Podcasts about Rumba

Join Bryan and Constantine as they connect with the one and only, Kate Perry from Velier. She recounts her journey from starting at Rumba to tracking down Luca Gargano at Tales of the Cocktail, to walking the streets of New York City with bottles of Caroni, and to traveling to Haiti, and everything else in between.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 10-septiembre-2025.

De Cuba pal' mundo: salsa globalization Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 08-septiembre-2025.

Interview de Martial André: La direction d'animation Présenté par Doc et Néo ! Aujourd'hui, nous papotons avec Martial qui a gravi les échelons de l'animation chez Fortiche ;) Imaginez la scène: Doc, seul face a 2 animateurs !!! Eh ben tout s'est formidablement bien passé :D Voici les références et liens dont nous parlons dans l'émission et plus encore: Martial Andre : https://www.linkedin.com/in/andremartial/ ESMA : https://www.esma-artistique.com/ TEAMTO : http://www.teamto.com/ FRAMESTORE : https://www.framestore.com/fr Geostorm : https://www.youtube.com/watch?v=QWaOHVtjUoc&ab_channel=WarnerBros.France TAT : https://tatprod.com/ Illumination : https://www.illuminationstudiosparis.com/?lang=fr UNIT IMAGE : https://www.unit-image.fr/ Fortiche : https://forticheprod.com/ Arcane test : https://www.youtube.com/watch?v=RHElv9Kk9gY&ab_channel=LeagueofLegends RISE : https://www.youtube.com/watch?v=fB8TyLTD7EE&list=RDfB8TyLTD7EE&start_radio=1&ab_channel=LeagueofLegends KDA : https://www.youtube.com/watch?v=UOxkGD8qRB4&list=RDUOxkGD8qRB4&start_radio=1&ab_channel=LeagueofLegends Tangerine : https://www.cubbik.com/portfolio/tangerine-pour-teamto/ Rumba : https://rumba-animation.com/ Blender : https://studio.blender.org/welcome/ Unreal : https://www.unrealengine.com/fr Si vous voulez nous soutenir: _Devenez Patreo-Bipede! (Patreon): Become a Patron! _PayPal (pour des dons uniques): _La boutique de Goodies: https://shop.spreadshirt.fr/cgwhy/ Grand merci à nos PatréoBipèdes: _BLACK_LAUGH _Tristan Perard _Raphaelle Bonneton - Lighting Artist _Belisaire Earl - CG Supervisor _Johanna Aïli – Lighting Artist – https://vimeo.com/992945915 _Axel Taus - Doctorant en Production _Quentin Aguirre – Animateur _Sylvain Nouveau – Superviseur FX – http://www.ref-fx.com/ _Adrien Dussaud - Etudiant Rendu/Compo - https://vimeo.com/661968939 _Emilie Damo - Layout Artist _Thierry Espeyrac - Directeur Artistique _Mickael Beugnier - Motion Designer - http://linkedin.com/in/mickael-beugnier _François de Chateleux _Vincent Bachmatiuk - expert rendu PBR _Thibault Pansiot - Animateur 3D - https://www.animstarter.com _Frederic Bonometti _Kader Alihadef - Animateur 3D _Audrey Krawczyk - Photographe - https://www.audreyk.fr/ _Indra Raghouber _Guillaume Bertrand _Dominique Vidal - VFX Sup (BUF) _Quentin Herfeld - VFX Producer _Jean-Baptiste Baron - Consultant Digital (Tech4Art Consulting) _Akuto _Mauryl Saint-Jalmes _Loic Huss _Pierre Bertin Si vous avez des questions, commentaires, corrections à apporter ou des mots sympa, n'hésitez pas à le faire via les réseaux sociaux, le mail ou les commentaires de l'émission. Nous faisons notre possible pour vous répondre au plus vite ;) _CGWhy sur Internet: Mail: cgwhypodcast@gmail.com Twitter: @cgwhypodcast Instagram: https://www.instagram.com/cgwhypodcast/ Facebook: https://www.facebook.com/cgwhypodcast/ Spotify: https://open.spotify.com/show/0OliAxlgRpRsbQbFlALQ9y Deezer: https://www.deezer.com/fr/show/392962 Génériques: Vulfpeck - Welcome to Vulf Records (feat. Joey Dosik) https://www.youtube.com/user/DJparadiddle/featured https://www.youtube.com/watch?v=eCO_hcBz-0I N'hésitez pas à noter, commenter l'émission et à nous rester fidèles :) Rendez-vous bientôt pour la prochaine émission !

