Podcasts about woolf

With her bewitching and beautiful novel NEVERMORE (Seagull Books, translated from French by Tess Lewis, who joins our conversation), Cécile Wajsbrot takes us on a tour of Chenobyl's Forbidden Zone, the High Line in NYC, Dresden, Paris, under the shadow of the Time Passes section of Virginia Woolf's To The Lighthouse. We talk about the challenges of writing a first-person novel about translation, the strange ways Woolf has followed Cecile throughout her careers as author & translator, and how it felt to see her novel about translating Virginia Woolf into French get translated into English. We get into her literary career, how Time Passes became a stand-in for her fascination with destruction, why she's translated Woolf's The Waves three times over thirty years (and whether the first one got her into the bad graces of the editor of Le Monde de Livres), what it was like to subvert the translator's typical role of invisibility with this novel, and the language she wishes she had. We also discuss mourning and the ways we try to keep conversation alive with those we've lost, the time I impressed the Princess of Yugoslavia by transliterating the Cyrillic on her family's jewels, and more. More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Who benefits and who loses when emotions are described in particular ways? How do metaphors such as "hold on" and "let go" affect people's emotional experiences? Banned Emotions: How Metaphors Can Shape What People Feel (Oxford UP, 2019), written by neuroscientist-turned-literary scholar Laura Otis, draws on the latest research in neuroscience and psychology to challenge popular attempts to suppress certain emotions. This interdisciplinary book breaks taboos by exploring emotions in which people are said to "indulge" self-pity, prolonged crying, chronic anger, grudge-bearing, bitterness, and spite. By focusing on metaphors for these emotions in classic novels, self-help books, and popular films, Banned Emotions exposes their cultural and religious roots. Examining works by Dante, Dickens, Dostoevsky, Kafka, Forster, and Woolf in parallel with Bridesmaids, Fatal Attraction, and Who Moved My Cheese?, Banned Emotions traces pervasive patterns in the ways emotions are represented that can make people so ashamed of their feelings, they may stifle emotions they need to work through. The book argues that emotion regulation is a political as well as a biological issue, affecting not only which emotions can be expressed, but who can express them, when, and how. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

El Criticón de la Cultureta Gran Reserva destaca esta semana tres pelis que ha visto no ha visto. ‘Los destellos', de Pilar Palomero, de la que aprecia su tempo lento y sus matizadas interpretaciones; ‘Soy Nevenka' de Icíar Bollaín, con la que conectó desde el principio porque le pareció rodada con naturalidad, claroscuros y crudeza; y ‘Rita', de Paz Vega, a la que le agradece una opera prima como cineasta tan delicada y frágil, pequeña en el buen sentido, personal.También trae a la actualidad ‘Woolf Works', un ballet extraordinario con música de Max Richter y coreo de Wayne McGregor para la Royal Opera House de Londres. De hace unos añitos, pero muy vigente en su corazón de crítico. Bailarines danzando alrededor de las melodías girando a su vez en torno a las obras de Virgina Woolf. Delicatessen. Además, este hombre lleno de criterio se acuerda del aniversario de la faena inolvidable que le realizó Julito Aparicio al toro Cañego de Alcurrucén, obra culmen del desmayo, el quejío y el arte roto encarnado en un humano atravesado por una sensibilidad que ni él mismo comprende y apenas puede expresar o intentar vehicular sin desbaratarse. Fue el 18 de mayo de 1994. Buscan en Internet ‘Julio Aparicio Desmayo' y se lo ven en YouTube. De nada.  

El Criticón de la Cultureta Gran Reserva destaca esta semana tres pelis que ha visto no ha visto. ‘Los destellos', de Pilar Palomero, de la que aprecia su tempo lento y sus matizadas interpretaciones; ‘Soy Nevenka' de Icíar Bollaín, con la que conectó desde el principio porque le pareció rodada con naturalidad, claroscuros y crudeza; y ‘Rita', de Paz Vega, a la que le agradece una opera prima como cineasta tan delicada y frágil, pequeña en el buen sentido, personal.También trae a la actualidad ‘Woolf Works', un ballet extraordinario con música de Max Richter y coreo de Wayne McGregor para la Royal Opera House de Londres. De hace unos añitos, pero muy vigente en su corazón de crítico. Bailarines danzando alrededor de las melodías girando a su vez en torno a las obras de Virgina Woolf. Delicatessen. Además, este hombre lleno de criterio se acuerda del aniversario de la faena inolvidable que le realizó Julito Aparicio al toro Cañego de Alcurrucén, obra culmen del desmayo, el quejío y el arte roto encarnado en un humano atravesado por una sensibilidad que ni él mismo comprende y apenas puede expresar o intentar vehicular sin desbaratarse. Fue el 18 de mayo de 1994. Buscan en Internet ‘Julio Aparicio Desmayo' y se lo ven en YouTube. De nada.  

Cem anos depois da publicação de “Mrs Dalloway”, o mais conhecido romance de Virginia Woolf (1882-1941), a escritora inglesa ganha novas edições da sua ficção e novos olhares sobre seus ensaios. Neste episódio, dois tradutores de Woolf, a escritora Sofia Nestrovski, que traduziu “Um Quarto Só Para Mim”, e o poeta Leonardo Fróes, que verteu “Ensaios Seletos”, ambos pela Editora 34, falam de como foi traduzir a prosa revolucionária da autora britânica e da atualidade dos escritos de Virginia. O episódio foi realizado com apoio da Lei Rouanet – Incentivo a Projetos Culturais. Seja um Ouvinte Entusiasta e apoie o 451 MHz: https://bit.ly/Assine451  

O programa Autores e Livros desta semana traz uma conversa especial com o escritor Alexandre Staut, autor de O Caldeirão da Velha Chica e outras histórias brasileiras. A obra é uma coletânea de contos que mergulha no imaginário popular do Brasil e apresenta uma pesquisa apaixonada sobre a alimentação brasileira, fruto de mais de 15 anos de investigação informal. Combinando jornalismo literário, relatos de viagem, história oral, antropologia e toques de ficção, Staut utiliza uma linguagem acessível e poética para valorizar tradições, lendas e saberes populares. Seus textos resgatam personagens e histórias do Brasil profundo, especialmente das regiões interioranas e rurais, conectando cultura, memória e identidade. Entre os lançamentos literários comentados no programa, destaque para o livro Teatro Lambe-lambe: uma parição brasileira, assinado por Amara Hurtado, Denise Di Santos, Jirlene Pascoal, Mariana Baeta e Sérgio Maggio. A obra faz um mergulho na história e nas linguagens do Teatro Lambe-lambe, técnica de teatro de bonecos em miniatura. O projeto nasceu da inquietação do grupo As Caixeiras Cia. de Bonecas, do Distrito Federal, pioneiro no movimento da arte lambe-lambeira no Centro-Oeste. Outro destaque do episódio é a nova edição do ensaio Profissões para mulheres, de Virginia Woolf, lançado pela Editora Maralto. Com tradução da escritora Adriana Lisboa e ilustrações inéditas da artista Marilda Castanha, a obra dá nova vida ao clássico texto, publicado originalmente em 1931 como uma palestra. A edição especial combina texto e imagem para reforçar a atualidade da reflexão de Woolf sobre os desafios enfrentados pelas mulheres no mundo profissional e intelectual.

