Podcasts about Secession

The Boredwalk content team of Ansley Hutchinson, Tess Menzies, and Gabe Sanchez is back to discuss the so-called "soft secession" that is allegedly being discussed privately among the Democratic governors of certain majority-Democrat (aka "blue") states in response to the Trump regime's increasingly divisive and authoritarian policies and how that potential fracturing of the Union may take shape. We also revisit the topic of gerrymandering, the chaotic and economically damaging tariff policies and their contribution to the growing isolationist stance of the U.S. in relation to long-standing international allies, and the ongoing real-time decomposition of the supposed "strong man" at the heart of it all. Moving on, we check in with the latest dispatch from Troll-sylvania, where we get to respond to a virtue signaling scold who thinks what we do at Boredwalk is in some way a less form of resistance. Not sure how being tiresome and judgmental equates with being virtuous, but here we are. This is followed by a nice palate cleanser in the form of a glowing review for our Bloodthirsty & Bewitched goth activity book for adults before our hosts wrap up the episode by trading answers to questions pulled from our Delve Deck conversation card sets! This week we answer the questions "what is something you're getting worse at?", "what's the most beautiful place you've ever been to?", and "what is the best physical sensation?" Thanks for stopping by to hang out, commiserate, and (hopefully) laugh with us! FOLLOW US: FACEBOOK ► facebook.com/boredwalktshirts INSTAGRAM ► instagram.com/boredwalk THREADS ► threads.com/boredwalktees YOUTUBE ► youtube.com/boredwalk.los.angeles BLUESKY ► bsky.app/profile/boredwalk.com TIKTOK ► tiktok.com/@boredwalk.lol

Is mistrust a defining feature and flaw in American democracy? Or is it a manifestation of basic opposition against long-term democratic and aspirational concepts such as "all men are created equally"? In this thought provoking conversation author and historian Richard Kreitner joins Andrew Keen to explore the deep mistrust in U.S. political life. Drawing on themes from his book Break it up: Secession, Division, and the Secret History of America's Imperfect Union. Kreitner traces the fractured origins of the American project, argues that national cohesion may be neither possible nor desirable at the continental scale, and makes the provocative case, that mistrust - even secessionist thinking - can sometimes be a rational response to genuine democratic failures. A timely conversation that challenges prevailing narratives about unity and the Constitution in an age of polarization and rising political anxiety.

Blue state governors and AGs strategize to wrest back power and ultimately defeat the Regime. Epstein survivors take the lead in their fight for justice.  www.charlesbursell.com

Baby Blue Viper is an evolving platform for clarity, reflection, and poetic disruption.BBV Consultancy is its applied, bilingual arm — offering strategic support in English and Spanish for those navigating complexity, change, and the Bitcoin era.And now, the BBV Bitcoin Party — our political movement without borders.We stand for decentralized governance, financial autonomy through Bitcoin, and Christian ethics of love and service.Join us in building a better world. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.babyblueviper.com/subscribe

