Podcasts about svod

This episode was produced in partnership with Roku.It's been a busy past few months for Roku: in the US, it launched a new low-cost subscription service, Howdy, which aims to be supplementary to the likes of Netflix and Disney+; in the UK, Roku launched 40 FAST channels on its platform.The company has emerged as a key partner for other entertainment partners to increase the reach and viewability of their content, a goal that has become increasingly important in a fragmented TV landscape.Tom Price is the content distribution director at Roku. He joins host Jack Benjamin to discuss the latest developments at Roku, what makes the UK TV market unique, and how the company has developed a toolkit of advertising opportunities for its content partners.This is part one of a two-part conversation — be on the lookout later in the year for a follow-up interview with Roku's EMEA ad sales director Mike Shaw.Highlights:3:11: Roku's UK positioning: the pace of change, growth opportunities, FAST strategy.10:03: Cutting through the noise of a crowded streaming market.14:58: Howdy: Roku's US ad-free SVOD option.17:48: How Roku works with its content partners.25:07: What's next? Streaming market expansion and consolidation, FAST growth, new features.Related articles:Roku launches FAST channels in UK marketHowdy confirms Roku's growing interest in subscription streamingRoku eyes app bundling opportunity as next-gen aggregator---Thanks to our production partners Trisonic for editing this episode.--> Discover how Trisonic can elevate your brand and expand your business by connecting with your ideal audienceVisit The Media Leader for the most authoritative news analysis and comment on what's happening in commercial media.LinkedIn: The Media LeaderYouTube: The Media Leader

Au programme dans l'actu des nouvelles technologies et de l'accessibilité dans cet épisode : Du côté des applications et du web Jaws, Zoomtext et Fusion 2026 sont disponibles. NVDA 2025.3.1 est disponible au téléchargement : correction d'une faille de sécurité. HumanWare travaille sur des fonctions IA sur les lunettes Ray-Ban Meta. Nombreuses annonces IA chez Microsoft / Windows Hey Copilot, Vision, Actions : le guide pratique des nouvelles fonctions IA qui arrivent sur Windows 11. Fabrice - Voici Mico, le nouveau visage de l'IA sur Windows. Préparez-vous à beaucoup lui parler. Philippe - Copilot Vision sur Windows s'ouvre au texte. 10 000 agents publics vont expérimenter un assistant IA « souverain ». Accessibilité numérique : la DGFIP (Ministère de l'Économie des Finances et de la Souveraineté) … mise en garde par l'Arcom. Le site impots.gouv.fr ne respecte pas l'obligation d'accessibilité numérique qui s'applique aux services publics. Le reste de l'actu Plus fort que le GPS, Orange et Totem veulent la géolocalisation au centimètre près sur toute l'Europe. Samsung va venir concurrencer les Ray-Ban Meta en sortant ses propres lunettes connectées. lignes directrices sur l'accessibilité des services audiovisuels par l'Arcom. Deux associations s'allient pour l'accessibilité numérique pour les DV. Un appel au peuple depuis l'Espagne sur un travail de recherche à propos des dictionnaires numériques. Adresse email de [Maria : mailto:mariagarciagarmendia@gmail.com. Témoignage Cette semaine Michel revient sur notre questionnement à propos de l'accessibilité de l'application Tchap, application de messagerie gouvernementale destinée aux agents de l'état. Foire Aux Questions Cette semaine, une question de Éric à propos de l'audiodescription des services SVOD. Remerciements Cette semaine, nous remercions Éric, Leonardo et Michel pour leurs infos ou leur dons. Si vous souhaitez vous aussi nous envoyer de l'info ou nous soutenir : Pour nous contactez ou nous envoyez des infos, passez par le formulaire de contact sur la page oxytude.org/contact. Pour nous soutenir via Paypal, c'est sur la page paypal.me/oxytude. Pour vos achats sur Amazon, passez par notre lien affilié oxytude.org/amazon.. Pour animer cet épisode Alain, Fabrice et Philippe.

S10E05 - Grrrh, argh ouch rrrrhhhhh

Cette semaine : en direct de San Francisco, immersion dans les coulisses d'Amazon, test grandeur nature des taxis autonomes Waymo, discussion (sérieuse et débridée) sur les robots humanoïdes et questionnement sur le retard d'Apple en intelligence artificielle. Sans oublier l'arrivée remarquée de Free dans la télé connectée.Avec François Sorel (Tech&Co) et Bruno Guglielminetti (Mon Carnet)

On this episode of Inside Content, Hayley Bull, VP at 3Vision is joined by Dan Fahy. Dan brings a wealth of knowledge and strategic insight into what's unfolding in the Australian market. In this episode, they unpack the state of Pay TV, the shifting SVOD landscape, the broadcaster-led dominance in FAST, and how local programming—from Bluey to Colin from Accounts—is resonating internationally. Stay in the content world loop

L'équipe VHS et Canapé est de retour !VHS et Canapé c'est aussi le cinéma à la maison, et c'est pourquoi, après moult reflexions, nous avons décidés de nous concentrer sur les plateformes (S)VOD. Pas d'inquiétude cependant, notre ligne éditoriale historique "VHS" demeure ! Nous discuterons comme avant des bons et mauvais films et séries sans se prendre au sérieux, mais en nous concentrant sur les œuvres récentes ou anciennes dispos sur les différentes plateformes existantes.Dans ce premier épisode, en toute décontraction et sans aucun fil conducteur, nous discuterons dans une ambiance détendue de cette nouvelle émission, des raisons de ce renouveau, et évidemment de plusieurs films et séries visionnés et que nous vous conseillons (ou pas). Digressions, vannes et escroquerie, attendez-vous à tout.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

