Podcasts about Ang Lee

In a huge episode of Film Stories, Simon digs into the story of Daniel Craig's second adventure as James Bond, Quantum Of Solace. Originally set to come out just 18 months or so after 2006's Casino Royale, the speedy turnaround saw one director leave, a writer's strike curtail the script. Daniel Craig picking up a pen, and a handful of weeks to turn around a final cut. Then, for the second part of this episode, indie director Brenda Lee chats about her new film, Fortune Cookies, and how she turned down the idea of getting it sent to Ang Lee to make it herself... Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Το Sense and Sensibility επιστρέφει στη μεγάλη οθόνη με τη νέα διασκευή του κλασικού βιβλίου της Jane Austen και πρωταγωνίστρια την Daisy Edgar-Jones του Normal People. Το POP για τις Δύσκολες Ώρες είδε την ταινία και σχολιάζει.Τι φέρνει αυτή η ταινία σε σχέση με την αριστουργηματική διασκευή του Ang Lee από το 1995; Πώς είναι οι νέες αδερφές Dashwood και πώς τα καταφέρνουν μετά το αξεπέραστο δίδυμο των Emma Thompson και Kate Winslet; Ποιος αγνώριστος νορβηγός ανταγωνίζεται τον Alan Rickman, και ποιος ηθοποιός παίρνει τον ρόλο που απογείωσε το ‘95 ο Hugh Grant; Τι μας θυμίζει το σκηνικό της ταινίας, και γιατί μας φέρνει στο νου το Pride & Prejudice του ‘05; Πόσο πιστή είναι η ιστορία στο βιβλίο; Πόσο γελάσαμε, πόσο συγκινηθήκαμε – και πόσο beautiful είναι τελικά αυτά τα gowns; Πώς ταιριάζει η ταινία της Georgia Oakley στην παράδοση των διασκευών Jane Austen; Τι είναι τελικά αυτό το στοιχείο που πάντα επιβιώνει, από τις ακαδημαϊκότερες μέχρι τις φουλ ποπ διασκευές του έργου της Austen; Ποια από όλες τις ταινίες είναι η αγαπημένη μας; Τι σχέση έχει με όλα αυτά το Gossip Girl και το Gilmore Girls; Τι σχέση έχει το Pride & Prejudice με το Fire Island; Και γιατί πρέπει να δεις οπωσδήποτε τον επικό ευχαριστήριο λόγο της Thompson στις Χρυσές Σφαίρες, για το σενάριο του Sense and Sensibility;

Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 00:02:38 - Capture d'écrans - par : Corinne Pelissier - Retour aux classiques ! Trente ans après Ang Lee, son Ours d'or à Berlin et son Oscar de la meilleure adaptation de "Raison et Sentiments" de Jane Austen, c'est une femme qui s'y colle, la Britannique Georgia Oakley, et ça change tout, avec des héroïnes filmées cheveux au vent. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

The Wolfpack is back… and this time, Vegas is looking like the easy part!

The Take is now on Patreon: www.patreon.com/kermodeandmayo Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show - a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. George MacKay is our special guest this week, and he's in full dashing Austenian gentleman mode to tell Simon all about Sense and Sensibility. He plays Edward Ferrars, the handsome and thoroughly upstanding chap who catches the eye of Daisy Edgar-Jones' Elinor Dashwood. He talks about bringing this Austen classic up to date, three decades on from Ang Lee's classic screen version starring Emma Thompson, Kate Winslet and Hugh Grant. Mark reviews the film, plus another three big movies hitting cinema screens this week. There's Heart of the Beast, a survival thriller starring Brad Pitt as an ex-special forces soldier living on society's inhospitable margins alongside his ex-service dog. Plus we'll finally get Mark's verdict on Her Private Hell, the latest neon-soaked feature from recent Take guest Nicolas Winding Refn. Last but certainly not least, Boorman and the Devil - a documentary about the making of the colossally unsuccessful sequel Exorcist II: The Heretic. Surely this one is Kermode catnip. Plus the weekly joy (and/or pain) of the Laughter Lift, and of your consistently excellent correspondence. Keep it coming! You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo. A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! Our Christmas Movie Spectacular is back! It's in Bristol this year on Sunday 6th December. Don't miss it! Here's the link for tickets: https://www.fane.co.uk/kermode-and-mayo Timecodes: 00:00:00 Introduction 00:10:15 Her Private Hell review 00:19:29 Box Office Top Ten 00:31:46 George McKay interview 00:47:24 Sense and Sensibility review 00:56:40 Laughter Lift 00:59:20 Boorman and the Devil review 01:08:29 Heart of the Beast review Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Freedom – Le destin de Shewit" documentaire dʹAnne-Frédérique Widmann (autre sortie du jour) Pour échapper à lʹoppression et à un passé qui la hante, Shewit fuit lʹÉrythrée au risque de sa vie et prend seule la route de lʹEurope. À quinze ans, après un périple de deux ans, elle arrive en Suisse, pays dans lequel elle place ses rêves et ses espoirs. Sept ans plus tard, sans permis de séjour et menacée dʹexpulsion, Shewit persévère et lutte pour devenir une femme libre. Un combat pour son émancipation, filmé pendant dix ans. Un documentaire coproduit par la RTS. "Raison et sentiments" (1995) dʹAng Lee, avec Emma Thompson, Kate Winslet, Hugh Grant. (En DVD, Bluray, sur certaines plateformes). Première transposition sur grand écran du roman de Jane Austen, par le cinéaste taïwanais Ang Lee, sur un scénario écrit par Emma Thompson, qui obtient lʹOscar du meilleur scénario adapté. Le succès du film entraînera une redécouverte de l'oeuvre de la romancière anglaise.

