Podcasts about svod

S10E21 Pomme, notre reporter de terrain a mouillé la chemise et a recueilli moults recommandations lors du festival Podrennes. Merci beaucoup aux différents contributeur·ices

Comme chaque mois, l'équipe de Superstream débat des futures sorties à venir sur les plateformes de streaming. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

S10E20 - Une fois n'est pas coutume, Shaokun nous recommande un animé ! et par n'importe lequel. "You and I are Polar Opposites" est un bonbon, une RomCom mais qui reste un shōnen.

New research from Omdia, Hub, and Antenna underscores the growing importance of advertising in streaming, across FASTs and premium SVOD.

Dankzij een 2-2-gelijkspel tegen Noordwijk kroonde Kloetinge zich zaterdag tot kampioen van de derde divisie B. Trainer Rogier Veenstra en aanvaller Daniël Wissel schuiven aan bij Barry van der Hooft en Jan Dagevos en bespreken hun gouden zaterdag. De twee werkten in het verleden ook al samen bij ASWH en ze weten dus wat Kloetinge in de tweede divisie kan verwachten. Het seizoen van Kloetinge wordt onder de loep genomen en het gaat ook over de in ere herstelde derby's tegen Hoek. De Zeeuws-Vlaamse ploeg strijdt nog steeds om de titel in de tweede divisie en gaat een bijzondere ontknoping tegemoet. Veenstra en Wissel hebben dit seizoen met bewondering gekeken naar wat Hoek in de tweede divisie heeft gepresteerd. Zaterdag sluit de ploeg van trainer Gérard de Nooijer het seizoen in Groesbeek af met de kraker tegen De Treffers, dat - net als Quick Boys - ook nog kans maakt op de titel. Groene Ster Vlissingen promoveerde vrijdag naar de eredivisie en Barry vertelt over een enerverende avond, waarbij de cultuur van de Walcherse club ook ter sprake komt. Verder worden het knappe kampioenschap van SVOD'22 besproken, gaat het over Bruse Boys dat onderuitging in Bergen op Zoom en passeren mogelijke affiches in de nacompetitie besproken.Support the show: https://krant.nl/See omnystudio.com/listener for privacy information.

Eric Frankel, CEO of AdGreetz, discusses how AI-powered personalisation is reshaping the future of advertising. Eric explains why so much digital marketing still relies on generic, one-size-fits-all messaging, despite the wealth of customer data available to brands today. He shares how AdGreetz helps companies create highly personalized ads at scale, using AI and automation to deliver more relevant content that improves engagement and campaign performance. The conversation explores the opportunities and challenges of mass personalisation, including how brands can balance relevance with privacy, maintain brand consistency across thousands of ad variations, and apply consumer marketing tactics to B2B campaigns. Eric also discusses the growing role of AI in creative production, why innovation is critical for marketers, and the importance of standing out in an increasingly crowded digital landscape. About AdGreetz AdGreetz is reimagining marketing for an AI-powered and personalised world. We empower brands, agencies, streamers and publishers to produce and deploy unlimited, data-driven, personalized video and display ads and CRM messages on 22 ad-tech & martech channels. BizGreetz AI®, empowers anyone to produce compelling video, display ads or freeform content in minutes simply by entering a brand name, URL or by prompting. The world's only platform integrated with 51 AI models (70+ versions and 10+ years of award-winning creative expertise distilled into our proprietary creative agents), BizGreetz AI® is a supercharged version of any video generator you may have seen. No other platform offers our robust and versatile capabilities (including Adobe, Google, OpenAI, ByteDance, Meta, Microsoft, Apple, Amazon, Higgsfield). About Eric Frankel Prior to founding AdGreetz, Eric Frankel was President of Warner Bros. Domestic Cable Distribution, where he oversaw the distribution (and often production) of the world's largest TV and movie studio to broadcast, cable, pay-TV and new technologies. While running a multi-billion-dollar a year division, he led the industry to the development and adoption of new technologies, including on-demand video (SVOD & AVOD). He also created and successfully launched the first-ever broadband internet network, In2TV.. After 28 years at WB, in 2010, Eric left WB to launch AdGreetz and spearhead a new frontier of personalised advertising and now, AI creative with BizGreetz AI®.  Time Stamps 00:40 - Eric Frankel's Career Background 02:22 - Why Ads Feel Generic 03:27 - AdGreetz and BizGreetz Explained 04:44 - AI and Personalisation Today 08:41 - How Mass Personalisation Works 12:15 - Misconceptions and Relevance 14:59 - Performance Uplift and Proof 18:17 - Creepy Versus Effective 20:53 - Brand Consistency Guardrails 24:33 - B2B Adoption Challenges 34:50 - Where to Learn More 35:44 - Closing Thanks Quotes “I barely ever saw an ad or marketing message that was relevant to me, because it was a world of generic, traditional, one-size-fits-all.” Eric Frankel, CEO of AdGreetz. “When you get sick of the message, people may have just started to see it for the first time.” Eric Frankel, CEO of AdGreetz. “We do smart, data-driven, relevant, personalised marketing that people pay attention to.” Eric Frankel, CEO of AdGreetz. Follow Eric: Eric Frankel on LinkedIn: linkedin.com/in/eric-frankel-bb79666 AdGreetz website: https://www.adgreetz.com/ AdGreetz on LinkedIn: https://www.linkedin.com/company/adgreetz Follow Mike: Mike Maynard on LinkedIn: https://www.linkedin.com/in/mikemaynard/ Napier website: https://www.napierb2b.com/ Napier LinkedIn: https://www.linkedin.com/company/napier-partnership-limited/ If you enjoyed this episode, be sure to subscribe to our podcast for more discussions about the latest in Marketing B2B Tech and connect with us on social media to stay updated on upcoming episodes. We'd also appreciate it if you could leave us a review on your favourite podcast platform. Want more? Check out Napier's other podcast - The Marketing Automation Moment: https://podcasts.apple.com/ua/podcast/the-marketing-automation-moment-podcast/id1659211547        

Na een opnieuw enerverend voetbalweekend bespreken Barry van der Hooft en Jan Dagevos de verrichtingen van veel Zeeuwse ploegen. Waar Kloetinge in Limburg de volgende stap richting het kampioenschap zette, kregen Hoek en Goes een flinke tik. We beginnen de podcast met SVOD'22, dat zaterdag dankzij een klinkende overwinning op DVV'09 de koppositie in de tweede klasse overnam. Zaterdag kan in Zierikzee de kers op de taart worden gezet, als de fusieclub weet te winnen van een andere fusieclub: MZC'11. In die tweede klasse is het behoorlijk spannend, net als in de derde klasse waar Bruse Boys nog steeds op kampioenskoers ligt. Bij Hoek hebben ze de titel uit het hoofd gezet, bij Goes moeten ze na de nederlaag tegen degradatiekandidaat Meerssen nog steeds naar beneden kijken. NAC, dat een samenwerking heeft met JVOZ, is inmiddels afgedaald naar de Keuken Kampioen Divisie. De Parel van het Zuiden mag een treetje lager opnieuw beginnen, na een seizoen dat werd gekenmerkt door veel rumoer en weinig punten. Support the show: https://krant.nl/See omnystudio.com/listener for privacy information.