(00:00:00) Uno squid game tra le piattaforme (00:00:12) Dieci Anni di Netflix in Italia (00:00:38) Il Ritorno di Alberto Bagnoli (00:03:01) Evoluzione delle Piattaforme di Streaming (00:07:16) Cambiamenti nelle Abitudini di Visione (00:10:44) La Lotta per l'Attenzione (00:13:25) Riflessioni su Serie e Contenuti (00:18:38) La Qualità dei Contenuti Oggi (00:25:21) Apple TV e Nuove Scoperte (00:25:53) Evoluzione delle Smart TV (00:31:35) Crescita dei Contenuti su YouTube (00:34:52) Aumento dei Prezzi dei Servizi (00:43:12) Previsioni per il Futuro dello Streaming (00:47:10) Il Ruolo delle Personalità nei Contenuti (00:50:59) Riflessioni Finali sui Servizi di Streaming (00:52:50) Considerazioni sul Prezzo di Netflix (01:02:44) Il Futuro dei Servizi di Streaming (01:07:36) Saluti e Prossimi Appuntamenti Dieci anni da Netflix in Italia! In questa puntata speciale, insieme ad Alberto Bagnoli, ripercorro evoluzione e impatto delle piattaforme di streaming, dalla bolla delle prime serie condivise al presente fatto di frammentazione e rincari. Oggi le piattaforme sono tantissime, i titoli ancora di più… ma è davvero cambiato il modo in cui viviamo le serie, i film e i contenuti? Tra vecchi rewatch sicuri, titoloni in esclusiva e una nuova competizione per la nostra attenzione che vede protagonisti social e YouTube, ci chiediamo: che fine faranno questi servizi nei prossimi dieci anni? E chi sarà la prossima vittima tra i big?Visita Digiteee e scopri tutte le notizie sulla tecnologiaSegui Digiteee su TikTokDimmi la tua su Twitter, su Threads, su Telegram, su Mastodon, su BlueSky o su Instagram.Mail jacoporeale@yahoo.it Scopri dove ascoltare il podcast e lascia una recensione su Apple Podcast o Spotify.Ascolta An iPad guy su YouTube Podcast.Supporta il podcast

Welcome to an audio-led edition of Unmade, focused on yesterday's Nine Upfronts. And further down, the investment market seems to like Vinyl Group's plan to use AI to create ten times as much editorial content.It's your last chance to sign up to a paid membership of Unmade and lock in all of the current benefits. Next week, we're going to stop accepting new paying members of Unmade. Instead we'll be offering membership of an expanded Mumbrella Pro as we bring the two brands closer together.All Unmade membership perks will be carried across, including complimentary tickets to Unlock and Compass for our annual paying members. These won't be available to anyone else as part of the new Mumbrella Pro membership.Your paid membership also includes exclusive analysis and access to our content archive, which goes behind the paywall six weeks after publication.Upgrade today.Nine's low risk Upfronts: ‘Fundamentally we are still a premium content long-form business'It's already been a long Upfronts season. Yet until yesterday afternoon's Nine Upfront, none of the free to air TV players had set out their wares. In the podcast accompanying this post, I talk to Nine's new chief sales officer Matt James.It was also Matt Stanton's first Upfronts as CEO. And although he didn't come on stage, it was the first for Peter Tonagh not just as a Nine board director but incoming chair.So the event, ultimately, was a vibe check. After the sale of Domain, this was the first look at how Nine is facing the future in what has been a depressed advertising market.On the new content side, this was the least ambitious Nine Upfront I've been to since 2008 (the year the best content they had to talk about was Gordon Ramsay and Two and a Half Men). Not that this worried the audience - marketers and media agency people who prefer certainty when they book campaigns. The reliable shows are on the slate - The Block, Married At First Sight, Lego Masters et al. And sport - NRL, tennis and now the English Premier League - were prominent. Plus the winter Olympics.But with the exception of Shark!, featuring Nine-aligned celebs like The Block's Scot Cam meeting a shark. There was not a single big drama commission from Nine. That was a first, I think.There were some interesting choices around the preso, which was all business. There was no on-air talent on stage. And no lighter moments - imagine a whole Nine Upfronts without Today presenter Karl Stefanovic poking fun at himself. In what must have been a deliberate tone, there wasn't a single joke in the script. All the men wore suits (of course); all the women wore pantsuits.In our conversation, Matt James reveals that Nine's management have been working on their purpose for the business - and it's as a content company: “Fundamentally we are still a premium content long-form business.” But not, it would seem, one that plans to take big risks with that content. Not in this market, anyway.Most of the announcements were iterative - an upgraded self service Nine Ad Managers platform; lots of data and tech partnerships. (What would an Upfront be without a data partnership?)Instead this was an interim Upfront before Nine's future direction is settled. How to invest the money from the sale of Domain remains an open question. So too is the business-defining decision of what Nine does in the next NRL rights negotiation.Stanton gave a couple of interviews this week to coincide with the Upfronts. He said remarkably little. Giving the benefit of the doubt, it could be that revealing the plan would drive up the price of whatever asset(s) Nine wants to purchase. But it leaves a gap where the vision belongs. After these Upfronts, I'm none the wiser on the vision.The conversation with James does offer a couple of glimpses. As you'll hear, he is fond of business jargon, but there was a little more than that.Tellingly, was the fact that James was bullish on his ability to monetise NRL across free to air and streaming if Nine chases all rights in the next deal. “To have that control and flow of audience between your BVOD subscribers and your SVOD consumers… would be a phenomenal opportunity. So we already have an incredibly powerful and growing asset base, both in the BVOD and SVOD environment. I think we'd be very successful at it and would absolutely back myself 110%. If not, I'm shortly out of a job in six months.”In other words, as well as free to air, Nine may chase the pay rights currently held by Foxtel.Speaking of Foxtel, James also sent the strongest signal yet that Nine is going to become part of the Video Futures Collective. The VFC was created by Foxtel Media when Foxtel resigned from industry marketing body Think TV and later OzTAM.Despite the fact that Nine unveiled new research designed to demonstrate the effectiveness of television - the sort of thing that might previously have been industry funded via the moribund Think TV - James says that there will be collaboration with competitors.For more than a year, there have been ongoing promises from the TV players to imminently come back together to market their medium. Yet they never quite seem to happen. In our interview, James puts a timeline on it “I would like to think that certainly within the next two months, we can at least start to give clarity on how we would like to move forward as an industry. You know, it's critical.”More than once, James talked about the virtues of a private exchange. It sounds like the concept - effectively one place where premium video ads can be traded - is a few steps further than just being a concept.In the conversation, we also explore the virtues of Nine buying an outdoor company. And then there's the question of radio. With Nine Radio's talk network on the block, it must have been a dilemma on how to present it.The signal on the night was not entirely subtle - while publishing and TV presented side by side, Nine radio's commercial boss Brian Gallagher did his bit solo. It was a pretty good shop window, and he made Nine Radio seem like an asset worth buying.In our interview James accepted the premise that Nine might be better off owning an FM radio network that does better in the 25-54 demographic. “Obviously, in the FM environment, it does obviously attract to younger audiences. And there are actually strategically some interesting dynamics there that can work when you think about the sort of drive time integration and what those younger audiences represent.”By the time the next Nine Upfronts come around, things should be much clearer. The next NRL deal should be done. If Nine is going to buy into FM radio or outdoor, it will have happened. We'll see.Vinyl's AI bet gets early voteThe investment market appeared to like yesterday's announcement from Vinyl Group that it intends to use AI to create ten times the amount of content it currently produces, while reducing staff costs. Vinyl shares rose by 4.6%.Meanwhile, of the bigger stocks, Seven West Media had the best day, improving by 2.2% while its merger partner Southern Cross Austereo lost 0.6%The Unmade Index closed almost flat for the day, on 472.1 points.More from Mumbrella* Vinyl sticks to break-even deadline, aims to use AI to increase content 10x* ABC admission reignites decades-old ABC paedophile interview furore* Opinion: Instagram's new PG-13 content rules will hit adults harder than kids* Opinion: Why smart marketers should keep measurement simpleToday's podcast was edited by Abe's Audio.Time to leave you to your day. We'll be back with more soon.If you happen to be at SXSW Sydney this afternoon, the Mumbrellacast is a late addition to the podcast stage. Our guest will be agency bad boy turned big brand builder Mat Baxter. Hopefully we'll see you there.Have a great day.Toodlepip…Tim BurrowesPublisher - Unmade + Mumbrellatim@unmade.media This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit unmade.substack.com

