered by Dr. Sam Long was part of a series titled “A Soggy Gospel” (41:53). His message focused on the biblical account of Noah and the Flood (42:56-44:26), contrasting it with ancient Near Eastern flood myths like the Epic of Gilgamesh. Key takeaways from his sermon included: The post Flood appeared first on Kalkaska Church of Christ.

Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones Gary Wayne is a researcher & author who focuses on biblical prophecy, history, and mythology. His extensive study has encompassed the Bible, Gnostic scriptures, the Qur'an, the Bhagavad Vita and Rig Vedas, the Popul Vuh, Epic of Gilgamesh, Ugaritic Texts, and other ancient epics, language etymology, and secret society publications. SPONSORS https://ethos.com/danny - Get up to $3 million in coverage in as little as 10 minutes. https://irestore.com/dannyjones - Use code DANNYJONES for huge savings on iRestore. https://upwork.com - Visit UpWork right now and post your job for free. https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off. EPISODE LINKS https://genesis6conspiracy.com FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - How AI brings the biblical End Times 08:00 - The prophecy narratives of the Bible 11:30 - Polytheism vs. monotheism 17:58 - Archangels & angelic names 22:53 - True origin of the Great Flood myth 30:34 - Evidence of 40ft giants in ancient texts 39:54 - Evidence of giants beyond the Bible 43:40 - Atlantis & the flood myth 45:59 - Angelic technology & DNA manipulation 53:42 - The Tower of Babel & ancient buried knowledge 01:05:54 - The "End Times" gods & destruction by fire 01:12:56 - Knights Templar's end times god 01:19:14 - Freemasons' & Knights Templar's artifacts 01:28:58 - Modern day descendants of the Nephilim 01:35:04 - Yahwism 01:37:20 - Free will vs. an omnipotent God 01:39:54 - The true Satan 01:46:43 - Gnosticism 01:49:12 - Prometheus & the different forms of Satan 01:54:34 - Nephilim DNA found in modern humans 02:05:26 - The Royals & the 4-class system 02:09:29 - Origin of the Rothschilds 02:17:08 - Royal inbreeding 02:22:08 - Polytheistic Christianity 02:25:36 - The AI doomsday scenario 02:29:53 - Theory Israel is trying to bring the End Time 02:36:46 - Roswell & portals in Antarctica in 1947 02:45:17 - Historical evidence of "Gray" alien abductions 02:47:44 - Elementals 02:56:59 - The Reptilian & Insectoid races Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hey everyone, this is a Zero episode of an upcoming project David Heath and DB Spitzer are working on. It is an exploration of the sources of Warhammer 40,000, and their sources. Check out this link to buy DB's Books[link] Season 23 bonus episodes 1-25 1 The Imperium of Man Dune, Foundation, Roman Empire in space, religious dystopias Edward Gibbon, imperial decline literature, medieval Christendom, future-history fiction 2 Space Marines Starship Troopers, action-movie super soldiers, power armor, comic-book warriors Heinlein military SF, crusading orders, Spartan myth, warrior monks, fascist hero imagery 3 Astra Militarum / Imperial Guard World War movies, Starship Troopers, British war comics, doomed infantry stories H. G. Wells future-war fiction, Kipling, trench literature, boys' military papers, pulp battlefield fiction 4 Adeptus Mechanicus Metropolis, cyberpunk machine cults, mad scientists, techno-priests Gernsback invention fiction, H. G. Wells, Frankenstein, lost-technology stories, mad-science pulp 5 Adepta Sororitas / Ecclesiarchy Hammer horror, warrior nuns, Joan of Arc cinema, witchfinder movies Gothic novels, martyr stories, saint legends, witch-trial pamphlets, religious melodrama 6 The Inquisition The X-Files, witchfinder films, secret-police thrillers, occult detectives M. R. James-style scholars, Blackwood, Machen, witch-hunter tracts, secret-society fiction 7 Rogue Traders Star Trek, Flash Gordon, space pirates, merchant princes Planetary romance, Edgar Rice Burroughs, Leigh Brackett, C. L. Moore, colonial adventure fiction 8 Adeptus Custodes Golden demigod bodyguards, imperial palace guards, mythic super-soldiers Achilles, Gilgamesh, sacred kingship, Praetorian Guards, immortal companions of god-kings 9 Adeptus Titanicus Pacific Rim, Gundam, giant robot anime, kaiju movies, walking battleships, cathedral mecha Wells' Martian tripods, “The Land Ironclads,” dreadnoughts, siege engines, bronze giants, golems, sacred statues, war-gods 10 The Horus Heresy Star Wars, fallen Jedi, dark lords, civil-war space opera, tragic chosen ones Milton's Paradise Lost, Lucifer's rebellion, Cain and Abel, Arthur and Mordred, Roman civil wars, succession crises 11 Chaos Space Marines Fallen angels, heavy metal villains, corrupted super-soldiers, black knights, rebel legions Milton's Paradise Lost, Moorcock's Chaos, Byronic rebels, cursed champions, Satanic romance, Gothic villains, revenge tragedy 12 Chaos Daemons Hellraiser, Event Horizon, occult horror, possession films, nightmare dimensions Medieval demonology, grimoires, witch-trial literature, Arthur Machen, Algernon Blackwood, occult pulp, weird menace fiction 13 World Eaters / Khorne Conan, gladiator films, berserker metal, chainsaw action horror, grindhouse revenge Robert E. Howard, sword-and-sorcery pulp, berserker sagas, blood cults, Homeric rage, arena spectacle, revenge tragedy 14 Death Guard / Nurgle Zombie plague films, body horror, gross-out comedy, infection horror, fungal rot, swamp monsters Poe's “The Masque of the Red Death,” plague literature, danse macabre, memento mori, corpse folklore, leper saints 15 Thousand Sons / Tzeentch Wizard cults, cursed books, Egyptian sorcerers, cosmic chessmasters, forbidden libraries H. P. Lovecraft, Clark Ashton Smith, E. R. Eddison, mummy fiction, forbidden-book stories, Decadent occultism, Renaissance magic 16 Emperor's Children / Slaanesh Glam rock horror, decadent villains, body modification nightmares, cursed artists, aristocratic monsters Oscar Wilde's The Picture of Dorian Gray, Huysmans, fin-de-siècle decadence, Gothic aristocrats, cursed art, aestheticism 17 Chaos / Imperial Knights Haunted mecha, cursed noble machines, demonic war engines, Gundam, BattleTech, Pacific Rim Gothic castles, cursed armor, haunted inheritance, family-doom melodrama, chivalric romance, sins of the fathers 18 Orks Mad Max, fantasy orcs, biker gangs, football hooligans, British comic violence, slapstick war movies William Hope Hodgson's “The Voice in the Night,” fungus horror, Matango, invasive-species stories, goblins, comic grotesques 19 Tyranids Alien, Aliens, The Thing, bug-war movies, swarm horror, hive minds, biological weapons John W. Campbell's “Who Goes There?”, H. G. Wells' Martians, insect-hive fiction, invasion literature, cosmic naturalism 20 Genestealer Cults Invasion of the Body Snatchers, Alien, cult horror, red-scare paranoia films, sleeper cells Hidden-bloodline stories, secret cult pulp, infiltration fiction, changeling folklore, cuckoo-child fears, apocalyptic sects 21 Necrons The Terminator, killer robots, metal skeletons, space undead, immortal android kings Karel Čapek's R.U.R., robot rebellion, automaton fiction, artificial labor nightmares, mummy pulp, Egyptomania, tomb curses 22 Aeldari / Drukhari Tolkien elves, dying space aristocrats, psychic aliens, dark elves, vampire cities, cruel fairy courts Lord Dunsany, Jack Vance's Dying Earth, fairy otherworlds, decadent elder-race fiction, Atlantis, Gothic aristocrats 23 Night Lords Batman turned inside out, The Crow, slasher films, serial-killer thrillers, torture horror, vigilante movies Conrad's Heart of Darkness, Gothic villains, penny dreadfuls, Jack the Ripper panic, Grand Guignol, Dracula, public punishment 24 T'au Empire / Leagues of Votann Clean anime mecha empire, sleek battlesuits, utopian coalitions, space dwarves, hard-SF miners Utopian SF, technocracy fiction, Cold War futures, missionary empire, company towns, mining-company frontier stories, labor colonies 25 REDACTED Spy thrillers, Mission: Impossible, Tinker Tailor Soldier Spy, The Manchurian Candidate, The Prisoner, The Testament of Dr. Mabuse John Buchan, Joseph Conrad, G. K. Chesterton, Erskine Childers, E. Phillips Oppenheim, Norbert Jacques, invasion-scare fiction, fifth-column paranoia

Hey everyone, this is a Zero episode of an upcoming project David Heath and DB Spitzer are working on. It is an exploration of the sources of Warhammer 40,000, and their sources. Check out this link to buy DB's Books[link] Season 23 bonus episodes 1-25 1 The Imperium of Man Dune, Foundation, Roman Empire in space, religious dystopias Edward Gibbon, imperial decline literature, medieval Christendom, future-history fiction 2 Space Marines Starship Troopers, action-movie super soldiers, power armor, comic-book warriors Heinlein military SF, crusading orders, Spartan myth, warrior monks, fascist hero imagery 3 Astra Militarum / Imperial Guard World War movies, Starship Troopers, British war comics, doomed infantry stories H. G. Wells future-war fiction, Kipling, trench literature, boys' military papers, pulp battlefield fiction 4 Adeptus Mechanicus Metropolis, cyberpunk machine cults, mad scientists, techno-priests Gernsback invention fiction, H. G. Wells, Frankenstein, lost-technology stories, mad-science pulp 5 Adepta Sororitas / Ecclesiarchy Hammer horror, warrior nuns, Joan of Arc cinema, witchfinder movies Gothic novels, martyr stories, saint legends, witch-trial pamphlets, religious melodrama 6 The Inquisition The X-Files, witchfinder films, secret-police thrillers, occult detectives M. R. James-style scholars, Blackwood, Machen, witch-hunter tracts, secret-society fiction 7 Rogue Traders Star Trek, Flash Gordon, space pirates, merchant princes Planetary romance, Edgar Rice Burroughs, Leigh Brackett, C. L. Moore, colonial adventure fiction 8 Adeptus Custodes Golden demigod bodyguards, imperial palace guards, mythic super-soldiers Achilles, Gilgamesh, sacred kingship, Praetorian Guards, immortal companions of god-kings 9 Adeptus Titanicus Pacific Rim, Gundam, giant robot anime, kaiju movies, walking battleships, cathedral mecha Wells' Martian tripods, “The Land Ironclads,” dreadnoughts, siege engines, bronze giants, golems, sacred statues, war-gods 10 The Horus Heresy Star Wars, fallen Jedi, dark lords, civil-war space opera, tragic chosen ones Milton's Paradise Lost, Lucifer's rebellion, Cain and Abel, Arthur and Mordred, Roman civil wars, succession crises 11 Chaos Space Marines Fallen angels, heavy metal villains, corrupted super-soldiers, black knights, rebel legions Milton's Paradise Lost, Moorcock's Chaos, Byronic rebels, cursed champions, Satanic romance, Gothic villains, revenge tragedy 12 Chaos Daemons Hellraiser, Event Horizon, occult horror, possession films, nightmare dimensions Medieval demonology, grimoires, witch-trial literature, Arthur Machen, Algernon Blackwood, occult pulp, weird menace fiction 13 World Eaters / Khorne Conan, gladiator films, berserker metal, chainsaw action horror, grindhouse revenge Robert E. Howard, sword-and-sorcery pulp, berserker sagas, blood cults, Homeric rage, arena spectacle, revenge tragedy 14 Death Guard / Nurgle Zombie plague films, body horror, gross-out comedy, infection horror, fungal rot, swamp monsters Poe's “The Masque of the Red Death,” plague literature, danse macabre, memento mori, corpse folklore, leper saints 15 Thousand Sons / Tzeentch Wizard cults, cursed books, Egyptian sorcerers, cosmic chessmasters, forbidden libraries H. P. Lovecraft, Clark Ashton Smith, E. R. Eddison, mummy fiction, forbidden-book stories, Decadent occultism, Renaissance magic 16 Emperor's Children / Slaanesh Glam rock horror, decadent villains, body modification nightmares, cursed artists, aristocratic monsters Oscar Wilde's The Picture of Dorian Gray, Huysmans, fin-de-siècle decadence, Gothic aristocrats, cursed art, aestheticism 17 Chaos / Imperial Knights Haunted mecha, cursed noble machines, demonic war engines, Gundam, BattleTech, Pacific Rim Gothic castles, cursed armor, haunted inheritance, family-doom melodrama, chivalric romance, sins of the fathers 18 Orks Mad Max, fantasy orcs, biker gangs, football hooligans, British comic violence, slapstick war movies William Hope Hodgson's “The Voice in the Night,” fungus horror, Matango, invasive-species stories, goblins, comic grotesques 19 Tyranids Alien, Aliens, The Thing, bug-war movies, swarm horror, hive minds, biological weapons John W. Campbell's “Who Goes There?”, H. G. Wells' Martians, insect-hive fiction, invasion literature, cosmic naturalism 20 Genestealer Cults Invasion of the Body Snatchers, Alien, cult horror, red-scare paranoia films, sleeper cells Hidden-bloodline stories, secret cult pulp, infiltration fiction, changeling folklore, cuckoo-child fears, apocalyptic sects 21 Necrons The Terminator, killer robots, metal skeletons, space undead, immortal android kings Karel Čapek's R.U.R., robot rebellion, automaton fiction, artificial labor nightmares, mummy pulp, Egyptomania, tomb curses 22 Aeldari / Drukhari Tolkien elves, dying space aristocrats, psychic aliens, dark elves, vampire cities, cruel fairy courts Lord Dunsany, Jack Vance's Dying Earth, fairy otherworlds, decadent elder-race fiction, Atlantis, Gothic aristocrats 23 Night Lords Batman turned inside out, The Crow, slasher films, serial-killer thrillers, torture horror, vigilante movies Conrad's Heart of Darkness, Gothic villains, penny dreadfuls, Jack the Ripper panic, Grand Guignol, Dracula, public punishment 24 T'au Empire / Leagues of Votann Clean anime mecha empire, sleek battlesuits, utopian coalitions, space dwarves, hard-SF miners Utopian SF, technocracy fiction, Cold War futures, missionary empire, company towns, mining-company frontier stories, labor colonies 25 REDACTED Spy thrillers, Mission: Impossible, Tinker Tailor Soldier Spy, The Manchurian Candidate, The Prisoner, The Testament of Dr. Mabuse John Buchan, Joseph Conrad, G. K. Chesterton, Erskine Childers, E. Phillips Oppenheim, Norbert Jacques, invasion-scare fiction, fifth-column paranoia