Im Gespräch mit der Medien- und Filmkünstlerin Constanze Ruhm geht es insbesondere um Werke aus den letzten 20 Jahren, ausgehend von kuratorischen Tätigkeiten, zu denen die Ausstellung Fate of Alien Modes (2003) im Auftrag der Secession zählt, die Diskurszusammenhänge zwischen Film und Kunst ins Licht rückte. Von der Konzeptkunst und vom Interesse für digitale Technologien und mediale Dispositive entwickelten sich die künstlerischen Projekte nach dem Studium Visueller Mediengestaltung bei Peter Weibel hin zur Rekonstruktion filmischer Räume und zur Kritik männlich kodierter Blickregime und Szenarien. Constanze Ruhm erläutert Appropriationsgesten, die sie im Rahmen ihrer Beschäftigung mit weiblichen Figuren der Filmgeschichte entwickelte. Im Laufe ihrer Recherchen, die sie von Filmarchiven zu historischen Orten führen, deutet sie antike Mythen feministisch um und verknüpft sie mit den Rollen realer Figuren, sowie mit zeitgenössischen Kontexten. Ins Zentrum des Gesprächs rückt in diesem Zusammenhang Ruhms Arbeit zum italienischen Feminismus, die ihrer Auseinandersetzung mit Carla Lonzi entspringt. Dies wird unter anderem an ihrem Interesse an Gesten der Unterbrechung und des Widerständigen deutlich, als Möglichkeiten des politischen Handelns, aber auch als Strategien der Selbstermächtigung und des Sichtbarmachens von weiblicher Arbeit und Solidarität. Der Figur der Probe kommt in Ruhms filmischen Essays über Formen des Reenactments und des Castings eine besondere Rolle zu. Sie führt zu einer wesentlichen Frage hin: wie kann der historische Feminismus der 1970er-Jahre aus der Gegenwart heraus betrachtet werden, und was kann er jüngeren Generationen heute sagen? Diese Episode wurde am 17. Juli 2025 in der Secession aufgenommen. Constanze Ruhm ist Künstlerin, Filmemacherin, Autorin und Kuratorin. In ihren Installationen, Filmen, fotografischen Serien und Publikationen untersucht sie die Beziehungen unterschiedlicher zeitbasierter Formen zwischen Film, bildender Kunst und Neuen Medien. Dabei erforscht sie deren jeweilige Geschichten und Theorien, oft mit einem Fokus auf Probenprozesse und Strategien des Re-Enactments. Ihre thematischen Schwerpunkte liegen auf Fragen des filmischen Blicks sowie der filmischen Narration und der damit verbundenen Machtverhältnisse, auf feministischen Dramaturgien und Theorien des Films sowie auf der Rolle von Archiven innerhalb einer zeitgenössischen filmisch-künstlerischen Praxis. Ihre zwischen Essay, Fiktion und Dokumentation angesiedelten Werke nehmen insbesondere weibliche Filmfiguren in den Blick, um deren Narrationen aus zeitgenössischer, feministischer Perspektive neu zu erzählen. Die Arbeiten werden sowohl auf der Kinoleinwand als auch in installativen Ausstellungsformaten gezeigt. Sie studierte an der Hochschule für Angewandte Kunst in Wien und an der Städelschule in Frankfurt am Main. Sie erhielt zahlreiche Preise und Auszeichnungen, darunter der Efebo d'Oro Città di Palermo for New Languages, der Outstanding Artist Award für Dokumentarfilm (2021), der Preis für Innovatives Kino der diagonale (2020), der Würdigungspreis für Medienkunst des Landes Niederösterreich (2009), der Würdigungspreis für Bildende Kunst der Stadt Wien (2009), der Frauenkunstpreis für Medienkunst (2000) u.v.m. Seit 1996 geht Constanze Ruhm einer internationalen Lehrtätigkeit nach: als Professorin für Video an der Hochschule für Gestaltung Offenbach und von 2003 bis 2006 an der Merz Akademie Stuttgart; von 2006-2011 im Rahmen eines Residency Programs am Art Institute Boston an der Lesley University. Seit 2006 ist sie Professorin für Kunst und Medien an der Akademie der bildenden Künste in Wien. Internationale Ausstellungstätigkeit; zahlreiche kuratorische Projekte (z.B. Fate of Alien Modes, Secession Wien 2003; Putting Rehearsal to the Test in Zusammenarbeit mit Sabeth Buchmann und Ilse Lafer (VOX - Centre de l'image contemporain / Leonard and Bina Ellen Gallery / SBC Gallery, Montréal 2016 ); kuratorische Programme im Rahmen verschiedener Festivals und Ausstellungen. Ihre Arbeiten werden regelmäßig auf internationalen Festivals (Berlinale, FID Marseille, Era New Horizons, Jeonju International Film Festival, Mar del Plata, Essay Film Festival London, Diagonale, Viennale…) gezeigt. Von 2017 gründete sie gemeinsam mit Florian Paul Ebner den queer-feministischen Konzept-Chor MALA SIRENA, den sie bis 2023 leitete. Christa Blümlinger ist Professorin für Filmwissenschaft an der Universität Paris 8 Vincennes-Saint-Denis. Zahlreiche Publikationen über Essay- und Dokumentarfilm, Avantgarde, Medienkunst und Filmästhetik, sowie zum österreichischen Film; Beiträge u.a. zu Zeitschriften wie Trafic, Radical Philosophy und Cargo. Auf Deutsch veröffentlichte sie u.a. Kino aus zweiter Hand. Zur Ästhetik materieller Aneignung im Film und in der Medienkunst (2009), auf Englisch u.a. Morgan Fisher, Off-Screen Cinema, hrsg. mit Jean-Philippe Antoine (2017). Jüngste Buchpublikationen: Harun Farocki. Du cinéma au musée (P.O.L. 2022) und Horizontes documentales. Escritos selectos sobre cine (La Fuga / Ediciones Metales, 2025). Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts. Programmiert vom Vorstand der Secession. Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Produktion: Jeanette Pacher & Bettina Spörr

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This Flashback Friday is from episode 385 published last June 16, 2014. Ray Bourhis is a partner with the law firm of Bourhis & Wolfson in San Francisco, California, specializing in insurance bad-faith litigation. A graduate of Boalt Hall at the University of California, Berkeley, Bourhis has been a court-appointed Special Master overseeing reforms in the California Department of Insurance and was appointed by U.S. Senator Barbara Boxer to her Federal Judicial Selection Advisory Committee.  He was recently profiled by Ed Bradley in a 60 Minutes report concerning fraudulent insurance practices. Born and raised in Elmhurst, Queens, Bourhis credits an attempt by gang members to throw him into a blazing bonfire at the age of twelve with helping him develop the survival skills needed to deal with insurance companies. He lives with his family in Kentfield, California.   Follow Jason on TWITTER, INSTAGRAM & LINKEDIN Twitter.com/JasonHartmanROI Instagram.com/jasonhartman1/ Linkedin.com/in/jasonhartmaninvestor/ Call our Investment Counselors at: 1-800-HARTMAN (US) or visit: https://www.jasonhartman.com/ Free Class:  Easily get up to $250,000 in funding for real estate, business or anything else: http://JasonHartman.com/Fund CYA Protect Your Assets, Save Taxes & Estate Planning: http://JasonHartman.com/Protect Get wholesale real estate deals for investment or build a great business – Free Course: https://www.jasonhartman.com/deals Special Offer from Ron LeGrand: https://JasonHartman.com/Ron Free Mini-Book on Pandemic Investing: https://www.PandemicInvesting.com    

