Podcasts about Rumba

Habla de mi en presente, el grup de tecno-rumba ens ha captivat amb el seu nou senzill, 'A l'ombra'

Meritxell Ribera i Laura Villa són Mëy & Lau, dues cantautores a qui la música va unir fa uns anys i en fa dos que es van convertir en duet. Recorren el territori per carretera amb els seus instruments per oferir concerts i el proper dimarts 5 d'agost actuaran al Cicle Imprescindibles en el marc del Festival de Terramar. Seran les teloneres de Duncan Dhu i preveuen una actuació plagada de versions i repertori propi, com el tema Duende de la pròpia Meritxell que han interpretat en directe a l'estudi. L'entrada Mëy & Lau, dues cantautores amb ritme de rumba als Imprescindibles ha aparegut primer a Radio Maricel.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al martes 29-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 28-julio-2025.

See omnystudio.com/listener for privacy information.

Invitée : - Yamina Benguigui, réalisatrice du film "Rumba congolaise - Les héroïnes" Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

La Alcaldía Mayor de Bogotá  estableció recientemente algunos ajustes en el horario de funcionamiento para el ejercicio de actividades económicas que involucren el expendio o consuno de bebidas alcohólicas en la capital del país. De esta manera, el horario de bares, discotecas y otros lugares deberán ajustarse desde las 10:00 a. m. hasta Ias 11:59 p. m. del mismo día.  Algunos establecimientos han levantado la voz por las consecuencias que esta medida puede traer para su negocio.  ¿Pero qué implicaciones tiene?, ¿mejorará la seguridad?, ¿la economía nocturna y de rumba tendrá efectos?    En este episodio de Economicast hablamos de este tema con Andrés Solano, dueño de reconocidos gastrobares y clubes más conocido como Syndicait.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al martes 22-julio-2025.

Interpretaran tots els hits que els han fet famosos, com la versió de 'All my loving' o 'Amics per sempre'.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 21-julio-2025.

podcast recorded with enacast.com

La 39e édition du Festival international Nuits d'Afrique se termine ce dimanche 20 juillet à Montréal. Treize jours de concerts ont rassemblé près de 700 artistes africains, d'Amérique latine et des Antilles. Des sonorités traditionnelles aux fêtes technos en passant par des cours de danse ouverts à tous, la richesse culturelle de cet événement a transporté le public en voyage tout autour du monde. De notre envoyée spéciale à Montréal, Rumba congolaise, maloya réunionnais, trap syrienne, rythmes berbères, amazighs, yorubas ou vaudous : en un mot, les Nuits d'Afrique rassemblent. Dans le quartier des spectacles, l'Esplanade Tranquille porte très mal son nom cette semaine. Les concerts s'enchaînent dans une immersion sonore totale et ininterrompue. Chaque artiste profite de son temps sur scène pour mettre en lumière son pays et sa culture. « Le kamele ngoni, c'est un instrument purement africain. C'est un instrument qui a créé à Wassoulou, une ville peule au Mali. À travers cet instrument, je peux parler de la paix, de la cohésion sociale, du vivre ensemble. C'est très important pour moi parce qu'il faut promouvoir ta culture, ta langue. Moi, je chante en langue peule d'abord, et puis je chante en langue bambara. Je suis très content de pouvoir le faire », raconte le maître du kamele ngoni, Dicko Fils. Si la traditionnalité est partout, elle est loin de rester bloquée dans le passé. La Malienne Djely Tapa est devenue griotte pour la diaspora africaine à Montréal. Mais une griotte bien ancrée dans son époque, ayant ajouté de l'électro à sa musique mandingue. « L'afrofuturisme, pour moi, c'est d'amener nos instruments, qui sont des instruments d'héritage, de les amener dans des sonorités futuristes. Parce que quand on parle de nos instruments, on va les qualifier d'instruments traditionnels. Mais le violon aussi est un instrument traditionnel, mais il est utilisé dans la musique contemporaine. Et on ne l'appellerait pas un ''instrument traditionnel''. Donc, pourquoi ma kora serait un instrument traditionnel ? Elle peut être aussi contemporaine, non ? », interroge l'artiste. Ici, les revendications fusent de toutes parts, portées par des artistes engagés pour la justice et la paix. Le Nigérian Fémi Kuti porte un afro-beat politique par essence : « Je suis profondément convaincu que l'Afrique devrait être le meilleur des continents, un modèle qui ferait l'admiration du monde entier. Si ses dirigeants étaient vraiment engagés, s'ils aimaient leur peuple, l'Afrique serait aujourd'hui un continent épanoui, rempli de joie, vous voyez ? Et pourtant, à chaque fois que j'y retourne ou que je lis les nouvelles, j'en ai vraiment le cœur brisé. Je n'ai pas de baguette magique pour changer les choses, et je ne peux pas forcer les autres à croire en mes idées, sinon je passerais pour un dictateur. Alors, peut-être que finalement, la vie consiste surtout à se développer soi-même. Car nous allons tous mourir un jour. Et s'il y a une vie après la mort, alors c'est à ce moment que nous devrons répondre de nos pensées et de nos actes. » Aux Nuits d'Afrique, la musique est plus que jamais un moyen de transmettre, d'ouvrir les esprits et de résister, dans la joie et le partage.  À lire aussiNigeria: «Zombie», la fronde de Fela Kuti contre Obasanjo

