Movies vs. Capitalism

Rivka and Frank are joined by Daniel from the new podcast ‘The Sickle and the Hammer: A Socialist History of the Soviet Union' to talk about the 2001 Soviet-era drama Enemy at the Gates. If you've ever wondered what the Western capitalist perspective is on the siege of Stalingrad - this is the movie for you! We unpack all of the propaganda, historical inaccuracies, and flat out lies baked into the film. Because it turns out you'll betray your entire belief system if the girl you like doesn't like you back. We also talk about Daniel's podcast, which is a comprehensive telling of the Russian revolution told from a socialist perspective.  The Sickle and the Hammer: A Socialist History of the Soviet Union For next week's movie, we'll be watching the 1981 drama REDS. 

Rivka and Frank are joined by journalist and Zeteo staff writer Prem Thakker to discuss Stephen Spielberg and Tom Cruise's 2002 sci-fi dystopian crime thriller Minority Report. The three talk about the film's critique of the modern day surveillance state, the philosophical concept of “pre-crime”, and whether the entire movie could have been avoided if John Anderton had just told his colleagues that some weird shit went down in the milk vat.  For next week's movie, we'll be watching 2001 film Enemy at the Gates.

While we're on hiatus, we're unlocking this episode from behind the paywall! Thank you all for listening and your support :) Rivka and Frank are joined by MVC all-star Harvey Kaye to discuss Michael Moore's 2009 documentary Capitalism, A Love Story. They talk about the film's radicalizing potential, its portrayal of the 2008 financial crisis, what Moore could have done better, and Obama. MVC donates its ad space to progressive or leftist causes and organizations. If you're interested in promoting your work, email us at moviesvscapitalism@gmail.com. Artwork by Rufus Paisley | Theme song by JustBen

Rivka and Frank are joined by attorney and legal organizer Don to talk about the 1981 cult classic Mad Max 2: The Road Warrior. The three compare the political formations and ideologies inherent to both the communists of proto-Gastown and the violent raiders of Lord Humungus' gang. They also unpack the nature of the film's unreliable narrator, whether Max is even a good guy (a former cop?!), and if aesthetic expression is a fundamental component of post-apocalyptic survival.  MVC will be taking a break for May but will return with new episodes in June!

This week, Rivka and Frank dive into two of the most talked-about shows of the season: The White Lotus and Severance. They explore how Severance brilliantly captures Marx's concept of worker alienation, debate whether The White Lotus functions as true satire or simply a glossy drama about wealthy vacationers, and discuss the political implications each series leaves us with. For next week, we'll be watching the post-apocalyptic Mel Gibson epic MAD MAX 2: The Road Warrior.

Rivka and Frank are joined by MVC editor John for a deep-dive into the sci-fi parody Galaxy Quest. They unpack the film's clear affection for Star Trek, its sharp satire of fan culture and conventions, and why David Mamet once praised it as one of the best-structured screenplays in modern film. Speaking of space, Frank and Rivka give their take on girlboss billionaire's modern day galaxy quest in today's topical.  For next week we'll be talking about TV, discussing Severance and White Lotus.

Rivka and Frank return with another duet to revisit a childhood staple: Jumanji, the Robin Williams-led adventure that shaped a generation's imagination. But as they unpack the film, it becomes clear that it's doing more than telling the story of a man trapped in a magical board game. Beneath the surface, Jumanji reflects deeper currents—tracing the shadows of American and European imperialism, colonial legacy, and the quiet manipulations of capitalist logic. 

Rivka and Frank are joined by 3 time Emmy Nominated writer and comedian Ellory Smith to discuss the 1998 Disney / Pixar film A Bug's Life. The trio deep dive into this radical animation, discussing its themes of exploitation and surplus value. They also discuss how the circus bugs symbolize mutual aid, and, in a controversial twist, they ask: Is Flick actually the hyper-individualistic villain of the story? For next week's movie, we'll be watching the 1995 Robin Williams classic, Jumanji.   

