Podcasts about Distribber

Running Indie Film Hustle I hear story after story about predatory film distributors screwing over, taking advantage, and just plain stealing from filmmakers every day. I either get emails or read about them in our Facebook Group Community: Protect Yourself From Predatory Film Distributors/Aggregators.I'm so sick and tired of this. These parasites need a light shined on them. The only way we as filmmakers can stop these predators from continuing to hurt filmmakers and devastate lives is to make their actions known. Predatory film distributors continue to screw filmmakers because their actions are performed in the shadows. They bank on that filmmakers will not fight back, that they will keep quiet and just take it. Well, ladies and gentlemen that ends here.I broke the Distribber story around the same time last year.They were able to take advantage of filmmakers for a long time until someone finally brought their actions to the surface. That is the only weapon we as filmmakers have against predatory film distributors. Our Facebook group has helped thousands of filmmakers not get taken advantage of. I know that the podcasts and videos I put out have helped as well but it's not enough. I'm only one voice.We as a community need to stand up and demand change. The traditional film distribution system is BROKEN. I was just consulting with a filmmaker yesterday that told me that he too was screwed over by a film distributor. This distributor told him on the phone, once he confronted him about the theft of his film, and I quote,"I'll see you in the court of who gives a f**k."This distributor was in the UK and the filmmaker was in the US. The distributor knew that the chances of the filmmaker taking him to court in another country were slim to none. The filmmaker's lawyer advised him to let it go because the cost would be too much. THIS CRAP NEEDS TO STOP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Running Indie Film Hustle I hear story after story about predatory film distributors screwing over, taking advantage, and just plain stealing from filmmakers every day. I either get emails or read about them in our Facebook Group Community: Protect Yourself From Predatory Film Distributors/Aggregators.I'm so sick and tired of this. These parasites need a light shined on them. The only way we as filmmakers can stop these predators from continuing to hurt filmmakers and devastate lives is to make their actions known. Predatory film distributors continue to screw filmmakers because their actions are performed in the shadows. They bank on that filmmakers will not fight back, that they will keep quiet and just take it. Well, ladies and gentlemen that ends here.I broke the Distribber story around the same time last year. They were able to take advantage of filmmakers for a long time until someone finally brought their actions to the surface. That is the only weapon we as filmmakers have against predatory film distributors. Our Facebook group has helped thousands of filmmakers not get taken advantage of. I know that the podcasts and videos I put out have helped as well but it's not enough. I'm only one voice.We as a community need to stand up and demand change. The traditional film distribution system is BROKEN. I was just consulting with a filmmaker yesterday that told me that he too was screwed over by a film distributor. This distributor told him on the phone, once he confronted him about the theft of his film, and I quote,"I'll see you in the court of who gives a f**k."This distributor was in the UK and the filmmaker was in the US. The distributor knew that the chances of the filmmaker taking him to court in another country were slim to none. The filmmaker's lawyer advised him to let it go because the cost would be too much. THIS CRAP NEED TO STOP.Then I came across a video on YouTube of Michael Daniel, a filmmaker telling his story about how a film distributor screwed him over and never paid him the money he was owed. Oh by the way this filmmaker also has stage 4 cancer. This is the video I saw that moved me to reach out to Micahel.He told me that this film distributor was literally waiting around for him to DIE so he wouldn't have to pay him. Jesus Christ! I mean I thought I had heard it all but man this is a new low, even for predatory film distributors. Micahel has been fighting this fight by himself for over 18 months. He felt alone. No one would help him. If fighting terminal cancer is enough, he has had to deal with this situation as well. It's just not right.I knew I had to help and shine a light on this situation. So I invited him to the show and asked him to write, in his own words, his story and add proof in the show notes at http://www.indiefilmhustle.com/413 Both Michael and I are hoping this can help future filmmakers from making the same mistakes. I personally want to thank Michael for coming forward and sharing his story with the world. It takes a brave soul to do what he is doing. He's not only fighting cancer but he is also fighting to get his film back and receive the money he is legally owed.This episode is brutal and painful to listen to but I believe it will help countless filmmakers. Stay strong Michael, you are no longer alone. Enjoy my conversation with filmmaker and fighter Michael Daniel.#filmmaking #filmdistribution #filmmaking101

What is "Hybrid Distribution?"Hybrid distribution is the state-of-the-art model more and more filmmakers are using to succeed. It enables them to have unprecedented access to audiences, to maintain overall control of their distribution, and to receive a significantly larger share of revenues.Today on the show we have a legend in the ultra-low budget indie film world, Peter Broderick. He coined the term Hybrid Distribution in his seminal article Declaration of Independence: The Ten Principles of Hybrid Distribution. Peter also wrote a​ very informative article detailing ways filmmakers can deal with the Distribber debacle and protect themselves if a distributor goes bankrupt.Peter Broderick is President of Paradigm Consulting, which helps filmmakers and media companies develop strategies to maximize distribution, audience, and revenues.In addition to advising on sales and marketing, Paradigm Consulting specializes in state-of-the-art distribution techniques—including innovative theatrical service deals, hybrid video strategies (mixing retail and direct sales online), and new approaches to global distribution.Enjoy my eye-opening conversation with Peter Broderick.

