Podcast appearances and mentions of seven genres

The clothes you wear project an image to others. But those same clothes you wear influence you as well. Listen and discover how different clothes and different colors you wear change the way you act and even how you think of yourself. https://www.nytimes.com/2012/04/03/science/clothes-and-self-perception.html Think of all the different kinds of popular music there are: country, rock, hip-hop, pop, R&B, jazz and more. All that music came from somewhere. And those musical origins tell some fascinating stories. If you enjoy music, listen to my conversation with Kelefa Sanneh. He is a writer for The New Yorker, former pop music critic for the New York Times, contributor to the CBS Sunday Morning program and author of the book Major Labels: A History of Popular Music in Seven Genres (https://amzn.to/3npafT2). You are going to hear some great stories! Who hasn't found themselves in money trouble at some point? One big reason why that happens is that people don't closely examine how much money they earn or how they spend it. Interestingly, even people who think they do, often do not – according to my guest Jill Schlesinger. Jill is a certified financial planner, award winning business analyst for CBS News, host of the Jill on Money podcast and radio show and author of the book The Great Money Reset (https://amzn.to/3JGJ91e). If you want to get some sound financial advice and ways to get a clear view of your financial life, you'll want to hear what Jill has to say. A lot of Italian food tastes even better the next day with one big exception – pizza! While it may never be as good as fresh pizza, there is a way to reheat it that will bring that pizza back to life. Listen as I explain how to do it. https://www.americastestkitchen.com/cooksillustrated/how_tos/6453-the-best-way-to-revive-leftover-pizza PLEASE SUPPORT OUR SPONSORS!!! FACTOR: Eat smart with Factor! Get 50% off at https://FactorMeals.com/something50off QUINCE: Indulge in affordable luxury! Go to https://Quince.com/sysk for free shipping on your order and 365-day returns. TIMELINE: Get 10% off your order of Mitopure!  Go to https://Timeline.com/SOMETHING HERS: Hers is changing women's healthcare by providing access to GLP-1 weekly injections with the same active ingredient as Ozempic and Wegovy, as well as oral medication kits. Start your free online visit today at https://forhers.com/sysk INDEED: Get a $75 sponsored job credit to get your jobs more visibility at https://Indeed.com/SOMETHING right now! SHOPIFY:  Nobody does selling better than Shopify! Sign up for a $1 per-month trial period at https://Shopify.com/sysk and upgrade your selling today! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tanya talks to the author of Major Labels: A History of Popular Music in Seven Genres, about the significance of musical genres; our fandom and our tastes; and some of music's most powerful moments.

Settle down, class! If you didn't mean to attend this first lecture for the Faelosophy major, then we suggest you exit gracefully now... but if you'd just like to stay and audit, that's fine too. We're talking about Changeling metaphysics today, hashing out some of the Deeper Questions about the nature of being, the relationship between dream and reality, and what really happens when a troll walks through a doorway. Joining us again is special guest and resident metaphysicist Terry Robinson of Mage: the Podcast, to help triangulate some opinions and lay down some knowledge. Do take notes, for there will be a pop quiz down the line. A few good places to find Terry around the interwebs include: Mage: the Podcast at https://magethepodcast.com/ (through which you can also find that show's Discord, etc.) Pain in the Dice podcast at https://www.paininthedice.com/, because game are fun, but sometimes hard You probably won't find Terry at the book page for Kelefa Sanneh's Major Labels: A History of Popular Music in Seven Genres, but because it came up in conversation, feel free to check that volume out... ...but also, as of this posting, Terry has just released a homebrew Mage 20 book on the Umbra, so consider heading over to https://www.storytellersvault.com/product/455874?affiliate_id=3063731 and giving it a purchase! And our usual arrangement of links: Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast YouTube: https://www.youtube.com/@ChangelingThePodcast your hosts Josh Hillerup (any pronoun) believes that whatever the dream of perfection might be, nockers are proof against its attainability, except when it comes to fashion. Pooka G (any pronoun/they) only exists as a concept in relation to pastries and coffees already/yet to be consumed. The subconscious is ceaselessly murmuring, and it is by listening to these murmurs that one hears the truth. —Gaston Bachelard, The Poetics of Reverie

