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This week we get examine the notion of how it's not paranoia if they're watching! aka The Drugs Aren't Alright. The films are the Gus Van Sant 1989 film Drugstore Cowboy and Danny Boyle's seminal 1996 film Trainspotting. Timings for this week are: Drugstore Cowboy (03:29) Trainspotting: (29:46) Next week, the theme for episode 237 will be cinematic hoteliers. Follow us on social media: Instagram Twitter Threads Bluesky Letterboxd Facebook Email: frame.to.frame250@gmail.com Join our Discord: Frame to Framers and that of the wider Film Stories Podcast Network Support Film Stories Podcast Network on Patreon: https://www.patreon.com/simonbrew Twitter: @filmstories Facebook/Instagram/Threads: Film Stories Website: https://filmstories.co.uk/ Gothamlicious by Kevin MacLeod Link License Leave us a review on Podchaser or Apple Podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices
Born in Toronto in 1988 and raised in Poland, internal explorer's journey into the realm of electronic music began at a young age, fueled by an innate passion for sonic exploration. This drive led him to pursue a formal education in sound engineering at the renowned SAE Institute in Brisbane, Australia, where he delved deep into the intricacies of audio production. After completing his studies, internal explorer moved back to Warsaw, where in 2020, he co-founded Trainspotting events, followed by the establishment of the celebrated Sfora festival in 2022, marking his lasting imprint on the Polish electronic music scene. Links: https://www.facebook.com/internalexplorermusic https://www.instagram.com/internalexplorer.music/ https://soundcloud.com/internalexplorer https://internalexplorermusic.bandcamp.com https://ra.co/dj/internalexplorer
#sickboy #ravensflock #wcw #gmbmpwWelcome to Episode 106 of Give Me Back My Pro Wrestling (@gmbmpw) with hosts Jimmy Street (@jamesrockstreet), our action figure expert "The Plastic Sheik" Jared Street, and the Territory Wrestling Guru, Quinton Quarisma! Tune in as they join forces and tackle the world of Professional Wrestling!Today, this is a cool one for us, we welcome Sick Boy aka Scott Vick to the show! From his days in college football to the WCW power plant, his friendship with Kanyon, joining Raven's Flock, the Trainspotting movie, the story behind the Wade Boggs photo, Goldberg, going to WWE, Memphis Championship Wrestling, Katie Vick, the Wrestlemania match between Scott and HHH that never happened and so much more! Scott has a great story! Enjoy!Visit our Give Me Back My Pro Wrestling podcast page! https://podcasters.spotify.com/pod/show/gmbmpwFOLLOW & SUBSCRIBE:https://facebook.com/gmbmpwhttps://facebook.com/groups/gmbmpw/https://instagram.com/gmbmpwhttps://twitter.com/gmbmpwhttps://www.youtube.com/@GMBMPWCheck out Sheik's Shorts: https://youtube.com/playlist?list=PL0oL-yrnIHtlaVHamAApDquYBXeGaHS8vCheck out the Live and In Color with Wolfie D podcast: https://podcasters.spotify.com/pod/show/wolfiedVISIT OUR AWESOME SPONSORS!-Captain's Corner (Conventions, Virtual Signings and more!): https://www.facebook.com/captinscorner-T's Westside Original Gourmet Sauces: https://www.westsidesauces.comADVERTISE WITH US! For business and advertising inquiries contact us at gmbmpw@gmail.comVery Special Thanks To: -Sludge (@sludge_cast) for the "Give Me Back My Pro Wrestling" entrance theme!-Tracy Byrd and A Gathering Of None for the "Sheik Fell Down A Rabbit Hole" & "Name Game" theme songs! Music from #InAudio: https://inaudio.org/Upbeat Gospel Trap by Infraction Feel So Good*© 2025, jamesrockstreet Productions
In deze aflevering ontvangt Nathan de Vries journalist, schrijver en fotograaf Stijn de Vries (https://www.instagram.com/stijndevriesss/). Stijn zijn nieuwste boek Hustle (https://www.singeluitgeverijen.nl/nijgh-van-ditmar/boek/hustle/) komt bijna uit. Hij deelt zijn cultuurtips met Nathan en de luisteraar. De tips van Stijn: Boek: Hustle (https://www.singeluitgeverijen.nl/nijgh-van-ditmar/boek/hustle/), Op aarde schitteren we even (https://www.rainbow.nl/boek/2570/ocean-vuong-op-aarde-schitteren-we-even.html) Podcast: VSR (https://dagennacht.nl/podcast/schaamteloos-randstedelijk/), Lang verhaal Kort (https://npo.nl/luister/podcasts/644-lang-verhaal-kort) Theater: Weg met Eddy Bellegueele (https://ita.nl/nl/voorstellingen/weg-met-eddy-bellegueule/3886968/), Girls & Boys (https://www.oostpool.nl/voorstellingen/girls-boys/) Musical: Tarzan (https://www.stage-entertainment.nl/archief-tarzan-2007), Moulin Rouge (https://www.instagram.com/moulinrougemusical_nl/) Cabaret: Brigitte Kaandorp (https://www.brigittekaandorp.nl), Chelsea Handler (https://www.imdb.com/name/nm1314546/) Tentoonstelling: Erwin Olaf (https://www.stedelijk.nl/en/exhibitions/erwin-olaf-en) Museum: Huis Marseille (https://huismarseille.nl) Openbare kunst: Moments Contained (https://www.sculptureinternationalrotterdam.nl/collectie/moments-contained/) Muziek: Fleetwood Mac (https://open.spotify.com/artist/08GQAI4eElDnROBrJRGE0X?si=HoW9qIdaT5iybKtMkwsKew), Kendrick Lamar (https://open.spotify.com/artist/2YZyLoL8N0Wb9xBt1NhZWg?si=RXvmuZ8jTqaHMYPNv5-bOQ) Festival: Lowlands (https://lowlands.nl) Nu in de bioscoop: One Battle After Another (https://www.imdb.com/title/tt30144839/) Film op streaming: Bridesmaids (https://www.imdb.com/title/tt1478338/), Trainspotting (https://www.imdb.com/title/tt0117951/fullcredits/) Serie: Adolesence (https://www.imdb.com/title/tt31806037/), Homeland (https://www.imdb.com/title/tt31806037/) Documentaire: Het zaad van Karbaat (https://www.npodoc.nl/documentaires/2021/03/het-zaad-van-karbaat.html) Club/uitgaansavond: Acme (https://www.acmenyc.com) Kindercultuur: De prinsenjurk en de gouden knoop (https://www.dookvandijck.nl) Andere culturele favoriet: Bugonia (https://www.imdb.com/title/tt12300742/) Heb je cultuurtips die we niet mogen missen? Mail de redactie: eenuurcultuur@vpro.nl
Prince Andrew's decision to host a party for Ghislaine Maxwell at Sandringham—where sex drugs like poppers were reportedly found—reads less like royal history and more like a bad dark comedy. The idea of a Queen's residence being turned into something resembling a low-rent Sopranos episode is almost surreal. The whole scene feels like parody: the Duke of York, standing beneath portraits of British monarchs, presiding over a soirée that sounds like Downton Abbey crashing headfirst into Trainspotting. It's especially grotesque given Epstein's reputation for avoiding drugs himself—he didn't need them, he used them on others. The thought of those same tools of control and exploitation making their way into a royal estate is equal parts absurd and revolting.What makes it worse is the total lack of accountability. The Palace still tries to frame these scandals as “private matters,” as though international sex trafficking and narcotics at royal residences can be brushed under the Windsor rug. Every new revelation cements Andrew as a man incapable of understanding—or even pretending to care about—the damage he's done to the Crown's image. Once considered a symbol of British decorum, Sandringham now sits as a monument to how far the monarchy has fallen, its history tainted by the stench of scandal and the arrogance of a prince who believed himself untouchable. In the end, Prince Andrew didn't just disgrace himself—he made royal scandal feel like a recurring sketch in a show that refuses to end.to contact me:source:Sex drugs 'found at party' disgraced Andrew hosted for Jeffrey Epstein and Ghislaine Maxwell in Sandringham, new Royal book claims | Daily Mail Online
When we say T2 what movie do you think of? That's right! The sequel to the 1996 classic Trainspotting! Just the original cast we all reunited (looking a little older) to record the follow up to the movie club we did way back in June of 2023. Come join us wont you?