I don't know if something is in the air but things are getting rougher for indie filmmakers every day. I received a call today from a few filmmakers who are having major issues with the on-demand theatrical booking company TUGG, Inc. It seems that the company has shut its doors and left filmmakers in the dark.If you have read my new book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business, you know that I wrote an entire chapter highlighting TUGG and the amazing case study of the film Touch the Wall. These filmmakers made over $700K using Tugg. They have been working well with the independent film community for years so this call was a bit surprising.While speaking to a friend of the show and producer of Chris Sharpe, I started digging to see what I could find out. After doing some searches I found out that all of Tugg's social media accounts had been closed but their website is still up but so was Distribber's if you remember. I called their 866 customer support number but only got a machine. This is exactly what happened with Distribber. A company trying to close quietly.

Running Indie Film Hustle I hear story after story about predatory film distributors screwing over, taking advantage, and just plain stealing from filmmakers every day. I either get emails or read about them in our Facebook Group Community: Protect Yourself From Predatory Film Distributors/Aggregators.I'm so sick and tired of this. These parasites need a light shined on them. The only way we as filmmakers can stop these predators from continuing to hurt filmmakers and devastate lives is to make their actions known. Predatory film distributors continue to screw filmmakers because their actions are performed in the shadows. They bank on that filmmakers will not fight back, that they will keep quiet and just take it. Well, ladies and gentlemen that ends here.I broke the Distribber story around the same time last year. They were able to take advantage of filmmakers for a long time until someone finally brought their actions to the surface. That is the only weapon we as filmmakers have against predatory film distributors. Our Facebook group has helped thousands of filmmakers not get taken advantage of. I know that the podcasts and videos I put out have helped as well but it's not enough. I'm only one voice.We as a community need to stand up and demand change. The traditional film distribution system is BROKEN. I was just consulting with a filmmaker yesterday that told me that he too was screwed over by a film distributor. This distributor told him on the phone, once he confronted him about the theft of his film, and I quote,"I'll see you in the court of who gives a f**k."This distributor was in the UK and the filmmaker was in the US. The distributor knew that the chances of the filmmaker taking him to court in another country were slim to none. The filmmaker's lawyer advised him to let it go because the cost would be too much. THIS CRAP NEED TO STOP.Then I came across a video on YouTube of Michael Daniel, a filmmaker telling his story about how a film distributor screwed him over and never paid him the money he was owed. Oh by the way this filmmaker also has stage 4 cancer. This is the video I saw that moved me to reach out to Micahel.He told me that this film distributor was literally waiting around for him to DIE so he wouldn't have to pay him. Jesus Christ! I mean I thought I had heard it all but man this is a new low, even for predatory film distributors. Micahel has been fighting this fight by himself for over 18 months. He felt alone. No one would help him. If fighting terminal cancer is enough, he has had to deal with this situation as well. It's just not right.I knew I had to help and shine a light on this situation. So I invited him to the show and asked him to write, in his own words, his story and add proof in the show notes at http://www.indiefilmhustle.com/413 Both Michael and I are hoping this can help future filmmakers from making the same mistakes. I personally want to thank Michael for coming forward and sharing his story with the world. It takes a brave soul to do what he is doing. He's not only fighting cancer but he is also fighting to get his film back and receive the money he is legally owed.This episode is brutal and painful to listen to but I believe it will help countless filmmakers. Stay strong Michael, you are no longer alone. Enjoy my conversation with filmmaker and fighter Michael Daniel.#filmmaking #filmdistribution #filmmaking101

Today we are going to BLOW THE LID off this entire Distribber/Film Aggregator mess. Today's guest is Joe Dain from Terror Films. Joe has been on the frontlines of this Distribber debacle and has been affected in a large way. He had many films placed through Ditribber and has been working diligently to save the films he has placed through Distribber. Joe wrote an amazing guest post speaking the real issue facing filmmakers in the shadow of what has happened with Distribber. During his journeys, he has discovered many interesting bits of information about the going on's of Distribber in the final months and lays out a few "what ifs" that are extremely interesting.Be ready for a lively conversation about Go Digital/Distibber, Film Aggregators, Predatory Film distributors, where filmmakers are making money today with their films, what platforms do avoid, and much, much more.Enjoy!

Today on the show I have Klaus Badelt. We do a deep dive into the state of independent film and self-distribution. We also discuss the Distribber debacle and how filmmakers can get access to their films back from Distribber.Klaus is not only a tech entrepreneur he also writes the occasional score for feature films including The Thin Red Line, The Prince of Egypt, Gladiator, and Pirates of the Caribbean: The Curse of the Black Pearl.He also founded Filmhub, a unique way to distribute your indie film. Filmhub allows filmmakers to upload your film for free, while streaming channels discover, order, and stream your work - worldwide. Once revenue starts flowing, 80% goes to you. No deductions or fees. That's it.Enjoy my epic conversation with Klaus Badelt.