Hello and welcome to Redshirt Cinema Club, a podcast about fandom and watching movies with friends. We're doing it! We're getting through Phase One of the MCU, and today that means our opinion lens is focused on 2008's The Incredible Hulk, a complicated entry in that it came out mere months after Iron Man, features a star in Edward Norton who never returns to the franchise, and is a sort of sequel but not really to 2003's Hulk directed by Ang Lee. What do we make of it? Let's find out!Join the Redshirt Cinema Club! Support us at patreon.com/redshirtcinemaclub to receive two bonus episodes every month as well as our newsletter, The Civilian Observer.You can also follow us at x.com/redshirtcinema and get in touch at redshirtcinemaclub@gmail.com.Here's the schedule for our MCU season...Iron Man (2008) -14/9/26BONUS - 16/9/26The Incredible Hulk (2008) - 21/9/26Iron Man 2 (2010) - 28/9/26BONUS - 30/9/26Thor (2011) - 5/10/26Captain America: The First Avenger (2011) - 12/10/26BONUS - 14/10/26The Avengers - 19/10/26 Hosted on Acast. See acast.com/privacy for more information.

Original Release Date: Monday 21 September 2026      Description:   Hindsight, like this episode, is 20/20 (Year 20 Episode 20, get it?) and so Dean and Phil begin this week's show with a clip from the long-running ABC news magazine show “20/20” from the mid-1980s remarking at just how contemporary those clips sound! From there, the upcoming “Blade Runner 2099” television series gets previewed and the latest in the lawsuit surrounding Paramount's on-hold merger with Warner Bros. gets analyzed (and laughed about). Phil wants to know why Dean isn't watching the terrific “Lanterns” on HBO. The brilliance of director Zach Cregger and the success of his new Resident Evil get appraised. Then, Kiyoshi Kurosawa's The Samurai and the Prisoner (just in time for its return to cinemas, this time in black and white) and DC's Supergirl both get reviewed. Finally, the great Ang Lee and his landmark Sense and Sensibility get reappraised (just in time for a new adaptation to get released).

Austin comedian and rising star, Xaria Coleman, joins Torie for the first of a three part series showcasing the some of the greatest gay love stories to hit the silver screen. To kick off this steamy triad, Torie and Xaria discuss Ang Lee's sweeping epic romance, BROKEBACK MOUNTAIN (2005). Starring the late Heath Ledger, Jake Gyllenhaal, Michelle Williams and Anne Hathaway, this devastating portrait of clandestine love between two cowboys was a cultural juggernaut that early aughts audiences never saw coming. Released during the lingering homophobia of the post-Y2K era, BROKEBACK MOUNTAIN was arguably the first guy-on-guy romance featuring explicit sex to hit mainstream media. Both groundbreaking and back-breakingly heartbreaking, Ennis and Jack walked so the other boys could run.   ---- Xaria Coleman is a comedian from Austin Texas with 14 years of improv and sketch comedy experience. You can see her on Austin PBS summer 2027. Follow @xariadoesit on Instagram and TikTok

FEARLESS, ALWAYS EVOLVING. Michelle Yeoh, the Malaysian actress born in 1962, is considered to be one of the greatest female action movie stars. In a career spanning over four decades, she has acted in film and television productions covering a wide range of genres and received various accolades. Yeoh gained global recognition in the James Bond film Tomorrow Never Dies (1997) and starred in Ang Lee's Crouching Tiger, Hidden Dragon (2000). Her versatility continued in Memoirs of a Geisha (2005) and The Lady (2011), a biopic about Aung San Suu Kyi. In 2023 she became the first Asian performer to win the Academy Award for Best Actress for Everything Everywhere All at Once (2022) and she received the Honorary Golden Bear for lifetime achievement at the 76th Berlin International Film Festival in February, 2026. "When I set out to do a movie, the main intention is to do a good movie, to be very satisfied that it's something that you will be proud of." "The movies and the characters that I have done are not the same, and I tried my very best to do that so that I am constantly evolving and learning." "I do believe that the harder you work, the luckier you become, so that when the opportunity does arise you are prepared for it." https://www.alainelkanninterviews.com/michelle-yeoh

This week, Elijah Wood begins transitioning from family films into more adult-oriented roles in Ang Lee's THE ICE STORM! As part of a large ensemble that includes Sigourney Weaver, Kevin Kline, Tobey Maguire, Christina Ricci, Katie Holmes, David Krumholtz, and more, the film follows several families exploring the sexual morays of the 1970s. A melancholy film while also surprisingly funny, this is easily one of Elijah's best films of the '90s!

This week, we dig back into the lean, green early days of the MCU with THE INCREDIBLE HULK! The 2008 Ed Norton-led movie has it all: William Hurt! Tim Roth! Martin Starr! Michael K. Williams for like one second! But, how does it compare to the 2003 Ang Lee movie, and how does it set the character of the Hulk up for his adventures ahead? Listen and find out!

Hello and welcome to Bill vs the MCU! Each month your hosts⁠⁠⁠⁠⁠ ⁠Pop Break Podcasting Director Alex Marcus⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠ Pop Break Editor in Chief Bill Bodkin⁠⁠⁠⁠⁠⁠ are taking another step into the wider Marvel Multiverse as the MCU dives deeper into their Multiverse Saga.Bill & Alex spent all of 2022 rewatching the first four phases of the MCU, and, in the years since, they have covered the first four seasons of Agents of SHIELD, the entire Netflix Defenders Saga, Fox's X-Men,  Fantastic Four, and Daredevil films, the Blade trilogy, a few Punisher films, Ang Lee's Hulk, Marvel's Modern Animation line up of shows, and, most recently, Sony's Spider-Man and Spider-Man related films.Welcome to Season 9 of Bill vs The MCU: Agents of Doomsday, where Alex & Bill cover all the most apocalyptic Agents of SHIELD and Agent Carter seasons in anticipation of Avengers: Doomsday this December!This month, it's all about Agents of SHIELD S5 E1-10, where their favorite agents wake up in space, in the future, and in front of an earth that's allegedly been exploded into tiny pieces by our favorite inhuman super-spy, Daisy “Quake” Johnson, destroyer of worlds. However! Before they get there, Bill and Alex break down the latest X-Men casting news out of D23. They also circle back from last month's cliffhanger, by ranking all 17 Sony Picture's Spider-Man and Spider-Man Adjacent movies! Check back next month as Alex & Bill deep dive on Agents of SHIELD Season 5 Episodes 11-22, also known as the Save The Future arc, available to stream on Disney Plus!