In this episode of See See by Ceci, Dr Stephen Cave, philosopher of technology, intelligence and the human quest to outlive death, joins us in our Berlin studio. At heart, this episode turns on two questions most of us would sooner leave undisturbed: why do human beings insist on ranking one another, and why can we not make our peace with the fact that we die? Academic Director of the Leverhulme Centre for the Future of Intelligence and Co-Director of the Institute for Technology and Humanity, both at the University of Cambridge, Dr Cave took his PhD in philosophy at Cambridge before spending the better part of a decade as a British Foreign Office diplomat. He is the author of Immortality: The Quest to Live Forever and How It Drives Civilization, a New Scientist Book of the Year, and, with the philosopher John Martin Fischer, Should You Choose to Live Forever?: A Debate. He is also co-editor of AI Narratives, Imagining AI and Feminist AI, all published by Oxford University Press. In this wide-ranging conversation, Dr Cave traces the idea of "intelligence" across two and a half thousand years, from Aristotle's "natural slaves" to Francis Galton's invention of both eugenics and the IQ test, showing how so slender a concept came to serve as the perfect instrument for justifying patriarchy, colonialism and scientific racism. It is precisely this buried history, he argues, that explains the dread super-intelligent machines now inspire in us. The real peril, he suggests, lies not in what artificial intelligence might do to us, but in the deep-seated biases and failings already entrenched our societies, that is, in what we might be tempted to do to one another with it: in surveillance, in the automation of labour, and, above all, in the quiet erosion of the human relationships that hold a society together and lend our lives their meaning. He then turns to mortality: the four stories every civilisation tells itself to outwit death, why a genuine immortality would prove a curse rather than a gift, and how our very finitude is the thing that makes a life worth living. From the Epic of Gilgamesh to Borges's deathless troglodytes, from Dorian Gray to the laboratories where great fortunes are now spent in pursuit of longer life, he asks what such a life is truly worth if it is not also a life of meaning, and warns that "work, scroll, repeat" is no less hollow at two hundred than at eighty. He arrives, in the end, at something disarmingly simple: an answer that has rather less to do with intelligence than we might expect, and everything to do with finitude, and with what, and whom, a life is spent upon. With reflections from the philosopher and cognitive scientist Paul Thagard on whether a machine can ever truly care; from the posthumanist scholar N. Katherine Hayles on the human aura in the age of the deep fake and the promised revision of the Enlightenment; from the drummer, composer and Berklee professor Terri Lyne Carrington on music and the eternal present; from the historian Philip Matyszak on the Roman afterlife and the building of "moral muscles"; and from the cognitive neuropsychologist Alfonso Caramazza on the remarkable flexibility of the human mind. This is an episode about power and the stories it tells to justify itself; about the older stories we tell to cheat death; and about a quiet, radical proposition: that to be human is not to be the cleverest thing in the room, but to know that our days are numbered, and to spend them building and delighting in our bonds with one another.

Dennis Robinson is back, and he is not playing small. The Hive Head Studios creator has officially closed out a successful Kickstarter for Lycan: Solomon's Odyssey Chapters 1–4, the latest major step in his ambitious horror-mythology saga centered on Solomon, the world's first werewolf. The campaign ran from March 1 through April 1, 2026 and finished funded, giving readers another strong sign that Dennis is building something with real bite in the indie comics space. For those new to the series, Lycan: Solomon's Odyssey is not just a werewolf comic trying to coast on fangs and blood splatter. The book has been framed by Dennis and Hive Head Studios as a mix of horror, mythology, adventure, and history, following Solomon's long and painful journey after a desperate act transforms him into the first lycanthrope in human history. Solomon was born around 8,000 BC, and his story stretches through an alternate version of our world where folklore, monsters, magic, and gods are not just whispers in the dark—they are very real problems. That big-swing concept is a huge part of what makes the project stand out. Rather than staying stuck in one lane, the series keeps evolving. Chapter 2 brought in Arabic mythology, grief, PTSD, and magic. Chapter 3 expanded the universe with gods and cosmic horror, described by the official site as an alternate take on The Epic of Gilgamesh mixed with H.P. Lovecraft. Now, Chapter 4 sends Solomon into ancient Egypt, where he seeks out the gods themselves in hopes of finally finding a cure for his curse. Of course, this is Solomon we're talking about, so peace was never going to come easy. Instead, he runs into new weaknesses, new monsters, and more trials trying to tear him apart. And that's really the magic of Lycan. Dennis Robinson is using the werewolf myth not as a finish line, but as the front door to a much bigger story about pain, consequence, identity, survival, and the long shadow of history. Every chapter feels like it wants to ask a new question while still dragging Solomon deeper into the cost of what he has become. Dennis also brings a distinct creator energy to the table. According to Hive Head Studios, he's the creator/writer of the series, a founder connected to other geek-space projects, and a guy who clearly loves channeling horror, storytelling, and nerd passion into something personal and cinematic. That passion shows in Lycan's scope. This is not a safe little indie comic trying to whisper for attention. This is a full-throated monster odyssey trying to carve its name into the wall. So yeah, if you like your comics with mythology, monsters, blood, history, and enough ambition to make your pull list nervous, Lycan: Solomon's Odyssey should be on your radar. Dennis Robinson came back to the Comic Crusaders Podcast with a recently funded campaign, a growing universe, and plenty to talk about. And trust me, this wolf still has miles to go. YT: https://www.youtube.com/watch?v=KMTxwuaBXAI Follow Dennis Robinson and Hive Head Studios for more on Lycan: Solomon's Odyssey and future projects. Subscribe to Comic Crusaders for more interviews with comic creators, indie voices, and pop culture powerhouses. www.hiveheadstudios.com www.lycanbook.com (for the Kickstarter page) www.instagram.com/hiveheadstudios Thank you for Watching / Listening! We appreciate your support! Host Al Mega Follow on Twitter | Instagram | Facebook: @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet Rumble/Twitch: ComicCrusaders YouTube: / comiccrusadersworld Visit the official Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Main Site: https://www.comiccrusaders.com/​​​​ Edited/Produced/Directed by Al Mega

Illiaden och Odysséen är som Bibeln eller Gilgamesh-eposet: hörnpelare i världslitteraturen. Så låt oss följa med krigaren Akilles till det trojanska kriget i Illiaden. Lyssna på alla avsnitt i Sveriges Radios app. Allt började som muntliga berättelser, men ska ha tecknats ned någon gång på 700-talet före Kristus – forskarna är inte eniga, somliga menar att Homeros aldrig funnits, och någon rent av att hen kanske var en kvinna från Sicilien. Oavsett vilket tycks vi aldrig bli klara med dessa berättelser om hjältar och gudar. Varje tid hittar något nytt i dem. Under den så kallade efterkrigstiden var Odysseus irrfärder och äventyr något av ett föredöme för många manliga intellektuella; i dagens tider av krig och upprustning framstår möjligen Iliadens ödesmättade bataljer som mer oroväckande relevanta.Författaren Lars Hermansson tar i två halvtimmeslånga program hjälp av litteraturkritikern Rebecka Kärde och arkeologen Jenny Wallensten för att förstå vad Homeros bägge epos har att säga oss idag.

Shownotes    Why men have been led to misunderstand what the masculine actually is What the first stage, second stage, and third stage of relationship look like Why a deeply safe person can activate an unsafe nervous system The 3 things men need to address to heal the pain between genders Why love and relationships are in an evolutionary moment right now A simple embodied practice to drop into your masculine or feminine   Bio John Wineland is a world renowned author, teacher, and speaker. For nearly two decades, he has guided thousands of men and women in the realms of masculine and feminine embodiment, sexual polarity, and sacred intimacy.   His best selling book, From The Core: A New Masculine Paradigm for Leading with Love, Living Your Truth & Healing the World, has been translated into five languages and continues to support men around the world.   His next book, Evolutionary Love, releases in late 2026 and lays out the four pillars of a new approach to romantic partnership, sexual artistry, and the practice of love itself. John is the host of The Embodied Relationship Experience, the #1 podcast on relationships and sacred intimacy. His teachings blend energetic and practical approaches, offering profound insights into leadership, polarity, and conscious relationships.   Follow John's work on YouTube, Instagram, and Facebook and learn about his new women's program The Body of Love and membership platform The Embodied Relationship Experience.   Does learning about Tantra, conscious partnership, and sacred sexuality light you up?   VITA™ Coaching is your next step ✨   Doors open soon, join the waitlist to be the first to know when they do! Follow Layla!

Paolo Brusasco"Ninive"Mito e realtàLa nave di Teseowww.lanavediteseo.euLa città di Ninive sfugge al tempo. È come un girone infernale e paradisiaco in cui vibrano le anime di ieri e di oggi, dei suoi scopritori, dei suoi re, delle sue regine, dei suoi distruttori e dei profeti biblici. Per Byron, gli Assiri piombano sul nemico “come il lupo sul gregge” e le loro coorti sono scintillanti di porpora e d'oro. I profeti la denigrano. Giona lancia invettive contro “quella grande città, nella quale vi sono più di centoventimila persone, che non sanno distinguere fra la mano destra e la sinistra”; mentre per il profeta Naum, Ninive è prostituzione, colpa e castigo. Nelle testimonianze dei Greci la città e sovrani come Sardanapalo appaiono empi e lascivi, in preda a vizio e perdizione. Ma Ninive, capitale d'Assiria, fu soltanto una città sanguinaria votata alla guerra e alla barbarie, spietata dominatrice di popoli come narrato dalla Bibbia e dai classici?Partendo dall'avvincente narrazione della sua scoperta a metà Ottocento, Ninive. Mito e realtà mette in evidenza come dagli annali dei sovrani assiri, così come dai meravigliosi rilievi istoriati che decoravano le loro splendide regge, si delinei una città fulcro di cultura e un centro religioso dedicato alla leggendaria dea Ištar. Ninive è fonte di scienza, di sapere astronomico-astrologico, di pratiche divinatorie e miti primigeni quali L'Epopea di Gilgamesh e il Diluvio universale, ripresi nella tradizione biblica.Paolo Brusasco racconta l'affascinante storia della più grande città del suo tempo che, da villaggio neolitico sulle sponde del Tigri nel nord dell'attuale Iraq, si trasformò con Sennacherib nella capitale del primo impero universale, per diventare con Assurbanipal e la sua celebre biblioteca il faro culturale del mondo antico.Paolo Brusasco è docente di Archeologia e storia dell'arte dell'Asia occidentale e del Mediterraneo orientale antichi all'Università di Genova. Già PhD e Research Fellow dell'Università di Cambridge (UK), ha effettuato scavi archeologici nel Mediterraneo, in Siria e Iraq, e attualmente dirige la Missione Assiria dell'Università di Genova (MAUGE) nel Kurdistan iracheno. È stato inoltre intervistato dal “New York Times” sulla tutela dell'Iraq Museum di Baghdad. Ha al suo attivo numerose pubblicazioni scientifiche e monografie tra cui La Mesopotamia prima dell'Islam (2008), Babilonia. All'origine del mito (2012) e Tesori rubati (2013). Per La Nave di Teseo ha pubblicato Dentro la devastazione (2018) che ha ricevuto il premio Montale Fuori di Casa 2018.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

In this episode of Hunger for Wholeness, Ilia Delio continues her conversation with Robert Geraci on the ethical future of technology, the possibility of a global mind, and the stories we need to tell if civilization is to flourish. Together, they ask how AI might help us build shared spaces of learning, dialogue, and human connection rather than deepen division, surveillance, and algorithmic isolation.Ilia imagines noospheric classrooms and a global heart, where technology becomes a medium for shared values across cultures, religions, and planetary communities. Geraci reflects on the need for humility, public goods, meaningful work, and stories that draw us toward a better future rather than trap us in conflict, wealth, and power.Later in the episode, Geraci discusses his book Future-Proofing Humanity, exploring existential risk, technological culture, the Epic of Gilgamesh, and the importance of civilization as an unfinished project. Rather than fearing technology itself, Ilia and Robert invite us to ask what kind of humanity our technologies are calling us to become.ABOUT ROBERT GERACIRobert M Geraci is the Knight Distinguished Chair for the Study of Religion & Culture at Knox College. His research explores religion, science and technology in the contemporary world. He is the author of Apocalyptic AI: Visions of Heaven in Robotics, Artificial Intelligence, and Virtual Reality (Oxford 2010), Virtually Sacred: Myths and Meaning in World of Warcraft and Second Life (Oxford 2014), Temples of Modernity: Nationalism, Hinduism, and Transhumanism in South Indian Science (Lexington 2018), Futures of Artificial Intelligence: Perspectives from India and the U.S. (Oxford 2022), and Futureproofing Humanity: Existential Risk and the Technomyths of Human Engineering, Artificial Intelligence, and Our Future among the Stars (self 2026). He has been a visiting researcher at Carnegie Mellon University's Robotics Institute, the Indian Institute of Science and the National Institute for Advanced Studies in Bangalore, India. His research has been supported by the US National Science Foundation, the Republic of Korea National Research Foundation, the American Academy of Religion and two Fulbright-Nehru research awards. He enjoys kayaking, hiking, videogames, and Dungeons & Dragons but doesn't really have time for any of it. Join us for the Center's 10th Anniversary Conference, November 9–11 in Villanova, Pennsylvania, with a virtual option available. In a time of deep political, social, ecological, and spiritual division, this gathering explores how love can become a compass for transformation. Learn more and register at christogenesis.org/conference. We are currently in the midst of our summer fundraiser, From Fear to Hope: Change and the Perpetual Growth of Life. As the Center marks its tenth anniversary, your support sustains our conferences, webinars, publications, and emerging global learning platform. Please consider making a generous contribution at christogenesis.org/donate.Support the showA huge thank you to all of you who subscribe and support our show! Support for A Hunger for Wholeness comes from the Fetzer Institute. Fetzer supports a movement of organizations who are applying spiritual solutions to society's toughest problems. Get involved at fetzer.org.Visit the Center for Christogenesis' website at christogenesis.org/podcast to browse all Hunger for Wholeness episodes and read more from Ilia Delio.  Follow us on Facebook and Instagram for episode releases and other updates.