Rivka and Frank are joined by author, activist, and former presidential candidate Marianne Williamson to discuss Jason Reitman's 2009 comedy drama Up in the Air — a movie where George Clooney flies around the country firing people. The three discuss the film's context coming out shortly after the 2008 financial crisis, the film's depiction of “corporate loyalty” culture, and how treating people like numbers on a spreadsheet leads to feelings of extreme alienation. For next week's movie, we'll be watching the 1998 Disney / Pixar film A Bug's Life. 

Rivka and Frank are joined by organizer and playwright Jesse Jae Hoon to delve into the 2008 Michel Gondry film Be Kind Rewind. Together, the trio explore how this quirky comedy, starring Mos Def and Jack Black, offers a poignant commentary on the power of community organizing and storytelling within movements. Frank and Rivka also discuss the current workers strike at Alamo Drafthouse.  Alamo Drafthouse Workers Strike Fund More about Jesse Jae Hoon Theater Workers for a Ceasefire Next week, we'll be watching the 2009 George Clooney dramedy Up in the Air with special guest Marianne Williamson. .

Rivka and Frank join forces to dissect the 2024 indie horror gem I Saw the TV Glow, directed by Jane Schoenbrun. The pair dive into the film's political subtext, its hauntingly beautiful portrayal of suburban oppression, and its poignant power as a trans allegory.

Rivka and Frank are joined by comedian Cassie Willson to discuss the 2001 Pixar classic Monsters, Inc. The trio dives into how the story of two monsters whose job is to extract energy through the exploitation of vulnerable human children offers a rich political allegory. This week, Rivka and Frank also cover the 2025 Oscars. Next week, we'll be watching the 2024 horror-fantasy I Saw the TV Glow.

Following Anora's big night at the Academy Awards, we're UNLOCKING our Patreon episode on the film, which some have described as the "most comprehensive Anora podcast of all time." ORIGINALLY PUBLISHED JAN. 30: Rivka and Frank unpack the varied politics of Best Picture Oscar winner Anora, directed by Sean Baker with a breakout performance by Mikey Madison. The two discuss everything from the politics of sex workers on screen, fuck boys with oligarch daddy issues, Sean Baker's legacy, and more. 

Rivka and Frank are celebrating their 100th episode of Movies VS Capitalism with a very special guest—Frank's dad, Tom Cappello! With over 40 years of experience in the restaurant industry, Tom brings a deeply personal perspective to the hit 1996 Stanley Tucci film Big Night. In this milestone episode, the trio dives into the politics of cooking—particularly how authentic cuisine is a form of resistance—and explores the impact of assimilation on Italian immigrants in America, plus the internalization of the American Dream.   For next week's movie, we'll be watching the 2024 horror fantasy, I Saw the TV Glow. 

Rivka and Frank are joined by writer Svetlana Kitto to discuss the 2024 Timothée Chalamet Bob Dylan biopic A Complete Unknown. The trio examines whether the film delves deeply enough into the politics of its time. They also explore whether it matters if an artist considers themselves political, how the women in the film manage to shine despite their shallow character arcs, and why most musicians today are considered cowards. Svetlana's Writing  For next week's movie, we'll be celebrating our 100th episode by watching the 1996 comedy Big Night with a very special guest - Frank's dad!

Rivka and Frank are joined by actor Kate Eastman to dive into the 2024 body horror thriller The Substance, a film that tackles the twisted intersections of beauty, capitalism, and patriarchy. The trio explores how this movie craftfully unpacks the moralization of beauty and self-care as a form of imprisonment, and why horror is the perfect genre for director Coralie Fargeat to make her unsettling, yet strangely insightful, statement.  For next week's movie, we'll be watching the 2024 Timmy Chalamet Bob Dylan biopic A Complete Unknown.  

