Podcasts about emmanuelle riva

This week on And the Runner-Up Is, Kevin welcomes back writer-producer Joey Gentile to discuss the 2012 Oscar race for Best Actress, where Jennifer Lawrence won for her performance in "Silver Linings Playbook," beating Jessica Chastain in "Zero Dark Thirty," Emmanuelle Riva in "Amour," Quvenzhané Wallis in "Beasts of the Southern Wild," and Naomi Watts in "The Impossible." We discuss all of these nominated performances and determine who we think was the runner-up to Lawrence. 0:00 - 14:24 - Introduction 14:25 - 41:49 - Jessica Chastain 41:50 - 1:03:14 - Emmanuelle Riva 1:03:15 - 1:26:18 - Quvenzhané Wallis 1:26:19 - 1:39:35 - Naomi Watts 1:39:36 - 2:02:24 - Jennifer Lawrence 2:02:25 - 2:50:45 - Why Jennifer Lawrence won / Twitter questions 2:50:46 - 2:58:02 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Joey Gentile on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

durée : 00:44:59 - Les Nuits de France Culture - par : Philippe Garbit - "Se délecter du physique de son confesseur est-ce un péché ?" Le roman de Béatrix Beck "Léon Morin prêtre" avait reçu le Prix Goncourt en 1952. Neuf années plus tard, Léon Morin, prêtre prenait le visage de Jean-Paul Belmondo dans le film de Jean-Pierre Melville, mis en ondes en 1961. - réalisation : Virginie Mourthé - invités : Jean-Paul Belmondo Comédien; Emmanuelle Riva

paypal.me/LibroTobias Esta semana en nuestra “Sección principal” por fin hablaré de “Amor” de Michael Haneke. Peliculón de 2013 protagonizado por Jean-Louis Trintignant, Emmanuelle Riva e Isabelle Huppert en un retrato honesto, descarnado y realista reflexión sobre el amor y el inexorable paso del tiempo. Además en nuestra sección “El callejón oscuro” os traigo a Dellen Millard, un guapo y atractivo playboy canadiense, heredero de una aerolínea que escondía detrás de su comportamiento rebelde a un cruel asesino en serie que terminaría matando a tres eres humanos empezando por su propio padre. Tiempos: Sección principal: del 00:03:51 al 02:09:00 Sección “El callejón oscuro”: del 02:09:01 al 03:12:06 Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

durée : 00:27:11 - Le Feuilleton - Après les Aventures de Tintin, un petit tour chez les Pieds Nickelés avec la comédienne Emmanuelle Riva

durée : 00:27:11 - Le Feuilleton - Après les Aventures de Tintin, un petit tour chez les Pieds Nickelés avec la comédienne Emmanuelle Riva

durée : 00:25:51 - Les Nuits de France Culture - par : Albane Penaranda - Sur France Culture en 1973, la comédienne Emmanuelle Riva choisissait de lire deux textes de Virginia Woolf : La Mort de la phalène et La Dame dans le miroir. Viviane Forrester a longtemps "vécu aux côtés" de la vie et de l'oeuvre de la romancière. Dans son livre intitulé "Virginia Woolf, travail d'un écrivain sur un écrivain", qui était bien autre chose qu'une biographie, elle écrivait ceci à propos de l'auteur de Mrs Dalloway : "Milliers de pages débordantes de frissons, de potins, de détresse et d'une telle plénitude, comme aussi d'analyses serrées de ses combats face au texte et qui pénètrent au plus nu la science d'écrire, celle d''être un écrivain, soit d'être à même l'écorchure, le miracle, le désastre non seulement d?être en vie mais d'en devenir le stupéfait, le voluptueux, l'avide et le désespéré témoin." * Par Patrice Galbeau Avec Emmanuelle Riva Réalisation Bronislaw Horowicz Vous pouvez retrouver la page que nous avons consacrée à la disparition d'Emmanuelle Riva, le 27 janvier 2017.

