Podcast appearances and mentions of Sean Jones

 Nautilus - Lady Day And John ColtraneVersion City Session Riot In Lagos 45 Cut (Paul Murphy Edit).NYO Jazz - with Sean Jones and Alicia Olatuja - Trane.Mary Greer Mudiku & Oneness Of Juju - Happy SunriseBruno Repsold Quinteto- 'Kabri'Or Kantor - The Golden Temple Revelation feat. Sefi Zisling.Calibro35 - NautilusThe Mighty Mocambos - Get LooseOmar - This Thing Called Life.Oneness Of Juju - Breezin'Aura Safari, Jimi Tenor - Bewitched By The Sea (Original Mix)EMAMKAY - When The Sun Rises [Only Good Stuff]Azymuth - Arabutã (Daniel Maunick Extended Mix).Gabriele Poso - Ritmo Italiano [Mr Bongo]Byron The Aquarius - Spirit Of Juju (feat Rasheeda Ali,Lil John Roberts,Sheldon Ferguson)Amanda Whiting -It Could beCollectivo Immaginario - OltreoceanoKuna Maze - DawnÀbáse, Fanni Zahár - Bloom (May Flip Remix)Juma Speaks  - Maliki Malesha.Lars Behrenroth - UntrueCharles Webster, EMAMKAY & Bokang Rematlapeng - Rain [Stay True Sounds]Liz Vice - Other Side [Only Good Stuff]Omar -  Holding On To Life (feat. Ledisi).

Today's episode is very special and the absolutely brilliant Sean Jones is here to share it with us.We are so excited to announce the launch of "Friends of WildX", a series of special episodes where a friend of ours, and the show, joins as a co-host.Sean is not only a close friend but a massive supporter of WildX and all we stand for. A brilliant guy and awesome wildlife photographer who sends positive vibes out into the world as well as producing beautiful work and most recently alongside Yorkshire Wildlife Trust!We talk pro golfing in the US, what happens when illness knocks you back, the power of self development and campervans!!!!!On top of all of that we have a super special Weird World you won't want to miss!Sit back and enjoy an emotional and brilliant episode of The WildX Podcast.Sponsored by:Chubby Mealworms - To find out more about their amazing bird and wildlife food visit www.chubbymealworms.co.uk&Cotton Carrier - To see their incredible range of Camera carrying equipment visit www.cottoncarrier.comGet involved with WildX at www.instagram.com/wildxphoto

In this episode of Walk Talk Listen, saxophonist, composer, and community builder Chelsea Baratz takes us on a deeply personal journey through music, mentorship, and meaning. Raised in the soulful, hard-bop heart of Pittsburgh and sharpened in the creative fire of New York City, Chelsea reflects on formative moments—from her first jam session at the Crawford Grill to the life-changing mentorship of Sean Jones and Roy Hargrove. We explore how her upbringing, identity, and powerful experiences shaped both her artistry and her ongoing recovery from COVID related challenges.   Chelsea also shares her role in boundary-pushing projects like the all-female HERA Collective and The Empress, her recent top-charting saxophone quartet. As she discusses the Sustainable and Inner Development Goals, Chelsea makes a compelling case for art as a form of activism and connection. From invoking the Akashic Field to advocating for communal care and restorative justice, Chelsea's voice rings clear: music is not only her sanctuary—it's her way of making the world better, one note at a time.   Listener Engagment: Discover more about Chelsea via her Instagram (from here you can go to her Albums, Soundcloud and more), Facebook or YouTube. She is not really active on LinkedIn. Do you check out one of the concerts she refers to in this episode at Smalls Jazz Club. Share your thoughts on this episode via walktalklisten. Your feedback is invaluable to us. Please do explore the songs selected by Chelsea and previous guests on our #walktalklisten playlist here.   Follow Us: Support the Walk Talk Listen podcast and Maurice by liking and following Maurice on Blue Sky, Facebook and Instagram. Visit our website at 100mile.org for more episodes and information about our initiatives. Check out the special WTL series "Enough for All," featuring Church World Service (CWS) and the work of the Joint Learning Initiative (JLI).

Sean Imboden is an American saxophonist and composer. Sean has released three albums as a leader, the most recent being Communal Heart by the Sean Imboden Large Ensemble. His music pioneers forward-thinking, original compositions, and presents cutting-edge live performances. Sean has performed and recorded with GRAMMY-winning artists and jazz luminaries, including Slide Hampton, Taylor Eigsti, Mike Rodriguez, Sean Jones, Emmet Cohen, Steve Allee, Kenny Phelps, John Raymond, and Valery Ponomarev (of Art Blakey's Jazz Messengers). A long-time member of Indianapolis-based quartet Tucker Brothers, Sean plays on the band's four critically-acclaimed albums. An active sideman, Sean has appeared on The Tonight Show Starring Jimmy Fallon and with the Radio City Music Hall Orchestra, the Indianapolis Symphony Orchestra, the Buselli-Wallarab Jazz Orchestra, Aretha Franklin, The Temptations, Barry Manilow, Johnny Mathis, and Idina Menzel. Sean toured internationally for many years with various Broadway productions, and as a featured soloist with Blast II. Sean has taught at the Jacobs School of Music at Indiana University, and is currently on faculty at Butler University and Ball State University. Sean is a Conn-Selmer artist, and works with students around the world through his online Virtual Studio.

Hour One of the Good Morning Football Podcast begins with hosts Jamie Erdahl, Kyle Brandt, and Tom Pelissero previewing the NFL Draft - is this an unpredictable NFL Draft? Alabama head coach Kalen Deboer joins the show and talks about his players getting drafted, navigating his first season with Alabama following Nick Saban, Jalen Milroe’s comparisons to Lamar Jackson, and Michael Penix Jr’s future in the NFL. Former DL & Super Bowl 31 Champion Sean Jones and talks about the draft being in Green Bay, draft day in 1984, his favorite Reggie White story, and who he’s eyeing for the Packers to draft.See omnystudio.com/listener for privacy information.

Brent blindsides Corey with surprise guest Sean Jones to discuss 1984's The Toxic Avenger, radioactive piss, the evolution of bigotry in the U.S., red pill online culture, firing photon torpedoes at Moby Dick, planting seeds of divorce, and how Brent was a year early to see Jim Gaffigan. He's stressin' me, Julie!