We enlist a very overqualified person to answer this question, writer Kelefa Sanneh, author of Major Labels: A History of Popular Music in Seven Genres. Kelefa listens to more music than practically anyone on earth, and this week he breaks down how even a normal person can find new stuff when they feel like their ears have rusted. Check out the Search Engine newsletter for playlist recommendations from Kelefa, Search Engine's Noah John, and PJ Vogt. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

How can the clothes you wear influence your personality? You will be surprised to discover how different clothes and different colors change the way you act, the way others perceive you and even how you perceive yourself. https://www.nytimes.com/2012/04/03/science/clothes-and-self-perception.html There are all kinds of popular musical genres from rock, country, hip-hop, dance R&B, pop and more. And all that music came from somewhere. If you are a music lover you will want to hear the stories Kelefa Sanneh shares with me. Kelefa is a writer for The New Yorker, former pop music critic for the New York Times, contributor to the CBS Sunday Morning program and author of the book Major Labels: A History of Popular Music in Seven Genres (https://amzn.to/3npafT2). You will love how he reveals the backstories of popular music in a way you have never heard before.  One of the major reasons people have financial troubles is they don't really examine how much money they make or what they spend it on. Even people who think they know – probably don't according to my guest Jill Schlesinger. Jill is a certified financial planner, award winning business analyst for CBS News, host of the Jill on Money podcast and radio show and author of the book The Great Money Reset (https://amzn.to/3JGJ91e). Listen as she offers some great advice on how to get a crystal clear view of your financial situation and strategies to make you feel financially secure so that you can live the life you want.  Leftover pizza is always a disappointment. It's weird because a lot of Italian food tastes better the next day. But not pizza. Listen as I reveal the perfect technique to reheat pizza to make it taste as good (or almost) as it did when it was first delivered. https://www.americastestkitchen.com/cooksillustrated/how_tos/6453-the-best-way-to-revive-leftover-pizza PLEASE SUPPORT OUR SPONSORS! Packed with industry-leading tools ready to ignite your growth, Shopify gives you complete control over your business and your brand without having to learn any new skills in design or code. Sign up for a $1/month trial period at https://Shopify.com/sysk to take your business to the next level today! With Instant Match from Indeed, as SOON as you sponsor a job post, you get a shortlist of quality candidates whose resumes on Indeed match your job description, and you can invite them to apply right away. You only pay for quality applications that match your must-have job requirements! Visit https://Indeed.com/SOMETHING to start hiring now! Zocdoc is the only FREE app that lets you find AND book doctors who are patient-reviewed, take your insurance, are available when you need them and treat almost every condition under the sun! Go to https://Zocdoc.com/SYSK and download the Zocdoc app for FREE. The Dell Technologies' Semi Annual Sale is on, with limited-quantity deals on top tech! Save today by calling 877-ASK-DELL Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Kelly nerds out about music nonfiction, with recommendations galore, whatever your genre of choice. Follow All the Books! using RSS, Apple Podcasts, Spotify, or Stitcher and never miss a book. Sign up for the weekly New Books! newsletter for even more new book news. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. SHOW NOTES Major Labels: A History of Music in Seven Genres by Kelefa Sanneh Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore by Dan Ozzy Larger Than Life: A History of Boy Bands from NKOTB to BTS by Maria Sherman Everything I Need I Get From You: How Fangirls Created the Internet as We Know It by Kaitlyn Tiffany The Number Ones: Twenty Chart Topping Hits That Reveal the History of Pop Music by Tom Briehan Music Is History by Questlove Her Country: How Women of Country Music Became the Success They Never Were Supposed to Be by Marissa Moss 60 Songs That Explain The 90s Podcast Bandsplain Podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Punk rock's been around for a good half a century now. This hour, a deep dive into punk's past and present. GUESTS: Legs McNeil: Co-founder of PUNK Magazine and co-author of Please Kill Me: The Uncensored Oral History of Punk Kelefa Sanneh: Author of Major Labels: A History of Popular Music in Seven Genres and a staff writer at The New Yorker Ben Social and Amy Wappel: Formed the Connecticut-based punk band Sadplant in 2007 The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe, Jonathan McNicol, Cat Pastor, and Lily Tyson contributed to this show, which originally aired June 29, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Bad Bunny's “Un Verano Sin Ti” has topped the Billboard albums chart for five weeks this summer, with his Latin trap and reggaetón beats on heavy rotation at beach days and house parties alike. The latest releases of Drake and Beyoncé are signaling for some a revival of house music, its uptempo beats symbolizing joy amidst struggle. And after 27 years, Netflix and TikTok returned Kate Bush's “Running Up That Hill” to the charts —winning fans not yet born at its release. This summer's most popular music is eclectic, but there just may be a unifying energy to it all. We'll discuss the sounds of Summer 2022 and hear your song of the summer. Guests: Pendarvis "Pen" Harshaw, columnist, KQED Arts - host, KQED's "Rightnowish" podcast. Kelefa Sanneh, author, Major Labels: A History of Popular Music in Seven Genres - staff writer, The New Yorker; former music critic, The New York Times. Reanna Cruz, producer, Switched on Pop.