Prince Andrew's decision to host a party for Ghislaine Maxwell at Sandringham—where sex drugs like poppers were reportedly found—reads less like royal history and more like a bad dark comedy. The idea of a Queen's residence being turned into something resembling a low-rent Sopranos episode is almost surreal. The whole scene feels like parody: the Duke of York, standing beneath portraits of British monarchs, presiding over a soirée that sounds like Downton Abbey crashing headfirst into Trainspotting. It's especially grotesque given Epstein's reputation for avoiding drugs himself—he didn't need them, he used them on others. The thought of those same tools of control and exploitation making their way into a royal estate is equal parts absurd and revolting.What makes it worse is the total lack of accountability. The Palace still tries to frame these scandals as “private matters,” as though international sex trafficking and narcotics at royal residences can be brushed under the Windsor rug. Every new revelation cements Andrew as a man incapable of understanding—or even pretending to care about—the damage he's done to the Crown's image. Once considered a symbol of British decorum, Sandringham now sits as a monument to how far the monarchy has fallen, its history tainted by the stench of scandal and the arrogance of a prince who believed himself untouchable. In the end, Prince Andrew didn't just disgrace himself—he made royal scandal feel like a recurring sketch in a show that refuses to end.to contact me:source:Sex drugs 'found at party' disgraced Andrew hosted for Jeffrey Epstein and Ghislaine Maxwell in Sandringham, new Royal book claims | Daily Mail OnlineBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Prince Andrew's decision to host a party for Ghislaine Maxwell at Sandringham—where sex drugs like poppers were reportedly found—reads less like royal history and more like a bad dark comedy. The idea of a Queen's residence being turned into something resembling a low-rent Sopranos episode is almost surreal. The whole scene feels like parody: the Duke of York, standing beneath portraits of British monarchs, presiding over a soirée that sounds like Downton Abbey crashing headfirst into Trainspotting. It's especially grotesque given Epstein's reputation for avoiding drugs himself—he didn't need them, he used them on others. The thought of those same tools of control and exploitation making their way into a royal estate is equal parts absurd and revolting.What makes it worse is the total lack of accountability. The Palace still tries to frame these scandals as “private matters,” as though international sex trafficking and narcotics at royal residences can be brushed under the Windsor rug. Every new revelation cements Andrew as a man incapable of understanding—or even pretending to care about—the damage he's done to the Crown's image. Once considered a symbol of British decorum, Sandringham now sits as a monument to how far the monarchy has fallen, its history tainted by the stench of scandal and the arrogance of a prince who believed himself untouchable. In the end, Prince Andrew didn't just disgrace himself—he made royal scandal feel like a recurring sketch in a show that refuses to end.to contact me:source:Sex drugs 'found at party' disgraced Andrew hosted for Jeffrey Epstein and Ghislaine Maxwell in Sandringham, new Royal book claims | Daily Mail OnlineBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Once a heroin addict and serial shoplifter who stole over £10 million worth of goods, Cullan Mais has turned his life around — only to be cancelled for daring to interview Tommy Robinson. In this explosive Heretics interview, Andrew Gold digs into Cullan's raw journey from 12 prison sentences, collapsed lungs, and multiple rehabs to finding redemption, purpose, and controversy in a woke-obsessed Britain. SPONSORS: Get up to 45% off Ekster with my code ANDREWGOLDHERETICS: https://partner.ekster.com/andrewgoldheretics Go to https://TryFum.com/HERETICS and use code HERETICS to get your free FÜM Topper when you order your Journey Pack today! Use Code ANDREW FOR 25% OFF Plaud Note: https://bit.ly/4nJWt7j Plaud Note Pro: https://bit.ly/423JiWv Grab your free seat to the 2-Day AI Mastermind: https://link.outskill.com/ANDREWS2 Cut your wireless bill to 15 bucks a month at https://mintmobile.com/heretics Start your MyHeritage journey now with a 14-day free trial using my link: https://bit.ly/AndrewGoldMyHeritage Follow @thecentralclub Insta: https://www.instagram.com/cullan_mais X: https://x.com/cullanmais91
La Biblia habla más de la codicia, que del sexo. Advierte mucho sobre ella. Sin embargo, nadie se cree culpable de ello. La razón es que la codicia como toda idolatría (Colosenses 3:5; Efesios 5:5) ciega a todo aquel que ama, confía y sirve al dinero. Todos lo ven, menos la persona misma, que vive consumida por la ansiedad que produce. Vemos el engaño de la codicia desde el principio mismo de la Iglesia en el relato de Ananías y Safira (Hechos 5:1-11), en contraste con la generosidad de la comunidad cristiana primitiva (4:32-37). Meditamos sobre ello en esta parada por la Ruta de los 66 libros de la Biblia, tras la sintonía, esta vez a cargo del músico argentino Christian Engstfeld, que hace una versión del clásico del cancionero americano al español siguiendo a los británicos Depeche Mode. Todos piensan lo que podría hacer con algo más de dinero, como canta Abba en 1976. Escuchamos la versión argentina de "Money Money Money", que aparece en el musical de "Mamma Mia", grabada por Marisol Otero. "Es el dinero, cariño", canta Elvis Presley en 1956. ¡No te engañes! Es lo que mueve el mundo, nos dicen: "¡Es la economía, idiota!". Así lo descubre el cantautor norteamericano Andy Pratt, cuando se muda a Europa, tras su conversión al cristianismo en 1982 (Paper Money). Una curiosa fabula sobre el dinero es que la que también nos presenta el antiguo seminarista católico, que quiso ser cura, Danny Boyle. El autor de la salvaje "Trainspotting" hace una película infantil con "MIllones" (2004), sobre un niño inglés que al morir su madre, se dedica a leer las vidas de santos cuando encuentra con su hermano, una bolsa de billetes como "caída del cielo". José de Segovia la comenta a la luz del texto bíblico con la música de fondo de la banda sonora original de John Murphy, Stryper es el grupo más conocido del llamado "metal blanco". No fueron los primeros cristianos en hacer "rock duro", pero la banda que surge de la Capilla Calvario en el sur de California después de la Revolución por Jesús, es la que se expresa más agresivamente contra lo "satánico" en el rock. Contamos su historia, después de oír el tema inspirado en la frase que aparece en los dólares estadounidenses, "En Dios confiamos" (In God We Trust), que da título a su cuarto álbum en 1988. "Se dice que el dinero habla / ¿pero qué dice? / Son cuatro simples palabras que vemos cada día / en el rico y el pobre / El Cielo es para los que deciden no confiar en el dinero" La codicia tiene sólo una cura: el poder del amor de Dios que nos recibe por su Gracia en Cristo Jesús y nos hace más generosos. Nos hace compartir las necesidades, los unos de los otros. Ese es el deseo que expresa Love Song, una de las primeras bandas de la Gente de Jesús que se convirtió en la Capilla Calvario con la predicación del pastor Chuck Smith, cuando existían ya como grupo. Su fundador, Chuck Girard (1943-2025) acaba de partir con su Señor. Nos unimos con él a la oración de Jesús, para que "seamos uno" (Let Us Be One 1972).