Simón Petit, Arturo Ramos & JazzTaBueno Productions present: SalsaBrava 08/2025 *Palo Pa Rumba* 1. Conmigo 2. Ay que Rico 3. 17.1 4. Nada De Ti 5. Kinkamache 6. Palo Pa Rumba 7. El Cuarto 8. Llego La India 9. El Dueño del Monte 10. Tu Tu Tu Ta Ta II Our Production music is new and innovative in many ways. Is also engaging and inspiring our loyal public radio family with the current explosion of talent and creativity across the spectrum of jazz and related musics.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 05-septiembre-2025.

We're joined by Tracy Davidson — award-winning journalist, breast cancer survivor, and co-anchor of NBC10 News at 4 p.m. and 5 p.m. Tracy is also the founder and host of Lifting Your Voice, a powerful retreat designed to help women reset, refocus, and recharge. With more than 30 years in broadcast journalism and 14 Emmy Awards, Tracy is a fierce advocate for resilience, community, and purpose. She's here to tell us about the upcoming Lifting Your Voice event taking place Saturday, October 12th from 8:30 AM to 2:30 PM at White Manor Country Club — with a special VIP Happy Hour Experience to follow!

We're joined by Tracy Davidson — award-winning journalist, breast cancer survivor, and co-anchor of NBC10 News at 4 p.m. and 5 p.m. Tracy is also the founder and host of Lifting Your Voice, a powerful retreat designed to help women reset, refocus, and recharge. With more than 30 years in broadcast journalism and 14 Emmy Awards, Tracy is a fierce advocate for resilience, community, and purpose. She's here to tell us about the upcoming Lifting Your Voice event taking place Saturday, October 12th from 8:30 AM to 2:30 PM at White Manor Country Club — with a special VIP Happy Hour Experience to follow!

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al jueves 04-septiembre-2025.

Mix Name: DJ Fibo – Pon Musica Party Mix Website: https://www.iamlmp.com/ Join Our Discord: https://discord.com/invite/iamlmp Join Us DJs New Remixes & Blends: https://www.iamlmp.com/recordpool Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/djfibolmp/ Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp —— 1. Hola Remix -Dalex Ft. Lenny Tavárez, Chencho Corleone, Juhn “El All Star” 2. Atrevete – Nicky Jam Ft Sech 3. Infeliz – Arcangel Ft Bad Bunny 4. Sigues Con El – Arcangel Ft Sech 5. La Cama – Myke Towers Ft Lunay 6. Fantasias – Farruko Ft Rauw Alejandro 7. Rumba – Rochy RD 8. Mera Woo – El Alfa 9. La Maxima – Rochy RD 10. No La Tiene – Bulovas Family 11. No Tengo Para – El Mayor Ft Rochy RD 12. Mueve La Cadera – El Alfa Ft Kiko El Crazy 13. Ella Me Olvido – Guaracha Remix 14. Pitbull – Don’t Stop The Party – Guaracha Remix 15. Que Perra Mi Amiga – Guaracha Remix 16. J Balvin – Que Calor Guaracha Remix 17. Saxo Sueltala Guaracha #reggaeton #iamlmp #dembow

