Podcasts about Hiroshima mon amour

SAMPLER & SANS REPROCHES (Radio Transmission)EBM - SYNTHWAVE - INDUSTRIAL & RELATED MUSICPlaylist N° 1326 - GALAXIE RADIO 95.3FM / DAB+Lundi 13 MAI 2024 - Horaire : 20:00 >> 22:00 (www.galaxieradio.fr)------------------------------------------> [ S&SR Selection de la semaine... V/A: Antler Records Early Years Vol 1 & 2 (ANTLER RECORDS) ] THE NEON JUDGEMENT "Sweet Revenge" DIG V/A: Antler Records Early Years Vol 1 (Antler Records) MEN 2ND "A Transition" DIG V/A: Antler Records Early Years Vol 2 (Antler Records) 16VOLT "In The Thaw" DIG LP: Negative On Arrivals (Metropolis Records) AUTODAFEH "One Step Forward (FM Remix)" DIG SGL: One Step Forward (Scanner) dISHARMONY "Operation Final Entity" DIG LP: Cloned III (Aliens Productions) LOVATARAXX "Earl Condition" DIG LP: Sophomore (Cold Transmission Music) PATRIARCHY "The State Of Undress" DIG LP: The Unself (Dero Arcade) VOID VISION "Hidden Hand" DIG LP: Sub Rosa (Mannequin) AUX ANIMAUX "Venus Lucifer" DIG LP: Body Horror (Manic Depression) THE LOG EQUATION "Coward Cod" DIG LP: Diane's Diary (Autoproduction) IDENTITY THEFT "A Request" DIG LP: Omnia Veritas (Oràculo Records) FLINT GLASS & AH CAMA SOTZ "Menegokre" DIG LP: Wakan Tanka (Ant-Zen) LUC VAN ACKER & DIDI DE PARIS "Onze Vader" DIG V/A: Antler Records Early Years Vol 1 (Antler Records) POESIE NOIRE "Hiroshima Mon Amour" DIG V/A: Antler Records Early Years Vol 2 (Antler Records) BESTIAL MOUTHS "Hex (THE SPELL)" DIG LP: R.O.T.T. [ inmyskin ] (Negative Gain Productions) SCHWEFELGELB "Vakuum" DIG EP: Ich Bin Wach (n-PLEX) KARL KAVE "Sower Wie Du" DIG LP: Traurig Schauen Die Berge (Z-POP-Records) IPPON "Against (Original)" DIG SGL: Against (Clivage Music) KENNELKLUBBEN "Honung Och Parfym" DIG SGL: Honung och parfym (Progress Productions) PETER BAUMANN "Romance - 2024 Remaster" DIG 3CD BOX: Phase By Phase - The Virgin Albums (Cherry Red Records) PROMO THANKS TO / REMERCIEMENTS : ANTLER RECORDS (Roland Beelen), RED SAND PR (Gary Levermore), SCANNER (Frank), ALIENS PRODUCTIONS (Peter Ryby), THE LOG EQUATION (Tom Bass), ORÀCULO RECORDS (India), ANT-ZEN (Stefan Alt), EPHELIDE (Eugénie Dospital), PROGRESS PRODUCTIONS (Torny Gottberg), CHERRY RED RECORDS (Matt Ingham) ...PODCAST : www.mixcloud.com/SetSRradio/radio-transmission-n1326-130524-va-antler-records-early-years-vol-1-2-antler-recordsITUNES : https://podcasts.apple.com/.../sampler-sans.../id1511413205PODCLOUD : https://podcloud.fr/.../podcasts/sampler-et-sans-reprochesDEEZER : https://www.deezer.com/fr/show/1181282GALAXIE RADIO : http://www.galaxieradio.fr (...Replay S&SR)AMAZON MUSIC : https://music.amazon.fr/.../9718c2.../SAMPLER-SANS-REPROCHESHEARTHIS : https://hearthis.at/sampler-sans-reproches/YOUTUBE : https://www.youtube.com/@SamplerEtSansReprochesINTERNET ARCHIVE : https://archive.org/LEPODCAST.FR : https://sampler-et-sans-reproches.lepodcast.frhttps://archive.org/download/1326-13.05.2024-maket/1326-13.05.2024Maket.mp3

Chapter 1What is HiroshimaIn his gripping book, "Hiroshima," John Hersey transports us into the lives of six individuals who survived the devastating atomic bomb dropped on Hiroshima in 1945. Through Hersey's vivid narrative, the reader experiences the horrific moment and its aftermath from the intensely personal perspectives of a cross-section of residents, including a doctor, a clergyman, and a young woman. Hersey masterfully illustrates the immediate and the long-term human impact of nuclear warfare, highlighting not only the physical scars but also the enduring emotional and psychological trauma. Through these poignant stories, Hersey calls on the world to recognize the profound consequences of nuclear weapons and advocates for a future where such devices of mass destruction are abolished, embodied in the powerful plea, "No more." His narrative is a critical reminder of the human cost of war and a plea for peace and humanity in global politics.Chapter 2 Meet the Writer of HiroshimaJohn Hersey's "Hiroshima" employs a straightforward, journalistic style, which enhances the impact of the harrowing content. Rather than using overtly emotional language, Hersey opts for simplicity and clarity, allowing the stark realities of the atomic bomb's aftermath to resonate profoundly. He uses meticulous detail to humanize the victims, focusing on six survivors to anchor the narrative emotionally. Through these detailed personal stories, Hersey emphasizes the shared humanity and the immense suffering of the individuals, rather than abstract numbers. His restrained language serves as a stark contrast to the devastating circumstances described, compelling readers to engage deeply with the emotional and ethical implications of the event. This approach not only respects the dignity of the survivors but also effectively conveys the profound grief and enduring resilience within the community.Chapter 3 Deeper Understanding of HiroshimaThe bombing of Hiroshima on August 6, 1945, not only marked a pivotal moment in World War II but also left a profound and lasting impact on global culture, literature, society, and ethics. This event has been a crucial and often revisited subject in various disciplines, influencing how people and nations consider war, diplomacy, ethical conduct in science, and the use of technology. LiteratureIn literature, Hiroshima has been a significant theme and subject, used to explore the dire consequences of modern warfare and its profound moral implications. Numerous works focus on human suffering, the moral dilemmas of war, and reflections on peace. Notable literary works include John Hersey's "Hiroshima," which is a journalistic masterpiece that details the lives of six survivors immediately following the bombing. This book is significant for its narrative style and its raw portrayal of human suffering, playing a critical role in shaping the American understanding of the atomic bombings. Japanese literature also carries many accounts and stories inspired by the events, with authors like Kenzaburo Oe (who wrote "Hiroshima Notes") exploring the implications on Japanese society and individual survivors. These literary explorations have helped to humanize the event, shaping how subsequent generations understand and grapple with the tragedy. Art and CultureIn art and culture, Hiroshima has provoked a wide array of responses, from films and paintings to music and photography. For instance, in cinema, both Japanese films like "Black Rain" and international productions like "Hiroshima Mon Amour" delve into the psychological and societal impacts of the bombing. Artists and filmmakers use these platforms to revisit trauma, often addressing the themes of memory and healing. The Hiroshima Peace Memorial Park and Museum itself serves as a cultural beacon, regularly hosting art exhibitions and...

Neste episódio, Fred e Alexandre recebem Rafael Amaral (blog "Palavras de Cinema") e Willian de Andrade, dois grandes colaboradores do PFC. O quarteto formado debate um dos grandes clássicos de Alain Resnais, filme muitas vezes apontado como um dos marcos do cinema moderno. Estamos falando de "Hiroshima, Meu Amor" (Hiroshima Mon Amour, 1959), longa francês que expressa como poucos a aflição e complexidade de seu tempo. Uma cooperação entre franceses e japoneses, a produção marcou também a estreia de Emanuelle Riva como protagonista. ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse a loja de camisas com a "Coleção Willian de Andrade": https://www.lojagiftbox.com.br/william-de-andrade/

Velkommen til Filmfeber - podcasten som dekker alt av ulike sjangere og epoker i filmhistorien. Den franske nybølges Alain Resnais' to første poetiske, beundringsverdige og tidvis vanskelige langfilmer står på plakaten denne gangen. God lytting!