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Griffin Warner and Big East Ben and his Dad talk college basketball for this week. Best bets as always. Conclusion This podcast centers on basketball betting and analysis, emphasizing Marquette's recent strong performances, especially under the leadership of Cam Jones and coach Shaka Smart. The speakers explore the contrasts between team-building strategies, such as reliance on continuity versus transfers, and delve into Marquette's upcoming challenges, including matchups with Iowa State and Wisconsin. UConn's recent struggles are dissected, highlighting player weaknesses and Dan Hurley's difficulties managing the team. The episode concludes with best bets, focusing on Montana State, Chicago State, and LaSalle, offering tactical insights for listeners. Key Points

Griffin Warner and Big East Ben and his Dad talk college basketball for this week. Best bets as always. Conclusion This podcast centers on basketball betting and analysis, emphasizing Marquette's recent strong performances, especially under the leadership of Cam Jones and coach Shaka Smart. The speakers explore the contrasts between team-building strategies, such as reliance on continuity versus transfers, and delve into Marquette's upcoming challenges, including matchups with Iowa State and Wisconsin. UConn's recent struggles are dissected, highlighting player weaknesses and Dan Hurley's difficulties managing the team. The episode concludes with best bets, focusing on Montana State, Chicago State, and LaSalle, offering tactical insights for listeners. Key Points

ORRIN EVANS AND THE CAPTAIN BLACK BIG BAND “WALK A MILE IN MY SHOE” New York, March 9, 2024Dislocation blues (pj vcl,1), All that I am (b vcl), Blues in the night (lf vcl), HymnNicholas Payton, Sean Jones, Josh Lawrence (tp) David Gibson, Reggie Watkins (tb) Todd Bashore (as,fl) Caleb Wheeler Curtis (ts,sop) Jesse Fischer (org) Orrin Evans (p) Vicente Archer, Madison Rast (b) Anthony Tidd (el-b-1) Anwar Marshall, Mark Whitfield, II (d) Lisa Fischer, Bilal, Joanna Pascale, Paul Jost (vcl) TYSHAWN SOREY THE SUSCEPTIBLE NOW c. Continue reading Puro Jazz 28 de noviembre, 2024 at PuroJazz.

ORRIN EVANS AND THE CAPTAIN BLACK BIG BAND “WALK A MILE IN MY SHOE” New York, March 9, 2024Dislocation blues (pj vcl,1), All that I am (b vcl), Blues in the night (lf vcl), HymnNicholas Payton, Sean Jones, Josh Lawrence (tp) David Gibson, Reggie Watkins (tb) Todd Bashore (as,fl) Caleb Wheeler Curtis (ts,sop) Jesse Fischer (org) Orrin Evans (p) Vicente Archer, Madison Rast (b) Anthony Tidd (el-b-1) Anwar Marshall, Mark Whitfield, II (d) Lisa Fischer, Bilal, Joanna Pascale, Paul Jost (vcl) TYSHAWN SOREY THE SUSCEPTIBLE NOW c. Continue reading Puro Jazz 28 de noviembre, 2024 at PuroJazz.

Get ready for the hottest beats on the 'MOC Mix Party'! Join Metro Beatz as he takes you on a crazy musical journey every Friday afternoon. This week Metro Beatz spins tracks from Sean Paul, Big Sean, Sean Jones, Tyla, Odeal, Wizkid, Kelly Rowland, Ghostface Killah and a whole lot more. This is the ultimate party you don't want to miss! Tune in and turn up the volume every Friday afternoon at 2pm as we unleash the energy of the 'MOC Mix Party' exclusively on mocradio.com. Feel the beats as Metro Beatz creates an electrifying atmosphere that will keep you grooving all day long!

In this 1569th episode of Toronto Mike'd, Mike chats with Sean Jones about his time with In Essence, going solo, his Casa Loma performances and what's new. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Ridley Funeral Home, The Advantaged Investor podcast from Raymond James Canada, The Yes We Are Open podcast from Moneris and RecycleMyElectronics.ca. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com

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WRTI's Josh Jackson subs in for Greg, talking with Nate about their rich experience at the Pittsburgh International Jazz Festival. Their guests are saxophonist Chris Coles and trumpeter Sean Jones, who had just performed a powerful suite titled Nine Lives. Coles composed the suite in response to a 2015 church shooting in Charleston. This conversation touches on the power of grace, the call to forgiveness — and a quietly thriving jazz scene in Akron, Ohio.Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

In this engaging conversation, Sean Jones shares his remarkable journey from a shy young boy to a successful musician and songwriter. He reflects on the pivotal moments that shaped his career, including the formation of his boy band InEssence, the challenges he faced in the music industry, and the impact of mentorship on his life. Sean discusses his transition into songwriting, the ups and downs of navigating contracts, and the unexpected path that led him to explore food ventures. He also offers insights into the current state of the music industry and the need for a revolution to support artists' rights.They explore the degradation of musical standards due to technology, the importance of work ethic, and the current state of R&B in Canada. Sean shares his experiences and challenges in creating opportunities for himself and others in the industry, while also addressing the struggles artists face in sustaining their careers. The discussion highlights the importance of community support and the need for change in the music landscape.Chapters00:00 The Journey Begins: From Humble Beginnings to Music Stardom02:54 Discovering the Passion: The Birth of a Musician06:03 The Formation of InEssence: A Boy Band's Rise09:01 Navigating the Music Industry: Early Challenges and Breakthroughs11:59 Full Circle: The Impact of Mentorship and Teachers15:00 Songwriting: The Transition from Singer to Songwriter18:04 The Rollercoaster of the Music Business: Contracts and Opportunities21:01 The Unexpected Path: From Music to Food Ventures23:57 The Power of Timing: Seizing Opportunities in Music26:54 Reflections on Success: Gratitude and Life Lessons29:48 The State of the Music Industry: Challenges and Changes33:03 A Call for Revolution: The Future of Music and Artists' Rights35:12 The Power of Solidarity in Music and Sports39:56 The Degradation of Musical Standards45:46 Work Ethic and Standards in the Music Industry51:04 The State of R&B in Canada57:34 Creating Opportunities in Music01:01:50 Navigating the Modern Music Landscape

Today, for the first time, Andy, Mike and Adam are sat together and live from the Isle of Mull! Not only that, but they are joined by two guests, fellow wildlife photographers Sean Jones and Pete Cerpnjak! Over a couple of glasses of wine, we all discuss the amazing Scottish island of Mull, it's wonderful wildlife and incredible scenery. We talk Otters, Mull Charter White Tailed Eagles, ethics in photography and Hairy Horror Frogs that mimic Marvel's Wolverine!!!!

This is a replay version of an episode originally published in June 2022. Please note that any law discussed in the episode may be out of date.In this episode, you'll learn how to be a good witness in an employment tribunal, including:-what is your job as a witness?should you prepare in advance?how to answer questions during cross-examinationDaniel discusses the topic with Sean Jones KC from 11KBW.This podcast  is supported by Hunter Law and by FeMan Consulting, and by the HR Inner Circle (the UK's leading community for smart, ambitious HR Professionals).

Sara-Jayne is joined by Joanna Massey Director, Learning and Engagement Programs at Carnegie Hall.This July, Carnegie Hall's critically-acclaimed national youth jazz orchestra, NYO Jazz, led by artistic director/trumpeter Sean Jones, returns for its seventh season of extraordinary music-making and embarks on its first-ever tour to South Africa from 22 July to 5 August.See omnystudio.com/listener for privacy information.