Philipstown octogenarian is champion dancer When Carolyn Fadden did the rumba and the cha-cha in the Albany Hilton ballroom earlier this month, her partner was less than half her age. That didn't handicap the Philipstown octogenarian - she won gold and bronze medals in the Fred Astaire New York Capital Dancesport Championships. Fadden is one of many older ballroom dancers in the Highlands who turn to the activity for fun and companionship, and to combat the challenges of aging. "It is the best exercise for older people," says Fadden. "It's physical, but you have to use your brain. When people do sudokus and crosswords, they're usually sitting." Fadden took up dancing 10 years ago with her husband, Chris. "Our kids were gone and we wanted something we could do together," she says. They tried golf and tennis but settled on dancing. The Faddens dance nearly every week at the Fred Astaire studio on Route 9 in Philipstown, which is celebrating its 10th anniversary. Carolyn also takes multiple lessons a week, honing her skills for competitions in which amateurs are paired with professionals. She competes in the 75-and-older age group. Her usual partner is Yuriy Herhel, the studio's 43-year-old owner. But Herhel had to care for his newborn. So, in Albany, Fadden joined Ernest Horodnychov, 32, another instructor from the studio. Herhel and Horodnychov each danced and taught in Ukraine before immigrating to the U.S. and settling in Fishkill. Every time she wins, Fadden writes the date on the medal and puts it in a box. "I'm not that competitive, but I like to get the medals," she says. Rita and Mark Warm, of Philipstown, took up dancing more than 20 years ago when Mark asked for dance lessons for his birthday. Mark, 74, said his parents loved to dance, but he was too self-conscious in his youth when Chubby Checker was urging everyone to do The Twist. "Once we reach a certain age, we want to make sure we do everything that we want to do before we die," says Rita, 79. The Warms paused their dancing when Mark, a retired physical education teacher, needed two hip replacements after a lifetime as a baseball catcher, including for a senior men's league. Now the couple dances regularly at the Fred Astaire studio in Philipstown, which is minutes from their home at Glassbury Court. They show off their moves on their trips to Margaritaville, near Cancun, where they get lots of compliments from younger people. "It makes them happy to see old people dancing," says Rita. Many older people take up ballroom dancing for companionship after a spouse dies or becomes disabled, says JoAnn Brown, 84, of Garrison, whose husband has Parkinson's disease. "This is an opportunity to be in the arms of a professional dancer, and to close your eyes and think you're Cinderella, which is not a common experience for an old lady," she says. "It's so good for the soul and spirit." Brown, a certified yoga instructor who offers chair yoga classes online, took dance lessons with her husband at the Fred Astaire studio in Wappingers Falls. "It was a wonderful experience," she said. But they stopped during what Brown suspects was the early stages of her husband's illness. Brown returned to dancing recently at the urging of her friend Carolyn Fadden. Younger people also enjoy ballroom dancing, of course. Many take lessons to prepare for weddings. Amit Dhurandhar, 42, of Nelsonville, decided to take classes because the studio was close. He thought, "What's the worst that can happen?" Now he competes and has won more than 25 medals, including several golds at a national competition held on a cruise earlier this year. He won four silvers this month in Albany, which was a regional competition. He entered because his parents were visiting. "My mom wanted to see me dance," he says.

[This episode originally ran June 18, 2024.] The Daiquiri is an undisputed champion of the cocktail world, and its simple formula not only offers the promise of a complex character, but it's also a great starting point for endless exploration. For this episode, we take a deep dive into all things Daiquiri with a roundtable discussion including some of today's top Daiquiri practitioners: Joshua Ibañez, former bar manager at Rumba in Seattle and an Imbibe 75 alum; Shannon Mustipher, another Imbibe 75 alumnus and author of Tiki: Modern Tropical Cocktails; and Garret Richard, co-author (with Ben Schaffer) of Tropical Standard, and bar manager at Sunken Harbor Club in Brooklyn.Radio Imbibe is the audio home of Imbibe magazine. In each episode, we dive into liquid culture, exploring the people, places, and flavors of the drinkscape through conversations about cocktails, coffee, beer, spirits, and wine. Keep up with us at imbibemagazine.com, and on Instagram, Threads, and Facebook, and if you're not already a subscriber, we'd love to have you join us—click here to subscribe. 

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 08-agosto-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al jueves 07-agosto-2025.

The Rumba 010 - Afro House Mix Agosto 2025 by M3NDOZ4 DJ

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 06-agosto-2025.