S10E19 - Robert by Roland ! Si vous aimez les films d'horreur faits main, Roland vous propose cette saga de 5 films sur la fameuse poupée possédée "Robert". Attention, demandez lui l'autorisation avant d'écouter…

In aflevering 36 van de PZC Voetbal Podcast kijken Barry van der Hooft en Jan Dagevos op de laatste speeldag van twee weken geleden en gaat de blik vooruit naar de spannende slotfase van het voetbalseizoen. Blijft Hoek titelkandidaat in de tweede divisie? Kan Kloetinge zaterdag al kampioen worden van de derde divisie B en promoveren? Zet Goes zondag een volgende stap richting handhaving? En wat te denken van de strijd in de tweede klasse E van het zaterdagvoetbal... SVOD'22 heeft met nog twee duels te spelen slechts één punt minder dan koploper DVV'09 en laat die ploeg nou uitgerekend zaterdag op bezoek komen in Oostkapelle. Terneuzense Boys strijdt nog om een periodetitel en onderin de tweede klasse zijn vier Zeeuwse ploegen nog niet verzekerd van lijfsbehoud. Er is dus genoeg te bespreken en dat doen we dan ook in deze aflevering van de PZC Voetbal Podcast.Support the show: https://krant.nl/See omnystudio.com/listener for privacy information.

Au programme de ce 112ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:04:00 : Actus du secteur SVOD français et mondial. La SVOD, c'était vraiment mieux avant ? 00:34:00 : Nos recommandations : L'équipe et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : Roommates, Thrash, Apex, Trust Me The False Prophet, The truth and tragedy of Moriah Wilson, un ours dans le jura, LOL IRL, LOL S6, The Testaments, Lucky Luke, Shrinking S3, Malcolm et Love Story et les recos du Discord. 01:33:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix de mai 2026.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Frédéric est le film "My dearest assassin" dispo le 7 mai. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-de-2026-sur-netflix-france Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"La petite maison dans la prairie", bientôt dispo / "Roommates" déjà dispo / "Le bus" dispo mi-mai. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously: https://www.serieously.com Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mercredi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

La suite de Buffy contre les vampires annulée, une déception ? L'équipe de Superstream en débat et s'est mise à rêver de suites de séries plus ou moins probables à l'avenir. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Alan D'Escragnolle breaks down how his company Filmhub is rethinking distribution, shifting away from gatekeeping toward flexible, film-specific strategies. Instead of a single path, films are matched with what they actually need, whether that's AVOD, SVOD, or a more hands-on sales and marketing push.The bigger shift is economic. With hundreds of thousands of titles entering the market each year, access is easier than ever, but monetization is harder. Success now comes down to positioning, artwork, and understanding where a film fits in an oversaturated landscape.At its core, the model has flipped. Distributors can get your film out, but they won't build your audience. The takeaway is simple: know who your film is for, think long-term, and treat distribution as part of the process, not the finish line.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

S10E18 - Le cinéma sud-coréen est riche, Bong Joon-ho un grand de l'ironie pour faire passer des messages Cette semaine Lisa vous recommande, non sans philosophie, "Mickey 17".

Live from CinemaCon in Las Vegas, Matt is joined by producers Jerry Bruckheimer and Emma Thomas and Cinema United CEO Michael O'Leary to discuss the petition to block Paramount's acquisition of Warner Bros., the impact of PVOD and SVOD on the theatrical industry, the benefits of working with a major studio, the Ryan Coogler ‘Sinners' deal, and what scares them the most about the state of the industry right now. Host: Matt Belloni Guest: Jerry Bruckheimer, Emma Thomas, Michael O'Leary Producers: Craig Horlbeck and Jon Jones Theme Song: Devon Renaldo This episode is brought to you by AMC+. Start your free trial today at join.amcplus.com. Half Man premieres April 23rd on HBO Max. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Euphoria saison 3 mais pas que... De nombreuses nouveautés sont à venir sur les plateformes de streaming. On fait le point ! Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Roku now reaches 100 million households, but is far from owning the US market. New Hub data shows Roku and Amazon's growing role in SVOD aggregation and the messy world of over-the-air TV.

S10E17 - Cette semaine nous explorons la plateforme Youtube, et plus particulièrement le documentaire en 3 parties du créateur Ludoc qui revient sur une prise d'otage que tout le monde (ou presque) a oublié.

20 ans après la fin de la série culte, Malcolm est de retour sur Disney+ ce vendredi 10 avril pour une suite entre 4 épisodes. Top ou flop ? On en débat ce mois-ci dans Superstream entre autres réjouissances. Voici le programme : L'appel à un ami : L'équipe de Superstream passe en revue les dernières sorties sur les plateformes de streaming dans notre traditionnel jeu. Le grand débrief : Malcolm, rien n'a changé, une suite entre 4 épisodes de la série culte des années 2000. Est-ce que ça vaut le coup d'oeil ? Est-ce qu'on veut une suite ? On en débat !La question secrète du mois : Dans vos rêves les plus fous, quelle suite de série aimeriez-vous voir ? À venir : L'équipe de Superstream fait le point sur les prochaines sorties sur les plateformesBridgerton, saison 5 : Ça y est, on connaît le couple star de la suite de la série. Et ça ne plait pas à tout le monde ! Superstream saison 2, épisode 8, un podcast animé par Laurence Gallois, avec ses chroniqueurs Marc Arlin, Stéphanie Fuzeau, Juliette Heuzebroc et Thomas Robert. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