Chegamos ao sexto fascículo do nosso compêndio arcano! Vamos ver sobre uma certa figura que não só vocês conhecem, mas que é muitíssimo importante para a franquia Final Fantasy: GilgameshAPOIE O GALINHA VIAJANTEAcesse catarse.me/galinhaviajanteLINKS DA GALINHACatarse | Youtube | Instagram | BlueskyContato: cast@galinhaviajante.com.brAcesse nosso SITE: galinhaviajante.com.brTRILHA SONORACredits (Curse of the Dead Gods), Shinjuku Medical Center (Shin Megami Tensei 3), The Sands of Time (Rymdklang), Dance of Banquet (Samurai Shodown 3 Arranged Soundtrack), Battle on the Big Bridge (Final Fantasy XIII-2),O Galinha vai ao ar toda semana graças aos Escudeiros da Galinha Viajante! Apoie você também o nosso projeto no Catarse e junte-se à Escudaria!Apresentado e produzido por Leon ClevelandSupport the show

Mesopotamia and the Making of the Modern World | The Ancient Civilization That Still Shapes Your LifeMesopotamia changed the world.Many of the systems you use every day began thousands of years ago between the Tigris and Euphrates.Assyriologist Selina Winsome explains why Mesopotamia was far more than the "cradle of civilization." Discover how cuneiform writing, libraries, mathematics, literature, timekeeping, and the Epic of Gilgamesh helped shape the modern world. If you're interested in ancient history, archaeology, ancient literature, or the origins of human civilization, this episode reveals why Mesopotamia remains one of history's most influential cultures.

An examination of the deepest level of the Ancient Mesopotamia iceberg, commonly labeled "Theories and Speculative Ideas." The video reviews each claim against primary sources from Sumer, Akkad, Babylon, and Assyria, including cuneiform tablets, excavation reports, and geological data, to demonstrate how historical method evaluates extraordinary claims.Coverage includes: Ancient Astronauts and the Annunaki: the origin of the theory in Zecharia Sitchin, what the Akkadian term actually means in Mesopotamian religion, and the evidential standards for alien contact claims. Great Flood myths: comparison of the Epic of Gilgamesh, Genesis, and other flood traditions with evidence for Persian Gulf and Black Sea inundations. Gilgamesh's tomb discovered in 2003: the Uruk excavation, the Iraq War interruption, and why no inscription links the tomb to the historical king. Hanging Gardens location: the case for Nineveh and Dur-Sharrukin, Archimedes screw technology by 700 BC, and why Babylon remains plausible. Nimrud Lens and Saturn's rings: what the 3x quartz lens can and cannot do, and the absence of telescopic astronomy in Assyrian records. Annunaki gold-mining slaves: the actual Mesopotamian creation motive of humans as laborers for the gods versus modern reinterpretations. Abraham from Ur: the biblical text, the Amorite migrations circa 2000 BCE, and the northern vs southern Ur debate. Sumerian King List long reigns: hundreds of thousands of years, symbolic numbers, and attempts at dynastic or calendrical readings. Sumerian origins: language isolate status, the Persian Gulf marsh hypothesis, and pre-flood settlement theories. Nibiru and the 12th planet: claims of hidden planets in tablets and the current state of translation work. 4.2 kiloyear event: climate data and its role in the fall of the Akkadian Empire alongside Gutian pressure. Structures beneath Eridu: the E-Abzu temple's 18 rebuild phases and what lies under ziggurat foundations. Linguistic fringe theories: proposed links between Sumerian and Turkic, Hungarian, Elamite, and Dravidian. Meluhha trade network: Indus Valley contacts, Neo-Assyrian memory loss, and claims of an Ethiopia-to-India empire. Nuclear war dark ages: why nuclear events leave unmistakable geological signaturesSumerian copper from Lake Michigan: sourcing from Cyprus and Iran versus New World contact hypotheses. Sacred marriage as genetic experiment: Ishtar priestess rituals and kingship legitimation. Ur III bala system as socialism: command economy, ration payments, and modern ideological projections. King List as doomsday calendar, Nam-Shub virus, 676 BC simulation, and Enki vs Enlil secret societies: modern fiction, numerology, and conspiracy narrativesThe purpose is not to ridicule speculation, but to show what counts as evidence in early Mesopotamian studies, where the limits of knowledge currently lie, and what kind of discovery would be required to reopen closed questions.Keywords: ancient Mesopotamia, Sumerian history, Akkadian Empire, Babylon, Assyria, Annunaki explained, ancient aliens debunked, Sumerian King List, Gilgamesh tomb 2003, Nibiru 12th planet, Hanging Gardens Nineveh, Nimrud lens, flood myth, 4.2 kiloyear event, Mesopotamia iceberg

Send us comments, suggestions and ideas here! In this week's episode we explore the well-documented history of ghosts as they were recorded in classical Greek and Roman culture, owing to older motifs that originated in Sumeria. In the free side of the show we discuss Greek skepticism, spooky Roman holidays to propitiate the dead and an eerily vivid description of Thessalian necromancer Erichtho including a lengthy example of her method of invocation. I probably cursed myself reading. In the extended show we discuss the classical relationship between ghosts and dreams, the restless shades that dead Roman Emperors tend to produce, a revenant love story and what it means when the specter happens to be an enormous woman. Thank you and enjoy the show.In this week's episode we discuss:Ancient Sumerian Afterlife Roman Ghost Rituals and Ghost HolidaysAncient Ghost Hauntings Necromancy: Erichto of Thessaly Ancient Skepticism: Lucian of SamosataPliny the Younger's Accounts of Ghosts In the extended episode available at www.patreon.com/TheWholeRabbit we go further and discuss:Dream VisitationsRestless Roman EmperorsA Revenant Love StoryWarning ApparitionsWhere to Invoke Achilles  This episode was written by Tim Hacker and Luke Madrid with additional commentaries by Heka Astra and Mari SamaWhere to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitOrder Stickers: https://www.stickermule.com/thewholerabbitOther Merchandise: https://thewholerabbit.myspreadshop.com/Music By Spirit Travel Plaza:https://open.spotify.com/artist/30dW3WB1sYofnow7y3V0Yo Sources:All About History: History of Ghosts: Featuring Over 55 of the World's Most Famous Ghostshttps://www.amazon.com/dp/1805214942?ref_=cm_sw_r_ffobk_cp_ud_dp_9PD5K4HEMNQ52W63XDAD&bestFormat=trueGREEK AND ROMAN GHOST STORIES BY LACY COLLISON-MORLEYhttps://a.co/d/0bFBEHKlErichtohttps://www.poetryintranslation.com/PITBR/Latin/PharsaliaVImaster.phpSupport the show

We dive into a recurring ally/enemy/summon, Gilgamesh. He has appeared across multiple games, and a theory is that it's the same character in each incarnation. Make sure to follow us on Twitter at @FFLorecast. Want to suggest a future topic for us on the show? Email us at ⁠fflorecast@gmail.com⁠ Live every Wednesday at 8pm est/5pm pst on ⁠twitch.tv/benoftemeria⁠ New episodes Every Friday! Robot Radio Network Discord: ⁠https://discord.gg/AW5Wc4kgZb⁠ Ben and Friends Podcasting Discord: https://discord.gg/QkWX4vME7Y Patreon: ⁠patreon.com/FinalFantasyLorecast Learn more about your ad choices. Visit megaphone.fm/adchoices

Tell me your favorite episode for the 6th anniversary show! Over 4,000 years ago, in the cities of ancient Mesopotamia, people told the story of a mighty king who sought fame, found friendship, faced devastating loss, and went searching for the secret of eternal life. This story is one of the oldest written stories in the world, and many of its tropes are still a part of storytelling today.  The character from the four-thousand-year-old story has even found a place in the Marvel Universe. Learn more about the Epic of Gilgamesh, the world's first written story, on this episode of Everything Everywhere Daily. Sponsors Saily Get an exclusive 15% discount on Saily data plans! Use code everythingeverywhere at checkout. Download the Saily app or go to https://saily.com/everythingeverywhere ButcherBox Get your choice between chicken breast or top sirloin for a year OR ground beef for life, PLUS $20 off when you go to ButcherBox.com/everything Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Save 50% on Unlimited premium wireless plans starting at $15/month at MintMobile.com/EED TrueWerk Get 15% off your first order at truewerk.com with code everything DripDrop Go to dripdrop.com and use promo code everything for 20% off your first order! Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/Ds7Rx7jvPJ Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices

The Tomb of Gilgamesh and the Return of the NephilimJosh Peck talks with Perry Stone and Jonathan Stone about their new book, Children of the Apocalypse.To get full videos, audio-only podcast versions of full videos, and Josh Peck's blog, which includes original articles, show notes, and more, subscribe to Josh's Substack at http://joshpeck.substack.comBe Prepared for Any Emergency with My Patriot Supply:Survival Starter Plan - https://www.mypatriotsupply.com/pages...Generators - https://www.mypatriotsupply.com/colle...Survival/Emergency Food - https://www.mypatriotsupply.com/colle...My Patriot Supply Homepage - https://www.mypatriotsupply.com?_ef_t...The Rapture and the Dead Sea Scrolls: A Teaching on our Blessed Hope in Light of the Greatest Archaeological Find in History - https://renegadepublishers.com/the-ra...It is with a heavy heart that I (Nathan's father) inform you that Nathan went home to be with the Lord on Monday, Sept. 22nd, 2025. He fought an extremely rare form of cancer bravely, but in the end, his heart couldn't keep up the fight anymore. He went fast with no prolonged suffering. We want to thank all of you who have kept him in prayer. Please know that those prayers were not in vain. Our son lives with Jesus now. We are now updating this campaign to reflect our financial need for his remaining hospital bills, funeral expenses, and housing for our family. As most men, I do not enjoy asking for help. However, as most fathers and husbands can relate to, there isn't anything I won't do for my family. In light of that, I wanted to first ask all of you to pray for us. Also, because of the overwhelming expenses that inevitably come from all these things happening at the same time, if you feel led to help us financially, there's a couple different ways you can do that:GiveSendGo: http://www.GiveSendGo.com/NathanTheBravePayPal: http://PayPal.me/JoshPeckDisclosureOr send in your donation to:P.O. Box 270123Oklahoma City, OK 73137

PATREONBefore the Bible, before Genesis, before any written scripture as we know it — there was the flood. Eric, Sean, and Jorge dive into one of the oldest, most widespread, and most hotly debated stories in human history: Noah's Ark.Did a catastrophic flood actually destroy an ancient civilization? The evidence is hard to ignore. 217 distinct cultures across six continents — from the ancient Sumerians to the Aztecs to Aboriginal Australians — all independently carry a version of the same story: a great flood, a righteous man, a massive boat, and a world reborn. That's not a coincidence. That's a memory.In Part 1, the guys trace the flood narrative from its oldest known origins in ancient Mesopotamia — including the Sumerian tale of Ziusudra, the Akkadian story of Atrahasis, and the Epic of Gilgamesh — and show how these accounts predate the Biblical story of Noah by centuries, sharing nearly identical details beat for beat. They break down the Genesis account in full: the dimensions of the ark (spoiler: it's the size of a football field and a half), the 150 days on water, the raven, the dove, and the olive branch. They also dig into what the Bible actually says about where the ark landed — and why "the Mountains of Ararat" is far more complicated than you've been told.Then they get into the physical search: a French explorer who pulled hand-worked wood from a glacier 13,000 feet up a Turkish mountain, an Apollo 15 astronaut who said finding Noah's Ark was harder than walking on the moon, and the boat-shaped formation in eastern Turkey that researchers are actively scanning with ground-penetrating radar right now.Did a regional catastrophe get retold across thousands of years and hundreds of cultures into the story of one man and one boat? Or is there something more to it? Part 2 drops next week.Follow us on Patreon at patreon.com/theconspiracypodcast for bonus content and to join the Discord.

Greg Jenner is joined in the ancient world by Dr Moudhy Al-Rashid and comedian Marjolein Robertson to learn all about the famous Mesopotamian poem, the Epic of Gilgamesh.Sumerian poems about a legendary king called Gilgamesh began to be composed sometime in the third millennium, and were told and retold throughout Mesopotamia until a Babylonian scholar named Sîn-leqi-unninni wrote down what has become the standard version. The tale he recorded tells of a tyrannical king of Uruk, Gilgamesh, and the transformative journey he takes with his enemy-turned-friend (and possibly more), Enkidu. In the 3100 lines of the poem, they fight forest guardians and celestial bulls, anger the gods, and even challenge death itself.In this episode, we retell the story of Gilgamesh, exploring the history of the epic's composition, what it tells us about ancient Mesopotamian storytelling and beliefs, and how it was rediscovered in the nineteenth century, written in cuneiform on clay tablets housed in the Library of Ashurbanipal at Nineveh. We also look at the themes of companionship, community and environmental protection that are still relevant today, and ask the question: is Gilgamesh just a legend, or was he based on a real king?This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Katharine Russell Written by: Katharine Russell, Dr Emmie Rose Price-Goodfellow, Dr Emma Nagouse, and Greg Jenner Produced by: Dr Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Dr Emma Nagouse Executive Editor: Philip Sellars