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Running Indie Film Hustle I hear story after story about predatory film distributors screwing over, taking advantage, and just plain stealing from filmmakers every day. I either get emails or read about them in our Facebook Group Community: Protect Yourself From Predatory Film Distributors/Aggregators.I'm so sick and tired of this. These parasites need a light shined on them. The only way we as filmmakers can stop these predators from continuing to hurt filmmakers and devastate lives is to make their actions known. Predatory film distributors continue to screw filmmakers because their actions are performed in the shadows. They bank on that filmmakers will not fight back, that they will keep quiet and just take it. Well, ladies and gentlemen that ends here.I broke the Distribber story around the same time last year. They were able to take advantage of filmmakers for a long time until someone finally brought their actions to the surface. That is the only weapon we as filmmakers have against predatory film distributors. Our Facebook group has helped thousands of filmmakers not get taken advantage of. I know that the podcasts and videos I put out have helped as well but it's not enough. I'm only one voice.We as a community need to stand up and demand change. The traditional film distribution system is BROKEN. I was just consulting with a filmmaker yesterday that told me that he too was screwed over by a film distributor. This distributor told him on the phone, once he confronted him about the theft of his film, and I quote,"I'll see you in the court of who gives a f**k."This distributor was in the UK and the filmmaker was in the US. The distributor knew that the chances of the filmmaker taking him to court in another country were slim to none. The filmmaker's lawyer advised him to let it go because the cost would be too much. THIS CRAP NEED TO STOP.Then I came across a video on YouTube of Michael Daniel, a filmmaker telling his story about how a film distributor screwed him over and never paid him the money he was owed. Oh by the way this filmmaker also has stage 4 cancer. This is the video I saw that moved me to reach out to Micahel.He told me that this film distributor was literally waiting around for him to DIE so he wouldn't have to pay him. Jesus Christ! I mean I thought I had heard it all but man this is a new low, even for predatory film distributors. Micahel has been fighting this fight by himself for over 18 months. He felt alone. No one would help him. If fighting terminal cancer is enough, he has had to deal with this situation as well. It's just not right.I knew I had to help and shine a light on this situation. So I invited him to the show and asked him to write, in his own words, his story and add proof in the show notes at http://www.indiefilmhustle.com/413 Both Michael and I are hoping this can help future filmmakers from making the same mistakes. I personally want to thank Michael for coming forward and sharing his story with the world. It takes a brave soul to do what he is doing. He's not only fighting cancer but he is also fighting to get his film back and receive the money he is legally owed.This episode is brutal and painful to listen to but I believe it will help countless filmmakers. Stay strong Michael, you are no longer alone. Enjoy my conversation with filmmaker and fighter Michael Daniel.#filmmaking #filmdistribution #filmmaking101

Join us on this weeks episode as we talk distribution! Alex Ferrari, director of 'This is Meg' and 'On the Corner of Ego & Desire' chats to Giles Alderson (The Dare) in his home in LA about how you can distribute your film and make money from it. They chat about the Distribber debacle, the Facebook group set up from it to help filmmakers and the best way to distribute your indie film. They also go into detail about when distribution should be talked about when making a film, how you need a niche and how you can actually make money from your indie film. Indie film Hustle TV 'Rise of the Filmtrepeneur' Book Facebook - Protect Yourself from Predatory Film Distributors LINKS SPONSORS FREEBIES EVENTS & PROMOS  WATCH The Dare trailer https://www.youtube.com/watch?v=c5aZVm2drjY WATCH A Serial Killers Guide to Life (OUT NOW)  www.aserialkillersguidetolife.com WATCH Winter Ridge (OUT NOW) https://www.amazon.co.uk/Winter-Ridge-Matt-Hookings/dp/B07V7YTX44/ref=sr_1_1?keywords=winter+ridge&qid=1572912553&s=instant-video&sr=1-1 Raindance events www.raindance.org Giles Alderson's website  Help us out and Subscribe, listen and review us on iTunes, Spotify, Podbean or wherever you get your podcasts but more importantly, tell you pals about this podcast Follow us on Twitter @filmmakerspod @makeyourfilm20 @gilesalderson @robbiemckane @DirDomLenoir @Food4ThoughtDoc @35mmdop@Cjamesdirect @dan710ths  @FangedUpFilm @thedaremovie @philmblog Music musicbed.com Part of the www.podfixnetwork.squarespace.com