The Graduate, Trainspotting, Jaws, Star Wars, Citizen Kane – films you can't picture without thinking of the music. Mark Kermode has been gripped by the marriage of movie and soundtrack since Dougal and the Blue Cat (aged 6) and, with Jenny Nelson, has just published ‘Surround Sound: the Stories of Movie Music'. We talk to him here about… … Scorsese, Cameron Crowe, Sofia Coppola, Edgar Wright: the new generation “who grew up with a headful of not just music, but records” … how John Williams is “the last Whistle Test composer”: two bars of ET, Jaws or Star Wars and you instantly know the film … how “silent cinema was never silent” and his band the Dodge Brothers playing live soundtracks … Butch Cassidy, Easy Rider, Blackboard Jungle … pioneers of the music video … the genius of American Graffiti: “Lucas wanted it so marinated in music the town would sound like a pickle jar” … how scores are recorded and edited and what happens when a director tells an orchestra he's changed his mind … “by the time each Lord of the Rings soundtrack reached New Zealand, Peter Jackson had re-cut the film” … Forbidden Planet in 1956, the days when electronic scores weren't real music … Martha Reeves, Jonathan Richman and the Jon Spencer Blues Explosion in Edgar Wright's Baby Driver … Tarantino's kitsch use of “his own scratchy vinyl” and why Jonny Greenwood‘s There Will Be Blood is unique and exceptional … plus the “atonal squonking” of the Exorcist and the greatest soundtrack of all time. Order ‘Surround Sound: the Stories of Movie Music' here: https://www.waterstones.com/book/mark-kermodes-surround-sound/mark-kermode/9781447230564Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Graduate, Trainspotting, Jaws, Star Wars, Citizen Kane – films you can't picture without thinking of the music. Mark Kermode has been gripped by the marriage of movie and soundtrack since Dougal and the Blue Cat (aged 6) and, with Jenny Nelson, has just published ‘Surround Sound: the Stories of Movie Music'. We talk to him here about… … Scorsese, Cameron Crowe, Sofia Coppola, Edgar Wright: the new generation “who grew up with a headful of not just music, but records” … how John Williams is “the last Whistle Test composer”: two bars of ET, Jaws or Star Wars and you instantly know the film … how “silent cinema was never silent” and his band the Dodge Brothers playing live soundtracks … Butch Cassidy, Easy Rider, Blackboard Jungle … pioneers of the music video … the genius of American Graffiti: “Lucas wanted it so marinated in music the town would sound like a pickle jar” … how scores are recorded and edited and what happens when a director tells an orchestra he's changed his mind … “by the time each Lord of the Rings soundtrack reached New Zealand, Peter Jackson had re-cut the film” … Forbidden Planet in 1956, the days when electronic scores weren't real music … Martha Reeves, Jonathan Richman and the Jon Spencer Blues Explosion in Edgar Wright's Baby Driver … Tarantino's kitsch use of “his own scratchy vinyl” and why Jonny Greenwood‘s There Will Be Blood is unique and exceptional … plus the “atonal squonking” of the Exorcist and the greatest soundtrack of all time. Order ‘Surround Sound: the Stories of Movie Music' here: https://www.waterstones.com/book/mark-kermodes-surround-sound/mark-kermode/9781447230564Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Graduate, Trainspotting, Jaws, Star Wars, Citizen Kane – films you can't picture without thinking of the music. Mark Kermode has been gripped by the marriage of movie and soundtrack since Dougal and the Blue Cat (aged 6) and, with Jenny Nelson, has just published ‘Surround Sound: the Stories of Movie Music'. We talk to him here about… … Scorsese, Cameron Crowe, Sofia Coppola, Edgar Wright: the new generation “who grew up with a headful of not just music, but records” … how John Williams is “the last Whistle Test composer”: two bars of ET, Jaws or Star Wars and you instantly know the film … how “silent cinema was never silent” and his band the Dodge Brothers playing live soundtracks … Butch Cassidy, Easy Rider, Blackboard Jungle … pioneers of the music video … the genius of American Graffiti: “Lucas wanted it so marinated in music the town would sound like a pickle jar” … how scores are recorded and edited and what happens when a director tells an orchestra he's changed his mind … “by the time each Lord of the Rings soundtrack reached New Zealand, Peter Jackson had re-cut the film” … Forbidden Planet in 1956, the days when electronic scores weren't real music … Martha Reeves, Jonathan Richman and the Jon Spencer Blues Explosion in Edgar Wright's Baby Driver … Tarantino's kitsch use of “his own scratchy vinyl” and why Jonny Greenwood‘s There Will Be Blood is unique and exceptional … plus the “atonal squonking” of the Exorcist and the greatest soundtrack of all time. Order ‘Surround Sound: the Stories of Movie Music' here: https://www.waterstones.com/book/mark-kermodes-surround-sound/mark-kermode/9781447230564Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
STEVE MOVIE REVIEW A famous monologue in the Irvine Welsh novel Trainspotting reads “Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total […]
STEVE MOVIE REVIEW A famous monologue in the Irvine Welsh novel Trainspotting reads “Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total […]
Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Clive Anderson is joined in Glasgow by comedian Dom Joly who first introduced the world to the concept of a very loud man yelling in to a giant mobile phone 25 years ago. He's celebrating Trigger Happy TV on a national tour. Lauren Lyle is used to an investigation in her role as Val McDermid's Karen Pirie, and in new psychological thriller The Ridge she embarks on another kind of search for the truth, this time in New Zealand. In his varied career, actor Lorn Macdonald has made us chuckle with his turn as Albion Finch in TV hit Bridgeton, taken on Trainspotting on stage and now plays the tormented young playwright Konstantin in Chekhov's The Seagull at the Lyceum in Edinburgh. After becoming a finalist on MasterChef in 2022 Sarah Rankin has cooked up a storm in the culinary world, and her newest cookbook Feast has the perfect recipes for hosting cosy dinner parties all through the darker months. Plus – she'll be explaining why she's been hanging out with the world champions of porridge-making. Cara Rose shares her reflective new single, and Highlands four-piece Tide Lines look ahead to their 10th anniversary celebrations.Presenter: Clive Anderson Producer: Caitlin Sneddon
A conversation with Lick-G - freestyle rapper in Japan who's first album Trainspotting released when he was 17 years old went to the top of the Japanese hip-hop charts, sharing stories about his music journey, what inspires his Japanese and English lyrics - which are memorised entirely with no notes and go a lot deeper than just partying, and celebrating the release of his second album Anything You Want.