This week's episode consolidates on recent discussions about the symbolism of house design and ignoring looming psychological baggage by examining such ideas through the lens of Ang Lee's 1997 suburban drama, The Ice Storm.We also briefly discuss:The End of Oak Street (2026) d. David Robert MitchellContact UsEmail: contact@jimmybernasconi.com

HULK (2003) Directed by Ang Lee, starring Erica Bana and Jennifer Connelly.

In today's episode Amanda Pollack, ACE, BFE joins us to talk all things Palm Royale.  Amanda Pollack, ACE, BFE is a born and raised New Yorker, who spent a number of years in the UK as well. She has always loved the way pictures, sound, and music work together to tell stories. Amanda believes her affinity for music and sense of rhythm contribute greatly to the craft of editing. Television Credits include The Patient, The Good Fight, The Sinner, Smash, Skins, In Treatment, The Americans, Godfather of Harlem, and Palm Royale. In Feature Films, Amanda has worked with an impressive list of directors, including Robert Altman, Terry Gilliam, Ang Lee, Sidney Pollack, Martin Brest, and David Frankel. Amanda also earned credit as Additional Music Editor on The Devil Wears Prada, after finding and editing much of its songs and score. Amanda loves her work, and feels very fortunate to be in this collaborative business of storytelling as an Editor.

With the Hulk back in cinema screens thanks to Spider-Man Brand New Day, we're taking our first ever look at Ang Lee's dark, psychological Marvel movie from 2003! In this huge edition we'll take you behind-the-scenes on the making of the 2003 Hulk movie from celebrated director Ang Lee, the casting, the CGI issues, and how the movie failed both at the box-office and in the minds of fans! Then we'll take you behind-the-page on the dark psychology of the Hulk comics from the 1980's, the hugely controversial story that inspired this film, and the history of theft at Marvel Comics! Then we'll deliver the patented MVM deep-dive into the movie, pull it apart scene-by-scen to bring you tons of Hulk history and trivia on The Absorbing Man, The Leader, Zzzax, the secrets hidden inside Bruce Banner's mind, and the DARKEST most EVIL character in Hulk comics! Plus all the strenuous Marvel Connections hiding in this film! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

With the Hulk back in cinema screens thanks to Spider-Man Brand New Day, we're taking our first ever look at Ang Lee's dark, psychological Marvel movie from 2003! In this huge edition we'll take you behind-the-scenes on the making of the 2003 Hulk movie from celebrated director Ang Lee, the casting, the CGI issues, and how the movie failed both at the box-office and in the minds of fans! Then we'll take you behind-the-page on the dark psychology of the Hulk comics from the 1980's, the hugely controversial story that inspired this film, and the history of theft at Marvel Comics! Then we'll deliver the patented MVM deep-dive into the movie, pull it apart scene-by-scen to bring you tons of Hulk history and trivia on The Absorbing Man, The Leader, Zzzax, the secrets hidden inside Bruce Banner's mind, and the DARKEST most EVIL character in Hulk comics! Plus all the strenuous Marvel Connections hiding in this film! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