Punk rock's been around for a good half a century, but we've never devoted a show to it. This hour, a deep dive into punk's past and present. GUESTS:  Legs McNeil: Co-founder of PUNK Magazine and co-author of Please Kill Me: The Uncensored Oral History of Punk Kelefa Sanneh: Author of Major Labels: A History of Popular Music in Seven Genres and a staff writer at The New Yorker Amy Wappel and Ben Social: Formed the Connecticut-based punk band Sadplant in 2007 The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe, Jonathan McNicol, Cat Pastor, and Lily Tyson contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

This hour, we’re joined by Kelefa Sanneh, author of Major Labels: A History of Popular Music in Seven Genres. We talk about music genres and look back at the history of music. GUESTS: Kelefa Sanneh: Staff writer at The New Yorker and the author of Major Labels: A History of Popular Music in Seven Genres The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe, Jonathan McNicol, and Cat Pastor contributed to this show, which originally aired October 25, 2021.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

This week, I chat about the history of music genres and what they mean today for music fans and indie record labels!  I chat with the author Kelefa Sanneh who's book is called, "Major Labels: A History of Popular Music in Seven Genres." Grab a copy of this amazing book here: http://geni.us/majorlabels

SUPPORT MUSIC IS NOT A GENRE ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE FEATURED MUSIC REC – “Brave the World” I'm a peaceful man. Or at least I present as one. I've actually got a little too much fire in me, which is a little too easy to set off. Fortunately, with age comes … slowness. I take more time before responding. I sit with my trigger feeling and explore what else might be there. I look for a way to bridge gaps. I … drum roll please … LISTEN before I talk. All of which makes for much better communication, understanding & connection. This is especially useful when my passion for a subject goes beyond all reason, and I'm confronted by someone with an equal passion who doesn't necessarily see things how I do. What could end up in complete disengagement & animosity turns into an opportunity to learn, respect & bond. It's a journey. It's a pain in the ass. And it's one of the most rewarding experiences anyone can have. This week's book, Kelefa Sanneh's Major Labels: A History of Popular Music in Seven Genres, is one of the most passionate music books I've ever read. And because the author is passionate, experienced, informed AND has opinions, the book was both thought- AND emotion-provoking. I was predisposed to skepticism about Major Labels because a friend of mine – himself an excellent writer & critic – mentioned to me that Sanneh defends “genre boundaries”, something you can imagine the MUSIC is not a GENRE creator is not a fan of