Luisa Ziaja spricht mit Oliver Ressler über seine künstlerische Praxis, insbesondere über seine Videos und Videoinstallationen der letzten Jahre. Diese setzen sich mit dem Klimakollaps und aktivistischer Organisierung dagegen aus, geben Einblicke in Klimaaktivismen und laden ein zu einem Nachdenken darüber, wie Gesellschaft demokratischer und inklusiver gestaltet werden könnte. Luisa Ziaja kuratierte 2024 die Einzelausstellung "Dog Days Bite Back" von Oliver Ressler im Belvedere 21. Oliver Ressler war von 2007–2013 Mitglied im Vorstand der Secession. Das Gespräch wurde am 16. Mai 2025 aufgenommen. Oliver Ressler lebt in Wien und arbeitet an Installationen, Projekten im Außenraum und Filmen zu Ökonomie, Demokratie, Klimakollaps, Formen des zivilen Ungehorsams und gesellschaftlichen Alternativen. Seine 44 Filme wurden in tausenden Veranstaltungen von sozialen Bewegungen, Kunstinstitutionen und Filmfestivals gezeigt. Ressler hatte Überblickseinzelausstellungen im MNAC – National Museum of Contemporary Art, Bukarest; SALT Galata, Istanbul; Centro Andaluz de Arte Contemporaneo, Sevilla; Museo Espacio, Aguascalientes, Mexiko and Belvedere 21, Wien. Er nahm an über 480 Gruppenausstellungen teil, wie im Museo Reina Sofía, Madrid; Centre Pompidou, Paris; Yerba Buena Center for the Arts, San Francisco und an den Biennalen in Prag, Sevilla, Moskau, Taipeh, Lyon, Gyumri, Venedig, Athen, Quebec, Helsinki, Jeju, Kiew, Göteborg, Istanbul, Stavanger, Istanbul and an der Documenta 14, Kassel, 2017. Von 2019-2023 arbeitete Ressler an einem Forschungsprojekt über die Klimagerechtigkeitsbewegungen, "Barricading the Ice Sheets", das vom Wissenschaftsfonds FWF finanziert wird und in sechs Einzelausstellungen mündete: Camera Austria, Graz (2021); Museum of Contemporary Art, Zagreb (2021); Neuer Berliner Kunstverein (n.b.k.), Berlin (2022); Tallinn Art Hall, Tallinn (2022); LABoral Centro de Arte y Creación Industrial, Gijón (2023); The Showroom, London (2023). www.ressler.at Luisa Ziaja ist Kunsthistorikerin, Kuratorin, Universitätslektorin und Autorin. Sie ist Chefkuratorin und Sammlungsleiterin der Österreichischen Galerie Belvedere, wo sie von 2013 bis 2022 als Kuratorin für zeitgenössische Kunst tätig war. Rezente Ausstellungen: Hans Haacke. Retrospektive (2025), Dara Birnbaum. Bruckner: Symphonie Nr. 5 B-Dur, Oliver Ressler. Dog Days Bite Back (2024), Renate Bertlmann. Fragile Obsessionen, Über das Neue. Wiener Szenen und darüber hinaus, Public Matters. Zeitgenössische Kunst im Belvedere-Garten (2023), Das Belvedere. 300 Jahre Ort der Kunst (2022), Avantgarde und Gegenwart. Die Sammlung Belvedere von Lassnig bis Knebl (2021). Von 2004 bis 2012 setzte sie als freie Kuratorin mehrjährige Forschungs- und Ausstellungsprojekte um; von 2000 bis 2004 war sie als Assistenzkuratorin in der Generali Foundation Wien tätig. Luisa Ziaja ist Co-Leiterin des postgradualen Studienprogramms für Ausstellungstheorie und -praxis /ecm – educating, curating, making an der Universität für angewandte Kunst Wien (seit 2006) und unterrichtete darüber hinaus u.a. an der Zürcher Hochschule der Künste, der Technischen Universität Wien und der Akademie der bildenden Künste Wien. Sie ist Mitglied des Universitätsrates der Akademie der bildenden Künste Wien (seit 2023) und war und ist Teil zahlreicher Fachjurys und Beiräte. In ihrer kuratorischen und diskursiven Arbeit beschäftigt sie sich u.a. mit dem Verhältnis von Gegenwartskunst, Gesellschaft und (Geschichts-)Politik sowie mit der Geschichte und Theorien des Ausstellens. Luisa Ziaja ist Mitherausgeberin des peer-reviewed Belvedere Research Journal, sowie Autorin und Mitherausgeberin zahlreicher Ausstellungskataloge und Sammelbände zu zeitgenössischer künstlerischer und kuratorischer Praxis, Kunst- und Ausstellungstheorie, darunter die Publikationsreihe curating. ausstellungstheorie & praxis in der Edition Angewandte, zuletzt Nicht einfach ausstellen. Kuratorische Formate und Strategien im Postnazismus, Berlin/Boston 2024. Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts. Programmiert vom Vorstand der Secession. Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Produktion: Jeanette Pacher & Bettina Spörr

