Podcast appearances and mentions of Sam Leith

Sam Leith's guest in this week's Book Club podcast is Andrew Bayliss, author of Sparta: The Rise and Fall of an Ancient Superpower. Andrew tells Sam what we know — and don't know – about these much-mythologised figures from the Ancient world and tells the story of how a tiny city-state punched above its weight, until it didn't. This is Sparta.Produced by Patrick Gibbons. Hosted on Acast. See acast.com/privacy for more information.

Sam Leith's guest in this week's Book Club podcast is Andrew Bayliss, author of Sparta: The Rise and Fall of an Ancient Superpower. Andrew tells Sam what we know — and don't know – about these much-mythologised figures from the Ancient world and tells the story of how a tiny city-state punched above its weight, until it didn't. This is Sparta.Produced by Patrick Gibbons.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

This week's Book Club podcast marks the 80th anniversary this year of the publication of Brideshead Revisited. This conversation is from the archives, originally recorded in 2020 to mark its 75th anniversary.To discuss Evelyn Waugh's great novel, Sam Leith is joined by literary critic and author Philip Hensher, and by the novelist's grandson (and general editor of Oxford University Press's complete Evelyn Waugh) Alexander Waugh. What made the novel so pivotal in Waugh's career, what did it mean to the author and how did he revise it? And why have generations of readers, effectively, misread it? Hosted on Acast. See acast.com/privacy for more information.

This week's Book Club podcast marks the 80th anniversary this year of the publication of Brideshead Revisited. This conversation is from the archives, originally recorded in 2020 to mark its 75th anniversary.To discuss Evelyn Waugh's great novel, Sam Leith is joined by literary critic and author Philip Hensher, and by the novelist's grandson (and general editor of Oxford University Press's complete Evelyn Waugh) Alexander Waugh. What made the novel so pivotal in Waugh's career, what did it mean to the author and how did he revise it? And why have generations of readers, effectively, misread it?Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Sam Leith's guest for this week's Book Club podcast is Max Hastings. Max joined Sam earlier this year for a live recording to discuss his new book Sword: D-Day, trial by battle, which tells the story of the individual stories who risked their lives as part of Operation Overlord. The discussion was arranged to mark the 80th anniversary of D-Day. On the podcast Max tells Sam about why he was drawn to chronicle war, why it is important to remember all victims and not just the ‘traditional heroes', and whether there was an alternative to D-Day at the time. Plus, how serious a moment does he think we face today, compared with 1945? Hosted on Acast. See acast.com/privacy for more information.

Sam Leith's guest for this week's Book Club podcast is Max Hastings. Max joined Sam earlier this year for a live recording to discuss his new book Sword: D-Day, trial by battle, which tells the story of the individual stories who risked their lives as part of Operation Overlord. The discussion was arranged to mark the 80th anniversary of D-Day. On the podcast Max tells Sam about why he was drawn to chronicle war, why it is important to remember all victims and not just the ‘traditional heroes', and whether there was an alternative to D-Day at the time. Plus, how serious a moment does he think we face today, compared with 1945?Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Sam Leith's guest for this week's Book Club podcast is Joanna Pocock, whose new book Greyhound  describes two trips she took across America by Greyhound bus in 2006 and 2023. They talk about the literature of the road, that distinctively American and usually distinctively male genre, and the meaning of travel – and Joanna tells Sam how the America you see from a Greyhound differs from the one you see on television; and how dramatically it has changed even over the last couple of decades. 

Sam Leith's guest for this week's Book Club podcast is Joanna Pocock, whose new book Greyhound  describes two trips she took across America by Greyhound bus in 2006 and 2023. They talk about the literature of the road, that distinctively American and usually distinctively male genre, and the meaning of travel – and Joanna tells Sam how the America you see from a Greyhound differs from the one you see on television; and how dramatically it has changed even over the last couple of decades. Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk

Sam Leith's guest on this week's Book Club podcast is Nicola Barker, talking about her new book TonyInterruptor -- about how a man who interrupts a free jazz concert becomes a viral sensation on social media. Nicola tells Sam why some of her books are bouts of the flu and some are sneezes, how hard she works on her apparently spontaneous prose, why she remains devoted to reality television — and about the time she went to visit Martin Amis with a ghetto blaster.    