KJ here. Sarina wanted to try Morning Pages, the most famous ritual from Julia Cameron’s The Artist’s Way—a book that, tbh, has never, ever floated my boat, just as my resistance to morning pages—in my mind, a variation on journaling, which I have also never liked—has been strong.But Sarina wanted to try it. So we did, she in a fairly systematic way and me in what I still have to concede was more than a little half-assed. And now, having recorded the podcast, and kinda-sorta-promised to try this again later, I write these show notes still unconvinced. I already do creative things. I don’t think I need to free up my creativity. Is there really anything WRONG with only wanting to do the thing if it makes a thing—something someone might read, in the case of writing, but in other arts as well? That’s how I am. I’ll knit a hat, but I’m not just gonna sit here and knit. I like to draw but I like to share what I drew. And there’s no better art than making beautiful, tasty cookies and cakes.I get it. Perhaps that’s a very Puritan approach to creativity, but I don’t feel like I only have “permission” to do it if it’s useful. I feel like it’s only fun if it ends in something. I go back and forth on whether that’s a good thing.Well, these are unusual shownotes. Do you like Morning Pages? Do you do them? Every day, some days, always at the same time… how? What do you think comes from it? We’d love to hear your answers in the #AmWriting Facebook Group.Links from the PodThe Artist’s Way, Julia CameronVideo: Julia Cameron discusses morning pagesThe prewriting concept comes from the excellent book From 2K to 10K by Rachel AaronBecca Symes, The QuitcastAtomic Habits, James Clear#AmReadingSarina: Loud is How I Love You, Mercy BrownKJ: Apples Never Fall, Liane MoriartyKJ also mentioned The Nineties by Chuck Klosterman and Major Labels, A History of Popular Music in Seven Genres by Kelefa SannehAre you serious about writing a nonfiction book this year? Author Accelerator is offering a nonfiction book incubator starting February 28th. There are only a few seats in this intensive program because you will get 1:1 coaching on every single step of the process AND you will have the chance to pitch your proposal to a pool of agents and publishers at the end -- a fabulous opportunity. Apply for the program HERE -- and get a strategic session with Jennie Nash to kickstart your work. We think Jennie and her book coaches are terrific -- tell her we sent you! This is a public episode. Get access to private episodes at amwriting.substack.com/subscribe

In this episode, Kelefa Sanneh, staff writer for The New Yorker, is joined by John Azumah, Founding Executive Director of the Sanneh Institute, to discuss the legacy and witness of Kelefa's father Lamin Sanneh, a leading expert in Christian theology and missions as well as Christian-Muslim dialogue. Lamin's legacy continues on through the work of the Sanneh Institute, which seeks to educate and equip religious leaders, scholars, academic institutions, and the broader public on Christian and Muslim history, theology, and possibilities for interfaith partnership.    Guests Kelefa Sanneh John Azumah   Learn More  The African Christian and Islam by John Azumah  My Neighbor's Faith: Islam Explained for Christians by John Azumah Major Labels: A History of Popular Music in Seven Genres by Kelefa Sanneh  "The Plan to Build a Capital for Black Capitalism" by Kelefa Sanneh

The New Yorker's Music critic Kelefa Sanneh talks to Neil about his new book Major Labels: A History of Popular Music in Seven Genres. See acast.com/privacy for privacy and opt-out information.

States nationwide are seeing COVID-19 surges, and New York reported more than 60,000 new cases this past weekend, the most since the start of the pandemic. “We're seeing both a reduction in the ability of the vaccines to protect you against the basic infection, but we're also seeing the fact that you're being exposed so many times, that the number of times your body's able to defend itself declines over time,” says Dr. Jay Varma, epidemiologist and Weill Cornell professor.  A U.S. federal appeals court reinstated a Biden administration rule that mandates businesses with 100 or more employees to require COVID vaccinations or weekly tests for unvaccinated workers. Pitchfork editors share the year's popular music books, including “The Motherlode: 100+ Women Who Made Hip-Hop” by Clover Hope and “Major Labels: A History of Popular Music in Seven Genres” by Kelefa Sanneh. Amy Schneider has earned more than $500,000 total from winning “Jeopardy!” 13 times so far. She's also the most successful trans candidate the show's ever seen.