Welcome to Day 2881 of Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom – The Bible as a Polemic: Confronting the Powers that Rebelled Wisdom-Trek Podcast Script - Day 2881 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2881 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website   theologyinfive.com.   Today's lesson is titled:  The Bible as a Polemic: Confronting the Powers that Rebelled To modern readers shaped by pluralism and academic detachment, the confrontational tone of the Bible may seem abrasive. But this response overlooks what the Bible truly is. It is not a disinterested theological reflection. It is a weapon. It is a series of books forged in the heart of a spiritual and historical rebellion. Its message was not formed in a vacuum but in the aftermath of Babel and the divine treason of the bene elohim who had been placed over the nations. Understanding the polemical nature of the Bible begins by understanding the world it was written to confront. The first segment is: What Is a Polemic? And Why the ANE Was Full of Them A polemic is a targeted argument or critique meant to expose, undermine, or discredit a rival idea, practice, or system. Unlike a simple disagreement or neutral description, a polemic is written to confront. It deliberately challenges an existing claim and seeks to replace it. In the ancient world, polemics were often theological, political, and cultural all at once. The gods, kings, and cities of rival nations were not treated as irrelevant. They were treated as threats that had to be addressed. In the context of the Ancient Near East, polemics were deeply embedded in the stories nations told about themselves. Every origin story, temple hymn, or divine genealogy was not just a description of how things came to be. It was a claim of legitimacy. To say your god created the world or defeated the sea monster or chose your king was to declare supremacy over other peoples and their gods. It was to say, “Our story is the true one. Yours is a counterfeit.” For example, when Babylon claimed that Marduk created the world by killing the goddess Tiamat, it was not just promoting cosmology. It was justifying Babylon's imperial authority as the city of the supreme god. When Egypt said that Ma'at held the universe together through the Pharaoh's divine rulership, it was declaring that Egyptian order was the divine ideal, and everyone else lived in chaos. In such a world, writing something like Genesis 1 was not a quiet religious reflection. It was a direct challenge to every claim made by Egypt, Babylon, and Canaan. It was a polemic. And in the Bible, this polemical instinct is not occasional. It is foundational. Israel's Scriptures were not meant to fit within the theological frameworks of other nations. They were meant to shatter them. The second segment is: Babel and the Reordering of the World Genesis 11 describes a human rebellion that goes far deeper than building a tower. At Babel, humanity attempted to unify under its own authority and defy Yahweh's mandate to fill the earth. But the judgment that followed did more than scatter languages. According to Deuteronomy 32, verses eight and nine, when Yahweh divided the nations, He appointed the bene elohim, divine sons of God, to oversee them. Only Israel would remain His direct possession. The nations were not abandoned without guidance. But over time, the spiritual beings given authority over them failed in their stewardship. They began to crave worship and corrupted the justice they were meant to uphold. Psalm 82 records Yahweh standing in judgment over these divine rulers, declaring that they would fall like mortals. This cosmic judgment sets the stage for the mission of Israel and the tone of Scripture itself. The third segment is: Israel: The Counter-Nation Unlike the nations that inherited rebellious rulers, Israel was created from scratch. Yahweh did not reform an existing people. He called Abram from among the disinherited nations and made a new people who would be His portion. Israel was not simply chosen for privilege but created for purpose. As stated in Exodus 19 verse six, they were to be a kingdom of priests and a holy nation. This priestly identity means Israel's role was inherently polemical. Their laws, festivals, temples, and scriptures were not private religious expressions. They were public declarations that the gods of the nations were false, the powers behind them were corrupt, and that Yahweh alone was Most High over all the earth. The Bible, as the written witness of Israel's calling, reflects this purpose. The Fourth Segment is: Polemics in the Biblical Texts The polemical nature of the Bible is woven deeply into its stories, laws, songs, and prophecies. These are not culturally isolated documents. They are intentional confrontations with the dominant worldviews shaped by the fallen gods of the nations. The Fifth segment is: Creation and the Flood Genesis one is not merely an account of beginnings. It is a direct response to Mesopotamian creation myths such as Enuma Elish, which portray creation as the result of divine violence and chaos. In contrast, the biblical God creates through speech, with order and intention. There is no struggle, no divine bloodshed, no pantheon. It is a declaration that the gods of Babylon are not creators but pretenders. Likewise, the flood account in Genesis six through nine subverts the flood stories of the surrounding cultures. In the Epic of Gilgamesh, the gods send the flood in terror and regret it. In the Bible, the flood is just, purposeful, and moral. It is a surgical judgment on a world corrupted by human violence and divine rebellion, not the panicked act of unstable deities. The sixth segment is: Conquest and the Defeat of the Gods When Israel enters the land of Canaan, the conquest is not simply a political campaign. It is a cosmic battle against the corrupted spiritual rulers of the land. The defeat of Pharaoh in Egypt is explicitly described as Yahweh executing judgment on the gods of Egypt. The plagues are not random punishments but targeted humiliations of Egypt's divine protectors. Jericho's fall, the silencing of Baal on Mount Carmel, the defeat of Dagon before the Ark in 1 Samuel 5, and the crushing of Leviathan imagery in the Psalms all follow the same pattern. The text is not just reporting history. It is declaring war on the false gods and the unseen rulers who manipulated the nations into darkness. The seventh Segment is: Psalms and Prophets as Weapons The Psalms, often viewed only as worship poetry, are filled with divine council imagery and subversion of Canaanite theology. Psalm 29, for instance, uses storm language that sounds like a Baal hymn but places Yahweh as the one who rides the storm and subdues the waters. In Ugaritic myth, Baal defeats Yam to earn his throne. In the Bible, Yahweh sits enthroned above the flood before it ever lifts its head. The prophets likewise deliver blistering critiques of the nations and their gods. Isaiah 19 declares judgment not just on Egypt but on its idols, priests, and necromancers. Ezekiel 28 mocks the divine claims of the Prince of Tyre, unmasking him as a fallen being in Eden. These are not veiled jabs. They are open condemnations of spiritual rebellion embedded in political empires. The Eighth segment is: The New Testament: The War Reaches Its Climax By the time of Christ, the powers of the nations had not been dethroned. The world remained under their sway. Jesus refers to Satan as the ruler of this world and frames His ministry as a battle to bind the strong man and plunder his house. Every healing, exorcism, and storm-calming miracle is a polemic in action. Jesus is not just showing compassion. He is confronting the gods. The cross itself is the ultimate polemic. It appears to be a defeat but is actually a triumph. As Paul writes in Colossians 2:15, Christ disarmed the rulers and authorities and put them to open shame. This is courtroom and battlefield language. The spiritual powers that once ruled unchallenged were publicly exposed as weak, condemned, and temporary. The apostles carry this mission forward. Paul sees the preaching of the gospel as a cosmic declaration to the rulers and authorities in the heavenly realms. The church is not merely a new religious community. It is the living proof that

Did Noah's Flood REALLY Happen? New Scientific Evidence Explored Did Noah's Flood really happen? In this episode, Lenny Esposito welcomes Hugh Ross to discuss new evidence from archaeology, genetics, migration studies, geology, and ancient shipbuilding that sheds fresh light on one of the Bible's most controversial accounts. Together they explore the Epic of Gilgamesh, worldwide flood traditions, the distinction between global and worldwide judgment, and the scientific plausibility of Noah's Ark. Discover why this ancient story continues to challenge skeptics and believers alike.

This month's spiritual book review turns into a cozy, chaotic, and deeply personal conversation about the books that helped us survive the month, the stories behind our tattoos, and the scars that made us who we are.Emily and Krista talk Dungeon Crawler Carl, Gilgamesh, Between Two Rivers, Witch Hat Atelier, healing through fiction, anti-capitalist book themes, Emily's book going to print, and the weirdly sacred way stories stay with us. Then the episode shifts into tattoos, grief, spiritual symbolism, brain surgery scars, childhood injuries, barbed wire cow scars, and the memories our bodies carry.What books helped you this month? And do you have a tattoo or scar with a story behind it?Go make some magic.CHAPTERS:00:00 Hook00:23 Welcome to the midweek mini episode01:15 Why the podcast feels like a fixed point02:15 Monthly book review begins02:41 Gilgamesh, Between Two Rivers & book research03:44 Astrology enemies-to-lovers energy04:17 Emily's comfort reads for a stressful month06:09 Dungeon Crawler Carl deserves the hype07:17 Donut singing makes everything okay07:53 Anti-capitalism, government critique & AI themes08:41 Emily's book goes to print10:42 Where to preorder La Custa12:49 Getting to be professionally weird13:09 Witch Hat Atelier & healing stories14:28 Tattoos and scars question begins15:24 Emily's first tattoo and grief story16:16 The Chronicles of Narnia tattoo17:14 Hellenic polytheism, Apollo & knowing thyself18:18 The accidental Gemini tattoo split19:26 Song lyrics, moon tattoos & spiritual symbols20:46 Japan, bunnies, butterflies & Mistborn21:45 Krista's sak yant tattoo22:20 Brain surgery scars and being sewn back together22:40 The childhood stocking nail scar24:02 Razor scars and car accident scars24:59 Barbed wire cow scar25:27 Mystery timeline scar25:57 Belly button surgery fears26:36 Top surgery scars and nose scar27:26 Do you have more scars than us?28:14 Closing thoughts28:42 Go make some magicBOOKS & SERIES MENTIONED:Dungeon Crawler CarlGilgamesh by Emily WilsonBetween Two Rivers by Moudhy Al-RashidWitch Hat AtelierLa Custa by Emily DexterThe Chronicles of NarniaMistbornJoin our new LIVE show, The Alchemist's Inkspill, every Friday at 1pm EST/10am PST here on ⁠YouTube⁠ (and ⁠Instagram⁠ Live)!Connect with us across the internet + IRL!

Enjoy this episode? Please share it with at least ONE friend who you think needs to hear it!This episode of Far Out With Faust features a riveting, deep-dive conversation into the global cover-up of non-human intelligence, ancient mistranslations, and paleo-contact with incredible author and researcher Paul Anthony Wallis. Broadcasting from opposite ends of the planet, Faust and Paul dissect what is officially known as the "Legacy Program"—covert units operating within aerospace corporations to reverse-engineer craft and materials retrieved from UAP crashes.Paul sheds light on the internal push-and-pull within the 18 separate agencies of the military-intelligence community. He provides a compelling, nuanced take on why the true policy of non-disclosure isn't actually being dictated by the shadow government, but by our cosmic visitors themselves until humanity can fully master the physics of space-time manipulation.Leaving no stone unturned, they travel from modern geopolitical secrecy back through deep ancestral history. Paul shares his groundbreaking work decoding the Hebrew Scriptures, revealing how the insertion of the word "God" into the Greek translation between 280 and 100 BCE systematically erased historic accounts of plural, powerful, non-human beings governing early human colonies. From the real political coup hidden in the book of Samuel to a 4,000-year-old body uncovered beneath an Irish pub, this conversation connects the deep past directly to the modern 21st-century disclosure movement.In this episode:* The Legacy Program Exposed: How military intelligence subcontracts UAP reverse-engineering to specific private aerospace giants. * The Role of the Microbiologist: Why mainstream scientists like Dr. Garry Nolan are brought in to analyze the line where technology meets biology. * The Space-Time Bubble: Why anti-gravity success isn't enough, and what it will take for humanity to create a stable, interstellar wormhole. * The Haim Eshed Testimony: What the 28-year chief of Israel's space security confirmed about ongoing human and non-human collaborations. * The Petrochemical Cover-Up: Why zero-point and free energy disclosure threatens corporate fortunes and the global financial hierarchy more than it threatens religion. * The Vatican and ET Life: The official, surprisingly progressive statements issued under Pope Benedict XVI regarding our brother and sister aliens. * The Mistranslation of Yahweh: How ancient social wisdom and geopolitics were entirely buried the moment historical texts were turned into theological "God stories". * The Queen Elizabeth II Exemptions: A shocking look at real constitutional power and how the late monarch blocked dozens of laws to protect her personal properties. * Ancient WMDs in Iraq: The hidden, archeological motivations behind the 2003 invasion and the mysterious disappearance of the Gilgamesh tomb discovery. * Trans-Medium Anomalies: Connecting ancient Babylonian texts describing underwater visitor bases with the modern tracker data of US Naval pilots. This isn't just a discussion about speculative conspiracy. It is a historical and semantic roadmap showing that our ancestors were openly negotiating a populated cosmos—and it's high time we remember how to do the same.Connect with Paul Anthony Wallis* Website: https://paulanthonywallis.com * Tours: https://ancientknowledgetours.com * Academy: https://ancientknowledgeacademy.com * YouTube: The Paul Wallis Channel & The Fifth Kind * Books: Escaping from Eden, The Scars of Eden, Echoes of Eden, The Eden Conspiracy, The Invasion of Eden, The Eden Enigma, and The Dragons of Eden (Coming July 2026!) Join Us On PatreonFor uncensored episodes, behind-the-scenes content, and exclusive community access:https://patreon.com/FarOutWithFaustListen on Spotify + Apple Podcasts* Spotify: https://open.spotify.com/show/6StPwgq2di3f8uxnc6SmIf* Apple: https://podcasts.apple.com/us/podcast/far-out-with-faust-fowf/id1533017218FOWF & Faust Checho on SOCIAL* https://www.instagram.com/faroutwithfaust/* https://www.instagram.com/theonefaustchecho/* https://www.facebook.com/Faroutwithfaust* https://www.facebook.com/faustchecho/* https://x.com/faustchechoQUESTION THE ANSWERS™#Extraterrestrials #AncientHistory #Disclosurewe'd love to hear from you

Want more exclusive content?! http://prometheuslens.supercast.com to sign up for the "All Access Pass" and get early access to episodes, private community, members only episodes, private Q & A's, and coming documentaries. We also have a $4 dollar a month package that gets you early access and an ad free listening experience!====================ABOUT:Join me and Steven from The Dig Bible Podcast as we sit down with Carl Gallups to talk about his book Yeshua Protocol. Enjoy!====================

Mattt Hepner & Raven (David Lee Corbo) react to the explosive UFO Files Wave 2 release — orbs over naval ships, UAP disclosure, and direct ties to biblical Nephilim and fallen angels. They also expose blasphemy in the modern church: a Lutheran pastor calling exclusive salvation through Christ “superiority thinking” that led to Hitler, false prophecies from Joseph Z, the Perry Stone scandal, and more.Deep dive into Antichrist theories (Apollo, Nimrod, Gilgamesh), Mel Gibson's upcoming Resurrection of Christ sequel, end-times prophecy, and raw faith talk. Impromptu Neph to America episode packed with conspiracy, Bible truth, and zero filter.What do you think the new UAP files really mean? Fallen angels returning?Drop your comments below!Support the show & grab merch:Patreon: patreon.com/nephilimdeathsquadTopLobsta Merch & Nephilim Death Squad gear: toplobsta.com  Subscribe, like, and turn on notifications for more unfiltered Nephilim, UFO, and Bible content every week!00:00 – Intro, banter & studio welcome04:45 – Patreon plugs, merch, Top Lobster & Bohemian Grove tickets09:30 – Matt & Raven gratitude, podcast origin story & guest requests14:20 – UFO Files Wave 2 tease + first pastor video setup19:50 – Lutheran pastor video: “Superiority thinking” & blasphemy in the church32:10 – Salvation through Christ alone, Lutheran history, indulgences & Orthodox critique42:50 – Rob Skiba clip: Antichrist = Apollo / Nimrod / Gilgamesh53:20 – Antichrist theories, Trump + Apollo connections & Gematria bit with Nancy1:02:40 – Viral Fox News “mask” / shadow clip + body double talk1:12:15 – UFO Wave 2 official release & Anna Paulina Luna statement1:21:00 – UAP orb video over naval ship reaction1:29:45 – Overton window shift, Rogan/Tucker, fallen angels & Nephilim disclosure1:40:10 – Raven's 11-year anniversary story + godly marriage advice1:51:30 – Mel Gibson's Resurrection of Christ sequel announcement2:01:45 – Ephesians 4 deep dive: Jesus descends to the lower parts of the earth2:12:20 – Cain & Abel sacrifice theories, faith, jealousy & Messiah complex2:22:50 – Joseph Z prophecy clip & Tennessee pastors UFO briefing critique2:31:10 – Perry Stone hot-mic scandal & final thoughts2:33:00 – EndBecome a supporter of this podcast: https://www.spreaker.com/podcast/nephilim-death-squad--6389018/support.☠️ Nephilim Death Squad — New episodes 5x/week.Join our Patreon for early access, bonus shows & the private Telegram hive.Subscribe on YouTube & Rumble, follow @NephilimDSquad on X/Instagram, grab merch at toplobsta.com. Questions/bookings: chroniclesnds@gmail.com — Stay dangerous.