We followed Bernard Fresson to 1959's Hiroshima Mon Amour (Alain Resnais) and though if you blink you'll miss him, we are thrilled that we ended up here.

When I first saw Hiroshima Mon Amour, this particular director went on the long list of names I wanted to cover. Alain Resnais is an internationally acclaimed film director, associated with both the Left Bank Group and the Nouvelle Vague. His preoccupation with the themes of time, memory and history, and his dazzling exploration of cinematographic technique, made him one of France's most distinctive and influential filmmakers for over 60 years, inspiring the likes of David Lynch & Michel Gondry. For this episode, previous guest and friend to the show Kate Blair (who joined me for Agnes Varda) returns for a delightful discussion on close to ten films of his, including a high recommendation of some of his short films as well at the end. Then I'm taking the rest of the month off to concentrate on prepping for the epic 1994 retrospective recording the first weekend of March. Thank you to Kate for a great conversation on a filmmaker I grew to love the more we talked about him.  Follow Kate: https://letterboxd.com/selective_kate  

در این قسمت درباره فیلم هیروشیما عشق من محصول سال 1959 به کاگردانی آلن رنه صحبت کردم. این فیلم جدال قربانیان جنگ رو با خاطرات و فراموشی روایت می‌کنه. لینک کانال یوتیوب پادکست:https://youtube.com/@sandalipodcast?si=7UnSD40riES_VGPg لینک صفحه اینستاگرام مجله نوستالژیا:https://www.instagram.com/p/CyL4dFEodV7/?igshid=MzRlODBiNWFlZA== Hosted on Acast. See acast.com/privacy for more information.

Sponsored by DDish 0:00 Эхлэл 04:43 Hiroshima mon amour (1959) /Movie pick/ 1:04:33 Spider-Man: Across the Spider-Verse /DDish segment/ + rant 2:52:20 Venice winners and more rant 3:38:43 Favorites of 2023 so far Бидний ажилд дэмжлэг үзүүлэхийг хүсвэл дараах дансуудад илгээх боломжтой шүү: ХААН Банк: 5041 1598 85 ХХБанк: 4170 58 037 Голомт Банк: 1105 1663 62 Манай бусад сувгууд: ►FACEBOOK https://fb.com/RustyTalks ►INSTAGRAM @Tergelerhu1 ►E-mail: rustycreative@gmail.com ►Discord: https://discord.gg/bKkW25Yydx

Part 1: Zach, Michael and Andrew talk about movies they saw this week, including: Hiroshima Mon Amour, A.I. Artificial Intelligence, and Enys Men.Part 2 (40:25): The group continues their Young Critics Watch Old Movies series with 1976's Salò, or the 120 Days of Sodom.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:FacebookTwitterLetterboxd

On the 78th anniversary of the Atomic Bomb being dropped on Hiroshima, we look at some of the popular culture around that event. We start by discussing the 1980 song “Enola Gay,” by the 1980s British band Orchestral Maneuvers in the Dark (OMD). We look at a brief history of the band, the success of the song both at the time and its historical legacy and a not-necessarily-obvious resonance it had in popular culture. After that, given the box office success of Christopher Nolan's “Oppenheimer,” we look some other films that take on the creation of the bomb in 1945. That includes the 1989 films “Day One” starring David Strathairn as Oppenheimer and “Fat Man and Little Boy,” starring Paul Newman and Dwight Schultz (who you may remember from “The A-Team” or “Star Trek: The Next Generation”) as Oppenheimer. We also briefly discuss the 1980 BBC mini-series “Oppenheimer” with Sam Waterston in the title role. We end with a brief mention of two other foreign language films related to the events: Alain Resnais' “Hiroshima Mon Amour” from 1959 and Akira Kurosawa's “Rhapsody in August” from 1991.

In this week's Casually Criterion episode, Mike, Justin, and Chris forgo the usual News on the March section, in order to dive straight into the main review, Hiroshima Mon Amour (Spine #196). - Intro (00:00:00 - 00:03:27) - Hiroshima Mon Amour (00:3:27-00:45:30) -  Criterion Poll: Comedies(00:45:30 - 00:51:00) - Outro (00:51:00 - 00:52:02)   For all your movie and game news, reviews, and more, check out our friends at www.cinelinx.com. Follow us on: Twitter Facebook Instagram

本期节目分享法国导演阿兰·雷奈 Alain Resnais 的第一部故事长片「广岛之恋」Hiroshima Mon Amour 以及李安 2000 年的当代经典「卧虎藏龙」Crouching Tiger Hidden Dragon.节目中提到的作品有：Resnais 的早期艺术短片：「梵高」「高更」「格尔尼卡」奥斯维辛纪录片片：「夜与雾」（1955）剧情长片 「广岛之恋」（1959）、「去年在马伦巴」（1961））玛格丽特·杜拉斯的小说「情人」莫文蔚和张洪量的歌曲「广岛之恋」普里莫·莱维的回忆录「如果这是一个人」（文化土豆Unpack曾经分享过）李安的电影卧虎藏龙（2000）断背山（2005）比利·林恩的中场战事（2016）谭盾为「卧虎藏龙」编曲的电影原声碟马丁·麦克唐纳的电影「伊尼舍林的女妖」（2022） Hosted on Acast. See acast.com/privacy for more information.

Endspurt im Banausenjahr 2022! Und kurz vor dem Licht Ausmachen für diese Saison, werden wir Lees neugierige Frage, wer denn die Supporter mit den besten Durchschnittswerten bei den Hausaufgaben sind, beantworten. Danke an unsere Semi-Praktikanten Eric und Dennis. Um Filme geht´s übrigens auch noch ein wenig...

Mike and Nick delve into one of the enigmatic filmmakers of the French New Wave.Hiroshima Mon Amour (1959) and Last Year at Marienbad (1961) both use imaginative techniques to explore memory and reality. Find out what the duo has to say about these two films and the filmmaker.

It's Alicia's 4th pick: Hiroshima Mon Amour, the 1959 film directed by Alain Resnais. With ‘Hiroshima Mon Amour,' Resnais and screenwriter Marguerite Duras, explore the intersection where tragedy and trauma meet history and memory. The film was released on May 8, 1959 at the Cannes Film Festival, where it won the FIPRESCI International Critics' Prize. Among its other accolades was recognition by Cahiers du Cinéma on its list of the top 10 films of 1959, where it was ranked 2nd after Kenji Mizoguchi's ‘Ugetsu.' It opened in the United States in May of 1960 and went on to earn Marguerite Duras an Academy Award nomination for Best Screenplay Written Directly for the Screen. To give a sense of what was popular in the United States in the years ‘Hiroshima Mon Amour' was first released, then when it opened in the United States, the top grossing films in North America for 1959 and 1960 were Ben-Hur and Spartacus, respectively. Meanwhile, Ben-Hur was also the big winner at the Oscars for 1959, while The Apartment was the big winner for 1960. For our purposes, the film has never been in the top 10 of either the critics or directors polls done by Sight and Sound magazine to determine the greatest films ever made. It did, though, place, as a runner-up in both 1962 and 1972. Produced by Stereoactive Media --- Send in a voice message: https://anchor.fm/stereoactivemovieclub/message

Hey ho, herzliches Hallo heute. Okay, genug der Alliterationen - Titel und Begrüßung reichen aus. In dieser Folge betrachten wir den bis dato ältesten Film, der im Podcast besprochen wurde. Der Anfang dreht sich dabei tatsäch in erster Linie um die Betrachtung der Themen und Motive, also fällt die tatsächliche Betrachtung der Story heute hinten weg. Wir hoffen euch gefällt die Abwechslung. Ach ja, und es ist irgendwie auch eine Geburtstagsfolge! Mit dabei: Felix, Adrian, Marnick, Melvin Heutiger Film: Hiroshima, mon amour (1959) Der Film der kommenden Woche: Paranormal Activity (2007) Folgt dem Podcast in den sozialen Medien, um immer auf dem neuesten Stand zu sein und mit zu diskutieren! Instagram: https://www.instagram.com/der_fesche_filmclub/ Letterboxd: https://letterboxd.com/The_Heischi/ Spotify: https://open.spotify.com/show/5dAPgeqYymeYEO81GQgsbw Apple Podcast: https://podcasts.apple.com/de/podcast/der-fesche-filmclub/id1559768100

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We discuss the famed New Novelist/Filmmaker with a focus on HIROSHIMA MON AMOUR, NATHALIE GRANGER and INDIA SONG. Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalogue, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie) as well as Will's other podcast MICHAEL AND US (@michael-and-us)

Hallo zusammen! Nach langer Zeit wird´s auf der CineCouch mal wieder schwarz-weiß und 4:3. Jan hat eine ganz besondere Perle der Filmgeschichte für diese Besprechung ausgesucht: Alain Resnais ersten fiktionalen Langspielfilm HIROSHIMA MON AMOUR von 1959. Dieses Drama ist auf so viele Arten außergewöhnlich, dass es uns etwas schwer viel immer die richtigen Worte zu finden und unsere Gedanken und Emotionen zu sortieren. Es ist fraglich, ob man dieses einzigartige, poetische, künstlerisch verkopfte Essay überhaupt komplett fassen kann, finden sich doch bei jeder Sichtung neue Lesarten oder Interpretationsansätze. Deswegen raten wir dringend zur Sichtung des Films, auch wenn er vielleicht etwas anstrengend ist oder ihr ihn schon gesehen habt. Viel Spaß beim Hören!