Du Monstre de Florence à Lazarus en passant par Ça : Bienvenue à Derry ou Down Cemetery Road, on fait le point sur les prochaines sorties sur les plateformes de streaming. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Dans la deuxième partie de notre traditionnel jeu "L'appel à un ami", on revient sur les dernières actualités autour des plateformes de streaming. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

S10E04 - Partons au Québec dans une unité psychiatrique... c'est "Empathie" à visionner très vite !

Depuis plusieurs mois, GOOD BOY conquiert le cœur des festivaliers qui ont pu le découvrir en avant-première outre-Atlantique. La raison ? Good Boy est un film de maison hantée dont le véritable héros est… un chien ! Indy, nouvelle icône du cinéma horrifique et signe héritier de Courage le chien froussard, affronte les esprits qui hantent son foyer pendant 1h15, le tout tourné de son point de vue et à sa hauteur. Après un énorme buzz sur les réseaux, le film sort ENFIN dans les salles françaises grâce à SHADOWZ les 10 et 11 octobre ! Il sera ensuite disponible en SVOD sur leur plateforme dès le 31 octobre, à l'occasion du SHADOWZ HALLOWEEN SPECIAL, leur grand marathon d'Halloween. Et justement… cet épisode est sponsorisé par SHADOWZ

Au programme de ce 105ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:02:12 : Actus du secteur SVOD français et mondial. On parle de la fébrilité de Disney et Paramount face aux menaces du gouvernement Trump entre suspensions et reniements assez importants. Puis on aborde la question de l'éventuelle vente de Warner Bros Discovery à Paramount dans ce contexte. 00:59:19 : Nos recommandations de septembre : L'équipe et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : The Wrong Paris (Paris perdu) mais aussi French Lover, Peut être pour la vie, Rebel Royals, The Biggest Loser : Le poids du show, Numéro inconnu : Textos toxiques au lycée, La Revanche des cœurs piégés, Love is Blind FR, War of the Worlds, Marvel Zombies, Empathie, Fall, à l'aube de l'Amérique, The bad batch, Blood and gold, L'été où je suis devenue jolie, Bref - de bons amis, KPop Demon Hunters, Godless, Outlast (saison 2), Daryl Dixon (saison 2)... 02:26:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix d'octobre 2025.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi collégialement est le film "Un fantôme dans la bataille" qui sort mi-octobre. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-01d Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"People we meet on vacation" qui sort en janvier / "Paris perdu" déjà dispo / "A house of dynamite" dispo fin octobre Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously : https://www.serieously.com/ Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mercredi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

Épisode assez spécial aujourd'hui, puisque c'est le PREMIER épisode de la Spooky Season, notre cycle annuel de podcasts d'Halloween ! Et quoi de mieux pour inaugurer la saison que de parler d'un film de la franchise Halloween ? Une saga qu'on avait déjà entamée il y a deux ans avec un épisode sur le controversé Halloween 3, et nous revoilà aujourd'hui dans les rues froides d'Haddonfield pour parler d'un autre épisode très débattu chez les fans : le fameux Halloween 5 : La Revanche de Michael Myers. Halloween 5, C'est le deuxième film de la trilogie 4-5-6, qui remet au centre de la franchise le légendaire croque-mitaine Michael Myers, après la tentative d'Halloween 3 — ratée commercialement mais culte aujourd'hui — de faire de la saga Halloween une série de films anthologiques qui n'ont pas rapports entre eux et qui n'ont pas rapport avec Michael Myers. La production du film, a été particulièrement chaotique : après le succès commercial du 4, le studio a voulu lancer la suite immédiatement, sans scénario finalisé. Résultat : un tournage précipité, des réécritures constantes et un réalisateur Suisse Dominique Othenin-Girard, parachuté au cœur d'un projet en pleine mutation. Halloween 5 est parfois critiqué pour son ton étrange et son fameux “Homme en noir”, un mystère laissé en suspens jusqu'au sixième épisode. Mais c'est aussi un film au style plus gothique, plus atmosphérique, qui tente de creuser la psychologie de Michael Myers et de l'humaniser. C'est aussi un film qui reste pour beaucoup de fans un objet aussi curieux que fascinant au sein de la saga.Et justement, aujourd'hui, on va pouvoir en parler avec celui qui l'a réalisé : Dominique Othenin-Girard est avec nous dans Jumpscare pour nous raconter toute la production et les aventures qu'il a vécu sur le tournage ! ATTENTION : il est vraiment préférable d'avoir vu Halloween 5 pour profiter de ce podcast, on se jette dans la discussion avec Dominique dés le début du podcast ! On espère que ça vous plaira :) Se procurer H5 : https://www.fnac.com/a14763086/Halloween-5-La-Revanche-de-Michael-Myers-Edition-Limitee-Combo-DVD-Blu-ray-Donald-Pleasence-Blu-ray?oref=228c141e-e98f-985a-e1cd-7e070065184f La novélisation RE-ANIMATOR sponsorisé par Jumpscare : https://www.editionsfautedefrappe.fr/page-d-articles/hp-lovecraft-s-re-animator-jeff-rovin CODE PROMO SHADOWZ, La première plateforme de SVOD horrifique française : JUMPSCARE2025 pour ne payer l'abonnement qu'1 euro par mois pendant 3 mois ! Suivez-nous sur Bluesky et Instagram : @jumpscarecastContact : jumpscarecast@gmail.com LA MUSIQUE DE JUMPSCARE : https://cedriccremet.bandcamp.com/album/jumpscare-original-podcast-soundtrackTout l'argent revient au compositeur, n'hésitez pas :) Discord de Jumpscare : https://discord.gg/ew9CfgYCz8 https://jumpscare.lepodcast.fr/