What does it take to build a world-class engineering culture when you start with five engineers on minimum wage? Tommy Sullivan did exactly that at Vidio — and the team's average tenure of seven years tells you everything about whether it worked.In this episode, Tommy Sullivan, CTO of Vidio (Indonesia's largest streaming platform) shares how he built an engineering culture from almost nothing, growing a team of five to over two hundred using Extreme Programming principles and a relentless focus on hiring for attitude over aptitude. Tommy traces his journey from Pivotal Labs in San Francisco to the early days of Indonesia's tech boom, explaining why Vidio survived when well-funded competitors like Hooq and iFlix all shut down.Along the way, he gets into where AI has worked and where it has failed at Vidio, how the team is rethinking pair programming in the age of AI agents, what it takes to stream four terabytes per second during live events, and why protecting code quality is ultimately a culture problem, not a tooling one. Tommy also shares a hard-earned view on the agentic AI trend and why understanding the underlying mechanics matters more than chasing the hype.Key topics discussed:How Extreme Programming built Vidio's 7-year average tenureHiring for attitude: why aptitude alone isn't enoughPair programming reimagined for the AI-agent eraWhy code quality is a culture problem, not a tool problemAI failures and wins at VidioHow Vidio streams 4TB/s to 2.2M concurrent usersAVOD vs. SVOD: the model that saved VidioVendor independence for CDN and AI — why it mattersWhat engineers need to understand about agentic AITimestamps:(00:00:00) Trailer & Intro(00:03:07) How Did Tommy Go From Silicon Valley to Jakarta?(00:07:22) How Has Indonesia's Tech Scene Evolved Over the Past Decade?(00:13:12) What Happened to Indonesia's Engineering Talent After the VC Bubble Burst?(00:15:03) Why Is Indonesia One of the World's Most Exciting Tech Markets?(00:17:26) How Do You Build a World-Class Engineering Team When Starting From Scratch?(00:22:01) What Are the Hidden Benefits of Pair Programming Beyond Code Quality?(00:25:28) How Is AI Blurring the Lines Between Engineers and Product Managers?(00:28:48) How Do You Justify XP Practices to a Results-Driven Business?(00:36:11) What Has Worked and What Has Failed When Integrating AI at Vidio?(00:44:19) Is AI an Amplifier or a Threat to Software Engineers?(00:46:59) How Does Vidio Use Team Rotation and Shared Ownership to Retain Engineers?(00:51:16) How Do You Protect Code Quality Culture in the Age of AI?(00:54:16) What Metrics Actually Matter for Engineering Quality?(00:58:07) How Will AI-Generated Content Reshape the Streaming Industry?(01:06:51) What Does It Take to Stream at 4 Terabytes per Second?(01:09:26) How Do You Keep a Streaming Platform Stable During Massive Live Events?(01:14:12) How Did Vidio Survive When Other OTT Platforms Failed?(01:18:15) Why Does Vendor Independence Matter for Both CDNs and AI?(01:21:44) What Should Engineers Understand About the Agentic AI Trend?(01:26:17) Tech Lead Wisdom_____Tommy Sullivan's BioTommy Sullivan leads the software engineering behind Vidio — Indonesia's leading video-streaming platform. Before joining the Vidio / Emtek group, he helped startups and global enterprises implement agile engineering and lean product development practices in Silicon Valley and Southeast Asia. As a founding member of Vidio, Tommy shaped its early development and steered its evolution from a user-generated content platform to a premium streaming service supporting millions of subscribers. He leads with a focus on data-driven decisions and a humble, collaborative developer culture.Follow Tommy:LinkedIn – linkedin.com/in/tommybsullivanLike this episode?Show notes & transcript: techleadjournal.dev/episodes/253.Follow @techleadjournal on LinkedIn, Twitter, and Instagram.Buy me a coffee or become a patron.

Au programme de ce 108ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:03:23 : Actus du secteur SVOD français et mondial. Netflix et Disney ont des actus liées à l'IA ce mois-ci et on décortique tout ça. 00:32:00 : Nos recommandations : L'équipe et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : War Machine, Louis Theroux : Plongée dans la manosphère, Le Tueur de TikTok, Le prédateur de Seville, The Plastic Detox, Age of Attraction (S1), Love is Blind S10 (fin), Lucky Luke (4ep), The Beauty (Fin), Hannah Montana 20th Special, Game of Thrones, Bridgerton S4 et les recos du Discord. 01:45:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix d'avril 2026.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Damien est le film "Roomates" dispo le 17 avril. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-de-2026-sur-netflix-france Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"Stranger Things '84", bientôt dispo / "War Machine" déjà dispo / "Man on Fire" dispo le 30 avril. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously: https://www.serieously.com Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mercredi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

Opět v mírném předstihu servírujeme streamovací nadílku a v úvodu se věnujeme i proměně KVIFF.TV z hybridní platformy na čistě SVOD (model s fixním předplatným). Nechybí ani naše tipy a v rámci dubnové nabídky řada velkých návratů (Euforie, Banda, Ve při, Malcolm v nesnázích). Z filmů zaujme stalkovací Taron Egerton na Netflixu nebo žraločí inferno od Tommyho Wirkoly tamtéž. Duben na streamu budem. FILMY Pizza Movie, Disney+, 3.4. Žraločí smršť, Netflix, 10.4. Následky, Apple TV+, 10.4. Balls Up, Prime Video, 15.4. Apex, Netflix, 24.4. SERIÁLY Star Wars Maul: Pán stínů, Disney+, 6.4. Svědectví, Disney+, 8.4. Banda S5, Prime Video, 8.4. Jedna chyba za druhou, Netflix, 9.4. Malcolm v nesnázích: Život pořád není fér, Disney+, 10.4. Euforie S3, HBO Max, 12.4. Ve při S2, Netflix, 16.4. Kevin, Prime Video, 20.4. Stranger Things: Příběhy z pětaosmdesátého, Netflix, 23.4. Margo má problém vyjít, Apple TV+, 25.4. Widow's Bay, Apple TV+, 29.4. Muž v ohni, Netflix, 30.4. MovieZone Extended Universe:  Web: https://www.moviezone.cz FB: https://www.facebook.com/moviezonecz IG: https://www.instagram.com/moviezonecz CSFD: https://www.csfd.cz/film/688751-moviezone-live-special HeroHero: https://herohero.co/moviezonelive Merch: https://www.blu-shop.cz/moviezone-merch/ Kniha Devadesátky ve filmu: https://www.xyz.cz/tituly/92360411/devadesatky-ve-filmu/ Kniha Encyklopedie sci-fi filmu: https://www.albatrosmedia.cz/tituly/92065999/encyklopedie-sci-fi-filmu/ #moviezone #moviezonecz #mzlive

Aflevering 32 van de PZC Voetbal Podcast begint met een oude bekende, die we bijna een 'vriend van de show' zouden kunnen noemen. Hij zorgde zondag in Vogelwaarde weer eens voor tumult en Jan Dagevos weet - zonder dat Barry van der Hooft zijn naam noemt - meteen over wie het gaat. De twee sportjounalisten van de PZC bespreken ook de nederlaag van koploper Hoek bij IJsselmeervogels, het verlies van Goes tegen ASWH en het puntenverlies van lijstaanvoerder Kloetinge op bezoek bij UNA. Eén ding is zeker: voor de Zeeuwse top drie worden het nog spannende maanden. Dagevos en Van der Hooft bespreken ook de overgang van Steve Schalkwijk van Hoek naar Kloetinge, de contractverlenging van Gianni Vandepitte bij de groen-witten en het vertrek van Zenya Deurloo naar Kozakken Boys. Daarnaast worden de nieuwelingen bij Goes onder de loep genomen. Van der Hooft was zaterdag bij het duel tussen SVOD'22 en Arnemuiden en sprak na afloop met Arjen Pattenier. De 42-jarige aanvaller maakte vorige week zijn rentree bij SVOD'22 en legde onder meer uit hoe hij nog steeds zo fit kan zijn. Hij vertelt erover in een korte reportage. FC de Westhoek'20 werd zaterdag de eerste Zeeuwse kampioen van dit seizoen en clubs als FC Dauwendaele en Lebo/SVN lijken vrijwel zeker tot de volgende kampioenen te behoren. Tenslotte wordt ook de interland van Jan Paul van Hecke tegen Noorwegen nog besproken. Vanwege het paasweekend verschijnt de volgende aflevering van de PZC Voetbal Podcast op dinsdag 7 april.Support the show: https://krant.nl/See omnystudio.com/listener for privacy information.