This week, Eric and Josh are joined by Ryan from Nefarious Comics! They accordingly chat about a bunch of comic book movie franchises like: Teenage Mutant Ninja Turtles, Batman, Wolverine, and Superman. Plus, a few non-comic book movies, like Trainspotting, Resevoir Dogs, and Breathless. They also mention the movies screening the week of Friday September 26 - Thursday October 2: Bau: Artist at War, Splitsville, The Room, The Sting, Saturday Night Sinema, Piranha, Jimmy & Stiggs, and the Nefarious Comics presentation of Teenage Mutant Ninja Turtles!
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The Summer of Postscript has begun! With the release of the audacious 28 Years Later in June, we are kicking off this miniseries by heading back to Edinburgh with the Rosilio brothers to examine Danny Boyle's T2 Trainspotting. How did a sequel to the first Trainspotting even come to be? How does this film fare as a legacy sequel? Why does this movie handle nostalgia better than almost all of contemporaries? Is Danny Boyle the best digital filmmaker alive? Come join us as we begin our farewell to summer.
Sam, Andrew & Liam congregate to commemorate a share of the points in Trainspotting country. Join Our Patreon Buy Our Merch Listen to Music We Like Learn more about your ad choices. Visit podcastchoices.com/adchoices
A little something different this week: we're looking at two Soderbergh-scripted adaptations of international genre films! First, Soderbergh adapted Ole Bornedal's 1994 NATTEVAGTEN as 1997's NIGHTWATCH, also directed by Bornedal, starring post-TRAINSPOTTING, pre-PHANTOM MENACE Ewan McGregor as a night watchman at a spooky morgue. Next, Soderbergh turned Fabián Bielinsky's 2000 Argentine heist smash NUEVA REINAS (NINE QUEENS) into 2004's CRIMINAL, the directorial debut of Gregory Jacobs starring John C. Reilly and Diego Luna. Why did Sodey do this? Is there anything of the man in these adaptations? Do you need to watch four films before you listen to this episode? The answer to the last question is no! Fun ep, please enjoy. Further Reading: Steven Soderbergh: Interviews, ed. Anthony Kaufman Further Viewing: LOCAL HERO (Forsyth, 1983) THE KINGDOM (Von Trier et al, 1994) HARD EIGHT (Anderson, 1996) PUSHER (Refn, 1996) FUNNY GAMES (Haneke, 1997/2007) FIGHT CLUB (Fincher, 1999) LA CIENAGA (Martel, 2001) BORGEN (Price et al, 2010) ZAMA (Martel, 2017) LA FLOR (Llinás, 2018) Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart
This week on Eavesdroppin', it's our second summer special and what a mash-up of two classic supernatural eps!Michelle begins with a revisit of a supernatural episode, Season 3, episode 40, about poltergeists where YouTubers and TikTokers Lainey and Ben from Buckinghamshire in the UK claim they live with two poltergeists called Andy and Davewho make a dreadful mess in their house. Listen now to hear all about the paranormal activity and how Lainey and Ben have learned to co-exist with their ghosts and even asked them to protect their unborn son…Geordie follows with a look at ep 48 from season 2, The History of Ghosts episode 9: 20th Century Poltergeist, where she investigates the Dalby spook, otherwise known as Gef the talking mongoose. On the Isle of Man, Gef haunted a family for more than 10 years!!! So… was Gef the talking mongoose really a ghost from New Delhi or did the Irving family make him up? Tune in now to eavesdrop!!!So pop on your headphones, grab a brown lemonade and join Geordie & Michelle for this week's episode, plus chat about Trainspotting, Wham and more only on Eavesdroppin' podcast. And remember, wherever you are, whatever you do, just keep Eavesdroppin'!*Disclaimer: We don't claim to have any factual info about anything ever and our opinions are just opinions not fact, sooorrrryyy! Don't sue us!Please rate, review, tell your friends and subscribe in all the usual places – we love it when you do!Support us on Patreon: https://www.patreon.com/eavesdroppinDo write in with your stories at hello@eavesdroppinpodcast.comor send us a Voice Note!Listen: http://www.eavesdroppinpodcast.comorhttps://podfollow.com/eavesdroppinYouTube: https://www.youtube.com/channel/UCqcuzv-EXizUo4emmt9PgfwFacebook: https://www.facebook.com/eavesdroppinpodcast#GEF #Gefthetalkingmongoose #poltergeists #laineyandben #reallife #truestories #eavesdroppin #eavesdroppinpodcast #supernatural #eavesdroppincomedypodcast #podcast #comedy Hosted on Acast. See acast.com/privacy for more information.
Poverty. Betrayal. Heroin. Death. But, like in a really funny and clever sort of way that's just a real pleasure to watch. Spend some time with some of your best Scottish friends! Director Danny Boyle fully inhabits, then redefines 90s cinema, in this groundbreaking international phenomenon. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Marta Meszaros‘ Adoption (1975).