«La mia città è bellissima». È la dichiarazione d'amore di Samuel, voce e frontman dei Subsonica nonché giudice dell'edizione 2019 di X-Factor, alla sua Torino. Dove è nato nel 1972. E dove ha fondato, insieme agli amici Max Casacci e Boosta, il gruppo rock elettronico più famoso d'Italia. «La mia città ha sempre lottato per restare in vita e lo ha fatto con la forza delle sue idee», racconta tra una pausa e l'altra delle prove per il gran finale di X Factor 2019. «Torino è una città multietnica: qui abitano persone provenienti da tutte le regioni d'Italia e questa varietà porta sempre ricchezza». E se nel suo cuore non possono mancare luoghi iconici, come la Mole o i Murazzi, ce ne sono altri più intimi e particolari. Come il Cinema Massimo o Piazza Vittorio. «Ci sono ancora oggi dei locali che portano la musica in città, come Hiroshima Mon Amour, Giancarlo 2 (che oggi si chiama Magazzino Sul Po), Gli Amici del Po, OFF TOPIC in zona Gasometri tra Vanchiglia e Vanchiglietta, Cap 10100, anche questo molto bello, sul fiume. Sono posti che, ognuno a suo modo, combattono una guerra sotterranea e silenziosa contro l'avvento del “grande niente”, lottando per portare la musica di qualità in città».

We've arrived at the end of our third decade! And it's a busy, transformative period for the movies. The French New Wave has kicked into high gear; the Hays Code is finally in decline; and Alfred Hitchcock is in the middle of (arguably) the greatest run of films a director's ever had. But which one film from 1959 has best stood the test of time? Join Rachel Schaevitz and Aaron Keck as they discuss the year in cinema, the French New Wave, auteur theory, cross-dressing, Cary Grant impressions, "raising hell," Alain Resnais' strangely linear career arc, the emerging dominance of color film, how to commit petty property crime, and Abraham Lincoln's nose - and then we dig into the data and the numbers (and our expert panel votes) to identify the best picture of 1959. The nominees are The 400 Blows, Hiroshima Mon Amour, North By Northwest, Pickpocket, and Some Like It Hot. Who wins the Moonlight? 

Dweez spent the summer away from his beloved cohosts Spice and Slim in Japan. Halfway through his trip he spent a week in Hiroshima, enjoying all the city had to offer from history to sports to culinary delights. Take a ride with Dweez and his host Ippei as they uncover what makes Hiroshima such a singular place and why you should pencil it in as a footballing destination to visit when you take your own trip to East Asia.

[Canção do Exílio] Recebemos nossa colega Isabel Wittmann para falarmos de um filme célebre para a cinefilia francesa, o icônico India Song da realizadora Marguerite Duras, escritora, diretora e muito conhecida por escrever o roteiro de "Hiroshima Mon Amour" de Alain Resnais. Fiquem para nossas indicações da semana em (53:00). Esperamos que apoiem o trabalho da Isabel no podcast Feito Por Elas. Obrigada por ouvir mais esse episódio do Supercuts. Se você gostou e quer que o podcast continue existindo, recomende-o para outras pessoas! Ficha técnica: Produção: Tiago Maia Apresentação: Tiago Maia e Larissa Paiva Pauta: Tiago Maia Edição: Caio Augusto Participação Especial: Isabel Wittmann Para contato, dúvidas e sugestões, estamos disponíveis nos endereços: supercuts.pod@gmail.com twitter.com/supercutspod instagram.com/supercutspod facebook.com/supercutspod

O CINEMA LIVRE desta sexta-feira (10), às 19 horas, apresenta o ESPECIAL NOUVELLE VAGUE, analisando o filme "ACOSSADO (1960), DE JEAN LUC GODARD" O filme narra a história de Michel Poiccard (Jean Paul Belmondo), um criminoso obcecado por Humphrey Bogart, que após roubar um veículo acaba assassinando um policial que o perseguia. Fugitivo em Paris, conhece Patricia Franchini (Jean Seberg), linda garota americana que vende jornais na Champs-Élysées. Poiccard tenta persuadi-la a fugir com ele para a Itália, sem lhe contar que é um foragido da justiça._ Primeiro longa feito pelo diretor francês Jean Luc Godard, é até hoje considerado emblemático, genial e incrivelmente ousado no mundo da sétima arte. Tem quebras da quarta parede, sequências fragmentárias, jump cuts, atuações farsescas e raccords heterodoxos, onde o diretor consegue arejar as formas artísticas cinematográficas já embotadas e cristalizadas do cinema. Nouvelle Vague apresenta uma geração de novos autores que tiveram seu amadurecimento teórico nos anos 50 enquanto escreviam na prestigiadíssima revista francesa Cahiers du Cinéma e que, no final dessa década ou no princípio dos anos 60, empunharam as câmeras e revolucionaram o cinema não só local, mas mundial, com sua juventude avassaladora, sua iconoclastia, sua irreverência infatigável. E mais: CURTAS | as notícias do mundo do cinema; DICAS | 5 filmes imperdíveis da Nouvelle Vague pra você conhecer mais sobre "a nova onda"; e PERFIL | JEAN PAUL BELMONDO, homenagem póstuma ao grande astro francês. Quadro Curtas: 1- Festival de Veneza completa uma semana sem registro de casos de Covid; 2- Festival Curta Caicó encerra a programação com Animação Paraense e exibição de "Bacurau" em cinema drive-in; 3- Morre Michael K. Williams, astro de Filmes e Séries, aos 54 anos; 4- Trailer de Matrix 4- Ressur tem lançamento mundial e deixa uma pergunta: Morpheus aparecerá? 5- Festival CineFantasy de Cinema Fantático na edição de 2021 terá formato híbrido e homenagem à Helena Ignez. Quadro Dicas: 1- Little Fugitive (1953, Morris Engel); 2- Hiroshima Mon Amour (1959, Alain Resnais); 3- Os Incompreendidos (1959, François Truffaut); 4- Cléo das 5 às 7 (1961, Agnés Varda); 5- O Desprezo (1963, Jean-Luc Godard). O programa terá transmissão simultânea pelo Youtube = https://www.youtube.com/watch?v=Z_vpRBB7UeI Facebook = https://www.facebook.com/149688861907827/posts/1646006365609395/ Site = www.clwebradio.com #nouvellevague #jeanlucgodard #jeanpaulbelmondo #cinemalivre #WebRádioCensuraLivre

¡Hola a todos! En este episodio estaremos conversando sobre la Ópera Prima de Lisa Joy, Reminiscence (2021), y comparándola un poco a nivel temático, un clásico de Steven Spielberg, Mnority Report (2002), aunque esta vez no habrá conversación de lo que vimos en la semana. Estén atentos a nuestro Instagram, nuestro Twitter y nuestro canal de Youtube Letterboxd: Christiam, Jesús (00:04:43) Minority Report (2002) (00:39:46) Reminiscence (2021) Referencias: Strange Days (1995) Je t'aime, je t'aime (Te amo Te amo, 1968) Hiroshima Mon Amour (1959) L'Annèe dernière à Marienbad (El Año Pasado en Marienbad, 1961) Blade Runner (1982) Total Recall (1990) The Queens Gambit (serie, 2020) Logan (2017) A.I. Artificial Intelligence (2001) War of the Worlds (2005) A Scanner Darkly (2006) Inception (2010) Heat (1995) Westworld (serie, 2016) Another Earth (2011) The OA (serie, 2016) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/pinpumpan/support