Rivka and Frank are joined by Sean Morrow of More Perfect Union to dive into the utterly bonkers straight-to-streaming biopic about everyone's favorite capitalist, Jeff Bezos. Sean pitches it as a contender for the "so-bad-it's-good" hall of fame alongside The Room, and the trio explores why, against all odds, this might just be an accidental anti-capitalist masterpiece. Oh, and did we mention the villain? None other than Kevin Sorbo as the CEO of Barnes & Noble. Yes, really. More Perfect Union For next week's movie, we'll be watching the 2024 body horror thriller The Substance.  

Rivka and Frank are back with another “duet” episode, diving into the 2024 indie darling and Oscar-nominated film Anora, directed by Sean Baker with a breakout performance by Mikey Madison. The two discuss everything from the politics of sex workers on screen, fuck boys with oligarchy daddy issues, Sean Baker's legacy, and more. This may in fact be the world's most comprehensive Anora podcast ;) … You don't want to miss it.

Rivka and Frank are joined by podcast favorite Harvey Kaye for a heated debate about the 1971 children's classic Willy Wonka and the Chocolate Factory. Is Wonka, the eccentric chocolate genius played by the brilliant Gene Wilder, simply a monstrous capitalist factory owner? And will Charlie, with his working-class roots, follow in his footsteps—or is he the one who can turn the factory around?

Rivka and Frank are joined by science communicator and YouTube host Jade Kim to discuss the 1989 “Weird Al” Yankovic comedy UHF. Jade and Frank are HUGE Weird Al fans, and Rivka is… patient. But even though this zany, fantastical movie starring the world's greatest song parodist and incredible live performer (Frank wrote this copy, FYI), the movie still manages to have strong opinions about the hyper-sensationalism of the modern TV era, the ruthlessness of market competition, and the value of public utility ownership. Also Weird Al rules. mutualaidla.org For next week's movie, we'll be watching the 1971 children's classic Willy Wonka and the Chocolate Factory.

Rivka and Frank are joined by Will, a US Army veteran and member of the organization About Face: Veterans Against the War, to discuss the 2016 Star Wars standalone movie Rogue One: A Star Wars Story.  The group discusses the film's themes around imperialism, war, revolution, radicalism, and what it means to compromise one's morals for the sake of the “greater good.” They also ask the important question: what the hell was Forest Whitaker thinking? About Face: Veterans Against the War For next week's movie, we'll be watching the 1989 “Weird Al” Yankovic comedy UHF.

Rivka and Frank close out the year with a final “holiday duet” on the Christmas classic Miracle on 34th Street. They debate whether Kris Kringle is in fact the REAL Santa or just the world's greatest salesman. Released during the second Red Scare, it's unsurprising that the film's core moral is the need for “altruistic capitalism.” But is it OK to allow a potentially unwell old man around thousands of children? As long as he's making money — who cares, it turns out! Don't get us wrong, we both love this movie but HOLY SHIT this story is wild.  MVC will be off until 2025, but we'll be back with an episode on Rogue One: A Star Wars Story. 

Rivka and Frank dive into Frank's favorite Christmas movie, Scrooged, sparking a spirited debate: is this the story of genuine redemption or just a liberal fever dream where a narcissistic old white guy sprinkles a little charity while propping up capitalism's comfy cushions? Is Dickens rolling in his grave, or would he be giving a ghostly thumbs-up? Of course, they can't resist unpacking their wild theories about Luigi, the claims adjuster—trust us, you don't want to miss it. 

Rivka and Frank welcome back Evan from Left of the Projector podcast to discuss the upper-middle-class fever dream that is Home Alone 2: Lost in New York. Could this movie even exist if Kevin McCallister weren't a white affluent child? Zero percent chance. The condescension, the entitlement, the PIGEON LADY. They talk about it all, plus who Mr. Duncan would have supported in the 2020 Democratic primary.  Left of the Projector Party for Socialism and Liberation For next week's movie, we'll be watching the 1988 Bill Murray Christmas classic, Scrooged.

