Podcasts about Corporeal

Dante has found his poetic father, Guido Guinizzelli, burning in the fires of lust on the final terrace of Mount Purgatory. Our pilgrim-poet has praised his poetic father for the sweet art that will last.Then Guinizzelli takes the discussion further, morphing that sweetness into truth, offering a metaphysical meaning to a physical sensation. He then proceeds to speak exactly in this sort of poetry, which our poet Dante picks up and uses to conclude this fascinating conversation.Join me, Mark Scarbrough, as we work through this second and final conversation about the nature of the new poetry and Dante's synthesis of traditions into COMEDY.Please support this work with a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:28] My English translation of PURGATORIO, Canto XXVI, lines 115 - 135. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[05:00] Corporeal and airy manifestations of the body.[07:55] Girard de Borneil, having been praised, now dismissed.[10:25] High and low poetry v. Dante's synthesis.[12:29] Unpacking too-tight lines about poetry.[15:00] The sweet morphed into the truth.[19:44] Dante's possible hesitation over his own poetic fame and his wild invocation to the truth of it.[23:53] Guinizzelli's validation and expansion into metaphoric space.[28:01] The ending of the conversation: a great example of the sweet new style.[29:50] Rereading the passage: PURGATORIO, Canto XXVI, lines 115 - 135.

Statius concludes his discourse on embryology by finally answering the pilgrim Dante's question about how souls can take on material attributes in the afterlife . . . and by gently correcting both Virgil's incomplete answer to the question in this canto and Virgil's larger explanation of the soul's journey after death in THE AENEID.This passage is justifiably complicated. Dante's imaginative and intellectual powers are on full display. It's easy to be lost in the details but there are wonders afoot, including the idea that there may be an allegorical reading of the passage that concerns the afterlife of a work of art.Join me, Mark Scarbrough, as we finish up Statius's discourse on the soul's material attributes in the afterlife before we ascend to the seventh and final terrace of Mount Purgatory.To support this podcast: use this PayPal link.Here are the segments for this episode of WALKING WITH DANTE:[01:49] My English translation of PURGATORIO, Canto XXV, lines 79 - 108. If you'd like to read along or continue the conversation with me by dropping a comment on this episode, please find it on my website, markscarbrough.com.[04:25] Statius fuses classical imagery (the fates) and Augustinian thought.[10:02] The soul miraculously but of its own accord falls into the afterlife. Wait, what? And only now knows its path in the underworld?[13:03] The formative power of the soul is intact after death.[14:57] The afterlife soul is a fabrication of the air.[16:52] Statius gently refines Virgil's unsatisfactory answers to the pilgrim Dante's question.[18:28] The souls in the afterlife can enact their desires, just as they do in the world of the living.[20:51] Statius also gently refines Virgil's discussion of souls in the afterlife in THE AENEID.[24:24] Is this passage about the afterlife of poetry (or art), too?[27:12] Rereading all of Statius's discourse: PURGATORIO, Canto XXV, lines 34 - 108.

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Nicolle Wallace on Trump drowning in the fallout caused by his sweeping tariffs, a federal judge striking down his use of the Alien Enemies Act, and how the fight against Trump has gained momentum across the nation.Joined by: Steve Liesman, Sarah Longwell, Robert Armstrong, Frank Figliuzzi, Rep. Dan Goldman, Dahlia Lithwick, Tim Miller, Andrew Weissmann, Lee Gelernt, and Stephanie Ruhle.

The soul and the body “are not two natures united, but rather their union forms a single nature.” The Catechism introduces us to this profound mystery and begins to unpack our nature as a body and as a soul. Fr. Mike shows us how so much pain and confusion in modern times—and indeed throughout history—stems from an attempt to separate these two inseparable parts of our being. Today's readings are Catechism paragraphs 362-368. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised.

God created all of the visible world in richness, diversity, and order, and everything owes its existence to God. Because all of creation comes from God, every creature has its own goodness and perfection and God wills the interdependence of all creatures. Father Mike helps us to see that God gave us the world for our use, but not for our abuse. Human beings are made in the image and likeness of God and we are charged with caring for the natural world and all of its creatures. Today's readings are Catechism paragraphs 337-343. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised.