S10E16 - Après un épisode de Choixpitre sur le livre, Pomme nous livre cette semaine sa recommandation série avec l'adaptation britannique de "Un Gentleman à Moscou". Et si cela ne vous suffit pas, sachez que c'est avec Ewan McGregor !

S10E15 Plongez dans le quotidiens des ados anglais de "Skins" grâce à la reco de @Dracojo. Une fiction qui ne s'embarrasse pas de la bienséance.

C'est peu dire que (presque) toute l'équipe de Superstream l'attendait avec impatience : la saison 4 de Bridgerton a-t-elle convaincu nos chroniqueurs ? Vous le découvrirez en écoutant le 7ème épisode de la saison 2 de Superstream, le podcast de Télé-Loisirs consacré aux plateformes SVOD. Voici le sommaire : L'appel à un ami, 1ère partie : Un grand jeu pour débattre des dernières sorties marquantes sur les plateformes.Le grand débrief : Bridgerton, saison 4. Echec ou réussite ? Quelles attentes pour la suite ? On en discuteL'appel à un ami, 2ème partie : Les dernières actualités des plateformes qu'il ne fallait pas louper dans la suite de notre jeu.Les sorties les plus attendues : Du retour de Malcolm sur Disney+ à la fin de The Boys sur Prime Video en passant par le film Peaky Blinders sur Netflix... Pas de panique si le printemps se fait attendre, il y aura de quoi patienter sur les plateformes dans les prochaines semaines !Superstream saison 2, épisode 7, un podcast animé par Laurence Gallois, avec ses chroniqueurs Marc Arlin, Stéphanie Fuzeau, Juliette Heuzebroc et Aubéry Mallet. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Au programme de ce 108ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:02:30 : Actus du secteur SVOD français et mondial. Netflix a finalement décidé de ne pas surenchérir pour acheter Warner Bros, laissant Paramount Skydance seul en lice pour le rachat du studio hollywoodien. 00:22:40 : Nos recommandations de décembre : L'équipe et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : Even if this love disappears tonight mais aussi 100 Mètres, Lucy Letby au cœur de l'enquête, Danse sur glace : L'éclat de l'or, Top Model USA : Le revers du rêve, Ne t'enfuis plus (mini-série), La Chronique des Bridgerton S4p2, Les Lionnes, Love is Blind US S10 (3ep), On aurait du aller en Grèce, Wonder Man (fini), Sinners, Amélie et la Métaphysique des tubes, L'attachement, La Quête d'Ewilan, Stranger Things, Fallout, Knight of the Seven Kingdom, Heated Rivalry, People We Meet on Vacation, Urgences et les recos du Discord. 01:26:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix de mars 2026.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Nivrae est le film "War Machine" dispo le 6 mars. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-de-2026-sur-netflix-france Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"Unchosen", bientôt dispo / "Even if this love disappears tonight" déjà dispo / "Something very bad is going to happen" dispo le 26 mars. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously: https://www.serieously.com Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mercredi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

This week, Paul updates Jess on concepts hat SEC Commissioner Greg Sankey pondered to limit transfers and establish eligibility standards which could provide structure in the NIL area. Next, they discuss the incredible success of the 2026 Winter Olympics for NBC and Peacock as well as some of the brightest stars who competed. Finally, the UK government just announced that major SVOD services will be regulated in a manner similar to broadcasters - in a step towards technology-agnostic regulation that some have called for in the U.S. as well. Learn more about your ad choices. Visit megaphone.fm/adchoices

New Antenna data highlights how SVOD is maturing and how bundling is critical. Nielsen's data reveal potential TV audience shifts due to the just-announced WBD-Paramount Skydance deal.

How many UK households have a Netflix subscription? What percentage of Meta's total revenue comes from scam ads? What was the smartphone usage rate in the UAE in 2025?In this quiz edition of The MadTech Podcast, ExchangeWire's head of marketing Grainne Reid is joined by COO Lindsay Rowntree and John Still, head of content. They look into the changing TV and streaming landscape, tolerances for fraudulent ads (and insects in chocolate), and open web versus mobile advertising.0:00 Introduction1:14 SVOD subscription numbers13:28 Meta scam ads revenue21:15 Smartphone usage rates26:01 MENA focus

Au programme de ce 108ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:02:10 : Actus du secteur SVOD français et mondial. On fait notre draft des titres qui sortiront en 2026 sur Netflix avec un but : récolter le plus de vues ! 00:40:00 : Nos recommandations de décembre : L'équipe et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : The Rip mais aussi People We Met on Vacation, Evil Influencer Jodi Hildebrandt Story, Camp Courage, Kidnapped Elizabeth Smart, Finding Her Edge S1, His & Hers, Bridgerton s4 p1, The Beauty (4ep), The Kite, Wonder Man (2ep), Shrinking S2 + S3 (en cours), The 4:30 Movie, Stranger Things, Kings of Collectibles S3, Exterritorial. et les recos du Discord. 01:44:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix de février 2026.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Frédéric est le film "Even if this love disappears tonight" déjà dispo !. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-de-2026-sur-netflix-france Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"One Piece", saison 2 bientôt dispo / "The Rip" déjà dispo / "The Night Agent" saison 3, dispo fin février. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mercredi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