La 39e édition du Festival international Nuits d'Afrique se termine ce dimanche 20 juillet à Montréal. Treize jours de concerts ont rassemblé près de 700 artistes africains, d'Amérique latine et des Antilles. Des sonorités traditionnelles aux fêtes technos en passant par des cours de danse ouverts à tous, la richesse culturelle de cet événement a transporté le public en voyage tout autour du monde. De notre envoyée spéciale à Montréal, Rumba congolaise, maloya réunionnais, trap syrienne, rythmes berbères, amazighs, yorubas ou vaudous : en un mot, les Nuits d'Afrique rassemblent. Dans le quartier des spectacles, l'Esplanade Tranquille porte très mal son nom cette semaine. Les concerts s'enchaînent dans une immersion sonore totale et ininterrompue. Chaque artiste profite de son temps sur scène pour mettre en lumière son pays et sa culture. « Le kamele ngoni, c'est un instrument purement africain. C'est un instrument qui a créé à Wassoulou, une ville peule au Mali. À travers cet instrument, je peux parler de la paix, de la cohésion sociale, du vivre ensemble. C'est très important pour moi parce qu'il faut promouvoir ta culture, ta langue. Moi, je chante en langue peule d'abord, et puis je chante en langue bambara. Je suis très content de pouvoir le faire », raconte le maître du kamele ngoni, Dicko Fils. Si la traditionnalité est partout, elle est loin de rester bloquée dans le passé. La Malienne Djely Tapa est devenue griotte pour la diaspora africaine à Montréal. Mais une griotte bien ancrée dans son époque, ayant ajouté de l'électro à sa musique mandingue. « L'afrofuturisme, pour moi, c'est d'amener nos instruments, qui sont des instruments d'héritage, de les amener dans des sonorités futuristes. Parce que quand on parle de nos instruments, on va les qualifier d'instruments traditionnels. Mais le violon aussi est un instrument traditionnel, mais il est utilisé dans la musique contemporaine. Et on ne l'appellerait pas un ''instrument traditionnel''. Donc, pourquoi ma kora serait un instrument traditionnel ? Elle peut être aussi contemporaine, non ? », interroge l'artiste. Ici, les revendications fusent de toutes parts, portées par des artistes engagés pour la justice et la paix. Le Nigérian Fémi Kuti porte un afro-beat politique par essence : « Je suis profondément convaincu que l'Afrique devrait être le meilleur des continents, un modèle qui ferait l'admiration du monde entier. Si ses dirigeants étaient vraiment engagés, s'ils aimaient leur peuple, l'Afrique serait aujourd'hui un continent épanoui, rempli de joie, vous voyez ? Et pourtant, à chaque fois que j'y retourne ou que je lis les nouvelles, j'en ai vraiment le cœur brisé. Je n'ai pas de baguette magique pour changer les choses, et je ne peux pas forcer les autres à croire en mes idées, sinon je passerais pour un dictateur. Alors, peut-être que finalement, la vie consiste surtout à se développer soi-même. Car nous allons tous mourir un jour. Et s'il y a une vie après la mort, alors c'est à ce moment que nous devrons répondre de nos pensées et de nos actes. » Aux Nuits d'Afrique, la musique est plus que jamais un moyen de transmettre, d'ouvrir les esprits et de résister, dans la joie et le partage.  À lire aussiNigeria: «Zombie», la fronde de Fela Kuti contre Obasanjo

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 18-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 16-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al martes 15-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 14-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 11-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al jueves 10-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 09-julio-2025.

See omnystudio.com/listener for privacy information.

The Rumba 009 - MERENGUETON MIX Julio 2025 by M3NDOZ4 DJ

A quatre mois de l'élection présidentielle, la collecte des parrainages citoyens a commencé en Côte d'Ivoire. A Goma, l'AFC/M23 s'est exprimé pour la première fois dans une conférence de presse depuis l'accord signé entre Kigali et Kinshasa : ils ont demandé l'abandon des poursuites judiciaires à leur encontre. Enfin, nous recevons dans ce journal la réalisatrice Yamina Benguigui pour son film "Rumba congolaise, les héroïnes", sur la trace des oubliées de ce genre musical iconique.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 02-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al martes 01-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 30-junio-2025.