Eoghan McCabe is the founder and CEO of Intercom, a customer service platform that has successfully pivoted to become an AI-first company with its agent product, Fin. After stepping away from the CEO role in 2020 due to health issues, Eoghan returned to find the company's growth had stalled. Just one month after his return, ChatGPT launched, and within six weeks, Intercom had a working prototype of what would become Fin. In this conversation, Eoghan shares the brutal reality of transforming a late-stage SaaS business valued at multiple billions into an AI-first company that's now growing faster than most public software companies.We discuss:1. Why Eoghan believes most late-stage companies won't survive the AI transition2. The “founder mode” transformation that required firing 40% of staff and resulted in 98% employee satisfaction3. Why having “nothing to lose” is the ultimate advantage in AI transformation (and why comfortable companies will fail)4. How Intercom transformed from a plateauing SaaS business to an AI-first company growing at 300%+5. How Intercom's pricing evolved from “the most hated in SaaS” to a model that charges just $0.99 per resolved ticket6. The cultural transformation required to compete with AI-native startups7. How 12 years of therapy and a period of “ego death” shaped Eoghan's leadership approach—Brought to you by:Great Question—Empower everyone to run great research: https://www.greatquestion.com/lennyWorkOS—Modern identity platform for B2B SaaS, free up to 1 million MAUs: https://workos.com/lennyDX—The developer intelligence platform designed by leading researchers: http://getdx.com/lenny—Transcript: https://www.lennysnewsletter.com/p/how-intercom-rose-from-the-ashes-eoghan-mccabe—My biggest takeaways (for paid newsletter subscribers): https://www.lennysnewsletter.com/i/170710700/my-biggest-takeaways-from-this-conversation—Where to find Eoghan McCabe:• X: https://x.com/eoghan• LinkedIn: https://www.linkedin.com/in/eoghanmccabe/• Website: https://eoghanmccabe.com/—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Eoghan(05:00) The state of Intercom(09:53) The decision to pivot to AI(12:33) Why Eoghan is "anti-bot" in customer service(16:19) Pricing strategy evolution(19:26) Implementing the AI transformation(26:11) Cultural and organizational changes(31:18) Surviving a coup attempt(40:05) The future of AI and business(45:11) AI's impact on jobs(48:44) AI and human creativity(50:26) The importance of young AI talent(55:00) The cultural shift in AI adoption(58:00) Personal growth and leadership(01:04:34) Intercom's success in producing product leaders(01:11:05) Intercom's unique company culture(01:14:11) Lightning round and final thoughts—Referenced:• Intercom: https://www.intercom.com/• Fin: https://fin.ai/• Des Traynor on LinkedIn: https://www.linkedin.com/in/destraynor/• The art and science of pricing | Madhavan Ramanujam (Monetizing Innovation, Simon-Kucher): https://www.lennysnewsletter.com/p/the-art-and-science-of-pricing-madhavan• Pricing your AI product: Lessons from 400+ companies and 50 unicorns | Madhavan Ramanujam: https://www.lennysnewsletter.com/p/pricing-and-scaling-your-ai-product-madhavan-ramanujam• Brian Chesky's new playbook: https://www.lennysnewsletter.com/p/brian-cheskys-contrarian-approach• Behind the founder: Marc Benioff: https://www.lennysnewsletter.com/p/behind-the-founder-marc-benioff• Anthropic co-founder on quitting OpenAI, AGI predictions, $100M talent wars, 20% unemployment, and the nightmare scenarios keeping him up at night | Ben Mann: https://www.lennysnewsletter.com/p/anthropic-co-founder-benjamin-mann• Fergal Reid on LinkedIn: https://www.linkedin.com/in/fergalreid/• How Perplexity builds product: https://www.lennysnewsletter.com/p/how-perplexity-builds-product• Yosi Amram's website: https://yamram.com/• (Nathaniel Russell) Ego Death Now: https://heythereprojects.shop/products/copy-of-nathaniel-russell-space-is-a-place• Daniel Kahneman: https://en.wikipedia.org/wiki/Daniel_Kahneman• Palantir: https://www.palantir.com/• Stripe: https://stripe.com/• Revolut: https://www.revolut.com/en-US/• Paul Adams on LinkedIn: https://www.linkedin.com/in/pauladams• What AI means for your product strategy | Paul Adams (CPO of Intercom): https://www.lennysnewsletter.com/p/what-ai-means-for-your-product-strategy• Which companies accelerate PM careers most: https://www.lennysnewsletter.com/p/which-companies-accelerate-your-pm• N26: https://n26.com/en-eu• Notion: https://www.notion.so/• Coinbase: https://www.coinbase.com/• True Detective on Max: https://www.hbomax.com/shows/true-detective/9a4a3645-74e0-4e4d-9f35-31464b402357• 28 Years Later: https://www.imdb.com/title/tt10548174/• Trainspotting: https://www.imdb.com/title/tt0117951/• 28 Days Later: https://www.imdb.com/title/tt0289043/• Fellow: https://fellowproducts.com/• Porsche 911: https://www.porsche.com/usa/models/911/• Making Meta | Andrew ‘Boz' Bosworth (CTO): https://www.lennysnewsletter.com/p/making-meta-andrew-boz-bosworth-cto—Recommended book:• Nuclear War: A Scenario: https://www.amazon.com/Nuclear-War-Scenario-Annie-Jacobsen/dp/0593476093Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. To hear more, visit www.lennysnewsletter.com
Kon Ichikawa sumptuous remake of an Edo-period revenge tale is magnified by lush camerawork, stirring performances, a jazzy soundtrack, and a fascinatingly unexpected exploration of gender, sexuality, and identity. The Kabuki actor Yukinojo performs and lives as a woman, breaks the hearts of all around him (men and women alike), and deftly schemes to enact vengeance on the men who destroyed her family. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Danny Boyle's Trainspotting (1996).
Whatsup y'all! This time we coming at ya'll with a review of the album from Rome Streetz & Conductor Williams Trainspotting. Rome Streetz & Conductor Williams teamed up, knowing their past work we knew to keep this album on our radar. Hope ya'll enjoy the review.DeadLeigh's favorite tracks: Andre Agassi, Rule 4080, & Electric SlideRay's favorite tracks: M*A*S*H, Blood In His Boogers, & Connie's RevengeInstagram & Twitter: @TheHipHopBabiesFor everything THHB: https://linktr.ee/thehiphopbabies#THHB #RomeStreetz #ConductorWilliams #Trainspotting #HipHop #rap #rapper #griselda #hiphop2025 #hiphopculture #albumreview #albumreaction #music
From the high-rises of Muirhouse to the heart of countercultural Britain, Irvine Welsh has built a literary universe fuelled by punk energy, dancefloor euphoria, and radical empathy. In this episode of Full Disclosure, James O'Brien meets the novelist and cultural icon to trace a life shaped by rebellion, recovery, and relentless storytelling.They discuss Irvine's early years in working class Edinburgh, his brushes with heroin and grief, and the accidental discipline learned on a council computer that helped turn his chaotic brilliance into a career. The pair unpack the emotional weight behind his new book Men in Love, why he believes we're living in a post-cultural age, and the creative lessons of rave, romance, and rock bottom.Sharp, soulful, and defiantly untamed, Irvine reflects on belonging, addiction, and the mad joy of letting characters run the show.Find out more about Irvine Welsh's book, Men in Love here
Watch ARNOLD for free on Youtube or buy the gorgeous new Blu-Ray from Vinegar Syndrome.Say goodbye to ScreamQueenz with ARNOLD, a delightfully bizarre but tragically forgotten horror comedy of 1973.In the first five minutes of ARNOLD, a gold-digging flight attendant marries a corpse...and that's the least weird thing that happens for the rest of the movie.It's the kind of movie that makes you ask, "Are the straights ok???"ARNOLD combines classic Gothic horror elements like a creepy old house filled with secret passages and peekaboo portraits with a kitschy star-studded cast so dripping in 1970's kitsch, they deserve their own episode of the Love Boat.So squeeze into the gondola with my special guests TRAE DEAN, DOUG SHAPIRO as we take one last ride through the ScreamQueenz Spookhouse, but whatever you do...DON'T keep your hands to yourself!****If you're in New Hampshire, catch Doug Shapiro in a show at the Barnstormers Theater.ARNOLD was directed by Georg Fenady, written by Jameson Brewer & John Fenton Murray and stars Stella Stevens, Roddy McDowell, Elsa Lanchester, Shani Willlis, Bernard Fox, Farley Granger, Jaime Farr and Victor Buono.Mentioned in this episode:Bliss BookPick up the gnarly new survivor horror novel BLISS by Brandon Halsey on Amazon! "It's like 28 DAYS LATER meets THE STAND meets TRAINSPOTTING!"Bliss PromoThis podcast uses the following third-party services for analysis:...