Virginia Woolfs endagsroman Mrs Dalloway är en verklig klassiker. Men vad är det som gör den så bra? Karin Nykvist funderar över sin favorit. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Vad är det med Mrs Dalloway? Hur kommer det sig att jag bara måste återvända till henne gång på gång, år efter år, att jag tvingar alla mina studenter att läsa om henne och aldrig kan hålla litteraturvetarens förväntade distans utan bara måste förklara för alla som vill eller inte kan undgå att lyssna att hon finns i min absoluta favoritroman?Boken om henne handlar ju inte alls om något häpnadsväckande: en dam promenerar runt i London och ordnar en fest, samtidigt som en krigsveteran, skadad av första världskrigets skyttegravshelvete långsamt rör sig mot sitt självmord i samma stad. Och Mrs Dalloway är inte alls som jag – hoppas jag! Hon är snobbig, konservativ, dömande, arrogant – och inte helt lätt att tycka om. Trots att andra möjligheter fanns har hon valt det säkra livet och gift sig med en lagom ointressant man som gett henne en trygg position i samhällets societet. Själv broderar hon, handlar blommor, arrangerar fester och är – som hennes gamla kärlek Peter syrligt säger – en perfekt värdinna. Ytlig och lätt att glömma, med andra ord.Så varför gör jag inte det?Ja, grejen med Clarissa Dalloway är väl just att hon påminner mig om att den sorts människor som jag just beskrev faktiskt inte existerar: de ytliga, ointressanta, de som inte lämnar några spår. Vi bara tror att de finns. Virginia Woolfs mästerskap ligger i hur hon skriver fram den mänskliga erfarenheten, i all dess komplexitet. I Clarissa Dalloway får jag tillgång till en hel människa – på ett sätt som jag faktiskt inte kan få i verkliga livet. För porträttet av Clarissa tecknas inte bara genom hennes eget medvetande utan genom alla dem hon möter, de som känner henne väl och ser henne genom alla hennes tidigare, yngre versioner, och de som flyktigt korsar hennes väg på gatan.Virginia Woolf struntade blankt i sin samtids förväntningar på hur en roman skulle skrivas. I stället gjorde hon som Clarissa själv: kastade sig ut i den vackra Londonmorgonen och lät läsaren följa med i livet som ständigt pågår – överallt. Så byter romanen perspektiv utan förvarningar, från den promenerande Mrs Dalloway till hennes gamla pojkvän Peter Walsh – som just kommit tillbaka till London från att ganska mediokert ha tjänat det brittiska imperiet i Indien – till ungdomskärleken Sally Seton som blivit Lady och fembarnsmor, till butiksinnehavare, gatuförsäljare och nyfikna flanörer. Och så ger den perspektivet till den svårt sjuke Septimus Smith och hans förtvivlade fru Lucrezia, för att låta det gå tillbaka till Clarissa – och vidare igen. Hon tänker på dem alla och på sig själv – medan de i sin tur betraktar henne – och tänker på sig själva.Allt är relativt: tid, plats, minne, identitet – och människans sinnen och psykologi gör en objektiv upplevelse av världen omöjlig. ”Hon ville inte längre säga om någon människa i världen att hon eller han var det eller det [.…] ville inte säga om sig själv: jagär det eller det” tänker Clarissa. För dum är hon inte, hon vet: allt är i flux. Det enda vi verkligen har är ögonblicket, vårt här och nu. Berättelserna, före och efter-tankarna, den skenbara logiken skapar vi själva. Men det är ögonblicken vi minns, synintrycken, dofterna, ljuden, mötet med den andre.Ögonblick. Ordet återkommer genom romanen – i Eva Åsefeldts översättning hela femtiofyra gånger. För Woolf är det nämligen inte ett ord bland andra, inte en neutral beskrivning av en flyktig stund, utan centralt för hela hennes förståelse av livet. Hon kallar dem ”moments of being” – de ögonblick när livet plötsligt fylls av akut härvaro. De kommer sällan och oväntat. För Clarissa sker det till exempel när hon mitt på förmiddagen lägger av sig sin brosch i sitt sovrum. Woolf skriver att Clarissa: ”kastade sig […] ut i ögonblickets själva kärna, naglade fast det, där – ögonblicket denna förmiddag i juni som vilade under trycket av alla de andra förmiddagarna. Hon såg spegeln, toalettbordet och flaskorna som för första gången, samlade hela sitt jag till en enda punkt (med blicken mot spegeln), såg det späda rosa ansiktet hos den kvinna som samma kväll skulle hålla sin fest; Clarissa Dalloway, hon själv.”Ögonblick som dessa kan, som Runeberg skrev, ”bli hos oss evigt”. Som en annan morgon, mer än trettio år tidigare, när Sally plötsligt kysste henne på en terrass: ”det mest fulländade ögonblicket i hennes liv”.Clarissa återkommer ständigt till denna stund och till den hon var då. Då när alla dörrar till livet fortfarande stod öppna. Då, när hon gjorde slut med Peter Walsh – och kysste Sally. Sedan dess har livets dörrar stängts, en efter en. Har hon valt rätt? Var det rätt att tacka nej till allt det osäkra och otippade - och i stället bli fru Dalloway?Virginia Woolf hade hunnit bli fyrtio när hon skapade sin Clarissa. Hon bodde då tillfälligt i Richmond, där hon och hennes man Leonard hade startat Hogarth Press, mycket för att Virginia skulle ha något att göra – hon led sedan barndomen av bräcklig mental hälsa.Många läsare har funderat på hur mycket av författaren som finns i Mrs Dalloway. Det är lite roligt, för Woolf var knappast någon borgerlig societetsdam som gav fester för konservativa premiärministrar och andra noggrant utvalda medlemmar av societeten. Hon var ju bohem, ganska så fattig, gift med en socialist och uppslukad av konst och litteratur. Mrs Dalloway broderar – Virginia Woolf läste James Joyce. Mrs Dalloway planerar menyer – Virginia Woolf satte texten till T.S. Eliots ”Det öde landet” – som gavs ut som bok på paret Woolfs lilla förlag 1923, samtidigt som Virginia skrev på sin roman.Men jag förstår tanken - för visst finns likheterna där. Clarissa ser och noterar det mesta som har med samtidens sociala spel att göra. Men till skillnad från sin skapare Virginia väljer hon bara att spela med. Kanske är Clarissa Dalloway allt det som Woolf själv hade kunnat bli, om hon inte gjort uppror mot det viktorianska samhälle hennes samtid och stränga far uppfostrade henne till.Och det är väl just i det att vara människa i världen, bland andra människor, som jag och Clarissa – och för den delen Virginia Woolf – möts och är lika varandra. Upptagna med vardagens små planer, fasta i oss själva och våra sinnens och tankars begränsningar medan livet pågår och pågår – och plötsligt slår oss med sin storslagenhet, skönhet och korthet – i varats utsträckta ögonblick.Och alla har vi väl våra egna varianter av Sally Seton-kyssar där någonstans längst inne: minnen som vi vårdar och som kommer att försvinna med oss.En av litteraturens främsta egenskaper är att den får oss att känna igen människor vi aldrig mött. Jag känner igen Clarissa Dalloway – trots att hon är hundra år äldre än jag och bara ett stycke text, en uppfinning. För någonstans är det ju ändå så, att Clarissa Dalloway, ja, det är ju jag.Och du.Karin Nykvistlitteraturvetare och kritikerLitteraturVirginia Woolf: Mrs Dalloway. Översättning: Eva Åsefeldt. Albert Bonniers förlag, 2025.

