Podcasts about Rumba

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 11-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al jueves 10-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 09-julio-2025.

The Rumba 009 - MERENGUETON MIX Julio 2025 by M3NDOZ4 DJ

A quatre mois de l'élection présidentielle, la collecte des parrainages citoyens a commencé en Côte d'Ivoire. A Goma, l'AFC/M23 s'est exprimé pour la première fois dans une conférence de presse depuis l'accord signé entre Kigali et Kinshasa : ils ont demandé l'abandon des poursuites judiciaires à leur encontre. Enfin, nous recevons dans ce journal la réalisatrice Yamina Benguigui pour son film "Rumba congolaise, les héroïnes", sur la trace des oubliées de ce genre musical iconique.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 02-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al martes 01-julio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 30-junio-2025.

El pasado sábado, 21 de junio, a pleno calor del mediodía, grabamos en la Plaza del Mercado, de El Pobo (Teruel), el programa que emitimos hoy. Estábamos en plena celebración de la vigesimoquinta edición de mítico festival POBORINA FOLK, y durante la grabación del programa fueron pasando algunos de los artistas que participaron en el festival. Todo lo que suena hoy, gracias también el técnico de sonido Adrián Barenca, se grabó in situ de seguido y sin cortes, y hemos dejado una pequeña sorpresa añadida al final con Fetén Fetén (que no pudieron estar en la grabación pues en ese momento les tocaba prueba de sonido en otro escenario) extraída de su concierto y con las dulzainas invitadas de Mila Dolz y Pancho Sánchez.Así quedó La Tarataña en directo y así lo emitimos hoy:1.- Pep Gimeno `Botifarra’, “Jota del Tío Piquirri, el Tío Trabuc y el Tío Cagalló” y “La parva ja está feta - Canto de siega del matquesat de la Marina Alta”Charla con el Botifarra2.- La Ronda de Motilleja, “Van por el aire-Seguidillas corridas”, “Fandango con trovos improvisados sobre la UCO” y “Si me quieres escribir”Charla con Jesus Tejas Junco de La Ronda de Motilleja.3.- Entrevista con Sonia Frías (Entrelares-Radio Círculo), Carlos Ripo (Mañana Más-RNE) y Jordi Gayoso (Lord Sassafras)Charla con Mila Dolz4.- Mila Dolz, “Aragón”5.- Entrevista con Juan Pablo Marco, fundador del Poborina Folk, y Sergio Zaera, del equipo organizador actual.Charla con Ismael Clemente de Ursaria.7.- Ursaria, “Siete bueyes”Coda final:8.- Fetén Fetén con Mila Dolz y Pancho Sánchez: “Rumba del Topo”, extraído del concierto que ofrecieron por la tarde después de la grabación de este programa.Escuchar audio

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Ina Karr wird noch bis Mitte 2027 das Luzerner Theater leiten und danach ihre neue Stelle als Generalintendantin der Deutschen Oper am Rhein antreten. Die Nachfolge am Luzerner Theater soll aus dem heutigen Leitungsteam kommen. Weiter in der Sendung: · Abbau von öffentlichen Parkplätzen in Luzern - eine Reportage · Am Volkskulturfest OBWALD in Giswil trifft Schweizer Volksmusik auf kubanische Rumba

Elles font partie de celles qui ont donné une dimension féminine à la Rumba congolaise. Elles ont particulièrement œuvré à l'émancipation de la femme congolaise à travers leurs voix et leurs compositions. Nous en parlons avec Mariusca, slammeuse et artiste engagée. Elle fait partie de celles qui se sont exprimées dans le documentaire qui sera diffusé en exclusivité sur Canal+ Docs, le 28 juin.

Ein Handwerker-Traum aus dem Osten, eine Grillküche vom Feinsten und eine spülwütige Spülmaschine, die einfach nicht aufhören will zu spülen - während Alex seine Handwerker-Projekte managt, begeistert Zsolt mit Rumba in Leipzig. Außerdem werden die großen Fragen geklärt: Wer kommt mit auf die AIDA? Wer tanzt mit wem? Und warum will Alex Zsolt in Rosmarin einlegen? Der Trinkplan steht, die Choreos auch und wie immer gibt's alles andere hier:

The Rumba 008 - Reggaeton Vs. Champeta Junio 2025 by M3NDOZ4 DJ

Escuche el programa de este viernes 13 de junio. La Luciérnaga, un espacio de humor y opinión de Caracol Radio que desde hace 33 años acompaña a sus oyentes en su regreso casa.