This week, Paul and Jess begin with a summary of the major 2026 Oscar nominations with a handful of their predictions thrown in. Next, they discuss a BBC YouTube-first deal and YouTube's broader plans for pay TV. Finally, Paul breaks down a recent government inflation report which indicated that SVOD services had, by far, the highest rate of inflation in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aujourd'hui, nous parlons d'un phénomène qui pourrait redéfinir les usages vidéo pour les années à venir :l'hybridation entre la télévision et les plateformes SVOD. Entre les jeunes audiences qui plébiscitent l'intégration des chaînes TV dans les plateformes, la faible visibilité des offres hybrides, et l'évolution des attentes en matière de contenus, nous assistons peut-être à un véritable basculement. Pour en discuter : Corinne Abitbol-Terrier d'Havas Media Network Yves Del Frate de CSA Research Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week, Paul and Jessica start with a recap of the big winners at the 2026 Golden Globes. Next, Paul discusses the recently-announced exclusive Pay 1 SVOD license deal between Sony Pictures and Netflix, and Jessica ponders the pros and cons of Netflix's content-acquisition blitz. Finally, Paul breaks down the Supreme Court's decision to review the FCC's authority to levy large fines without the need for a jury trial. Learn more about your ad choices. Visit megaphone.fm/adchoices

Film rights can make or break your movie's financial future — and most filmmakers don't fully understand them. In this episode, we break down domestic vs. international rights, worldwide deals, split rights, and platform-specific licenses like TVOD, SVOD, AVOD, FAST, and theatrical. If you're working with distributors, sales agents, or heading to a film market, this episode will help you avoid costly mistakes and protect your film.

Au programme de ce 108ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:02:37 : Actus du secteur SVOD français et mondial. On parle des gagnants et des perdants de l'année 2025 dans le domaine du streaming. 00:42:00 : Nos recommandations de décembre : L'équipe et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : My Secret Santa mais aussi Mango, Love and Wine, Vive le Vol d'Hiver, Emily in Paris (Saison 5), With Love, Meghan : Un Noël tout en grâce, Talamasca, Loups-garou S2, Pluribus, Interview with a Vampire S1&2, Downton Abbey, Someone Great, The Great Flood et A Man on the Inside et les recos du Discord. 01:40:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix de janvier 2026.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Damien est le film "The Rip" qui sort le 16 janvier 2026. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-de-2026-sur-netflix-france Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"Peaky Blinders: L'immortel" qui sort en mars / "My secret santa" déjà dispo / "Bridgerton saison 4" dispo fin janvier. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously : https://www.serieously.com/ Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mardi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

In this episode of Best in Fest, host Leslie LaPage sits down with Alan Green, Head of Sales & Acquisitions at 123 Media, to break down how film distribution actually works — and why most indie filmmakers misunderstand it.With decades of experience spanning 20th Century Fox, Pathé, international sales, and producing, Alan offers a brutally honest look at what sells, what doesn't, and how filmmakers can avoid costly mistakes when trying to monetize their films.In this episode, we cover:

Some surprising trends in US TV viewing emerged in 2025. Here's what happened to traditional pay TV, vMVPDs, SVOD, FAST, and over-the-air, and the outlook for them in 2026.

Le thème du jour : CTV, FAST, SVOD : le nouveau mix média des annonceurs.On décrypte comment les annonceurs construisent aujourd'hui leur nouveau mix média entre télévision et vidéo connectée.Comment les agences s'y retrouvent dans un paysage aussi fragmenté ?Comment repenser la couverture utile et la complémentarité entre TV et CTV ?Comment la donnée transforme-t-elle la planification et l'achat vidéo ? Pour en discuter, j'ai le plaisir d'accueillir : Antoine Aillot de HeroïksEric Boyer de CospiritEmmanuel Crego de Values Media Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Au programme de ce 107ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:05:00 : Actus du secteur SVOD français et mondial. On parle de Netflix qui a fait une offre officielle pour Warner Bros et on parle de ce que cela pourrait donner. 00:25:00 : Nos recommandations de novembre : L'équipe et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : Lefter mais aussi Train Dreams, Champagne Problems, A Merry Little Ex-Mas, Aileen: Queen of the Serial Killers, 100% Physique Asie, Puzzled, Pluribus, Downton Abbey, Gen V, Daryl Dixon, Death by Lightning, Concrete Cowboy et Mixtape et les recos du Discord. 01:40:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix de décembre 2025.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Nivrae est le film "My Secret Santa" qui sort le 3 décembre 2025. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-01d Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"Seul face à Bébé" qui sort le 11 décembre / "Lefter" déjà dispo / "The Abandons" dispo le 5 décembre. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously : https://www.serieously.com/ Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur mercredi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

All top 6 SVOD services have raised prices this year, continuing a trend that began in 2023. However, here are four reasons to be happy about the price increases.

Au programme de ce 106ème épisode de Netflixers, le podcast francophone dédié à Netflix et à la SVOD en général : 00:02:30 : Actus du secteur SVOD français et mondial. On parle de Netflix qui enlève ses petits N rouges sur ses vignettes, d'Apple TV+ qui enlève son + et de la fable autour de Netflix qui serait plus ouvert aux sorties ciné. 00:30:00 : Nos recommandations d'octobre : L'équipe et des membres du Discord vous donnent leurs recommandations sur Netflix et ailleurs. Au programme : Le Ciné-Club Netflixers : Un fantôme dans la Bataille mais aussi House of Dynamite, Mon père, le serial killer, La Voisine idéale, Victoria Beckham, Nobody Wants This (S2), El refugio atómico (S1), Love is Blind US (S9), Culte S2 (en cours), Bref - de bons amis, Morning Show, Souvenirs, The Diplomat, The Union, The Beautiful Game et les recos du Discord. 01:40:00 : Ce qui arrive sur Netflix le mois prochain : Un petit aperçu des ajouts Netflix de novembre 2025.Pour vous les Netflixos : Le film du Ciné-Club Netflixers choisi par Frédéric est le film "La leçon de Lefter" qui sort le 14 novembre 2025. Vous pouvez retrouver la liste complète mise à jour dans cet article : https://www.netflixandchiffres.com/p/tous-les-ajouts-netflix-originals-01d Nous avons un Discord avec toutes les dernières infos sur Netflix, des conversations, des débats sur Netflix mais aussi sur les autres services SVOD dispos en France : https://discord.gg/N4Vmd5n (Merci Kris_Mery de l'administrer et de l'avoir créé et merci à tous ceux qui le font vivre chaque jour avec des infos, des recos etc.) Intermèdes audio :"Emily in Paris" saison 5 qui sort en décembre / "Un fantôme dans la bataille" déjà dispo / "Last Samurai Standing" dispo mi novembre. Intervenants : Hélène (https://bsky.app/profile/nivrae.fr) que vous pouvez retrouver sur WeAreGirlz : https://www.we-are-girlz.com/ Damien que vous pouvez retrouver sur Serieously : https://www.serieously.com/ Présenté par Frédéric (https://bsky.app/profile/filmsdelover.bsky.social) que vous pouvez retrouver sur Netflix & Chiffres : https://www.netflixandchiffres.com/ et par mail frednetflixers[at]gmail[point]com Merci à celleux qui ont choisi de passer leur jeudi soir en notre compagnie pour l'enregistrement de l'émission en direct sur Discord.