Sam Leith's guest on this week's Book Club podcast is Nicola Barker, talking about her new book TonyInterruptor -- about how a man who interrupts a free jazz concert becomes a viral sensation on social media. Nicola tells Sam why some of her books are bouts of the flu and some are sneezes, how hard she works on her apparently spontaneous prose, why she remains devoted to reality television — and about the time she went to visit Martin Amis with a ghetto blaster.    Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk

Sam Leith is joined for this week's Book Club podcast by Gary Shteyngart — whose new novel Vera, or Faith is set in a near-future America whose politics seems to be less science-fictional by the day. It tells the unexpectedly tender story of a bright but lonely ten-year-old girl contending with her parents' failing marriage and navigating the beginnings of a friendship. Gary tells Sam how parenthood changed him as a writer, how his feelings about his Russian heritage have shifted uncomfortably in light both of the Ukraine invasion and the US's fresh hostility to migrants, and why Writers' Tears is his students' drink of choice. Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts and to contact us: podcast@spectator.co.uk

Sam Leith is joined for this week's Book Club podcast by Gary Shteyngart — whose new novel Vera, or Faith is set in a near-future America whose politics seems to be less science-fictional by the day. It tells the unexpectedly tender story of a bright but lonely ten-year-old girl contending with her parents' failing marriage and navigating the beginnings of a friendship. Gary tells Sam how parenthood changed him as a writer, how his feelings about his Russian heritage have shifted uncomfortably in light both of the Ukraine invasion and the US's fresh hostility to migrants, and why Writers' Tears is his students' drink of choice. Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts and to contact us: podcast@spectator.co.ukBecome a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk

The soul suckers of private equity, Douglas Murray on Epstein and MAGA & are literary sequels ‘lazy'?First up: how private equity is ruining BritainGus Carter writes in the magazine this week about how foreign private equity (PE) is hollowing out Britain – PE now owns everything from a Pret a Manger to a Dorset village, and even the number of children's homes owned by PE has doubled in the last five years. This ‘gives capitalism a bad name', he writes. Perhaps the most symbolic example is in the water industry, with water firms now squeezed for money and saddled with debt. British water firms now have a debt-to-equity ratio of 70%, compared to just 4% in 1991. Britain's desperation for foreign money has, quite literally, left Britain ‘in the shit'. Gus joined the podcast to discuss further, alongside the journalist Megan Greenwell, author of Bad Company: Private Equity and the Death of the American Dream. (00:46)Next: why is MAGA so incensed over Jeffrey Epstein?Six years after he died, the Jeffrey Epstein scandal is still haunting Donald Trump. Trump had vowed to release all files on various cases that attract conspiracy theorists – from JFK to Martin Luther King Jr. What makes the Epstein case different, as Douglas Murray writes in the magazine this week, is that the case was so recent and Epstein's ties with the elites, many of whom are still in power. Trump appeared to backtrack on releasing files relating to Epstein, prompting ire from the MAGA world, and there is now mounting cross-party pressure to uncover who knew what. Mike Johnson, the House speaker, sent representatives home early for summer, and there is even talk of Ghislaine Maxwell testifying.  Why is the Epstein scandal such a lightning rod for MAGA rage? Douglas Murray joined the Spectator to discuss. The full interview can be found on Spectator TV. (15:49)And finally: are literary sequels ‘lazy'?It's ‘sod's law', says the Spectator's literary editor Sam Leith, that when a friend's book is due to be reviewed in the pages of the books section that you edit, the review will be bad. Mike Cormack reviews Men In Love by Irvine Welsh this week, calling the decision by Welsh to pen another sequel to Trainspotting ‘lazy'. At the Spectator this made us ponder whether this is true of all literary sequels, and what motivates authors to stick with characters and stories that they know.Sam joined us to discuss further alongside Lucy Thynne, the Telegraph's deputy literary editor. (33:59)Hosted by William Moore and Lara Prendergast.Produced by Patrick Gibbons and Megan McElroy.