Escuche el programa de este viernes 13 de junio. La Luciérnaga, un espacio de humor y opinión de Caracol Radio que desde hace 33 años acompaña a sus oyentes en su regreso casa.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 13-junio-2025.

Con Carlos López I Hoy nos sumergimos en una fusión poderosa, un encuentro entre el fuego afrocaribeño y la improvisación afroamericana. Exploramos cómo los patrones rítmicos de la rumba han encontrado su lugar en el lenguaje del jazz, dando origen a una corriente vibrante, libre y profundamente bailable. Desde las raíces cubanas hasta las calles de Nueva York, la rumba ha sido clave en el latido más sincero del jazz latino. Un recorrido por este cruce que revela no solo una fusión estilística, sino también un diálogo cultural profundo que sigue resonando en la música contemporánea.

Con Carlos López I Hoy nos sumergimos en una fusión poderosa, un encuentro entre el fuego afrocaribeño y la improvisación afroamericana. Exploramos cómo los patrones rítmicos de la rumba han encontrado su lugar en el lenguaje del jazz, dando origen a una corriente vibrante, libre y profundamente bailable. Desde las raíces cubanas hasta las calles de Nueva York, la rumba ha sido clave en el latido más sincero del jazz latino. Un recorrido por este cruce que revela no solo una fusión estilística, sino también un diálogo cultural profundo que sigue resonando en la música contemporánea.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al jueves 12-junio-2025.

I april 2024 noterar polisens spanare ett par i en bil, de verkar mycket intresserade av containrarna på hamnområdet i Norviks hamn. Det blir upptakten till det största beslaget av kokain i Sverige. Lyssna på alla avsnitt i Sveriges Radio Play. ”I Sverige har vi 7,5 miljoner röstberättigade, den här mängden kokain skulle räcka till en festdos till alla röstberättigade svenskar. Det är klart att det här inte bara var avsett för Sverige”, säger Jon Linälv, utredningsledare vid polisen. Snart avslutas en omfattande rättegång, efterspelet till det stora beslag av kokain som gjordes i Norviks hamn utanför Nynäshamn i april förra året. Tre kvinnor och 14 män står åtalade, på olika sätt misstänkta för inblandning i synnerligen grovt narkotikabrott. Samtliga nekar till brott. Enligt åklagaren har flera av de åtalade koppling till gängledaren Ismail Abdo och hans nätverk Rumba – åklagaren menar Abdo är en av huvudmännen som sett till att kokainet kommit till Sverige. Han är häktad i sin utevaro. Hela härvan rullades upp förra året när polisen spanade på en kvinna och en man som satt i en bil på en grusväg i närheten av hamnen. Paret verkade mycket intresserade av vad som pågick innanför stängslet och ska ha haft i uppdrag att hålla koll på en specifik container. Den hade färdats från USA via Panama och Belgien till Nynäshamn. I lasten fanns drygt 1,3 ton kokain till ett gatuvärde av 1,2 miljarder kronor. ”Vi stack in kofoten för att punktera det som var innanför, det skulle kommit ut ris men det blev bara vitt pulver på kofoten”, säger Thomas Winqvist, tullinspektör. Programledare: Petra Berggren och Jenny HellströmReporter: John Pira Producent: Jenny HellströmLjudtekniker: David Ohlsson och Johan HörnqvistKontakt: p3krim@sverigesradio.seTipstelefon: 0734-61 29 15 (samma på Signal)

The Rumba 007 - Salsa Romantica Mix by M3NDOZ4 DJ

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 02-junio-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al viernes 30-mayo-2025.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al jueves 29-mayo-2025.