1920-talets författare sörjde inte bara alla döda, utan främst att mänskligheten gått förlorad. Anna Thulin funderar över hur det påverkade romankonsten. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Först publicerad 2020-10-01. Texten är inläst av Sofia Strandberg.Hur mäter man förlusten av ett krig? I kroppar: tio miljoner döda, dubbelt så många sårade och skadade. I platser: ödelagda städer, brända landskap och skyttegravar som djupa, blödande sår. Men platser och kroppar rymmer inte allt. Kanske är det tomheten vi istället bör mäta: det outtalade, minnena som trycks undan och förtvinar, den ekande tystnaden efter de ofödda som aldrig blir till.Ja, första världskriget var ett oöverskådligt trauma för stora delar av världen, och så klart för Europa. Vi kan försöka föra räkenskap över synliga och osynliga förluster, men all sorg kommer ändå inte att rymmas. Ur askan reste sig dock något nytt, inte minst inom den europeiska romankonsten. På 1920-talet skrevs några av århundradets främsta böcker – romaner som Thomas Manns ”Bergtagen”, André Gides ”Falskmyntarna”, Virginia Woolfs ”Mrs Dalloway” och Herman Hesses ”Stäppvargen”. Skildringar av väldigt olika slag, men som har gemensamt att de försökte bearbeta krigets trauma och skildra författarens idéer om samhället och människan. Och trots att de är skrivna i 1900-talets början, har dåtidens romaner mer gemensamt med senare författare än vad man först kan tro.Thomas Mann har kallat människan för ”livets sorgebarn”. I så fall är 1920-talets romaner krigets sorgebarn, skriver journalisten och författaren Åke Lundqvist i sin bok med samma namn. Där skildrar han tiden före och under och efter första världskriget, och djupläser sju romaner från efterkrigstiden – romaner som alla söker ett ljus i mörkret. För hur kunde européerna, som stolt tänkt att de burit på humanitetens och förnuftets fana, falla ut i en sådan katastrof? Det måste vara idéerna det var fel på! Inte främst de politiska idéerna, tänkte författarna, utan de mänskliga grundvalarna.Ja, vad innebär det egentligen att vara människa? Känslan på 1920-talet var att allting stod i sönderfall. Nationer, ekonomi och gamla religiösa och vetenskapliga sanningar. Ingenting gick att lita på. Det gav en längtan tillbaka, efter något ursprungligt och meningsfullt. Man sökte sig till andra länder, till vetenskapen, till svunna civilisationer och inåt sig själv. Mann, Gide, Woolf och Hesse deltog inte i några strider och skrev inte uttryckligen om kriget. Men känslan av förlust var ett arv från kriget. Den vilade som en skugga över de överlevande.På samma sätt fortsätter skuggor att vila över oss. Det ger avtryck i litteraturen.Några böcker om första världskriget kom visserligen tidigt, under själva krigsåren, men det var först med Erich Maria Remarques roman ”På västfronten intet nytt”, från 1929, som genombrottet kom för krigslitteraturen. På samma sätt dröjde det innan andra världskrigets vittneslitteratur om Förintelsen nådde fram till läsarnas medvetande. Kanske tog det tid för publiken att mogna. Kanske för författarna att våga skriva, trygga från hot om våld och plötsliga försvinnanden.1920-talets europeiska författare upplevde inte samma hot, men riskerade att utsättas för censur för att de bröt mot konventioner. De sörjde inte i första hand de miljontals liv som gått till spillo under första världskriget – utan att mänskligheten som helhet gått förlorad. Åke Lundqvist uttrycker det fint i sin bok: ”Samhälleliga andliga värden har dödligt skadats i kriget. Men det ljus som brinner i människan är intakt. Dess förmåga att påverka världens gång må vara oviss. Dock finns den där, som en motkraft. Detta är kärnan i den andliga tro som tjugotalets europeiska idéromaner förmedlar.”Det andliga inuti oss själva. Människan istället för gud. Ja, vi lever fortfarande – eller på nytt – i ett famlande efter andliga värden. Den nya världen har visats sig vara mer globaliserad och sammanknuten än någonsin tidigare, och samtidigt mer fragmenterad och upplöst för individen. Inte underligt att man kan känna sig som Clarissa i Virginia Woolfs ”Mrs Dalloway”, där hon går genom staden, totalt uppslukad och förundrad över alla intryck som möter henne – för att i nästa sekund falla ned i modlöst mörker. Livslusten och meningslösheten lever tätt sida vid sida. För att hitta en plats i samtiden dyker man in i sig själv och lägger ihop skärvor av minnen så att man förstår något om världen.Att dyka ned i sig själv och pussla ihop minnen för att förstå sin samtid…. Visst låter det som en annan litterär genre? Jag tänker såklart på autofiktionen, och undrar om inte vågen av självframställningar har en del gemensamt med förra sekelskiftets litteratur. 1920-talets författare upplevde att de förlorat den gamla sanningen om världen, ja, hela den gamla världen dog i första världskriget. Själva försöker vi navigera mellan falska nyheter, företagens storytelling och sociala mediers polerade yta. Vad är autentiskt när sanningen blivit fiktion? Och vad ska egentligen en roman vara, när allt vi omgärdas av är berättelser?Det är svårt att peka ut vad som är nytt, särskilt som man är mitt uppe i ett skeende, säger den norska litteraturprofessorn Toril Moi i en föreläsning om Karl Ove Knausgård på Lunds Universitet 2019. Men hon pekar på förlusten av sanningen som en avgörande drivkraft för autofiktionens pionjärer, från Annie Ernaux till Knausgård: ”Liksom alla stora konstnärliga rörelser tar också den här upp något oroande i vår kultur, nämligen den ökande produktionen av fiktioner, som nu hotar att drunkna oss i det falska, det oäkta och det overkliga.” Genom att skala av lagren av fiktion vill författarna blottlägga sanningen. Inte den torrt objektiva sanningen, utan den mänskliga och meningsskapande. Inte helt olikt vad 1920-talets författare strävade efter.Det sägs att krigets första offer är sanningen. Men exakt hur mäter man förlusten av ett krig? Den går inte att mäta, är det enkla svaret. Varken i kroppar eller platser eller tomhet. Många av oss som själva förskonats hör ekot av släktingar som överlevde eller som inte gjorde det. Soldater som återvände; eller inte gjorde det. Återigen sover många av oss med någon som vaknar upp i ett skrik mitt i natten när minnena tränger sig på. Att dö är inte svårt, nej, att leva är det svåra. Kanske, i bästa fall, kan litteraturen visa oss en väg.Text: Anna Thulin, journalistTal: Sofia StrandbergLäsning och lyssningÅke Lundqvist: ”Krigets sorgebarn: Om 1920-talets europeiska idéromaner”, Carlssons bokförlag, 2018.”Knausgård: In Search of a New Form” av Toril Moi, föreläsning på Lunds universitet 2019.

The Dolphins have had a rocky start to 2025, recording four wins and six losses to open the season. However, the team remains confident they can finish strong. Dolphins coach, Kristian Woolf, told Peter Psaltis on Wide World of Sports, "I think if you look at the course of the season, particularly from where we started, we've shown that we're improving." "You can see that we're really heading in the right direction there, and now that doesn't give you success every week." "But as long as we can see that improvement, then I know where we're going to end up," Mr Woolf continued. See omnystudio.com/listener for privacy information.

Da Hans Petter Blad ble innlagt på Ullevål for en operasjon sommeren for ett år siden, valgte han å ta med seg en roman av Virginia Woolf (1882-1941) som lesestoff og eneste reisefølge. Det viste seg å være et klokt valg, for Til fyret (1927) var den perfekte lektyren for å vinne tilbake «troen på livet.»På tross av at teksten på mangae måter er en ekstremt voldelig tekst, og helt annerledes enn man forestiller seg ved synet av fotografier av Virgina Woolf og hennes krets, alle tandre og snobbete. Woolf er selve sinnbildet på både modernismen og feminismen i litteraturen. Hennes grensesprengende essay, Et eget rom (1929), er et av de viktigste og mest velskrevne litterære essay noen gang. Det kom to år etter Til fyret og fire år etter hennes kanskje mest kjente romen, Mrs. Dalloway (1925). Men hva betyr forfatterskapet hennes i dag? Hvordan har det seg at spesielt Til fyret oppleves som både livsnødvendig og urovekkende nær? Ved siden av å trekke veksler på sammenhengen mellom levde liv, romankunsten og tanker om det å skrive, står den umiddelbare opplevelsen av Woolfs bøker i sentrum for dette foredraget. Og, i det kollektive rommet biblioteket utgjør, vil naturligvis også Virginia Woolfs «krets», Bloomsbury-kretsen, ses på som interessant, som bilde på hvordan politikk, historie og geografi, og andre kunstformer som malerkunsten er så viktige for en romans mangetydige form. Se mindrehttp://drammensbiblioteket.noFacebook: http://facebook.com/DrammensbiblioteketInstagram: http://instagram.com/drammensbiblioteket

In this fiery episode of Food Rebels, AJ Sharp chats with the brilliant Dominique Woolf – musician, writer, and founder of The Woolf's Kitchen – about how she turned a lockdown kitchen experiment into a nationwide chilli oil sensation. Dominique shares her inspiring journey from stay-at-home mum to award-winning food entrepreneur, opening up about her Thai heritage, the challenges of launching a brand from scratch, and the joy of discovering purpose and creativity through food. Plus, she reveals a few (very cool) things you definitely won't find in her press bio…

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Stuart Woolf, among California's largest farmers and Executive Chairman of Woolf Farming Company, has a vision for the heart of California's Great Central Valley. And agave, the hearty cousin of the tasty asparagus plant, is central to that vision. We talk of Stuart's interesting journey, his family's regenerative practices and his fascination with and enthusiasm for agave's resilience in a drying valley and its distilled spirits that could create a whole new industry in the Golden State. 