S10E03 - Cette semaine Pomme a plongé dans les eaux froides de l'Écosse pour "Les Dossiers Oubliés".

Dans la deuxième partie de notre traditionnel jeu "L'appel à un ami", on revient sur les dernières actualités autour des plateformes de streaming. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Bienvenue dans l'épisode 1 de la saison 2 de Superstream... Voici L'appel à un ami, première partie : Un jeu et des débats autour des grosses sorties de ces dernières semaines sur les plateformes de streaming. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

L'équipe de Superstream débat autour de la très attendue saison 2 de Mercredi sur Netflix et se projette déjà sur la saison 3 avec de nombreuses théories. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Connected TV is no longer just a buzzword in the ad world — it's where the industry is being reinvented. Audiences aren't just watching differently; they're shopping, engaging, and co-viewing in ways that open new creative doors for brands. And sitting at the intersection of entertainment and advertising is Roku, a company that's helping marketers meet these shifts head-on.In this episode of The Big Impression, Roku's VP of advertising, marketing & measurement, Sarah Harms, explains why the company is uniquely positioned as a publisher and an operating system. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Big Impression.Ilyse Liffreing (00:09):Today we're talking about how streaming and connected TV are transforming not just how we watch, but how brands connect with audiences.Damian Fowler (00:17):Our guest is Sarah Harms vice president of advertising, marketing and measurement at Roku. She leads the strategy behind Roku's advertising business, helping brands tap into streaming's growing audience while building smarter measurement tools along the way.Ilyse Liffreing (00:32):Before Roku, Sarah built her expertise across both the buy and sell sides of the industry with leadership roles at Microsoft XR and wpp giving her a unique perspective on how ad tech data and storytelling all come together on Connected tv.Damian Fowler (00:49):We'll talk about how Roku's helping brands of all scientists meet new viewer behaviors, build more effective campaigns, and push the creative boundaries of what's possible on CTV.Ilyse Liffreing (01:00):So let's get into it.Damian Fowler (01:03):So Sarah Roku is in a pretty unique spot right now, right? Between entertainment and ads with this latest brand or measurement move, what got it started? Was there an insight or audience need that really stood out to you?Sarah Harms (01:17):Yeah, so in my role I run ad marketing and measurement. So much of my job is us as a marketer, so marketing roku's, advertising proposition, but also in support of our marketers. And so that makes my job very fun. And so a lot of this conversation today, I'm going to go back and forth between my job as a marketer, but also my job in B2B advertising of driving marketers results on our platform. Something that's really fun about Roku is that we're a publisher, but we're also the largest operating system in the us. We see consumers come through our front door to get to the content they know and love and care about. And so that gives us a really rich canvas for supporting some of our marketers initiatives. And so for example, the Super Bowl was very fun for us, whether it was using our platform to drive traffic to Tuby or to build really fun brand experiences on our canvases.(02:13):So we had, when Sally met Hellman's and we had Hellman's and Roku City and we had the Super Bowl ad and a really lovely zone destination to drive shopping and drive purchases of Hellman's mayonnaise, which you really wouldn't expect from a television advertising experience. And so I think that was a fun one from us in supportive marketers. And then a whole part of my job is making sure our advertisers really know about the Roku experience. And so while it's B2B, it would be silly not to address them in a B2C capacity because our marketers could also be customers, the need to understand the value of the Roku experience even if they don't have a televisionDamian Fowler (02:53):From ro. Once you realize your customers could be businesses, consumers, or both, how did that shift your strategy? Did it change the way you approach things?Sarah Harms (03:01):I think it's just strategic use of our resources and a strategic use of our messaging. We certainly think the Roku experience as an operating system is delightful and easy and intuitive. We talk about how your mother-in-law can set it up herself as the example we always use. And so we certainly want our advertising customers to know that too because it really is a beautiful, elegant experience for advertising as well, for watching content.Ilyse Liffreing (03:28):So you've got such a big range of advertisers from big Fortune five hundreds to D two C brands to B2B. How do you build campaigns or measurements that flex for either of them but still stay true to your own approach?Sarah Harms (03:44):Great. So I'll address that as a speaking to the advertising community part of my job, we certainly are on a journey to evolve our strategy to be more flexible and meet our customers where they want us to be, whether it being in their buying platforms of choice or providing optionality to a D two C customer by giving them a very lightweight, intuitive self-service platform like Roku Ads Manager. And so I think a lot of it from a measurement standpoint is doing some education. I think some of the questions were ground around CTV is still somewhat new, but I don't know if it's new, but it's certainly new in the eyes of performance. And so it's a lot of education about how we can enable customers to drive true outcomes using connected television. And so whether it's ad manager or unique measurement integrations, shoppable formats, we really try to address all of thatIlyse Liffreing (04:36):Now. Streaming's completely changed how people watch from binging to co-viewing and basically everything in between. How do cultural or data trends help shape what you're doing on the platform?Sarah Harms (04:48):Yeah, I mean it's been so interesting to see it change even since the pandemic. I think for a long time CTV was synonymous with SVOD or subscription video on demand. We're very much seen that is not the case anymore. A majority of our households are using some form of A VOD, we're advertising video on demand. And so that trend coupled with live sports coming into CTV and streaming, it's really just driven a whole new slew of opportunities for advertising. And so off the back of that, that's more addressable, more accountable television because it is connected television. And so that's been fun from a education standpoint, it's been fun from a how do we enable our platform to address that and also how do we educate our customers from a measurement standpoint.Damian Fowler (05:37):So what's the ad experience like on Roku? You mentioned CTV and it sounds like there's a pretty wide mix of formats. Can you break that down a little more?Sarah Harms (05:46):I'd love to because I think that's again, where my role as a B2B marketer, it's of course helpful to inform our clients about our experiences then they might not have a Roku device or television. And so we think about our business in really two core buckets. We have the Roku experiences, which is our beautiful ui, so native home screen units, they're customized, they're elegant, and we have some of our more kind of viral experiences like Roku City, which is fun and delightful. We're now doing brand integrations there. But then on the other side, we're also a very scaled publisher. So the Roku channel continues to climb Nielsen's Gauge in terms of total TV content time. And so that is allowing us to be a very kind of open interoperable, performant publisher as well with standard video that's available programmatically. It's available with unique measurement integrations, and that's really our ecosystem being an interoperable partner in the space.Ilyse Liffreing (06:43):Roku City is that fun, animated screensaver, very purple that a lot of people see on their TVs. Can you tell us a little bit about it and the kinds of brands you're partnering with there?Sarah Harms (06:54):Yeah, so this has just been something really fun that's taken off. So Roku City is our interactive screensaver and people love it. I don't know if you see it every day, but it's cute, it's fun, it grabs your attention. We see that it's tweeted about every 12 minutes, so it is a viral experience and so much so that really our advertisers challenged us to think about it differently. And so now we have really a variety of advertisers coming into Roku City. So I gave the Hellman's example. We had Taylor Swift in Roku City. And so it's really just a fun, unique, totally differentiated advertising experience, but we tie it all to the rest of our assets.Damian Fowler (07:36):I heard somebody say this morning, performance media is kind of the baseline. Now with that in mind, how do you think about measuring engagement across all these different touch points that we've been talking about?Sarah Harms (07:46):Yeah, I mean, so much of my job on the measurement side of the house is education. And I think the challenge is that