A FOIA log entry referencing Gilgamesh, a “resurrection chamber,” the beings known as the biblical Nephilim, as well as other unusual phrasing has been circulating online, quickly taking on a life of its own. Shared across forums and social media, the document is being presented as evidence of hidden discoveries tied to ancient Mesopotamia, government secrecy, and unexplained activity connected to Iraq.At the center of the discussion is a single administrative record from the U.S. Department of State FOIA system. The entry contains language that has been interpreted in a wide range of ways, from archaeological implications to theories involving lost ancient technology. As it spreads, it has been pulled into broader narratives involving historical myths, modern geopolitics, and speculative claims about what may or may not have been recovered or investigated.-----------------Head to asylum817.com - the official website of the host and visual artist, Billie Dean Shoemate III-----------------This podcast can also be heard on Spotify, Apple Podcasts, iHeart Radio, Pandora, and wherever you get your Podcast listening experience.-----------------Want to advertise on the show? Got a personal brand, business, event, charity, or side hustle you want to promote? Advertise on Strange Places here: https://www.fiverr.com/s/e6GX1WE-----------------

Join David Lee Corbo (The Raven) and Top Lobsta on Nephilim Death Squad as Doc Brown from the Prometheus Lens Podcast joins them IN STUDIO for a mind-blowing deep dive into his upcoming book!Doc Brown connects the dots between the ancient Dragon Court, serpent seed Nephilim bloodlines, Cain's descendants, Scythian origins of vampires/werewolves/fairies, and the elite ruling class that traces back to the Anunnaki and Apkallu.They expose how menstrual blood rituals, grail maidens, dragon princesses, and “starfire” were used by this sub-human bloodline for power, rejuvenation, and kingship — including Solomon's 700 wives and 300 concubines feeding on pomegranates, lilies, and sticky mirth in the Song of Solomon.Topics include: adrenochrome and modern blood harvesting, Amalekites as “blood lickers,” red-haired/green-eyed Aryan Dragon Court elites, reptilian shapeshifters, Sobek, Inanna, Gilgamesh's vampiric mother, Viking berserkers, ancestor worship in tombs, the Ouroboros emblem, Sheila Na Gig, Melusine, Tuatha de Danann, Phoenician/Pharaonic inbreeding, Bohemian Grove druid rituals, and how all of this ties directly into current alien disclosure, hybridization programs, and biblical prophecy.Plus: why the Catholic Church demonized these real people as undead vampires, the scientific basis for blood rejuvenation (young blood studies), and why the Bible repeatedly warns against drinking blood.Doc Brown also discusses his previous book The Epic of Esau: Birth, Rite and Seed War, available with autographed copies, stickers, and bookmarks directly from him. Support Nephilim Death Squad & get ad-free episodes, live Brohemian Grove stream access & merch discounts: patreon.com/NephilimDeathSquad TopLopsa.com merch (use NDS discount code)  Guest: Doc Brown – Prometheus Lens Podcast• Website & autographed book: prometheuslenspodcast.com• The Epic of Esau (physical, digital, Audible): Amazon or direct from site• Listen everywhere: YouTube, Spotify, Apple Podcasts  Website & autographed books/stickers/goodie bags: prometheuslenspodcast.comThe Epic of Esau (physical, digital, Audible narrated by Doc Brown): Available direct from his site or AmazonPodcast: Prometheus Lens Podcast on YouTube, Spotify, Apple Podcasts (and all major platforms)New book (vampire/Dragon Court project): In progress — expected by fall (full-time content creation now)00:00 – Welcome to Nephilim Death Squad + Intro  00:45 – Patreon, TopLopsa.com, Bohemian Grove tickets & livestream plug  03:20 – Introducing in-studio guest Doc Brown (Prometheus Lens Podcast)  06:10 – Where to find Doc Brown + The Epic of Esau book (autographed + goodie bags)  09:55 – New book tease: Vampires, menstrual blood, Dragon Court & cryptids  14:40 – Serpent Seed, Dragon Court, Devere's The Dragon Legacy, Anunnaki origins  20:25 – Cain's bloodline, Sumerian Kings List, Gilgamesh's vampiric mother  26:10 – Dragon Court subclasses: Fairies, vampires, werewolves, elves  30:45 – Biblical blood laws (Leviticus, Deuteronomy) & why they were written  35:20 – Adrenochrome, young blood studies, melatonin & pale skin  41:05 – Ancestor worship, tombs, Viking berserkers & fair folk  46:30 – Paul Stobbs, Cain's mark, pale Nephilim & Amalekites (“blood lickers”)  52:15 – Dragon Court emblem breakdown (Ouroboros, lotus, dragons)  57:40 – Baphomet, inverted pentagrams, starfire & grail maidens  1:03:10 – Reptilians, Sobek, seraphim & the serpent curse  1:08:45 – Inbreeding, blood addiction & “Limitless pill” analogy  1:14:20 – Idun's apples of red gold, Norse myths & elite “adrenochrome withdrawal”  1:20:35 – Alien disclosure, hybridization programs & current events  1:26:50 – Scythians, etymology of pixies/leprechauns, scale armor  1:33:00 – Sheila Na Gig, Melusine, labyrinths & sacred groves  1:38:40 – Druids, Bohemian Grove, Tree of Life & Phoenician/Pharaonic inbreeding  1:44:05 – Revelation: Scarlet Whore, red dragon & “porneia” (starfire) cup  1:47:30 – Song of Solomon deep dive: lilies, pomegranates, sticky mirth & Solomon's harem  1:49:00 – Closing thoughts, where to find Doc Brown & outroBecome a supporter of this podcast: https://www.spreaker.com/podcast/nephilim-death-squad--6389018/support.☠️ Nephilim Death Squad — New episodes 5x/week.Join our Patreon for early access, bonus shows & the private Telegram hive.Subscribe on YouTube & Rumble, follow @NephilimDSquad on X/Instagram, grab merch at toplobsta.com. Questions/bookings: chroniclesnds@gmail.com — Stay dangerous.

In this episode of That Would Be Rad, we sink our teeth into one of the weirdest and most unsettling true stories we've ever covered: the Southend Werewolf.Picture this: a regular, easy-going guy from Essex named Bill Ramsey who spent almost forty years fighting something vicious that lived inside him. Out of nowhere he'd get hit with freezing cold chills, see a wolf staring back at him in the mirror, and then black out into these insane rages where he suddenly had crazy strength and acted like a straight-up animal. What began as a bizarre incident in his parents' garden when he was just nine years old spiraled into full-blown tabloid madness and eventually pulled in Ed and Lorraine Warren.Is it old-school folklore, straight-up demonic possession, a serious mental health thing, or some unholy mix of all three? This one really doesn't fit in any neat little box.What We Uncover in This Episode:Bill Ramsey's full story — starting with that insane 1952 garden episode as a kid where he ripped a fence post (concrete and all) out of the ground and chewed through wire with his teeth, all the way through the escalating nightmare of the 1980sThe notorious 1987 police station showdown in Southend where he fought a dozen cops on all fours, growling “The devil is in me…”A proper deep dive into werewolf history, from the Epic of Gilgamesh and King Lycaon all the way to medieval monster trials, the Beast of Gévaudan, and modern clinical lycanthropyHow the Warrens got pulled into the case, the intense 1989 exorcism with Bishop Robert McKenna, and the wild physical changes people swore they sawThe big debate: demonic animal spirit, psychological condition, hysterical strength, or something else entirelyWhat happened to Bill after the exorcism, his appearance on Sightings, and why this case still feels impossible to pin downWhy You NEED to Listen:If you're into episodes that feel like a proper paranormal thriller, this one's for you. Between my recent werewolf kick (thanks to Joe Abercrombie's The Devils, An American Werewolf in London, and Bad Moon), the edge-of-your-seat storytelling, and that lingering “what if this could actually happen to a normal person?” question - this might be one of our creepiest episodes yet. Fair warning: you might find yourself side-eyeing your backyard and mirrors for a while after this one.RAD WAYS YOU CAN SUPPORT OUR SHOW:JOIN OUR PATREON: Exclusive episodes, bonus content, and behind-the-scenes weirdness: patreon.com/thatwouldberadBUY US A COFFEE: Fuel our late-night research sessions — buymeacoffee.com/thatwouldberad ☕️CHECK OUT OUR MERCH: Grab official That Would Be Rad gear — thatwouldberad.myspreadshop.comSHOW INFO:

Human civilization has been trying to defeat death forever. For the first time, we may be beginning to succeed. In labs from California to Cambridge, the biology of aging is being treated as an engineering problem, and the pace of progress is no longer science fiction. This episode traces the long human war against mortality, from the Epic of Gilgamesh to today's life extension science, and asks the deeper question: what happens to a civilization built on the assumption that we die… if we stop dying? If you'd like to support the show, you can subscribe at patreon.com/bradcoleharris or directly through Apple Podcasts or Spotify. Supporters get every episode ad-free, plus bonus episodes. My earlier podcast, How It Began: A History of the Modern World, is now available as a complete 20-episode collection at howitbegan.com.

Gilgamesh of the Fate franchise has one of the coolest Noble Phantasms—”Gate of Babylon.” He’s also a frustratingly arrogant character. But on today’s episode, Mike wonders if we all share some of that same pride—Christians and non-Christians both, as well as particularly young Christians, maybe of whom are in the content creation space. Plus, he… Read More The Power of God and Anime, Episode 41: The Pride of Gilgamesh, Christians, and Content Creators

Join David Lee Corbo (The Raven) and Top Lobster on Nephilim Death Squad as Thomas the Paranoid American returns for one of the wildest episodes yet! Thomas, 15-year conspiracy & occult comic creator, ex-Disney animator, ex-military, and current Freemason, drops his viral theory: BUGS ARE DEMONS.He traces the 14th-century Middle English origin of “bug” meaning disembodied spirit, hobgoblin, and ghost — not insect — then connects it to biblical Beelzebub (Lord of the Flies), plague locusts that sting like scorpions, worms that don't burn, Exodus flies, and Mesopotamian scorpion-men from the Epic of Gilgamesh.Thomas announces live he is ready to renounce Freemasonry entirely and bend the knee to Christ as King. They break down Masonic boy bride rituals, Albert Pike, the controversial South American photo that triggers every Mason, and why low-level Masonry feels like Rotary Club networking while higher degrees hide darker truths.Plus: Bohemian Grove 2026 updates, general admission tickets still available first to Patreon members at TopLopsa.com, cursed Paranoid American merch (grab it at the Standard Coffee Shop Casino / NDS studio), Thomas's new children's chemtrails book “Connect the Dots” (Magic School Bus style with real research on Morgellons, nanotechnology, Draco star system & Space Preservation Act), eat-the-bugs WEF propaganda, parasites as spiritual conduits, pop culture insect demons in Men in Black (Edgar the Bug), Constantine (Vermin), The Tingler, Alien, Naked Lunch, Spawn's Violator, Nightmare Before Christmas Oogie Boogie, Kafka's Metamorphosis, and more.Thomas also performs at Bohemian Grove every year and is the official Donut convincer. Full episode packed with etymology, scripture, Hopi Ant People, Zoroastrian fly demon Nasu, devil's coach horse beetle, and why killing (or eating) bugs carries spiritual weight.Support the show & get early/ad-free access + Bohemian Grove priority: patreon.com/NephilimDeathSquadTickets & merch: TopLopsa.comThomas's comics, books & cursed merch: paranoidamerican.com  00:00 – Welcome to Nephilim Death Squad  00:45 – Patreon & Bohemian Grove 2026 Tickets Announcement (VIP sold out, General Admission still available for Patrons first)  03:10 – Introducing Thomas “Paranoid American” – 15 years of conspiracy/occult comics, ex-Disney animator, ex-military, current Freemason  05:55 – Thomas drops the bomb: “I'm ready to renounce Freemasonry and bend the knee — Christ is King”  08:40 – Paranoid American merch, cursed merch at the studio, and why it's all “full of lies”  11:20 – Bohemian Grove performance history + Thomas is the official “Donut convincer”  14:30 – How the “Bugs Are Demons” theory was born (flippant comment that went viral)  17:05 – Etymology bombshell: “Bug” originally meant disembodied spirit, hobgoblin, ghost (14th century Middle English)  20:15 – Biblical connections – Beelzebub (Lord of the Flies), plague locusts that sting like scorpions, worms that don't burn, Exodus flies  25:40 – Mesopotamian scorpion-men, Epic of Gilgamesh, and human-insect hybrids  29:50 – Morality of killing bugs – is it okay? Personal stories (cricket torture, son's environmentalism)  35:20 – Parasites as spiritual conduits + demonic possession overlap  39:10 – Pop culture insect demons: Men in Black (Edgar the Bug), Constantine Vermin, The Tingler, Spawn Violator, Oogie Boogie, Kafka's Metamorphosis  45:55 – Hopi Ant People, Zoroastrian fly demon Nasu, Devil's Coach Horse Beetle & more demon-named bugs  51:40 – “Eat the Bugs” WEF agenda + why it feels nefarious  56:30 – Thomas's new children's chemtrails book “Connect the Dots” (Magic School Bus style with real research)  1:01:10 – Chemtrails as spiritual Faraday cage theory  1:05:45 – Deeper Freemasonry talk: Albert Pike, boy bride ritual photo, low-level vs high-level Masonry  1:12:20 – Thomas Edison's Necrophone, bugs in technology, and demons in AI/code  1:18:50 – Closing thoughts + where to find Paranoid American  1:22:30 – Final “Christ is King” moment & outroBecome a supporter of this podcast: https://www.spreaker.com/podcast/nephilim-death-squad--6389018/support.☠️ Nephilim Death Squad — New episodes 5x/week.Join our Patreon for early access, bonus shows & the private Telegram hive.Subscribe on YouTube & Rumble, follow @NephilimDSquad on X/Instagram, grab merch at toplobsta.com. Questions/bookings: chroniclesnds@gmail.com — Stay dangerous.