The angels belong to Christ as they were made through him and for him, and he has made them messengers of his saving plan. We learn that angels have been present throughout the history of salvation, and the life of Christ is surrounded by the adoration and service of angels. Fr. Mike explains how in the liturgy, we join the angels in praising God, and all of human life is surrounded by angels' care and protection. He reminds us that all angels and saints have the power to intercede for us before God. Today's readings are Catechism paragraphs 331-336. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised.

God created heaven and earth — all that we see and all that we don't see. We learn that the earth is filled with men and many things we can see, but our faith tells us that there are many things on earth that we cannot see, including the presence of God and angels. Fr. Mike explains how human beings are spiritual and corporeal creatures, but angels are immortal, purely spiritual creatures. He tells us more about the role of angels and how, possessing intellect and will, they too are created to glorify God. Today's readings are Catechism paragraphs 325-330. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised.

There are few things that send chills down the spine quicker than the thought of coming into contact with an undulating, amorphous mass of living tissue. Be they from the bottom of the ocean, the depths of space, the bowels of the Earth or infinitely more arcane realms; these squirming, scummy, shriek-inducing organisms have the power to terrify even the sturdiest of souls The Cryptonaut Podcast Patreon:https://www.patreon.com/cryptonautpodcast  The Cryptonaut Podcast Merch Stores:Hellorspace.com - Cryptonautmerch.com  Stay Connected with the Cryptonaut Podcast: Website - Twitter - Facebook - Instagram - YouTube   HELLRAISER REMASTERED:https://www.fathomentertainment.com/events/hellraiser-remastered/ 

Visit us on the web at theancienttradition.com for more amazing comparative religion.

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Rabash. Record 220. Good Taste in Small, Corporeal Things

Video, eng_t_rav_2024-07-28_lesson_rb-0220-dvarim-ktanim_n2_p1. Lesson_part :: Daily_lesson 2

Audio, eng_t_rav_2024-07-28_lesson_rb-0220-dvarim-ktanim_n2_p1. Lesson_part :: Daily_lesson 2

Video, eng_t_rav_2024-07-28_lesson_rb-0220-dvarim-ktanim_n2_p1. Lesson_part :: Daily_lesson 2

The Only Anime Podcasters recover from live event induced heatstroke.

Have you ever felt an unexplainable heaviness in certain places?

Christina M. García's book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference. Christina M. García is assistant professor of Spanish at the College of Charleston. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Christina M. García's book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference. Christina M. García is assistant professor of Spanish at the College of Charleston. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Christina M. García's book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference. Christina M. García is assistant professor of Spanish at the College of Charleston. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Christina M. García's book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference. Christina M. García is assistant professor of Spanish at the College of Charleston. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Christina M. García's book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference. Christina M. García is assistant professor of Spanish at the College of Charleston. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Laleh Khalili's new book The Corporeal Life of Seafaring (Mack) draws on her own experiences to describe with care and imagination the material and physical realities of contemporary commerce at sea, detailing (in the words of Steve Edwards) ‘the labouring bodies – hands, legs, and eyes; flesh and soul; suffering and solidarity – that make the world go round. In the process, the connections and divisions of the world economy come into view.' Khalili was in conversation with LRB contributing editor James Butler, the co-founder of Novara Media. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we speak with historian Matthew Dennis about his book, which looks at relics in American memory. With Peter Drummey, the Chief Historian & Stephen T. Riley Librarian, and Anne Bentley, the Curator of Art & Artifacts Emerita at the MHS, we examine two pieces of a blood-soaked towel and a fishhook made from human bone. Learn more about episode objects here: https://www.masshist.org/podcast/season-3-episode-5-relics-corporeal-remains  Email us at podcast@masshist.org. Episode Special Guest: Matthew Dennis is Professor of History and Environmental Studies Emeritus at the University of Oregon and now lives in New York City. His books include Cultivating a Landscape of Peace: Iroquois-European Encounters in 17th-Century America; Red, White, and Blue Letter Days: An American Calendar; Riot and Revelry in Early America; Encyclopedia of Holidays and Celebrations, 3 vols.; Seneca Possessed: Indians, Witchcraft, and Power in the Early American Republic; and American Relics and the Politics of Public Memory. This episode uses materials from: Monday by Podington Bear (Attribution-NonCommercial 3.0 Unported)   Psychic by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)        Curious Nature by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)

The soul and the body “are not two natures united, but rather their union forms a single nature.” The Catechism introduces us to this profound mystery and begins to unpack our nature as a body and as a soul. Fr. Mike shows us how so much pain and confusion in modern times—and indeed throughout history—stems from an attempt to separate these two inseparable parts of our being. Today's readings are Catechism paragraphs 362-368. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised.