A few weeks ago the Dolphins were winless. They've now strung 3 wins together including the big round 7 victory of Melbourne. Coach Kristian Woolf (1:21:39) had to hold his nerve through 4 straight losses and going behind against the Storm. The Phins coach told Andrew Moore, Luke Lewis, Ruan Sims and Michael Carayannis that keeping a cool head is his job! Meanwhile the Bulldogs might have the only 100% record in the competition but full back Connor Tracey (31:39) reckons their focus isn't on winning (even if they seem to be quite good at it!) And Andrew kicks off a series looking at the 1995 State of Origin series chatting to former North Sydney Bear and teak tough Queenslander Gary Larson (2:09:39). Plus there's the regular Saturday helping of MC's Hammertime.

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Who are the most symbolic mid 20th century American Jews? In Eminent Jews, New Yorker staff writer David Denby tells the remarkable stories of Leonard Bernstein, Mel Brooks, Betty Friedan, and Norman Mailer. He explains how each embodied a new Jewish confidence after WWII, contrasting with earlier generations' restraint. Each figure pushed boundaries in their own way - Bernstein through his musical versatility, Brooks through his boundary-pushing humor about Jewish experiences, Friedan through her feminist theories, and Mailer through his provocative writing style. Five key takeaways * Post-WWII Jewish Americans displayed a newfound confidence and willingness to stand out publicly, unlike previous generations who were more cautious about drawing attention to their Jewishness.* The four figures in Denby's book (Bernstein, Brooks, Friedan, and Mailer) each embraced their Jewish identity differently, while becoming prominent in American culture in their respective fields.* Mel Brooks used humor, particularly about Jewish experiences and historical trauma, as both a defense mechanism and a way to assert Jewish presence and resilience.* Each figure pushed against the restraint of previous Jewish generations - Bernstein through his expressive conducting and openness about his complex sexuality, Friedan through her feminist activism, and Mailer through his aggressive literary style.* Rejecting the notion that a Jewish "golden age" has ended, Denby believes that despite current challenges including campus anti-Semitism, American Jews continue to thrive and excel disproportionately to their population size.David Denby is a staff writer at The New Yorker. He served as a film critic for the magazine from 1998 to 2014. His first article for The New Yorker, “Does Homer Have Legs?,” published in 1993, grew into a book, “Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World,” about reading the literary canon at Columbia University. His other subjects for the magazine have included the Scottish Enlightenment, the writers Susan Sontag and James Agee, and the movie directors Clint Eastwood and the Coen brothers. In 1991, he received a National Magazine Award for three of his articles on high-end audio. Before joining The New Yorker, he was the film critic at New York magazine for twenty years; his writing has also appeared in The Atlantic, The New York Review of Books, and The New Republic. He is the editor of “Awake in the Dark: An Anthology of Film Criticism, 1915 to the Present” and the author of “American Sucker”; “Snark”; “Do the Movies Have a Future?,” a collection that includes his film criticism from the magazine; and “Lit Up,” a study of high-school English teaching. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Tony Squires is joined by Nathan Hindmarsh, Wade Graham, and Michael Chammas on Triple M Saturday Scrum as they put their heads together to discuss the weekend of footy so far. The boys break down the altercation between Spencer Leniu and Johnathan Thurston, the wins for the Roosters and the Dragons and where to new for the possibly new expansion team in Perth? We were also joined by Dolphins coach Kristian Woolf and Dragons newcomer Dylan Egan. Plus Believe It Or Not returns, Tony’s Quiz, and the team talk about if Penrith's season is done.See omnystudio.com/listener for privacy information.

Tony Squires is joined by Nathan Hindmarsh, Wade Graham, and Michael Chammas on Triple M Saturday Scrum as they put their heads together to discuss the weekend of footy so far. The boys break down the altercation between Spencer Leniu and Johnathan Thurston, the wins for the Roosters and the Dragons and where to new for the possibly new expansion team in Perth? We were also joined by Dolphins coach Kristian Woolf and Dragons newcomer Dylan Egan. Plus Believe It Or Not returns, Tony’s Quiz, and the team talk about if Penrith's season is done.See omnystudio.com/listener for privacy information.

On game day against the Panthers - joins Jimmy to talk through the up-and-down start to the season - the role of young players in the side and particularly Isaiya Katoa. Plus, his view on the Origin eligibility argument dominating the headlines as the current coach of the Mate Ma'a Tonga side. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ferran Garcia. "Sau"

Ferran Garcia. "Sau"

Ferran Garcia. "Sau"

Ferran Garcia. "Sau"

Ferran Garcia. "Sau"

This week, a sampling of Ozark original stringbands recorded live at the Ozark Folk Center State Park's 2024 Stringband festival held annually in Mountain View, Arkansas. Each Fall, the Ozark Folk Center State Park holds its annual Stringband Festival featuring internationally touring musicians as well as local stringbands. In 2024, the headliners were The Lonesome Ace Stringband from Toronto and Dirk & Amelia Powell from Louisiana. Both these internationally touring acts were featured recently on Ozark Highlands Radio. In this episode, we'll spotlight the authentic local Ozark stringbands that round out our festival. Featured are Lillyanne McCool & Ozark Legacy, The Creek Rocks, Bug Shuffle, The Riggsville Ramblers, and Salem Plateau. Lillyanne McCool & Ozark Legacy is a five piece string band that straddles the line between oldtime and bluegrass musics. Led by award winning banjo virtuoso Lillyanne McCool, Ozark legacy is based in Mountain View, Arkansas. Joined by her brother Jared on mandolin and her mother Crystal on upright bass, Lillyanne has grown up on the Ozark Folk Center stage. Esther Exley joins in on fiddle and Emalee Flatness-Combs brings the guitar. The Creek Rocks from Springfield, Missouri are Cindy Woolf and Mark Bilyeu. Cindy Woolf was raised in Batesville, Arkansas along the southern foothills of the Ozarks Mountain region. Mark Bilyeu hails from Springfield, located atop the Ozarks Plateau. They began their musical collaboration in 2003 with Mark at the helm for Woolf's debut CD “Simple and Few.” They married in 2013 and have endeavored together on a mission to breath new life into traditional Ozark folk songs, a mission that's carried them all the way to the Smithsonian Folklife Festival! Bug Shuffle is a traditional oldtime stringband trio based in Mountain View, Arkansas. The band consists of husband and wife Scott & Shay Pool and our very own Dave Smith, the host of Ozark Highlands Radio. Shay Pool is an oldtime fiddle contest champion and educator in the Ozark Folk Center's Music Roots program. Scott is a renowned guitar accompanist and talented luthier. Together, they own and operate Mountain View Music, an old fashioned retail music store and local landmark. The Riggsville Ramblers are another Mountain View fixture. This four piece Ozark original stringband can be heard regularly in the craft grounds at the Ozark Folk Center State Park. The Ramblers are husband and wife Jenny & Tom Sartain on banjo and guitar, Joe Roe on fiddle, and Carl Adkins on resonator guitar. With a sound plucked right out of the 19th century, the Riggsville Ramblers will have your toes tapping and your hands clapping. Salem Plateau is an oldtime husband and wife duo made up of five time Arkansas CMA winner Grace Stormont-McCarthy and multi-instrumentalist Joseph McCarthy. With a penchant and a voice for ancient ballads, Grace grew up on the Ozark Folk Center stage singing and playing everything from upright bass to guitar and banjo to fiddle. Not only a talented multi-instrumentalist, Joseph McCarthy is a human encyclopedia of knowledge when it comes to traditional Ozark music. In this week's “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original stringband Squirrel Heads in Gravy performing a medley of “My Own House Waltz and Come on with Dinah,” from the Ozark Folk Center State Park archives. In this week's guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses the folk song Lazy John.