TODD MARCUS TRIO+ Silver Spring, MD, May 3 & July 6, 2019Something suite in 4 movements (4), Neophilia (3,4)Sean Jones (tp-1) Todd Marcus (b-cl,cl-2) Jeff Reed (b-3) Ameen Saleem (b-4) Ralph Peterson (d) Eric Kennedy (d-5) KENNY WHEELER GNU HIGH New York, June, 1975HeyokeKenny Wheeler (flhrn) Keith Jarrett (p) Dave Holland (b) Jack DeJohnette (d) MILT JACKSON & COLEMAN HAWKINS BEAN BAGS New York, September 12, 1958Don't take your love from me, Get happy, Indian bluesColeman Hawkins (ts) Milt Jackson (vib) Tommy Flanagan (p) Kenny Burrell (g) Eddie Jones (b) Connie Kay (d) Continue reading Puro Jazz 10 de Julio 2024 at PuroJazz.

In this episode, we sat down with the talented, dual-threat, trumpeter and comedian, Kellin Hanas, to talk about her unique and exciting musical trajectory. We discussed Kellin's start in music, how role-models affected the trajectory of her career, taking the chance on NYC, balancing both trumpet and comedy, how she defines her personal artistic style, how music and social media can benefit a unique career, and more! This episode was an inspiring conversation, and is a can't miss listen for someone looking to balance multiple passions while setting up a thriving career in the arts. Don't know much about Kellin? Let's catch you up: Hailed in the International Trumpet Guild Journal as “one of the best up and coming jazz musicians on the globe”, trumpeter, composer, and comedian Kellin Hanas of Wheaton, Illinois is a Jazz Trumpet BM student at the Manhattan School of Music in New York City, studying under legendary trumpeters Ingrid Jensen and Scott Wendholt. Currently, Hanas splits her time between being a full-time student, performing artist and educator in New York City, touring with celebrities such as Emmy® and Golden Globe® Award Winning Actor Darren Criss, 11x GRAMMY Award winning vocal group The Manhattan Transfer, and fashion designer and actor Isaac Mizrahi. She is the leader of her own band, the Kellin Hanas Quintet, which debuted for the first time in the Summer of 2022 in the upstairs of the iconic Birdland Jazz Club in NYC. Alongside her music, Hanas adds a unique touch of comedy into her shows, and has amassed millions of views for her original comedic content, stories and characters. She has worked with venues such as Carnegie Hall and Jazz at Lincoln Center, and has worked with jazz greats such as Sean Jones, Wycliffe Gordon, and Christian McBride. She also is a regular member of the Grace Fox Big Band, and was a featured soloist on the band's debut album "Eleven-O-Seven". Through social media, Hanas has amassed a following of over 200,000 followers. She hopes to use her platforms to inspire, connect with others and spread joy. For more insights and updates, be sure to follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠Kellin's Instagram ⁠⁠⁠⁠⁠⁠⁠Virtuosity Musical Instruments' Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠J. Landress Brass' Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also explore more about our businesses on our websites: Kellin's Website⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠J. Landress Brass' Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Virtuosity Musical Instruments' Website⁠⁠⁠⁠⁠⁠⁠

Welcome to Jazz Piano Skills; I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!I am thrilled to welcome back to Jazz Piano Skills, Dr. JB Dyas. Dr. JB Dyas has been a leader in jazz education for the past two decades. Currently, Vice President for Education and Curriculum Development at the Herbie Hancock Institute of Jazz, Dyas oversees the Institute's education and outreach programs, including Jazz in America (www.jazzinamerica.org), one of the most significant and wide-reaching jazz education programs in the world. He has presented jazz workshops, teacher-training seminars, and jazz "informances" worldwide with such renowned artists as Ambrose Akinmusire, Don Braden, Bobby Broom, Dave Brubeck, Gerald Clayton, Robin Eubanks, Herbie Hancock, Antonio Hart, Ingrid Jensen, Sean Jones, Delfeayo Marsalis, Christian McBride, Bobby Watson, and Steve Wilson.Prior to his current position at the Hancock Institute, Dyas served as Executive Director of the Brubeck Institute where he implemented its College Fellowship Program, Brubeck Festival, Summer Jazz Colony, and Jazz Outreach Initiative. Before that, he served as Director of Jazz Studies at Miami-Dade College – one of the nation's largest and most multi-cultural colleges, and New World School of the Arts – Miami's award-winning performing arts high school.Throughout his career, Dyas has performed across the country, designed and implemented new jazz curricula, directed large and small ensembles, and taught various jazz courses to students at virtually every level of musical development – age seven to seventy, beginner to professional, learning-challenged to prodigy. He has conducted jazz and tune-learning clinics, adjudicated high school and collegiate jazz festivals, and presented numerous jazz seminars throughout the United States and in Australia, Canada, Columbia, Cuba, France, Germany, Japan, Mexico, Russia, and Turkey. He also teaches Jazz Pedagogy at the Herbie Hancock Institute of Jazz Performance at the UCLA Herb Alpert School of Music, is on the faculty of the Jamey Aebersold Summer Jazz Workshop, and serves as an adjudicator for the Annual GRAMMY Music Educator Award.Additionally, Dyas has written for DownBeat magazine and other national music publications, presented clinics, and performed at a number of International Association for Jazz Education (IAJE) and Jazz Education Network (JEN) Annual Conferences, co-founded the International Sisters in Jazz Collegiate Competition, served on the Smithsonian Institution's Task Force for Jazz Education in America, and contributed the chapter “Defining Jazz Education” to the biography, "David Baker - A Legacy in Music." Dyas recently introduced his “What is Jazz and Why It's Important to the World” lecture for International Jazz Day, for which he annually presents education events in conjunction with the Hancock Institute and the United Nations Educational, Scientific and Cultural Organization (UNESCO). He also has made a series of teacher-training jazz education videos (all available at jbdyas.com), including a national webinar along with Herbie Hancock and US Secretary of Education Miguel Cardona on the importance of jazz education in our public schools.Dr. Dyas received his Master's in Jazz Pedagogy from the University of Miami and Ph.D. in Music Education from Indiana University. He is a recipient of the DownBeat Achievement Award for Jazz Education. A professional bassist, Dyas has performed well over a thousand jazz and commercial dates throughout his career and continues performing in various jazz and commercial music settings.Now, sit back, relax, and welcome back to JazzPianoSkills, Dr. JB Dyas!Support the show