“I relate to the idea that music can be a kind of a home, but also the restlessness…the idea that you might want to leave home, the idea that you might want to try and chose something different from what your life, your parents have chosen for you." Kelefa Sanneh, staff writer at The New Yorker, joins the podcast. Music, now more than ever, is in. Pop, country, rock, R&B, Hip Hop… Americans are listening to more, and a wider range of music, than ever before. In his recent book Major Labels: A History of Popular Music in Seven Genres, Sanneh delves into the history of popular music in America, genre by genre. He attacks some of the questions we all wonder about. How can divisiveness in culture shape the character and tone of music? How does music help us both self-identify and escape our surroundings at the same time? How does the history of race in America play in to our music? Can we partially credit racial struggles with the production of such an extraordinarily varied uniquely American musical songbook? Sanneh takes us on a guided tour through the past fifty years of American popular music, from Bob Dylan to Lil Nas X. If you like what we do, please support the show. By making a one-time or recurring donation, you will contribute to us being able to present the highest quality substantive, long-form interviews with the world's most compelling people. Kelefa Sanneh has been a New Yorker staff writer since 2008, before which he spent six years as a pop-music critic at The New York Times. He is also a contributor to CBS Sunday Morning. Previously, he was the deputy editor of Transition, a journal of race and culture based at the W. E. B. Du Bois Research Institute at Harvard University. His writing has also appeared in a number of magazines and a handful of books, including Shake It Up: Great American Writing on Rock and Pop from Elvis to Jay Z, a Library of America Special Publication, and Da Capo Best Music Writing (2002, 2005, 2007, and 2011). He lives in New York City with his family.

Institute fellow Ben Ratliff talks with Kelefa Sanneh about his new book, Major Labels: A History of Popular Music in Seven Genres, which tells the story of popular music during the past fifty years.

On this episode Apology editor Jesse Pearson talks with the writer Kelefa Sanneh about his new book Major Labels: A History of Popular Music in Seven Genres, being in the storied lineage of the New Yorker, and his punk rock bona fides.

Kelefa Sanneh is a staff writer at The New Yorker. His book is Major Labels: A History of Popular Music in Seven Genres. “I'm always thinking about how to not be that person at a party who corners you and tells you about their favorite thing and you're trying to get away. It's got to feel light and fun. And what that means in practice is writing about music for readers who don't care about music, while at the same time writing something that the connoisseurs don't roll their eyes too hard at.” Show notes: Sanneh on Longform Sanneh's New Yorker archive 01:00 "The Education of a Part-Time Punk" (New Yorker • Sep 2021) 14:00 "Paul McCartney Doesn't Really Want to Stop the Show" (David Remnick • New Yorker • Oct 2021) 17:00 "How Morgan Wallen Became the Most Wanted Man in Country" (New Yorker • Dec 2020) 23:00 "Party of One" (New Yorker • Jul 2009) 25:00 "Can Jake Paul Fight His Way Out of Trouble?" (New Yorker • Nov 2021) 34:00 "Gettin' Paid" (New Yorker • Aug 2001) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tanya talks to the author of Major Labels: A History of Popular Music in Seven Genres, about the significance of musical genres; our fandom and our tastes; and some of music's most powerful moments.