In this episode of Sunday Sin Bin, the team kicks things off with a big discussion about the Tigers sitting second on the ladder! We talk the possibility of DCE moving to the Dolphins, and the young star from the Titans, Keano Kini, joins to share his insights. ARLC Chairman Peter V’Landys makes a fiery appearance, taking aim at the AFL, while Dobbo and James Graham go head-to-head in a debate about what it really means to be a fan. The team then explores whether Penrith’s recent victory over the Storm was a psychological win, and discusses the looming "Wayne Bennett curse"—is Woolf already under pressure?See omnystudio.com/listener for privacy information.

In this episode of Sunday Sin Bin, the team kicks things off with a big discussion about the Tigers sitting second on the ladder! We talk the possibility of DCE moving to the Dolphins, and the young star from the Titans, Keano Kini, joins to share his insights. ARLC Chairman Peter V’Landys makes a fiery appearance, taking aim at the AFL, while Dobbo and James Graham go head-to-head in a debate about what it really means to be a fan. The team then explores whether Penrith’s recent victory over the Storm was a psychological win, and discusses the looming "Wayne Bennett curse"—is Woolf already under pressure?See omnystudio.com/listener for privacy information.

En este episodio de La Biblioteca Personal, nos sumergimos en la vida fascinante y el legado inmortal de Virginia Woolf, una de las voces más innovadoras e influyentes de la literatura del siglo XX. Exploramos su universo literario a través de sus obras más emblemáticas—Al faro, Una habitación propia, Mrs. Dalloway, Orlando y sus íntimos diarios—para comprender cómo revolucionó la narrativa y expandió los límites de la literatura y el pensamiento feminista. Woolf no solo transformó la forma en que contamos historias, sino que también cuestionó las estructuras de poder y género que aún hoy nos afectan. En un mundo donde las conversaciones sobre igualdad, identidad y la representación de las mujeres en la literatura siguen siendo urgentes, su obra continúa iluminando caminos y ofreciendo respuestas. ¿Por qué sigue hablándonos con tanta claridad, casi un siglo después? Descúbrelo en este episodio, donde desentrañamos su genio y su vigencia inquebrantable.

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Izabella Lily - Fields of Green FOLLOW ON SPOTIFYYayee x Jan Francis - You Are The One FOLLOW ON SPOTIFYFINICK - Yes I Do FOLLOW ON SPOTIFYHeather Hill - Love FOLLOW ON SPOTIFYSierra Bell - Stupid FOLLOW ON SPOTIFYNatalie Clark - HERE FOLLOW ON SPOTIFYCC Sanders - Unwritten FOLLOW ON SPOTIFYArden Woolf - Fever Dream FOLLOW ON SPOTIFYSoundThing - Mundane World FOLLOW ON SPOTIFYDead Dave - Oh My Friend FOLLOW ON SPOTIFY Bitty - Mango FOLLOW ON SPOTIFYRay Duncan - Used To It FOLLOW ON SPOTIFYRita Mercury - Liberating Rhythm FOLLOW ON SPOTIFYPOPSPHERE - Shine Like A Star (Original) FOLLOW ON SPOTIFYEmilie Thorsby - Darkest Night FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Profitable Musician Newsletter at profitablemusician.com/joinVisit our Sponsor Kick Bookkeeping at http://profitablemusician.com/kickVisit our Sponsor Track Stage at https://profitablemusician.com/trackstageVisit our Sponsor 39 Streams of Income at profitablemusician.com/incomeVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join

Sarah Woolf, a California Ag and Water icon, joins Darcy and Darcy and discusses Water Wise - a water management company for farmers in the central San Joaquin Valley, the Change Coalition, the San Joaquin Blueprint, the San Joaquin Valley Water Collaborative Action Program, and family farming – just to name a few!Sarah shares her perspective on California water and agriculture, how it has changed, and where it may be going over the next decade or two.  What was clear, was there is so much more to talk about!  Darcy & Darcy can't wait to have her back! Sarah is truly a W.O.W. – a Woman of WATER! This is a conversation you can't miss! To learn more about Sarah's consulting firm, Water Wise, visit, www.WaterWise.AgSend us a textWe Grow California Podcast is paid for by the Exchange Contractors Federal PAC and Exchange Contractors State PAC and is not authorized by any candidate or candidate committee.

From To The Lighthouse to Mrs Dalloway, the writing of Virginia Woolf shook up literary norms and challenged societal ideas about what it meant to be a woman. In this 'life of the week' episode, Francesca Wade discusses the impact of Woolf's work, and the key moments of her life – from her late-night soirées with the Bloomsbury Group and love affair with Vita Sackville-West, to her long struggles with her mental health. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textIn this episode of Greetings from the Garden State, powered by the New Jersey Lottery, host Mike Ham sits down with Emerson Woolf, the frontwoman of Emerson Woolf and the Wishbones. Broadcasting from Radio Garden State HQ in Bloomfield, NJ (a.k.a. one corner of the Spaghetti Triangle), they dive into Emerson's musical journey, the formation of The Wishbones, and what's next for the rising band.From her early days writing songs in Maine to discovering the vibrant Asbury Park music scene, Emerson shares how she found her way to New Jersey and built a band that's been making waves in the local and indie music communities.What You'll Hear in This Episode:

Jean Mills, Associate Professor and chairperson in the English Dept. at John Jay College, and Ria Banerjee, Professor of English and Honors Program Coordinator at Guttman Community College and the Graduate Center, discuss Dr. Banerjee's book Drafty Houses in Forster, Eliot, and Woolf: Spatiality and Cultural Politics and related topics. Visit IndoorVoicesPodcast.com for more.

In Part 2, Amy continues the discussion on Virginia Woolf'sMrs. Dalloway, delving deeper into its rich themes and contemporary relevance. She explores how the novel's portrayal of mental health, independence, and societal roles still resonates today. This episode highlights films that complementMrs. Dalloway—perfect for the movie lovers in our community!Tune in for an insightful conversation bridging classic literature and modern perspectives.Key Points:Introduction to Mrs. Dalloway: Amy shares her journey of choosing "Mrs. Dalloway" for her grad school thesis project, underlining its timeless insights into mental health and identity.Symbolism of Flowers: The significance of Clarissa Dalloway's choice to buy flowers herself is discussed, symbolizing independence, personal identity, and class dynamics.The Relevance of Themes: Themes from "Mrs. Dalloway" such as societal roles, life and death, class, and routine are examined in depth, showcasing their enduring relevance.The "The Hours" Connection: The episode draws parallels between "Mrs. Dalloway" and the film "The Hours," enhancing the understanding of Woolf's complex themes through modern storytelling.Spotlight on Modern Characters: Amy highlights the intertwined storylines of "The Hours," involving Virginia Woolf, Laura Brown, and Clarissa Vaughan, emphasizing the continuity of struggles with identity and societal roles.Mental Health Narratives: Virginia Woolf's own mental health struggles are explored, connecting her reality to her fictional creations and their significance in contemporary discussions about mental health.Encouragement for Exploration: Amy invites listeners to delve into both the novel and the film, offering a richer comprehension of the enduring challenges related to identity and society.Personal Growth Reflection: The episode blends the discussion of literature with Amy's own experiences, drawing on themes of recovery, spirituality, and personal transformation.Hosted by Amy Liz-HarrisonBuy Amy's Books: https://amzn.to/3ys8nuvhttp://amylizharrison.com/Subscribe on Apple Podcasts: https://apple.co/3Lgxy8FSubscribe on Spotify: https://spoti.fi/3vHHHoi#EternallyAmy #MrsDalloway #VirginiaWoolf #MentalHealth #PersonalGrowth #Independence #Identity #Society #ClassDynamics #TheHours #ExploringLiterature #PersonalTransformation #RecoveryJourney

This week, we are back to Hitchcock's silent era for the first time in months, with the long-awaited 1927 thriller, The Lodger: A Story of the London Fog. It's the story of a mysterious tenant at a family-run inn, who may or may not be an at-large serial killer. The film launched Alfred Hitchcock's career. ***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes. Details: A Gainsborough Picture released on February 14, 1927. Produced by Michael Balcon, Carlyle Blackwell, and C. M. Woolf. Screenplay by Eliot Stannard, based on the 1913 novel by Marie Belloc Lowndes. Starring Ivor Novello, Marie Ault, Arthur Chesney, June Tripp, and Malcolm Keen. Cinematography by Gaetano di Ventimiglia. Ranking: 24 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines The Lodger got 1,693 ranking points.

