Podcast appearances and mentions of john anderton

In this episode of the Fully-Booked podcast, the hosts, Meaghan and Arthur, wrap up their month-long discussion on science fiction by delving into two early 2000s science fiction films: I, Robot (2004) and Minority Report (2002). While both films explore futuristic technology and its implications on society, they do so in fundamentally different ways. The hosts analyze their themes, effectiveness as adaptations, and how they compare in their depictions of technological advancement and moral dilemmas.The conversation also touches on their experiences with researching and watching these films, highlighting how science fiction often presents advancements with built-in flaws. This aligns with the genre's tendency to reflect real-world systemic issues and question the unintended consequences of human progress. Though Meghan expresses exhaustion from deep-diving into sci-fi for the month, both hosts agree that these films provide engaging discussions on technology's role in society.I, Robot (2004): A Blockbuster Take on Asimov's IdeasAdaptation and Source MaterialI, Robot is loosely based on Isaac Asimov's collection of short stories published between 1940 and 1950. The stories were later compiled into a single volume in 1950, unified by the perspective of Dr. Susan Calvin, a robo-psychologist at U.S. Robotics (USR). The book introduced Asimov's famous Three Laws of Robotics, foundational rules designed to govern AI and robot behavior.The film, however, takes considerable liberties with the source material, transforming it into an action-driven blockbuster. The hosts acknowledge that this shift likely contributed to mixed critical reviews. While some viewers criticized its departure from Asimov's philosophical exploration of robotics, others appreciated it as an entertaining sci-fi thriller.Film Reception and Cinematic StyleThe film holds a 57% critic score on Rotten Tomatoes but a 70% audience score, reflecting its divisive reception. As the hosts point out, it was never meant to be a deep intellectual study of AI but rather an action film with engaging visuals. Will Smith's performance as Detective Spooner embodies the early 2000s "quippy action hero" archetype, making the film more accessible and humorous compared to more serious sci-fi adaptations.Visually, the special effects, particularly the design of the humanoid robot Sonny, hold up surprisingly well 20 years later. The film's high-budget production ($120 million) and its impressive box office return ($346 million) solidified it as a commercial success. The hosts compare it to the sleek, stylized action movies of the era, noting how it mirrors the aesthetic trends of films like The Matrix.Key Themes and ComparisonsOne of the film's central themes is AI autonomy - whether artificial intelligence can develop free will and what that means for humanity. The AI antagonist, VIKI, adheres to the Three Laws of Robotics but interprets them in a way that leads to dangerous authoritarian control, believing it must restrict human freedom to protect them from themselves.The hosts draw comparisons to more recent films like M3GAN and Subservience, both of which explore companion AI going rogue. They highlight how I, Robot predates these discussions but shares the same anxieties about AI taking over essential human roles.Minority Report (2002): A Philosophical Examination of Fate and JusticeAdaptation and Source MaterialMinority Report is based on Philip K. Dick's 1956 novella of the same name. The hosts note that while the adaptation stays true to the novella's core concepts, the film expands the world significantly, emphasizing ethical and philosophical dilemmas over action.The story revolves around "precrime," a law enforcement system that arrests individuals before they commit crimes based on predictions from three precogs - mutants with precognitive abilities. The protagonist, John Anderton (played by Tom Cruise), becomes the target of the system he upholds when the precogs foresee him committing murder.Film Reception and Cinematic StyleUnlike I, Robot, Minority Report received widespread critical acclaim, holding an 89% critic score on Rotten Tomatoes and an 80% audience score. The hosts attribute its success to Steven Spielberg's direction, Tom Cruise's performance, and the deeper philosophical questions it raises about free will and determinism.Visually, the film employs a distinct overexposed aesthetic, a stylistic choice that contrasts with the darker, grimy tones typical of Philip K. Dick adaptations like Blade Runner. The hosts find this visual approach interesting but also note that it feels very "early 2000s," drawing comparisons to films like Vanilla Sky.Key Themes and ComparisonsThe ethical implications of precrime serve as the film's central focus. Can people be justly punished for crimes they haven't yet committed? The hosts discuss how the film blurs the lines between security and personal freedom, mirroring real-world discussions about surveillance and predictive policing.Unlike I, Robot, which deals with AI's potential for autonomy, Minority Report questions human agency - whether fate is predetermined or if individuals always have the capacity to choose differently. The precog Agatha insists, "There is always a choice," reinforcing the idea that no future is absolute. The hosts find this concept compelling, drawing comparisons to religious debates on predestination versus free will.One particularly interesting discussion revolves around how the precrime system can be manipulated. The film's antagonist exploits "echoes" in precognition - where a violent crime is foreseen more than once - using this loophole to commit murder. This introduces the idea that even seemingly foolproof systems have flaws that can be exploited.Comparing the Two Films: Different Approaches to Sci-Fi DilemmasAI vs. Human ControlBoth films examine the relationship between technology and human control but from different angles. I, Robot presents an AI-driven dystopia where machines gain too much control, whereas Minority Report explores how humans misuse predictive technology to justify authoritarian measures.Ethical Questions and Their Real-World RelevanceThe hosts discuss how I, Robot anticipates today's AI debates, especially with modern advancements in machine learning and robotics. The film speculates on AI's role in decision-making, much like contemporary concerns about automation and artificial intelligence shaping human lives.Meanwhile, Minority Report resonates with contemporary issues of mass surveillance and data collection. Predictive policing, which attempts to forecast crimes based on data analysis, has become a real-world practice, raising ethical concerns similar to those explored in the film.Entertainment vs. DepthWhile both films are engaging, I, Robot leans into entertainment value with its action-heavy approach, while Minority Report is more thought-provoking. The hosts agree that Minority Report offers a richer intellectual experience, but I, Robot remains a fun, visually impressive blockbuster.In ConclusionThe discussion concludes with reflections on how both films remain relevant today. I, Robot speaks to AI ethics, while Minority Report highlights the dangers of overreliance on predictive technology. The hosts note that while the sci-fi genre often exaggerates technological advancements, many of its concerns are now reality, making these films valuable cultural texts.As the sci-fi month ends, Meaghan and Arthur appreciate the genre's ability to provoke thought and entertain. They hint at upcoming podcast topics, including a more relaxed approach to book discussions for February. Their enthusiasm for future sci-fi explorations suggests that their interest in speculative storytelling remains strong while this month's theme is over.