This week, Steve and Dana are joined by Slate's music critic Carl Wilson. First, the panel reviews Edgar Wright's newest psychological horror film Last Night in Soho—which Dana reviewed for Slate. Next, the panel discusses the newest album in over 40 years from the legendary Swedish music group ABBA, titled Voyage. Finally, the panel is joined by host of Slate's Hit Parade podcast (and Rock and Roll Hall of Fame voter!) Chris Molanphy to discuss this year's Rock and Roll Hall of Fame inductees and the institution at large. In Slate Plus, the panel discusses music they like to listen to while working. You can find Dana's playlist of music to work and write to here, Steve's here, and Carl's here. Email us at culturefest@slate.com. Endorsements Dana: The LA Times has been doing an incredible job of covering the ever-developing story of the tragic shooting on the set of the Alec Baldwin film, Rust. The story, which points to many bigger problems, including issues with labor relations in the entertainment industry at large. “The Day Alec Baldwin Shot Halyna Hutchins and Joel Souza” chronologically accounts the events of the entire day, written by three different reporters: Meg James, Amy Kaufman, and Julia Wick. Carl: First, the great late-80s rock musician Billy Bragg's newest album The Million Things That Never Happened in which he reflects on aging, isolation, change, and being challenged ideologically by younger generations. This is specifically true of the track, “Mid-Century Modern.” Second, the new music historiography novel from Kelefa Sanneh (who, in the 2000s, wrote the great central piece on rockism for the New York Times), Major Labels: A History of Popular Music in Seven Genres, which is a celebration of what happens when you stay within a tradition. Steve: First, the ‘80s singer-songwriter Marshall Crenshaw's live cover of ABBA's song “Knowing Me, Knowing You.” Second, yet another Swedish indie band: The Amazing. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is “Lonely Calling” by Arc De Soleil. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Steve and Dana are joined by Slate's music critic Carl Wilson. First, the panel reviews Edgar Wright's newest psychological horror film Last Night in Soho—which Dana reviewed for Slate. Next, the panel discusses the newest album in over 40 years from the legendary Swedish music group ABBA, titled Voyage. Finally, the panel is joined by host of Slate's Hit Parade podcast (and Rock and Roll Hall of Fame voter!) Chris Molanphy to discuss this year's Rock and Roll Hall of Fame inductees and the institution at large. In Slate Plus, the panel discusses music they like to listen to while working. You can find Dana's playlist of music to work and write to here, Steve's here, and Carl's here. Email us at culturefest@slate.com. Endorsements Dana: The LA Times has been doing an incredible job of covering the ever-developing story of the tragic shooting on the set of the Alec Baldwin film, Rust. The story, which points to many bigger problems, including issues with labor relations in the entertainment industry at large. “The Day Alec Baldwin Shot Halyna Hutchins and Joel Souza” chronologically accounts the events of the entire day, written by three different reporters: Meg James, Amy Kaufman, and Julia Wick. Carl: First, the great late-80s rock musician Billy Bragg's newest album The Million Things That Never Happened in which he reflects on aging, isolation, change, and being challenged ideologically by younger generations. This is specifically true of the track, “Mid-Century Modern.” Second, the new music historiography novel from Kelefa Sanneh (who, in the 2000s, wrote the great central piece on rockism for the New York Times), Major Labels: A History of Popular Music in Seven Genres, which is a celebration of what happens when you stay within a tradition. Steve: First, the ‘80s singer-songwriter Marshall Crenshaw's live cover of ABBA's song “Knowing Me, Knowing You.” Second, yet another Swedish indie band: The Amazing. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is “Lonely Calling” by Arc De Soleil. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Steve and Dana are joined by Slate's music critic Carl Wilson. First, the panel reviews Edgar Wright's newest psychological horror film Last Night in Soho—which Dana reviewed for Slate. Next, the panel discusses the newest album in over 40 years from the legendary Swedish music group ABBA, titled Voyage. Finally, the panel is joined by host of Slate's Hit Parade podcast (and Rock and Roll Hall of Fame voter!) Chris Molanphy to discuss this year's Rock and Roll Hall of Fame inductees and the institution at large. In Slate Plus, the panel discusses music they like to listen to while working. You can find Dana's playlist of music to work and write to here, Steve's here, and Carl's here. Email us at culturefest@slate.com. Endorsements Dana: The LA Times has been doing an incredible job of covering the ever-developing story of the tragic shooting on the set of the Alec Baldwin film, Rust. The story, which points to many bigger problems, including issues with labor relations in the entertainment industry at large. “The Day Alec Baldwin Shot Halyna Hutchins and Joel Souza” chronologically accounts the events of the entire day, written by three different reporters: Meg James, Amy Kaufman, and Julia Wick. Carl: First, the great late-80s rock musician Billy Bragg's newest album The Million Things That Never Happened in which he reflects on aging, isolation, change, and being challenged ideologically by younger generations. This is specifically true of the track, “Mid-Century Modern.” Second, the new music historiography novel from Kelefa Sanneh (who, in the 2000s, wrote the great central piece on rockism for the New York Times), Major Labels: A History of Popular Music in Seven Genres, which is a celebration of what happens when you stay within a tradition. Steve: First, the ‘80s singer-songwriter Marshall Crenshaw's live cover of ABBA's song “Knowing Me, Knowing You.” Second, yet another Swedish indie band: The Amazing. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is “Lonely Calling” by Arc De Soleil. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Major Labels: A History of Popular Music in Seven Genres, author and New Yorker staff writer Kelefa Sanneh tackles the last half century of popular music—and its listeners—through rock, R&B, country, punk, hip-hop, dance, and pop. Sanneh joins to talk about it.