The soul suckers of private equity, Douglas Murray on Epstein and MAGA & are literary sequels ‘lazy'?First up: how private equity is ruining BritainGus Carter writes in the magazine this week about how foreign private equity (PE) is hollowing out Britain – PE now owns everything from a Pret a Manger to a Dorset village, and even the number of children's homes owned by PE has doubled in the last five years. This ‘gives capitalism a bad name', he writes. Perhaps the most symbolic example is in the water industry, with water firms now squeezed for money and saddled with debt. British water firms now have a debt-to-equity ratio of 70%, compared to just 4% in 1991. Britain's desperation for foreign money has, quite literally, left Britain ‘in the shit'. Gus joined the podcast to discuss further, alongside the journalist Megan Greenwell, author of Bad Company: Private Equity and the Death of the American Dream. (00:46)Next: why is MAGA so incensed over Jeffrey Epstein?Six years after he died, the Jeffrey Epstein scandal is still haunting Donald Trump. Trump had vowed to release all files on various cases that attract conspiracy theorists – from JFK to Martin Luther King Jr. What makes the Epstein case different, as Douglas Murray writes in the magazine this week, is that the case was so recent and Epstein's ties with the elites, many of whom are still in power. Trump appeared to backtrack on releasing files relating to Epstein, prompting ire from the MAGA world, and there is now mounting cross-party pressure to uncover who knew what. Mike Johnson, the House speaker, sent representatives home early for summer, and there is even talk of Ghislaine Maxwell testifying.  Why is the Epstein scandal such a lightning rod for MAGA rage? Douglas Murray joined the Spectator to discuss. The full interview can be found on Spectator TV. (15:49)And finally: are literary sequels ‘lazy'?It's ‘sod's law', says the Spectator's literary editor Sam Leith, that when a friend's book is due to be reviewed in the pages of the books section that you edit, the review will be bad. Mike Cormack reviews Men In Love by Irvine Welsh this week, calling the decision by Welsh to pen another sequel to Trainspotting ‘lazy'. At the Spectator this made us ponder whether this is true of all literary sequels, and what motivates authors to stick with characters and stories that they know.Sam joined us to discuss further alongside Lucy Thynne, the Telegraph's deputy literary editor. (33:59)Hosted by William Moore and Lara Prendergast.Produced by Patrick Gibbons and Megan McElroy.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts. Contact us: podcast@spectator.co.uk

Sam Leith's guest in this week's Book Club podcast is one of the most popular living thriller writers. Karin Slaughter has made her native Georgia her fictional territory, and she joins Sam as she launches a new series set in a whole new county, with the book We Are All Guilty Here. They talk 'planning versus pantsing', what it means to write violence against women as a woman and how becoming the showrunner for television compares to the sovereignty of the novelist.

Sam Leith's guest in this week's Book Club podcast is one of the most popular living thriller writers. Karin Slaughter has made her native Georgia her fictional territory, and she joins Sam as she launches a new series set in a whole new county, with the book We Are All Guilty Here. They talk 'planning versus pantsing', what it means to write violence against women as a woman and how becoming the showrunner for television compares to the sovereignty of the novelist.

Today we have a special bonus episode as part of our Chalke History Festival Special Episode as we speak to author and historian Sam Leith all about his book 'The Haunted Wood: A History of Childhood Reading' which he will be speaking about at Chalke History Festival on Tuesday 24th of June at 20:30!To keep up to date with Sam head to his BlueSky, X, his work at the Spectator, and his publisher's website!Grab a copy of The Haunted WoodGrab your tickets for Chalke History Festival here which is held between the 23rd of June to the 29th!To learn more about Chalke and grab tickets head to their website, TikTok, Instagram, X or Facebook!If you want to get in touch with History with Jackson email: jackson@historywithjackson.co.ukTo catch up on everything to do with History with Jackson head to www.HistorywithJackson.co.ukFollow us on Facebook at @HistorywithJacksonFollow us on Instagram at @HistorywithJacksonFollow us on X/Twitter at @HistorywJacksonFollow us on TikTok at @HistorywithJackson Hosted on Acast. See acast.com/privacy for more information.

In honour of the author Frederick Forsyth, who died early this week, please enjoy this episode of the Book Club podcast, from the archives, in which he joined Sam Leith in 2021 to celebrate the 50th anniversary of his classic thriller The Day of the Jackal.On the podcast Frederick tells Sam about banging it out in a few weeks on a typewriter with a bullet hole in it, the shady characters who informer his research, and how he never realised that – for much of its readers – the Jackal would be the hero… Hosted on Acast. See acast.com/privacy for more information.