The fourth episode of our season on the awesome movie year of 2012 features the Cannes Film Festival Palme d'Or winner, Michael Haneke's Amour. Written and directed by Michael Haneke and starring Jean-Louis Trintignant, Emmanuelle Riva and Isabelle Huppert, Amour went on to receive five Oscar nominations and one win.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/amour-2013), Manohla Dargis in The New York Times (https://www.nytimes.com/2012/12/19/movies/michael-hanekes-amour-with-jean-louis-trintignant.html), and Kenneth Turan in the Los Angeles Times (https://www.latimes.com/entertainment/movies/la-xpm-2012-dec-18-la-et-mn-1219-amour-20121219-story.html).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2012 installment, featuring our documentary pick, Sarah Polley's Stories We Tell.

Jordan Raup (The Film Stage) joins us as we continue the Best International Features Oscar winners series with 2012's Amour. Together we'll discuss that THR writters roundtable with Michael Haneke discussing the moral dilemma of filming the holocaust with Judd Apatow and John Krasinski sitting next to him, the arresting performances from Jean-Louis Trintignant and Emmanuelle Riva and Best International feature nominees making it into the Best Picture lineup --- Send in a voice message: https://anchor.fm/exitingthroughthe2010s/message

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2012 retrospective continues with the Palme d'Or and Best Foreign Language Film Oscar winner of 2012: Michael Haneke's brutally devastating but honest love story, "Amour," starring Jean-Louis Trintignant, Emmanuelle Riva & Isabelle Huppert. Incredibly heavy in its subject matter, the film has endured as one of the great cinematic works of art over the last decade earning various accolades from all over the world, including a nomination for Best Picture. What do we think of the themes, the performances, and the life-confronting questions this movie forces us to ask of ourselves? Tune in below to find out in our SPOILER-FILLED review. Joining me for this podcast retrospective review I have Sara Clements, Dan Bayer, Eve O'Dea, and Tom O'Brien. We hope you enjoy it. Thank you! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

The “Cinephile Cuties” are ready to take a lover in a foreign land. That’s because they’re chatting about Alain Resnais’s Hiroshima mon amour. Patrick wages a war against “theater kids” and Casey tries to prevent Patrick from talking about balding. In addition to that, they put Hiroshima mon amour through their proprietary “Fartsy Test.” Patrick recommends a drink pairing. And they give each other notes to improve the show. Listen in to see if it’s working!  If you like this show, tell a friend!If you’d like to sponsor the show, Venmo Patrick at Patrick-Mallon$10 for episode sponsorship$25 for sponsorship AND the boys will imbibe a drink of your choosing.Follow Farthouse on Twitter and InstagramFollow Patrick and Casey and on TwitterAnd follow Patrick and Casey and on Letterboxd

Does this film provoke in the ways that other Michael Haneke films do? Who's the better actor – Jean-Louis Trintignant or Emmanuelle Riva? Does this film immediately fall into the camp of ‘films to watch just once' because of its subject matter? Tune in to this week's show to get answers to these questions and more!

Does this film provoke in the ways that other Michael Haneke films do? Who's the better actor – Jean-Louis Trintignant or Emmanuelle Riva? Does this film immediately fall into the camp of ‘films to watch just once' because of its subject matter? Tune in to this week's show to get answers to these questions and more!

Michael Haneke is always one to provoke with his films, but rarely do they feel so personal as his 2012 film Amour. He pulled from personal experience with the suicide of his 90-year-old aunt to write the story and then crafted a film that maintains the Haneke distance even while allowing for an emotional film. Join us – Pete Wright and Andy Nelson – as we continue our Foreign Language Films Nominated for Best Picture series with Haneke's 2012 film Amour. We talk about why this film works even though it's a film that's incredibly hard to watch. We chat about Haneke and his filmmaking style, and how that pairs with Darius Khondji's cinematography. We discuss the powerful performances at the heart of this film from Jean-Louis Trintignant and Emmanuelle Riva. We debate the nature of this type of story and what it takes to be nominated for Best Picture. And we look at the still camerawork throughout and return to one of our favorite websites, Cinemetrics, to look at average shot length. It's not an easy film to watch but it is one that lingers. We have a great chat about it on this week's show so check it out then tune in! The Next Reel – when the movie ends, our conversation begins! Khondji Nights: Something Darius Khondji did so well when working with David Fincher he does here in spades — filming night scenes so dark that you can't see anything happening on screen at all, to the point you think the projection is somehow broken. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM. Watch this film: iTunes • Amazon • Netflix • YouTube Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