Rumba, rock zulú, twist, kwela, calypso y jazz desde Zambia, Ghana, Kenia, Nigeria, Zimbabue, Congo, Chad y Sudáfrica. A partir de las ocho de la mañana del sábado en la sintonía de Radio 3.Escuchar audio

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Track list Lucho RK Ft. Quevedo - Guaya JC Reyes Ft. Dei V - Flipa Mattei, Arcangel, De La Ghetto & Jowel y Randy - Pa Las Girlas (Remix) Jombriel Ft. DFZM - Vitamina Bad Bunny - Eo0 J Balvin Ft. Dei V - La Noche Sech - Picasso Beele Ft. Ozuna - Frente Al Mar W Sounds Ft. Beele & Ovy On The Drums - La Plena Beele - Mad Koknut Rayan Castro - Ojala Nicky Jam Ft. Beele - Hiekka Miguel Bueno Ft. Juan Duque - Solcito Danny Ocean & Kapo - Imaginate

On joue ensemble à "3 Questions et 3 Ouin-Ouin" pour gagner un aspirateur Rumba.

El concejo Rolando González explicó en 6AM los motivos que impulsaron la solitud al alcalde Carlos Fernando Galán.

On joue ensemble au "Jeu Des 3 Indices "pour gagner un aspirateur Rumba.

Donate (no account necessary) | Subscribe (account required) Join Bryan Dean Wright, former CIA Operations Officer, as he breaks down today's biggest stories shaping America and the world. Chinese Mobsters Running Illegal Pot Grows Tied to Communist Party – A new investigation reveals deep links between Chinese nationals running illegal marijuana operations in Maine and the Chinese Communist Party. The operations, near U.S. military sites, raise fears of espionage, sabotage, and covert influence campaigns. Trump Admin Expands “Cash for Departure” Program – Migrants who voluntarily leave the U.S. could receive $1,000 under a new DHS policy aimed at reducing deportation costs. Inspired by Sweden's $34,000 offer to migrants, the move tests whether financial incentives can reverse illegal immigration trends. Sweden's Migration Crisis Turns Violent – Three killed in a gang shootout in a Swedish barbershop, highlighting escalating violence linked to foreign gangs like Foxtrot and Rumba. Sweden's PM blames failed integration and vows mass removals. Middle East on Edge: Israel Readies for Full Gaza Occupation – Netanyahu signals a ten-day deadline for Hamas to make peace, or face total military takeover of Gaza. Israeli forces also escalate strikes on Houthis in Yemen, Hezbollah in Lebanon, and regime targets in Syria. Ukraine Drone Boats Shoot Down Russian Jets – In a historic first, Ukrainian sea drones fire U.S.-supplied missiles to down two Russian fighter jets. The Pentagon responds by fast-tracking a $36B drone overhaul for the U.S. Army. AI Calls for Grandma: New App Replaces Family Phone Time – A $25/month AI service now phones the elderly daily, checks on their mood, and reports back to families. Bryan explores the ethics, surveillance risks, and sad realities of replacing human connection with artificial friends. "And you shall know the truth, and the truth shall make you free." - John 8:32

Seattle's world class Latin-Mediterranean guitar group shares another great live session in the KNKX studios.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al miércoles 23-abril-2025.

Por ahora, el Distrito está recogiendo las dudas de la ciudadanía para solucionarlas y dejar en firme la nueva normativa.

Escucha el podcast del programa Impecable Radio a través de Rumba FM, en Santo Domingo, República Dominicana correspondiente al lunes 21-abril-2025.

El alcalde Carlos Fernando Galán propone unificar los horarios de bares y discotecas en Bogotá como estrategia para reducir las riñas y mejorar la seguridad durante la noche. Actualmente, los establecimientos tienen horarios distintos según su vinculación con frentes de seguridad. La nueva medida buscaría establecer reglas más claras y equitativas para todos. ¿Crees que esta iniciativa ayudará a tener una rumba más segura?See omnystudio.com/listener for privacy information.

The Rumba 005 Reggaeton Old School Vol. I by M3NDOZ4 DJ

L'11 d'abril del 1951 va n

¡Se les acabó la rumba a los chavorrucos! En un país ya empezaron a cerrarles la puerta del antro a los mayores de 30 pa' “mantener el perfil joven”. ¿Te imaginas al Morris, al Pancho y a la Zaida llorando afuera con su gel para la rodilla y sus pasos de los 2000? ¿Tú qué opinas, güey? ¿Es discriminación o ya estamos pa' ver pelis y dormir temprano? Éntrale al cotorreo con nosotros en El Free-Güey Show. ¡Ponte los audífonos y escucha el podcast del Free Guey Show en Uforia, Apple Podcast o Spotify o en tu plataforma favorita!