On today's episode, an episode from our friends at Sotheby's, exploring the world of Shakespeare. Sam Leith, author, journalist and literary editor of The Spectator, will be joined by Emma Smith, Professor of Shakespeare Studies at Oxford, Tracy-Ann Oberman, who most recently starred as Shylock in her adaptation of The Merchant of Venice, and acclaimed actor Joseph Kloska. They will be revealing how different editions shaped our understanding of Shakespeare's plays. Why do some of his most famous lines vary from version to version? What do these texts reveal about the many ways Shakespeare's plays can be interpreted - on the page, on the stage and in the minds of each new generation? This podcast was recorded at Sotheby's London in May 2025.  And, to step further into the world of Sotheby's, you can visit any of our galleries around the world; they're open to the public. For more information, visit sothebys.com.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sam Leith's guest on this week's Book Club podcast is Robert Macfarlane. In his new book Is A River Alive? he travels from the cloud forests of Ecuador to the pollution-choked rivers of Chennai and the threatened waterways of eastern Canada. He tells Sam what he learned along the journey – and why we need to reconceptualise our relationship with the natural world. Hosted on Acast. See acast.com/privacy for more information.

Sam Leith's guest on this week's Book Club podcast is Robert Macfarlane. In his new book Is A River Alive? he travels from the cloud forests of Ecuador to the pollution-choked rivers of Chennai and the threatened waterways of eastern Canada. He tells Sam what he learned along the journey – and why we need to reconceptualise our relationship with the natural world. Hosted on Acast. See acast.com/privacy for more information.

Sam Leith's guest on this week's Book Club podcast is the lawyer and writer Philippe Sands, whose new book 38 Londres Street describes the legal and diplomatic tussle over the potential extradition of the former Chilean dictator General Pinochet. Philippe tells Sam why the case was such an important one in legal history, and presents new evidence suggesting that the General's release to Chile on health grounds may have been part of a behind-the-scenes stitch-up between the UK and Chilean governments. He sets out some of that evidence and pushes back on our reviewer Jonathan Sumption's scepticism about the case. Here's an old case, but not yet a cold case. Produced by Oscar Edmondson and Patrick Gibbons.

Sam Leith's guest on this week's Book Club podcast is the lawyer and writer Philippe Sands, whose new book 38 Londres Street describes the legal and diplomatic tussle over the potential extradition of the former Chilean dictator General Pinochet. Philippe tells Sam why the case was such an important one in legal history, and presents new evidence suggesting that the General's release to Chile on health grounds may have been part of a behind-the-scenes stitch-up between the UK and Chilean governments. He sets out some of that evidence and pushes back on our reviewer Jonathan Sumption's scepticism about the case. Here's an old case, but not yet a cold case. Produced by Oscar Edmondson and Patrick Gibbons.

On Sunday 23 March 2025, listeners of the podcast gathered in Central London to watch a live Amisathon, featuring 8 panellists and the show's host.The panel included former guests as well as a couple of new faces: Leo Robson, Alys Denby, Finn McRedmond, James Marriott, Zoe Strimpel, Sam Leith, Vincenzo Barney and John Niven.It was a great success. Thank you to the 90+ ticket-holders who attended, to our wonderful panel, and to the stage team at 21Soho.Relive the event or listen for the first time in this episode, ripped straight from the boards of the stage at the venue.FOLLOW US ON TWITTER/ X: @mymartinamis Hosted on Acast. See acast.com/privacy for more information.

This week, Toby Lichtig chats to Sam Leith about formative literature at Jewish Book Week; and David Horspool meets Sue Prideaux, winner of this year's Pol Roger Duff Cooper Prize.'The Haunted Wood: A History of Childhood Reading', by Sam Leith'Wild Thing: A Life of Paul Gauguin', by Sue PrideauxProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

This week: the carve-up of Ukraine's natural resources From the success of Keir Starmer's visit to Washington to the squabbling we saw in the Oval Office and the breakdown of security guarantees for Ukraine – we have seen the good, the bad and the ugly of geopolitics in the last week, say Niall Ferguson and Nicholas Kulish in this week's cover piece. They argue that what Donald Trump is really concerned with when it comes to Ukraine is rare earth minerals – which Ukraine has in abundance under its soil. The conventional wisdom is that the US is desperately short of these crucial minerals and, as Niall and Nicholas point out, the dealmaking president is driven by a nagging sense of inferiority in comparison to rare earth minerals powerhouse China. Niall and Nicholas joined the podcast to talk further. (02:19) Next: why are women having caesareans being offered sterilisation? During a routine antenatal appointment, Flora Watkins was blindsided by the opening gambit from her obstetrician: ‘Why don't we tie your tubes when we've got the baby out?' The doctor wouldn't drop it, despite Flora's objections, insisting it was ‘a very simple procedure'. Flora speaks to other women who were traumatised by these unsolicited offers and confused about why they had been targeted. Most felt it was a judgment on the number of children they ‘should' have. Only one woman had been given a medical reason. Flora joined the podcast to discuss this further, alongside Dr Janet Barter, president of the Faculty of Sexual and Reproductive Healthcare, which advises women on contraception. (18:50) And finally: when is poetry so bad that it becomes good? Sam Leith, The Spectator's literary editor, celebrates William McGonagall in the magazine – the man affectionately considered the worst poet in history. McGonagall was, as Sam says, an ‘anti-genius' who (in light of the Tay Bridge Disaster) concocted such memorable stanzas as: Beautiful Railway Bridge of the Silv'ry Tay! Alas! I am very sorry to say That ninety lives have been taken away On the last Sabbath day of 1879, Which will be remember'd for a very long time. But Sam argues that there is joy to be found in bad poetry. To discuss good poetry, bad poetry and the very fine line between them, Sam Leith joined the podcast alongside one of the more successful Dundonian poets, Don Paterson. (33:08) Hosted by William Moore and Lara Prendergast. Produced by Oscar Edmondson.