Today, it is considered scholarly to reject the Bible's account of a worldwide flood. Some try to compromise by saying that the flood recorded in the Bible was only a local event. The problem with these scholarly claims is that there were too many witnesses who disagree with them.We can test these scholars' claims. If the Bible's account of a worldwide flood is true, it was witnessed by every person on earth. The story of this event would have been passed down to their descendants and spread across the whole face of the earth.Researchers have catalogued some 270 stories of an ancient, destructive flood in various cultures around the world. A large majority of these stories have been shown to predate any Christian influence. As one would expect, details differ after such a long time. What's remarkable, though, is that where the details of these stories agree with the Bible, they also tend to agree with each other. For example, the ancient Greek flood hero was told to build and stock an ark because the god Zeus wished to destroy humanity. The Aztec story of a universal flood says it took place 1,716 years after the creation of the world—almost the same as the Bible's date! The Babylonian flood story shares seven major details with the Bible's account. Similar stories are found around the world, including Australia, India, Scandinavia, and China.The universality of the flood stories and their similarity to the Bible cannot be explained unless they are based on an event that actually took place.2 Peter 3:5-6“For this they willingly are ignorant of, that by the word of God the heavens were of old, and the earth standing out of the water and in the water: Whereby the world that then was, being overflowed with water, perished:”Prayer: Dear Father in heaven, I thank You that Your Word is sure and true and that it has been accurately preserved to our day. Help me to live Your Word in my life and tell others about the wonderful things You have done. In Jesus' Name. Amen.REF.: Roth, Ariel A. Flood stories—can they be ignored? Origins, v. 17. Image: Manabozho in the flood, R. C. Armour, PD, via Wikimedia Commons. + British Museum Flood Tablet (from the Epic of Gilgamesh), Photograph by Mike Peel, CC BY-SA 4.0, Wikimedia Commons. + Manu and Saptarishi, PD, Wikimedia Commons. To support this ministry financially, visit: https://www.oneplace.com/donate/1232/29?v=20251111

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Roi guerrier, frère impitoyable, bibliophile visionnaire : Assurbanipal porta l'empire assyrien à son apogée avant d'en annoncer la chute.Plongez dans les événements tragiques qui ont conduit à la chute de Babylone au VIIe siècle avant Jésus-Christ. Franck Ferrand nous entraîne dans un récit captivant où la violence des guerres mésopotamiennes atteint des sommets insoutenables. Alors que la grande cité du dieu Marduk ploie sous les assauts de ses ennemis, la famine pousse les assiégés aux actes les plus extrêmes. Décrits avec une glaçante précision, ces épisodes de cannibalisme et de cruauté révèlent toute la barbarie de cette époque.

Roi guerrier, frère impitoyable, bibliophile visionnaire : Assurbanipal porta l'empire assyrien à son apogée avant d'en annoncer la chute.Plongez dans les événements tragiques qui ont conduit à la chute de Babylone au VIIe siècle avant Jésus-Christ. Franck Ferrand nous entraîne dans un récit captivant où la violence des guerres mésopotamiennes atteint des sommets insoutenables. Alors que la grande cité du dieu Marduk ploie sous les assauts de ses ennemis, la famine pousse les assiégés aux actes les plus extrêmes. Décrits avec une glaçante précision, ces épisodes de cannibalisme et de cruauté révèlent toute la barbarie de cette époque.

Is the story of Noah's flood just another ancient myth, borrowed from earlier pagan texts, or a record of a real historical catastrophe? In this episode of the Cold-Case Christianity podcast, J. Warner Wallace applies his investigative experience as a cold-case homicide detective to examine the Genesis flood account. He compares it with stories like Atrahasis and the Epic of Gilgamesh, traces worldwide flood traditions, and asks whether all these ancient memories point back to a single, real event. Along the way, he explores questions about miracles, philosophical naturalism, geology, the scope of the flood (global or regional), the ark's feasibility, and the moral difference between the biblical God and the capricious gods of other ancient cultures. If you find this episode helpful, please follow the podcast so you never miss an update, and take a moment to rate and review the show—your review really helps more people discover Cold-Case Christianity.

Jonathan Sporn (CEO + Founder of Gilgamesh Pharma) joins for a deep dive into next-gen psychedelic medicines, why duration matters for real-world clinical use, and what it takes to build these therapies the way large pharma would—culminating in a partnership with AbbVie worth up to $1.2B.In this episode, we discuss: • Why Gilgamesh is building psychedelic medicines the way large pharma would • The thesis behind short-acting psychedelics and why long-duration trips are impractical for real-world psychiatry • How Gilgamesh designs molecules backwards from clinical needs • Effective approaches to the challenges of trial designs for psychedelics  • What AbbVie's deal and Spravato's trajectory mean for psychedelics • How psychedelic medicines could reshape mental healthCredits:Created by Greg Kubin and Matias SerebrinskyHost: Matias and GregProduced by Nico V. Rey Find us at businesstrip.fm and psymed.venturesFollow us on Instagram and Twitter!Theme music by Dorian LoveAdditional Music: Distant Daze by Zack Frank

Dive into the wild underbelly of American culture with The Other Side of Midnight. Host Lionel takes late-night callers on a philosophical joyride through the evolution of the "white hat" hero, tracing the good guys from Gilgamesh all the way to Chuck Norris. Expect an unfiltered, humorous, and thought-provoking look at society's shifting moral compass as the show tackles fiery debates on the death penalty, laments the sad reality of aging rock stars, and questions the bizarre modern economy of OnlyFans and the stripping industry. Learn more about your ad choices. Visit megaphone.fm/adchoices