Nesta edição do podcast Em Foco, nós analisamos "Ela Quer Tudo" (She's Gotta Have It, 1986), primeiro longa-metragem de Spike Lee ("Faça a Coisa Certa", "Infiltrado na Klan"). Este episódio especial celebra os 40 anos de lançamento do filme e traz uma entrevista exclusiva com o próprio Spike Lee. Selecionado para a Quinzena dos Realizadores no Festival de Cannes e premiado no Independent Spirit Awards, "Ela Quer Tudo" tem como protagonista Nola Darling, uma artista independente do Brooklyn, em Nova York, que se mantém fiel a si mesma e recusa as regras tradicionais da sociedade ao se relacionar com três homens ao mesmo tempo. Ela é interpretada por Tracy Camilla Johns e seus namorados são vividos por Tommy Redmond Hicks, John Canada Terrell e Spike Lee. Uma das estreias mais impressionantes de diretores de todos os tempos, "Ela Quer Tudo" chama a atenção pela discussão feminista sobre liberdade sexual e pela representação de personagens negros fora de estereótipos de violência e miséria. Ao mesmo tempo, é um filme bem-humorado e um deleite para os olhos e ouvidos, com Spike Lee esbanjando estilo na construção de sequências inventivas e de uma narrativa envolvente e moderna (com referências que vão de "Rashomon" a "O Mágico de Oz"), embalada pela trilha sonora de jazz composta pelo lendário músico Bill Lee, pai do cineasta. Confira abaixo a minutagem dos quadros e capítulos do podcast: 00:00:00 - Introdução 00:04:19 - Grande Angular: conheça a equipe por trás de “Ela Quer Tudo” 00:12:23 - Close-Up: saiba detalhes e curiosidades sobre a realização  do filme 00:19:22 - Entrevista exclusiva com Spike Lee 00:23:45 - Ponto de Vista: nossa análise do filme 00:57:12 - Zoom: nossas cenas favoritas comentadas 01:02:49 - Fora de Quadro: a série "Ela Quer Tudo" que Spike Lee dirigiu para a Netflix - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Tradução da entrevista com Spike Lee: Cinematório: “Luta de Classes” começa em um tom mais dramático até chegarmos a Denzel e Jeffrey indo atrás do sequestrador. Há tensão naquela primeira metade é claro, mas eu tive a impressão de que você quis tentar algo diferente ali, indo mais fundo no drama. Essa era a sua intenção? Spike Lee: Bem, eu não sei se posso dizer realmente que... Quero dizer, a minha intenção é sempre contar a melhor história que eu posso. E mesmo na fonte original, o filme de Akira Kurosawa, “Céu e Inferno”, as coisas realmente não começam a ficar movimentadas até o dinheiro ser pago. Digo, o dinheiro do resgate. E neste filme são $17,5 milhões de francos suíços. Então, você tem que reservar um tempo para estabelecer isso. E uma vez que está estabelecido, é quando Denzel, o personagem que ele interpreta, deixa sua cobertura e vai para o metrô. Então, eles descem lá e é aí que o filme realmente decola. Então, nós sabíamos que para chegar ali teríamos que estabelecer as bases primeiro. Cinematório: Com certeza. E já que a primeira adaptação do livro de Evan Hunter foi feita por Kurosawa, eu gostaria de saber como Kurosawa inspirou você como cineasta? Spike Lee: Minha inspiração como cineasta veio de, grande parte, do meu primeiro ano estudando na Escola de Cinema de Nova York, onde Ernest Dickerson, meu diretor de fotografia de longa data, e Ang Lee éramos colegas de sala. Foi lá que eu realmente fui apresentado ao cinema mundial. E a premissa de “Rashomon” eu usei no meu primeiro longa-metragem, “Ela Quer Tudo”. E como você pode ver, esta foto [aponta para a parede] foi autografada pelo mestre. Então, na sala de edição, imagino que ele está sempre olhando por cima do meu ombro! [risos] E eu perguntaria pra ele: “Como estamos indo, senhor? Como estamos? Está ficando bom?” E ele me daria o polegar para cima! [risos] Cinematório: Maravilhoso! E você poderia falar sobre a música? Tanto a música escrita e cantada por Ayanna, que é linda, e a música composta por Howard Drossin, que me pareceu tão épica para um drama tão pessoal. Spike Lee: Bem, a música é uma das ferramentas mais importantes que tenho na minha caixa. Para melhor ou pior, dependendo de quem são as pessoas, para mim a música é tão importante quanto a fotografia, a montagem, a direção de arte, o figurino. É uma ótima ferramenta se você usá-la corretamente. E para mim nunca foi apenas sobre fazer uso da música como se fosse uma jukebox onde você pega um monte de músicas de sucesso e põe para tocar, a menos que seja talvez em um filme de época. Um filme que se passe em uma determinada época. Mas eu amo música. E eu conheço o poder da música. Porque eu sei, veja bem, o público no cinema não sabe como uma cena fica sem a música e depois com a música... E eu sei o que estou fazendo sem a música. É uma ferramenta, da mesma forma que as outras que eu mencionei, fotografia, montagem... É uma ferramenta para contar a sua história. -- O podcast Em Foco é produzido e apresentado por Renato Silveira e Kel Gomes, editores do cinematório. Aqui você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br Este episódio contém trechos meramente ilustrativos da trilha sonora de "Ela Quer Tudo", composição de Bill Lee. Todos os direitos reservados aos artistas.

Hello and welcome to Bill vs the MCU! Each month your hosts⁠⁠⁠⁠⁠ ⁠Pop Break Podcasting Director Alex Marcus⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠ Pop Break Editor in Chief Bill Bodkin⁠⁠⁠⁠⁠⁠ are taking another step into the wider Marvel Multiverse as the MCU dives deeper into their Multiverse Saga.Bill & Alex spent all of 2022 rewatching the first four phases of the MCU, and, in the years since, they have covered the first four seasons of Agents of SHIELD, the entire Netflix Defenders Saga, Fox's X-Men,  Fantastic Four, and Daredevil films, the Blade trilogy, a few Punisher films, Ang Lee's Hulk, Marvel's Modern Animation line up of shows, and, most recently, Sony's Spider-Man and Spider-Man related films.This month, Alex & Bill bring their seven month journey through the web crawling world of Peter Parker and his amazing friends to a close with their instant reaction to Phase 6's Spider-Man: Brand New Day. To kick things off, your hosts give you some on location audio as they provide final pre-screening predictions for the film in the back of a classic New Jersey Diner. Then immediately after the screening, Alex & Bill ran back to their car in an extremely overcrowded parking lot to give you their instant reaction to all the highs and lows of this astonishing installment of Peter Parker's journey as he steps into adulthood to contend with past choices and new, unseen threats!Come back at the end of August for the start of their next season of Bill vs. The MCU entitled Agents of SHIELD Doomsday, as your favorite Marvel podcasters breakdown the world ending arcs of Agents of SHIELD's final seasons while they get ready for Avengers: Doomsday this fall. First up is Agents of SHIELD Season 5 Episodes 1-10, also known as the World Destroyed arc, available to stream on Disney Plus!

We discuss Auteur Directors who made commercials: Martin Scorsese, Jonathan Glazer, Spike Jonze, and the super production by BMW called The Hire, which included work by John Woo, Wong Kar-wai, Ang Lee, and more! JOIN THE PATREON FOR AN EXTRA EPISODE EVERY WEEK: www.patreon.com/theimportantcinemaclub Send us stuff like zines, movie-related books, physical media or memorabilia c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada. Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: bsky.app/profile/declouxj.bsky.social Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us)

In this episode I spoke with author Thomas "Tom" Schatz about his latest book "Power Surge: Conglomerate Hollywood and The Studio System's Last Hurrah". Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters―Batman and Titanic, Toy Story and The Lord of the Rings―an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.

On the latest episode Nobody's Ever Asked Me That, Nick Dawson talks with Magnetic Fields frontman, Stephin Merrit, who was recently (and rightly!) named by the New York Times as one of the 30 greatest living songwriters. In a sprightly, wide-ranging conversation, the two discuss such divergent topics as Brian Wilson's warning about caffeine and creativity, falling asleep at the movies, the hilarious reason why Ang Lee has beef with his Westchester neighbors, Stephin's hatred of biopics, his genius plan for a series of soporific audiobooks, dreaming Divine's death years before it actually happened, and much more. Nobody's Ever Asked Me That now has a Substack, so head there to check out all of our past episodes, plus subscribe to get access to exclusive audio and video content!