This week: the carve-up of Ukraine's natural resources From the success of Keir Starmer's visit to Washington to the squabbling we saw in the Oval Office and the breakdown of security guarantees for Ukraine – we have seen the good, the bad and the ugly of geopolitics in the last week, say Niall Ferguson and Nicholas Kulish in this week's cover piece. They argue that what Donald Trump is really concerned with when it comes to Ukraine is rare earth minerals – which Ukraine has in abundance under its soil. The conventional wisdom is that the US is desperately short of these crucial minerals and, as Niall and Nicholas point out, the dealmaking president is driven by a nagging sense of inferiority in comparison to rare earth minerals powerhouse China. Niall and Nicholas joined the podcast to talk further. (02:19) Next: why are women having caesareans being offered sterilisation? During a routine antenatal appointment, Flora Watkins was blindsided by the opening gambit from her obstetrician: ‘Why don't we tie your tubes when we've got the baby out?' The doctor wouldn't drop it, despite Flora's objections, insisting it was ‘a very simple procedure'. Flora speaks to other women who were traumatised by these unsolicited offers and confused about why they had been targeted. Most felt it was a judgment on the number of children they ‘should' have. Only one woman had been given a medical reason. Flora joined the podcast to discuss this further, alongside Dr Janet Barter, president of the Faculty of Sexual and Reproductive Healthcare, which advises women on contraception. (18:50) And finally: when is poetry so bad that it becomes good? Sam Leith, The Spectator's literary editor, celebrates William McGonagall in the magazine – the man affectionately considered the worst poet in history. McGonagall was, as Sam says, an ‘anti-genius' who (in light of the Tay Bridge Disaster) concocted such memorable stanzas as: Beautiful Railway Bridge of the Silv'ry Tay! Alas! I am very sorry to say That ninety lives have been taken away On the last Sabbath day of 1879, Which will be remember'd for a very long time. But Sam argues that there is joy to be found in bad poetry. To discuss good poetry, bad poetry and the very fine line between them, Sam Leith joined the podcast alongside one of the more successful Dundonian poets, Don Paterson. (33:08) Hosted by William Moore and Lara Prendergast. Produced by Oscar Edmondson.

Sam Leith's guest on today's Book Club podcast is the musician, writer and photographer Colin Greenwood, who joins me to discuss his new book of photographs and memoir How To Disappear: A Portrait of Radiohead. Colin tells me about the band's Mr Benn journey, photographing what you want to see… and what it takes to make Radiohead open a gig with 'Creep'. Produced by Patrick Gibbons and Oscar Edmondson.

Children's world is by default a trippy one and books are rich fodder for the uninhibited mind. In “The Haunted Wood: A History of Childhood Reading”, Sam Leith, the literary editor of The Spectator takes us through the memory lane of authors who have defined the genre of children's books. The nature of childhood itself has changed over centuries and the books, too, were a reflection of those eras. In this podcast Sam, himself a father of two kids, has read a gazillion children's books as part of his research for his tome. And upon each rereading, he finds new gems that were undiscovered when he had first read them as a kid. His work was also rated by The Economist as among the top five non-fiction books of 2024.