Get your guide to becoming a documentary filmmaker at MyDocJourney.comHotDocs 2018 Documentary Audience Research study https://telefilm.ca/wp-content/uploads/hotdocs2018-doc-audience-report-en.pdfPeter Broderick blog about Distribber http://peterbroderick.com/distributionbulletins/distributionbulletins.htmlHow to develop your audienceDON’T assume you know who your audience is. Do some research.Make a list of topics/keywords related to your filmResearch what existsOther films, news stories, books, blogs, reddit groups, twitter chats, businesses, influencersCreate a spreadsheet/ organize findingsMake list of types of content that gets shared, the way people communicate, what topics people are talking about or asking aboutMake list of conferences or other eventsBonus is that you learn even more about your topic!!!Here’s where you’ll find the groups/influencers who you will reach out to to spread the word about your filmFollow unexpected leads to find things you hadn’t thought of- add to list of keywordsCreate a composite sketch of your audience with 3-5 examplesBeliefs and mindset are most important aspect- not age or sexGo out and talk to people who match your sketched and make sure they really are interestedDevelop a relationship with your audienceShare your WHYEngage in-person as much as possibleStart building your email listMake sure you’re offering valueAsk audience for their feedback/ideassend your list a survey asking them about their lives and interests. Ask them what intrigues them about your documentary project and what topics they’d like to see covered.Bring them back to your site by giving them ways to participateBlog: about filmmaking process, about characters/themes; expand narrative beyond the film by working with/connecting to grassroots orgs that work on the social issues your doc covers; post content from filmWrite articles that can be shared by people/groups/orgsSupport the show (https://fromtheheartproductions.networkforgood.com/projects/51992-documentaries-voice-of-vanilla)

I don't know if something is in the air but things are getting rougher for indie filmmakers every day. I received a call today from a few filmmakers who are having major issues with the on-demand theatrical booking company TUGG, Inc. It seems that the company has shut its doors and left filmmakers in the dark.If you have read my new book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business, you know that I wrote an entire chapter highlighting TUGG and the amazing case study of the film Touch the Wall. These filmmakers made over $700K using Tugg. They have been working well with the independent film community for years so this call was a bit surprising.While speaking to a friend of the show and producer of Chris Sharpe, I started digging to see what I could find out. After doing some searches I found out that all of Tugg's social media accounts had been closed but their website is still up but so was Distribber's if you remember. I called their 866 customer support number but only got a machine. This is exactly what happened with Distribber. A company trying to close quietly.

The fall of Indy digital giant Distribber and how financially the ran the company to the ground! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The fall of a giant VOD company and how poor management has screwed Filmakers! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Once again, Mel House, Chris Warren, and Brittany Miles all find themselves in the same room to do a podcast. This time, we have a feature in the rearview to discuss: Mel's fifth feature film, MYSTERY SPOT, which was shot in September 2019. Unfortunately/fortunately - there's literally nothing to complain about (except for Mel's weird psychological trauma that he had to wade through during production). Accolades abound, however. The team was wonderful, and we are all excited about the future of the project (currently in post). After that we catch up with Chris, who updates us on the plethora of films he's been working on this year...as well as the impending completion of HIS film - (The Movie Formerly Known As) IMAGO. Brittany then talks a little bit about her documentary, as well as the state of her previous feature in the post-Distribber debacle landscape. For previous audio-only podcast entries, see the last two links below. Please like, comment, share, subscribe, and all the rest! Thanks for watching/listening! http://www.upstartfilmworks.net https://www.facebook.com/upstartfilmworks/ https://www.facebook.com/MysterySpot/ https://www.facebook.com/Imago-the-Movie-91101715571/ https://twitter.com/upstartfilm https://www.instagram.com/upstartfilm/ https://podcasts.apple.com/us/podcast/barely-living-the-dream/id1070710324 https://soundcloud.com/mel-house-1

What is "Hybrid Distribution?"Hybrid distribution is the state-of-the-art model more and more filmmakers are using to succeed. It enables them to have unprecedented access to audiences, to maintain overall control of their distribution, and to receive a significantly larger share of revenues.Today on the show we have a legend in the ultra-low budget indie film world, Peter Broderick. He coined the term Hybrid Distribution in his seminal article Declaration of Independence: The Ten Principles of Hybrid Distribution. Peter also wrote a​ very informative article detailing ways filmmakers can deal with the Distribber debacle and protect themselves if a distributor goes bankrupt.Peter Broderick is President of Paradigm Consulting, which helps filmmakers and media companies develop strategies to maximize distribution, audience, and revenues.In addition to advising on sales and marketing, Paradigm Consulting specializes in state-of-the-art distribution techniques—including innovative theatrical service deals, hybrid video strategies (mixing retail and direct sales online), and new approaches to global distribution.Enjoy my eye-opening conversation with Peter Broderick.

What is "Hybrid Distribution?" Hybrid distribution is the state-of-the-art model more and more filmmakers are using to succeed. It enables them to have unprecedented access to audiences, to maintain overall control of their distribution, and to receive a significantly larger share of revenues.Today on the show we have a legend in the ultra-low-budget​ indie film world, Peter Broderick. He coined the term Hybrid Distribution in his seminal article Declaration of Independence: The Ten Principles of Hybrid Distribution. Peter also wrote a​ very informative article detailing ways filmmakers can deal with the Distribber debacle and protect themselves if a distributor goes bankrupt.Peter Broderick is President of Paradigm Consulting, which helps filmmakers and media companies develop strategies to maximize distribution, audience, and revenues.In addition to advising on sales and marketing, Paradigm Consulting specializes in state-of-the-art distribution techniques—including innovative theatrical service deals, hybrid video strategies (mixing retail and direct sales online), and new approaches to global distribution.Enjoy my eye-opening conversation with Peter Broderick.