Scottish writer Irvine Welsh joins Grace to share his ultimate comfort food. Irvine has been a towering figure in our cultural galaxy for 30 years. His bestselling novels include Porno, The Acid House, Filth and, of course, Trainspotting. Trainspotting – famously autobiographical – follows a group of heroin addicts in a deprived area of Edinburgh. It was a huge hit, selling more than a million copies. The movie, released a few years later, was nothing short of a sensation at the box office. Irvine's new book is accompanied by his debut album, both with the same name: Men In Love is a sequel to Trainspotting, and picks up where the characters left off back in 1993.
We've got a big scoop for you today! Miranda Sawyer is back with a brand new podcast. Talk '90s to me is out now and will be with you every Monday. The show dives deep into a wild decade of chaos, creativity and hedonism – from Oasis to ‘Friends', from grunge to girl power, from Kate Moss to alcopops to ‘Trainspotting' and beyond. Join Miranda as she meets the people who were really there for the decade of Cool Britannia, Cantona and the Chemical Generation. The first episode is all about Oasis and how their rise kickstarted the decade, with expert guest Ted Kessler. Listen to a teaser of that now and head over to Talk '90s to me to listen to the full episode, or watch if you're on Spotify, and subscribe for more. Who knows, there might be some other Paper Cuts cameos on the way… • Spotify: https://open.spotify.com/show/4VWfElo4htWZn6ZZ379xLm?si=8f28fc1fffd14fea • Apple podcasts: https://podcasts.apple.com/gb/podcast/talk-90s-to-me/id1828415501 • Other providers: https://linktr.ee/talk90stome Written and presented by Miranda Sawyer. Produced by Liam Tait. Video and audio production by Simon Williams. Music by Soniq Branding from Artlist. Managing editor: Jacob Jarvis. Group editor: Andrew Harrison. Talk '90s to me is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The soul suckers of private equity, Douglas Murray on Epstein and MAGA & are literary sequels ‘lazy'?First up: how private equity is ruining BritainGus Carter writes in the magazine this week about how foreign private equity (PE) is hollowing out Britain – PE now owns everything from a Pret a Manger to a Dorset village, and even the number of children's homes owned by PE has doubled in the last five years. This ‘gives capitalism a bad name', he writes. Perhaps the most symbolic example is in the water industry, with water firms now squeezed for money and saddled with debt. British water firms now have a debt-to-equity ratio of 70%, compared to just 4% in 1991. Britain's desperation for foreign money has, quite literally, left Britain ‘in the shit'. Gus joined the podcast to discuss further, alongside the journalist Megan Greenwell, author of Bad Company: Private Equity and the Death of the American Dream. (00:46)Next: why is MAGA so incensed over Jeffrey Epstein?Six years after he died, the Jeffrey Epstein scandal is still haunting Donald Trump. Trump had vowed to release all files on various cases that attract conspiracy theorists – from JFK to Martin Luther King Jr. What makes the Epstein case different, as Douglas Murray writes in the magazine this week, is that the case was so recent and Epstein's ties with the elites, many of whom are still in power. Trump appeared to backtrack on releasing files relating to Epstein, prompting ire from the MAGA world, and there is now mounting cross-party pressure to uncover who knew what. Mike Johnson, the House speaker, sent representatives home early for summer, and there is even talk of Ghislaine Maxwell testifying. Why is the Epstein scandal such a lightning rod for MAGA rage? Douglas Murray joined the Spectator to discuss. The full interview can be found on Spectator TV. (15:49)And finally: are literary sequels ‘lazy'?It's ‘sod's law', says the Spectator's literary editor Sam Leith, that when a friend's book is due to be reviewed in the pages of the books section that you edit, the review will be bad. Mike Cormack reviews Men In Love by Irvine Welsh this week, calling the decision by Welsh to pen another sequel to Trainspotting ‘lazy'. At the Spectator this made us ponder whether this is true of all literary sequels, and what motivates authors to stick with characters and stories that they know.Sam joined us to discuss further alongside Lucy Thynne, the Telegraph's deputy literary editor. (33:59)Hosted by William Moore and Lara Prendergast.Produced by Patrick Gibbons and Megan McElroy.
This week's book guest is Men In Love by Irvine Welsh.Sara and Cariad are joined by the multi-bestselling author of Trainspotting, and cultural icon - Irvine Welsh.In this episode they discuss success, capitalism, house music and DMT.Trigger warning: In this episode we discuss drug usage.Thank you for reading with us. We like reading with you!Men In Love by Irvine Welsh is available to buy here.Tickets for Sara's tour show I Am A Strange Gloop are available to buy from sarapascoe.co.ukSara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.