Doug Trumbull spent fifty years trying to convince Hollywood that the way movies are projected is fundamentally broken, and most of the industry never listened. The visual effects supervisor behind 2001: A Space Odyssey, Close Encounters of the Third Kind, Blade Runner, and Star Trek: The Motion Picture, and the director of Silent Running and Brainstorm, Trumbull passed away in 2022. This conversation originally aired in July 2020, before a lot of you were listening, and it's one of the fullest records of him explaining his life's obsession in his own words. We're pulling it back out of the archives because it deserves a wider audience than it got the first time around. Chris and Doug cover the whole arc: getting hired at Graphic Films off a satellite painting, cold calling Stanley Kubrick's secret phone number to get on 2001, the accidental discovery of double stars that led him toward persistence of vision research, and the Showscan process he patented at Paramount. They also get into Trumbull's MAGI process, 4K stereo at 120 frames per second, representing 40 times the data of a traditional HD video, and Chris's own experience helping produce a piece of content rendered through it as a proof of concept. Trumbull gives his blunt account of Ang Lee allegedly misusing his patented process on Gemini Man. This is a conversation about a man who understood something about how movies work that almost nobody in the industry, including some of its biggest directors, ever fully grasped. Guest: Doug Trumbull > Referenced in this episode: 2001: A Space Odyssey Close Encounters of the Third Kind Star Trek: The Motion Picture Blade Runner Silent Running Brainstorm Showscan process > Future General Corporation (Paramount R&D division) > MAGI process > Special thanks to our sponsor: Center Grid Virtual Studio: https://cgvirtualstudio.com/

Hello and welcome to Bill vs the MCU! Each month your hosts⁠⁠⁠⁠⁠ ⁠Pop Break Podcasting Director Alex Marcus⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠ Pop Break Editor in Chief Bill Bodkin⁠⁠⁠⁠⁠⁠ are taking another step into the wider Marvel Multiverse as the MCU dives deeper into their Multiverse Saga.Bill & Alex spent all of 2022 rewatching the first four phases of the MCU, and, in the years since, they have covered the first four seasons of Agents of SHIELD, the entire Netflix Defenders Saga, Fox's X-Men,  Fantastic Four, and Daredevil films, the Blade trilogy, a few Punisher films, Ang Lee's Hulk, and, most recently, Marvel's Modern Animation line up of shows.This month, Alex & Bill kick things off with a quick check in on Spider-Noir, the new Spider-Man live action MGM+ and Amazon Prime Video series starring Nicolas Cage as Ben “The Spider” Reilly. Then, they finally make it back to the MCU after nearly a year away, as they give their thoughts on the latest entries into Marvel's Phase 6: Wonder Man, Daredevil: Born Again S2, and The Punisher: One Last Kill.Come back next month for their grand finale of this season of Bill vs. The MCU as the Marvel returns to the big screen with Spider-Man: Brand New Day, in theaters everywhere July 31st, 2026!

In this episode, we continue our month of epics with director Ang Lee's highly-acclaimed "Crouching Tiger, Hidden Dragon", starring Chow Yun Fat and Michelle Yeoh! Listen now!

Brothers and Sisters! Let us tell you the story of Love and Hate. H-A-T-E! It was with this left hand that old brother Cain struck the blow that laid his brother low. L-O-V-E! You see these fingers, dear hearts? The right hand, friends, the hand of love. Now watch, and we'll show you the story of being a movie fan. Old brother left hand Hate's a-fighting; there are many, many films that most folks hated and which have not, like other ignored-upon-release films, gone on to be cult classics. But wait a minute! Hot dog, Love's a winning! Yessirreee! It's Love that's won, and old left hand Hate is down for the count! For in this episode, brothers and sisters, Team Vintage Sand makes the case for why we love these films that just about everyone else hates. The nine films we've chosen to highlight could not be more different from one another. We reach all the way back to the 1940's and come all the way up to a film released just four years ago. We range from well-known directors like Paul Schrader, Ang Lee, and Arthur Penn to solid directors like George Roy Hill, Mark Robson, and Lasse Hallström, to a couple of directors whose obscurity is well-earned or whose reputation is yet to be determined by time. So beat the drums, ‘cause here comes our last episode before a summer interlude! Lastly, join us in a moment of silence for the late Ted Turner, who in spite of colorization and his ownership of the Atlanta Braves is one of our heroes, for TCM is a treasure that never stops giving to film fanatics like us. As for the coming summer, here's hoping that "Disclosure Day" is closer to "E.T." than to "A.I." , and that Nolan is somehow able to pull off "The Odyssey" (and that for once in a Nolan film, we can hear the dialogue over the music in the sound mix). Have a safe and peaceful break, and remember a great way to stay cool in the time of El Niño (both the weather phenomenon and the current political leadership ) is to go see movies in a real theater. Just saying…

Hello and welcome to Bill vs the MCU! Each month your hosts⁠⁠⁠⁠⁠ ⁠Pop Break Podcasting Director Alex Marcus⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠ Pop Break Editor in Chief Bill Bodkin⁠⁠⁠⁠⁠⁠ are taking another step into the wider Marvel Multiverse as the MCU dives deeper into their Multiverse Saga.Bill & Alex spent all of 2022 rewatching the first four phases of the MCU, and, in the years since, they have covered the first four seasons of Agents of SHIELD, the entire Netflix Defenders Saga, Fox's X-Men,  Fantastic Four, and Daredevil films, the Blade trilogy, a few Punisher films, Ang Lee's Hulk, and, most recently, Marvel's Modern Animation line up of shows.This month, Alex & Bill are wrapping up the Sony Pictures rewatch portion of their season with a deep dive into SPUMC! That's right they are reviewing Morbius (2022), Madame Web (2024), and Kraven the Hunter (2024) - aka the Sony Pictures Universe of Marvel Characters or SPUMC for short!Come back next month for their biannual check in on the MCU with reviews of Wonder Man Season 1, Daredevil: Born Again Season 2, and The Punisher: One Last Kill, all available to stream on Disney Plus!