I wanted to release this Facebook LIVE event to the tribe to give them some MAJOR updates on the Distribber/Go Digital debacle. I was on the phone for two hours with Seth Freeman of Glass Ratner, the firm handing the liquidation. I do some mythbusting and drop some painful truth bombs in the episode.

Today on the show we have Todd Jenkins, the filmmaker behind the new horror film Cherokee Creek. Todd went through hell making his film but when he finally finished it and put it out in the world then the fit hit the shan.Todd decided to self distribute his film using, the now bankrupt, film aggregator Distribber/Go Digital. As many of you know the Distribber debacle has caused many filmmakers horrific pain and stress. After the hard journey to bring his film to life only to have his first check taken from him by a company that goes bankrupt is BRUTAL.At this point, he hasn't even gotten his film back from Distribber/Go Digital and is losing money every day. We talk about how this company is hurting so many filmmakers but I wanted to put a face to the pain. I wanted to bring Todd on the show to share his story with the tribe. Making indie films is tough enough with companies like Distribber/Go Digital hurting filmmakers.Cherokee Creek is an 80's style raunchy horror-comedy about a bachelor party in the woods that turns deadly when the ultimate party animal Bigfoot shows up and crashes it. Equal parts vulgar, gore and dark comedy Cherokee Creek is a can't miss tale of debauchery and sasquatchian horror.Enjoy my conversation with Todd Jenkins.

Today on the show we have film producer, distribution expert, and today's "go-to" authority of how to get a film to market, Jerome Courshon. He has broken open the "exclusive club" of successful independent producers with his innovative 3-Day Program, "THE SECRETS TO DISTRIBUTION: Get Your Movie Distributed Now!"A producer in his own right (he secured a profitable distribution deal with Warner Bros. on his very first indie movie), Courshon is called upon by many sources for his savvy. From beginning to veteran producers, as well as the press, they contact him regularly to gain access to his unparalleled expertise and invaluable knowledge.Regarded as one of the world's chief experts in distribution, he tracks the ever-changing film industry distribution markets to present relevant, trending and successful strategies in his lectures, classes and 3-Day Program. His ultimate goal for every filmmaker? Get your movie or documentary to the marketplace successfully.Citing his own personal journeys of releasing films and working with distributors, Courshon highlights the many obstacles & challenges filmmakers face today -- and how to overcome them. His teachings also pack powerful messages on how to stay in the game for the long haul. At the heart of every lesson on distribution is a focus on "what works and what doesn't" in reaching your audience.We also discuss the current Distribber disaster and how it is affecting indie filmmakers today and in the future. This is a masterclass in film distribution so buckle up and enjoy my conversation with Jerome Courshon.

We put the de-aging process under the microscope, catch everyone up on the demise of Distribber, discuss the latest from GoPro, and talk about our favorite non-No Film School educational resources.

Today we are going to BLOW THE LID off this entire Distribber/Film Aggregator mess. Today's guest is Joe Dain from Terror Films. Joe has been on the frontlines of this Distribber debacle and has been affected in a large way. He had many films placed through Ditribber and has been working diligently to save the films he has placed through Distribber. Joe wrote an amazing guest post speaking the real issue facing filmmakers in the shadow of what has happened with Distribber. During his journeys, he has discovered many interesting bits of information about the going on's of Distribber in the final months and lays out a few "what ifs" that are extremely interesting.Be ready for a lively conversation about Go Digital/Distibber, Film Aggregators, Predatory Film distributors, where filmmakers are making money today with their films, what platforms do avoid, and much, much more.Enjoy!

This week we discuss what we know about the Distribber situation, how 'Ad Astra' pulled off that moon chase, and what you can do with a great idea if you want to get it on TV.

oday on the show I have Klaus Badelt. We do a deep dive into the state of independent film and self-distribution. We also discuss the Distribber debacle and how filmmakers can get access to their films back from Distribber.Klaus is not only a tech entrepreneur he also writes the occasional score for feature films including The Thin Red Line, The Prince of Egypt, Gladiator, and Pirates of the Caribbean: The Curse of the Black Pearl.He also founded Filmhub, a unique way to distribute your indie film. Filmhub allows filmmakers to upload your film for free, while streaming channels discover, order, and stream your work - worldwide. Once revenue starts flowing, 80% goes to you. No deductions or fees. That's it.Enjoy my epic conversation with Klaus Badelt.

In this episode, I ask the question do film aggregators make sense anymore? Does it make sense for every indie film? I also discuss the larger problem that the Distribber meltdown has shown us about the entire film agreeation business. This is an eye opening show.I also give you updates on the Distribber debacle and bring you the latest information from the frontline.Take a listen. I hope this helps!

In this bonus episode, I update filmmakers on the emergency situation going on with the film aggregator Distribber. In last weeks episode, I spoke a bit about what is going on with this company. After that show I kept getting emails, messages, and tweets of filmmakers telling me their horror stories of no one return email, no people picking up calls, nonpayments​ for months and so on. I'm in the same situation with my film This is Meg.