This episode, quadruple-threat filmmaker Isabel Sandoval talks to Slim and Gemma about cinematic edging, sensual slapstick, nuns on screen, modern Filipino cinema, Verhoeven's camp supremacy, audience blue balls, and, of course, her four Letterboxd favorites: Hiroshima Mon Amour, Jeanne Dielman, In the Mood for Love and Punch-Drunk Love. Slim, meanwhile, googles “French New Wave” while Gemma pours yet another coffee. Isabel wrote, directed, edited and starred in Lingua Franca, and more recently the sensual short Shangri-La. Related links: The Letterboxd list of films mentioned in this episode Isabel's Sensual Cinema essay French New Wave Criterion on Letterboxd Criterion's list of Questioning Love Lists featuring Hiroshima Mon Amour: 90 minutes or less / Directors visit Japan / Conversations on Film / Memory and Yearning / Socialism and leftism / Atomic weapons / Horny Ave's review of Lingua Franca Adam Kempenaar's review of Jeanne Dielman Lists featuring In the Mood for Love: Fills the void / Soft & slow / Loneliness in neon cities Isabel's Top 10 Criterion picks / Closet picks Isabel's review of A New Leaf Letterboxd's Halfway 2021 Credits: This episode was recorded in Pennsylvania and Auckland, and edited by Slim. Our theme music is ‘Vampiros Dancoteque', by film and television composing trio Moniker. Transcript by Sophie Shin.

Every week David and Dean search for the best pair of films for their double feature picture show. This week on the double feature there's elevator upkeep, a bratty teen, a lot of walking and even more talking, and much more. Follow us on Instagram: https://www.instagram.com/dd_doublefeaturepictureshow/ Follow us on TikTok: https://www.tiktok.com/@doublefeaturepictureshow? Follow us on Anchor: https://anchor.fm/david-clark93 Subscribe to us on YouTube: https://www.youtube.com/channel/UCIzV4fXNQXZq685_p34kL3Q Follow us on Spotify: https://open.spotify.com/show/1KzTKUjVcw07MHwU81oGB9 Listen to us on Breaker: https://www.breaker.audio/double-feature-2 Follow us on Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8yN2QzNmQ0Yy9wb2RjYXN0L3Jzcw== Listen to us on Pocket Casts: https://pca.st/44j5m8rq Listen to us on Radio Public: https://radiopublic.com/double-feature-G3MVMM Thank you to this week's sponsor, Anchor: anchor.fm --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Cʹest un film de mémoire, un film dʹamour, un film culte dʹAlain Resnais sorti en 1959 et qui a pour titre énigmatique: "Hiroshima mon amour". Un film qui raconte la rencontre dʹune Française et dʹun Japonais à Hiroshima et qui vivent 24 heures de passion. Un film sur les cendres de lʹamour, à lʹesthétique vibrante et aux dialogues théâtraux, en parfait contrepoint avec lʹhistoire de la guerre. Il est tourné sur place, au Japon, 14 ans après la guerre, 14 ans après la bombe et les 200'000 morts de lʹexplosion. Alain Resnais travaille avec Marguerite Duras qui signe le scénario et les dialogues, et tous deux racontent une histoire mêlant la mort, la honte, le déshonneur, lʹhorreur à lʹamour.

The sun is setting in Columbus, Indiana while a renowned architect remains comatose in a local hospital. His estranged son from South Korea, Jin, comes to visit and soon meets a kindred spirit, Casey, whose passion for architecture creates a safe haven for Jin to reexamine his fractured and turbulent relationship with his father, while also providing Casey with a newfound outlet to explore the possibility of life outside of Columbus.   Kogonada’s 2017 directorial debut not only serves as a love-letter to architecture, but to the ties that we establish and familiarize ourselves with the landmarks, features, and connections that are found within any community. The most important part about these features is not the existence of them, but the room they create for memories, experiences, and a momentary sense of shared existence.   As always, thank you for listening and we hope you enjoy the discussion.   Where to watch: Amazon (Rent or Buy) YouTube (Rent or Buy) Kanopy (Select libraries)   Instagram: @lefilmpodcast   Twitter: @lefilmpod   Send us questions, feedback, and film recommendations at: lefilmpodcast@gmail.com   01:35 The Boys Season 2 02:54 Patrick’s Film Day Challenge 03:27 Hiroshima Mon Amour, Woman in the Dunes 03:40 Pedro Aldomovar’s All About My Mother, The Human Condition 03:56 A Short Film About Love 04:13 Evan’s Childhood, Streetwise 04:45 “Sacramento sucks” 05:42 HBO’s Barry 12:39 Attack on Titan 15:12 Evangelion, Hunter Hunter, Yu Yu Hakusho 16:13 Toonami 17:08 Tik Tok 18:40 Columbus Review 46:28 Columbus Spoilers 1:11:05 Pros & Cons of Pure Auteurship 1:16:05 Quentin Tarantino & Sally Menke

Achou que a gente não ia falar de cinema nesse podcast? Achou errado. O que vamos apresentar aqui pra vocês é algo completamente diferente do que vocês estão acostumados a ver nas telas por aí, tem uma proximidade grande com a literatura e o teatro. Leremos um texto poético que está no filme Hiroshima mon amour, obra-prima dirigida por Alan René em 1959 a partir do roteiro da escritora, dramaturga e cineasta Marguerite Dúras, autora do célebre O Amante. Clique em ‘seguir' e ajude nosso podcast a se espalhar por aí. Adicione ‘Um poema para..' à sua playlist e siga nossas redes sociais: facebook.com/umpoemapara twitter.com/umpoemapara instagram.com/umpoemapara.podcast Nos escreva para indicar um poema ou poeta: umpoemapara@gmail.com

The “Cinephile Cuties” are ready to take a lover in a foreign land. That’s because they’re chatting about Alain Resnais’s Hiroshima mon amour. Patrick wages a war against “theater kids” and Casey tries to prevent Patrick from talking about balding. In addition to that, they put Hiroshima mon amour through their proprietary “Fartsy Test.” Patrick recommends a drink pairing. And they give each other notes to improve the show. Listen in to see if it’s working!  If you like this show, tell a friend!If you’d like to sponsor the show, Venmo Patrick at Patrick-Mallon$10 for episode sponsorship$25 for sponsorship AND the boys will imbibe a drink of your choosing.Follow Farthouse on Twitter and InstagramFollow Patrick and Casey and on TwitterAnd follow Patrick and Casey and on Letterboxd

Quarta puntata, ci sembrava il momento per chiudere il trittico iniziato con I 400 Colpi ed Hiroshima Mon Amour con l'opera prima di Jean-Luc Godard, scritta da Truffaut. Manifesto della Nouvelle Vague, distruzione del classico per ricostruire il cinema. Fino all'ultimo respiro.

¡Hola! Esta semana en Pin Pum Pan, hablaremos de un ícono en la filmografía de Martin Scorsese, The Departed (2006), y como película reciente, Judas and the Black Messiah (2021), además de recomendar lo que hemos visto durante la semana, esperamos que lo disfruten y nos acompañen todas las semanas. Estén atentos a nuestro Instagram, y en nuestro Twitter (00:01:22) The Departed (2006) (00:21:01) Recomendaciones de la semana Hiroshima Mon Amour (1959) (00:27:41) Pelo Malo (2013) (00:33:04) La Mujer sin Cabeza (2008) (00:37:53) Whisky (2004) (00:43:19) Cléo de 5 à 7 (1962) (00:55:47) Judas and the Black Messiah (2021) Referencias: Up in the Air (2009) The Irishman (2019) Mean Streets (1973) Goodfellas (1990) Casino (1995) The Silence (2016) The Wolf of Wall Street (2013) Mou gaan dou (Infernal Affairs (2002) Amour (2012) Crimen y Castigo (Libro, Fiódor Dostoyevski, 1866) Atlanta (serie, 2016) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/pinpumpan/support