The soul suckers of private equity, Douglas Murray on Epstein and MAGA & are literary sequels ‘lazy'?First up: how private equity is ruining BritainGus Carter writes in the magazine this week about how foreign private equity (PE) is hollowing out Britain – PE now owns everything from a Pret a Manger to a Dorset village, and even the number of children's homes owned by PE has doubled in the last five years. This ‘gives capitalism a bad name', he writes. Perhaps the most symbolic example is in the water industry, with water firms now squeezed for money and saddled with debt. British water firms now have a debt-to-equity ratio of 70%, compared to just 4% in 1991. Britain's desperation for foreign money has, quite literally, left Britain ‘in the shit'. Gus joined the podcast to discuss further, alongside the journalist Megan Greenwell, author of Bad Company: Private Equity and the Death of the American Dream. (00:46)Next: why is MAGA so incensed over Jeffrey Epstein?Six years after he died, the Jeffrey Epstein scandal is still haunting Donald Trump. Trump had vowed to release all files on various cases that attract conspiracy theorists – from JFK to Martin Luther King Jr. What makes the Epstein case different, as Douglas Murray writes in the magazine this week, is that the case was so recent and Epstein's ties with the elites, many of whom are still in power. Trump appeared to backtrack on releasing files relating to Epstein, prompting ire from the MAGA world, and there is now mounting cross-party pressure to uncover who knew what. Mike Johnson, the House speaker, sent representatives home early for summer, and there is even talk of Ghislaine Maxwell testifying. Why is the Epstein scandal such a lightning rod for MAGA rage? Douglas Murray joined the Spectator to discuss. The full interview can be found on Spectator TV. (15:49)And finally: are literary sequels ‘lazy'?It's ‘sod's law', says the Spectator's literary editor Sam Leith, that when a friend's book is due to be reviewed in the pages of the books section that you edit, the review will be bad. Mike Cormack reviews Men In Love by Irvine Welsh this week, calling the decision by Welsh to pen another sequel to Trainspotting ‘lazy'. At the Spectator this made us ponder whether this is true of all literary sequels, and what motivates authors to stick with characters and stories that they know.Sam joined us to discuss further alongside Lucy Thynne, the Telegraph's deputy literary editor. (33:59)Hosted by William Moore and Lara Prendergast.Produced by Patrick Gibbons and Megan McElroy.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts. Contact us: podcast@spectator.co.uk
Welcome to Dev Game Club, where this week we revisit our series on Gone Home and walking simulators with an interview with Karla Zimonja. We talk about Karla's early career before transitioning to talking about Minerva's Den and get a lot of great gems from the development of Gone Home. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 01:02 Interview 1:21:00 Break 1:21:30 Outro Issues covered: early life and education, stop motion animation and puppetry, Squigglevision, no usual paths into games, transitioning to 3D animation, getting on the content mill, getting in, repetition and burnout, doing tons of research and visual design, picking the soundtrack and working on voice, a small team covering a lot of stuff, putting together clipped out letters, covering all the bases for graphic design/props/and more, digital hoarding, moving to Portland, having a great production, making the bros cry, getting onto Steam, critical acclaim getting you to market, taking out the combat, removing rather than replacing, environmental storytelling, setting the game in the 90s, being aware of the world and having no cellphones, setting yourself up for rigor, pacing, tying together time and space, knowing where the player will go, going to the second floor vs the first floor, putting chunks together, a mind map, callbacks between props, forgetting you're in a video game, the story doesn't exist without the player putting things together, the IKEA effect, situating the journal in Sam's perspective, audio logs, Katie knowing what her sister's voice would be like, not being a little game designer, avoiding artifice, avoiding goofiness, three parter audio logs, cutting out logs you didn't need, not holding the player's hand, dumbing down too far vs letting people be uncomfortable, finding the voice via research, being able to generalize from the highly detailed specifics, getting handwriting, magic and Unicorn Cloud 7, being just as easy to put in the supernatural story but resisting that, wanting the fantasy, how to think about game structure, "the team makes the game," putting story in the ephemera, constraints and applying them to generate the tension, award-winning, the indie space and the blogs, indies banding together, thinking about a game when you're not playing it. Games, people, and influences mentioned or discussed: Asheron's Call 2, Zoo Tycoon 2, 2K Marin, Bioshock 2, Minerva's Den, Fullbright, Tacoma, Open Roads, Wanderstop, Sonderlust Studios, Generation Exile, EA, Comedy Central, Cartoon Network, Olive Jar Animation, MTV, The Critic, Nightmare Before Christmas, Tom Snyder, Soup to Nuts, Dr. Katz, Home Movies, Mitch Hedberg, Trainspotting, Animator Pro, Turbine Games, Lightwave, The Last of Us, Something Awful, Fallout (series), Bob Hope, Maya, Johnnemann Nordhagen, Karina Veronica Riesgo, Inkscape, Steve Gaynor, Rachel Gaynor, Steam Greenlight, Independent Games Festival/IGF, Dear Esther, Call of Cthulhu, Street Fighter, NES/SNES, IKEA, William Goldman, Alien: Isolation, Kate Craig, Final Fantasy VII, Horse Master, Carl Lumbly, Alias, John Wick, Lance Reddick, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia, Bratmobile. Next time: TBA! Twitch: timlongojr Discord DevGameClub@gmail.com
James Cosmo is an iconic Scottish actor who has starred in over 130 Hollywood movies as well as global classic TV productions. His films include Braveheart, Trainspotting, Troy, The Chronicles of Narnia, Ben Hur and The Last King of Scotland. On television, he's known to millions as Jeor Mormont in Game of Thrones, and has appeared in hit series like Sons of Anarchy, His Dark Materials and Jack Ryan. He appeared as a contestant on the nineteenth series of Celebrity Big Brother in 2017, finishing in fourth place. His latest project is staring in the new series of the ITV drama Karen Pirie, available now on ITVX .James Cosmo is our guest in episode 510 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Watch the new series of Karen Pirie on ITVX here - https://www.itv.com/watch/karen-pirie/10a0641Follow James Cosmo on Twitter/X: @MrJamesCosmo . Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.
30 years after Mel Gibson's Braveheart cloaked Hollywood in fake tartan, Ellen E Jones and Mark Kermode take the high roads and the low roads to look for the real Scotland on screen.Ellen talks with Tayside journalist Kayleigh Donaldson about the trouble with Braveheart, why veteran Scottish director Bill Forsyth's hyper local comedy dramas Local Hero, Gregory's Girl, and That Sinking Feeling have such international appeal, and why movies such as Ben Sharrock's Limbo tell a different kind of story about Scotland.Comedian and writer Frankie Boyle tells Ellen why Gregory's Girl is one of Scotland's most beloved films, why Lynne Ramsay's New York City based thriller You Were Never Really Here starring Joaquin Phoenix as a violent mercenary feels so Scottish, and his reservations about Danny Boyle's Trainspotting.Mark reconnects with legendary Scottish actor and star of Succession Brian Cox who has returned to Scotland to make his directorial debut Glenrothan. They discuss Brigadoon, Braveheart (which starred Brian Cox), cultural neglect, and the Powell & Pressburger classic movie set on the Isle of Mull, I Know Where I'm Going.Producer: Freya Hellier A Prospect Street production for BBC Radio 4
In this electric conversation, Irvine Welsh joins Adam Biles at Shakespeare and Company to discuss Men in Love, the long-awaited sequel to Trainspotting. Picking up moments after Renton's betrayal, Welsh dives deep into the aftermath—friendship, love, addiction, class, and the cultural hangover of 1980s Thatcherism. The pair explore writing authentic historical fiction, how ecstasy (both drug and emotion) shaped a generation, and why mobile phones are killing drama. Welsh also shares insights into masculinity, social mobility, and why Sick Boy might just be the tragic heart of this novel. Expect laughs, gallows humor, biting commentary—and a live reading that's pure, unfiltered Welsh.Buy Men In Love: https://www.shakespeareandcompany.com/books/men-in-love-2Irvine Welsh was born and raised in Edinburgh. His first novel, Trainspotting, has sold over one million copies in the UK and was adapted into an era-defining film. He has written fourteen further novels, including the number one Sunday Times bestseller Dead Men's Trousers, four books of shorter fiction and numerous plays and screenplays. Irvine Welsh currently lives between London, Edinburgh and Miami.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.