In this episode, I update filmmakers on the emergency situation going on with the film aggregator Distribber. In last weeks episode, I spoke a bit about what is going on with this company. After that show I kept getting emails, messages, and tweets of filmmakers telling me their horror stories of no one return email, no people picking up calls, nonpayments​ for months and so on. I'm in the same situation with my film This is Meg.I decided to dig deep into the problem and find out what the hell is going on. I breakdown everything I know about what is happening and give you a few ways to protect yourself and your film.Also, their website www.distribber.com is still live but DO NOT SUBMIT YOUR FILM. They would just be taking the money and not providing a service. Take a listen. I hope this helps!

I'm pissed off guys. I'm tired of getting emails, messages, and calls from filmmakers who have been or are going to get taken advantage of by a traditional film distributor. THIS NEEDS TO STOP! So many filmmakers have been taken advantage of by predatory film distributors over the years that is has become a punchline. It's not funny.These predatory film distributors are destroying the lives of filmmakers. I know filmmakers with families that extended themselves financially to make their films. Then once they sign on the dotted line with a predatory film distributor never heard from them again. This poor filmmaker has little to no recourse. They basically made a non-tax deductible donation to the distributor.It's disgusting and it needs to stop. In this episode, I expose a lot of tricks these predatory film distributors use to con and steal from filmmakers. I also talk about some other options filmmakers have and discuss what a good film distributor looks like. I even call out one of the good guys in the film distributor game.Even self distribution is not safe. I’ve been a big supporter of the film aggregator Distribber over the years because they were of great help releasing my film This is Meg. But many of the people I worked with there have left the company. The Distribber I promoted for years is not the same company that is in business today. I have been hearing way too many stories about filmmakers not getting paid, can't get anyone to return their calls, and I just need to call this out. I NO LONGER recommend the ANY filmmaker use Distribber to self distribute their film. This is just a taste of what you can expect to hear in this episode. I truly hope this helps filmmakers out there and please spread the word.

I'm pissed off guys. I'm tired of getting emails, messages, and calls from filmmakers who have been or are going to get taken advantage of by a traditional film distributor. THIS NEEDS TO STOP! So many filmmakers have been taken advantage of by predatory film distributors over the years that is has become a punchline. It's not funny.These predatory film distributors are destroying the lives of filmmakers. I know filmmakers with families that extended themselves financially to make their films. Then once they sign on the dotted line with a predatory film distributor never heard from them again. This poor filmmaker has little to no recourse. They basically made a non-tax deductible donation to the distributor.It's disgusting and it needs to stop. In this episode, I expose a lot of tricks these predatory film distributors use to con and steal from filmmakers. I also talk about some other options filmmakers have and discuss what a good film distributor looks like. I even call out one of the good guys in the film distributor game.Even self-distribution is not safe. I’ve been a big supporter of the film aggregator Distribber over the years because they were of great help releasing my film This is Meg. But many of the people I worked with there have left the company. The Distribber I promoted for years is not the same company that is in business today. I have been hearing way too many stories about filmmakers not getting paid, can't get anyone to return their calls, and I just need to call this out. I NO LONGER recommend the ANY filmmaker use Distribber to self distribute their film. This is just a taste of what you can expect to hear in this episode. I truly hope this helps filmmakers out there and please spread the word.

Jason Brubaker is a Los Angeles based movie distribution executive specializing in direct to consumer distribution strategies. As the founder of Brubaker Unlimited, he currently consults with media companies, rights holders and content creators to develop strategies to source content, maximize distribution, grow audiences, build buzz and create community around each title. Brubaker also served as the Director of Operations for Distribber, a film distribution company that delivers content to Netflix, iTunes, Hulu, Amazon Prime, while allowing the filmmaker to keep 100% of the revenue.   This show is sponsored by Experiment 27. Get the discovery call script & questions template HERE.   In this episode you'll learn: [02:00] How Jason started out in movie distribution [03:55] Is a traditional movie industry over? [05:55] Mistakes people make when pitching to Netflix [09:05] Quality checklist for Netflix [11:25] Sequence to maximize revenue [14:40] How to promote a film on iTunes [16:30] Preorders count as 1st day sales on iTunes [19:00] iTunes is a 70/30 split [22:20] Model for producing movies Links mentioned: Film Making Stuff Distribber Brought to you by Experiment 27. Find us on Youtube.   If you've enjoyed the episode, please subscribe to The Alex Berman Podcast on iTunes and leave us a 5-star review.   Get access to our FREE Sales Courses.

LET'S GET READY TO RUMBLE, self-distribution vs traditional distribution!!! I wanted to finally create an HONEST resource for indie filmmakers to learn the TRUTH about both forms of distributing their films.I get into the weeds on this one and talk about my experience self-distributing my film, This is Meg, what my experience was working with multiple domestic and international distribution companies and give examples on how and why self-distribution is a great path just not for every film.It's a knowledge bomb packed episode so get ready to take some notes. Knowledge is power. Enjoy!