Welcome to Jazz Piano Skills; I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!I am thrilled to welcome back to Jazz Piano Skills, Dr. JB Dyas. Dr. JB Dyas has been a leader in jazz education for the past two decades. Currently, Vice President for Education and Curriculum Development at the Herbie Hancock Institute of Jazz, Dyas oversees the Institute's education and outreach programs, including Jazz in America (www.jazzinamerica.org), one of the most significant and wide-reaching jazz education programs in the world. He has presented jazz workshops, teacher-training seminars, and jazz "informances" worldwide with such renowned artists as Ambrose Akinmusire, Don Braden, Bobby Broom, Dave Brubeck, Gerald Clayton, Robin Eubanks, Herbie Hancock, Antonio Hart, Ingrid Jensen, Sean Jones, Delfeayo Marsalis, Christian McBride, Bobby Watson, and Steve Wilson.Prior to his current position at the Hancock Institute, Dyas served as Executive Director of the Brubeck Institute where he implemented its College Fellowship Program, Brubeck Festival, Summer Jazz Colony, and Jazz Outreach Initiative. Before that, he served as Director of Jazz Studies at Miami-Dade College – one of the nation's largest and most multi-cultural colleges, and New World School of the Arts – Miami's award-winning performing arts high school.Throughout his career, Dyas has performed across the country, designed and implemented new jazz curricula, directed large and small ensembles, and taught various jazz courses to students at virtually every level of musical development – age seven to seventy, beginner to professional, learning-challenged to prodigy. He has conducted jazz and tune-learning clinics, adjudicated high school and collegiate jazz festivals, and presented numerous jazz seminars throughout the United States and in Australia, Canada, Columbia, Cuba, France, Germany, Japan, Mexico, Russia, and Turkey. He also teaches Jazz Pedagogy at the Herbie Hancock Institute of Jazz Performance at the UCLA Herb Alpert School of Music, is on the faculty of the Jamey Aebersold Summer Jazz Workshop, and serves as an adjudicator for the Annual GRAMMY Music Educator Award.Additionally, Dyas has written for DownBeat magazine and other national music publications, presented clinics, and performed at a number of International Association for Jazz Education (IAJE) and Jazz Education Network (JEN) Annual Conferences, co-founded the International Sisters in Jazz Collegiate Competition, served on the Smithsonian Institution's Task Force for Jazz Education in America, and contributed the chapter “Defining Jazz Education” to the biography, "David Baker - A Legacy in Music." Dyas recently introduced his “What is Jazz and Why It's Important to the World” lecture for International Jazz Day, for which he annually presents education events in conjunction with the Hancock Institute and the United Nations Educational, Scientific and Cultural Organization (UNESCO). He also has made a series of teacher-training jazz education videos (all available at jbdyas.com), including a national webinar along with Herbie Hancock and US Secretary of Education Miguel Cardona on the importance of jazz education in our public schools.Dr. Dyas received his Master's in Jazz Pedagogy from the University of Miami and Ph.D. in Music Education from Indiana University. He is a recipient of the DownBeat Achievement Award for Jazz Education. A professional bassist, Dyas has performed well over a thousand jazz and commercial dates throughout his career and continues performing in various jazz and commercial music settings.Now, sit back, relax, and welcome back to JazzPianoSkills, Dr. JB Dyas!Support the show

Sean Jones has over a decade of experience in rehabbing buildings and new construction development, rebuilding the city of Chicago, block by block. Sean's journey to immense success wasn't linear; he left the corporate world and started doing rehabs and was very successful until the 2009 real estate collapse. It took several years, but he rebuilt and began mentoring others in the rehab process. Eventually, his desire to grow to bigger projects led to him starting new construction development. And today he has the incredible 2024 goal of 9 completed new construction buildings. We discuss how it's possible to complete and sell a brand new 3-unit in less than 4 months.  What are the most important things to be successful in real estate development and some of the common pitfalls. And the importance of 2024 as the “Year of the Mamba. In Kobe's words: "To sum up what Mamba Mentality is, it means to be able to constantly try to be the best version of yourself…a constant quest to try to be better today than you were yesterday." Until next time, love and good vibes.  Podcast Website: https://enterthelionheart.com/ Check out the latest episode here: Apple Podcast: https://podcasts.apple.com/us/podcast/enter-the-lionheart/id1554904704 Spotify: https://open.spotify.com/show/4tD7VvMUvnOgChoNYShbcI

Brent and Corey welcome back Indianapolis comedian Sean Jones to discuss 1993's Cop and a Half, the comedy scenes in Indy and Chicago, Corey eating with Jon Lovitz, when white America realized they can get AIDS too, that movie where Gary Oldman plays a little person, going to the Home Alone house, and Chicago's secret prison ice cream museum. Wanna play swords?

Jen Lada is LIVE from MOTOR Bar & Restaurant as she chats with Golden Eagles head coach Shaka Smart, the season-ending injury to Sean Jones, Marquette's recent struggles on the court, Junior guard Stevie Mitchell stops by to discuss his season and a preview of Monday's matchup against Villanova.

December 17, 2023 What's up Vibers!!, Boosie draining the account for Christmas gifts and learns some podcast etiquette, Ron's bust at work and part take in game night with some friends, Schedule 1 and 3 education 101, Dave's feeling great and bossed up at work, Investment talk, N.Y. apartment collapse, Megan The Stallion speaks out, Draymond Green drama, Giannis Antetokounmpo game ball drama, Browns Flacco vs. Watkins, Raiders blowout L.A. Chargers, Logan Paul first round K.O., Ron's bets of the week, Shout out Sean Jones of Marquette basketball team, Israel opens up borders and makes big mistake. --- Send in a voice message: https://podcasters.spotify.com/pod/show/kenneth-smith82/message

Welcome to another Tech in MKE episode: conversations with business leaders who have a connection to Milwaukee where we chat about the state of technology in their organizations, our community, and how both come together to attract talent and make Milwaukee more “techie”. This episode features Sean Jones and Jeremy Kedziora (Kejora), a couple of computer science professors from Milwaukee School of Engineering. The two of them sat down with Steve to talk about artificial intelligence: AI. What is AI? What's ChatGPT? How are companies like Milwaukee Tool using AI? Will AI take all of our jobs? All of this and more in a fun, informative, and conversational episode. Tech in MKE is brought to you by Harley-Davidson, The Milwaukee Tech Hub Coalition, Expedient, the Milwaukee School of Engineering, and Brooksource. Thanks for listening! Love you, Milwaukee!