Michael Haneke is always one to provoke with his films, but rarely do they feel so personal as his 2012 film Amour. He pulled from personal experience with the suicide of his 90-year-old aunt to write the story and then crafted a film that maintains the Haneke distance even while allowing for an emotional film. Join us – Pete Wright and Andy Nelson – as we continue our Foreign Language Films Nominated for Best Picture series with Haneke’s 2012 film Amour. We talk about why this film works even though it’s a film that’s incredibly hard to watch. We chat about Haneke and his filmmaking style, and how that pairs with Darius Khondji’s cinematography. We discuss the powerful performances at the heart of this film from Jean-Louis Trintignant and Emmanuelle Riva. We debate the nature of this type of story and what it takes to be nominated for Best Picture. And we look at the still camerawork throughout and return to one of our favorite websites, Cinemetrics, to look at average shot length. It’s not an easy film to watch but it is one that lingers. We have a great chat about it on this week’s show so check it out then tune in! The Next Reel – when the movie ends, our conversation begins! Khondji Nights: Something Darius Khondji did so well when working with David Fincher he does here in spades — filming night scenes so dark that you can’t see anything happening on screen at all, to the point you think the projection is somehow broken. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM. Watch this film: iTunes • Amazon • Netflix • YouTube Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

durée : 00:44:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Se délecter du physique de son confesseur est-ce un péché ?" Le roman de Béatrice Beck "Léon Morin prêtre" avait reçu le Prix Goncourt en 1952. Neuf années plus tard, Léon Morin, prêtre prenait le visage de Jean-Paul Belmondo dans le film de Jean-Pierre Melville, mis en ondes en 1961. - réalisation : Virginie Mourthé

This week we are joined by last seasons first winner of our contest, Jeffrey Kare. We dive into all things 2012 including the historic nominations of Quvenzhane Wallis and Emmanuelle Riva 

durée : 00:30:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Geneviève Gennari - Lecture Patrice Galbeau et Emmanuelle Riva - réalisé par : Viginie Mourthé

durée : 00:30:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Geneviève Gennari - Lecture Patrice Galbeau et Emmanuelle Riva - réalisé par : Viginie Mourthé

Aquesta setmana recordem una de les grans dames del cinema franc

Filmed in Dominique Abel and Fiona Gordon's signature whimsical style, LOST IN PARIS stars the filmmakers as a small-town Canadian librarian and a strangely seductive, oddly egotistical vagabond. When Fiona's (Gordon) orderly life is disrupted by a letter of distress from her 88-year-old Aunt Martha (delightfully portrayed by Oscar nominee Emmanuelle Riva) who is living in Paris, Fiona hops on the first plane she can and arrives only to discover that Martha has disappeared. In an avalanche of spectacular disasters, she encounters Dom (Abel), the affable, but annoying tramp who just won't leave her alone. Replete with the amazing antics and intricately choreographed slapstick that has come to define Abel and Gordon's work, LOST IN PARIS is a wondrously fun and hectic tale of peculiar people finding love while lost in the City of Lights. Co-directors Dominique Abel and Fiona Gordon join us to talk about their warmhearted, funny and embracing ode to love. For news and updates go to: lostinparis.oscilloscope.net

Au sommaire de cette émission : un grand entretien avec le réalisateur Costa Gavras, réalisé dans le cadre de la 29ème édition du festival Premiers Plans d'Angers, à l'occasion de la sortie du coffret "Costa-Gavras : Intégrale Vol. 1 (1965 – 1983)" co-édité par KG Productions et ARTE, pour les 50 ans de carrière du cinéaste. Autre invité exceptionnel d'Antoine Sire et Antoine Jullien : Thierry Frémaux, directeur de l’Institut Lumière de Lyon, délégué général du Festival de Cannes et président de l'association Frères Lumière qui revient pour nous sur le film documentaire "Lumière ! L'Aventure Commence", sorti le 25 janvier 2017. Antoine Sire dresse quant à lui un panorama ludique et passionnant de toutes les références et clins d'oeil cinématographiques à retrouver dans l'excellent "La La Land" de Damien Chazelle. Nos deux experts des classiques du cinéma reviennent sur les ressorties de ce mois de février ("Love Streams" de John Cassavetes, "Du Silence et des Ombres" de Robert Mulligan, "Le Gouffre aux Chimères" de Billy Wilder) sans oublier les événements et rétrospectives du moment. Flashback ne pouvait enfin pas ne pas rendre hommage à l'actrice Emmanuelle Riva, décédée le 27 janvier dernier... Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