performance is in the eye of the beholder and CTV is still bought via a very different group of personas from a legacy television buyer all the way to someone that had been in social API partners and dipping their toe into CTV. And so performance is required, but it's really a matter of educating them on what that means to them and supporting them in their efforts. But what's great about CTV is its big beautiful television, but with all the addressability and accountability of digital.Damian Fowler (08:23):And on that point though, what is it that linear TV buyers still don't quite get about CTV?Sarah Harms (08:29):I think it's the ecosystem aspect of it all. I think television in the past was measured by a couple companies with a couple KPIs or just reach. And so I think this is where CTV has really unlocked really turnkey, always on easy to optimize measurement. That's very exciting.Ilyse Liffreing (08:48):So one thing we like to do on the show is pull our takeaways from the big campaigns. Are there any KPIs or success stories from the campaigns running on Roku that stand out to you?Sarah Harms (09:00):Yeah, so I think what's been fun is we see that we have opportunities for really kind of all verticals. Obviously Roku is born out of the media and entertainment industry, but we've expanded there. And so we really do have kind of a playbook for each vertical, but auto specifically comes to mind, which is a really exciting one. You don't really think of performance and auto on tv, but we've built kind of beautiful experiences like showrooms where you can configure cars, sign up for test drives. And so I think we've really changed the narrative there in terms of driving actions for that vertical all in a very big, beautiful, elegant canvas.Damian Fowler (09:37):Are there any other kind of surprises from your takeaways in terms of like, oh, that's popping. I never expected that.Sarah Harms (09:44):So for me, I don't carry a wallet. My phone is my wallet. And I think if you told me that five years ago, I would've never believed you. Similarly, I don't think anyone thought they'd be shopping with their television. That happens every day on our platform, and I think it's because of clients testing with us, but also it comes back to us as an operating system. And really our remote, it's a few buttons. It's really easy. We have a direct relationship with our customers from a billing perspective. And so the same way Apple Pay is just so easy now you can shop from your tv, which again seems insane, but maybe we'll be here in a couple years and we'll see so much direct shopping from televisions.Ilyse Liffreing (10:23):What about the interest from B2B brands? It just feels like that sector is really exploding across all categories, but CTV particularly.Sarah Harms (10:33):Yeah, I mean so much of my job as a B2B marketer is a lot of education and a lot of really, so much of our reframing away from being a walled garden to more of an open collaborative partner. And so much of it is doing, we talked in the press about our change away from doing a big new front event. We did more kind of small customized dinners instead just to make sure there is a very direct touch point, but also specifically cater to each client's needs. And so I think that's been more of our approach of making sure we do pointed conversations to address the nuances and needs of each customer.Ilyse Liffreing (11:12):And how was that new approach for you this year? I know a lot of brands are doing things a bit differently at the fronts. How did it go on your side?Sarah Harms (11:21):I think for us it's knowing the value of us as the operating system and having great content, but not being these content giants that have millions and millions and millions of dollars to spend on content. And so they should do a big show for us. We drive traffic to the big show. And so I think it was more about, yes, of course, talking about our amazing content and brand integrations there, but also acknowledging the integrations that each customer wanted, the platforms each customer wanted, and what we're doing for each of them in a really kind of catered way versus such a one to many message.Damian Fowler (11:57):You mentioned content earlier. Are you seeing any particular trends now? Anything that's really driving interest from certain categories or marketers?Sarah Harms (12:06):So we have our Roku originals, and we do very well in kind of holiday and home as you can expect, but I think this year in Cannes, you won't be in a meeting like this without talking about sports. And so we have sports rights, yes, but again, the value of the operating system, we've built sports zones to help make sport discoverable and findable. I always use the example of my husband's great Uncle Joe, diehard Yankees fan, can't find a Yankees game because it might be on four different places in five days. And so how can Roku as an operating system help in that regard? And so I think Roku is invested a ton in our infrastructure of driving curation of sports, but also we're very invested in what we call challenger sports, so National women's soccer league volleyball, stuff like that where they have really these die hard fan bases and they just want to find it. We're the destination to help them.Damian Fowler (13:01):We keep hearing it's not just about mass reach anymore, it's really about how well the audience, and the better you understand them, the better this whole thing works for both the platform and the advertiser. How do you see that playing out right now?Sarah Harms (13:13):Yeah, and they're loyal. They're diehard. They're big spenders sometimes. And so you want to kind of associate with yourself with such a kind of amazing, loyal fan base that's just so passionate about the sport.Ilyse Liffreing (13:26):So we have some quick questions for you now. So first of all, you've led both creative and analytical teams. What is one timeless truth about great advertising that cuts across both sides?Sarah Harms (13:41):First of all, it's a very fun aspect of my job having both kind of the marketing team and the measurement and analytics team. Two very different personas, but brilliant in their own ways. And so much of my focus since being here is making sure they're working together versus kind of two ships in the night with their own functions because we certainly have such amazing data, so we should use that to speak to the marketplace in a smart way. And so I think that's been really fun. I think they're getting to know the other side of the house and the creative thinkers versus the analytical thinkers like me pushing them to work together has been very fun. And I think with that in mind, a data informed approach is key. And so that's what really drew me to Roku was that opportunity of just this amazing data set that we have that we can use to optimize, but also to tell our story in a more elegant way.Damian Fowler (14:33):Now since you joined Roku, is there a favorite data point or piece of feedback that's really stuck with you?Sarah Harms (14:38):Yeah, well, I think what's interesting about my job is I should have been informing people like myself about the value of Roku. Before the process started of being recruited, I had a pretty antiquated view, the Roku advertising offering. So that's something that in getting here and in going through that process I learned so much more. I think my favorite might be that any given month, we see a user come through our front door about 25 days a month. And so that is an advertising opportunity to message our amazing footprint. But we see that on average an individual app is seven, maybe eight times a month. And so if you think about that, the reach potential, but also just the consumer habit of using our devices and seeing the messaging from our brands, I think is so compelling and something that really we're massive as it relates to our OS and footprint. And so we've designed these beautiful experiences to really account for that.Ilyse Liffreing (15:36):Now, Roku really helped pioneer the modern CTV ad experience. Is there a moment that's made you step back and think, wow, look how far the medium and your team really has come?Sarah Harms (15:49):I think the fact that the Super Bowl was really such a success story for streaming, I think we never thought the Super Bowl would be at that level, but it was streamed and it really streamable and really without a hitch, I think we've seen some live streaming events and there were some issues. I thought it was very well done. We were happy to support it. We drove some amazing traffic to Tubi. And so I just think 10 years ago, we never thought that would be the case. And so that's just been a fun thing to think about that and the Olympics and the Olympic zone that we built, just really elegant experiences and just changing television has been fun.Damian Fowler (16:32):And that's it for this edition of The Big Impression.Ilyse Liffreing (16:35):This show is produced by Molten Hart. Our theme is by Love and Caliber, and our associate producer is Sydney Cairns.Damian Fowler (16:41):And remember,Sarah Harms (16:43):A data informed approach is key. And so that's what really drew me to Roku.Damian Fowler (16:47):I'm Damian, and I'm we'll see you next time.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