Good morning, RVA! It's 54 °F, and, today, summerish temperatures return! Expect highs in the 80s this afternoon and for them to stretch on through next week. Are these record highs? Probably! Am I recovering from a fall cold? Yes! Will I still try to get out into the forest on my bicycle despite probably needing to rest? We'll see! Water cooler Remember last year when the Governor wanted to create permanent tax cuts for the wealthy but didn't have the votes and settled instead for one-time rebates, $200 for individuals and $400 for families? Well, the Department of Taxation has set up a website to check if you're eligible for those rebates (you gotta create an account first), and says the checks should hit your mailbox before December. The Cynical Part of Me raises an eyebrow at the near-election timing of this launch. The Regular Part of Me knows that the General Assembly just passed its budget a hot second ago and casual-sounding things like “setting up a website to check if you're eligible” are actually huge projects for already overworked teams. Looking ahead, and given all the press releases I get from Youngkin's team about the Commonwealth's surging revenue, I'd guess those permanent tax cuts for the wealthy will make a return in this coming year's budget, too. Just another reason why the November 7th election—in just 12 days!—is so very important. Make sure you've got a plan to vote, OK? In other state government news, Ben Paviour at VPM reports on the ongoing mess at the Department of Elections and their decision to remove thousands of folks from the voter rolls. It's hard to tell what's actually going on here, and I'd argue that's probably part of the point. Skip the confusion, and tap straight on through to the Department of Elections website to check your voter registration status right now. Also at VPM, Jahd Khalil writes about Republicans' plans to ban abortion should they win control of the General Assembly next month (see above about voting!). Khalil links to this recent survey by CNU's Wason Center, which asked potential voters a bunch of questions about their Top Issues heading into this election. Tap through and dig into the data, because it's fascinating. While folks support a handful of liberal issues—like keeping abortion legal, teaching kids about racism in public schools, retail marijuana sales, and not banning books—they're basically split on whether they'll vote for a Democrat or a Republican. Pulitzer Prize Winner Michael Paul Williams has more on the survey results, including this bit: “When likely voters were asked who they trusted most to make the right decisions for children in K-12 public schools, 81% of respondents trusted teachers “somewhat” or “a lot” — more so than school administrators (67%), local school boards (59%) and state government (55%). That's right: teachers were deemed more trustworthy than the school boards micromanaging education.” Standard caveats apply about how do surveys even work in a world where no one answers their phone, but still, fascinating! It's not all just state-level elections popping up on ballots, some of us get to vote for local candidates, too. If you're a Henrico resident cast your web browsers back over to the RTD where Sean Jones has put together a nice overview of the 10 candidates running for the Board of Supervisors. Eileen Mellon at Richmond Magazine sat down with Nathan Hughes, a real estate agent who's worked with local restauranteurs for decades, to talk about cursed restaurant spots. Hughes tries to explain that actual things—like location, foot traffic, and layout—probably contribute more to a restaurant's success than fake things like curses. Likely story, Hughes! Reminder: Breakaway RVA will host their final chill, informative, and fun group bike ride tonight. Meet at Scuffletown Park at 5:45 PM, wheels up at 6:00 PM! Tonight, at 6:00 PM, the YWCA host the 27th annual Remember My Name memorial at Cedar Street Baptist Church (2301 Cedar Street). This memorial gives friends, family, and community members a chance to commemorate those who have lost their lives due to domestic violence and intimate partner violence. According to the YWCA, “nearly one-third of all homicides in Virginia are attributed to domestic or intimate partner violence.” You can learn more and register (to help with the headcount) over on the website. This morning's longread Naked beneath Our Clothes I loved this essay on nakedness and bodies and how we're so weird about both. Everyone's got a body, and we've done a lot of really gross societal work to make sure we've all got thoughts on those bodies—the ones that belong to other people, sure, but mostly the one that belongs to us. Seeing other naked bodies, though, did not make me feel disrespectful. It was wondrous. The shared ease made being human more palatable. And I soon realized there is nothing exhibitionist about being naked. People look you in the eye; nobody stares at the rest of you. Nothing is new, shocking, revelatory. All the lumps and bumps, moles and birthmarks, scars and stretch marks are on display, and the need to conceal your own drops away. Nakedness, done right, has no ego. There are problems with exposing the body, of course, but there are also problems in cultures that conceal. The more artfully we cover our bodies, the more mystique there is. But the more mystique there is, the greater the desire to own, steal, guard, or violate that alluring, luring, concealed body. The paradox is built in. If you'd like to suggest a longread to show up here, go chip in a couple bucks on the ol' Patreon. Picture of the Day These mushrooms understand dense housing.

We think of teaching as involving a plan, a set structure of lessons to complete. But for the PUBLIQuartet, teaching is all about improvisation. They teach musicians to respond and engage with the room, sometimes abandoning the plan altogether. Following your intuition puts the emphasis on process rather than product—and that's where the real learning happens. Theme Music “Mr. Gentle and Mr. Cool” written by Duke Ellington and Laura Rembert
Sony/ATV Harmony (ASCAP) / Music Sales Corporation (ASCAP) o/b/o itself and Tempo Music Performed by Sean Jones and NYO Jazz PUBLIQuartet Episode “At the Purchaser's Option” written by Rhiannon Giddens and Joseph Edward Ryan Children of Llyr (BMI) / BMG Gold Songs (ASCAP) o/b/o itself and Joey Ryan Music Publishing (ASCAP) Performed by PUBLIQuartet “Ballad” written by Hamilton Berry Performed by PUBLIQuartet “Mind the Gap: What is American? IV Pt. 1” arranged and performed by PUBLIQuartet “Voodoo Dolls” written by Jessie Montgomery NYC Music Services a/a/f Jessie Montgomery Music Publishing (ASCAP) Performed by PUBLIQuartet “Quartet, Op. 22” written by Anton Von Webern Universal Edition AG / European American Music Distributors Corporation By arrangement with Concord Performed by Jennifer Frautschi, Christopher Oldfather, Daniel Goble, Michael Lowenstern Courtesy of Naxos of America, Inc. “Mind the Gap: What is American? ii” arranged and performed by PUBLIQuartet

How do you teach students to read music? For Margaret Jenks, it's about teaching them that they already know how to. Jenks roots her teaching in attention: noticing rhythm, noticing patterns, noticing absence, and most importantly, noticing each other. The best teachers do not work from a checklist—rather, they teach intention and intentional listening. They guide students toward a greater awareness of the world. Theme Music “Mr. Gentle and Mr. Cool” written by Duke Ellington and Laura Rembert
Sony/ATV Harmony (ASCAP) / Music Sales Corporation (ASCAP) o/b/o itself and Tempo Music Performed by Sean Jones and NYO Jazz Margaret Jenks Episode “Groovin' Hard” written by Don Menza Croma Music (ASCAP) Performed by Jazz Express “Fuzzy Caterpillar Song” written by Patty Zeitlin Bullfrog Ballades (ASCAP) / Budde Music, Inc. (ASCAP) “Little Snowflake” written by Troy McDonald and Devon Charles Thagard WC Music Corp. (ASCAP) o/b/o Skyship Music Limited

Cecile McLorin Salvant, Ben Wendel, Darcy James Argue's Secret Society, Ryan Keberle, Adam Birnbaum, Jeb Patton, Naama, Bruce Barth, Vicente Archer, John Scofield, Pete McCann, Melissa Stylianou, Denin Slage-Koch, Bobby Wiens and Clark Gibson.Playlist: Cecile McLorin Salvant - DoudouBen Wendel, featuring Cecile McLorin Salvant - I Loves You PorgyDarcy James Argue's Secret Society, featuring Cecile McLorin Salvant - Mae West: AdviceRyan Keberle's Collectiv do Brasil - EduAdam Birnbaum - Prelude in Db MajorJeb Patton - Prelude in F# MajorNaama, featuring Bruce Barth, Dave Baron & Steve Nelson - By MyselfBruce Barth, featuring Vicente Archer & Montez Coleman - Golden GlowVincente Archer, featuring Gerald Clayton & Bill Stewart - Bye NashvilleJohn Scofield, featuring Vicente Archer & Bill Stewart - Uncle John's BandPete McCann - Lost CityMelissa Stylianou, featuring Ike Sturm - It Could Happen to YouRoni Ben-Hur, featuring Ingrid Jensen, Ugonna Okegwo & Jason Tiemann - Alegria de ViverDenin Slage-Koch, featuring Ryan Keberle & Shane Endsley - It Comes in WavesDenin Slage-Koch, Bobby Wiens - Fiesta de BaileClark Gibson, featuring Sean Jones, Michael Dease, Pat Bianchi, Lewis Nash & Nick Mancini - Boptude