TED HOPE CEO, Fandor “Perhaps no film exec is better qualified to brainstorm ideas for saving indie films than Ted Hope” – Variety, 1/27/21 In June 2020, TED HOPE resigned as Co-Head of Movies at Amazon Studios, where he oversaw the prestige movies produced, developed and acquired by the company (Manchester by the Sea, The Salesman, The Big Sick, Cold War, amongst others) for over five years. Hope's 35-year career in the film business is defined by an innovative and inclusive approach, always operating from a deep love of cinema, its history, and recognition of its potential. Whether it's helping to launch Amazon Studios and their commitment to theatrical releasing, their foray into worldwide streaming titles, or introducing new voices and new approaches to new audiences from his independent film producing days, Hope champions diverse and bold voices from the world over. Prior to joining Amazon, Hope produced over 70 films, as well as co-founding and co-running the production companies Good Machine, this is that, and Double Hope Films. Ted's eye for directorial talent has helped launch the feature film careers of Ang Lee, Hal Hartley, Michel Gondry, Nicole Holofcener, and many others. His films have received numerous Academy Award nominations and a record three of them have won the Sundance Grand Jury Prize. His filmmaking memoir Hope For Film was published in 2014; the new expanded second edition came out in August of 2020. Ted currently enjoys a first look deal with Amazon Studios for his feature films.

This week the guys finally get to a theatrical release as they review director Ang Lee's long awaited 2003 film, Hulk! After Crouching Tiger Hidden Dragon became an unexpected commercial and critical darling, Lee had a slew of big budgeted opportunities flood his inbox. The two biggest ones being a follow up to James Cameron's Terminator 2 Judgment Day, as well as the long in development by Cameron's ex Gale Anne Hurd Hulk film. Yet, he turned down Terminator 3 in order to take the big green monster on. And after years of rejected scripts and start stops, the green light was finally given, with Eric Baja being Lee's choice for the Banner/Hulk role. But upon release, Hulk was met with derision from both critics and audiences, with some saying there wasn't enough action and others putting down the long built up finale between the two Banners. Will The Three Men and a Retrospective Podcast join the fray of people who reassess Hulk in a positive light?? Listen in to find out! Also, we reveal what the next retrospective series will be.

This week the guys finally get to a theatrical release as they review director Ang Lee's long awaited 2003 film, Hulk! After Crouching Tiger Hidden Dragon became an unexpected commercial and critical darling, Lee had a slew of big budgeted opportunities flood his inbox. The two biggest ones being a follow up to James Cameron's Terminator 2 Judgment Day, as well as the long in development by Cameron's ex Gale Anne Hurd Hulk film. Yet, he turned down Terminator 3 in order to take the big green monster on. And after years of rejected scripts and start stops, the green light was finally given, with Eric Baja being Lee's choice for the Banner/Hulk role. But upon release, Hulk was met with derision from both critics and audiences, with some saying there wasn't enough action and others putting down the long built up finale between the two Banners. Will The Three Men and a Retrospective Podcast join the fray of people who reassess Hulk in a positive light?? Listen in to find out! Also, we reveal what the next retrospective series will be.

With a successful television show and a string of TV movies The Incredible Hulk proved to be a hugely rewarding experience for Bill Bixby. So it's understandable that he was apprehensive about finally putting the character to bed. In fact, all reports are that he didn't want to fully put it to bed. We get into that on this podcast. But before that happens, David Banner finds himself mixed up with spies, with nary a Jack McGee sighting. That, my friends, is the plot of The Death of the Incredible Hulk. A movie even Hulk can Garrett wasn't looking forward to revisiting. Yet, our duty is our duty, so enjoy Percolated Media listeners! Next week, the guys finally get to a theatrically released film starring the big green angry guy. Next week, we review Ang Lee's huge summer of 2003 film Hulk! And boy, do we have opinions on that one! But for now, enjoy our review of Bixby's swan song as the Hulk, 1990's The Death of the Incredible Hulk!!

With a successful television show and a string of TV movies The Incredible Hulk proved to be a hugely rewarding experience for Bill Bixby. So it's understandable that he was apprehensive about finally putting the character to bed. In fact, all reports are that he didn't want to fully put it to bed. We get into that on this podcast. But before that happens, David Banner finds himself mixed up with spies, with nary a Jack McGee sighting. That, my friends, is the plot of The Death of the Incredible Hulk. A movie even Hulk can Garrett wasn't looking forward to revisiting. Yet, our duty is our duty, so enjoy Percolated Media listeners! Next week, the guys finally get to a theatrically released film starring the big green angry guy. Next week, we review Ang Lee's huge summer of 2003 film Hulk! And boy, do we have opinions on that one! But for now, enjoy our review of Bixby's swan song as the Hulk, 1990's The Death of the Incredible Hulk!!

After The Incredible Hulk Returns was a ratings success, actor/director Bill Bixby seemed justified in wanting to bring the big green monster back. But he wanted more. Enter The Trial of the Incredible Hulk. This time, Bixby had Daredevil and a John Rhys Davies played Kingpin in tow. Though now, a big black bat played by Michael Keaton was fixing to come to the big screen a month after this film was broadcast. Could Bixby and company beat them to the punch and come out a ratings success? Rejoin Matt, Adam, and Garrett as they continue going through each TV movie associated with this iteration of The Incredible Hulk, capped off with a review of Ang Lee's 2003 big screen adaptation!

After The Incredible Hulk Returns was a ratings success, actor/director Bill Bixby seemed justified in wanting to bring the big green monster back. But he wanted more. Enter The Trial of the Incredible Hulk. This time, Bixby had Daredevil and a John Rhys Davies played Kingpin in tow. Though now, a big black bat played by Michael Keaton was fixing to come to the big screen a month after this film was broadcast. Could Bixby and company beat them to the punch and come out a ratings success? Rejoin Matt, Adam, and Garrett as they continue going through each TV movie associated with this iteration of The Incredible Hulk, capped off with a review of Ang Lee's 2003 big screen adaptation!