For this week's interview, Jason Brubaker of Distribber joins me to share his wealth of knowledge on all things marketing & distribution. Distribber is one of the largest and most prominent aggregators for independent films out there, giving filmmakers without traditional distribution deals the ability to sell their content globally, through iTunes, Amazon, Netflix, Hulu, and countless other platforms. During the interview, Jason outlines exactly what it takes to turn a profit with an indepdent film while working with an aggregator like Distribber. Using case studies and real world examples, Jason outlines a bulletproof method for setting sales targets for any indie film, and reaching those targets through purposeful marketing. Topics covered include: the importance of using a "windowed" release strategy, the differences between popular TVOD, SVOD, & AVOD platforms, how to use grassroots marketing to drive your film up the charts, what Netflix is looking for when licensing independent content, and much more. You can learn more about distribber at their website here: www.distribber.com And for more content like this visit www.noamkroll.com

Our second guest! Alex and Trevor talk with Jason Brubaker, Vice President of Worldwide Sales at Distribber and the Founder of Filmmaking Stuff. They dive into the essentials of distributing your film and getting the most eyes to see it! Plus, at what point in your project should you start devising a distribution plan.   To learn more about Jason Brubaker and his strategies for distribution, visit: http://www.filmmakingstuff.com.

Our second guest! Alex and Trevor talk with Jason Brubaker, Vice President of Worldwide Sales at Distribber and the Founder of Filmmaking Stuff. They dive into the essentials of distributing your film and getting the most eyes to see it! Plus, at what point in your project should you start devising a distribution plan.   To learn more about Jason Brubaker and his strategies for distribution, visit: http://www.filmmakingstuff.com.

Today on the show we have Neil Ames from Distribber. Neil is the Netflix Yoda over at Distribber. He's been working with Netflix since before they were a streaming juggernaut. I wanted Neil to come on the show and pull back the curtain on the inner workings of Netflix. We discuss:What Netflix is looking for?How to submit an indie film to Netflix?How does Netflix decide what to license?What you can do as a filmmaker to have a better chance of getting on Netflix.What Netflix typically pays for acquisitionsand a ton more.So if you ever wanted to get your film on Netflix get ready to take some notes, my friend. Enjoy my conversation with Neil Ames.

Jason Brubaker, VP of Distribber, shares his knowledge on distribution. If you would like to learn more about Carole Dean and From the Heart Productions visit www.FromtheHeartProductions.com.

With more independent films being produced, a digital platforms continuing to multiply, distribution can be a daunting journey.  We are joined by Distribber VP Jason Brubaker, who sheds light on the subject, as his company assists filmmakers in crossing that bridge. Topics include: Range of distribution aggregation Distribber covers  Targeting specific SVOD and TVOD platforms Formula for Netflix (SVOD) and Amazon (TVOD) license fees Filmmaker strategy considerations Tips to consider during production and post production.   For more information, visit: http://www.filmmakingforchange.com/   For more information on Distribber, visit: https://www.distribber.com    

Jason Peterson is the Chairman of GoDigital Media Group, a media and technology holding company focused on IP rights management and distribution. Its operating subsidiaries include AdShare (social media monetization for content rights holders), ContentBridge (digital supply chain software provider), Cinq Music (Grammy winning record label), VidaPrimo (Hispanic targeted music video network), Distribber (movie distributor), and Tunnel Post (post production services). In this episode, we discuss sweeping changes in the online video landscape, including Internet Neutrality, the resegmentation of the $287B pay TV business for Internet delivery, and the price gap between ad supported and subscription models. We also trace the convergence of music and video, given “Younger audiences prefer to watch their music,” and Jason offers his thoughts on the future of VEVO and Spotify. Finally, we consider the potential of international markets poised for explosive growth, particularly Latin America, Asia, and the Middle East, which have rising populations and growing broadband penetration. Host: James Creech ABOUT THE SHOW All Things Video is a podcast dedicated to uncovering the past and charting the future of the online video ecosystem. Listen to interviews with founders, executives, and thought leaders from the world’s leading video networks and engage in thought-provoking debates about the key issues shaping the next generation of entertainment. From the short-form content revolution to the rise of multi-channel networks (MCNs) and the fragmentation of video viewership in an always-on world, All Things Video reveals the key trends and insights from the world of digital video. Subscribe for new episodes and updates! ABOUT THE HOST James Creech is an entrepreneur focused on technology, online video, and digital media. He is the Co-Founder & CEO of Paladin, the essential creator management platform for next-generation media companies. OUR SPONSOR This episode is brought to you by Paladin, the premier technology provider for next-generation media companies. The Paladin platform automates mission critical functions, from creator management and payments to business intelligence and campaigns. Visit paladinsoftware.com to learn more or request a product demo. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Jason Brubaker joins us to chat about how to distribute your film and the steps to getting your film onto Netflix, Hulu, Amazon and i-tunes platforms. The different ways you can distribute your film from self distribution to selling your film for a theatrical release. We go in depth into T-vod, S-vod and A-vod releasing and what they all mean and we discuss the brilliant distribution agrigator Distribber and film marketing. The boys also discuss shooting on film and deliver some great advice for new filmmakers as well. A must for anyone thinking about making a film or who have made one as distribution is key to success. Giles Alderson (The Dare) & Christian James (Fanged Up) host   If your listening on I-Tunes why not give us a review. Links Jason Brubaker – www.filmmakingstuff.com Twitter @filmmakingstuff @JasonBrubakerLA Distribber – www.distribber.com Giles Alderson: www.directedbygiles.com Twitter @gilesalderson Christian James www.cjamesdirect.com Twitter @cjamesdirect