This week: composer James MacMillan reads his diary on the beautiful music of football (01:11); Sebastian Morello tells us about the deep connection between hunting and Christianity (07:17); Amy Wilentz explains how Vodou fuels Haiti's gang culture (16:14); The Spectator's literary editor Sam Leith reviews The Virago Book of Friendship (22:38); and – from the arts pages – The Spectator's theatre critic Lloyd Evans writes about a new play on the last days of Liz Truss and also about Bette and Joan, which includes 'brutal' and 'brilliant' portraits of Bette Davis and Joan Crawford (26:37). Presented by Oscar Edmondson. Produced by Patrick Gibbons and Oscar Edmondson.

This week: composer James MacMillan reads his diary on the beautiful music of football (01:11); Sebastian Morello tells us about the deep connection between hunting and Christianity (07:17); Amy Wilentz explains how Vodou fuels Haiti's gang culture (16:14); The Spectator's literary editor Sam Leith reviews The Virago Book of Friendship (22:38); and – from the arts pages – The Spectator's theatre critic Lloyd Evans writes about a new play on the last days of Liz Truss and also about Bette and Joan, which includes 'brutal' and 'brilliant' portraits of Bette Davis and Joan Crawford (26:37). Presented by Oscar Edmondson. Produced by Patrick Gibbons and Oscar Edmondson.

Broadcaster and Radio DJ Annie Nightingale passed away earlier this year. In memory of her, please enjoy this episode of the Book Club podcast, from the archives, in which she joined Sam Leith in 2020 to talk about the publication of her book Hey Hi Hello.   Annie Nightingale was Britain's first female DJ, an occasional Spectator contributor, and the longest serving presenter of Radio One. Annie spoke to Sam about the Beatles' secrets, BBC sexism, getting into rave culture, the John Peel she knew - and how while most people never get past the music they love in their teens, she's never lost her drive to hear tunes she's never heard before.

The FT's books of the year special is out, and today, our literary editor Fred Studemann and outgoing deputy books editor Laura Battle join us one last time to talk about their top picks of 2024. This year has seen some huge releases from authors including Sally Rooney, Miranda July, Alexei Navalny, Al Pacino and Salman Rushdie. What trends did Fred and Laura notice this year? What books did they love? -------As you know, the show is ending in early January – we're still collecting your cultural questions. What's rolling around in your head? How can we help? Email Lilah at lilahrap@ft.com or message her on Instagram @lilahrap.-------Links (all FT links get you past the paywall): – Books we mentioned: Orbital by Samantha Harvey; Patriot by Alexei Navalny; All Fours by Miranda July; Haunted Wood by Sam Leith; Rosarita by Anita Desai; There are Rivers in the Sky by Elif Shafak; Revolusi: Indonesia and the Birth of the Modern World by David van Reybrouck; A Voyage Around the Queen by Craig Brown; Killing Time by Alan Bennett; Meditations for Mortals by Oliver Burkeman; The Wizard of the Kremlin by Giuliano da Empoli; Hope by Pope Francis (2025); and Dream Count by Chimamanda Ngozi Adichie (2025)– The FT Books of the Year are out now! Here is a roundup of the FT's top columnists and editors' book recommendations for 2024, including Fred's top picks. Laura's fiction picks are here.– Food, drink and travel books are here. Music books here. Art and design books are here. Check out the full guide for more (paywall)Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Claire Mabey discusses the latest from the NZ writer Damien Wilkins. She also looks at The Hotel Balzaar by acclaimed children's novelist Kate DiCamillo and The Haunted Wood, a history of children's literature by Sam Leith.

This week: King of the Hill You can't ignore what could be the political comeback of the century: Donald Trump's remarkable win in this week's US election. The magazine this week carries analysis about why Trump won, and why the Democrats lost, from Freddy Gray, Niall Ferguson and Yascha Mounk, amongst others. To make sense of how Trump became only the second President in history to win non-consecutive terms, we're joined by the journalist Jacqueline Sweet and Cliff Young, president of polling at Ipsos (00:58).   Next: is Labour blind to rural communities? The changes to inheritance tax for farmers are one of the measures from Labour's budget that has attracted the most attention. In the magazine this week The Telegraph's Simon Heffer argues that it needs to be seen as part of a wider attack on rural communities. But is it intentional, or simply a blind spot Labour has to the countryside? Simon joined us alongside Ed Barker from the Agricultural Industries Confederation (16:42). And finally: what makes World of Warcraft so addictive? The Spectator's literary editor Sam Leith joins the podcast to talk about the gaming phenomenon that is World of Warcraft. In just two decades, it has now made more money than three times the most successful Hollywood film ever. Why is it so successful and what makes it so addictive? And, as the landscape of gaming has changed over the decades, should parents still really be worried about their children spending time online or has gaming opened new areas for kids to socialise? Sam joined us to discuss and reveals the inspiration behind his avatar's name… (27:37). Hosted by William Moore and Lara Prendergast. Produced by Patrick Gibbons. 