Puntata speciale di Lisztomania.In diretta telefonica con noi Alessandro Roggero dello storico locale di Torino, Hiroshima Mon Amour, per parlare dell'iniziativa L'Ultimo ConcertoPlaylist:Bright Eyes – Flirted With You All My LifeJulien Baker – Faith HealerSleaford Mods - ElocutionChet Faker – Get HighDaft Punk – Burnin'Etienne de Crécy – Am I WrongThe Vaccines – High HorseMogwai – Ritchie SacramentoMcCall – DisasterRoosevelt – See You Again

Films Mentioned: Heat, Dead End, TransSiberian, Nocturne, The Trial of the Chicago 7, Evil Eye, Hiroshima Mon Amour. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In today's episode, we discuss the 1959 French New Wave romantic drama film directed by French film director Alain Resnais, with a screenplay by Marguerite Duras.A lot of spoilers as we discuss the movie in-depth, we recommend watching before listening. Companion Article:‘My Body was Aflame with His Memory’: War, Gender and Colonial Ghosts in Hiroshima mon amour (1959). Sandrine Sanos. First published: 18 October 2016https://doi.org/10.1111/1468-0424.12247Memory Lane the Podcast was created and is hosted by Alexa Gonzalez and Dani Dones. Theme song by Dani Dones. Our executive producer is Jorge Castro. Memory Studies is an academic field that emerged in the 20th-century, focusing on the study of memory as a tool for remembering.

Em meio a tantas distopias e séries policiais intrincadas, onde ficam as histórias de amor nos filmes e nas séries? Graças a Deus, elas ainda existem. Discutimos NORMAL PEOPLE, série britânica sobre dez anos nas idas e vindas de um jovem casal, na nova plataforma Starzplay (1:55). AMOR, o grande filme de Michael Haneke sobre o amor longe dos padrões românticos do cinema, chega à Globoplay (14:00). O cineasta Gregório Graziosi faz a lista dos filmes de amor da sua vida, como HIROSHIMA MON AMOUR, de Alain Resnais (21:50); UM HOMEM, UMA MULHER, de Lelouch, e suas sequências (29:20) e AS DUAS FACES DA FELICIDADE, de Agnès Varda, no Telecine Play (42:50). E mais: UM CORPO QUE CAI de Hitchcock (35:18) e o clássico LOVE STORY, que completa 50 anos na Netflix (38:12). Ainda: as notícias da semana (52:55).

Se un programma o un dispositivo, per accedere ad un menù avanzato richiede un PIN misterioso, riadattando un progetto nato per altri scopi il problema viene risolto con scioltezza.Ad ogni modo mi trovate qui:https://t.me/technopillzriotNuovo canale youtubehttp://www.survivalhacking.itSostenete Runtime Radio:http://runtimeradio.it/ancheio/Sostenete Survival hackinghttps://www.paypal.me/SurvivalHackingLe mie BGM suPond5https://www.pond5.com/artist/thoroide#1/2064 Spotifyhttps://open.spotify.com/artist/1coeUect3UnQ4HjRQQu6EO Apple Musichttps://itunes.apple.com/us/album/presentation/1461490308?app=music https://itunes.apple.com/us/album/magic-ep/1461486916?app=music https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=music Ituneshttps://itunes.apple.com/us/album/presentation/1461490308?app=itunes https://itunes.apple.com/us/album/magic-ep/1461486916?app=itunes https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=itunes Youtubehttps://music.youtube.com/playlist?list=OLAK5uy_mH3bw9JFuGk1BvhWluht0ao-LDSHuwKNw https://music.youtube.com/playlist?list=OLAK5uy_kU6l_g3Y4mgJP0B7PFJ4SP3mCIUiiocTQ https://music.youtube.com/playlist?list=OLAK5uy_l5Px6E2_RSq6V7LgjHpYrWGYOF6W7QGzs Deezerhttps://www.deezer.com/it/artist/5504122?utm_source=deezer&utm_content=album-94957612&utm_term=0_1556297485&utm_medium=webZ¸th! Ë un progetto musicale nato nelle Marche, il cui suono Ë caratterizzato da influenze indie rock ed elettro-pop ed i testi si ispirano alla canzone díautore italiana. Nellíottobre del 2015 Ë stato pubblicato il primo album dal titolo Oceano, che Ë stato inserito tra i migliori 10 album (5∞ posto in classifica) della categoria ìBest New 2015î di UrbanWeek.it e recensito positivamente da molti portali web italiani. Il disco vede la partecipazione di Gianluca De Rubertis del duo Il Genio. LíOceano Tour permette alla band di esibirsi in numerosi palchi prestigiosi come quello del MIND Festival e dellíHiroshima Mon Amour di Torino, oltre ad aprire alcune date di Giorgio Ciccarelli (Ex Afterhours), Espana Circo Este, Le Luci della Centrale Elettrica ed Ex-Otago. La band Ë stata selezionata nel 2016 dai Litfiba per il progetto 30 anni di 17re collaborando direttamente con Piero Pel˘ e Ghigo Renzulli nel brano Resta. A giugno 2018 si sono aggiudicati la Finale di Sanremo Rock vincendo la tappa marchigiana del tour di selezione per poi esibirsi al Teatro Ariston di Sanremo come rappresentanti della regione. Nel 2019 la band ha pubblicato il singolo Eroticaerobica che anticipa líuscita del nuovo album La Cosmonautica prevista per ottobre dello stesso anno. Nello stesso anno gli Zuth! sono stati gli opener di una delle date italiane del tour di Anastacia. Brano: La Cosmonautica

Se un programma o un dispositivo, per accedere ad un menù avanzato richiede un PIN misterioso, riadattando un progetto nato per altri scopi il problema viene risolto con scioltezza.Ad ogni modo mi trovate qui:https://t.me/technopillzriotNuovo canale youtubehttp://www.survivalhacking.itSostenete Runtime Radio:http://runtimeradio.it/ancheio/Sostenete Survival hackinghttps://www.paypal.me/SurvivalHackingLe mie BGM suPond5https://www.pond5.com/artist/thoroide#1/2064 Spotifyhttps://open.spotify.com/artist/1coeUect3UnQ4HjRQQu6EO Apple Musichttps://itunes.apple.com/us/album/presentation/1461490308?app=music https://itunes.apple.com/us/album/magic-ep/1461486916?app=music https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=music Ituneshttps://itunes.apple.com/us/album/presentation/1461490308?app=itunes https://itunes.apple.com/us/album/magic-ep/1461486916?app=itunes https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=itunes Youtubehttps://music.youtube.com/playlist?list=OLAK5uy_mH3bw9JFuGk1BvhWluht0ao-LDSHuwKNw https://music.youtube.com/playlist?list=OLAK5uy_kU6l_g3Y4mgJP0B7PFJ4SP3mCIUiiocTQ https://music.youtube.com/playlist?list=OLAK5uy_l5Px6E2_RSq6V7LgjHpYrWGYOF6W7QGzs Deezerhttps://www.deezer.com/it/artist/5504122?utm_source=deezer&utm_content=album-94957612&utm_term=0_1556297485&utm_medium=webZ¸th! Ë un progetto musicale nato nelle Marche, il cui suono Ë caratterizzato da influenze indie rock ed elettro-pop ed i testi si ispirano alla canzone díautore italiana. Nellíottobre del 2015 Ë stato pubblicato il primo album dal titolo Oceano, che Ë stato inserito tra i migliori 10 album (5∞ posto in classifica) della categoria ìBest New 2015î di UrbanWeek.it e recensito positivamente da molti portali web italiani. Il disco vede la partecipazione di Gianluca De Rubertis del duo Il Genio. LíOceano Tour permette alla band di esibirsi in numerosi palchi prestigiosi come quello del MIND Festival e dellíHiroshima Mon Amour di Torino, oltre ad aprire alcune date di Giorgio Ciccarelli (Ex Afterhours), Espana Circo Este, Le Luci della Centrale Elettrica ed Ex-Otago. La band Ë stata selezionata nel 2016 dai Litfiba per il progetto 30 anni di 17re collaborando direttamente con Piero Pel˘ e Ghigo Renzulli nel brano Resta. A giugno 2018 si sono aggiudicati la Finale di Sanremo Rock vincendo la tappa marchigiana del tour di selezione per poi esibirsi al Teatro Ariston di Sanremo come rappresentanti della regione. Nel 2019 la band ha pubblicato il singolo Eroticaerobica che anticipa líuscita del nuovo album La Cosmonautica prevista per ottobre dello stesso anno. Nello stesso anno gli Zuth! sono stati gli opener di una delle date italiane del tour di Anastacia. Brano: La Cosmonautica

This week we dive deep into the beautiful and sublime "Portrait of a Lady on Fire". Then, we change lanes to discuss Jake's pick, the only film directed by writer Stephen King, "Maximum Overdrive" (1986).  Finally, Sydney's pick, 1959's French New Wave classic "Hiroshima, Mon Amour", leads to a thoughtful discussion on memory and love. 