El pasado sábado, 21 de junio, a pleno calor del mediodía, grabamos en la Plaza del Mercado, de El Pobo (Teruel), el programa que emitimos hoy. Estábamos en plena celebración de la vigesimoquinta edición de mítico festival POBORINA FOLK, y durante la grabación del programa fueron pasando algunos de los artistas que participaron en el festival. Todo lo que suena hoy, gracias también el técnico de sonido Adrián Barenca, se grabó in situ de seguido y sin cortes, y hemos dejado una pequeña sorpresa añadida al final con Fetén Fetén (que no pudieron estar en la grabación pues en ese momento les tocaba prueba de sonido en otro escenario) extraída de su concierto y con las dulzainas invitadas de Mila Dolz y Pancho Sánchez.Así quedó La Tarataña en directo y así lo emitimos hoy:1.- Pep Gimeno `Botifarra’, “Jota del Tío Piquirri, el Tío Trabuc y el Tío Cagalló” y “La parva ja está feta - Canto de siega del matquesat de la Marina Alta”Charla con el Botifarra2.- La Ronda de Motilleja, “Van por el aire-Seguidillas corridas”, “Fandango con trovos improvisados sobre la UCO” y “Si me quieres escribir”Charla con Jesus Tejas Junco de La Ronda de Motilleja.3.- Entrevista con Sonia Frías (Entrelares-Radio Círculo), Carlos Ripo (Mañana Más-RNE) y Jordi Gayoso (Lord Sassafras)Charla con Mila Dolz4.- Mila Dolz, “Aragón”5.- Entrevista con Juan Pablo Marco, fundador del Poborina Folk, y Sergio Zaera, del equipo organizador actual.Charla con Ismael Clemente de Ursaria.7.- Ursaria, “Siete bueyes”Coda final:8.- Fetén Fetén con Mila Dolz y Pancho Sánchez: “Rumba del Topo”, extraído del concierto que ofrecieron por la tarde después de la grabación de este programa.Escuchar audio

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

The Rumba 008 - Reggaeton Vs. Champeta Junio 2025 by M3NDOZ4 DJ

Escuche el programa de este viernes 13 de junio. La Luciérnaga, un espacio de humor y opinión de Caracol Radio que desde hace 33 años acompaña a sus oyentes en su regreso casa.

Escuche el programa de este viernes 13 de junio. La Luciérnaga, un espacio de humor y opinión de Caracol Radio que desde hace 33 años acompaña a sus oyentes en su regreso casa.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 13-junio-2025.

Con Carlos López I Hoy nos sumergimos en una fusión poderosa, un encuentro entre el fuego afrocaribeño y la improvisación afroamericana. Exploramos cómo los patrones rítmicos de la rumba han encontrado su lugar en el lenguaje del jazz, dando origen a una corriente vibrante, libre y profundamente bailable. Desde las raíces cubanas hasta las calles de Nueva York, la rumba ha sido clave en el latido más sincero del jazz latino. Un recorrido por este cruce que revela no solo una fusión estilística, sino también un diálogo cultural profundo que sigue resonando en la música contemporánea.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al jueves 12-junio-2025.

The Rumba 007 - Salsa Romantica Mix by M3NDOZ4 DJ

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 02-junio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 30-mayo-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al jueves 29-mayo-2025.

Rumba, rock zulú, twist, kwela, calypso y jazz desde Zambia, Ghana, Kenia, Nigeria, Zimbabue, Congo, Chad y Sudáfrica. A partir de las ocho de la mañana del sábado en la sintonía de Radio 3.Escuchar audio

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On joue ensemble à "3 Questions et 3 Ouin-Ouin" pour gagner un aspirateur Rumba.

El concejo Rolando González explicó en 6AM los motivos que impulsaron la solitud al alcalde Carlos Fernando Galán.

Donate (no account necessary) | Subscribe (account required) Join Bryan Dean Wright, former CIA Operations Officer, as he breaks down today's biggest stories shaping America and the world. Chinese Mobsters Running Illegal Pot Grows Tied to Communist Party – A new investigation reveals deep links between Chinese nationals running illegal marijuana operations in Maine and the Chinese Communist Party. The operations, near U.S. military sites, raise fears of espionage, sabotage, and covert influence campaigns. Trump Admin Expands “Cash for Departure” Program – Migrants who voluntarily leave the U.S. could receive $1,000 under a new DHS policy aimed at reducing deportation costs. Inspired by Sweden's $34,000 offer to migrants, the move tests whether financial incentives can reverse illegal immigration trends. Sweden's Migration Crisis Turns Violent – Three killed in a gang shootout in a Swedish barbershop, highlighting escalating violence linked to foreign gangs like Foxtrot and Rumba. Sweden's PM blames failed integration and vows mass removals. Middle East on Edge: Israel Readies for Full Gaza Occupation – Netanyahu signals a ten-day deadline for Hamas to make peace, or face total military takeover of Gaza. Israeli forces also escalate strikes on Houthis in Yemen, Hezbollah in Lebanon, and regime targets in Syria. Ukraine Drone Boats Shoot Down Russian Jets – In a historic first, Ukrainian sea drones fire U.S.-supplied missiles to down two Russian fighter jets. The Pentagon responds by fast-tracking a $36B drone overhaul for the U.S. Army. AI Calls for Grandma: New App Replaces Family Phone Time – A $25/month AI service now phones the elderly daily, checks on their mood, and reports back to families. Bryan explores the ethics, surveillance risks, and sad realities of replacing human connection with artificial friends. "And you shall know the truth, and the truth shall make you free." - John 8:32