Au programme dans l'actu des nouvelles technologies et de l'accessibilité dans cet épisode : Du côté des applications et du web Jaws, Zoomtext et Fusion 2026 sont disponibles. NVDA 2025.3.1 est disponible au téléchargement : correction d'une faille de sécurité. HumanWare travaille sur des fonctions IA sur les lunettes Ray-Ban Meta. Nombreuses annonces IA chez Microsoft / Windows Hey Copilot, Vision, Actions : le guide pratique des nouvelles fonctions IA qui arrivent sur Windows 11. Fabrice - Voici Mico, le nouveau visage de l'IA sur Windows. Préparez-vous à beaucoup lui parler. Philippe - Copilot Vision sur Windows s'ouvre au texte. 10 000 agents publics vont expérimenter un assistant IA « souverain ». Accessibilité numérique : la DGFIP (Ministère de l'Économie des Finances et de la Souveraineté) … mise en garde par l'Arcom. Le site impots.gouv.fr ne respecte pas l'obligation d'accessibilité numérique qui s'applique aux services publics. Le reste de l'actu Plus fort que le GPS, Orange et Totem veulent la géolocalisation au centimètre près sur toute l'Europe. Samsung va venir concurrencer les Ray-Ban Meta en sortant ses propres lunettes connectées. lignes directrices sur l'accessibilité des services audiovisuels par l'Arcom. Deux associations s'allient pour l'accessibilité numérique pour les DV. Un appel au peuple depuis l'Espagne sur un travail de recherche à propos des dictionnaires numériques. Adresse email de [Maria : mailto:mariagarciagarmendia@gmail.com. Témoignage Cette semaine Michel revient sur notre questionnement à propos de l'accessibilité de l'application Tchap, application de messagerie gouvernementale destinée aux agents de l'état. Foire Aux Questions Cette semaine, une question de Éric à propos de l'audiodescription des services SVOD. Remerciements Cette semaine, nous remercions Éric, Leonardo et Michel pour leurs infos ou leur dons. Si vous souhaitez vous aussi nous envoyer de l'info ou nous soutenir : Pour nous contactez ou nous envoyez des infos, passez par le formulaire de contact sur la page oxytude.org/contact. Pour nous soutenir via Paypal, c'est sur la page paypal.me/oxytude. Pour vos achats sur Amazon, passez par notre lien affilié oxytude.org/amazon.. Pour animer cet épisode Alain, Fabrice et Philippe.

Cette semaine : en direct de San Francisco, immersion dans les coulisses d'Amazon, test grandeur nature des taxis autonomes Waymo, discussion (sérieuse et débridée) sur les robots humanoïdes et questionnement sur le retard d'Apple en intelligence artificielle. Sans oublier l'arrivée remarquée de Free dans la télé connectée.Avec François Sorel (Tech&Co) et Bruno Guglielminetti (Mon Carnet)

On this episode of Inside Content, Hayley Bull, VP at 3Vision is joined by Dan Fahy. Dan brings a wealth of knowledge and strategic insight into what's unfolding in the Australian market. In this episode, they unpack the state of Pay TV, the shifting SVOD landscape, the broadcaster-led dominance in FAST, and how local programming—from Bluey to Colin from Accounts—is resonating internationally. Stay in the content world loop