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rent, Rates, and Real Money We talk about housing affordability and the sources aggravating this problem. It's not just about landlords raising rents arbitrarily, as a recent study shows that only 7 cents of every dollar is profit for them. Inflation is wreaking havoc in multiple areas of our lives, and the debate of what to do about interest rates has led to the FOMC members voting differently than the chairman's vote for the first time in 32 years! We touch on the topics of the War of Secession, income tax, CP-lie, and more! Use this information to help you make better decisions for your financial future! Sponsors: American Gold Exchange Our dealer for precious metals & the exclusive dealer of Real Power Family silver rounds (which we finally got in!!!). Get your first, or next bullion order from American Gold Exchange like we do. Tell them the Real Power Family sent you! Click on this link to get a FREE Starters Guide. Abolish Property Taxes in Ohio: https://reformpropertytax.com/ Our Links: www.RealPowerFamily.com Info@ClearSkyTrainer.com 833-Be-Do-Have (833-233-6428)

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p

Before the American Revolution, there were the Levellers, who sought liberty during the English Civil War. While their influence on the American colonists would be indirect, nonetheless, many of their ideas reflected what came after American independence.Original article: https://mises.org/mises-wire/reintroducing-levellers

Before the American Revolution, there were the Levellers, who sought liberty during the English Civil War. While their influence on the American colonists would be indirect, nonetheless, many of their ideas reflected what came after American independence.Original article: https://mises.org/mises-wire/reintroducing-levellers

One man is behind bars this morning after a deadly shooting at a rooftop bar in the Gaslamp. This morning, local authorities are searching for a man suspected of sexually assaulting a female jogger in El Cajon. La Jolla's latest bid to become it's own city is facing a new challenge after the city of San Diego claimed the secession effort would cause "irreparable harm."   What You Need To Know To Start Your Monday. 

While Hayek did not write directly about the American Civil War, some of his writings provide insights on the conflict.Original article: https://mises.org/friday-philosophy/jefferson-davis-von-hayek

While Hayek did not write directly about the American Civil War, some of his writings provide insights on the conflict.Original article: https://mises.org/friday-philosophy/jefferson-davis-von-hayek

America recently celebrated Independence Day, but Americans were too quick to abandon their own individual freedoms and individual sovereignty and submit to the state.Original article: https://mises.org/mises-wire/life-source-missing-todays-narratives

America recently celebrated Independence Day, but Americans were too quick to abandon their own individual freedoms and individual sovereignty and submit to the state.Original article: https://mises.org/mises-wire/life-source-missing-todays-narratives

Eva Schlegel spricht mit der Kuratorin Antonia Hoerschelmann über ihre künstlerischen Anfänge, die prägende Zeit in New York und auch über biografische Einflüsse auf ihr Werk. Gemeinsam beleuchten sie entlang ihrer zahlreichen unverwechselbaren Werkserien die Rolle von Raum und Wahrnehmung in ihrem Schaffen und wie diese mittels künstlerischer Strategien wie Licht, Spiegelung und Unschärfe erweitert und in Frage gestellt werden können. Eva Schlegel ist seit langem mit der Secession verbunden: Seit 1995 ist sie Mitglied und 2005 realisierte sie im Hauptraum der Secession in eine beeindruckende ortsspezifische Installation mit Bleiwänden und Spiegelflächen, die von den Parametern der Architektur ausging, um diese neu zu interpretieren. Mit Antonia Hoerschelmann arbeitete sie zuletzt an ihrer umfassenden Ausstellung in der Landesgalerie Burgenland, die bis 5. Oktober 2025 zu sehen ist. Landesgalerie Burgenland Eva Schlegel. Reflexionen 14.06.2025 - 05.10.2025 Secession Eva Schlegel 5.5. – 26.6.2005 Eva Schlegel studierte Kunst bei Oswald Oberhuber an der Hochschule für angewandte Kunst in Wien. Nach einigen Auslandsaufenthalten war sie von 1997 bis 2006 Professorin für Kunst und Fotografie an der Akademie der bildenden Künste Wien und von 2009 bis 2018 Vorsitzende des Universitätsrats der Kunstuniversität Linz. 2011 war sie als Kommissärin für den österreichischen Pavillon auf der 54. Biennale di Venezia verantwortlich. Schlegels Installationen, Fotografien und multimedialen Arbeiten werden seit 1985 in zahlreichen Galerien- und Museumsausstellungen im In- und Ausland gezeigt. 1988 und 1992 nahm sie an der Biennale Sydney teil, 1990 an Aperto in Venedig, 2017 an der Kochi-Muziris Biennale in Indien; 1995 gestaltete sie im Rahmen der Biennale di Venezia den österreichischen Pavillon zusammen mit Coop Himmelb(l)au. Zahlreiche permanente architektonische Interventionen realisierte sie u.a. für den Novartis-Campus in Basel, am Rigshospitalet in Kopenhagen, für die „Libelle“ am Dach des Leopold Museum im Wiener Museumsquartier und für das 2023 renovierte Parlamentsgebäude in Wien. Mehrere Publikationen zu ihren Arbeiten liegen vor, darunter Eva Schlegel, Museum Moderner Kunst (1991), L.A. Women (2004), Eva Schlegel, In Between anlässlich der Ausstellung im Wiener Museum für angewandte Kunst 2010 und Eva Schlegel, Spaces zur Ausstellung in der Kunsthalle Krems 2018. Schlegel befasst sich in ihrer künstlerischen Arbeit vorrangig mit Raum, sowohl dem architektonischem wie auch dem mathematischen und physikalischen. Ihre Werke umfassen Fotografien und Objekte, aber auch Rauminstallationen, die sie in einem experimentellen Prozess mit diversen Medien wie Fotografie auf Blei, Spiegelglas oder Glass verwirklicht. Courtesy of Galerie Krinzinger, Wien Eva Schlegel, geb. 1960 in Hall in Tirol, lebt und arbeitet in Wien. www.evaschlegel.com Antonia Hoerschelmann studierte Kunstgeschichte, Philosophie und Archäologie an der Universität Wien und war von 1992 bis 2025 Kuratorin für moderne und zeitgenössische Kunst an der Albertina Wien. Zahlreiche Ausstellungen und Publikationen im In- und Ausland mit Werken u.a. von Edvard Munch, Egon Schiele, Alfred Kubin, Maria Lassnig, Arnulf Rainer, Georg Baselitz, Jim Dine, Martha Jungwirth, Anselm Kiefer, Hubert Scheibl, Herbert Brandl, Jean-Michel Basquiat. Jurytätigkeit im In- und Ausland. Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts. Programmiert vom Vorstand der Secession. Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Produktion: Jeanette Pacher & Bettina Spörr

Hour 4 Audio from WGIG-AM and FM in Brunswick, GA

About the Lecture: This discussion is based on a case study that examines two policy proposals, federalism or secession, as possible solutions for the Kurdish conflict in Iran. It is a study that meticulously analyzes the historical background of the Kurdish question, identifying the critical factors for the emergence of Kurdish nationalism in Iran and the environmental degradation and dynamics of regional politics as additional factors to the complexity and multidimensional nature of the Kurdish conflict in Iran. Ultimately, this study aimed to answer one main research question: Which of these two distinct policy proposals, asymmetrical federalism, or remedial secession, can provide a peaceful and democratic solution to the long-lasting Kurdish conflict in Iran? About the Speaker: Following the Iranian revolution in 1979, Salah Bayaziddi, as a young sympathizer, joined the political process and became an activist in the Kurdish struggle against the oppression of the Iranian regime at an incredibly young age. In 1982, regime security forces arrested him. He survived over two years of torture and solitary confinement for his beliefs in a free and democratic Iran based on equality for all ethnic and religious groups, including Kurds. Following his release from prison, Salah was under strict and constant watch by regime security and intelligence agencies. From 1984 to 1990, he was deprived of the right to study, the right to work, and the right to travel outside Iran. In 1990, Salah Bayaziddi escaped Iran through the mountains of Turkey. In Ankara, he applied for refugee status and was accepted as a new Canadian immigrant through the Office of the United Nations High Commissioner for Refugees. In 1991, Salah Bayaziddi resettled in Toronto. He has been active in Kurdish politics and an advocate for human rights in Iran for over 40 years. Salah Bayaziddi received his BA in Political Science from York University in Toronto, an MA in International Relations from Brock University in Canada, and a PhD in International Peace and Conflict Resolution from NSU Florida.

What do we mean by “states‘ rights”? Mises scholar, Wanjiru Njoya, takes us through the discussion to show us how different people have tried to define and explain that term.Original article: https://mises.org/mises-wire/understanding-doctrine-states-rights

The answer lies not in doubling down on political unity, maintained through endless violence or threats of violence. Rather, the answer lies in peaceful separation.Original article: https://mises.org/mises-wire/secession-inevitable-war-prevent-it-optional

What do we mean by “states‘ rights”? Mises scholar, Wanjiru Njoya, takes us through the discussion to show us how different people have tried to define and explain that term.Original article: https://mises.org/mises-wire/understanding-doctrine-states-rights

The answer lies not in doubling down on political unity, maintained through endless violence or threats of violence. Rather, the answer lies in peaceful separation.Original article: https://mises.org/mises-wire/secession-inevitable-war-prevent-it-optional

Why did North and South go to war with each other in 1861? The standard narrative is that slavery caused the war while more thoughtful people realize that the causes are much more complex than the simple "slavery existed" narrative.Original article: https://mises.org/mises-wire/understanding-causes-lincolns-war

Why did North and South go to war with each other in 1861? The standard narrative is that slavery caused the war while more thoughtful people realize that the causes are much more complex than the simple "slavery existed" narrative.Original article: https://mises.org/mises-wire/understanding-causes-lincolns-war

This episode is a conversation between the artist Jeremy Shaw and the curator Damian Lentini. It was recorded on 6 June 2025 in the context of his exhibition, when Jeremy returned to Vienna for the screening of Quantification Trilogy at the mumok. Jeremy Shaw Towards Logarithmic Delay 29.5. – 31.8.2025 The exhibition Towards Logarithmic Delay presents three new sculptural works that engage with the concept of border zones and the disorientation brought about by the dissolution of spatial and perceptual thresholds. The first work visitors encounter, Maximum Horizon (2024), comprises a triptych of stained-glass windows – akin to those commonly seen in churches and other places of worship – that are set into one of a number of a raw, unfinished drywalls that reappear throughout the exhibition. More Jeremy Shaw (b. North Vancouver, Canada, 1977) works in a variety of media to explore altered states of mind and the cultural and scientific practices that aspire to map transcendental experience. He has had solo exhibitions at Centre Pompidou, Paris, France, MoMA PS1, New York, USA, MAC Montréal, Canada, Schinkel Pavillon, Berlin, Germany, and MONA, Tasmania, Australia, and been featured in international surveys such as the 57th Venice Biennale, Italy; 16th Lyon Biennale, France; and Manifesta 11, Zurich, Switzerland. In 2016, Shaw was awarded the Sobey Art Award and in 2018 was artist-in-residence at the Hammer Museum, Los Angeles, USA. Damian Lentini worked as a curator at the Vienna Secession from 2024 to 2025. He is currently the Deputy Director at the Ludwig Forum in Aachen. In 2009, he obtained his doctoral degree at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Jeanette Pacher

Perhaps no publication contributed more to the Colonials' drive for independence from Great Britain than Thomas Paine's pamphlet "Common Sense." But what if he had tried to get the Continental Congress to publish it, instead? The following debate might have occurred.Original article: https://mises.org/mises-wire/thomas-paine-slaps-congress-his-resume

Perhaps no publication contributed more to the Colonials' drive for independence from Great Britain than Thomas Paine's pamphlet "Common Sense." But what if he had tried to get the Continental Congress to publish it, instead? The following debate might have occurred.Original article: https://mises.org/mises-wire/thomas-paine-slaps-congress-his-resume

Throughout history, decentralization and secession have helped pave the way for more individual freedom. Naturally, political elites want to centralize everything, thus setting off the eternal battle between centralizers and decentralizers.Original article: https://mises.org/mises-wire/forces-centralization-and-struggle-freedom

Throughout history, decentralization and secession have helped pave the way for more individual freedom. Naturally, political elites want to centralize everything, thus setting off the eternal battle between centralizers and decentralizers.Original article: https://mises.org/mises-wire/forces-centralization-and-struggle-freedom

44% of Californians want to secede. More importantly, over 70% favor federalism. We need more of this.https://mcclanahanacademy.comhttps://patreon.com/thebrionmcclanahanshowhttps://brionmcclanahan.com/supporthttp://learntruehistory.com

Modern historians depend heavily upon sweeping narratives and their take on the US War of Secession is no exception. Yet, the use of methodological individualism allows one to avoid sweeping judgments like claiming the Confederacy was founded upon belief in white supremacy.Original article: https://mises.org/mises-wire/methodological-individualism-historical-analysis-0

Modern historians depend heavily upon sweeping narratives and their take on the US War of Secession is no exception. Yet, the use of methodological individualism allows one to avoid sweeping judgments like claiming the Confederacy was founded upon belief in white supremacy.Original article: https://mises.org/mises-wire/methodological-individualism-historical-analysis-0

In 1897, Gustav Klimt led a group of radical artists to break free from the cultural establishment of Vienna and found a movement that became known as the Vienna Secession. In the vibrant atmosphere of coffee houses, Freudian psychoanalysis and the music of Wagner and Mahler, the Secession sought to bring together fine art and music with applied arts such as architecture and design. The movement was characterized by Klimt's stylised paintings, richly decorated with gold leaf, and the art nouveau buildings that began to appear in the city, most notably the Secession Building, which housed influential exhibitions of avant-garde art and was a prototype of the modern art gallery. The Secessionists themselves were pioneers in their philosophy and way of life, aiming to immerse audiences in unified artistic experiences that brought together visual arts, design, and architecture. With:Mark Berry, Professor of Music and Intellectual History at Royal Holloway, University of LondonLeslie Topp, Professor Emerita in History of Architecture at Birkbeck, University of LondonAndDiane Silverthorne, art historian and 'Vienna 1900' scholarProducer: Eliane GlaserReading list:Mark Berry, Arnold Schoenberg: Critical Lives (Reaktion Books, 2018)Gemma Blackshaw, Facing the Modern: The Portrait in Vienna 1900 (National Gallery Company, 2013)Elizabeth Clegg, Art, Design and Architecture in Central Europe, 1890-1920 (Yale University Press, 2006)Richard Cockett, Vienna: How the City of Ideas Created the Modern World (Yale University Press, 2023)Stephen Downes, Gustav Mahler (Reaktion Books, 2025)Peter Gay, Freud, Jews, and Other Germans: Masters and Victims in Modernist Culture (Oxford University Press, 1979)Tag Gronberg, Vienna: City of Modernity, 1890-1914 (Peter Lang, 2007)Allan S. Janik and Hans Veigl, Wittgenstein in Vienna: A Biographical Excursion Through the City and its History (Springer/Wien, 1998)Jill Lloyd and Christian Witt-Dörring (eds.), Vienna 1900: Style and Identity (Hirmer Verlag, 2011)William J. McGrath, Dionysian Art and Populist Politics in Austria (Yale University Press, 1974)Tobias Natter and Christoph Grunenberg (eds.), Gustav Klimt: Painting, Design and Modern Life (Tate, 2008)Carl E. Schorske, Fin-de-siècle Vienna: Politics and Culture (Vintage, 1979)Elana Shapira, Style and Seduction: Jewish Patrons, Architecture and Design in Fin-de-Siècle Vienna (Brandeis University Press, 2016)Diane V Silverthorne, Dan Reynolds and Megan Brandow-Faller, Die Fläche: Design and Lettering of the Vienna Secession, 1902-1911 (Letterform Archive, 2023)Edward Timms, Karl Kraus: Apocalyptic Satirist: Culture & Catastrophe in Habsburg Vienna (Yale University Press, 1989)Leslie Topp, Architecture and Truth in Fin-de-Siècle Vienna (Cambridge University Press, 2004)Peter Vergo, Art in Vienna, 1898-1918: Klimt, Kokoschka, Schiele and Their Contemporaries (4th ed., Phaidon, 2015)Hans-Peter Wipplinger (ed.), Vienna 1900: Birth of Modernism (Walther & Franz König, 2019)Hans-Peter Wipplinger (ed.), Masterpieces from the Leopold Museum (Walther & Franz König)Stefan Zweig, The World of Yesterday: An Autobiography (University of Nebraska Press, 1964)In Our Time is a BBC Studios Audio ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

The Declaration of Independence is about radical opposition to state power. The Declaration takes a stand against political vices like unity, loyalty, and centralized power.Original article: https://mises.org/mises-wire/spirit-declaration-independence-secession-division-disloyalty

The Declaration of Independence is about radical opposition to state power. The Declaration takes a stand against political vices like unity, loyalty, and centralized power.Original article: https://mises.org/mises-wire/spirit-declaration-independence-secession-division-disloyalty

Ariane Mueller talks with curator Jeanette Pacher not only about her current exhibition in Secession's iconic exhibition hall, but also speaks about her experience of initiating projects, sharing space, ideas, and resources, and the importance of collaborating – providing broader insight into her creative practice and understanding as an artist. This episode was recorded on 3 June 2025, a week after the opening of Ariane Mueller's exhibition: Ariane Mueller Fish are folded into the sea just as the sea is folded into fish 29.5. – 31.8.2025 Ariane Mueller's preoccupation with war, which is at the heart of the exhibition Fish are folded into the sea just as the sea is folded into fish, has a long and complex history. Decades ago, in the early 1990s, she came into contact with the conflict in Yugoslavia through her work on the art magazine Artfan (1991–1996), which she edited together with the artist Linda Bilda. Slovenian writers wanted to place articles in Artfan in which they called for arms supplies to their country in support of its war with Serbia. Unsure how to handle the situation, the artists travelled to Zagreb shortly after the war began. As a delegate to the United Nations for many years, Mueller was later also faced with the Iraq War. More Ariane Mueller – born in Vienna – studied in Barcelona – Austrian delegate to UN-HABITAT from 1996 to 2013 – based in Berlin since 1995 – editor of Artfan, Vienna (1991–1996) – from 1998 to today co-editor of Starship, Berlin – publisher, Starship Verlag – novelist: Handbuch für die Reise durch Afrika [Handbook for Traveling Through Africa], 2013 – visual artist exhibiting internationally: MCA Sydney Museum Ludwig Cologne, Akademie der Künste Berlin, Berlin Biennale, Havana Biennale – exhibition curator: Werkleitz Biennale: Common Property 2004; Dispossession, Künstlerhaus Wien 2021; on mimesis and other mild disOrientations in space, WAF Gallery, Vienna 2023 on the theme of one's own disappearance in the gaze of the other (as happens in engaging with all forms of artificial intelligence). Jeanette Pacher is a curator at the Vienna Secession since 2007. She is a regular lecturer in the Department of Site-Specific Art at the University of Applied Arts Vienna, and since 2023, a jury member of KÖR – Art in Public Space Vienna.   Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Jeanette Pacher

We discuss why the Constitution—the document we've been taught to revere as the very foundation of American democracy—might actually be responsible for the current crisis in government. It might be leading us away from a more perfect union and toward destruction or even secession.    Erwin's civic action toolkit recommendations are:  Be informed Get involved Speak out   Erwin Chemerinsky is the Dean of the UC Berkeley School of Law and one of the nation's leading constitutional scholars. His most recent book is No Democracy Lasts Forever: How the Constitution Threatens the United States, which urges us to think about starting over.      Let's connect! Follow Future Hindsight on Instagram:  https://www.instagram.com/futurehindsightpod/   Discover new ways to #BetheSpark:  https://www.futurehindsight.com/spark    Follow Mila on X:  https://x.com/milaatmos    Read No Democracy Lasts Forever: https://bookshop.org/shop/futurehindsight    Sponsor:  Thank you to Shopify! Sign up for a $1/month trial at shopify.com/hopeful.   Early episodes for Patreon supporters: https://patreon.com/futurehindsight  Credits:  Host: Mila Atmos  Guests: Erwin Chemerinsky Executive Producer: Mila Atmos Producer: Zack Travis

The Constitutionalist is a podcast co-hosted by Professor Benjamin Kleinerman, the RW Morrison Professor of Political Science at Baylor University and Founder and Editor of The Constitutionalist Blog, Shane Leary, a graduate student at Baylor University, and Dr. Matthew Reising, a John and Daria Barry Postdoctoral Research Fellow at Princeton University. Each week, they discuss political news in light of its constitutional implications, and explore a unique constitutional topic, ranging from the thoughts and experiences of America's founders and statesmen, historical episodes, and the broader philosophic ideas that influence the American experiment in government.We want to hear from you! Constitutionalistpod@gmail.com The Constitutionalist is proud to be sponsored by the Jack Miller Center for Teaching America's Founding Principles and History. For the last twenty years, JMC has been working to preserve and promote that tradition through a variety of programs at the college and K-12 levels. Through their American Political Tradition Project, JMC has partnered with more than 1,000 scholars at over 300 college campuses across the country, especially through their annual Summer Institutes for graduate students and recent PhDs. The Jack Miller Center is also working with thousands of K-12 educators across the country to help them better understand America's founding principles and history and teach them effectively, to better educate the next generation of citizens. JMC has provided thousands of hours of professional development for teachers all over the country, reaching millions of students with improved civic learning. If you care about American education and civic responsibility, you'll want to check out their work, which focuses on reorienting our institutions of learning around America's founding principles. To learn more or get involved, visit jackmillercenter.org.

Brosephelupagus! Who's that in the bedroom with you?B: Like I ask their names...https://SemperFryLLC.comURGENT!  We Need More Patreon Support to reach software and equipment goals to get the animation up to parPods & Exclusives AD-FREE! Just $5/mohttps://patreon.com/c/DisguisetheLimitsDaughter's Piggy Bankhttps://givesendgo.com/BaalBustersSUBSCRIBE HERE:https://www.instagram.com/drgliddenclips/https://www.tiktok.com/@dr.glidden.clipshttps://www.youtube.com/@baalbustershttps://rumble.com/c/BaalBustershttps://www.brighteon.com/channels/baalbusters/videos/allBecome a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

Nous sommes en juin 1936. C'est aux éditions Macmillan que paraît le roman de Margaret Mitchell « Gone with the wind ». Six mois plus tard, à Noël, il s'en est vendu un million d'exemplaires. La première édition française sort, deux ans plus tard, chez Gallimard, sous le titre de « Autant en emporte le vent ». L'histoire est celle d'une femme, Scarlett O'Hara qui se bat pour faire valoir ses droits et entendre ses idées. La Guerre de Sécession gronde entre les Etats du Sud et ceux du Nord et l'esclavage reste une réalité. Aujourd'hui, le roman de Margaret Mitchell pose question sur la vision idyllique d'un monde où la ségrégation entre les noirs et les blancs faisait des ravages. Alors, pourquoi devrait-on encore lire une œuvre aussi contestable ? La réponse est peut-être à aller chercher du côté d'un autre roman, un autre classique de la littérature américaine, paru quatre-vingt-quatre ans plus tôt, en 1852, qui revisite, lui aussi, l'histoire du racisme : « La case de l'oncle Tom » écrit par une autre femme Harriet Beetcher Stowe. Lorsqu'en 1862, le président Abraham Lincoln rencontre cette dernière, il l'accueille en lui disant : « Ainsi c'est vous la petite dame qui a écrit le livre qui a déclenché cette grande guerre ? » De « La case de l'oncle Tom » à « Autant en emporte le vent », c'est l'histoire qui interroge la littérature qui interroge l'histoire… Avec nous : Daniel Mangano, traducteur et interprète. Sujets traités : Margaret Mitchell, Oncle Sam, Scarlett O'Hara, Sécession, Guerre, littérature, américaine, roman,oncle Tom , Harriet Beetcher Stowe, Abraham Lincoln Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Secession is in the air tonight...in Canada. Good.https://mcclanahanacademy.comhttps://patreon.com/thebrionmcclanahanshowhttps://brionmcclanahan.com/supporthttp://learntruehistory.com

Terry Hulsey joins Bob for a fascinating discussion of history and political science, with an end to providing a framework for Texas secession that can endure.Mentioned in the Episode and Other Links of Interest:The YouTube version of this interview.The Mises Bookstore entry for TL Hulsey's book.BMS on Arrow's Theorem. BMS on Daniel Miller on the Texas Nationalist Movement.Randy Barnett's critique of Nozick in the Journal of Libertarian Studies.The link for Monetary-Metals.com.Help support the Bob Murphy Show.

The Rebel News podcasts features free audio-only versions of select RebelNews+ content and other Rebel News long-form videos, livestreams, and interviews. Monday to Friday enjoy the audio version of Ezra Levant's daily TV-style show, The Ezra Levant Show, where Ezra gives you his contrarian and conservative take on free speech, politics, and foreign policy through in-depth commentary and interviews. Wednesday evenings you can listen to the audio version of The Gunn Show with Sheila Gunn Reid the Chief Reporter of Rebel News. Sheila brings a western sensibility to Canadian news. With one foot in the oil patch and one foot in agriculture, Sheila challenges mainstream media narratives and stands up for Albertans. If you want to watch the video versions of these podcasts, make sure to begin your free RebelNewsPlus trial by subscribing at http://www.RebelNewsPlus.com

#CALIFORNIA: GAVIN NEWSOM AND SECESSION. BILL WHALEN, HOOVER. 1888 RESIDENCE LELAND STANTO PALO ALTO CA.