Un episodio di consigli a tema... film romantici ma non commedie, dal capolavoro contemporaneo di Se mi lasci ti cancello, ad uno dei film preferiti di Tommaso Amour, un film consigliato su Netflix Her ma anche Hiroshima Mon Amour e Drive. Insomma tanti film per tenervi compagnia in questo periodo di cinema chiusi.

Produit par: Lucas, Emma, Chase, John et Emily.Montage: Loic B.

Paul and Erin review two films, both set in Japan and dealing with the psychological aftermath of the atomic bomb: Alain Resnais' groundbreaking 1959 romantic drama HIROSHIMA MON AMOUR; and Katsuhiro's Otomo's landmark 1988 anime AKIRA. Plus: our quick takes on THE TURNING, BAD BOYS FOR LIFE, 1917, A HIDDEN LIFE, and WHAT DID JACK DO?

In our 170th episode we're talking spine #196 and 197 in the Criterion Collection: Alain Resnais' HIROSHIMA MON AMOUR (1959) and NIGHT AND FOG (1956). First RJ talks about some tv shows, OPERA, and the new HELLBOY, and Jarrett runs through RIley Stearns' two movies THE ART OF SELF-DEFENSE and FAULTS, as well as NOVEMBER, and EL CAMINO. Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!

Theme - Started a movement

@RealDonaldTrump: So interesting to see “Progressive” Democrat Congresswomen, who originally came from countries whose governments are a complete and total catastrophe, the worst, most corrupt and inept anywhere in the world (if they even have a functioning government at all), now loudly...... ....and viciously telling the people of the United States, the greatest and most powerful Nation on earth, how our government is to be run. Why don't they go back and help fix the totally broken and crime infested places from which they came. Then come back and show us how.... ....it is done. These places need your help badly, you can't leave fast enough. I'm sure that Nancy Pelosi would be very happy to quickly work out free travel arrangements! src="safari-extension://com.ebay.safari.myebaymanager-QYHMMGCMJR/6a72a3fc/background/helpers/prefilterHelper.js" type="text/javascript">

@RealDonaldTrump: So interesting to see “Progressive” Democrat Congresswomen, who originally came from countries whose governments are a complete and total catastrophe, the worst, most corrupt and inept anywhere in the world (if they even have a functioning government at all), now loudly...... ....and viciously telling the people of the United States, the greatest and most powerful Nation on earth, how our government is to be run. Why don't they go back and help fix the totally broken and crime infested places from which they came. Then come back and show us how.... ....it is done. These places need your help badly, you can't leave fast enough. I'm sure that Nancy Pelosi would be very happy to quickly work out free travel arrangements! src="safari-extension://com.ebay.safari.myebaymanager-QYHMMGCMJR/6a72a3fc/background/helpers/prefilterHelper.js" type="text/javascript">

Lucy Fischer (English and Film Studies, University of Pittsburgh) joins Carsey-Wolf Center Director Patrice Petro for a post-screening discussion of Alain Resnais’ 1959 film Hiroshima Mon Amour. Fischer places the film, which features a screenplay by the French novelist Marguerite Duras, in the context of other French New Wave cinema; drawing attention in particular to the juxtaposition of images that are simultaneously fictional and documentary, and to the ways in which Duras’s influence is felt throughout the finished film. Fischer and Petro discuss the critical reaction to the film, as well as its meditation on the nature of memory as one of the first major post-WW II art films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34843]

Lucy Fischer (English and Film Studies, University of Pittsburgh) joins Carsey-Wolf Center Director Patrice Petro for a post-screening discussion of Alain Resnais’ 1959 film Hiroshima Mon Amour. Fischer places the film, which features a screenplay by the French novelist Marguerite Duras, in the context of other French New Wave cinema; drawing attention in particular to the juxtaposition of images that are simultaneously fictional and documentary, and to the ways in which Duras’s influence is felt throughout the finished film. Fischer and Petro discuss the critical reaction to the film, as well as its meditation on the nature of memory as one of the first major post-WW II art films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34843]

Lucy Fischer (English and Film Studies, University of Pittsburgh) joins Carsey-Wolf Center Director Patrice Petro for a post-screening discussion of Alain Resnais’ 1959 film Hiroshima Mon Amour. Fischer places the film, which features a screenplay by the French novelist Marguerite Duras, in the context of other French New Wave cinema; drawing attention in particular to the juxtaposition of images that are simultaneously fictional and documentary, and to the ways in which Duras’s influence is felt throughout the finished film. Fischer and Petro discuss the critical reaction to the film, as well as its meditation on the nature of memory as one of the first major post-WW II art films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34843]

Lucy Fischer (English and Film Studies, University of Pittsburgh) joins Carsey-Wolf Center Director Patrice Petro for a post-screening discussion of Alain Resnais’ 1959 film Hiroshima Mon Amour. Fischer places the film, which features a screenplay by the French novelist Marguerite Duras, in the context of other French New Wave cinema; drawing attention in particular to the juxtaposition of images that are simultaneously fictional and documentary, and to the ways in which Duras’s influence is felt throughout the finished film. Fischer and Petro discuss the critical reaction to the film, as well as its meditation on the nature of memory as one of the first major post-WW II art films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34843]

Lucy Fischer (English and Film Studies, University of Pittsburgh) joins Carsey-Wolf Center Director Patrice Petro for a post-screening discussion of Alain Resnais’ 1959 film Hiroshima Mon Amour. Fischer places the film, which features a screenplay by the French novelist Marguerite Duras, in the context of other French New Wave cinema; drawing attention in particular to the juxtaposition of images that are simultaneously fictional and documentary, and to the ways in which Duras’s influence is felt throughout the finished film. Fischer and Petro discuss the critical reaction to the film, as well as its meditation on the nature of memory as one of the first major post-WW II art films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34843]

Lucy Fischer (English and Film Studies, University of Pittsburgh) joins Carsey-Wolf Center Director Patrice Petro for a post-screening discussion of Alain Resnais’ 1959 film Hiroshima Mon Amour. Fischer places the film, which features a screenplay by the French novelist Marguerite Duras, in the context of other French New Wave cinema; drawing attention in particular to the juxtaposition of images that are simultaneously fictional and documentary, and to the ways in which Duras’s influence is felt throughout the finished film. Fischer and Petro discuss the critical reaction to the film, as well as its meditation on the nature of memory as one of the first major post-WW II art films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34843]

Marissa Goldman and Justin Linville talk being Jewish (or what it's like being in a room full of Jews when they won't stop talking about being Jewish) and Alain Resnais's meditation on a shattered world in Hiroshima, mon amour.

After reconciling with the drudgery of the working world, Tom & Chris find themselves involved in an intense relationship between a French actress and a Japanese architect contemplating life, love and memories. After this brief tryst, they find themselves confronted with the horrors of what mankind is capable of.