God created all of the visible world in richness, diversity, and order, and everything owes its existence to God. Because all of creation comes from God, every creature has its own goodness and perfection and God wills the interdependence of all creatures. Father Mike helps us to see that God gave us the world for our use, but not for our abuse. Human beings are made in the image and likeness of God and we are charged with caring for the natural world and all of its creatures. Today's readings are Catechism paragraphs 337-343. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised.

The angels belong to Christ as they were made through him and for him, and he has made them messengers of his saving plan. We learn that angels have been present throughout the history of salvation, and the life of Christ is surrounded by the adoration and service of angels. Fr. Mike explains how in the liturgy, we join the angels in praising God, and all of human life is surrounded by angels' care and protection. He reminds us that all angels and saints have the power to intercede for us before God. Today's readings are Catechism paragraphs 331-336. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised.

God created heaven and earth — all that we see and all that we don't see. We learn that the earth is filled with men and many things we can see, but our faith tells us that there are many things on earth that we cannot see, including the presence of God and angels. Fr. Mike explains how human beings are spiritual and corporeal creatures, but angels are immortal, purely spiritual creatures. He tells us more about the role of angels and how, possessing intellect and will, they too are created to glorify God. Today's readings are Catechism paragraphs 325-330. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised.

Good evening, listener… you're listening to Chilling Tales for Dark Nights. On tonight's edition, we invite you to leave behind your safe reality, and descend with us into the frightening depths of the most terrifying imaginations, with two audio adaptations of frightening fiction, about fateful fires and hollowed houses. Start the Good Habit at https://www.tryfum.com/CHILLING to save 10% off the Journey Pack today. To watch the podcast on YouTube: http://bit.ly/ChillingEntertainmentYT Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: http://bit.ly/ChillingTalesPod If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/ChillingTalesPod Learn more about your ad choices. Visit podcastchoices.com/adchoices

Corporeal is an adjective that means ‘consisting of material as opposed to spiritual objects.' Our word of the day has been around since the late Middle English period. It comes from the Latin word corpus (CORE poos) which means ‘body.' Here's an example: No matter how spiritual a person is, when they find themselves in shark-infested waters, their corporeal concerns tend to take centre stage. Nothing is scarier than having your body attacked by a great white shark. 