Everyone is an artist, and everyone can use music to express themselves. But for some, such expression is hard. It's incredibly vulnerable to create music and reveal something so personal. But Emily Eagen emphasizes that this intimacy is to be celebrated. By weaving it into her own instruction, Emily demonstrates how intimacy is what gives music all its power. Theme Music “Mr. Gentle and Mr. Cool” written by Duke Ellington and Laura Rembert
Sony/ATV Harmony (ASCAP) / Music Sales Corporation (ASCAP) o/b/o itself and Tempo Music Performed by Sean Jones and NYO Jazz Emily Eagen Episode “Where is Love?” written by Lionel Bart Hollis Music, Inc. (BMI) Performed by Sam Robson https://www.youtube.com/samrobson “Anne” from Anne of Green Gables written and conducted by Hagood Hardy Cymba Music o/b/o Big Bay Music Publishing (SOCAN) Recording courtesy of Chapter 2 Productions, Inc. o/b/o Isis Records Ltd. “I Never Will Marry” written by A.P. Carter Peer International Corporation (BMI)

What does it mean to be musically gifted? Sean Jones understands this gift to be as much a blessing as it is a responsibility. It is our charge to realize our talents. There's a song that sits, awaiting in each one of us. Music teachers encourage students to find that song and assure them of its worth. In doing so, they empower students to let their song out. Theme Music “Mr. Gentle and Mr. Cool” written by Duke Ellington and Laura Rembert
Sony/ATV Harmony (ASCAP) / Music Sales Corporation (ASCAP) o/b/o itself and Tempo Music Performed by Sean Jones and NYO Jazz Sean Jones Episode “The Ambitious Violet” written by Sean Jones Harper Woods Music Publishing / Seany Boy (ASCAP) Performed by Sean Jones and NYO Jazz All rights reserved. “Struggle Gives You Strength” written by Jihye Lee Performed by Sean Jones and NYO Jazz “Fête dans la tête” written by John Beasley Performed by Sean Jones and NYO Jazz “I Still Hear Mama Praying” written and performed by Chester D.T. Baldwin JDI Entertainment o/b/o J Robersongs Music (BMI) Recording courtesy of JDI Entertainment, Inc. “Forgiveness” written and performed by Sean Jones Harper Woods Music Publishing / Seany Boy (ASCAP) From the album no need for words (MAC1057) ℗ 2011 Mack Avenue Records II, LLC Courtesy of Mack Avenue Records All rights reserved.

Does focusing on students imply a sacrifice of your own creative expression? Not to Thomas Cabaniss. Practicing as a teaching artist, Cabaniss centers his own artistic experience. His passion for creation inspires engagement and sheds inhibition in the classroom. We are left with the opposite conviction: Creativity is contagious—cultivating it in oneself cultivates it in others. Theme Music “Mr. Gentle and Mr. Cool” written by Duke Ellington and Laura Rembert
Sony/ATV Harmony (ASCAP) / Music Sales Corporation (ASCAP) o/b/o itself and Tempo Music Performed by Sean Jones and NYO Jazz Thomas Cabaniss Episode “Sketches of Venasque” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “Double Rainbow” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “The March of The Siamese Children” from The King and I written by Richard Rodgers and Oscar Hammerstein II Williamson Music Company By arrangement with Concord (ASCAP) Performed by the Original Broadway Cast Courtesy of Verve Records under license from Universal Music Enterprises “I Whistle A Happy Tune” from The King and I written by Richard Rodgers and Oscar Hammerstein II Williamson Music Company By arrangement with Concord (ASCAP) Performed by Gertrude Lawrence & the Original Broadway Cast Courtesy of Verve Records under license from Universal Music Enterprises “One and One” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “The Third Eye” written and performed by Max Roach Milma Publishing Company (BMI) Administered by Songs of Kobalt Music Publishing Recording courtesy of Kepach Music S.r.l. “Lovesong” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “Two” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “Flutter Flutter” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn

Once a great teacher enters your life, you're never the same. Great teachers function as excavators; they chisel away, honing in and refining a student's talents. They extract abilities that may have laid latent, unrealized. This teaching pedagogy is embodied by music teachers like Bishop Chantel Wright. Wright is meticulous and uncompromising, traits that lend themselves well to teaching the precisions of music. As she shares her story, consider the most demanding teachers in your life, and what they have unearthed in you. Theme Music “Mr. Gentle and Mr. Cool” written by Duke Ellington and Laura Rembert
Sony/ATV Harmony (ASCAP) / Music Sales Corporation (ASCAP) o/b/o itself and Tempo Music Performed by Sean Jones and NYO Jazz Chantel Wright Episode “God is My Everything” written by Percy Gray © Slickey Music (BMI) administered by Music Services, Inc. / Saved Children Music (BMI) Performed by the Chicago Mass Choir Recording courtesy of New Haven Records “Midnight Train to Georgia” written by James Weatherly Universal PolyGram Int. Publishing, Inc. (ASCAP) Performed by Gladys Knight and The Pips Recording courtesy of Sony Music Entertainment “Mamma” written and performed by Abdullah Ibrahim Edition Abdullah Ibrahim Ekpa (GEMA) Recording courtesy of Enja & Yellowbird Records “So Beautiful” written by Lee Hutson, Jr. and Taalib Johnson EMI April Music Inc./La Kasa Sole/Writers Guild (ASCAP) / Universal Music Corp. o/b/o itself and Soul Child Music (ASCAP) Performed by Robert Glasper Recording courtesy of Blue Note Records under license from Universal Music Enterprises “Tarn” written and performed by Scott Solter Under license from Scott Solter http://scottsolter.bandcamp.com “Of Dreams to Come” written and performed by Robert Glasper  I Am A Jazzy Guy (SESAC) administered by Concord Tunes (SESAC)  By arrangement with Concord Recording courtesy of Blue Note Records under license from Universal Music Enterprises “Guilty Cubicles” written by Brendan Canning and Kevin Drew Arts & Crafts Music, Inc. / Songs of Peer. Ltd. o/b/o Brendan Canning Music (ASCAP) Performed by Broken Social Scene Recording courtesy of Arts & Crafts Productions, Inc.