Brett Nemeroff returns to help us stop some crimes of the future. It's the final episode of our Tom v Tom series. Steven Spielberg's MINORITY REPORT, released in 2002 and starring Tom Cruise as John Anderton, a pre-crime cop in Washington D.C. 2054. Based on a Phillip K. Dick novella, the film is a prescient vision of the future, and remains one of the strongest entries of both Spielberg and Cruise's 21st century filmographies.

In 2054, the rate of murder is all but eliminated as the Precrime law enforcement unit utilizes psychic technology to arrest and convict murderers before they actually commit their crimes. Commanding officer John Anderton is then shockingly accused of a future murder, pitting him against his own unit that he helped establish. Stephanie, Michael, and Eric intercept Minority Report (2002), directed by Steven Spielberg.   Follow Aflixionados Podcast on social media for extended conversations, interesting tidbits, and other news! Linktree | Instagram | Facebook | YouTube | Merch   0:00 - Opener 3:06 - Main Topic 9:06 - Precrime 18:53 - Perfect or Flawed? 27:13 - The Minority Report 32:53 - Transplant 49:25 - Leo Crow 1:03:13 - Anne Lively 1:09:12 - Wrap-up

Dr. John Anderton, Associate Director for Communication Science at the CDC's Office of Readiness and Response, tells us how the CDC has changed their approach to National Preparedness Month; Brian Lentes, Senior Director for Public Health Infrastructure at ASTHO, discusses ASTHO's upcoming Virtual Performance Management Vendor Showcase; and you can now apply for ASTHO's latest cohort of the Diverse Executives Leading in Public Health program. CDC Web Page: National Preparedness Month 2024 ASTHO Web Page: Vendor Showcase – Performance Management Systems ASTHO Web Page: Diverse Executives Leading in Public Health ASTHO Web Page: DELPH Applications  