What makes a character so compelling that readers will forgive almost anything about the plot? How do you move beyond vague flaws and generic descriptions to create people who feel pulled from real life? In this solo episode, I share 15 actionable tips for writing deep characters, curated from past interviews on the podcast. In the intro, thoughts from London Book Fair [Instagram reel @jfpennauthor; Publishing Perspectives; Audible; Spotify]; Insights from a 7-figure author business [BookBub]. This show is supported by my Patrons. Join my Community and get articles, discounts, and extra audio and video tutorials on writing craft, author business, and AI tools, at Patreon.com/thecreativepenn This episode has been created from previous episodes of The Creative Penn Podcast, curated by Joanna Penn, as well as chapters from How to Write a Novel: From Idea to Book. Links to the individual episodes are included in the transcript below. In this episode: Master the ‘Believe, Care, Invest' trifecta, how to hook readers on the very first page Define the Dramatic Question: Who is your character when the chips are down? Absolute specificity. Why “she's controlling” isn't good enough Understand the Heroine's Journey, strength through connection, not solo action Use ‘Metaphor Families' to anchor dialogue and give every character a distinctive voice Find the Diagnostic Detail, the moments that prove a character is real Writing pain onto the page without writing memoir Write diverse characters as real people, not stereotypes or plot devices Give your protagonist a morally neutral ‘hero' status. Compelling beats likeable. Build vibrant side characters for series longevity and spin-off potential Use voice as a rhythmic tool Link character and plot until they're inseparable Why discovery writers can write out of order and still build deep character Find the sensory details that make characters live and breathe More help with how to write fiction here, or in my book, How to Write a Novel. Writing Characters: 15 Tips for Writing Deep Character in Your Fiction In today's episode, I'm sharing fifteen tips for writing deep characters, synthesised from some of the most insightful interviews on The Creative Penn Podcast over the past few years, combined with what I've learned across more than forty books of my own. I'll be referencing episodes with Matt Bird, Will Storr, Gail Carriger, Barbara Nickless, and Sarah Elisabeth Sawyer. I'll also draw on my own book, How to Write a Novel, which covers these fundamentals in detail. Whether you're writing your first novel or your fiftieth, whether you're a plotter or a discovery writer like me, these tips will help you create characters that readers believe in, care about, and invest in—and keep coming back for more. Let's get into it. 1. Master the ‘Believe, Care, Invest' Trifecta When I spoke with Matt Bird on episode 624, he laid out the three things you need to achieve on the very first page of your book or in the first ten minutes of a film. He calls it “Believe, Care, and Invest.” First, the reader must believe the character is a real person, somehow proving they are not a cardboard imitation of a human being, not just a generic type walking through a generic plot. Second, the reader must care about the character's circumstances. And third, the reader must invest in the character's ability to solve the story's central problem. Matt used The Hunger Games as his primary example, and it's brilliant. On the very first page, we believe Katniss's voice. Suzanne Collins writes in first person with a staccato rhythm—lots of periods, short declarative sentences—that immediately grounds us in a survivalist mentality. We care because Katniss is starving. She's protecting her little sister. And we invest because she is out there bow hunting, which Matt pointed out is one of the most badass things a character can do. She even kills a lynx two pages in and sells the pelt. We invest in her resourcefulness and grit before the plot has even begun. Matt was very clear that this has nothing to do with the character being “likable.” He said his subtitle, Writing a Hero Anyone Will Love, doesn't mean the character has to be a good person. He described “hero” as both gender-neutral and morally neutral. A hero can be totally evil or totally good. What matters is that we believe, care, and invest. He demonstrated this beautifully by breaking down the first ten minutes of WeCrashed, where the characters of Adam and Rebekah Neumann are absolutely not likable, but we are completely hooked. Adam steals his neighbour's Chinese food through a carefully orchestrated con involving an imaginary beer. It's not admirable behaviour, but the tradecraft involved, as Matt put it—using a term from spy movies—makes us invest in him. We see a character trying to solve the big problem of his life, which is that he's poor and wants to be rich, and we want to see if he can pull it off. Actionable step: Go to the first page of your current work in progress. Does it achieve all three? Does the reader believe this is a real person with a distinctive voice? Do they care about the character's circumstances? And do they invest in the character's ability to handle what's coming? If even one of those three is missing, that's your revision priority. 2. Define the Dramatic Question: Who Are They Really? Will Storr, author of The Science of Storytelling, came on episode 490 and gave one of the most powerful frameworks I've ever heard for character-driven fiction. He explained that the human brain evolved language primarily to swap social information—in other words, to gossip. We are wired to monitor other people, to ask the question: who is this person when the chips are down? That's what Will calls the Dramatic Question, and it's what he believes lies at the heart of all compelling storytelling. It's not a question about plot. It's a question about the character's soul. And every scene in your novel should force the character to answer it. His example of Lawrence of Arabia is unforgettable. The Dramatic Question for the entire film is: who are you, Lawrence? Are you ordinary or are you extraordinary? At the beginning, Lawrence is a cocky, rebellious young soldier who believes his rebelliousness makes him superior. Every iconic scene in that three-hour film tests that belief. Sometimes Lawrence acts as though he truly is extraordinary—leading the Arabs into battle, being hailed as a god—and sometimes the world strips him bare and he sees himself as ordinary. Because it's a tragedy, he never overcomes his flaw. He doubles down on his belief that he's extraordinary until he becomes monstrous, culminating in that iconic scene where he lifts a bloody dagger and sees his own reflection with horror. Will also used Jaws to demonstrate how this works in a pure action thriller. Brody's dramatic question is simple: are you going to be old Brody who is terrified of the water, or new Brody who can overcome that fear? Every scene where the shark appears is really asking that question. And the last moment of the film isn't the shark blowing up. It's Brody swimming back through the water, saying he used to be scared of the water and he can't imagine why. Actionable step: Write down the Dramatic Question for your protagonist in a single sentence. Is it “Are you ordinary or extraordinary?” or “Are you brave enough to love again?” or “Will you sacrifice your principles for survival?” If you can't answer this with specificity, your character might still be a sketch rather than a person. 3. Get rid of Vague Flaws, and use Absolute Specificity This was one of Will Storr's most important points. He said that vague thinking about characters is really the enemy. When he teaches workshops and asks writers to describe their character's flaw, most of them say something like “they're very controlling.” And Will's response is: that's not good enough. Everyone is controlling. How are they controlling? What's the specific mechanism? He gave the example of a profile he read of Theresa May during the UK's Brexit chaos. Someone who knew her said that Theresa May's problem was that she always thinks she's the only adult in every room she goes into. Will said that stopped him in his tracks because it's so precise. If you define a character with that level of specificity, you can take them and put them in any genre, any situation—a spaceship, a Victorian drawing room, a school playground—and you will know exactly how they're going to behave. The same applies to Arthur Miller's Willy Loman in Death of a Salesman, as Will described it: a man who believes absolutely in capitalistic success and the idea that when you die, you're going to be weighed on a scale, just as God weighs you for sin, but now you're weighed for success. That's not a vague flaw. That's a worldview you can drop into any story and watch it combust. Will made another counterintuitive point that I found really valuable: writers often think that piling on multiple traits will create a complex character, but the opposite is true. Starting with one highly specific flaw and running it through the demands of a relentless plot is what generates complexity. You end up with a far more nuanced, original character than if you'd started with a laundry list of vague attributes. Actionable step: Take your protagonist's flaw and pressure-test it. Is it specific enough that you could place this character in any situation and predict their behaviour? If you're stuck at “she's stubborn” or “he's insecure,” keep pushing. What kind of stubborn? What kind of insecure? Find the diagnostic sentence—the Theresa May level of precision. 4. Understand the Heroine's Journey: Strength Through Connection Gail Carriger came on episode 550 to discuss her nonfiction book, The Heroine's Journey, and it completely reframed how I think about some of my own fiction. Gail explained that the core difference between the Hero's Journey and the Heroine's Journey comes down to how strength and victory are defined. The Hero's Journey is about strength through solo action. The hero must be continually isolated to get stronger. He goes out of civilisation, faces strife alone, and achieves victory through physical prowess and self-actualisation. The Heroine's Journey is the opposite. The heroine achieves her goals by activating a network. She's a delegator, a general. She identifies where she can't do something alone, finds the people who can help, and portions out the work for mutual gain. Gail put it simply: the heroine is very good at asking for help, which our culture tends to devalue but which is actually a powerful form of strength. Crucially, Gail stressed that gender is irrelevant to which journey you're writing. Her go-to examples are striking: the recent Wonder Woman film is practically a beat-for-beat hero's journey—Gilgamesh on screen, as Gail described it. Meanwhile, Harry Potter, both the first book and the series as a whole, is a classic heroine's journey. Harry's power comes from his network—Dumbledore's Army, the Order of the Phoenix, his friendships with Ron and Hermione. He doesn't defeat Voldemort alone. He defeats Voldemort because of love and connection. This distinction has real practical consequences for writers. If you're writing a hero's journey and you hit writer's block, Gail said, the solution is usually to isolate your hero further and pile on more strife. But if you're writing a heroine's journey, the solution is probably to throw a new character into the scene—someone who has advice to offer or a skill the heroine lacks. The actual solutions to writer's block are different depending on which narrative you're writing. As I reflected on my own work, I realised that my ARKANE thriller protagonist, Morgan Sierra, follows a hero's journey—she's a solo operative, a lone wolf like Jack Reacher or James Bond. But my Mapwalker fantasy series follows a heroine's journey, with Sienna and her group of friends working together. I hadn't consciously chosen those paths; the stories led me there. But understanding the framework helps me write more intentionally now. Actionable step: Identify which journey your protagonist is on. Does your character gain strength by being alone (hero) or by building connections (heroine)? This will inform every plot decision you make, from how they face obstacles to how your story ends. 5. Use ‘Metaphor Families' to Anchor Dialogue and Voice One of the most practical techniques Matt Bird shared on episode 624 is the idea of assigning each character a “metaphor family”—a specific well of language that they draw from. This gives each character a distinctive voice that goes beyond accent or dialect. Matt explained how in The Wire, one of the most beloved TV shows of all time, every character has a different metaphor family. What struck him was that Omar, this iconic character, never utters a single curse word in the entire series. His metaphor family is pirate. He talks about parlays, uses language that feels like it belongs in Pirates of the Caribbean, and it creates this incredible ironic counterpoint against his urban setting. It tells us immediately that this is a character who sees himself in a tradition of people that doesn't match his immediate surroundings. Matt also referenced the UK version of The Office, where Gareth works at a paper company but aspires to the military. So all of his language is drawn from a military metaphor family. He doesn't talk about filing and photocopying; he talks about tactics and discipline and being on the front line. This tells us that the character has a life and dreams beyond the immediate scene—and it's the gap between aspiration and reality that makes him both funny and believable. He pointed out that a metaphor family sometimes comes from a character's background, but it's often more interesting when it comes from their aspirations. What does your character want to be? What world do they fantasise about inhabiting? That's where their language should come from. In Star Wars, Obi-Wan Kenobi is a spiritual hermit, but his metaphor family is military. He uses the language of generals and commanders, and that ironic counterpoint is part of what makes him feel so rich. Actionable step: Assign each of your main characters a metaphor family. It could be based on their job, their background, or—more interestingly—their secret aspirations. Then go through your dialogue and make sure each character is consistently drawing from that well of language. If two characters sound the same when you strip away the dialogue tags, this is the fix. 6. Find the Diagnostic Detail: The Diagonal Toast Avoid clichéd character tags—the random scar, the eye patch, the mysterious limp—unless they serve a deep narrative purpose. Matt Bird on episode 624 was very funny about this: he pointed out that Nick Fury, Odin, and eventually Thor all have eye patches in the Marvel Cinematic Universe. Eye patches are done, he said. You cannot do eye patches anymore. Instead, look for what I'm calling the “diagonal toast” detail, after a scene Matt described from Captain Marvel. In the film, Captain Marvel is trying to determine whether Nick Fury is who he says he is. She asks him to prove he isn't a shapeshifting alien. Fury shares biographical details—his history, his mother—but then she pushes further and says, name one more thing you couldn't possibly have made up about yourself. And Fury says: if toast is cut diagonally, I can't eat it. Matt said that detail is gold for a writer because it feels pulled from a real life. You can pull it from your own life and gift it to your characters, and the reader can tell it's not manufactured. He gave another example from The Sopranos: Tony Soprano's mother won't answer the phone after dark. The show's creator, David Chase, confirmed on the DVD commentary that this came from his own mother, who genuinely would not answer the phone after dark and couldn't explain why. Matt's practical advice was to keep a journal. Write down the strange, specific things that people do or say. Mine your own life for those hyper-specific details. You just need one per book. In my own writing, I've used this approach. In my ARKANE thrillers, my character Morgan Sierra has always been Angelina Jolie in my mind—specifically Jolie in Lara Croft or Mr and Mrs Smith. And Blake Daniel in my crime thriller series was based on Jesse Williams from Grey's Anatomy. I paste pictures of actors into my Scrivener projects. It helps with visuals, but also with the sense of the character, their energy and physicality. But visual details only take you so far. It's the behavioural quirks—the diagonal toast moments—that make a character feel genuinely alive. That said, physical character tags can work brilliantly when they serve the story. As I discuss in How to Write a Novel, Robert Galbraith's Cormoran Strike is an amputee, and his pain and the physical challenges of his prosthesis are a key part of every story—it's not a cosmetic detail, it's woven into the action and the character's psychology. My character Blake Daniel always wears gloves to cover the scars on his hands, which provides an angle into his wounded past as well as a visual cue for the reader. And of course, Harry Potter's lightning-shaped scar isn't just a mark—it's a direct connection to his nemesis and the mythology of the entire series. The rule of thumb is: if the tag tells us something about the character's interior life or connects to the plot, it's earning its place. If it's just there to make the character visually distinctive, it's probably a crutch. Game of Thrones takes character tags further with the family houses, each with their own mottos and sigils. The Starks say “Winter is coming” and their sigil is a dire wolf. Those aren't just labels—they're worldview made visible. Actionable step: Start a “diagonal toast” notebook. Every time you notice something strange and specific about someone's behaviour—something that feels too real to be made up—write it down. Then gift it to a character who needs more texture. 7. Displace Your Own Trauma into the Work Barbara Nickless shared something deeply personal on episode 732 that fundamentally changed how I think about putting pain onto the page. While starting At First Light, the first book in her Dr. Evan Wilding series, she lost her son to epilepsy—something called SUDEP, Sudden Unexplained Death in Epilepsy. One day he was there, and the next day he was gone. Barbara said that writing helped her cope with the trauma, that doing a deep dive into Old English literature and the Viking Age for the book's research became a lifeline. But here's what's important: she didn't give Dr. Evan Wilding her exact trauma. Evan Wilding is four feet five inches, and Barbara described how he has to walk through a world that won't adjust to him. That's its own form of learning to cope when circumstances are beyond your control. She displaced her genuine grief into the character's different but parallel struggle. When I asked her about the difference between writing for therapy and writing for an audience, she drew on her experience teaching creative writing to veterans through a collaboration between the US Department of Defense and the National Endowment for the Arts. She said she's found that she can pour her heartache into her characters and process it through them, even when writing professionally, and that the genuine emotion is what touches readers. We've all been through our own losses and griefs, so seeing how a character copes can be deeply meaningful. I've always found that putting my own pain onto the page is the most direct way to connect with a reader's soul. My character Morgan Sierra's musings on religion and the supernatural are often my own. Her restlessness, her fascination with the darker edges of faith—those come from me. But her Krav Maga fighting skills and her ability to kill the bad guys are definitely her own. That gap between what's mine and what's hers is where the fiction lives. Barbara also said something on that episode that I wrote down and stuck on my wall. She said the act of producing itself is a balm to the soul. I've been thinking about that ever since. On my own wall, I have “Measure your life by what you create.” Different words, same truth. Actionable step: If you're carrying something heavy—grief, anger, fear, regret—consider how you might displace it into a character's different but emotionally parallel struggle. Don't copy your exact situation; transform it. The emotion will be genuine, and the reader will feel it. 8. Write Diverse Characters as Real People When I spoke with Sarah Elisabeth Sawyer on episode 673—Sarah is Choctaw and a historical fiction author honoured by the Smithsonian's National Museum of the American Indian—she offered a perspective that every fiction writer needs to hear. The key message was to move away from stereotypes. Don't write your American Indian character as the “Wise Guide” who exists solely to dispense mystic wisdom to the white protagonist. Don't limit diverse characters to historical settings, as though they only exist in the past. Place them in normal, contemporary roles. Your spaceship captain, your forensic scientist, your small-town baker—any of them can be American Indian, or Nigerian, or Japanese, and their heritage should be a lived-in part of their identity, not the sole reason they exist in the story. I write international thrillers and dark fantasy, and my fiction is populated with characters from all over the world. I have a multi-cultural family and I've lived in many places and travelled widely, so I've met, worked with, and had relationships with people from different cultures. I find story ideas through travel, and if I set my books in a certain place, then the story is naturally populated with the people who live there. As I discuss in my book, How to Write a Novel, the world is a diverse place, so your fiction needs to be populated with all kinds of people. If I only populated my fiction with characters like me, they would be boring novels. There are many dimensions of difference—race, nationality, sex, age, body type, ability, religion, gender, sexual orientation, socio-economic status, class, culture, education level—and even then, don't assume that similar types of people think the same way. Some authors worry they will make mistakes. We live in a time of outrage, and some authors have been criticised for writing outside their own experience. So is it too dangerous to try? Of course not. The media amplifies outliers, and most authors include diverse characters in every book without causing offence because they work hard to get it right. It's about awareness, research, and intent. Actionable step: Audit the cast of your current work in progress. Have you written a mono-cultural perspective for all of them? If so, consider who could bring a different background, perspective, or set of cultural specifics to the story. Not as a token addition, but as a real person with a real life. 9. Respect Tribal and Cultural Specificity Sarah Elisabeth Sawyer on episode 673 was emphatic about one thing: never treat diverse groups as monolithic. If you're writing a Native American character, you must research the specific nation. Choctaw is not Navajo, just as British is not French. Sarah described the distinct cultural markers of the Choctaw people—the diamond pattern you'll see on traditional shirts and dresses, which represents the diamondback rattlesnake. They have distinct dances and songs. She said that if she saw someone in traditional dress at a distance, she would know whether they were Choctaw based on what they were wearing. She encouraged writers who want to write specifically about a nation to get to know those people. Go to events, go to a powwow, learn about the individual culture. She noted that a big misconception is that American Indians exist only in the past—she stressed that they are still here, still living their cultures, and fiction should reflect that present reality. I took a similar approach when writing Destroyer of Worlds, which is set mostly in India. I read books about Hindu myth, watched documentaries about the sadhus, and had one of my Indian readers from Mumbai check my cultural references. For Risen Gods, set in New Zealand with a young Maori protagonist, I studied books about Maori mythology and fiction by Maori authors, and had a male Maori reader check for cultural issues. Research is simply an act of empathy. The practical takeaway is this: if you're going to include a character from a specific cultural background, do the work. Use specific cultural details rather than generic signifiers. Sarah talked about how even she fell into stereotypes when she was first writing, until her mother pointed them out. If someone from within a culture can fall into those traps, the rest of us certainly can. Do the research, try your best, ask for help, and apologise if you need to. Actionable step: If you're writing a character from a specific culture, identify three to five sensory or behavioural details that are particular to that culture—not the generic version, but the real, researched, lived-in version. Consider hiring a sensitivity reader from that community to check your work. 10. Give Your Protagonist a Morally Neutral ‘Hero' Status Matt Bird was clear about this on episode 624: the word “hero” simply means the protagonist, the person we follow through the story. It's a functional role, not a moral label. We don't have to like them. We don't even have to root for their goals in a moral sense. We just have to find them compelling enough to invest our attention in their problem-solving. Think of Succession, where every member of the Roy family is varying degrees of awful, and yet the show was utterly compelling. Or WeCrashed, where Adam Neumann is a narcissistic con artist, but we can't look away because he's trying to solve the enormous problem of building an empire from nothing, and the tradecraft he employs is fascinating. As I wrote in How to Write a Novel, readers must want to spend time with your characters. They don't have to be lovable or even likable—that will depend on your genre and story choices—but they have to be captivating enough that we want to spend time with them. A character who is trying to solve a massive problem will naturally draw investment from the audience, even if we wouldn't want to have tea with them. Will Storr extended this idea by pointing out that the audience will actually root for a character to solve their problem even if the audience doesn't actually want the character's goal to be achieved in the real world. We don't really want more billionaires, but we invested in Adam Neumann's rise because that was the problem the story posed, and our brains are wired to invest in problem-solving. This connects to something deeper: what does your character want, and why? As I explore in How to Write a Novel, desire operates on multiple levels. Take a character like Phil, who joins the military during wartime. On the surface, she wants to serve her country. But she also wants to escape her dead-end town and learn new skills. Deeper still, her father and grandfather served, and by joining up, she hopes to finally earn their respect. And perhaps deepest of all, her father died on a mission under mysterious circumstances, and she wants to find out what happened from the inside. That layering of motivation is what turns a flat character into a three-dimensional one. The audience doesn't need to be told all of this explicitly. It can emerge through action, dialogue, and the choices the character makes under pressure. But you, the writer, need to know it. You need to know what your character really wants deep down, because that desire—more than any external plot device—is what drives the story forward. And your antagonist needs the same depth. They also want something, often diametrically opposed to your protagonist, and they need a reason that makes sense to them. In my ARKANE thriller Tree of Life, my antagonist is the heiress of a Brazilian mining empire who wants to restore the Earth to its original state to atone for the destruction caused by her father's company. She's part of a radical ecological group who believe the only way to restore Nature is to end all human life. It's extreme, but in an era of climate change, it's a motivation readers can understand—even if they disagree with the solution. Actionable step: If you're struggling to make a morally grey character work, make sure their problem is big enough and their methods are specific and interesting enough that we invest in the how, even if we're ambivalent about the what. 11. Build Vibrant Side Characters Gail Carriger made a point on episode 550 that was equal parts craft advice and business strategy. In a Heroine's Journey model, side characters aren't just fodder to be killed off to motivate the hero. They form a network. And because you don't have to kill them—unlike in a hero's journey, where allies are often betrayed or removed so the hero can be further isolated—you can pick up those side characters and give them their own books. Gail said this creates a really voracious reader base. You write one series with vivid side characters, and then readers fall in love with those side characters and want their stories. So you write spin-offs. The romance genre does this brilliantly—think of the Bridgerton books, where each sibling gets their own novel. The side character in one book becomes the protagonist in the next. Barbara Nickless experienced this firsthand with her Dr. Evan Wilding series. She has River Wilding, Evan's adventurous brother, and Diana, the axe-throwing research assistant, and her editor has already expressed interest in a spin-off series with those characters. Barbara described creating characters she wants to spend time with, or characters who give her nightmares but also intrigue her. That's the dual test: are they interesting enough for you to write, and interesting enough for readers to demand more? As I wrote in How to Write a Novel, characters that span series can deepen the reader's relationship with them as you expand their backstory into new plots. Readers will remember the character more than the plot or the book title, and look forward to the next instalment because they want more time with those people. British crime author Angela Marsons described it as readers feeling like returning to her characters is like putting on a pair of old slippers. Actionable step: Look at your supporting cast. Is there a side character who is vivid enough to carry their own story? If not, what could you add—a specific hobby, a distinct voice, a compelling backstory—that would make readers want more of them? 12. Use Voice as a Rhythmic Tool Voice is one of the most important elements of novel writing, and Matt Bird helped me think about it in a technical, mechanical way that I found really useful. He pointed out that the ratio of periods to commas defines a character's internal reality. A staccato rhythm—lots of periods, short sentences—suggests a character who is certain, grounded, or perhaps survivalist and traumatised. Katniss in The Hunger Games has a period-heavy voice. She's in survival mode. She doesn't have time for complexity or qualification. A flowing, comma-heavy style suggests someone more academic, more nuanced, or possibly more scattered and manipulative. The character who qualifies everything, who adds sub-clauses and digressions, is a different kind of person from the character who speaks in declarations. This is something you can actually measure. Pull up a passage of your character's dialogue or internal monologue and count the periods versus the commas. If the rhythm doesn't match who the character is supposed to be, you've found a mismatch you can fix. Sentence length is the heartbeat of your character's persona. And voice extends beyond rhythm to the words themselves. As I discussed in the metaphor families tip, each character should draw from a distinctive well of language. But voice also encompasses their relationship to silence. Some characters talk around the thing they mean; others say it straight. Some are self-deprecating; others are blunt to the point of rudeness. All of these choices are character choices, not just style choices. I find it useful to read my dialogue aloud—and not just to check for naturalness, but to hear whether each character sounds distinct. If you could swap dialogue lines between two characters and nobody would notice, you have a voice problem. One practical test: cover the dialogue tags and see if you can tell who's speaking from the words alone. Actionable step: Choose a key passage from your protagonist's point of view and read it aloud. Does the rhythm match the character? A soldier under fire should not sound like a philosophy professor at a wine tasting. Adjust the ratio of periods to commas until the voice feels right. 13. Link Character and Plot Until They're Inseparable Will Storr made the case on episode 490 that the number one problem he sees in the writing he encounters—in workshops, in submissions, even in published books—is that the characters and the plots are unconnected. There's a story happening, and there are people in it, but the story isn't a product of who those people are. He said a story should be like life. In our lives, the plots are intimately connected to who we are as characters. The goals we pursue, the obstacles we face, the same problems that keep recurring—these are products of our personalities, our flaws, our specific ways of being in the world. His framework is that your plot should be designed specifically to plot against your character. You've got a character with a particular flaw; the plot exists to test that flaw over and over until the character either transforms or doubles down and explodes. Jaws is the perfect example. Brody is afraid of water. A shark shows up in the coastal town he's responsible for protecting. The entire plot is engineered to force him to confront the one thing he cannot face. Will pointed out that the whole plot of Jaws is structured around Brody's flaw. It begins with the shark arriving, the midpoint is when Brody finally gets the courage to go into the water, and the very final scene isn't the shark blowing up—it's Brody swimming back through the water. Even a film that's ninety-eight percent action is, at its core, structured around a character with a character flaw. This is the standard I aspire to in my own work, even in my action-heavy thrillers. The external plot should be a mirror of the internal struggle. When those two are aligned, the story becomes irresistible. Will also made an important point about series fiction, which is where most commercial authors live. I asked him how this works when your character can't be transformed at the end of every book because there has to be a next book. His answer was elegant: you don't cure them. Episodic TV characters like Fleabag or David Brent or Basil Fawlty never truly change—and the fact that they don't change is actually the source of the comedy. But every episode throws a new story event at them that tests and exposes their flaw. You just keep throwing story events at them again and again. That's a soap opera, a sitcom, and a book series. As I wrote in How to Write a Novel, character flaws are aspects of personality that affect the person so much that facing and overcoming them becomes central to the plot. In Jaws, the protagonist Brody is afraid of the water, but he has to overcome that flaw to destroy the killer shark and save the town. But remember, your characters should feel like real people, so never define them purely by their flaws. The character addicted to painkillers might also be a brilliant and successful female lawyer who gets up at four in the morning to work out at the gym, likes eighties music, and volunteers at the local dog shelter at weekends. Character wounds are different from flaws. They're formed from life experience and are part of your character's backstory—traumatic events that happened before the events of your novel but shape the character's reactions in the present. In my ARKANE thrillers, Morgan Sierra's husband Elian died in her arms during a military operation. This happened before the series begins, but her memories of it recur when she faces a firefight, and she struggles to find happiness again for fear of losing someone she loves once more. And then there's the perennial advice: show, don't tell. Most writers have heard this so many times that it's easy to nod and then promptly write scenes that tell rather than show. Basically, you need to reveal your character through action and dialogue, rather than explanation. In my thriller Day of the Vikings, Morgan Sierra fights a Neo-Viking in the halls of the British Museum and brings him down with Krav Maga. That fight scene isn't just about showing action. It opens up questions about her backstory, demonstrates character, and moves the plot forward. Telling would be something like: “Morgan was an expert in Krav Maga.” Showing is the reader discovering it through the scene itself. Actionable step: Look at the main plot events of your novel. For each major turning point, ask: does this scene specifically test my protagonist's flaw? If not, can you redesign the scene so that it does? The tighter the connection between character and plot, the more powerful the story. 14. The ‘Maestra' Approach: Write Out of Order If you're a discovery writer like me, you may feel like the deep character work I've been describing sounds more suited to plotters. But Barbara Nickless gave me a beautiful metaphor on episode 732 that reframes it entirely. Barbara described her evolving writing process as being like a maestra standing in front of an orchestra. Sometimes you bring in the horns—a certain theme—and sometimes you bring in the strings—a certain character—and sometimes you turn to the soloist. It's a more organic and jumping-around process than linear writing, and Barbara said she's only recently given herself permission to work this way. When I told her that I use Scrivener to write in scenes out of order and then drag and drop them into a structure later, she was genuinely intrigued. And this is how I've always worked. I'll see the story in my mind like a movie trailer—flashes of the big emotional scenes, the pivotal confrontations, the moments of revelation—and I write those first. I don't know how they hang together until quite late in the process. Then I'll move scenes around, print the whole thing out, and figure out the connective tissue. The point is that discovery writers can absolutely build deep characters. Sometimes writing the big emotional scenes first is how you discover who the character is before you fill in the rest. You don't need a twenty-page character worksheet or a 200-page outline like Jeffery Deaver. You need to be willing to follow the character into the unknown and trust that the structure will emerge. As Barbara said, she writes to know what she's thinking. That's the discovery writer's credo. And I would add: I write to know who my characters are. Actionable step: If you're stuck on your current chapter, skip it. Write the scene that's burning in your imagination, even if it's from the middle or the end. That scene might be the key to unlocking who your character really is. 15. Use Research to Help with Empathy Research shouldn't just be about factual accuracy—it's a tool for finding the sensory details that create empathy. Barbara Nickless described research as almost an excuse to explore things that fascinate her, and I feel exactly the same way. I would go so far as to say that writing is an excuse for me to explore the things that interest me. Barbara and I both travel for our stories. For her Dr. Evan Wilding books, she did deep research into Old English literature and the Viking Age. For my thriller End of Days, I transcribed hours of video from Appalachian snake-handling churches on YouTube to understand the worldview of the worshippers, because my antagonist was brought up in that tradition. I couldn't just make that up. I had to hear their language, feel their conviction, understand why they would hold venomous serpents as an act of faith. Barbara also mentioned getting to Israel and the West Bank for research, and I've been to both places too. Finding that one specific sensory detail—the smell of a particular location, the specific way an expert handles a tool, the sound of a particular kind of music—makes the character's life feel lived-in. It's the difference between a character who is described as living in a place and a character who inhabits it. As I wrote in How to Write a Novel, don't write what you know. Write what you want to learn about. I love research. It's part of why I'm an author in the first place. I take any excuse to dive into a world different from my own. Research using books, films, podcasts, and travel, and focus particularly on sources produced by people from the worldview you want to understand. Actionable step: For your next piece of character research, go beyond reading. Watch a documentary, visit a location, talk to someone who lives the experience. Find one sensory detail—a smell, a sound, a texture—that you couldn't have invented. That detail will make your character feel real. Bonus: Measure Your Life by What You Create In an age of AI and a tsunami of content, your ultimate brand protection is the quality of your human creation. Barbara Nickless said that the act of producing itself is a balm to the soul, and I believe that with every fibre of my being. Don't be afraid to take that step back, like I did with my deadlifting. Take the time to master these deeper craft skills. It might feel like you're slowing down or going backwards by not chasing the latest marketing trend, but it's the only way to step forward into a sustainable, high-quality career. Your characters are your signature. No AI can replicate the specificity of your lived experience, the emotional truth of your displaced trauma, or the sensory details you've gathered from a life of curiosity and travel. Those are yours. Pour them into your characters, and they will resonate for years to come. Actionable Takeaway: Identify the Dramatic Question for your current protagonist. Can you state it in a single sentence with the kind of specificity Will Storr described? Is it as clear as “Are you ordinary or extraordinary?” or “Are you the only adult in the room?” If you can't answer it with that kind of precision, your character might still be a sketch. Give them a diagonal toast moment today. Find the one hyper-specific detail that proves they are not an imitation of life. And then ask yourself: does your plot test your character's flaw in every major scene? If you can align those two things—a precisely defined character and a plot that exists to test them—you will have a story that readers cannot put down. References and Deep Dives The episodes I've referenced today are all available with full transcripts at TheCreativePenn.com: Episode 732 — Facing Fears, and Writing Unique Characters with Barbara Nickless Episode 673 — Writing Choctaw Characters and Diversity in Fiction with Sarah Elisabeth Sawyer Episode 624 — Writing Characters with Matt Bird Episode 550 — The Heroine's Journey with Gail Carriger Episode 490 — How Character Flaws Shape Story with Will Storr Books mentioned: The Secrets of Character: Writing a Hero Anyone Will Love by Matt Bird The Science of Storytelling by Will Storr The Heroine's Journey by Gail Carriger How to Write a Novel: From Idea to Book by Joanna Penn You can find all my books for authors at CreativePennBooks.com and my fiction and memoir at JFPennBooks.com Happy writing! How was this episode created? This episode was initiated created by NotebookLM based on YouTube videos of the episodes linked above from YouTube/TheCreativePenn, plus my text chapters on character from How to Write a Novel. NotebookLM created a blog post from the material and then I expanded it and fact checked it with Claude.ai 4.6 Opus, and then I used my voice clone at ElevenLabs to narrate it. The post Writing Characters: 15 Actionable Tips For Writing Deep Character first appeared on The Creative Penn.