Connected TV is no longer just a buzzword in the ad world — it's where the industry is being reinvented. Audiences aren't just watching differently; they're shopping, engaging, and co-viewing in ways that open new creative doors for brands. And sitting at the intersection of entertainment and advertising is Roku, a company that's helping marketers meet these shifts head-on.In this episode of The Big Impression, Roku's VP of advertising, marketing & measurement, Sarah Harms, explains why the company is uniquely positioned as a publisher and an operating system. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Big Impression.Ilyse Liffreing (00:09):Today we're talking about how streaming and connected TV are transforming not just how we watch, but how brands connect with audiences.Damian Fowler (00:17):Our guest is Sarah Harms vice president of advertising, marketing and measurement at Roku. She leads the strategy behind Roku's advertising business, helping brands tap into streaming's growing audience while building smarter measurement tools along the way.Ilyse Liffreing (00:32):Before Roku, Sarah built her expertise across both the buy and sell sides of the industry with leadership roles at Microsoft XR and wpp giving her a unique perspective on how ad tech data and storytelling all come together on Connected tv.Damian Fowler (00:49):We'll talk about how Roku's helping brands of all scientists meet new viewer behaviors, build more effective campaigns, and push the creative boundaries of what's possible on CTV.Ilyse Liffreing (01:00):So let's get into it.Damian Fowler (01:03):So Sarah Roku is in a pretty unique spot right now, right? Between entertainment and ads with this latest brand or measurement move, what got it started? Was there an insight or audience need that really stood out to you?Sarah Harms (01:17):Yeah, so in my role I run ad marketing and measurement. So much of my job is us as a marketer, so marketing roku's, advertising proposition, but also in support of our marketers. And so that makes my job very fun. And so a lot of this conversation today, I'm going to go back and forth between my job as a marketer, but also my job in B2B advertising of driving marketers results on our platform. Something that's really fun about Roku is that we're a publisher, but we're also the largest operating system in the us. We see consumers come through our front door to get to the content they know and love and care about. And so that gives us a really rich canvas for supporting some of our marketers initiatives. And so for example, the Super Bowl was very fun for us, whether it was using our platform to drive traffic to Tuby or to build really fun brand experiences on our canvases.(02:13):So we had, when Sally met Hellman's and we had Hellman's and Roku City and we had the Super Bowl ad and a really lovely zone destination to drive shopping and drive purchases of Hellman's mayonnaise, which you really wouldn't expect from a television advertising experience. And so I think that was a fun one from us in supportive marketers. And then a whole part of my job is making sure our advertisers really know about the Roku experience. And so while it's B2B, it would be silly not to address them in a B2C capacity because our marketers could also be customers, the need to understand the value of the Roku experience even if they don't have a televisionDamian Fowler (02:53):From ro. Once you realize your customers could be businesses, consumers, or both, how did that shift your strategy? Did it change the way you approach things?Sarah Harms (03:01):I think it's just strategic use of our resources and a strategic use of our messaging. We certainly think the Roku experience as an operating system is delightful and easy and intuitive. We talk about how your mother-in-law can set it up herself as the example we always use. And so we certainly want our advertising customers to know that too because it really is a beautiful, elegant experience for advertising as well, for watching content.Ilyse Liffreing (03:28):So you've got such a big range of advertisers from big Fortune five hundreds to D two C brands to B2B. How do you build campaigns or measurements that flex for either of them but still stay true to your own approach?Sarah Harms (03:44):Great. So I'll address that as a speaking to the advertising community part of my job, we certainly are on a journey to evolve our strategy to be more flexible and meet our customers where they want us to be, whether it being in their buying platforms of choice or providing optionality to a D two C customer by giving them a very lightweight, intuitive self-service platform like Roku Ads Manager. And so I think a lot of it from a measurement standpoint is doing some education. I think some of the questions were ground around CTV is still somewhat new, but I don't know if it's new, but it's certainly new in the eyes of performance. And so it's a lot of education about how we can enable customers to drive true outcomes using connected television. And so whether it's ad manager or unique measurement integrations, shoppable formats, we really try to address all of thatIlyse Liffreing (04:36):Now. Streaming's completely changed how people watch from binging to co-viewing and basically everything in between. How do cultural or data trends help shape what you're doing on the platform?Sarah Harms (04:48):Yeah, I mean it's been so interesting to see it change even since the pandemic. I think for a long time CTV was synonymous with SVOD or subscription video on demand. We're very much seen that is not the case anymore. A majority of our households are using some form of A VOD, we're advertising video on demand. And so that trend coupled with live sports coming into CTV and streaming, it's really just driven a whole new slew of opportunities for advertising. And so off the back of that, that's more addressable, more accountable television because it is connected television. And so that's been fun from a education standpoint, it's been fun from a how do we enable our platform to address that and also how do we educate our customers from a measurement standpoint.Damian Fowler (05:37):So what's the ad experience like on Roku? You mentioned CTV and it sounds like there's a pretty wide mix of formats. Can you break that down a little more?Sarah Harms (05:46):I'd love to because I think that's again, where my role as a B2B marketer, it's of course helpful to inform our clients about our experiences then they might not have a Roku device or television. And so we think about our business in really two core buckets. We have the Roku experiences, which is our beautiful ui, so native home screen units, they're customized, they're elegant, and we have some of our more kind of viral experiences like Roku City, which is fun and delightful. We're now doing brand integrations there. But then on the other side, we're also a very scaled publisher. So the Roku channel continues to climb Nielsen's Gauge in terms of total TV content time. And so that is allowing us to be a very kind of open interoperable, performant publisher as well with standard video that's available programmatically. It's available with unique measurement integrations, and that's really our ecosystem being an interoperable partner in the space.Ilyse Liffreing (06:43):Roku City is that fun, animated screensaver, very purple that a lot of people see on their TVs. Can you tell us a little bit about it and the kinds of brands you're partnering with there?Sarah Harms (06:54):Yeah, so this has just been something really fun that's taken off. So Roku City is our interactive screensaver and people love it. I don't know if you see it every day, but it's cute, it's fun, it grabs your attention. We see that it's tweeted about every 12 minutes, so it is a viral experience and so much so that really our advertisers challenged us to think about it differently. And so now we have really a variety of advertisers coming into Roku City. So I gave the Hellman's example. We had Taylor Swift in Roku City. And so it's really just a fun, unique, totally differentiated advertising experience, but we tie it all to the rest of our assets.Damian Fowler (07:36):I heard somebody say this morning, performance media is kind of the baseline. Now with that in mind, how do you think about measuring engagement across all these different touch points that we've been talking about?Sarah Harms (07:46):Yeah, I mean, so much of my job on the measurement side of the house is education. And I think the challenge is that performance is in the eye of the beholder and CTV is still bought via a very different group of personas from a legacy television buyer all the way to someone that had been in social API partners and dipping their toe into CTV. And so performance is required, but it's really a matter of educating them on what that means to them and supporting them in their efforts. But what's great about CTV is its big beautiful television, but with all the addressability and accountability of digital.Damian Fowler (08:23):And on that point though, what is it that linear TV buyers still don't quite get about CTV?Sarah Harms (08:29):I think it's the ecosystem aspect of it all. I think television in the past was measured by a couple companies with a couple KPIs or just reach. And so I think this is where CTV has really unlocked really turnkey, always on easy to optimize measurement. That's very exciting.Ilyse Liffreing (08:48):So one thing we like to do on the show is pull our takeaways from the big campaigns. Are there any KPIs or success stories from the campaigns running on Roku that stand out to you?Sarah Harms (09:00):Yeah, so I think what's been fun is we see that we have opportunities for really kind of all verticals. Obviously Roku is born out of the media and entertainment industry, but we've expanded there. And so we really do have kind of a playbook for each vertical, but auto specifically comes to mind, which is a really exciting one. You don't really think of performance and auto on tv, but we've built kind of beautiful experiences like showrooms where you can configure cars, sign up for test drives. And so I think we've really changed the narrative there in terms of driving actions for that vertical all in a very big, beautiful, elegant canvas.Damian Fowler (09:37):Are there any other kind of surprises from your takeaways in terms of like, oh, that's popping. I never expected that.Sarah Harms (09:44):So for me, I don't carry a wallet. My phone is my wallet. And I think if you told me that five years ago, I would've never believed you. Similarly, I don't think anyone thought they'd be shopping with their television. That happens every day on our platform, and I think it's because of clients testing with us, but also it comes back to us as an operating system. And really our remote, it's a few buttons. It's really easy. We have a direct relationship with our customers from a billing perspective. And so the same way Apple Pay is just so easy now you can shop from your tv, which again seems insane, but maybe we'll be here in a couple years and we'll see so much direct shopping from televisions.Ilyse Liffreing (10:23):What about the interest from B2B brands? It just feels like that sector is really exploding across all categories, but CTV particularly.Sarah Harms (10:33):Yeah, I mean so much of my job as a B2B marketer is a lot of education and a lot of really, so much of our reframing away from being a walled garden to more of an open collaborative partner. And so much of it is doing, we talked in the press about our change away from doing a big new front event. We did more kind of small customized dinners instead just to make sure there is a very direct touch point, but also specifically cater to each client's needs. And so I think that's been more of our approach of making sure we do pointed conversations to address the nuances and needs of each customer.Ilyse Liffreing (11:12):And how was that new approach for you this year? I know a lot of brands are doing things a bit differently at the fronts. How did it go on your side?Sarah Harms (11:21):I think for us it's knowing the value of us as the operating system and having great content, but not being these content giants that have millions and millions and millions of dollars to spend on content. And so they should do a big show for us. We drive traffic to the big show. And so I think it was more about, yes, of course, talking about our amazing content and brand integrations there, but also acknowledging the integrations that each customer wanted, the platforms each customer wanted, and what we're doing for each of them in a really kind of catered way versus such a one to many message.Damian Fowler (11:57):You mentioned content earlier. Are you seeing any particular trends now? Anything that's really driving interest from certain categories or marketers?Sarah Harms (12:06):So we have our Roku originals, and we do very well in kind of holiday and home as you can expect, but I think this year in Cannes, you won't be in a meeting like this without talking about sports. And so we have sports rights, yes, but again, the value of the operating system, we've built sports zones to help make sport discoverable and findable. I always use the example of my husband's great Uncle Joe, diehard Yankees fan, can't find a Yankees game because it might be on four different places in five days. And so how can Roku as an operating system help in that regard? And so I think Roku is invested a ton in our infrastructure of driving curation of sports, but also we're very invested in what we call challenger sports, so National women's soccer league volleyball, stuff like that where they have really these die hard fan bases and they just want to find it. We're the destination to help them.Damian Fowler (13:01):We keep hearing it's not just about mass reach anymore, it's really about how well the audience, and the better you understand them, the better this whole thing works for both the platform and the advertiser. How do you see that playing out right now?Sarah Harms (13:13):Yeah, and they're loyal. They're diehard. They're big spenders sometimes. And so you want to kind of associate with yourself with such a kind of amazing, loyal fan base that's just so passionate about the sport.Ilyse Liffreing (13:26):So we have some quick questions for you now. So first of all, you've led both creative and analytical teams. What is one timeless truth about great advertising that cuts across both sides?Sarah Harms (13:41):First of all, it's a very fun aspect of my job having both kind of the marketing team and the measurement and analytics team. Two very different personas, but brilliant in their own ways. And so much of my focus since being here is making sure they're working together versus kind of two ships in the night with their own functions because we certainly have such amazing data, so we should use that to speak to the marketplace in a smart way. And so I think that's been really fun. I think they're getting to know the other side of the house and the creative thinkers versus the analytical thinkers like me pushing them to work together has been very fun. And I think with that in mind, a data informed approach is key. And so that's what really drew me to Roku was that opportunity of just this amazing data set that we have that we can use to optimize, but also to tell our story in a more elegant way.Damian Fowler (14:33):Now since you joined Roku, is there a favorite data point or piece of feedback that's really stuck with you?Sarah Harms (14:38):Yeah, well, I think what's interesting about my job is I should have been informing people like myself about the value of Roku. Before the process started of being recruited, I had a pretty antiquated view, the Roku advertising offering. So that's something that in getting here and in going through that process I learned so much more. I think my favorite might be that any given month, we see a user come through our front door about 25 days a month. And so that is an advertising opportunity to message our amazing footprint. But we see that on average an individual app is seven, maybe eight times a month. And so if you think about that, the reach potential, but also just the consumer habit of using our devices and seeing the messaging from our brands, I think is so compelling and something that really we're massive as it relates to our OS and footprint. And so we've designed these beautiful experiences to really account for that.Ilyse Liffreing (15:36):Now, Roku really helped pioneer the modern CTV ad experience. Is there a moment that's made you step back and think, wow, look how far the medium and your team really has come?Sarah Harms (15:49):I think the fact that the Super Bowl was really such a success story for streaming, I think we never thought the Super Bowl would be at that level, but it was streamed and it really streamable and really without a hitch, I think we've seen some live streaming events and there were some issues. I thought it was very well done. We were happy to support it. We drove some amazing traffic to Tubi. And so I just think 10 years ago, we never thought that would be the case. And so that's just been a fun thing to think about that and the Olympics and the Olympic zone that we built, just really elegant experiences and just changing television has been fun.Damian Fowler (16:32):And that's it for this edition of The Big Impression.Ilyse Liffreing (16:35):This show is produced by Molten Hart. Our theme is by Love and Caliber, and our associate producer is Sydney Cairns.Damian Fowler (16:41):And remember,Sarah Harms (16:43):A data informed approach is key. And so that's what really drew me to Roku.Damian Fowler (16:47):I'm Damian, and I'm we'll see you next time.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