On January 18, 2018, the entire State of Hawaii received an ear piercing alert on their cell phones. "BALLISTIC MISSILE THREAT INBOUND TO HAWAII. SEEK IMMEDIATE SHELTER. THIS IS NOT A DRILL." Those with a keen memory will recall that the Aloha State was NOT, in fact, wiped off the map by a missile strike. It was a false alarm. But what it revealed about the Wireless Emergency Alert (WEA) system should concern every strategic communicator. Because while the WEA system has the potential to be a powerful lifesaving tool, it is routinely misused by emergency managers and misunderstood by the public. With little to no federal oversight, the manner in which this system is used is left up to more than 1,600 local jurisdictions. As a result, users are being bombarded with too many notifications that are not germane to their immediate safety, and that is conditioning us to ignore potentially life-saving alerts in the future. So in this episode, we parse lessons from Hawaii's WEA SNAFU with Commander Bhavini Murthy, a medical epidemiologist and researcher with the U.S. Public Health Service, and Dr. John Anderton, the Associate Director for Communication at the Centers for Disease Control's Office of Readiness and Response. We learn from an expert on WEA messaging what jurisdictions nationwide are doing incorrectly. Dr. Jeanette Sutton is an Associate Professor in the College of Emergency Preparedness, Homeland Security and Cybersecurity at the State University of New York at Albany. And, Dusty works to instigate WEA reforms in his own backyard with Milwaukee County Supervisor Shawn Rolland. By the way, if you've ever wondered what to do in the event of a nuclear missile strike, here are some resources from the CDC: https://www.cdc.gov/nceh/radiation/emergencies/index.htm Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian welcomes back National Review film critic Armond White for a look at Steven Spielberg's paranoid sci-fi masterpiece, Minority Report! Based on the Philip K. Dick novella, this 2002 summer blockbuster stars Tom Cruise as John Anderton, a federal "PreCrime" cop who works with an elite team to prevent murders before they happen. When he's accused of murdering a stranger, his life becomes an unrelenting search for the truth.Armond White wrote glowingly about the film in his 2002 essay, "Spielberg Goes to Alphaville", which appears in his book, Make Spielberg Great Again. He and Ian talk about Minority Report's unsettling prescience; its status as one of the last big-budget popcorn epics with both brains and a conscience; and why it may feature Tom Cruise's finest performance.Note: Despite their best efforts, the guys still found themselves dealing with A/V issues. Not to worry: One of these days you'll be able to enjoy their conversations in stunning HD!Show Links:Watch the Minority Report (2002) trailer.Read Armond's review of Top Gun Maverick (referenced in the show) in The National Review: Order the book that inspired this discussion, Armond's Make Spielberg Great Again.Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

Norm Murray speaks with John Anderton, Vice President, Treasurer, Rogers Telecommunications Limited about the launch of M5, a fifth condo building for the 15-acre M City community in Mississauga. Amenities offer a spa-like experience for residents. This includes areas for meditation, a Hammam steam bath, individual infrared saunas, a massage room, and Zen Lounge.

In this episode Mark talks about one of his favourite films: the 2002 American science fiction action film "Minority Report" directed by Steven Spielberg. Loosely based on the 1956 short story "The Minority Report", set in the year 2054, the film stars Tom Cruise as John Anderton, the chief of Precrime - a specialised police department that apprehends criminals before they have committed a crime based on foreknowledge from psychics called "precogs" who are able to the future events before they happen. However, when John Anderton is identified as a suspect in a murder that has not yet taken place he goes on the run to uncover what the events are that will lead to him to commit this murder of someone he does not know, why, and if the predicted murder he is to commit is in fact a "Minority Report" - essentially an alternate prediction of future events than calls into question what is actually going to happen. The film also stars Samantha Morton, Max von Sydow, Colin Farrell, Neil McDonough, Lois Smith, Kathryn Morris, as well as a great cast of other accomplished actors who play some memorable characters throughout the film. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/markthepoet/message

In this episode of Throwback Tuesday, we check-in with police captain John Anderton, played by Tom Cruise, circa 2054. In what sounds like a routine weekend for the actor, PreCrime's ability to predict and prevent murders using technological clairvoyants puts Anderton in a tough spot... when the to-be criminal turns out to be him! We review 2002's Minority Report while discussing its frightening albeit serene vision of the future, the film's perfect mix of action and sci-fi, as well as Tom Cruise's innate ability to make every film that much more exciting.