This week: King of the Hill You can't ignore what could be the political comeback of the century: Donald Trump's remarkable win in this week's US election. The magazine this week carries analysis about why Trump won, and why the Democrats lost, from Freddy Gray, Niall Ferguson and Yascha Mounk, amongst others. To make sense of how Trump became only the second President in history to win non-consecutive terms, we're joined by the journalist Jacqueline Sweet and Cliff Young, president of polling at Ipsos (00:58).   Next: is Labour blind to rural communities?  The changes to inheritance tax for farmers are one of the measures from Labour's budget that has attracted the most attention. In the magazine this week The Telegraph's Simon Heffer argues that it needs to be seen as part of a wider attack on rural communities. But is it intentional, or simply a blind spot Labour has to the countryside? Simon joined us alongside Ed Barker from the Agricultural Industries Confederation (16:42). And finally: what makes World of Warcraft so addictive? The Spectator's literary editor Sam Leith joins the podcast to talk about the gaming phenomenon that is World of Warcraft. In just two decades, it has now made more money than three times the most successful Hollywood film ever. Why is it so successful and what makes it so addictive? And, as the landscape of gaming has changed over the decades, should parents still really be worried about their children spending time online or has gaming opened new areas for kids to socialise? Sam joined us to discuss and reveals the inspiration behind his avatar's name… (27:37). Hosted by William Moore and Lara Prendergast. Produced by Patrick Gibbons. 

On this week's Book Club podcast we're celebrating the 100th anniversary of a landmark in children's publishing, When We Were Very Young — which represented the first collaboration between A A Milne and E H Shepard, who would (of course) go on to write an illustrate Winnie-the-Pooh. Sam Leith is joined by James Campbell, who runs the E H Shepard estate. He tells Sam how the war shaped the mood and success of that first book, why Daphne Milne's snobbery and ambition left Shepard out in the cold, what happened to Christopher Robin... and how Pooh became Pooh. 

On this week's Book Club podcast we're celebrating the 100th anniversary of a landmark in children's publishing, When We Were Very Young — which represented the first collaboration between A A Milne and E H Shepard, who would (of course) go on to write an illustrate Winnie-the-Pooh. Sam Leith is joined by James Campbell, who runs the E H Shepard estate. He tells Sam how the war shaped the mood and success of that first book, why Daphne Milne's snobbery and ambition left Shepard out in the cold, what happened to Christopher Robin... and how Pooh became Pooh. 

On this week's Spectator Out Loud: Christopher Caldwell asks what a Trump victory could mean for Ukraine (1:07); Gus Carter argues that leaving the ECHR won't fix Britain's immigration system (8:29); Ruaridh Nicoll reads his letter from Havana (18:04); Tanya Gold provides her notes on toffee apples (23:51); and a selection of our books of the year from Jonathan Sumption, Hadley Freeman, Mark Mason, Christopher Howse, Sam Leith and Frances Wilson (27:08).    Produced and presented by Patrick Gibbons.

On this week's Spectator Out Loud: Christopher Caldwell asks what a Trump victory could mean for Ukraine (1:07); Gus Carter argues that leaving the ECHR won't fix Britain's immigration system (8:29); Ruaridh Nicoll reads his letter from Havana (18:04); Tanya Gold provides her notes on toffee apples (23:51); and a selection of our books of the year from Jonathan Sumption, Hadley Freeman, Mark Mason, Christopher Howse, Sam Leith and Frances Wilson (27:08).    Produced and presented by Patrick Gibbons.

In this week's Book Club podcast Sam Leith's guest is the great Sue Prideaux who, after her prize-winning biographies of Nietzsche, Munch and Strindberg, has turned her attention to Gauguin in Wild Thing: A Life of Paul Gauguin. She tells me about the great man's unexpected brief career as an investment banker, his highly unusual marriage and his late turn to anticolonial activism. Plus: why she starts with his teeth. This podcast is in association with Serious Readers. Use offer code ‘TBC' for £100 off any HD Light and free UK delivery. Go to: www.seriousreaders.com/spectator Produced by Patrick Gibbons and Oscar Edmondson.