TVOD, SVOD, and AVOD explained. In this episode, I break down the three main types of video on demand, what each one means, and why the order of release windows is crucial to maximizing your revenue. Whether you're an indie filmmaker or just curious about how movies make money today, this is your crash course on the new world of VOD.

Actor/Filmmaker Peter Cilella (RESOLUTION, THE ENDLESS) joins Adam and Joe in the ArieScope studio to discuss his career journey and the making of his feature directorial debut DESCENDENT (in theaters now as well as SVOD). From his struggles doing various jobs while getting his acting career off the ground… to writing and directing his own short films… to how working with Rustic Films (Benson/Moorhead & Lawson's production company) “set him up for success” with making his first feature DESCENDENT… to the writing of his deeply personal script during the pandemic… to how the project briefly got derailed for a full year and almost never happened… to how he created instant chemistry between his leads (Ross Marquand and Sarah Bolger)… to working with the Russells on the film's alien FX and much more! Dr. Arwen provides “Hollywood Therapy” for a patient looking to understand how to best support the films and the filmmakers who's work he enjoys and the boys reveal the final total raised in YORKIETHON IX!

In this episode, we dive into Disney's completion of its full acquisition of Hulu, announced on June 9, 2025, with the final $438.7 million payment to Comcast's NBCUniversal. We break down how this deal ends a multi-year valuation dispute and paves the way for deeper integration with Disney+ and ESPN's upcoming streaming bundle.You'll hear the latest Q1 2025 financials—$3.2 billion in revenue, 53.6 million U.S. subscribers, and a combined $293 million profit for Disney+ and Hulu—alongside ARPU figures for both SVOD and Live TV tiers. We also explore Hulu's leading 11 % SVOD market share, its dominance in streaming ad time (13 %), and the strength of its ad-supported business. Plus, discover Hulu's content strategy with hits like “The Bear” Season 4 and “Call Her Alex,” and the platform's plans for international expansion and the challenges it faces in the competitive streaming landscape. Tune in for a concise yet comprehensive update on Hulu's evolving role within Disney's streaming empire. Tags: Disney, Hulu, Acquisition, Streaming Industry, Disney-Hulu Merger, Subscriber Growth, Revenue Metrics, Profitability, ARPU, SVOD, AVOD, FAST, Disney+, ESPN Bundle, Content Integration, Media Consolidation, Q1 2025, Market Share, Advertising Business, Streaming Wars, Original Programming, The Bear S4, Call Her Alex, Ad-Supported Streaming, International Expansion, Disney Corporate, Hulu Business Update, Strategic Integration, Streaming Strategy, Industry ChallengesHashtags: #DisneyHulu #HuluAcquisition #StreamingNews #HuluUpdate #DisneyNews #DisneyPlus #ESPNBundle #SubscriberGrowth #RevenueMetrics #Profitability #HuluARPU #SVOD #AVOD #FAST #MediaConsolidation #StreamingWars #OriginalProgramming #TheBear #CallHerAlex #AdSupported #HuluAds #ContentIntegration #InternationalExpansion #MarketShare #StreamingStrategy #Q12025 #DisneyStreaming #EntertainmentBiz #MediaNews #PodcastEpisode