S10E02 - Un peu d'humour so british cette semaine avec "Cunk On Life". A découvrir très vite !

In today's MadTech Daily, we cover Netflix and Amazon teaming up to boost CTV ads, UK ad-funded SVOD reach tripling, and Meta adding more features to Community Notes.

TVOD, SVOD, and AVOD explained. In this episode, I break down the three main types of video on demand, what each one means, and why the order of release windows is crucial to maximizing your revenue. Whether you're an indie filmmaker or just curious about how movies make money today, this is your crash course on the new world of VOD.

In today's MadTech Daily, we cover Netflix and Amazon teaming up to boost CTV ads, UK ad-funded SVOD reach tripling, and Meta adding alerts to Community Notes fact checks.

On this episode of Inside Content, Peyton Lombardo, Senior Manager at 3Vision, is joined by Patrick Courtney, Chief Business Officer at Fuse Media—a global entertainment company known for its multicultural programming. They explore how Fuse Media has evolved from its roots in pay TV into a modern media operation with seven FAST channels and a growing SVOD footprint. Their discussion includes the risks and rewards of ad-supported models, how Fuse Media is building scale through the Culture Collective, and why creators might be key to the next wave of original content. Stay in the content world loop

Au programme de ce 104ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:02:21 : Actus du secteur SVOD français et mondial. On parle de la folie KPop Demon Hunters qui a frappé la planète cet été. 00:28:19 : Nos recommandations de l'été : Nivrae, Frédéric et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : Brick mais aussi Kpop Demon Hunter Karaoke, My Oxford Year, Anuja, Chaos d'anthologie, Une nature sauvage, Too Much, Squid Game S3 finale, Building The Band, À l'épreuve du diable S2, Andor S2, Eyes of Wakanda, Ironheart, The Buccaneers s1 et S2, Nowhere, Light & Magic, Alien: Earth, The Thursday Murder Club, Kate, 1923, 1883... 02:03:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix de septembre 2025.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Nivrae est le film allemand "The Wrong Paris" qui sort mi-septembre. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-01d Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"Golden" issu de la BO de KPop Demon Hunters / "Brick" déjà dispo / "El refugio atomico" dispo mi-septembre. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously : https://www.serieously.com/ Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mercredi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

This episode was produced in partnership with Sky MediaAfter another big summer of sport and the kick-off of the 2025/26 Premier League season, Jack Benjamin is joined by Sky Media's new director of digital advertising, Pippa Scaife, and director of transformation, Dan Cohen, to discuss how brands can make the most of live sport.In the UK, if you're a football fan — or, indeed, a fan of practically any major sport — it's likely you have a Sky subscription.And amid a fragmented AV media landscape, sport has emerged as both a highly important opportunity for brands wanting to reach large audiences all at once and a key way to tap into dedicated communities and fandoms.Scaife and Cohen speak about the role Sky's new Sports Marketplace plays in democratising live sport for smaller advertisers, how brands can tap into sport beyond just on the telly and rapidly emerging opportunities in women's sport.Highlights:1:20: How fragmented viewing has made sport a multichannel experience7:04: Opportunities in women's sport and reaching female sports fans14:15: Sky Media's Sports Marketplace: democratising sports advertising24:53: 2026 in sport: Olympics, Paralympics, World Cup — how should brands be preparing?29:03: Making the most out of sponsorship opportunities: shoulder content, commentary, communityRelated articles:Expanded programmatic capabilities at Sky Media ‘will democratise live sport'Sky Media: Brands shouldn't miss their chance to connect with women's sport fandomGet in the game: why Havas Play thinks brands should be doubling down on women's sport Sports programming on the rise across global SVOD services---Thanks to our production partners Trisonic for editing this episode.--> Discover how Trisonic can elevate your brand and expand your business by connecting with your ideal audienceVisit The Media Leader for the most authoritative news analysis and comment on what's happening in commercial media.LinkedIn: The Media LeaderYouTube: The Media Leader

S10E01 - Mielou a vu, revu, rerevu "Sense8" et vous recommande chaudement la série !