My guest this week is Irvine Welsh – who, three decades after his era-defining hit Trainspotting, returns with a direct sequel, Men In Love. Irvine tells me what Sick Boy, Renton, Spud and Begbie mean to him, why his new book hopes to encourage a new generation to discover Romantic verse and shagging, and why MDMA deserves more credit for the Good Friday Agreement than Tony Blair.
My guest this week is Irvine Welsh – who, three decades after his era-defining hit Trainspotting, returns with a direct sequel, Men In Love. Irvine tells me what Sick Boy, Renton, Spud and Begbie mean to him, why his new book hopes to encourage a new generation to discover Romantic verse and shagging, and why MDMA deserves more credit for the Good Friday Agreement than Tony Blair.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts. Contact us: podcast@spectator.co.uk
On this day in 1995, at the height of the war in the former Yugoslavia, the Bosnian Serb army captured what was supposedly the UN "safe area" of Srebrenica. In the ensuing days, thousands of Bosnian Muslim women were raped. 8000 Muslim men and boys were murdered. It was Europe's worst massacre since the Second World War.Also in the programme: a Liberian historian on whether his fellow citizens should be outraged by President Trump's remarking on the Liberian leader's "excellent English"; and Scottish writer Irvine Welsh on his sequel to Trainspotting 30 years on from the publication of the original novel.(Photo: Bosnian Muslim women react as they stand amid grave stones of victims killed during the Srebrenica genocide, at the Srebrenica Genocide Memorial in Potocari, Bosnia and Herzegovina, 11 July 2025. Credit: Reuters/Amel Emric)
Oy oy! In the spirit of Summer, we're heading to the land (where it's actually Winter) of sunbleached sand and murderous flora-fauna as we dig into our new theme “I Left My Heart in the Yabba” – Australian Horror! The Aussies have left a big mark on our souls already but we're diving deep and hopefully picking some new, possibly forgotten, even more possibly super f*cked up classics, starting with ALISON'S BIRTHDAY! Along the way we discuss Dinos and Fourth of July rewatches! Go to patreon.com/SHUDcast where you can sign up for all kinds of extra goodies! 00:00 - 14:30ish - Intros: Confused music fans, gifts from Patrons 14:30ish - 56:00ish - The other stuff we watched this time! Cody - Salem's Lot (2024), The Return of the Living Dead, Friendship, Megan 2.0, Cthulhu Mansion, Night Killer, F1, Auntie Lee's Meat Pies, Uncle Sam, Monster Squad, The Shallows, Independence Day: Resurgence, Nope, Signs, War of the Worlds, Jurassic World: Rebirth Lucas - F1, Jurassic World: Rebirth, Now You See Me, Now You See Me 2, Curtis - Megan 2.0, F1, Uncle Sam, Jurassic World: Rebirth, Trainspotting, Blow Out 56:00ish - 1:25:30ish - ALISON'S BIRTHDAY - SHUDdown and discussion! 1:25:30ish - End - The next movie in “I left my heart in the Yabba!” - Australian Horror! Presented by Austin!
Just Shoot It: A Podcast about Filmmaking, Screenwriting and Directing
What does cinematic mean to you? Carlyn Hudson https://www.carlynhudson.com/ joins Matt and Oren fresh off completing her latest short, "Waffle".Is cinematic just a slick look? Is it about lighting? Or is it whatever Midjourney gives you when you ask for a cinematic style? It's always a party when these three are together, with lively discussion, interesting perspectives, and free thrown punches. And our partners in banter spar over all the different layers that make cinematic more than any one thing. And how it's different, arguably different, for different people!It all opens into a side discussion about this summer's movies: Jurassic Park, F1, and of course Danny Boyle's "28 Years Later". What do you think about its "Trainspotting" look, jaw-dropping $75 million (no kidding) budget, and how Instagram is shaping believability. You won't want to miss this fun and thoughtful episode!---Matt's Endorsement: Pocket Dispo Lens https://pocketdispo.com/ for your DSLR or mirrorless camera.Oren's Endorsement: The Nintendo Switch 2, because it's fun without the addiction. Especially "Mario Odyssey". Toiletry bags with 2 zippers that double as your shower caddy. Carlyn's Endorsement: Support the Kerr County (Texas) Flood Relief Fund https://cftexashillcountry.fcsuite.com/erp/donate/create/fund?funit_id=4201 Hosted on Acast. See acast.com/privacy for more information.
In this replay episode of The Listening, we sat down with Rome Streetz to talk through the creative process behind his new album Trainspotting, linking with Conductor Williams, and how he stays sharp lyrically while standing out in the Griselda camp. Rome gets candid about his come-up, the importance of NYC rap lineage, and what keeps him motivated in today's game. This is a replay of our livestream conversation. The full uncut version is available now for DEHH Members and Patrons. Tap in for the full experience. #RomeStreetz #TheListening #Griselda #DeadEndHipHop #Trainspotting #HipHopInterview #ConductorWilliams #NYRap Join this channel to get access to perks: https://www.youtube.com/channel/UCwNzLpk33dblyY2Gg-SyPxw/join Learn more about your ad choices. Visit megaphone.fm/adchoices
We sat down to review Trainspotting, the new collab between Rome Streetz and Conductor Williams. The bars are sharp, the production is textured, and the chemistry is undeniable. From the grimy aesthetics to the focused execution, we break down what makes this project stand out and where it ranks among Rome's catalog. Also, Rome Streetz will be joining us live on The Listening this Wednesday (6/25/25) at 7:30 PM ET. We'll be talking about Trainspotting, his creative process, and more. Set your reminder and pull up for the convo. The Listening: https://youtube.com/live/FUvOxx09c9Q Patreon: patreon.com/deadendhiphop Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!This week Pip is joined by the UK film titan in town on business for 28 Years Later, it's DANNY BOYLE!An immense amount of cinematic greatness can be packed into a smaller episode, as you shall witness with this awesome episode with Danny. This was recorded as part of the Converstions @ Curzon series, where the best of the best film folk get to chat about the craft in a perfect environment for such conversations. As you can hear Danny is always great for a film talk, and even though up against the clock, it was enough to get into some proper good ground relating to output, theory and general approach. He and Pip also check in on cinema seating and the specifics, the effect of sound on an audience and working with sonic layers, working with Young Fathers, the changing image of horror, funding for films, the idea of cultural stasis in the time of the original 28 Days Later, and handing over the reins for the third iteration. Told you it was a lot for a shorter run time... Go in on this!PIP'S PATREON PAGE if you're of a supporting natureCURZON YOUTUBEDANNY • DPP #27628 YEARS LATERSPEECH DEVELOPMENT WEBSTOREPIP TWITCH • (music stuff)PIP INSTAGRAMPIP TWITTERPIP PATREONPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.