Hello and welcome to Bill vs the MCU! Each month your hosts⁠⁠⁠⁠⁠ ⁠Pop Break Podcasting Director Alex Marcus⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠ Pop Break Editor in Chief Bill Bodkin⁠⁠⁠⁠⁠⁠ are taking another step into the wider Marvel Multiverse as the MCU dives deeper into their Multiverse Saga.Bill & Alex spent all of 2022 rewatching the first four phases of the MCU, and, in the years since, they have covered the first four seasons of Agents of SHIELD, the entire Netflix Defenders Saga, Fox's X-Men,  Fantastic Four, and Daredevil films, the Blade trilogy, a few Punisher films, Ang Lee's Hulk, and, most recently, Marvel's Modern Animation line up of shows.This month, Alex & Bill deep dive on wild and wacky bromance between Eddie Brock and his lovable, murderous symbiote pal, Venom, in the Venom trilogy of films: Venom (2018), Venom: Let There Be Carnage (2021), and Venom: The Last Dance (2024). They also give their thoughts on the Avengers: Doomsday presentation at this year's CinemaCon.Come back next month for part five of Podding the Spider-Verse with reviews of Morbius (2022) and Madame Web (2024), both available to stream on Disney Plus and Kraven (2024), now available on VOD!

Dez trilhas! Comédia! Drama! Musical! Pixar! Disney! Ang Lee! Na Academia, o Oscar 1995 foi um épico, com nada menos que duas categorias para trilhas — e candidatas à altura. Para falar delas, Maurício e Gustavo recebem Carlos Quintão para um episódio sobre o Oscar igualmente épico porém menor que uma cerimônia do Oscar!

Host Jason Blitman talks to prolific author Yann Martel (Life of Pi) about his latest novel, Son of Nobody. They talk about religion versus art, dreams versus reality, Greek gods like Hades, and Martel's enthusiasm for CrossFit burpees.Yann Martel is the author of Life of Pi, the international bestseller that won the 2002 Booker Prize and was adapted to the screen in the Oscar–winning film by Ang Lee. He lives in Saskatoon, Saskatchewan.Sign up for the Gays Reading Book Club HERESUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.

Editor - Tim Squyres, ACE Mike & Nick & Nick & Alice editor Tim Squyres has over three decades of experience working with directors such as Ang Lee, Robert Altman and Jonathan Demme.  But his latest film marks the first time collaborating with writer/director BenDavid Grabinski.  Together the two navigated the tonal minefield of blending action, comedy, romance and a little time travel, to deliver a raucous romp that spans multiple years in one night. Set in a highly-stylized criminal underworld, Mike & Nick & Nick & Alice follows two (or three) gangsters and the woman they love trying to survive the most dangerous night of their lives, one in which a time machine is involved. TIM SQUYRES ACE Acclaimed film editor Tim Squyres is best known for his long-standing collaboration with director Ang Lee. A graduate of Cornell University, Squyres began his career in the late 1980s and quickly distinguished himself as a precise and emotionally intuitive storyteller. His early work with Lee on The Wedding Banquet (1993) marked the beginning of a creative partnership that would span decades and include films such as Sense and Sensibility, Crouching Tiger - Hidden Dragon, Hulk, and Life of Pi. Across these projects, Squyres developed a reputation for crafting nuanced performances and guiding complex narratives with clarity, rhythm, and restraint. In addition to his work with Lee, Squyres has also collaborated with a range of influential filmmakers, including Robert Altman on Gosford Park and Jonathan Demme on Rachel Getting Married. His versatility across genres—from ensemble dramas to intimate character studies—has earned him multiple Academy Award and American Cinema Editor nominations. Visit Extreme Music for the new Extreme Music extension for Avid Media Composer Hear Tim talk about Ang Lee's Gemini Man See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

The years were 2001 and 2002 (and 2016). The website was www.bmwfilms.com. The directors were John Frankenheimer, Ang Lee, Wong Kar-Wai, Guy Ritchie, Alejandro González Iñárritu, John Woo, Joe Carnahan, Tony Scott, and Neill Blomkamp. The Driver was Clive Owen. The year is 2026. The guest GM is Blake Howard (One Heat Minute Productions). This is the Super Draft of executive producer David Fincher's THE HIRE.  Visit www.patreon.com/screendrafts to join the Booster Club, and get ad-free Main Feed Drafts plus four bonus episodes every month!

Deuce zoomin in the late-night hour! The Notes: We predate the dark times! We're like a pleasant dream before awakening to a shocking reality! How many Brontes!? Why these heights got to wuther so much!? Pining for the lower middle heights! How many Brontes!? Don Bronte! Janice Bronte vs Janyce Bronte! Club Crackers contain the sum of human yumminess! The Sum of Human Yumminess (dir. Ang Lee)! Take a meeting with us Ang Lee, you coward! Sorry England, you have a complicated history and fun stereotypes! A Perfect Storm for a Recipe for Disaster (dir. Ang Lee)! Nelson is distressed but delighted by stealth Shoresy! Nelson's got slings and arrows problems! Shoresy vs Europe or Ang Lee vs Europe! Love-watching vs hate-watching! Will is watching just for the hate of the game! Will's hate-watch picks: Hijack & All Her Faults! Nelson never forgets a Toby! Bad Snook management! Will learns about the good and bad Hanks boys! Will accuses Chet Hanks of onomatopoeia! We both love Knight of the Seven Kingdoms, as per usual! Raymun Fossaway, the Apple-man, realest homie in Westeros! Does Nelson love editing the podcast too much!? Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Bluesky: @doubledeucepod.bsky.social Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider, Amber Fraley, Nate Copt, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

It was very different times for Marvel when, in the 1990s, it struck an assortment of deals over screen rights for its characters. For the purposes of this tale, the Incredible Hulk, for whom Universal snapped up the rights. The deal done then continues to have some ramifications now, but the first fruits of it? Ang Lee's 2003 movie Hulk, starring Eric Bana. Arriving the year after Sam Raimi's Spider-man, it turns out there was an early alarm bell that they might have got the tone a little wrong... More on the film, and the ongoing sequel issues, in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