YouTube's success on TV has led Netflix and Tubi to try to cherry-pick the best creators. But Bigger Bolder Baking's CEO reveals that a show deal with them may not be a slam dunk with him.

Actor/Filmmaker Peter Cilella (RESOLUTION, THE ENDLESS) joins Adam and Joe in the ArieScope studio to discuss his career journey and the making of his feature directorial debut DESCENDENT (in theaters now as well as SVOD). From his struggles doing various jobs while getting his acting career off the ground… to writing and directing his own short films… to how working with Rustic Films (Benson/Moorhead & Lawson's production company) “set him up for success” with making his first feature DESCENDENT… to the writing of his deeply personal script during the pandemic… to how the project briefly got derailed for a full year and almost never happened… to how he created instant chemistry between his leads (Ross Marquand and Sarah Bolger)… to working with the Russells on the film's alien FX and much more! Dr. Arwen provides “Hollywood Therapy” for a patient looking to understand how to best support the films and the filmmakers who's work he enjoys and the boys reveal the final total raised in YORKIETHON IX!

S09R04 - L'été touche doucement à sa fin, mais peut être faites vous parti des personnes qui partent enfin en vacances ?En tout cas, dans ce dernier épisode du Rewind, nous sommes à Pâques, et Pomme laisse son micro trainer dans les couloirs de PodRennes

This week, we highlight the key numbers and comments from Netflix's Q2 earnings, covering finances, ad growth, live event strategy, competition, AI, and content strategy. We detail the financial metrics tied to revenue, free cash flow, debt, and estimated full-year 2025 revenue guidance. We discuss all the comments from Netflix's management team regarding measuring household engagement, its upcoming interactive ad launch, the impact of the recent price hike, its deal with TF1, and the acquisition of content assets. We also detail NBCU's decision to raise Peacock's monthly subscription by $3, as well as the new US-based SVOD service from the BBC. Finally, we discuss Deltatre's plans to acquire Endeavor Streaming, which raises questions about the state of Deltatre's business, as no metrics have been provided since its acquisition in 2022.Podcast produced by Security Halt Media

Au programme de ce 103ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:03:57 : Actus du secteur SVOD français et mondial. On parle des annonces de Netflix d'ajouter TF1+ et NASA+ sur leur service dans les mois qui viennent et on donne notre Top 3 des programmes Netflix Originals qu'on emmènerait sur une île déserte. 00:35:19 : Nos recommandations de juin : Nivrae, Frédéric et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : Les temps changent mais aussi Kpop Demon Hunters, Bienvenue chez les Khumalos, The Electric State, K.O., Balle perdue 3, Chaos d'antologie - la croisière ne s'amuse plus + Un maire en roue libre + Le festival Astroworld, Les mille Morts de Nora Dalmasso, Titan - le naufrage d'Ocean Gate, Y-a-t-il un dealer dans l'avion, Squid Game S3, Olympo S1, Black Mirror S6 (S7 en cours), Tout pour la lumière (5ep), You (s5 fin), Les tribulations culinaires de Phil S8, Sneaky Links, Love death and robots S4, À bout, The Electric State, Un mariage sans fin, The walking dead Dead city (OCS), The handmaid's tale (OCS), The last of us, Titanic The digital resurrection, Invisible Man, The Diplomat, La méthode Kominsky, Fear Street: Prom Queen, Alien Romulus, The Four Seasons, Dept. Q. 02:06:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix de juillet 2025.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Frédéric est le film allemand "Brick" qui sort mi-juillet. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-01d Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"Dans tes rêves" qui sort en novembre / "Les temps changent" déjà dispo / "Too much" dispo mi-juillet. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously : https://www.serieously.com/ Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mardi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

In this episode, we dive into Disney's completion of its full acquisition of Hulu, announced on June 9, 2025, with the final $438.7 million payment to Comcast's NBCUniversal. We break down how this deal ends a multi-year valuation dispute and paves the way for deeper integration with Disney+ and ESPN's upcoming streaming bundle.You'll hear the latest Q1 2025 financials—$3.2 billion in revenue, 53.6 million U.S. subscribers, and a combined $293 million profit for Disney+ and Hulu—alongside ARPU figures for both SVOD and Live TV tiers. We also explore Hulu's leading 11 % SVOD market share, its dominance in streaming ad time (13 %), and the strength of its ad-supported business. Plus, discover Hulu's content strategy with hits like “The Bear” Season 4 and “Call Her Alex,” and the platform's plans for international expansion and the challenges it faces in the competitive streaming landscape. Tune in for a concise yet comprehensive update on Hulu's evolving role within Disney's streaming empire. Tags: Disney, Hulu, Acquisition, Streaming Industry, Disney-Hulu Merger, Subscriber Growth, Revenue Metrics, Profitability, ARPU, SVOD, AVOD, FAST, Disney+, ESPN Bundle, Content Integration, Media Consolidation, Q1 2025, Market Share, Advertising Business, Streaming Wars, Original Programming, The Bear S4, Call Her Alex, Ad-Supported Streaming, International Expansion, Disney Corporate, Hulu Business Update, Strategic Integration, Streaming Strategy, Industry ChallengesHashtags: #DisneyHulu #HuluAcquisition #StreamingNews #HuluUpdate #DisneyNews #DisneyPlus #ESPNBundle #SubscriberGrowth #RevenueMetrics #Profitability #HuluARPU #SVOD #AVOD #FAST #MediaConsolidation #StreamingWars #OriginalProgramming #TheBear #CallHerAlex #AdSupported #HuluAds #ContentIntegration #InternationalExpansion #MarketShare #StreamingStrategy #Q12025 #DisneyStreaming #EntertainmentBiz #MediaNews #PodcastEpisode

On this episode of Inside Content, Peyton Lombardo, Senior Manager at 3Vision, is joined by Amanda Stevens, SVP of Global Digital Partnerships at All3Media International. They explore All3Media's evolving digital strategy across FAST, AVOD, and SVOD platforms. Amanda shares insights into building successful FAST channels, the balance between single IP and mixed genre brands, and the challenges of discoverability in a crowded marketplace. Stay in the content world loop 

SVOD library composition and effectiveness are revealed in new Nielsen and Gracenote data. YouTube's dominance on TV grows, and Google's startling genAI tools.