The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers' lives and work. Illustrated throughout with the author's own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them. Laleh Khalili is an Al-Qasimi Professor of Gulf Studies at the University of Exeter. Among her published books: "Heroes and Martyrs of Palestine: the Politics of National Commemoration" (Cambridge 2007) and "Time in the Shadows: Confinement in Counterinsurgency" (Stanford 2013), both of which delve into the representations and practices of violence. She also co-edited a volume with Jillian Schwedler titled "Policing and Prisons in the Middle East: Formations of Coercion" (Hurst 2010). Her most recent book, "Sinews of War and Trade: Shipping and Capitalism in the Arabian Peninsula" (Verso 2020), explores the pivotal role of maritime infrastructures in facilitating the movement of technologies, capital, people, and cargo. Tamara Fernando is an assistant professor in the History of the Global South, at Stony Brook University, New York. Her research and teaching interests are located at the intersection of labor, environment, and science histories, with a specific focus on the nineteenth and twentieth-century Indian Ocean world. Her current book project, "Shallow Blue Empire: Knowing the Littoral across the Indian Ocean," aspires to uncover a "history below the water line" through a trans-national account of the pearling industry across the northern Indian Ocean. This work centers on the Persian Gulf, the Gulf of Mannar, and the Mergui/Myeik archipelago, elucidating how modes of knowledge about the littoral zone of the ocean were determined in the context of the British Empire at the turn of the twentieth century. She is deeply committed to employing trans-regional and interdisciplinary methods in the study of the past, as well as addressing the question of how to craft global histories of science. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers' lives and work. Illustrated throughout with the author's own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them. Laleh Khalili is an Al-Qasimi Professor of Gulf Studies at the University of Exeter. Among her published books: "Heroes and Martyrs of Palestine: the Politics of National Commemoration" (Cambridge 2007) and "Time in the Shadows: Confinement in Counterinsurgency" (Stanford 2013), both of which delve into the representations and practices of violence. She also co-edited a volume with Jillian Schwedler titled "Policing and Prisons in the Middle East: Formations of Coercion" (Hurst 2010). Her most recent book, "Sinews of War and Trade: Shipping and Capitalism in the Arabian Peninsula" (Verso 2020), explores the pivotal role of maritime infrastructures in facilitating the movement of technologies, capital, people, and cargo. Tamara Fernando is an assistant professor in the History of the Global South, at Stony Brook University, New York. Her research and teaching interests are located at the intersection of labor, environment, and science histories, with a specific focus on the nineteenth and twentieth-century Indian Ocean world. Her current book project, "Shallow Blue Empire: Knowing the Littoral across the Indian Ocean," aspires to uncover a "history below the water line" through a trans-national account of the pearling industry across the northern Indian Ocean. This work centers on the Persian Gulf, the Gulf of Mannar, and the Mergui/Myeik archipelago, elucidating how modes of knowledge about the littoral zone of the ocean were determined in the context of the British Empire at the turn of the twentieth century. She is deeply committed to employing trans-regional and interdisciplinary methods in the study of the past, as well as addressing the question of how to craft global histories of science. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers' lives and work. Illustrated throughout with the author's own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them. Laleh Khalili is an Al-Qasimi Professor of Gulf Studies at the University of Exeter. Among her published books: "Heroes and Martyrs of Palestine: the Politics of National Commemoration" (Cambridge 2007) and "Time in the Shadows: Confinement in Counterinsurgency" (Stanford 2013), both of which delve into the representations and practices of violence. She also co-edited a volume with Jillian Schwedler titled "Policing and Prisons in the Middle East: Formations of Coercion" (Hurst 2010). Her most recent book, "Sinews of War and Trade: Shipping and Capitalism in the Arabian Peninsula" (Verso 2020), explores the pivotal role of maritime infrastructures in facilitating the movement of technologies, capital, people, and cargo. Tamara Fernando is an assistant professor in the History of the Global South, at Stony Brook University, New York. Her research and teaching interests are located at the intersection of labor, environment, and science histories, with a specific focus on the nineteenth and twentieth-century Indian Ocean world. Her current book project, "Shallow Blue Empire: Knowing the Littoral across the Indian Ocean," aspires to uncover a "history below the water line" through a trans-national account of the pearling industry across the northern Indian Ocean. This work centers on the Persian Gulf, the Gulf of Mannar, and the Mergui/Myeik archipelago, elucidating how modes of knowledge about the littoral zone of the ocean were determined in the context of the British Empire at the turn of the twentieth century. She is deeply committed to employing trans-regional and interdisciplinary methods in the study of the past, as well as addressing the question of how to craft global histories of science. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

We're back! Sorry for the hiatus, but here we are breaking down episodes 1-4 of Ahsoka. Enjoy! --- Send in a voice message: https://podcasters.spotify.com/pod/show/goodmorningalderaan/message

Joan Kwon Glass zooms into the Hive to talk about her new book. We also read and discuss Laura Apol's poem "Instructions for the Friends Who Are Sorting my Daughter's Things this Afternoon." Joan Kwon Glass is the mixed-race, Korean American author of Night Swim (Diode Editions, 2022), and three chapbooks (How To Make Pancakes for a Dead Boy, If Rust Can Grow on the Moon, and Bloodline). She serves as poet laureate for Milford, CT, Editor in Chief for Harbor Review and is a Brooklyn Poets Mentor. Joan is an instructor on the faculty of various writing centers including the Hudson Valley Writers Center, Brooklyn Poets & Corporeal. Her poems appear in Poetry Northwest, Ninth Letter, Tahoma Literary Review, Prairie Schooner, Asian American Writer's Workshop, The Slowdown and elsewhere. She is available for manuscript consultations, readings and workshops. Content warning: Discussion of suicide.