The "Dedicated to Emmanuelle Riva and John Hurt" edition. 00:30 Moonlight 11:40 Manchester By The Sea 20:25 2017 Sundance Film Festival 21:10 Whose Streets? 23:00 Dolores 24:05 Patticake$ 27:20 Mudbound 29:45 Columbus 32:40 A Ghost Story 35:16 Call Me By Your Name 37:10 Landline 38:19 Roxanne, Roxanne 40:10 The Hero MUBI - 41:35 Interviews courtesy of AP and SFF.

País Austria Director Michael Haneke Guión Michael Haneke Música Franz Schubert, Ludwig Van Beethoven, Johann Sebastian Bach Fotografía Darius Khondji Reparto Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert, William Shimell, Ramón Agirre, Rita Blanco, Alexandre Tharaud, Laurent Capelluto, Carole Franck, Dinara Drukarova Sinopsis Georges y Anne, dos ancianos de ochenta años, son profesores de música clásica jubilados que viven en París. Su hija, que también se dedica a la música, vive en Londres con su marido. Cuando, un día, Anne sufre un infarto que le paraliza un costado, el amor que ha unido a la pareja durante tantos años se verá puesto a prueba.

Continuando a falar sobre o Oscar 2013 é hora de falar de um dos filmes mais belos da carreira de Michael Haneke, uma produção que ao mesmo tempo deve ser visto mas não temos muita vontade de rever: o vencedor do prêmio de melhor filme estrangeiro Amor (Amour, 2012) com Jean-Louis Trintignant, Emmanuelle Riva e Isabelle Hupper. Nesse podcast Tiago Lira, o Tigre (@tiagoplira), Angélica Hellish (@AngelMasmorra) e Marcelo Paradella (@bolapucc) fazem comparações com Lars von Trier, falam do lado humanístico do diretor, da filmografia dos envolvidos, experiências pessoais, se o filme seria lento ou contemplativo e o papel do cinema. Atenção: Lá no fim, o áudio do Marcelo ficou com uns cliques estranhos e não conseguimos tirar. Mal ae.

Continuando a falar sobre o Oscar 2013 é hora de falar de um dos filmes mais belos da carreira de Michael Haneke, uma produção que ao mesmo tempo deve ser visto mas não temos muita vontade de rever: o vencedor do prêmio de melhor filme estrangeiro Amor (Amour, 2012) com Jean-Louis Trintignant, Emmanuelle Riva e Isabelle Hupper. Nesse podcast Tiago Lira, o Tigre (@tiagoplira), Angélica Hellish (@AngelMasmorra) e Marcelo Paradella (@bolapucc) fazem comparações com Lars von Trier, falam do lado humanístico do diretor, da filmografia dos envolvidos, experiências pessoais, se o filme seria lento ou contemplativo e o papel do cinema. Atenção: Lá no fim, o áudio do Marcelo ficou com uns cliques estranhos e não conseguimos tirar. Mal ae.

Título original Le Skylab Año 2011 Duración 91 min. País Francia Francia Director Julie Delpy Guión Julie Delpy Música Varios Fotografía Lubomir Bakchev Reparto Lou Álvarez, Julie Delpy, Eric Elmosnino, Aure Atika, Noémie Lvovsky, Bernadette Lafont, Emmanuelle Riva, Vincent Lacoste, Marc Ruchmann, Sophie Quinton, Valérie Bonneton, Denis Menochet, Jean-Louis Coullo'ch, Michelle Goddet, Luc Bernard, Candide Sánchez, Karin Viard, Noah Huntley Productora The Film Género Comedia | Familia. Años 70 Sinopsis Durante un viaje con su marido y sus hijos, Albertine recuerda el viaje que hizo a Bretaña, cuando tenía diez años, para asistir a la celebración del cumpleaños de su abuela en casa de su tía Suzette. El skylab, la primera estación espacial americana, fuente de fantasía para los más jóvenes de la familia, se convierte en una obsesión para Anna, la madre de Albertine, una mujer neurótica que se siente aterrorizada ante la posibilidad de que el satélite se estrelle en la costa oeste de Francia.