Rivka and Frank welcome back returning guest Joe Mayall to talk about the latest installment in the Alien franchise, Alien: Romulus. They appreciate how director Fede Álvarez doubles down on the anti-corporate themes of the original Alien, while finding new ways to freak the shit out of his audience. They also agree that android Andy stole the movie and unpack how his character arc is a sharp critique of AI.  JoeWrote.com We'll be taking off next week for Thanksgiving! We'll be back the following week with holiday movies :)

Jon Shelton (author of The Education Myth: How Human Capital Trumped Social Democracy ) returns to MVC to talk about the 1977 Disco Movie phenomenon Saturday Night Fever. Rivka, Frank, and Matt explore the cultural amnesia surrounding the film's plot, its commentary on 1970s working-class politics, and its fascinating origin story. For next week's movie, we'll be watching the 2024 sci-fi horror movie Alien: Romulus.

Matt Strackbein (AKA The Letterhack) is back on MVC to talk about Andrew Dominik's bleak 2012 crime drama Killing Them Softly. Rivka, Frank, and Matt discuss how the film, set during the 2008 financial crisis, serves as a subtextual critique of Obama's first term, how the “criminal” economy drives the plot of the film, and how the film's nihilism has become even more relatable today than when it was released.  A New Economic Bill of Rights for the 21st Century For next week's movie, we'll be watching the 1977 John Travolta smash hit Saturday Night Fever. 

Rivka and Frank return for another "duet" episode, diving into Sam Raimi's 2009 horror-comedy Drag Me to Hell. This time, they explore whether the film serves as a horror story about class betrayal or a metaphor for eating disorders under capitalism. They also discuss the film's problematic racial tropes and consider the director's political intentions. For next week's movie, we'll be watching another 2012 pic, the crime drama Killing Them Softly.

Harvey Kaye returns for the dramatic final installment of our Ask a Marxist series. In this final episode, Rivka and Frank get Harvey's take on the Democratic party, revolution, and what he would do as the *democratically elected* president of the U.S.

Rivka and Frank are back with another “duet” episode, diving into the 2012 horror-comedy The Cabin in the Woods. A Frank favorite, this film surprises with its sharp critique of capitalism's relentless need for human sacrifice. The duo also can't resist touching on the latest political chatter sparked by Love Is Blind. For next week's movie, we'll be watching another 2012 pic, the crime drama Killing Them Softly.

Rivka and Frank are joined by radical filmmaker and organizer with Moneyless Society, Zachary Marlow, for a silly-voiced conversation about the 1975 comedy Monty Python and the Holy Grail. They discuss how the Pythons used comedy to speak truth to power within British society, the transformation of feudalism into capitalism into what some are now calling “neo-feudalism,” and why Dennis the peasant has better politics than God.  Moneyless Society Zachary's Ko-Fi page For next week's movie, we'll be watching Frank's spooky season favorite, The Cabin in the Woods.

Rivka and Frank are joined by award-winning infini-hyphenate artist Larry Powell (they/them) to discuss Steven Spielberg's 1991 classic Hook. Beloved by many, this live-action Peter Pan story starring Robin Williams doubles as a critique of capitalism's impact on family structure, reminding us of the importance of reconnecting with our inner child and radical imagination. The group also delves into the colonial nature of Neverland and its gender politics. Powell House of Arts PASSION

Rivka and Frank are rejoined by author, professor, and MVC's resident historian Harvey Kaye for part two of Ask a Marxist. In this episode, Harvey names his favorite progressive speakers, continues debunking capitalist myths, and discuss current organizing strategies.  The New Economic Bill of Rights - Comic Strip (Common Dreams) We will be posting the full reading list from this episode on our Patreon Page.  For next week, we'll be watching the 1991 live-action Peter Pan adaptation starring Robin Williams, Hook. 