New UK media legislation is focused on helping local broadcasters battle global SVOD.  However, a small part of the law could be beneficial in the US. Guaranteeing prominence is key.

Antenna's Co-Founder & CEO, Jonathan Carson, shares new data detailing the pivotal role SVOD ad plans play in the market. He also debunks myths about ad plan viewers.

Three years ago, subscriber growth in the US SVOD market appeared to have peaked. Today, it is growing again. Here are four reasons for the resurgence in growth.

Au programme de ce 102ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:04:10 : Actus du secteur SVOD français et mondial. On établit notre classement perso des trucs qui nous gonflent le plus chez Netflix et l'on revient aussi sur le changement de nom annoncé de Max et le retour à HBO Max. 00:53:41 : Nos recommandations de mai : Nivrae, Frédéric et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : Nonnas mais aussi Mala influencia, Black Mirror: Bandersnatch, Beaucoup trop fan, Une traque américaine : Oussama Ben Laden, Fred et Rose West : Un cauchemar britannique, L'Envers du sport : La vérité crue sur le Liver King, Du mariage au crime : drame familial en Amérique (A Deadly American Marriage), Secrets We Keep, Cheat : Une dernière chance ?, Battle Camp S1, Black Mirror (S7), Andor (S2), 1923 (S2), Yellowstone (S5), Paradise, Balle perdue 3. 02:04:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix de mai 2025.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Damien est le film mexicain "Les temps changent" qui sort début juin. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://netflixandchiffres.substack.com/p/tous-les-ajouts-netflix-originals-01d Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"KO" qui sort début juin / "Nonnas" déjà dispo / "Squid Game" saison 3 dispo fin juin. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously : https://www.serieously.com/ Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://netflixandchiffres.substack.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mercredi soir en notre compagnie pour l'enregistrement de l'émission en direct sur le Discord de l'émission !

Dix ans après avoir créé le magazine généraliste Society, le groupe français So Press a lancé Society+, une plateforme de vidéo à la demande qui propose des films documentaires à ses abonnés payants. Franck Annese, patron de So Press, est l'invité de L'atelier des médias pour expliquer ses ambitions. « On sait qu'il y a Netflix, on sait qu'il y a Amazon, on sait qu'il y a Disney+, on sait qu'il y a ces plateformes toutes plus qualitatives les unes que les autres, mais on s'est dit qu'il y avait de la place pour nous quand même », lance Franck Annese au micro de L'atelier des médias de RFI.Pendant une vingtaine de minutes, le patron du groupe français So Press a présenté Societyplus.fr, lancé le 6 mars 2025, un site de vidéo à la demande (SVOD) entièrement consacré au genre documentaire. « Depuis le début qu'on fait Society, nos histoires donnent régulièrement des documentaires [...] mais il y a aussi sans doute plein de documentaires qui existent, qui pourraient être le reflet d'histoires qu'on a écrites ou pas. Et on se met à chercher des documentaires existants et qu'on ne voit pas ailleurs, et à regarder ce qui se fait dans le monde du documentaire, et on s'aperçoit qu'il y a énormément de matières documentaires qui existent, qui sont pas ou peu diffusées en France, et qui sont des pépites en fait », Society+ accueille déjà plus de 200 documentaires. Quelques productions de So Press mais principalement des acquisitions. Toutes les fiches accueillent un « avis de la rédac ». Le prix de l'abonnement s'élève à 4,90 euros et Franck Annese a pour objectif 30 000 abonnés en fin d'année 2025, 50 000 en 2027. « On sait qu'il va falloir aller chercher un peu les abonnés avec les dents », dit-il. « Si on n'arrive pas à l'équilibre, on arrêtera. [...] Pour l'instant, vu le démarrage, je suis assez optimiste », assure celui qui, il y a dix ans, avait déjà fait le pari de lancer un magazine papier, Society.

Antenna's CEO shares insights on the firm's latest SVOD research, including churn stabilization, re-subscribers, growth in ad-supported plans, the role of live, and more.

The role of social media in TV discovery, SVOD pricing optimization, and churn reduction are three key takeaways from Deloitte's new digital media report. You can download this week's sponsor's report, "The Sports Streaming Craze: Sustainable Growth or Overhyped Trend?" here. 

People have reached their limit on paying SVOD price increases despite spending less overall on entertainment than in 2014. Why don't people feel the savings? Listen on to find out why.  

Today on the show we have filmmaker and Filmtrepreneur J. Horton. Jason has been in the film industry for as long as I have and has been making movies ever since. What sets him apart from other filmmakers is that he actually makes a living making his films.Jason figured out the formula that would allow him to make a living doing what he loves to do. He produces low-budget feature films and uploads them to Amazon Prime.He collects TVOD and SVOD revenue. His key is volume. This year alone he produced 14 feature films.We discuss how he chooses his niche audience, how he shifted from only narrative films to directing niche-focused documentaries, and how he's able to produce so much content.Enjoy my conversation with J. Horton.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Film distribution is changing faster than ever! In this episode, we break down the evolution from traditional theatrical and DVD sales to the rise of VOD (Video on Demand)—including TVOD, SVOD, and AVOD. Discover how platforms like Netflix, Tubi, and YouTube are shaping the industry, why AVOD is booming, and what indie filmmakers must do to stay ahead. Don't get left behind—learn how to maximize your film's revenue in the modern digital landscape!