Título original Amour (Love) Año 2012 Duración 127 min. País Austria Austria Director Michael Haneke Guión Michael Haneke Música Franz Schubert, Ludwig Van Beethoven, Johann Sebastian Bach Fotografía Darius Khondji Reparto Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert, William Shimell, Ramón Agirre, Rita Blanco, Alexandre Tharaud, Laurent Capelluto, Carole Franck, Dinara Drukarova Productora Coproducción Francia-Alemania-Austria; Les Films du Losange / X-Filme Creative Pool / Wega Film / France 3 cinéma / ARD degeto / Bayerischer Rundfunk / Westdeutscher Rundfunk / Canal + / France télévisions Género Drama | Drama romántico. Vejez. Enfermedad. Discapacidad Web oficial http://www.golem.es/distribucion/pelicula.php?id=277 Sinopsis Georges y Anne, dos ancianos de ochenta años, son profesores de música clásica jubilados que viven en París. Su hija, que también se dedica a la música, vive en Londres con su marido. Cuando, un día, Anne sufre un infarto que le paraliza un costado

French-language drama film "Amour" is one of the two best films nominated at the 85th Academy Awards, matched only by Hong Kong director Ang Lee's fantasy movie "Life of Pi." Both films excel in almost every aspect of filmmaking, and personally I can find nothing to complain about in the best foreign language film. Veteran actor Jean-Louis Trintignant and actress Emmanuelle Riva play a Parisian couple, George and Anne, in their 80s. They seem to lead an ordinary, reclusive but rather content life, and only occasionally venture into the crowd for a funeral or a concert given by their student and famous musician. However, their life of tranquility is suddenly interrupted by Anne's first stroke. Then an unsuccessful operation leads to her continual physical and mental debilitation. Meanwhile, George promises to never again send her to the hospital and takes care of her at home. If you've seen director Michael Haneke's previous works "The White Ribbon" or "The Piano Teacher," you would be familiar with his talent to unsettle. In this piece, he bases the story on an identical situation in his family, and therefore is able to reproduce with great patience and in extreme detail the life of an elderly couple under the grip of a terminal disease. "How to manage the suffering of someone you love?" – Haneke tosses out the question, but no one has the answer. The bulk of the story takes place in a big, well-furnished but claustrophobic apartment in Paris. The couple may be well-off, but they have only each other to hold on to. Cinematographer Darius Khondji's skills enable viewers to perceive the quiet desperation surrounding the life of the elderly couple. Each shot speaks volumes about the suffocating force of aging. Trintignant and Riva, both in their 80s, put on great performances. Their secret is never to show unnecessary emotion. You may or may not notice the absence of background music. Either way, it attests to the success of the cinematographer and the actors. With all these fantastic elements in his favor, the director unravels the unwelcome part of human life that no one dares to face or discuss. Some would say it is a love story about an elderly couple who depend on each other to survive. But, in fact, it invites the audience to ponder moral questions regarding age and death. We should have faced up earlier to such realities in an increasingly aging society, although it is not too late to start now. On my scale from one to 10, I give "Amour" an 8.5.

It's time to get all sorts of cultural, Movieciders. We're FINALLY wrapping up our recap of the 2013 Academy Award BEST PICTURE nominees/winner.  It's been a long road, but it's finally lead to the emerald city.  We've seen all 9 contestants, and we're ready to vote in our Oscar pool.  It's too bad the Oscars were 3 weeks ago. AMOUR is the foreign Oscar underdog, directed by Michael Haneke and starring Jean-Louis Trintignant, Emmanuelle Riva, and Isabelle Huppert. Get yourself a box of tissues for this one, and get ready to commit MASS MOVIECIDE!

durée : 00:59:03 - Les Grandes Traversées - Le scénario du film d'Alain Resnais tourné en 1959 est lu par l'auteur (Marguerite Duras) et par la comédienne Emmanuelle Riva. - invités : Marguerite Duras Écrivaine, dramaturge et cinéaste (1914-1996); Emmanuelle Riva

durée : 01:29:57 - Les Grandes Traversées - Documentaire. Partons au Cambodge sur les traces du "Barrage contre le Pacifique", avec Vincent David, Luc Mogenet et Rithy Panh, puis écoutons une conversation autour de "Hiroshima mon amour" avec Marguerite Duras, Alain Resnais et Emmanuelle Riva.