Rivka and Frank are joined by Marie Buck and Mathew Walker, co-authors of Spoilers (Golias Books, 2024), a book about watching movies with people you love, to discuss Richard Linklater's 1991 film Slacker, an ode to Austin and Generation X. They dive into how the film captures the aimlessness of the era while embodying the distinct Slacker ethos. The group also explores themes of conspiracy, a fractured left, and the enduring relevance of Slacker in today's cultural landscape. Spoilers (Golias Books) primaryinformation.org

Frank is joined once again by author, professor, and MVC all-star Harvey Kaye for a special episode: Ask a Marxist. In this episode, Harvey tackles listener questions, covering everything from debunking capitalist myths to recommended reading for those beginning their Marxist journey. (Rivka is on vacation but will return for part two.)" The New Economic Bill of Rights - Comic Strip (Common Dreams) We will be posting the full reading list from this episode on our Patreon Page.  For next week, we'll be watching Richard Linklater's 1991 debut feature, Slacker.

Rivka and Frank are joined by author, screenwriter, and director Jenna Cosgrove to discuss 1995 cult classic Showgirls. They unpack the film's brutally honest depiction of the commodification of the female body and sexual exploitation, and the class divide between the Cheetah Club and the Stardust Hotel. They also discuss how Verhoeven is actually the bad guy of the film, while Elizabeth Berkeley deserves all of the credit.  Jenna's website Edgar's Mission For next week, we'll be breaking from our regular format to present a special episode: Ask a Marxist with Harvey Kaye.

Rivka and Frank are joined once again by comedian, writer, and illustrator Branson Reese to discuss the Marx Brothers' classic, Duck Soup. Together, they explore the anti-comedy style of the Marx Brothers, the political and cultural legacy of their work, and the film's anti-fascist and anarchic themes. Branson Reese Website Rude Tales of Magic Podcast

Rivka and Frank unpack Oliver Stone's 1994 psychological action thriller Natural Born Killers. They get into whether the film was successful in its satirization of violence in the media or if it just ended up glorifying it, how the performances still hold up, and Frank reveals if he ever got the NBK tattoo he wanted as a teenager…

Rivka and Frank are joined by Pamela Capalad and Dyalekt, an anti-capitalist artist power couple who co-founded a financial liberation program for creators of color called See Change. The group discusses Sylvester Stallone's 1976 American classic, Rocky, and how its characters and themes are deeply rooted in the fabric of American capitalism, from the glorification of the "pull yourself up by your bootstraps" mentality to the starving artist trope perpetuated by Stallone. They also explore Rocky as the "Great White Hope," examining the triumph of white, working-class individualism in response to the collectivism of the Black Panther Party, the Civil Rights movement, and affirmative action of the era. getshameless.com  seechangecommunity.com pocketschange.comcast

MVC will be taking an indefinite hiatus while Frank deals with his back injury - we'll hopefully be back in the next few weeks or months. You can listen to Frank's announcement here. Love you, comrades. We'll talk to you soon.

Rivka and Frank are joined by historian and co-host of the American Prestige podcast, Daniel Bessner, to discuss Joe Dante's 1990 cult classic, Gremlins 2: The New Batch. They explore the film's anti-capitalist themes, its self-aware satire of franchised movie sequels, and, naturally, which Gremlin has the best politics. The Life & Death of Hollywood (Harper's Magazine) American Prestige Podcast

Rivka and Frank delve into Bong Joon-ho's 2013 climate horror thriller, Snowpiercer. They explore how the film's deep Marxist themes make it an ideal choice for discussing class warfare. They also examine the role of collaborators in revolutionary movements, the symbolism of airplanes as reminders of our modern caste system, and why Captain America was the perfect choice to star in this movie.  For next week's movie, we'll be watching Joe Dante's 1990 cult classic Gremlins 2: The new batch.