In this week's Book Club podcast Sam Leith's guest is the great Sue Prideaux who, after her prize-winning biographies of Nietzsche, Munch and Strindberg, has turned her attention to Gauguin in Wild Thing: A Life of Paul Gauguin. She tells me about the great man's unexpected brief career as an investment banker, his highly unusual marriage and his late turn to anticolonial activism. Plus: why she starts with his teeth. This podcast is in association with Serious Readers. Use offer code ‘TBC' for £100 off any HD Light and free UK delivery. Go to: www.seriousreaders.com/spectator Produced by Patrick Gibbons and Oscar Edmondson.

Longtime listeners will remember the artist and folklorist Amy Jeffs from her episode exploring the medieval wilderness; her latest book Saints returns to the medieval world to explore the lives and legends of European saints -- from men raised by wolves to women communing with flocks of birds. She joined us in conversation with the author and critic Sam Leith, whose new book The Haunted Wood is a history of and reflection upon children's literature from Aesop to the modern day. Their dialogue is a must-listen for anyone of any age willing to be enchanted by the power of storytelling. To get an exclusive NordVPN deal, head to https://nordvpn.com/howtoacademy to get an extra 4 months on the 2-year plan. There's no risk with Nord's 30-day money-back guarantee. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Literary editor of ‘The Spectator' Sam Leith is surrounded by books of various genres every day. His latest non-fiction work ‘The Haunted Wood' takes an exploratory look into childhood reading from Aesop's fables to Malorie Blackman. He speaks to Georgina Godwin about the world of children's literature, the first book he read as a child and the authors who created the stories we know today.See omnystudio.com/listener for privacy information.

On this week's Spectator Out Loud: Ian Thomson reflects on his childhood home following the death of his sister (1:20); Andrew Watts argues that the public see MPs as accountable for everything though they're responsible for little (7:40); Sam Leith reveals the surprising problem of poetical copyright (13:47); Helen Barrett reviews Will Noble's book Croydonopolis and explores the reputation of a place with unfulfilled potential (19:48); and, Catriona Olding ponders moving on from loss to love (26:09).    Produced and presented by Patrick Gibbons.

On this week's Spectator Out Loud: Ian Thomson reflects on his childhood home following the death of his sister (1:20); Andrew Watts argues that the public see MPs as accountable for everything though they're responsible for little (7:40); Sam Leith reveals the surprising problem of poetical copyright (13:47); Helen Barrett reviews Will Noble's book Croydonopolis and explores the reputation of a place with unfulfilled potential (19:48); and, Catriona Olding ponders moving on from loss to love (26:09).    Produced and presented by Patrick Gibbons.

The Book Club has taken a short summer break and will return in September. Until then, and ahead of the 85th anniversary of the start of World War Two, here's an episode from the archives with the author Ian Sansom.  Recorded ahead of the 80th anniversary in 2019, Sam Leith talks to Ian about September 1, 1939, the W.H. Auden poem that marked the beginning of the war. Ian's book is a 'biography' of the poem; they discuss how it showcases all that is best and worst in Auden's work, how Auden first rewrote and then disowned it, and how Auden's posthumous reputation has had some unlikely boosters in Richard Curtis and Osama Bin Laden. 

The Book Club has taken a short summer break and will return in September. Until then, and ahead of the 85th anniversary of the start of World War Two, here's an episode from the archives with the author Ian Sansom.  Recorded ahead of the 80th anniversary in 2019, Sam Leith talks to Ian about September 1, 1939, the W.H. Auden poem that marked the beginning of the war. Ian's book is a 'biography' of the poem; they discuss how it showcases all that is best and worst in Auden's work, how Auden first rewrote and then disowned it, and how Auden's posthumous reputation has had some unlikely boosters in Richard Curtis and Osama Bin Laden. 

Sam Leith's guest on this week's Book Club is the writer and film director Neil Jordan, who joins the podcast to discuss his new book Amnesiac: A Memoir. He talks, among other things, about writing for the page and the screen, the uses of myth, putting words into the mouths of historical figures, seeing ghosts in aeroplanes, being ripped off by Harvey Weinstein, and failing to persuade Marlon Brando to play King Lear. 

In her new book Cairn, the Scots poet Kathleen Jamie sets a capstone of sorts on her trilogy of short prose collections Findings, Surfacing and Sightlines. She joins Sam Leith on this week's Book Club podcast to talk about why she hesitates to call herself a nature writer, how prose found her late in life, and why whale-watching isn't what it used to be. Produced by Patrick Gibbons.