We finally return with our 50th episode spectacular in which we talk our individual top 50 films of all time. Plus we do deep dives on four of our favorites from our top 50s. Strap in for our longest episode yet. Enjoy. Thanks for listening! 0:00 - Intro 2:15 - Deep Dive #1: *Monty Python's Life of Brian* (1979) d. Terry Jones 19:00 - Top 50-31 39:42 - Deep Dive #2: *Julien Donkey-Boy* (1999) d. Harmony Korine 59:43 - Top 30-21 1:08:54 - Deep Dive #3: *Hiroshima Mon Amour* (1959) d. Alain Resnais 1:28:55 - Top 20-11 1:57:59 - Deep Dive #4: *Solaris* (1972) d. Andrei Tarkovsky 2:19:41 - Top 10-1 3:34:46 - Outro/Next Episode - Jon's Pick Email us at Filmyakpodcast1@gmail.com filmyak.podiant.co

We finally return with our 50th episode spectacular in which we talk our individual top 50 films of all time. Plus we do deep dives on four of our favorites from our top 50s. Strap in for our longest episode yet. Enjoy. Thanks for listening! 0:00 - Intro 2:15 - Deep Dive #1: Monty Python's Life of Brian (1979) d. Terry Jones 19:00 - Top 50-31 39:42 - Deep Dive #2: Julien Donkey-Boy (1999) d. Harmony Korine 59:43 - Top 30-21 1:08:54 - Deep Dive #3: Hiroshima Mon Amour (1959) d. Alain Resnais 1:28:55 - Top 20-11 1:57:59 - Deep Dive #4: Solaris (1972) d. Andrei Tarkovsky 2:19:41 - Top 10-1 3:34:46 - Outro/Next Episode - Jon's Pick Email us at Filmyakpodcast1@gmail.com filmyak.podiant.co

Sun, 01 Jul 2018 19:59:10 +0000 https://pengcast.podigee.io/296-199-nouvelle-vague da90ef3501e3339b226a857a8be50ea7 Arthur hat eine Perücke! Wir wagen uns an die Nouvelle Vague und sprechen über drei Filme aus ihren Anfangsjahren: "The 400 Blows" von Truffaut, "Hiroshima Mon Amour" von Resnais und "Breathless" von Godard. 00:00:00 Intro & Nouvelle Vague 00:15:20 The 400 Blows (1959) 00:30:40 Hiroshima, Mon Amour (1959) 00:50:05 Breathless (1960) Ey, yo: Der nächste Live-Cast steigt am 13. Juli im Laika Neukölln Let's be friends, ok? :) Den Pengcast gibt es natürlich auch auf Instagram, Facebook und Twitter.   iTunes-Sterne helfen uns Ja, wir wissen, es ist ein bisschen kompliziert. Aber falls ihr einen Apple-Account habt, dann könnt ihr euch bei iTunes einloggen und uns eine Sterne-Bewertung dalassen. Das hilft anderen, uns zu entdecken:   Euch gefällt, was wir hier machen? Dann würden wir uns sehr über eure Unterstützung freuen! Ihr könnt uns mit einer monatlichen Spende sowohl auf Patreon (USA) oder Steady (Deutschland) unterstützen. Als Dankeschön gibt es Sticker, Jutebeutel und vier exklusive Podcasts pro Jahr, in denen wir über unsere Lieblingsfilme quatschen. Falls euch das zu verbindlich ist, könnt ihr uns auch einfach ein paar Euros über PayPal schicken. Vielen Dank an alle, die uns schon unterstützen!   Feedback? Schreibt uns! Wir freuen uns über eure Post. Am liebsten lesen wir eure persönlichen Ansichten zu den Filmen die wir besprechen. Aber auch Lob, Kritik und natürlich Off-Duty-Vorschläge kommen immer gut. Wir lesen jede Mail und besprechen die interessantesten im Pengcast. derpengcast@gmail.com 296 full no Filme, Film, Filmpodcast, aktuell, aktuelle, Comedy, deutsch, Rezensionen, Reviews, Pengcast, Christian Eichler, Lukas Diestel, Malte Springer, Max von Raison, Off Duty, witzig, lustig, intelligent, Hintergrund Christian Eichler, Lukas Diestel, Malte Springer, Max-Ole von Raison 4195

For Asian Americans, there is often the question of whether there's a sort of Promised Land, where there is less racism and more happiness. Frequently, Canada is suggested as such a place. Filip and Oxford, who were both born and raised in Canada, discuss the good and bad of life in the True North strong and free. Intro/Outro Song: Theme from Hockey Night in Canada Intro Voice Track: Don Cherry on the truth about "Natives" (https://www.youtube.com/watch?v=R5p5r6tiK6M&t=2s) TWITTER: Oxford (@oxford_kondo) REFERENCED RESOURCES: I Wanted To Love Paris, But It Didn't Want Me: https://www.buzzfeed.com/jenhchoi/i-wanted-to-love-paris-but-it-didnt-love-me?utm_term=.fnnpy6bYO#.diWx3O1zo The Lover: https://en.wikipedia.org/wiki/The_Lover_(film) Hiroshima Mon Amour: https://en.wikipedia.org/wiki/Hiroshima_mon_amour

In this episode, I talk about Alain Resnais's 1959 classic "Hiroshima Mon Amour." I combine excerpts from Marguerite Duras's screenplay for the film and portions of John Hersey's "Hiroshima" to explore how the film represents (or resists representing) horror and atrocity. I also look at how it portrays memory and grief. As Duras writes, "Impossible to talk about Hiroshima. All one can do is talk about the impossibility of talking about Hiroshima." Consider making this podcast sustainable by supporting it on Patreon. Subscribe to the Her Head in Films Newsletter. Follow me on Facebook, Twitter, Instagram, and Tumblr. Original artwork by Dhiyanah Hassan

A beautiful and thought-provoking movie, that maybe doesn't land quite like its creator wanted it to.

This week on the InSession Film Podcast, Mike from War Machine vs War Horse joins us to discuss Matt Damon in JASON BOURNE, the fifth film in the franchise. We also discuss our favorite Paul Greengrass scenes and we continue our French New Wave Movie Series with Alain Resnais' Hiroshima mon amour.   - Jason Bourne review (6:31)   - Top 3 Paul Greengrass Scenes (45:11)   - French New Wave Movie Series: Hiroshima mon amour (1:34:29)   Thanks for listening and be sure to subscribe on iTunes, Jabbercast, Stitcher, Soundcloud or TuneIn Radio!   iTunes: https://itunes.apple.com/us/podcast/insession-film-podcast/id605634337   Jabbercast: https://insessionfilm.jabbercast.com   Stitcher: http://www.stitcher.com/podcast/insession-film   Soundcloud: https://soundcloud.com/insession-film   TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/   Listen Now: http://insessionfilm.com/insession-film-podcasts-listen-now/

Matthew Sweet reflects on the film music of the great French film composer Georges Delerue, who composed over 350 scores including much of the music for the films of François Truffaut - a composer once described as "the Mozart of cinema". The programme features scores from "Steel Magnolias"; "Hiroshima Mon Amour"; "Cartouche"; "Anne of The Thousand Days"; "Le Mépris"; "Day for Night"; "Tirez Sur Le Pianiste"; "Le Dernier Métro"; "Jules et Jim"; "Day of the Jackel"; "Something Wicked This Way Comes" and "Agnes of God".

It's the second part of our French New Wave crash course, as we look at the works of those in the rather more loosely defined Left Bank group - Agnes Varda, Alain Resnais, Jacques Demy and Chris Marker. Are they any better than the Cahiers du cinema gang? There's only one way to find out... Featuring discussions on Hiroshima Mon Amour, Last Year at Marienbad, Lola, The Umbrellas of Cherbourg, Cleo from 5 to 7, and The Pier.

We place bets on Deadpool and discuss the forthcoming R-rated comic book movie explosion, plus we also talk Zoolander 2, When the Wind Blows, Dracula Untold, Condorman, The Detective, Turbo Kid, Sullivan's Travels, Hiroshima Mon Amour and American Crime Story.

We place bets on Deadpool and discuss the forthcoming R-rated comic book movie explosion, plus we also talk Zoolander 2, When the Wind Blows, Dracula Untold, Condorman, The Detective, Turbo Kid, Sullivan's Travels, Hiroshima Mon Amour and American Crime Story.

Great White Terry Crews' of the Antarctic We peruse the Oscar nominations this week before poking the geriatric bear with a stick. Off the Shelf included Escape from 'Liberty' Cinema and Hiroshima Mon Amour before a tonal 180 in which the show truly earns its name with Montage of Heck and Deathgasm. Our film of the week is Iñárritu's The Revenant (we didn't have to spell check that name or anything).

Tyler and David discuss what they've been watching, including The Hunger Games: Mockingjay - Part 2, Matinee, Spotlight, Anomalisa, Nicola Constantino - La Artefacta, Hiroshima Mon Amour, In the Heart of the Sea, Sicario, Creed, Bojack Horseman, Unbreakable Kimmy Schmidt, South Park, Survivor, The Last Man on Earth, Adventure Time and John Mulaney: The Comeback Kid.