Marina Bassani"Amava il Chelsea Hotel"L'hallelujah di Leonard CohenMonologo di Marina BassaniCineteatro BarettiVia Baretti, 4 - Torino12, 13, 14   febbraio  2025 ore 20.45Marina Bassani celebra Leonard Cohen, recitando in musica la  vita di questo celebre poeta e cantautore, partendo dall'isola di Wight in cui muove i primi passi come cantante, spostandosi poi all'infanzia trascorsa a Montreal, con il nonno Klein e le letture della Bibbia,  passando attraverso l'amore per la compagna Marianne sull'isola di Ydra,  la guerra di Cuba, il rapporto con la guerra e il legame con il padre e ancora New York, il suo successo, il grande lancio con la Columbia records, il sesso,  Jane Joplin, Nico, poi la depressione, e alla fine  il monte Baldy, quando diventa monaco per 5 anni. Siamo negli anni sessanta, e poi settanta, sono gli anni dei figli dei fiori, del rock e degli spinelli,  ma Leonard  Cohen ha qualcosa di diverso, non è rock , non è psichedelico, è notturno, è metafisico, lascia vedere il suo cuore, non nasconde le sue ferite. Cerca l'assoluto, vuole vedere l'invisibile.Sullo sfondo, la guerra del Vietnam, la rivoluzione di Cuba. Leonard   va a Cuba,  poi va nel deserto, vuole vedere da vicino  la guerra, che gli ha portato via suo padre, a  soli nove anni.“Sono tuo fratello, scrive in una canzone, Famous blue raincoat, sono il tuo assassino,  sei mio fratello, sei il mio assassino.“La guerra gli ispira la sua canzone più importante, Hallelujah.  lui la spiega così: “Questo mondo è pieno di conflitti e pieno di cose che non possono essere unite , ma ci sono momenti nei quali possiamo riunirci e abbracciare tutto il disordine, questo è quello che io intendo per hallelujah.”Ha una passione infinita  per le donne, le donne  ai suoi occhi sono angeli, pieni di luce, ma sono anche corpi che lo attraggono sessualmente. Tutte le  sue canzoni  sono il ritratto di una donna. Nelle sue canzoni dio e il sesso si incontrano. Lui parla di corpi  in amore, e intanto cerca Dio.Per otto anni vive  sull'isola di Hydra con  Marianne, il suo più grande amore, la sua musa. Ma siccome deve parlare con gli angeli, riparte. E partirà sempre.  A New York  diventa il  cantante più apprezzato in tutto il mondo. Sentirlo cantare è come perdere il senso del tempo, è come entrare nello zoo del Bronx, come ascoltare una lunga preghiera. John Hammond, il geniale impresario, lo ha capito e lo propone alla Columbia.Per cinque anni resta  chiuso in un monastero zen sopra Los Angeles, e medita sull'amore. Scopre, alla fine dei suoi giorni,  che l'amore è  un cuore unificato. Ora è più leggero, e puo' dire : “Hineni, sono pronto mio Signore” Marina Bassani, attrice e regista,  è nata a Milano  e vive  a Torino. Si è diplomata all' Accademia dei Filodrammatici di Milano, medaglia d'oro ex aequo con Lella Costa,  e si è laureata in filosofia.Si è specializzata in  monologhi  teatrali  e i dialoghi teatrali.Ha fondato a Torino  Teatro Selig, nel 1996, inaugurando come attrice  una lunga serie di ritratti letterari e femminili tra cui i  ritratti femminili comici di Alan Bennett. Ha messo in scena Ho volato con l'angelo, il monologo sulla scrittrice  Karen Blixen, ha scritto il  monologo  sulla nobile Costanza d'Azeglio, sulla partigiana Ada Gobetti, e il monologo  sulla cantante francese Barbara ( in cui la Bassani canta  e racconta la sua bio).  E' autrice di  alcuni recitals letterarii . Ha messo in scena al Teatro Baretti di Torino il monologo  La Madre,  tratto dall'opera Vita e Destino di Vassilij Grossman. Ha messo in scena al teatro Baretti  il dialogo Ay Carmela!,di Sanchis Sinisterra,  ambientato nella Spagna franchista, uno spettacolo con due attori (M.Bassani e L.Bartoli) Ha messo in scena come regista e attrice   Battaglie di J M Ribes, e ha scritto e recitato Orlando, tratto da V.Woolf.È l'autrice   delle fiabe Zefirino collo lungo e Ombretta Camilla,  illustrate da Lele Luzzati. Tra i suoi recitals , ha scritto e  recitato Pensare con le mani, un testo ispirato a  La Chiave a stella di Primo Levi.  12,13,14   febbraio, ore 20:45Cineteatro Baretti, via Baretti 4con Marina Bassaniscrittura scenica e regia Marina Bassaniconsulenza artistica Serenella di Michelechitarra: Nunzio Barbiericlarinetto: Francesco Django Barbieriluci e fonica: Eleonora Sabatini Bigliettiprenotazioni a selig@teatroselig.it oppure info@cineteatrobaretti.itIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

In today's episode, we explore the ripple effect of macro counting with Anna, a MACROS 101 alumna whose story highlights how this journey extends beyond nutrition and fitness. Anna shares how macro counting helped her rediscover herself after feeling lost in her identity post-motherhood. Through MACROS 101, Anna learned to approach her goals with kindness, intention, and empowerment. She discusses overcoming people-pleasing tendencies, trusting her body, and creating sustainable, lasting habits that fit her lifestyle. If you've ever struggled with saying no, maintaining an identity outside of motherhood, or finding long-term solutions, Anna's inspiring journey offers hope and actionable insights. Tune in to hear how transformation is possible when you shift from quick fixes to sustainable habits.Find show notes at bicepsafterbabies.com/357Follow me on Instagram and Tiktok!Links:bicepsafterbabies.com/waitlist

In this Boozeless Bookclub episode, Amy delves into Virginia Woolf's "Mrs. Dalloway" through the lens of personal growth, societal pressures, and mental health. As part of her "Boozeless Book Club," Amy ties timeless themes from the novel to today's marginalized individuals and reflects on her own life experiences with recovery and transformation.Key Points:Literary Exploration: Amy introduces "Mrs. Dalloway" by Virginia Woolf, emphasizing the novel's relevance to those facing societal pressures and mental health challenges.Character Analysis: Discussion on central characters like Clarissa Dalloway, Richard Dalloway, Peter Walsh, Sally Seaton, and Septimus Warren Smith, highlighting their societal roles and internal struggles.Major Themes: Examination of the novel's key themes—time, death, mental illness, societal pressures, and sexuality—and how these resonate with modern readers.Virginia Woolf's Personal Influence: Woolf's experiences with loss, mental illness, and significant relationships as pivotal factors in her writing.Stream-of-Consciousness Writing: Amy explains Woolf's narrative technique, which immerses readers in the characters' emotions and thought processes.Adaptations: Recommendations to watch the film adaptations "Mrs. Dalloway" (1997) and "The Hours" (2002) for a deeper understanding of Woolf's work.Purpose & Relevance: Exploring how "Mrs. Dalloway" offers relatable experiences and insights into life's unpredictability, particularly for those in recovery.Hosted by Amy Liz HarrisonBuy Amy's Books: https://amzn.to/3ys8nuvhttp://amylizharrison.com/Subscribe on Apple Podcasts: https://apple.co/3Lgxy8FSubscribe on Spotify: https://spoti.fi/3vHHHoi#EternallyAmy #MrsDalloway #VirginiaWoolf #BoozelessBookClub #MentalHealth #RecoveryJourney #PersonalGrowth #SocietalPressures #StreamOfConsciousness #CharacterAnalysis #TimelessThemes #EternallyAmy #LiteraryExploration