Everyone can make a movie but when it's done, what's the best way to get it out into the world? This week we have filmmaker Lucas Kitchen on the show to talk about his experience working with the aggregator Distribber, how much money his movie brought in

Adam Chapnick, creator of Distribber.com and now indiegogo specialist gives us the inside story on how to mount and run a successful campaign. Get your indiegogo going with From the Heart as your fiscal sponsor, donors get tax deductions and you pay only 9%, no penalties. For info about Carole Dean and From the Heart Productions visit http://fromtheheartproductions.com/    

BREAKING: Documentary filmmaker Jeff Witzeman talked with someone on the inside of Distribber and reveals some details. Alex Firarri of Indie Film Hustle has successfully pulled his film from Distribber and recovered all his customer reviews and ratings. Jeff and Alex join us for this special report.GET REAL INDIE FILM[CAST] is hosted by filmmaker and author Jeffrey Michael Bays (www.borgus.com), and filmmaker Forris Day, Jr.Show Notes:Jeff Witzeman's film: https://www.amazon.com/Cancer-Can-Killed-Carlos-Garcia/dp/B0748MZ5C5Indie Film Hustle: www.indiefilmhustle.comFacebook Support Group: https://www.facebook.com/groups/distribber/Variety article: https://variety.com/2019/digital/news/independent-distribution-companies-distribber-close-down-1203354408/?fbclid=IwAR2jGOW1jJkIp_vf5RrCsjg9BAlLC4qTTrBBZJoah9Z8nCBjPRO1_RVIUjYTweet us @borgusfilm or email info@borgus.comHosts: Jeffrey Michael Bays & Forris Day, Jr.Hitch20 Theme music by Radoslav ZdravkovicSuspense With a Camera: https://www.amazon.com/Suspense-Camera-Filmmakers-Hitchcocks-Techniques/dp/1615932739Follow us on Twitter @borgusfilm

BREAKING: Distribber is apparently closing, leaving thousands of indie filmmakers wondering what to do. We talk with media strategist Jon Reiss, founder of 8 Above and author of "Think Outside the Box Office" about options moving forward.CORRECTION 9/24: Jon mentions that iTunes relies on Rotten Tomatoes for reviews - they don’t anymore, but Apple TV does.GET REAL INDIE FILM[CAST] is hosted by filmmaker and author Jeffrey Michael Bays (www.borgus.com), and filmmaker Forris Day, Jr.Show Notes:Jon Reiss: http://jonreiss.com/ and http://www.8above.comWhat Kind of Movies Did Distribber Attract? https://stephenfollows.com/what-kinds-of-movies-did-distribber-attract/?fbclid=IwAR1iFbqEdkMAO-YEq_c3SmOb0VTABOoA5vhk-lO1hhya1_USs982VVCyqf4Facebook Support Group: https://www.facebook.com/groups/distribber/Tweet us @borgusfilm or email info@borgus.comHosts: Jeffrey Michael Bays & Forris Day, Jr.Hitch20 Theme music by Radoslav ZdravkovicSuspense With a Camera: https://www.amazon.com/Suspense-Camera-Filmmakers-Hitchcocks-Techniques/dp/1615932739Follow us on Twitter @borgusfilm

Heather Hale is a film and television writer, director, and producer with over 60 hours of credits that have won Emmys. She wrote the Lifetime Original Movie 'Courage to Love,' (2000) and co-wrote, directed, and produced 'Absolute Killers' (2011). Her latest book for filmmakers and screenwriters is "Story Selling."GET REAL INDIE FILM[CAST] is hosted by filmmaker and author Jeffrey Michael Bays (www.borgus.com), and filmmaker Forris Day, Jr.Show Notes:Heather's website: https://heatherhale.com/Distribber closing updates: 1.) Variety: https://variety.com/2019/digital/news/independent-distribution-companies-distribber-close-down-1203354408/ 2.) LA Times: https://www.latimes.com/entertainment-arts/business/story/2019-10-25/indie-filmmakers-streaming-distribber-troubleAudio books narrated by Forris Day: https://www.audible.com/search?searchNarrator=Forris+Day+Jr.Tweet us @borgusfilm or email info@borgus.comHosts: Jeffrey Michael Bays & Forris Day, Jr.Hitch20 Theme music by Radoslav ZdravkovicSuspense With a Camera: https://www.amazon.com/Suspense-Camera-Filmmakers-Hitchcocks-Techniques/dp/1615932739Follow us on Twitter @borgusfilm