What if Minions worked for Hitler? That's just how the show starts! Chris and Dylan break down the new family film, Minions, before going into what is a pretty good week for new releases. Three Criterion releases and some great horror and science fiction in It Follows and Ex Machina, respectively. Then Chris explains why you probably shouldn't bother watching Paul Blart Mall Cop 2, which also comes out this week. Though, I doubt you really needed a reason not to watch it. Dylan actually went and saw a movie you might be excited for: The Wolfpack. If you haven't been paying attention to the internet, you may not have known that San Diego Comic-Con was happening. Well don't worry because we've got your back. From trailers to some inevitable Star Wars news, one person destroys the other person's hopes for each individual piece of news. You can thank the Deadpool trailer for this week's opening track. Prepare for next week when Chris makes Dylan watch Ant-Man for your amusement. Show Notes: (3:27) Minions Review (19:12) Minions Review Spoilers (31:23) New Releases: The Longest Ride, It Follows, Ex Machina, This Is Your Life, The Black Stallion, Hiroshima Mon Amour, The Second Best Exotic Marigold Hotel (37:16) Paul Blart Mall Cop 2 (43:14) The Wolfpack (50:19) San Diego Comic-Con Roundup (77:46) Closing Comments You can find more written content at www.infiniterespawns.com, such as a review of The Overnight, as mentioned on last week's podcast.

It's finally here! The premiere episode of Decades of Cinema! Below are various ways of listening to the show and links followed by a rundown of this episode's film list! Enjoy!Embedded version!Or, download the show directly!Available in .M4A or .MP3 format. Or check out DoC in the iTunes Store.E-mail us directly with any questions or comments and also to submit your own movie lists for consideration for our show-ending segment Rapid Fire Reviews! Our official e-mail address is: decadesofcinema@yahoo.comIf you are a Letterboxd user here's a DoC Episode #1 list there if you want to follow along at home and use it track which films from this episode you've seen!Without further adieu -- here's this episode's films!1890sComic Costume Race (Paul, 1896)1900sThe Dancing Pig (1907)1910sBroken Blossoms or The Yellow Man and the Girl (Griffith, 1919)1920sMan with a Movie Camera (Vertov, 1929)1930sAlexander Nevsky (Eisenstein, Vasilev, 1938) 1940sThe Magnificent Ambersons (Welles, 1942)1950sHiroshima Mon Amour (Resnais, 1959)1960sSpartacus (Kubrick, 1960)1970sMark of the Devil (Armstrong, Hoven, 1970)1980sFitzcarraldo (Herzog, 1982)1990sThe Long Day Closes (Davies, 1992)2000sCastaway on the Moon (Lee, 2009)2010sJohn Carter (Stanton, 2012)Rapid Fire ReviewsMr. Jones (Mueller, 2013), Computer Chess (Bujalski, 2013), The Internship (Levy, 2013), The Signal (Eubank, 2014), The Angriest Man in Brooklyn (Robinson, 2014), and My Dinner with Andre (Malle, 1981)Remember to e-mail us at decadesofcinema@yahoo.com to send in your comment, questions, and requests for the Rapid Fire Reviews segment! Thanks for the support and we'll see you at the movies!

Matthew Sweet with a selection of film music inspired by the theme of memory, in the launch weekend of Rowan Joffé's "Before I Go To Sleep" featuring a new score by Ed Shearmur. The progrmame includes music for "Cinema Paradiso"; "Le Temps Retrouvé"; "Hiroshima Mon Amour"; "Rashomon"; "Total Recall"; "Inception"; "Eternal Sunshine of the Spotless Mind"; from composers such as Jon Brion, Hans Zimmer, Jerry Goldsmith, Fumio Hayasaka, Giovanni Fusco, Jorge Arriagada, and Ennio Morricone. The Classic Score of the Week is Miklós Rózsa's music for "Spellbound". #soundofcinema.

durée : 00:59:03 - Les Grandes Traversées - Le scénario du film d'Alain Resnais tourné en 1959 est lu par l'auteur (Marguerite Duras) et par la comédienne Emmanuelle Riva. - invités : Marguerite Duras Écrivaine, dramaturge et cinéaste (1914-1996); Emmanuelle Riva

KOKU'da bu hafta: Alain Resnais, Marguerite Duras ve Hiroshima Mon Amour; Issey Miyake'nin annesini kim oldurdu? Katil adalete teslim edildi mi?; Parfumden nefret eden adamin "kult" olan parfumu: L'Eau d'Issey; Shiseido nedir? BPI ile ne baglantisi vardir?; Adina cikacak ilk parfumde parfumorleri ters koseye yatirmak: "Bana su kokusu yapin!"; Kadinlar hep, "burunlari ile koklar ama gozleri ile satin alirlar" mi?

The 47th Annual New York Film Festival September 25 - October 11, 2009 Please stay tuned for complete coverage of the New York Film Festival including director panels. We interview Jack Angstreich on the background on the following directors: ( The rest of the directors/film will be posted the following week.) OPENING NIGHT Wild Grass / Les herbes folles Alain Resnais, 2009, France, 113m As avant-garde as ever fifty years after making his debut with the landmark Hiroshima Mon Amour, the venerable Alain Resnais delivers a career-crowning masterpiece. An exquisite human comedy of manners, mystery and romance with some of France’s – and our – favorite actors: Sabine Azéma, André Dussollier, Emmanuelle Devos and Mathieu Almaric. A Sony Pictures Classics release. Fri. Sept. 25: 6pm CENTERPIECE Precious: Based on the Novel ‘Push’ by Sapphire Lee Daniels, 2009, USA, 109m In this astonishing adaptation of Sapphire’s 1996 novel, second-time director Lee Daniels unsparingly recounts the horrific story of 16-year-old Clareece “Precious” Jones who uses all the emotional energy she possesses to attempt to turn her life around. Daniels’ audacious tale features unforgettable performances by Mo’Nique, Mariah Carey and newcomer Gabourey Sidibe. A Lionsgate release. Sat. Oct. 3: 7pm and 10pm CLOSING NIGHT Broken Embraces / Los abrazos rotos Pedro Almodóvar, 2009, Spain, 128m Almodóvar’s newest masterwork barrels from comedy to romance to melodrama to the darker haunts of film noir. A blind screenwriter learns of the death of an industrialist, triggering a flood of memories that encompass a tale of naked ambition, forbidden love and devastating loss. Penelope Cruz, the screenwriter’s muse (and Almodóvar’s), has never been more ravishing. A Sony Pictures Classics release. Sun. Oct. 11: 5pm and 8pm Antichrist Lars von Trier, 2009, Denmark, 109m Sure to be one of the year’s most discussed films, Lars von Trier’s latest chronicles a couple’s efforts to find their love again after a tragic loss—a process that winds up unleashing the hidden monsters lurking in their souls. An unforgettable domestic horror movie, a ghost story, and a cry of anguish. An IFC Films release. Fri. Oct. 2: 9pm Sat. Oct. 3: 1pm Around a Small Mountain / 36 vues du Pic Saint-Loup Jacques Rivette, 2009, France, 85m The legendary 81-year-old French New Wave veteran Jacques Rivette returns with an elegiac look at the final days of a small-time traveling circus, mixing theater and life and the gray areas in between. Wed. Oct. 7: 9:30pm Fri. Oct. 9: 3pm The Art of the Steal Don Argott, 2009, USA, 101m Bound to be controversial, this thought-provoking documentary explores the travails of the legendary Barnes collection of art masterworks and the foundation set up to protect it raises vital questions about public vs. private “ownership” of art. Tue. Sept. 29: 9:15pm Bluebeard / La barbe-bleue Catherine Breillat, 2009, France, 78m A fearless explorer of edgy sexuality, Catherine Breillat follows two young sisters reading Charles Perrault’s 17th century tale of perhaps the first “serial killer,” reflecting on the enduring fascination with Bluebeard, who has served as inspiration for countless novels, plays and films. Sun. Oct. 11: 2pm Crossroads of Youth / Cheongchun’s Sipjaro An Jong-hwa, 1934, Korea, 74m The oldest surviving Korean film is a visually dynamic tale of a brother and sister from the country discovering the pleasures and dangers of city life. This recently-rediscovered masterwork will be presented with live musical accompaniment as well as a pyonsa (live offscreen narrator). Sat. Oct. 3: 11am