Norm Murray speak with John Anderton, V.P. & Treasurer with Rogers Telecommunications about the launch of M4. It's the latest MCity Condos development in Mississauga, featuring a new, world-class, state of the art 'smart building ecosystem', and more.

The deconstruction John Anderton in the movie "The Minority Report"

In a dystopian future of mechanical spiders and blatant ad placement, you are the Pre-Crime officer, John Anderton. You can stop any murder except...the one you're going to commit? Only one way to find out, race to the crime scene with Bob, Steven, Tom, Frank and Chris. With a 5-minute film breakdown of the film Minority Report. 

Washington, 2054. O assassinato foi banido, pois há a divisão pré-crime, um setor da polícia onde futuro é visualizado através de paranormais, os precogs, e o culpado é punido antes do crime ter sido cometido. Quando os três precogs, que só trabalham juntos e flutuam conectados em um tanque de fluido nutriente, têm uma visão, o nome da vítima aparece escrito em uma pequena esfera e em outra esfera está o nome do culpado. Também surgem imagens do crime e a hora exata em que acontecerá. Estas informações são fornecidas para um elite de policiais, que tentam descobrir onde será o assassinato, mas há um dilema: se alguém é preso antes de cometer o crime pode esta pessoa ser acusada de assassinato, pois o que motivou sua prisão nunca aconteceu? O líder da equipe de policiais é John Anderton (Tom Cruise), que perdeu o filho há seis anos atrás em virtude de um criminoso que o seqüestrou. O desaparecimento da criança o fez se viciar em drogas e ainda continua dependente, mas isto não o impede de ser o policial mais atuante na divisão pré-crime. Porém algo muda totalmente sua vida quando vê, através dos precogs, que matará um desconhecido em menos de trinta e seis horas. A confiança que Anderton tinha no sistema rapidamente se perde e John segue uma pequena pista, que pode ser a chave da sua inocência: um estranho caso que não foi solucionado e há um "relatório menor", uma documentação de um dos raros eventos no qual o que um precog viu é diferente dos outros. Mas apurar isto não é uma tarefa fácil, pois a divisão pré-crime já descobriu que John Anderton cometerá um assassinato e todos os policiais que trabalhavam com ele tentam agora capturá-lo.

À Précrime, on arrête les criminels avant qu'ils commettent leur crime. Dans ce nouvel épisode, Hugo, Victoire et Arthur évoquent pour la première fois une nouvelle : Rapport minoritaire de Philip K. Dick, dans laquelle John Anderton, patron de l'institution Précrime, est accusé du futur meurtre d'un homme qu'il n'a jamais rencontré... Cette nouvelle connaîtra une adaptation en 2002 sous la réalisation de Steven Spielberg, qui marquera sa première collaboration avec Tom Cruise dans le rôle principal. Mais le film Minority Report est-il vraiment fidèle à la nouvelle originale ? Réponse dans cet épisode !  3 min 10 : On commence par parler de la nouvelle Rapport minoritaire écrite par Philip K. DIck et parue en 1956. 27 min 20 : On enchaîne sur le film Minority Report réalisé par Steven Spielberg avec Tom Cruise et Colin Farrell dans les rôles principaux. 1 h 10 min 08 : On termine sur nos recommandations autour de la science-fiction. Si vous avez lu la nouvelle ou vu Minority Report, n'hésitez pas à nous donner votre avis ! Retrouvez Adapte-Moi Si Tu Peux sur :  Facebook : https://www.facebook.com/adaptemoisitupeux/ Twitter : https://twitter.com/adaptemoi_pod Instagram : https://www.instagram.com/adaptemoisitupeux/ Podmust : https://podmust.com/podcast/adapte-moi-si-tu-peux/

This week Leskin and I are on the run with John Anderton in Philip K. Dick’s “Minority Report.” We will be talking about both the book and the movie as we navigate questions of guilt and culpability. Can surveillance create a safer world and what happens when the cop responsible for bringing a murderer in finds out he is that murderer?