Rivka and Frank are joined by MVC all-star Harvey Kaye to discuss Michael Moore's 2009 documentary Capitalism, A Love Story. They talk about the film's radicalizing potential, its portrayal of the 2008 financial crisis, what Moore could have done better, and Obama.

Rivka and Frank are joined by playwright Thalia Sablon for a conversation about the wild 2001 screwball comedy Rat Race. They discuss how the film's celebrity-packed cast represents a dying culture, the shockingly anti-capitalist character arcs, and how the movie may have been an inspiration for Squid Game.  Thalia Sablon - Website For next week's movie, we'll be watching the 2009 documentary Capitalism: A Love Story.

Rivka and Frank are joined by comedian Kate Willett for a conversation about the 1968 horror classic Rosemary's Baby. They discuss how the film is an overt metaphor for the domination and control of a woman's body, Mia Farrow's incredible performance as a woman being gaslit by her husband and neighbors, and how the film's generational dynamics mirrored the violent political upheavals in the U.S. during the late ‘60s.  Kate Willett: Loopholes   For next week's movie, we'll be watching the 2001 comedy Rat Race.

Rivka and Frank are joined by investigative reporter, political analyst, and strategist Nomiki Konst  to discuss the 1960 revolutionary comedy Never on Sunday. This hidden gem of a film follows a Greek sex worker who makes her own hours and chooses her clients. The trio delves into the film's themes of alienation from Western culture, its celebration of the revolutionary spirit of Greek culture, and the writer/director/star Jules Dassin's history with the Hollywood blacklist. Nomiki also shares insights about her new documentary film Losing Puerto Rico. Watch Never on Sunday - Full Movie YouTube Losing Puerto Rico For next week's movie, we'll be watching the 1968 horror classic Rosemary's Baby. 

Rivka and Frank are joined by professional organizer and agit-prop creator Anthony DePice to discuss Christopher Nolan's 2008 Batman movie The Dark Knight. Is Joker a master organizer? Where was the Gotham Rec Center? Does Alfred ever get a break? All these questions and more on this black-pilled episode. For next week's movie, we'll be watching the 1960 comedy Never on a Sunday.

 Rivka and Frank are joined by comedian Kelly Kaufman, to discuss the 2014 jazz thriller Whiplash. This film is Damian Chazelle's breakout feature starring JK Simmons and Miles Teller. They talk about abusive power dynamics in the arts, toxic masculinity and the dangers of perfectionism under capitalism. Frank and Rivka also discuss the recent rants of comedian Jerry Seinfeld against the left and gen z.  For next week's movie, we'll be watching the 2007 iconic Batman movie The Dark Knight.

Rivka and Frank are joined by theater educator, author, and Executive Artistic Director of Celebration Barn, David Bruin, to discuss the 2011 finance drama Margin Call. The film, which takes place at a fictional investment firm at the start of the 2008 financial crisis, is a fascinating look into the toxic work of finance. They talk about the ins-and-outs of the subprime mortgage crisis, the twisted pathology of finance bros, and how when the ultrarich play games the only losers are the people not playing. CeasefireToday.com Celebration Barn For next week's movie, we'll be watching the 2014 jazz drama Whiplash. 

Rivka and Frank are joined by actor and educator Julian Elijah Martinez for a conversation about Park Chan-wook's 2003 masterpiece Oldboy. They discuss the film's themes of toxic male narcissism and unquenchable vengeance, how the film serves as a metaphor for the violence perpetuated by the carceral system, and how many live Octopi the lead actor had to actually eat. For next week's movie, we'll be watching the 2011 financial crisis-era thriller Margin Call.

Rivka and Frank share their thoughts about the new dystopian war film Civil War, written and directed by Alex Garland. They discuss the film's seemingly complete lack of politics, other than its cynical view of war correspondents and journalists in general. They also get into the whole “Red vs. Blue” debate, how the film fails to contextualize our current conditions, and praise power couple Kirsten Dunst and Jesse Plemons.