June 13th 2023Talking GTA with Hugo OneEpisode 22: I've Moved Around in My Corporeal Form Quite a Bit This week we discuss a possible GTA 6 release date, combining HD maps in GTA online, what to call Claude from GTA III, and more!TopicsIntro 00:00GTA News & Last Episode Recap: 00:35Combining Locations for GTA Online 11:32Listener Emails 15:52Listener Calls 37:15Outro 48:56Sourceshttps://twitter.com/InfinityBesk/status/1659967860926566401https://twitter.com/jflashgordonmma/status/1667676876196700165?s=46&t=KasCOB8oDGghilSH2q9EhgShare your thoughts!Leave a voicemail - 1-818-691-5807Send an Email - TalkingGTA69@Gmail.comFollow me for more GTA contenthttps://www.youtube.com/hugoonehttps://www.twitch.tv/hugo_onehttps://www.tiktok.com/@hugo_one_mang

Sean and Dan discuss the Gospel issue of the resurrection of the dead. --- Support this podcast: https://podcasters.spotify.com/pod/show/the-particular-baptist/support

Appropriating insights from empirical findings and theoretical constructs of 'embodied cognition', Corporeal Theology: The Nature of Theological Understanding in Light of Embodied Cognition (Oxford UP, 2023) explores how theological understanding is accommodated to the bodily nature of human cognition. The principle of divine accommodation provides a theological framework for considering the human cognitive capacities that are accommodated by theological concepts and ecclesial practices. A rich portrait of the nature of human cognitive capacities is drawn from an emerging paradigm in cognitive science, embodied cognition, which proposes that cognition depends upon bodily sensorimotor systems to ground concepts and to draw upon environmental resources. Embodied cognition's hypothesis that human concepts are grounded in sensorimotor states poses a theological quandary for God-concepts, since identifying God with sensorimotor content risks idolatry. The incarnation resolves this problem in theological epistemology by grounding God-concepts in bodily understanding, while avoiding idolatry. Thus, the incarnation represents an accommodation to human conceptual capacities. Embodied cognition further hypothesises that cognition relies on sensorimotor engagement with the world rather than internal mental representations. Subsequently, in addition to the brain, bodily states and environmental artefacts 'scaffold' cognitive processes. A scaffolded view of cognition highlights the cognitive import of embodied religious practices, which choregraph the body and curate material culture. Tanton applies dozens of studies identifying mechanisms by which bodily or environmental factors influence cognition to the embodied and material dimensions Christian practices. On account of their inherent cognitive effects, practices are theorised to have intrinsic 'embodied' meanings alongside 'symbolic' ones established by conventions. Consequently, liturgy is seen as a bearer of theological content rather than merely an expression of it; a locus of religious experience; and a crucial determinate of religious and ethical formation. Again, the embodied nature of Christian liturgy is understood in terms of accommodation. Embodied cognition research helpfully illuminates the details of human embodiment to which theological understanding must be accommodated. Frazer MacDiarmid holds a doctorate in theology from the University of Oxford, and currently works on Māori-Crown relations in New Zealand. He talks about books on Instagram @turnsof_fraze. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The soul and the body “are not two natures united, but rather their union forms a single nature.” The Catechism introduces us to this profound mystery and begins to unpack our nature as a body and as a soul. Fr. Mike shows us how so much pain and confusion in modern times—and indeed throughout history—stems from an attempt to separate these two inseparable parts of our being. Today's readings are Catechism paragraphs 362-368. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB.

The angels belong to Christ as they were made through him and for him, and he has made them messengers of his saving plan. We learn that angels have been present throughout the history of salvation, and the life of Christ is surrounded by the adoration and service of angels. Fr. Mike explains how in the liturgy, we join the angels in praising God, and all of human life is surrounded by angels' care and protection. He reminds us that all angels and saints have the power to intercede for us before God. Today's readings are Catechism paragraphs 331-336. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB.

God created heaven and earth — all that we see and all that we don't see. We learn that the earth is filled with men and many things we can see, but our faith tells us that there are many things on earth that we cannot see, including the presence of God and angels. Fr. Mike explains how human beings are spiritual and corporeal creatures, but angels are immortal, purely spiritual creatures. He tells us more about the role of angels and how, possessing intellect and will, they too are created to glorify God. Today's readings are Catechism paragraphs 325-330. For the complete reading plan, visit ascensionpress.com/ciy Please note: The Catechism of the Catholic Church contains adult themes that may not be suitable for children - parental discretion is advised. This episode has been found to be in conformity with the Catechism by the Institute on the Catechism, under the Subcommittee on the Catechism, USCCB.