We don't believe the Mayans were right. But if you do & we have but a week to live on the Planet Earth, make sure you let Wall $t & Sweets, The Storytelling Sports Magellans, help you navigate the stories behind the stories for one last time with ABDB Episode 64!!! After a lil' housekeeping, we set off the festivities with questions about Imitation being the Highest Form of Flattery, an 800 lb gorilla on the ice & what A-Rod & Bo Jackson have in common... Magic Johnson is the Jay-Z of Major League Baseball... Now that the Angels now have a Murderer's Row; can God Forgive? Whatever the case, there is no Mercy Rule in Indiana... The guys offer congrats to a snake, a king & a college football history maker & show some love for golf's real playa playa, some boxing greats & a couple pariahs of the diamond... Rest In Powers shouts get contentious & with good reason, but the day is brightened by Born Day Salutes the ABDB Way... After Duane & Will share an interesting story about Jim Brown & Muhammad Ali as well as another fight that will NEVER happen, we're joined by Heavyweight Contender & new Head Trainer of the legendary Kronk Gym in Detroit, Johnathon Banks. JB spars with us to talk Emanuel Steward, Andre Ward's Protection, Cotto, Canelo & Maravilla, Manny Pacquiao vs. Juan Manuel Marquez before eventually ending up on the road paved with gold, platinum & diamonds to Floyd Mayweather... College Football Bowl Season brings the regular coaching shuffle... Is Chik-Fil-A as flaky as Bret Bielema? Bobby Petrino gets a new gig because he's a good coach... not because he broke any rules, right? Charlie Strong is more than just a name... We examine the very slippery slope The Ohio State University's football team is sliding on now... Tags Poppin' & Protecting The Shield as Goodell is Coasting To Push The Kick... Adderall At It Again? Some injuries never heal... Jovan Belcher: The Aftermath... Will we become Prisoners Of The Moment? Josh Brent: Tragedy strikes again, but did it have to? Is RGIII Black Enough for you? Should we salute Gabrielle Ludwig or is it just a stunt? Will & Duane go 3 In The Key with some of Women's College Basketball's best before we move to the Men's side & review The Kind Of Fall Coach Cal was not looking for at the University of Kentucky... David Stern is Hacked Off! Stack got Jacked as a Victim of His Past & Kevin can't find Love In Minny... We close with an understanding of the #2: It's The Shit, Literally & Figuratively as we say goodbye to 2012 & thank each & every one of you for being a part of the ABDB Family... Accents Employed: Scott Skiles Gangster, Good Ol' Willie Mitchell, Buffalo Hawkey, AWA Wrasslin', The Boris, You Know_______?, Arkanspeak, What's In Your Wallet... References: Corey Woods, Inclusion, #1On1WithWillAndDuane, North Pole Hoops, Orphan Tears, #WM40A, Boxing Day, #PartsUnknown, Accoutrement, Sir Mix-A-Lot, Easy Bake, Double Standards, Emaciated Elephants, Metropolitans, Remember The ABA, Down With The King, The Hall Of Achievement, Roid Boys, Doc Rivers, Russell Crowe, Shaq vs., J. Prince, Kronk, BBKing, Chik-Fil-A Shade, Iniquity, Dang Ol' Hank Hill, Deadbeat Daddyism, Capital One Compliance Plan, The Disconnect, Gun Control, Flight Simulator, Myopia, Dany Heatley, Black is Black, The Great Emancipator, Kye Allums, School Daze, ESPN Ocho, Respectful Appreciation, John Anderton, Jerry McGuire, Twin Towers, Whiff Of The Duece, Sharing is Caring & MORE!!! ABDB is Meaning, Movement, Mentality, Community and Conversation. Email us at allballsdontbounce@gmail.com. Find us on Stitcher Radio, iTunes Music Store, Facebook, Tumblr & Twitter!