Tom Gouker: SCFB is found on: Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more! Tom Gouker is also featured on a limited-run podcast about the Beatles called, "The Beatles Come To America", Join Tom and the "Beatle Guru" Brooke Halpin as we chat about the US Album Releases of the Beatles ("65", "Yesterday & Today" and "Hey Jude"...they are all there.) --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

All music used with permission by Stephen Philip Harvey. Mechanical Men - Harvey Vigilante - Harvey Zephyr - Harvey Hero's Journey - Harvey Nefarious Plots - Harvey Smash! - Harvey Projectile Dysfunction - Harvey The Mystics - Harvey Song 9 - Harvey Love's Lullaby - Jones Party Song - Harvey Stephen Philip Harvey's works sit squarely at the intersection of popular culture and jazz – and nothing better illustrates this than his recent release smash. For this project – celebrating the release of his album - Harvey uses contemporary big band writing styles and genre-blending idioms to bring comic book inspired pieces to life. These compositions combine elements of big band jazz, fusion, funk, rock, and cinematic score to bring classic characters and scenes off the page. But wait! There's more. Sean Jones joins the group as a special guest on trumpet. With a six-year stint as lead trumpet in the Jazz at Lincoln Center Orchestra and time with the San Francisco Jazz Collective to his credit – Sean Jones graces the stage with his presence and his talent. From July 7th, 2022 it's the Stephen Philip Harvey Jazz Orchestra, featuring Sean Jones – Live at the Bop Stop. Live at the Bop Stop is made possible by the Music Settlement – serving Northeast Ohio by offering music instruction – music therapy and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn – create – inspire – and heal.   This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio and the studios of KUNV in Las Vegas, Nevada. Additional production at the Bop Stop is provided by Graham Rosen. Editing for WOBC,WNPA and the Public Radio Exchange is provided by Dr. Pete Naegele - and for our podcast and other radio affiliates by Shawn Gilbert at Gilazar Media.     The executive producer is Daniel Peck – with additional consulting production by Bryan Kennard and Gabe Pollack.   For extended versions of all of our shows –our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link.   Want to Support The Bop Stop?  Donate here!   Contact us here  

Do you remember that scene in Jurassic Park when the park's founder revealed that he had extracted the blood of a dinosaur from a mosquito trapped in fossilized tree sap?Forget the blood. Forget the dinosaur. Our interest is in that mosquito trapped in amber.I sometimes think time is the amber in which we mosquitoes are held captive.As Edwin Abbot demonstrated in his breakthrough book, “Flatland: A Romance of Many Dimensions,” we live in 4 dimensions: Height, Width, Depth, and Time. We have access to the 3 lower dimensions, but no access to the 7 dimensions in M-Theory that lie above and beyond our 4-dimensional “spacetime continuum.”According to theoretical physicists, those 7 dimensions are as real as the 4 in which we live. And here is the interesting part: beings in those dimensions are outside of time. They are above it. We, however, are like those mosquitoes trapped in amber. Time does not expand us; it inhibits us, shackles us, makes us wear blinders. This would seem to confirm the idea that we are not physical beings who occasionally have a spiritual experience, but spiritual beings who are having a temporary physical experience.You might be wondering what catapulted my mind into this strange, metaphysical sky this morning, so I will tell you. My partner Craig Arthur lives in Townsville, Australia, where his winter is our summer and his night is our day. This gives Craig and me a brief window to chat when he is ending his day and I am beginning my own.This morning I opened my laptop just as Craig forwarded a meme from Cat Damon. It said,“My son just walked into my room and said, ‘Daddy, I'm scared to die. Not of going to hell, I don't think there is such a place, but I guess I'm scared there's nothing. There was nothing before, so what if there's nothing after?'”Cat Damon wraps up his story with these words,“My son is 37 years old and on acid.”I'm not on acid. My drug of choice is called “Speculation.” You make it by combining Knowledge and Intuition in equal parts. Stirring this mixture is not required. Speculation explodes into existence when the two ingredients make contact.Speculation is susceptible to confirmation bias, of course. We quickly see confirmation of what we already believe.There is another formula, more popular than my own, that is just as susceptible to confirmation bias, though its practitioners like to believe their formula is objective, reliable, and scientific. This more popular formula is “Knowledge plus Data.”Am I against data? Of course not. But I can tell you that the most skillful users of data – people like Sean Jones, Dewey Jenkins, Cedric Yau, Vi Wickam, Gene Naftulyev, Pyotr Belov, Jeffrey and Bryan Eisenberg, John Quarto von Tivadar, and Luis Castañeda – these people always ask themselves whether the data might be indicating something other than what they saw at first glance.But most people do not question their initial interpretation of data. In the words of Andrew Lang, they use data, “like a drunk man uses a lamp post – for support rather than illumination.”Knowledge + Intuition = SpeculationKnowledge + Data = SpeculationMy observation has been that these 2 formulas are really just 2 different paths that lead to precisely the same destination. The key that unlocks the golden door of miracles is to have an independent partner who is using the formula you are NOT using. When both of you arrive at the same conclusion – even though you came at it from different directions – you can be far more confident that you have found the answer you were seeking.Data is a snapshot of reality expressed in numbers in a database or on a spreadsheet. Data is the logic of the rational, sequential, deductive reasoning left hemisphere of your brain.Intuition is a snapshot of...

There are countless ways to teach music, but what makes a music teacher “great”? Through a series of enlightening conversations with extraordinary educators, this six-part series offers invaluable answers and insights. Learn about the unique approaches and personal histories of masterful music teachers, discover what drives them to teach, and be inspired by stories of their life-changing successes. All episodes will be available in fall 2023. Theme Music “Mr. Gentle and Mr. Cool” written by Duke Ellington and Laura Rembert
Sony/ATV Harmony (ASCAP) / Music Sales Corporation (ASCAP) o/b/o itself and Tempo Music Performed by Sean Jones and NYO Jazz

Welcome to JazzPianoSkills; I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!I am thrilled to welcome back to JazzPianSkills, Dr. JB Dyas. Dr. JB Dyas has been a leader in jazz education for the past two decades. Currently, Vice President for Education and Curriculum Development at the Herbie Hancock Institute of Jazz, Dyas oversees the Institute's education and outreach programs, including Jazz in America (www.jazzinamerica.org), one of the most significant and wide-reaching jazz education programs in the world. He has presented jazz workshops, teacher-training seminars, and jazz "informances" worldwide with such renowned artists as Ambrose Akinmusire, Don Braden, Bobby Broom, Dave Brubeck, Gerald Clayton, Robin Eubanks, Herbie Hancock, Antonio Hart, Ingrid Jensen, Sean Jones, Delfeayo Marsalis, Christian McBride, Bobby Watson, and Steve Wilson.Prior to his current position at the Hancock Institute, Dyas served as Executive Director of the Brubeck Institute where he implemented its College Fellowship Program, Brubeck Festival, Summer Jazz Colony, and Jazz Outreach Initiative. Before that, he served as Director of Jazz Studies at Miami-Dade College – one of the nation's largest and most multi-cultural colleges, and New World School of the Arts – Miami's award-winning performing arts high school.Throughout his career, Dyas has performed across the country, designed and implemented new jazz curricula, directed large and small ensembles, and taught various jazz courses to students at virtually every level of musical development – age seven to seventy, beginner to professional, learning-challenged to prodigy. He has conducted jazz and tune-learning clinics, adjudicated high school and collegiate jazz festivals, and presented numerous jazz seminars throughout the United States and in Australia, Canada, Columbia, Cuba, France, Germany, Japan, Mexico, Russia, and Turkey. He also teaches Jazz Pedagogy at the Herbie Hancock Institute of Jazz Performance at the UCLA Herb Alpert School of Music, is on the faculty of the Jamey Aebersold Summer Jazz Workshop, and serves as an adjudicator for the Annual GRAMMY Music Educator Award.Additionally, Dyas has written for DownBeat magazine and other national music publications, presented clinics, and performed at a number of International Association for Jazz Education (IAJE) and Jazz Education Network (JEN) Annual Conferences, co-founded the International Sisters in Jazz Collegiate Competition, served on the Smithsonian Institution's Task Force for Jazz Education in America, and contributed the chapter “Defining Jazz Education” to the biography, "David Baker - A Legacy in Music." Dyas recently introduced his “What is Jazz and Why It's Important to the World” lecture for International Jazz Day, for which he annually presents education events in conjunction with the Hancock Institute and the United Nations Educational, Scientific and Cultural Organization (UNESCO). He also has made a series of teacher-training jazz education videos (all available at jbdyas.com), including a national webinar along with Herbie Hancock and US Secretary of Education Miguel Cardona on the importance of jazz education in our public schools.Dr. Dyas received his Master's in Jazz Pedagogy from the University of Miami and Ph.D. in Music Education from Indiana University. He is a recipient of the DownBeat Achievement Award for Jazz Education. A professional bassist, Dyas has performed well over a thousand jazz and commercial dates throughout his career and continues performing in various jazz and commercial music settings.Now, sit back, relax, and welcome back to JazzPianoSkills, Dr. JB Dyas!Support the show