Meritxell Ribera i Laura Villa són Mëy & Lau, dues cantautores a qui la música va unir fa uns anys i en fa dos que es van convertir en duet. Recorren el territori per carretera amb els seus instruments per oferir concerts i el proper dimarts 5 d'agost actuaran al Cicle Imprescindibles en el marc del Festival de Terramar. Seran les teloneres de Duncan Dhu i preveuen una actuació plagada de versions i repertori propi, com el tema Duende de la pròpia Meritxell que han interpretat en directe a l'estudi. L'entrada Mëy & Lau, dues cantautores amb ritme de rumba als Imprescindibles ha aparegut primer a Radio Maricel.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al martes 29-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 28-julio-2025.

See omnystudio.com/listener for privacy information.

La Alcaldía Mayor de Bogotá  estableció recientemente algunos ajustes en el horario de funcionamiento para el ejercicio de actividades económicas que involucren el expendio o consuno de bebidas alcohólicas en la capital del país. De esta manera, el horario de bares, discotecas y otros lugares deberán ajustarse desde las 10:00 a. m. hasta Ias 11:59 p. m. del mismo día.  Algunos establecimientos han levantado la voz por las consecuencias que esta medida puede traer para su negocio.  ¿Pero qué implicaciones tiene?, ¿mejorará la seguridad?, ¿la economía nocturna y de rumba tendrá efectos?    En este episodio de Economicast hablamos de este tema con Andrés Solano, dueño de reconocidos gastrobares y clubes más conocido como Syndicait.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al martes 22-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 21-julio-2025.

La 39e édition du Festival international Nuits d'Afrique se termine ce dimanche 20 juillet à Montréal. Treize jours de concerts ont rassemblé près de 700 artistes africains, d'Amérique latine et des Antilles. Des sonorités traditionnelles aux fêtes technos en passant par des cours de danse ouverts à tous, la richesse culturelle de cet événement a transporté le public en voyage tout autour du monde. De notre envoyée spéciale à Montréal, Rumba congolaise, maloya réunionnais, trap syrienne, rythmes berbères, amazighs, yorubas ou vaudous : en un mot, les Nuits d'Afrique rassemblent. Dans le quartier des spectacles, l'Esplanade Tranquille porte très mal son nom cette semaine. Les concerts s'enchaînent dans une immersion sonore totale et ininterrompue. Chaque artiste profite de son temps sur scène pour mettre en lumière son pays et sa culture. « Le kamele ngoni, c'est un instrument purement africain. C'est un instrument qui a créé à Wassoulou, une ville peule au Mali. À travers cet instrument, je peux parler de la paix, de la cohésion sociale, du vivre ensemble. C'est très important pour moi parce qu'il faut promouvoir ta culture, ta langue. Moi, je chante en langue peule d'abord, et puis je chante en langue bambara. Je suis très content de pouvoir le faire », raconte le maître du kamele ngoni, Dicko Fils. Si la traditionnalité est partout, elle est loin de rester bloquée dans le passé. La Malienne Djely Tapa est devenue griotte pour la diaspora africaine à Montréal. Mais une griotte bien ancrée dans son époque, ayant ajouté de l'électro à sa musique mandingue. « L'afrofuturisme, pour moi, c'est d'amener nos instruments, qui sont des instruments d'héritage, de les amener dans des sonorités futuristes. Parce que quand on parle de nos instruments, on va les qualifier d'instruments traditionnels. Mais le violon aussi est un instrument traditionnel, mais il est utilisé dans la musique contemporaine. Et on ne l'appellerait pas un ''instrument traditionnel''. Donc, pourquoi ma kora serait un instrument traditionnel ? Elle peut être aussi contemporaine, non ? », interroge l'artiste. Ici, les revendications fusent de toutes parts, portées par des artistes engagés pour la justice et la paix. Le Nigérian Fémi Kuti porte un afro-beat politique par essence : « Je suis profondément convaincu que l'Afrique devrait être le meilleur des continents, un modèle qui ferait l'admiration du monde entier. Si ses dirigeants étaient vraiment engagés, s'ils aimaient leur peuple, l'Afrique serait aujourd'hui un continent épanoui, rempli de joie, vous voyez ? Et pourtant, à chaque fois que j'y retourne ou que je lis les nouvelles, j'en ai vraiment le cœur brisé. Je n'ai pas de baguette magique pour changer les choses, et je ne peux pas forcer les autres à croire en mes idées, sinon je passerais pour un dictateur. Alors, peut-être que finalement, la vie consiste surtout à se développer soi-même. Car nous allons tous mourir un jour. Et s'il y a une vie après la mort, alors c'est à ce moment que nous devrons répondre de nos pensées et de nos actes. » Aux Nuits d'Afrique, la musique est plus que jamais un moyen de transmettre, d'ouvrir les esprits et de résister, dans la joie et le partage.  À lire aussiNigeria: «Zombie», la fronde de Fela Kuti contre Obasanjo