Sam Woolf creates a foreboding atmosphere in this disturbing mystery with strong Christie vibes. Host Jo Reed and AudioFile's Robin Whitten discuss this newest story from Ragnar Jónasson set in Iceland in 1952, 1983, and 2012. Listeners enter a tuberculosis sanatorium repurposed from the 1940-50s and meet likable Helgi, who is reopening an investigation into earlier unsolved murders. Woolf maintains a consistent atmosphere of dread while flawlessly segueing from ordinary to terrifying situations. Audio is ideal for the slowly unfolding police procedural and its abrupt, disturbing conclusion. Read our review of the audiobook at our website. Published by Macmillan Audio.  Discover thousands of audiobook reviews and more at AudioFile's website.       Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott sits down with Rebecca Woolf to discuss their personal sex do's and dont's, their experience with dating apps, threesomes, asking for and taking direction and everything in between. Learn more about your ad choices. Visit podcastchoices.com/adchoices

From Georgian orange wine to Sulphur dioxide, Simon Woolf share his point of view on the ongoing trend of natural wine. 如果您对葡萄酒、烈酒、啤酒或其他酒精饮料有兴趣，不妨关注公众号，或联系「杯弓舌瘾小助手」进入团购群。如果您是供应商，也可以向我们推荐合适的产品。 关注「杯弓舌瘾」公众号，或微信搜索bgsyxzs加入听众交流群，欢迎您参与互动。 - 对话成员 - 戴老板（小红书：@Ian的酿造日记） Simon Woolf （葡萄酒作者） - 本节目由 JustPod 出品 ©上海斛律网络科技有限公司 - - 互动方式 - 商务合作：ad@justpod.fm 微博：@杯弓舌瘾TipsyProof 微信公众号：杯弓舌瘾

durée : 00:27:27 - Les Nuits de France Culture - par : Albane Penaranda - Cervantès, Dostoïevski, Stendhal, Joyce mais aussi Virginia Woolf, dans ce dernier entretien d'une série de cinq pour "À voix nue" en 2001, René Girard revient sur ses passions littéraires. Il évoque aussi sa double, voire triple, nationalité : française, américaine et... provençale. - réalisation : Thomas Jost - invités : René Girard Anthropologue, historien, philosophe français

Here we are with Elizabeth Woolf. Elizabeth is a Los Angeles-based singer/songwriter, producer, and multi-instrumentalist. She debuted her first album in 2020. Elizabeth has performed extensively, both locally in LA and internationally. She recently completed a west coast co-headline tour with Phoebe Katis.In addition to her solo artist career, Elizabeth is a songwriter, having co-written songs for various artists. Most recently she co-wrote "Stalemate" by Merrick Winter, which has garnered 1M streams on Apple Music, trending on Apple's acoustic playlist.

As our Close Readings series come to an end this year, you're probably wondering what's coming in 2025. We're delighted to announce there'll be four new series starting in January:‘Conversations in Philosophy' with Jonathan Rée and James WoodJonathan and James challenge a hundred years of academic convention by reuniting the worlds of philosophy and literature, as they consider how style, narrative, and the expression of ideas play through philosophical writers including Kierkegaard, Mill, Nietzsche, Woolf, Beauvoir and Camus.Reading list here:https://lrb.supportingcast.fm/posts/conversations-in-philosophy‘Fiction and the Fantastic' with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis.Marina and guests will traverse the great parallel tradition of the literature of astonishment and wonder, dread and hope, from the 1001 Nights to Ursula K. Le Guin.Reading list here:https://lrb.supportingcast.fm/posts/fiction-and-the-fantastic‘Love and Death' with Seamus Perry and Mark FordMark and Seamus explore the oscillating power of outrage and grief, bitterness and consolation, in poetry in English from the Renaissance to the present day. Their series will consider the elegies of Milton, Hardy, Bishop, Plath and others at their most intimate and expressive.Reading list here:https://lrb.supportingcast.fm/posts/love-and-death‘Novel Approaches' with Clare Bucknell, Thomas Jones and other guestsClare, Tom and guests discuss a selection of 19th-century (mostly) English novels from Mansfield Park to New Grub Street, looking in particular at the roles played in the books by money and property.Reading list here:https://lrb.supportingcast.fm/posts/novel-approachesAnd the subscription will continue to include access to all our past Close Readings series.If you're not already a subscriber, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: https://lrb.me/closereadingsGIFTSIf you enjoy Close Readings, why not give it to another book lover in your life?Find our audio gifts here: https://lrb.supportingcast.fm/gifts Hosted on Acast. See acast.com/privacy for more information.

From the archive: This episode was originally recorded and published in 2021. Our interviews on Entrepreneurs On Fire are meant to be evergreen, and we do our best to confirm that all offers and URL's in these archive episodes are still relevant. After 20 years in the corporate world, just over a year ago in perhaps the most unlikely time, Samantha Woolf and Hilla Narov took the leap and founded their own marketing & entertainment agency. Not only do they make authentic connections between brands and talent, but they have a unique instinct for what's next and what's newsworthy that allows them to put their clients at the center of pop culture moments. Top 3 Value Bombs 1. Nice guys do get ahead in the end. 2. Part of every success is learning along the way. 3. You have to understand who your consumers are and ensure that you put the right face out there that will resonate. Follow Official Partner Agency on Instagram - Official Partner Agency's Instagram Sponsors HubSpot Breeze is HubSpot's collection of AI tools that helps you turn one piece of content into a whole suite of assets. Visit HubSpot.com/marketers to learn more LastPass The most accessible and easy-to-use password manager on the planet! Visit LastPass.com/fire for a free trial and get started today

From the archive: This episode was originally recorded and published in 2021. Our interviews on Entrepreneurs On Fire are meant to be evergreen, and we do our best to confirm that all offers and URL's in these archive episodes are still relevant. After 20 years in the corporate world, just over a year ago in perhaps the most unlikely time, Samantha Woolf and Hilla Narov took the leap and founded their own marketing & entertainment agency. Not only do they make authentic connections between brands and talent, but they have a unique instinct for what's next and what's newsworthy that allows them to put their clients at the center of pop culture moments. Top 3 Value Bombs 1. Nice guys do get ahead in the end. 2. Part of every success is learning along the way. 3. You have to understand who your consumers are and ensure that you put the right face out there that will resonate. Follow Official Partner Agency on Instagram - Official Partner Agency's Instagram Sponsors HubSpot Breeze is HubSpot's collection of AI tools that helps you turn one piece of content into a whole suite of assets. Visit HubSpot.com/marketers to learn more LastPass The most accessible and easy-to-use password manager on the planet! Visit LastPass.com/fire for a free trial and get started today