This hour, we’re joined by Kelefa Sanneh, author of Major Labels: A History of Popular Music in Seven Genres. We talk about music genres and look back at the history of music. GUESTS: Kelefa Sanneh - Author of Major Labels: A History of Popular Music in Seven Genres and a staff writer at The New Yorker Join the conversation on Facebook and Twitter. Colin McEnroe, Jonathan McNicol, and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Kate, Daya, and Eric speak with director Todd Haynes about his latest movie, and first documentary, The Velvet Underground, which shows just how the legendary rock group became a cultural touchstone representing a range of contradictions. The band is both of their time, yet timeless; rooted in high art and underground culture. The film features in-depth interviews with key artistic players of the 1960s combined with a treasure trove of never- before-seen performances and a rich collection of recordings, Warhol films, and other experimental art. The result is an immersive experience into what founding member John Cale describes as the band's creative ethos: “how to be elegant and how to be brutal." Also, Kelefa Sanneh, author of Major Labels: A History of Popular Music in Seven Genres, returns to recommend I'm with the Band: Confessions of a Groupie by Pamela Des Barres.

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kate, Daya, and Eric speak with director Todd Haynes about his latest movie, and first documentary, The Velvet Underground, which shows just how the legendary rock group became a cultural touchstone representing a range of contradictions. The band is both of their time, yet timeless; rooted in high art and underground culture. The film features in-depth interviews with key artistic players of the 1960s combined with a treasure trove of never- before-seen performances and a rich collection of recordings, Warhol films, and other experimental art. The result is an immersive experience into what founding member John Cale describes as the band's creative ethos: “how to be elegant and how to be brutal." Also, Kelefa Sanneh, author of Major Labels: A History of Popular Music in Seven Genres, returns to recommend I'm with the Band: Confessions of a Groupie by Pamela Des Barres.

The contributor on CBS Sunday Mornings and music critic talks about his new book, " Major Labels: A History of Popular Music in Seven Genres." Buy his new book here: https://www.penguinrandomhouse.com/books/576360/major-labels-by-kelefa-sanneh/

Kate Wolf speaks with writer Kelefa Sanneh about his debut book, Major Labels: A History of Popular Music in Seven Genres. An exhaustive, enthralling breakdown of the last fifty years in music, Major Labels diagrams the American sonic landscape, Alfred Barr style, in the discrete yet overlapping categories of Rock, R&B, Country, Punk, Hip Hop, Dance and Pop; it also pays close attention to the proliferation of genres within genres, covering everything from thrash metal to glitter rock, quiet storm to hip hop soul, and many more. The book reveals what these divisions mean not only for the way music gets made, but how it's listened to, and by whom. In conversation, we learn what inspired, and continues to inspire, one of our leading music writers. Also, Cynthia Cruz, author of The Melancholia of Class, returns to recommend a collection of writings by the late Mark Fisher "Ghosts of My Life: Writings on Depression, Hauntology, and Lost Futures."

Kate Wolf speaks with writer Kelefa Sanneh about his debut book, Major Labels: A History of Popular Music in Seven Genres. An exhaustive, enthralling breakdown of the last fifty years in music, Major Labels diagrams the American sonic landscape, Alfred Barr style, in the discrete yet overlapping categories of Rock, R&B, Country, Punk, Hip Hop, Dance and Pop; it also pays close attention to the proliferation of genres within genres, covering everything from thrash metal to glitter rock, quiet storm to hip hop soul, and many more. The book reveals what these divisions mean not only for the way music gets made, but how it's listened to, and by whom. In conversation, we learn what inspired, and continues to inspire, one of our leading music writers. Also, Cynthia Cruz, author of The Melancholia of Class, returns to recommend a collection of writings by the late Mark Fisher "Ghosts of My Life: Writings on Depression, Hauntology, and Lost Futures."

Kelefa Sanneh has been writing about music for his entire career. Drawing on his experience as the music critic at The New York Times, a staff writer for The New Yorker, and a lifelong music obsessive, Kelefa took a detailed look at how music unites and divides us with his new opus, Major Labels: A History of Popular Music in Seven Genres. Marc and Kelefa talk about their own personal musical journeys, how genres are comparable to communities, and how identities can be established and shaped by the music we love. See omnystudio.com/listener for privacy information.