Welcome to JazzPianoSkills; I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!I am thrilled to welcome to JazzPianSkills, Dr. JB Dyas. Dr. JB Dyas has been a leader in jazz education for the past two decades. Currently, Vice President for Education and Curriculum Development at the Herbie Hancock Institute of Jazz, Dyas oversees the Institute's education and outreach programs, including Jazz in America (www.jazzinamerica.org), one of the most significant and wide-reaching jazz education programs in the world. He has presented jazz workshops, teacher-training seminars, and jazz "informances" worldwide with such renowned artists as Ambrose Akinmusire, Don Braden, Bobby Broom, Dave Brubeck, Gerald Clayton, Robin Eubanks, Herbie Hancock, Antonio Hart, Ingrid Jensen, Sean Jones, Delfeayo Marsalis, Christian McBride, Bobby Watson, and Steve Wilson.Prior to his current position at the Hancock Institute, Dyas served as Executive Director of the Brubeck Institute where he implemented its College Fellowship Program, Brubeck Festival, Summer Jazz Colony, and Jazz Outreach Initiative. Before that, he served as Director of Jazz Studies at Miami-Dade College – one of the nation's largest and most multi-cultural colleges, and New World School of the Arts – Miami's award-winning performing arts high school.Throughout his career, Dyas has performed across the country, designed and implemented new jazz curricula, directed large and small ensembles, and taught various jazz courses to students at virtually every level of musical development – age seven to seventy, beginner to professional, learning-challenged to prodigy. He has conducted jazz and tune-learning clinics, adjudicated high school and collegiate jazz festivals, and presented numerous jazz seminars throughout the United States and in Australia, Canada, Columbia, Cuba, France, Germany, Japan, Mexico, Russia, and Turkey. He also teaches Jazz Pedagogy at the Herbie Hancock Institute of Jazz Performance at the UCLA Herb Alpert School of Music, is on the faculty of the Jamey Aebersold Summer Jazz Workshop, and serves as an adjudicator for the Annual GRAMMY Music Educator Award.Additionally, Dyas has written for DownBeat magazine and other national music publications, presented clinics, and performed at a number of International Association for Jazz Education (IAJE) and Jazz Education Network (JEN) Annual Conferences, co-founded the International Sisters in Jazz Collegiate Competition, served on the Smithsonian Institution's Task Force for Jazz Education in America, and contributed the chapter “Defining Jazz Education” to the biography, "David Baker - A Legacy in Music." Dyas recently introduced his “What is Jazz and Why It's Important to the World” lecture for International Jazz Day, for which he annually presents education events in conjunction with the Hancock Institute and the United Nations Educational, Scientific and Cultural Organization (UNESCO). He also has made a series of teacher-training jazz education videos (all available at jbdyas.com), including a national webinar along with Herbie Hancock and US Secretary of Education Miguel Cardona on the importance of jazz education in our public schools.Dr. Dyas received his Master's in Jazz Pedagogy from the University of Miami and Ph.D. in Music Education from Indiana University. He is a recipient of the DownBeat Achievement Award for Jazz Education. A professional bassist, Dyas has performed well over a thousand jazz and commercial dates throughout his career and continues performing in various jazz and commercial music settings.Now, sit back, relax, and welcome to JazzPianoSkills, Dr. JB Dyas!Support the show

On today's episode of WHAT THE TRUCK?!? Dooner is talking about a closed loop reverse logistics system that's driving furniture rental company Fernish to success. Kristin Toth shares how customer service and execution are allowing the startup to punch well above their weight.  Waabi is trying to solve for autonomous trucking at scale. Dustin Koehl shares how the tech that they're developing is the highway to adoption of autonomous trucks. QuickLoadz has built an automated trailer. Sean Jones tells us how they developed the product, demos it, and talks about the trailers that will power an autonomous future. Plus, close call in Wyoming; cold calling isn't dead; and robots take over the warehouse. Visit our sponsorWatch on YouTubeSubscribe to the WTT newsletterApple PodcastsSpotifyMore FreightWaves Podcasts

On today's episode of WHAT THE TRUCK?!? Dooner is talking about a closed loop reverse logistics system that's driving furniture rental company Fernish to success. Kristin Toth shares how customer service and execution are allowing the startup to punch well above their weight.  Waabi is trying to solve for autonomous trucking at scale. Dustin Koehl shares how the tech that they're developing is the highway to adoption of autonomous trucks. QuickLoadz has built an automated trailer. Sean Jones tells us how they developed the product, demos it, and talks about the trailers that will power an autonomous future. Plus, close call in Wyoming; cold calling isn't dead; and robots take over the warehouse. Visit our sponsorWatch on YouTubeSubscribe to the WTT newsletterApple PodcastsSpotifyMore FreightWaves Podcasts

A native of eastern Pennsylvania, JD Walter's past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide. After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter's recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings. The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens. Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy's Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues. He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum. Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow. In this episode, JD Walter shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Sean Jones In Studio, Is The 12th Pick Too Much For Sean Payton? Cowboys Destroy Bucs, Is TB12 Done?

Sean Jones In Studio, JJ Watt Retires, What Other NFL Coaches Will Be Fired? Rockets Beat Up Bulls

Andy Reid Tells Texans Fans To Be Patient With Lovie, Jalen Hurts Injured, Sean Jones Joins The Show,

NYO Jazz is a summer program from Carnegie Hall recognizing talented musicians between the ages of 16 and 19 from across the country. The group just released their first album, We're Still Here, and this week they'll launch a multi-state tour starting July 28 at Carnegie Hall. Artistic director and bandleader Sean Jones joins us to talk about the program, alongside two teen bandmembers: alto saxophone player Kaela Seltzer and trombone player Melvin Nimtz.