Welcome back to the Video Store Podcast! Next week is Thanksgiving, a holiday many of us celebrate by spending time with our families… whether we want to or not. Can you believe my family banned me from bringing the mashed potatoes just because of the time I piled them up into the shape of a mountain and screamed “THIS MEANS SOMETHING” while serving them? My family has no sense of humor. Or appreciation for Close Encounters of the Third Kind.On this week's episode I decided to share a few family films… not necessarily films made for families, but ones that feature families. Sure, some of them are non-traditional family units, but as you all know, we can't choose our families and sometimes we have to accept our relatives for who they are. Even if they're chainsaw-wielding cannibals.My first pick of the week is is the 1974 classic, The Texas Chainsaw Massacre, featuring the Sawyer family. (If you're looking for a conversation starter over Thanksgiving dinner, you can now tell your family you know Leatherface's last name.) The legend of The Texas Chainsaw Massacre is bigger than the film itself. It takes a while before our sacrificial teens get into trouble, and in full disclosure only one person gets killed by a chainsaw, which isn't much of a massacre. The film is nowhere near as gory as people think and people have ripped the idea off hundreds of times in other films, but it's always fun to go back and watch the source of so many horror movie tropers. Good for watching before or after Thanksgiving dinner, but probably not during.Next is 1966's Who's Afraid of Virginia Woolf, starring Elizabeth Taylor, Richard Burton, and George Segal. Stylistically, this film always reminded me of 12 Angry Men. Both films (both of which were based on plays) have the ability through dialog to take you on an emotional ride. Both films made strong impressions in me. In Virginia Woolf, George and Martha (Burton and Taylor) invite a younger couple over for drinks after a dinner party. As the alcohol continues to flow, pointed barbs turn to nasty cuts as the couple weaponize their guests against one another. It's a masterclass in acting and you'll have to play close attention to fully understand everyone's motivations and, ultimately, the ending. Woolf is a tragic and powerful film that remains only one of two films to ever be nominated for every Academy Award category it was eligible for. My third recommendation this week is 1985's The Stuff. The Stuff is a delicious and addictive treat that may also be alive and turning people into mindless zombies. After The Stuff ravages the ice cream industry, a former FBI agent nicknamed Mo is hired to figure out what The Stuff is and who is marketing it. Meanwhile, a boy named Jason has discovered the dark side of The Stuff and fights with his family who demand he joins them. Before long Mo and Jason along with ice cream mogul Chocolate Chip Charlie team up to take on The Stuff. Remember, “Enough is never enough!” The Stuff is a little horror and a little comedy with a whole lot of thinly disguised social commentary sprinkled on top. Fun 80s schlock that might have you double-checking the whipped cream on top of your pumpkin pie.Lastly we have Labyrinth, released in 1986. One of Jim Henson's greatest film achievements, Labyrinth tells the story of Sarah, a girl who wishes the Goblin King would take away her young brother Toby… and immediately regrets it. Sarah must work her way through Jareth's labyrinth, with both help and detours presented by its inhabitants. Despite occasionally getting annoyed with our family, there's no stronger bond. While there's a good chance you've seen Labyrinth, I'm worried that maybe your kids, nieces or nephews, or grandkids haven't. This is a great film that deserves to be shared with the next generation. Thanks as always for stopping by the Video Store Podcast. We'll be closed on Thanksgiving which means you'll get an extas day's rental for free on any tapes rented this week. Don't forget to rewind your tapes before returning them, and be sure to pick up your complimentary cup of The Stuff from our snack bar on the way out. Enough is never enough! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Subscriber-only episodeSend us a textWhen it comes to this year's fall fashion, Virginia Woolf is having a moment. A number of designers and brands including Anna Sui, Clare Waight Keller, Miu Miu, Burberry and Tod's have found their inspiration in the iconic Bloomsbury author. In this week's bonus episode, Amy dives into this sartorial vibe, reads from Woolf's short story “The New Dress” and muses over which other “lost ladies” could serve as fashion muses.Mentioned in this episode:“A Woolf in Chic Clothing” by Fiorella Valdesolo Uniqlo's C CollectionClare Waight Keller's 2020 Givenchy spring/summer line runway showAnna Sui's Fall 2024 lineCharleston HouseVanessa BellIntentional Clutter design trendVanity Fair article on Virginia Woolf as fashion influencer“The New Dress” by Virginia WoolfOrlando by Virginia WoolfMrs. Dalloway by Virginia WoolfJ.J. WilsonMary McFaddenThe Tale of GenjiLost Ladies of Lit Episode No. 149 on Murasaki ShikibuLost Ladies of Lit Episode No. 130 on Han SuyinLost Ladies of Lit For episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

I am so excited to say that my guest on the GWA Podcast is the writer, critic, and author, Merve Emre. Currently the Shapiro-Silverberg Professor of Creative Writing and Criticism at Wesleyan University – and the Director of the Shapiro Center for Creative Writing and Criticism – Emre is also the acclaimed and award-winning author of numerous books. These include Paraliterary: The Making of Bad Readers in Postwar America; The Personality Brokers (selected as one of the best books of 2018 by the New York Times, and others); The Ferrante Letters (winner of the 2021 PROSE award for literature). A holder of prizes in Literary Criticism, Emre is also a contributing writer to The New Yorker, where she has written extensively on art and literature, from Leonora Carrington to Susan Sontag. But! The reason why we are speaking to Emre today is because she is also an ardent expert on Virginia Woolf and the wider Bloomsbury Group, having authored the stunningly beautiful – and informative – The Annotated Mrs. Dalloway, a book that brings alive Woolf's life and words, and contextualises the radical and pioneering lives of those in the Bloomsbury Group in the most effervescent ways. So today on the podcast, we are going to be discussing the sisters at the centre of this movement: Vanessa Bell and Virginia Woolf, women who were born into a Victorian society in London but who broke free of all traditions, who formed languages, both artistic and literary, that paved the way of modernism and modernist thinking in the UK and beyond. We are going to be delving into their life and work: looking at how they informed each other and visualised or put into words the world from their distinct and radical perspectives. Merve's book: https://www.waterstones.com/book/the-annotated-mrs-dalloway/merve-emre/virginia-woolf/9781631496769 Charleston Trust: https://www.charleston.org.uk/?gad_source=1&gclid=Cj0KCQjw99e4BhDiARIsAISE7P857bJ_t36EZCN2JGBsJDUlVSxga42Bmq66SzIuCslkje6DXQsi94AaAmYZEALw_wcB Mrs Dalloway's Party: https://www.theguardian.com/books/2024/oct/05/discovered-a-lost-possible-inspiration-for-virginia-woolfs-mrs-dalloway -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Rebecca Woolf was raised in Provo, Utah, the daughter of John and Shawna Edwards, with four brothers. She met her husband Landon at Brigham Young University. After graduation they lived in four different states as Landon studied and trained to become a pediatric anesthesiologist, and Becca studied and trained to become a mother of four incredible boys. They have now settled in Spokane, Washington. Becca has served in the Church as a counselor in Primary, Young Women, and Relief Society, as a Sunday School teacher, and as a Relief Society and Young Women president. Links When Being Released Hurts There is already a discussion started about this podcast. Share your thoughts. Transcript coming soon Get 14-day access to the Core Leader Library Highlights Becca vulnerably shares her experience as a Relief Society president in a new ward where the sisters embraced each other and she grew by striving to love as Jesus did. Highlights coming soon The Leading Saints Podcast is one of the top independent Latter-day Saints podcasts as part of nonprofit Leading Saints' mission to help Latter-day Saints be better prepared to lead. Learn more and listen to any of the past episodes for free at LeadingSaints.org. Past guests include Emily Belle Freeman, David Butler, Hank Smith, John Bytheway, Reyna and Elena Aburto, Liz Wiseman, Stephen M. R. Covey, Julie Beck, Brad Wilcox, Jody Moore, Tony Overbay, John H. Groberg, Elaine Dalton, Tad R. Callister, Lynn G. Robbins, J. Devn Cornish, Bonnie Oscarson, Dennis B. Neuenschwander, Anthony Sweat, John Hilton III, Barbara Morgan Gardner, Blair Hodges, Whitney Johnson, Ryan Gottfredson, Greg McKeown, Ganel-Lyn Condie, Michael Goodman, Wendy Ulrich, Richard Ostler, Kirby Heyborne, Taysom Hill and many more in over 700 episodes. Discover podcasts, articles, virtual conferences, and live events related to callings such as the bishopric, Relief Society, elders quorum, Primary, youth leadership, stake leadership, ward mission, ward council, young adults, ministering, and teaching.