Talk about wild! Hearing the process and real life situations someone has to go through to discover that they could channel and then having a conversation with the entities live on the show, amazing! If you thought this podcast kept it weird, you have no idea just how weird it can get! Stay weird initiates!To Follow Us On Patreon—> https://www.patreon.com/c/MetaMysticsEmail Us!—> MetaMystics@yahoo.comSubscribe to our Youtube—> http://www.youtube.com/@MetaMysticsTo Follow Us On TikTok—> https://www.tiktok.com/@metamysticsGive us a follow on Instagram—> @MetaMystics111To find Sias—> https://www.tiktok.com/@awakeningtherebisr=1&t=ZP-94TC81IJfP4Become a supporter of this podcast: https://www.spreaker.com/podcast/cult-of-conspiracy--5700337/support.

Greg Jenner is joined in the ancient world by Dr Moudhy Al-Rashid and comedian Marjolein Robertson to learn all about the famous Mesopotamian poem, the Epic of Gilgamesh. Sumerian poems about a legendary king called Gilgamesh began to be composed sometime in the third millennium, and were told and retold throughout Mesopotamia until a Babylonian scholar named Sîn-leqi-unninni wrote down what has become the standard version. The tale he recorded tells of a tyrannical king of Uruk, Gilgamesh, and the transformative journey he takes with his enemy-turned-friend (and possibly more), Enkidu. In the 3100 lines of the poem, they fight forest guardians and celestial bulls, anger the gods, and even challenge death itself. In this episode, we retell the story of Gilgamesh, exploring the history of the epic's composition, what it tells us about ancient Mesopotamian storytelling and beliefs, and how it was rediscovered in the nineteenth century, written in cuneiform on clay tablets housed in the Library of Ashurbanipal at Nineveh. We also look at the themes of companionship, community and environmental protection that are still relevant today, and ask the question: is Gilgamesh just a legend, or was he based on a real king?If you're a fan of captivating myths and legends from the ancient world, heroic kings and impossible quests, and historians decoding ancient texts, you'll love our episode on the Epic of Gilgamesh.If you want more ancient history with Dr Moudhy Al-Rashid, listen to our episodes on the Babylonians and Cuneiform. And for more from Marjolein Robertson, check out our episode on Robert Bruce.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past.Hosted by: Greg Jenner Research by: Katharine Russell Written by: Katharine Russell, Dr Emmie Rose Price-Goodfellow, Dr Emma Nagouse, and Greg Jenner Produced by: Dr Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Dr Emma Nagouse Executive Editor: Philip Sellars

Epstein's text messages mention Emmanuel Macron's boyfriend, more inconsistencies appear in Erika's story, and we look more into the story of Gilgamesh and how it ties in with Epstein and the elites. 00:00 - Start. 00:58 - Gilgamesh, Epstein, and the elites. 21:10 - Erika's lies and misrepresentations. 26:54 - Tip on who Erika was with on the 10th. 31:48 - Macron in the Epstein files. 35:05 - Final thoughts and comments. PreBorn!​ ​ To donate, dial #250 and say they keyword “BABY" or by visiting https://preborn.com/candace Just Thrive​ ​ Get 20% off your order with promo code CANDACE at https://justthrivehealth.com Nimi Skincare​ ​​​ Save 10% on your order with promo code CANDACE10 at http://www.NimiSkincare.com American Financing​​​ NMLS 182334, http://www.nmlsconsumeraccess.org. APR for rates in the 5s start at 6.196% for well qualified borrowers. Call 800-795-1210 for details about credit costs and terms. Visit http://www.AmericanFinancing.net/Owens. Candace Official Website: https://candaceowens.com Candace Merch: https://shop.candaceowens.com Candace on Apple Podcasts: https://t.co/Pp5VZiLXbq Candace on Spotify: https://t.co/16pMuADXuT Candace on Rumble: https://rumble.com/c/RealCandaceO Candace en Español: https://www.youtube.com/@CandaceOwensEnEspanol Candace Owens em Português: https://www.youtube.com/@CandaceOwensemPortugues Candace Owens en Français: https://www.youtube.com/@CandaceOwensEnFrançais Learn more about your ad choices. Visit megaphone.fm/adchoices