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 18-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 16-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al martes 15-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 14-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 11-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al jueves 10-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 09-julio-2025.

The Rumba 009 - MERENGUETON MIX Julio 2025 by M3NDOZ4 DJ

A quatre mois de l'élection présidentielle, la collecte des parrainages citoyens a commencé en Côte d'Ivoire. A Goma, l'AFC/M23 s'est exprimé pour la première fois dans une conférence de presse depuis l'accord signé entre Kigali et Kinshasa : ils ont demandé l'abandon des poursuites judiciaires à leur encontre. Enfin, nous recevons dans ce journal la réalisatrice Yamina Benguigui pour son film "Rumba congolaise, les héroïnes", sur la trace des oubliées de ce genre musical iconique.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 02-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al martes 01-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 30-junio-2025.

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Rumba 008 - Reggaeton Vs. Champeta Junio 2025 by M3NDOZ4 DJ

Escuche el programa de este viernes 13 de junio. La Luciérnaga, un espacio de humor y opinión de Caracol Radio que desde hace 33 años acompaña a sus oyentes en su regreso casa.

Escuche el programa de este viernes 13 de junio. La Luciérnaga, un espacio de humor y opinión de Caracol Radio que desde hace 33 años acompaña a sus oyentes en su regreso casa.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 13-junio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al jueves 12-junio-2025.

Donate (no account necessary) | Subscribe (account required) Join Bryan Dean Wright, former CIA Operations Officer, as he breaks down today's biggest stories shaping America and the world. Chinese Mobsters Running Illegal Pot Grows Tied to Communist Party – A new investigation reveals deep links between Chinese nationals running illegal marijuana operations in Maine and the Chinese Communist Party. The operations, near U.S. military sites, raise fears of espionage, sabotage, and covert influence campaigns. Trump Admin Expands “Cash for Departure” Program – Migrants who voluntarily leave the U.S. could receive $1,000 under a new DHS policy aimed at reducing deportation costs. Inspired by Sweden's $34,000 offer to migrants, the move tests whether financial incentives can reverse illegal immigration trends. Sweden's Migration Crisis Turns Violent – Three killed in a gang shootout in a Swedish barbershop, highlighting escalating violence linked to foreign gangs like Foxtrot and Rumba. Sweden's PM blames failed integration and vows mass removals. Middle East on Edge: Israel Readies for Full Gaza Occupation – Netanyahu signals a ten-day deadline for Hamas to make peace, or face total military takeover of Gaza. Israeli forces also escalate strikes on Houthis in Yemen, Hezbollah in Lebanon, and regime targets in Syria. Ukraine Drone Boats Shoot Down Russian Jets – In a historic first, Ukrainian sea drones fire U.S.-supplied missiles to down two Russian fighter jets. The Pentagon responds by fast-tracking a $36B drone overhaul for the U.S. Army. AI Calls for Grandma: New App Replaces Family Phone Time – A $25/month AI service now phones the elderly daily, checks on their mood, and reports back to families. Bryan explores the ethics, surveillance risks, and sad realities of replacing human connection with artificial friends. "And you shall know the truth, and the truth shall make you free." - John 8:32