Ang Lee's HULK (2003) was… a completely insane movie. So insane… it actually holds up? The first Hulk movie, starring Eric Bana and directed by Ang Lee, remains a bizarre spectacle that we love to revisit. In this episode of Road to Doomsday, Erik Voss and Jessica Clemons are back to review and revisit HULK (2003) — what holds up, what doesn't, and what elements could return in Avengers Doomsday (2026). How did this movie get made? What went wrong with it? What went right? Written by: Alex Berg Head of Content & Executive Producer: Erik Voss General Manager: Zach Huddleston Senior Producer: Jessica Clemons Producer: Gina Ippolito Post Production Supervisor: Joshua Steven Hurd Staff Editors: Abby Freel, Brian M Kim Editors: Eric Gorday Studio Tech: Brian M Kim Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kate Winslet is an actor who achieved global fame playing Rose DeWitt Bukater, opposite Leonard DiCaprio as Jack Dawson, in the 1997 James Cameron epic Titanic. During her career she has won five BAFTAs, two Emmys, five Golden Globes and an Academy Award for her role in the Reader. Kate was born in Reading in 1975 and attended Redroofs School for the Performing Arts in Maidenhead, Berkshire. Her film debut came in 1994 when she played a teenage killer in Peter Jackson's film Heavenly Creatures. The following year she played Marianne Dashwood opposite Emma Thompson's Elinor in Sense and Sensibility, directed by Ang Lee. Kate's performance earned her a BAFTA for Best Actress in a Supporting Role. She went on to consolidate her reputation as one of the most versatile actors of her generation by starring in a list of popular and critically acclaimed films including Hideous Kinky, Iris, Eternal Sunshine of the Spotless Mind and The Holiday.Last year Kate directed her first film, Goodbye June, starring Helen Mirren, Timothy Spall and Andrea Riseborough. Kate has three children and lives in West Sussex with her husband Ned and her family.DISC ONE: Georgia on my Mind - Roger Winslet and Sophie Breakenridge DISC TWO: Matchstalk Men and Matchstalk Cats and Dogs - Brian and Michael DISC THREE: Kiss from a Rose - Seal DISC FOUR: Summertime - Ella Fitzgerald DISC FIVE: Nuvole Bianche - Ludovico Einaudi DISC SIX: Weird Fishes/ Arpeggi - Radiohead DISC SEVEN: Blue Ridge Mountains - Fleet Foxes DISC EIGHT: Pump up the Jam - Technotronic BOOK CHOICE: Outside: Recipes for a Wilder Way of Eating by Gill Meller LUXURY ITEM: Freshly ground coffee CASTAWAY'S FAVOURITE: Georgia on my Mind – Roger Winslet and Sophie Breakenridge Presenter: Lauren Laverne Producer: Paula McGinleyDesert Island Discs has cast many actors away over the years including Dame Emma Thompson, Cate Blanchett and Dame Helen Mirren. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

Today we're honored to welcome Stan Lai, one of the world's most celebrated playwrights and theatre directors. He has been called by one critic ‘the major contemporary Asian playwright of his time, perhaps of all time' and by the BBC ‘the best Chinese-language playwright and director in the world'. Stan's Website @Stanlai99 on Instagram Stan on YouTube Born in the U.S. and raised in both America and Taiwan, Stan earned his PhD from UC Berkeley before launching a groundbreaking career in Taiwan that now spans over 40 acclaimed plays, including masterpieces like A Dream Like a Dream and Secret Love in Peach Blossom Land. He's also the co-founder of the Wuzhen Theatre Festival and Huichang Theatre Village in China, and his Shanghai venue, Theatre Above, is dedicated entirely to his work.Stan joins us today to discuss his new book, CreativitRy: Asia's Iconic Playwright Reveals the Art of Creativity, coming in November 2025 from Anthem Press — a transformative guide that blends memoir, Buddhist philosophy, and practical methods for unlocking the creative potential that lives within each of us. https://a.co/d/56PRqeG5 QuestionsThe Source of CreativityStan, you've said that CreativitRy explores “where creativity lives — within each and every one of us.” How did your own creative process as a playwright and director lead you to this realization, and what inspired you to put these ideas into book form?From Stage to Page — Translating Art into InsightYour plays are known for their emotional depth and philosophical reach. How was writing about creativity — in prose rather than in performance — a different kind of creative act for you?Buddhist Wisdom and Creative FlowYou describe the book as rooted in Buddhist thought, guiding readers to unlock creativity through introspection rather than productivity hacks. How do mindfulness and spiritual awareness shape your own approach to artistic creation?Creativity as Education — A New FrontierCreativitRy is being adopted as the foundational text for a new Department of Creative Studies at major Chinese universities. How did that initiative come about, and what does it say about the growing importance of creativity in education and society today?The Universality of the Creative JourneyYou've been praised by artists like Ang Lee and Jack Ma for bridging the arts, business, and human growth. What do you hope readers — whether they're artists, entrepreneurs, or students — will take away from CreativitRy about living a truly creative life?Stan, as we close, what's one piece of advice you'd offer to someone who feels disconnected from their creativity — someone who wants to rediscover that creative energy in everyday life?Thanks to our sponsor, White Cloud Coffee — fueling creative conversations everywhere. Listeners, enjoy 10% off your first order at whitecloudcoffee.com.And be sure to download your free e-book of Your World of Creativity when you visit

It's been 30 years since Emma Thompson, Ang Lee, and producer Lindsay Doran came together to make one of the greatest Jane Austen adaptations of all time. BFF of the pod Erin Darke joins us to get into the incredible way this film came together, a deeply satisfying behind-the-scenes love story, and all of the details that make this movie practically perfect. Hugh Grant? Alan Rickman? Kate Winslet? Emma Thompson? A divine combination that holds up even decades later. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices