Podcasts about european jazz

If this episode of Mondo Jazz could be summarized in a flow-chart it would be someting like: West-African tinged European Jazz -> jazz meets (symphonic or chamber) classical music -> electro-acoustic chamber jazz.  The playlist features Csaba Palotai, Simon Drappier, Steve Arguelles; African Jazz Roots; Sophie Alour [pictured]; Luigi Grasso, Orchestra Senzaspine; Andrea Keller; Paul Dietrich; Quinsin Nachoff; Espen Berg; and Guillermo Klein. Detailed playlist at https://spinitron.com/RFB/pl/18247879/Mondo-Jazz (from "Ave De Clichy" onward). Happy listening!

Eelmisel nädalal toimus Sofias Bulgaarias European Jazz Conference, millest võttis osa ka Eesti delegatsioon.

In 1978, UK industrial and experimental music pioneers Nurse With Wound, then a collaborative effort between multiple musicians before Steven Stapleton would turn the project into his braintrust some years later, released its debut album Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella. That record, the title of which references an excerpt of Comte de Lautréamont's Les Chants de Maldoror, is one of the primary influences on all that which would later be known as industrial, experimental, or noise music from that point on. More important than the album, however, is its liner notes. What has become known as the Nurse With Wound list was printed in the liner notes of the record: a list of over 200 avant-garde and outsider artists and groups that were influential on the development of Nurse with Wound in particular but that also can be used to historicize the avant-garde tendency in music writ large. From ground zero avant-rock like the Velvets to obscure European Jazz like Thrice Mice to pioneers of avant-garde composition like Karlheinz Stockhausen, the NWW list opens the floodgates to a new method of engagement with sound. In this episode, the boys invite Joey from the Easy Listening podcast to journey through the NWW list with all three of them finding three artists from it that appeal to their own sensibilities. OST Joe Potts "Airway" Robert Ashley "Automatic Writing" Chrome "SS Cygni" Le Forte Four "To the Crow" Pere Ubu "Small Was Fast" Horrific Child "Angoisse" The Decayes "Breeding in Captivity" Alvin Lucier "Bird & Person Dyning" Selten Gehorte Musik "Untitled" LINKS: Easy Listening podcast with John Duncan NWW List NWW Brainwashed doc Steven Stapleton interview Bob Nickas on NWW

15.-19.

Nick Luscombe chats to Maki Mannami, the international music composer, sound designer, songwriter and vocalist. Born in Osaka, Japan, she currently resides in Los Angeles, California.  As a music composer, Maki has composed music for major companies such as SONY, Google, BMW, Mercedes-Benz, HONDA, "Gran Turismo" series by Play Station 3, FIFA World Cup, Panasonic, and FRED PERRY. She has also composed soundtracks for a variety of independent films, one of which received an award from the National Academy of Television Arts & Sciences. Mannami prides herself in her ability to arrange and program orchestral scores using MIDI, along with her vocal and piano, and ability to manipulate sounds in unconventional ways.   Maki has released three full-length albums and one EP as a singer-songwriter in England and Japan. Her first album, Journey Of Higher Self Liberation, charted No. 1 in the album category on the iTunes Japan Music Charts. BBC Radio reviewed her EP, Justice and Judgment, commending her voice as "The voice from heaven.” She has collaborated with top jazz musicians like Nicola Conte, and her songs have been played by popular DJs, including Giles Perterson – a renowned DJ in the European Jazz scene. Mannami's work has been featured in a variety of compilation albums that have been released in Germany and Italy. She also has experience touring throughout England and France.  Maki has performed at a handful of prestigious venues including: The Royal Opera House -- England's largest opera theatre, ICA London, Motion Blue -- a Blue Note sponsored night club, and Club Ikspiari -- a Disney-affiliated venue in Japan. Mannami has a unique style, combining elements of jazz, electronica, world music, and classical. Her vocal range can extend four octaves, making her an incredibly rare and exceptional singer.  As a vocalist and choir member, Maki has performed at a Tokyo Collection, fashion show and her vocal has been used in commercials for SONY and Nestle. Her voice was also featured in the theme song for a TV show, Tokyo Eye, which premiered on NHK WORLD. She has also contributed to a number of studio albums and live performances for many bands and artists.  Mannami has always enjoyed the arts. Growing up, she took lessons in piano, drums, voice and dance. At age 19, she dropped out of Osaka Art University for Performing Arts and moved to New York to study musical theatre on Broadway. While she was there she performed in an Off-Broadway theater as a chorus dancer, sang jazz in a cabaret group, and performed gospel music at an African American church. Maki has also performed as a backup dancer in Vincent Gallo's concert in Japan and as a solo dancer in the biggest night club in Frankfurt, Germany Cocoon Club.https://www.makimannami.com/Inquires about CIC Tokyo's office space, partnership, etc.https://jp.cic.com/en/

Septembris toimub Tallinnas rahvusvaheline džässikonverents European Jazz Conference 2021, mis toob Eestisse üle 300 olulise džässivaldkonna eestvedaja Euroopast ja mujalt.

Returning to Improv Exchange, Christophe Schweizer talks about his latest project PLENITUDE by Brazilian trombone legend Raul de Souza. Christophe Schweizer is considered one of the most innovative and creative musicians on the European Jazz scene, both with respect to his abilities and versatility on the trombone and other low brass instruments (also as an interpreter of classical and new music), as well as especially to his work as a composer, arranger, and bandleader. Born in Switzerland and nowadays residing in Hamburg, Germany, he lived in New York for seven years starting in the mid-nineties. During this period, he worked with the George Gruntz Concert Jazz Band for three years, and occasionally with the orchestras of Maria Schneider and Sue Mingus, playing two European tours with the latter. In this episode, Christophe shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

In this episode, we discuss recent recordings of the orchestral music of Hans Rott, two recordings of Astor Piazzolla compositions, and check out some music by European jazz artists from Estonia, Denmark, Italy, and Slovenia.   Episode 8 Deezer Playlist   “Hans Rott: Orchestral Works Volumes 1 & 2” (Capriccio) Gürzenich-Orchester Köln, Christopher Ward https://open.spotify.com/album/6DiVWzOnYrkm6uy3dCNnCd https://open.spotify.com/album/6Bhu5XMKa6uCJE7kxIrAjJ https://music.apple.com/us/album/rott-complete-orchestral-works-vol-1/1527163494 https://music.apple.com/us/album/rott-complete-orchestral-works-vol-2/1541948852   “Piazzolla Reflections” (Alpha) Ksenija Sidorova (accordion) https://open.spotify.com/album/5FXc1aHNTWx3tHWm44v1xv https://music.apple.com/us/album/piazzolla-reflections/1545629789   “Piazzolla Stories” (Warner Classics) Lucienne Renaudin Vary (trumpet) https://open.spotify.com/album/0dabRTtnkvaueYyQnQJDZb https://music.apple.com/us/album/piazzolla-stories/1547672574   “The Siren” (Eclipse Music) Susanna Aleksandra https://eclipsemusicrecordlabel.bandcamp.com/album/the-siren https://music.apple.com/ee/album/the-siren/1549265798   “Going Up” (Stunt Records) Snorre Kirk Quartet with Stephen Riley https://open.spotify.com/album/2Jsv8fQJq9yvJoUjjvKqqV https://music.apple.com/us/album/going-up/1552840208   “Al Gir Dal Bughi” (Parco della Musica Records) Dino Piana https://open.spotify.com/album/0JQcLpV4f34Mo89PvQmnkD https://music.apple.com/us/album/al-gir-dal-bughi/1550633362   “String Dancers” (Samo Šalamon self release) Samo Šalamon & Hasse Poulsen    https://open.spotify.com/album/3JMRLx1aiCl1YpNGz4tkNL https://samosalamon.bandcamp.com/album/string-dancers

Krzysztof Komeda (born Krzysztof Trzciński; 27 April 1931 – 23 April 1969)  is the single most important artist in the entire history of Polish Jazz and one of the founding fathers of European Jazz as we know it.  Komeda was an incredible artist, a constantly searching poet and he could find ways of individual expression of jazz inside himself, in Slavic lyricism, and in the traditions of Polish music.  He is widely credited as being one of the founding fathers of a uniquely European style in Jazz composition.

Christophe Schweizer is considered one of the most innovative and creative musicians on the European Jazz scene, both with respect to his abilities and versatility on the trombone and other low brass instruments (also as an interpreter of classical and new music), as well as especially to his work as a composer, arranger, and bandleader. Born in Switzerland and nowadays residing in Hamburg, Germany, he lived in New York for seven years starting in the mid-nineties. During this period, he worked with the George Gruntz Concert Jazz Band for three years, and occasionally with the orchestras of Maria Schneider and Sue Mingus, playing two European tours with the latter. In this episode, Christope shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcasts, Google Podcasts, etc.  Connect with us on all social media platforms and at www.improvexchange.com

Drummer, composer and bandleader Mareike Wiening has been said to bring “a planar modulating harmonic language and a propulsive drift” (New York Times) to the world of contemporary jazz. Based between Cologne and NYC, her current album “Metropolis Paradise” (released November 2019 on Greenleaf Music) documents the last official recording-session at the legendary Systems Two Recording Studios, NYC amidst goodbyes that kept flooding in from decades of clients as Wiening made her recording debut as Band-leader and Composer with a pianist who had had only the night before to learn her music.  An old friend who I have always admired deeply, we catch up on her fascinating and inspiring story that is an apt display of how she went from the star student mentored by the likes of Stefon Harris finishing two Masters Degrees in two different continents simultaneously to the billiant, positive and cutting-edge force in the world of European Jazz.    This episode is brought to you by www.everynowheremusic.com   Recorded on a Zoom L8 Mixer kindly sponsored by https://www.sound-service.eu   Connect with Marieke : Website : www.mareikewiening.com Facebook : www.faceboook.com/mareikewieningmusic  Instagram : www.instagram.com/mareikewiening    Connect with T.L. / EveryNowHere Website: www.findtl.com Instagram: https://www.instagram.com/everynowheremusic/ Spotify: https://spoti.fi/39S0dP5 Facebook: https://www.facebook.com/tlmusician Twitter: https://twitter.com/tlmazumdar  

Coming to America: "I came here at the invitation of Tony Williams. Who even today, nobody plays like Tony. The closest drummer to Tony today is Cindy Blackman. I'm over there in Europe. Lets not equate the European Jazz scene with the American Jazz Scene. Today there's a lot more balance between the two continents but in the sixties it was America. You have no idea, since I was fifteen all I dreamt about was going to New York, New York NEW YORK! Not only New York but Harlem! That was the heart of jazz, that's where jazz was born and that was my music. First of all when I arrived in America I nearly kissed the ground. Tony met me at the airport and he was playing with Miles that night up in Harlem so the first day I'm in Harlem and I meet Miles and the next day I saw him again and he invited me to play on "In a Silent Way." How lucky can you get! It's like your dream coming true- literally. I was really struggling to survive but Miles helped more then anyone. He put money in my pocket, he'd say, "make sure you eat. Get by and pay your rent." Working with Tony in those days playing clubs we were making $20 a night. But I was welcome from an artistic music point of view. Jazz has always been marginal. Miles made money, Coltrane made money they were the big jazz stars, not fortunes like the pop people never the less good earnings, records. Surrender- "No one ever said it was easy, man. To be a free spirit in the true sense of the word you have to surrender to just what happens around you. You cannot fight what is, the effort of trying to fight what is is a waste of time. The only thing we can change in my opinion is ourselves. The power of dedication, the power of perseverance are all related to how much you love what you do. How much you care about what you do and how much attention you give to that. In a way what's outside is what it is. We cannot control what is going on outside. We have to surrender to life as its dealt us. You know what Im saying. You don't know how many different jobs I had do you? Driving Trucks, selling instruments, repairing instruments, selling cameras, selling Caviar to a London Hotel. Any number of driving jobs I've had. This is the life of a jazz musician. I never drive a taxi though. I had a lot of jobs just to keep body and soul together.i don't regret it for a second. Whatever happens to us it's part of what should happen to us. If something happens to you, it sounds hard but you have to welcome it at some point. I've had a lot of rough things happen to me but people don't want to know what life was like before I became a public figure. They don't really care to tell you the truth. It's all about whether it makes you or whether it breaks you." --- Support this podcast: https://anchor.fm/jake-feinberg/support

Se15 ep14 공자의 재즈여행 _ 차박캠핑 & 여행할 때 듣기 좋은 European Jazz 신보 by media_amble

New album from Chip Wickham, music from the Discos Fuentes label in Colombia, a European Jazz classic & more!

Once again David and Jacob talk through some of their favorite ECM tracks, now all streaming everywhere except ONE mystery song, one of the earliest recordings Paul Motian ever made... You can only hear it here! Otherwise we've got Sinikka Langeland, Joe Lovano, Bill Frisell, Zakir Hussein, Lester Bowie, Valentin Silvestrov, Craig Taborn and more. Whole playlist we talk about is here: https://tinyurl.com/ycqq6hj9

At the end of 2017 ECM Records, long a holdout against streaming, finally released its entire catalog online. Two ECM artists, guitarist Young and clarinetist Rothenberg, picked ten lesser-known tracks from the vast assembly of jazz, improvisation, and world music releases on the label to share with listeners and to discuss. Is there a definite ECM sound? Is that a myth? How does this music fit into our contemporary oversaturated landscape?

It's Mike's turn to rant as he complains about the state of ECM - the storied jazz label based in Germany - and then both boys dig into a buffet of recent releases, some more echo-y than others. Kenny Wheeler – SONGS FOR QUINTET; Keith Jarrett – CREATION; Jakob Bro – GEFIEN; Tim Berne – YOU'VE BEEN WATCHING ME.

Join World Footprints as we catch up with our good friend Peter Greenberg at the Travel & Adventure Show in Washington, DC. Peter has a lot of great travel advice to share and he offers one very intriguing travel tip that is sure to raise some eyebrows. Then we’ll introduce you to Dr. Kelly Bricker, Chair of The International Ecotourism Society (TIES) and the Global Sustainable Tourism Council. Dr. Bricker will talk about the power of tourism and travel to implement positive change in society and we’ll get an update about the upcoming TIES conference. Our good friend Kelly Schulz with the New Orleans Convention and Visitors Bureau treats Tonya to lunch and a great conversation about what’s happening in New Orleans for 2011. Finally, another good friend, Polish-born composer, guitarist and violinist, Lucas Lechowski (pronounced Le-hoff-ski) shares his unique artistry and musical styles with us. Lucas is an acclaimed musician on the European Jazz scene and, as a composer he has scored film and theatrical productions in Poland and is currently collaborating on projects while in the U.S., including a Baltimore-based television show that is being considered for the Oprah Winfrey Network (OWN).

This is Mike OLi, the host of Smooth Caribbean (Jazz) with a touch  more..., I wanna fulfill your need to relax, unwind and shake away this busy day.    I invite you to "visit for the experience"  Smooth Caribbean Jazz, soulful R&B and, music from The Mother Land - Africa . . . how about Lite Rock, as well as a touch of kool modern Jazz.  Looking forward too it.  Check out our music channel 'WatchMusicChannel.com' to catch-up with us or anything you might have missed prior.

This is Mike OLi, the host of Smooth Caribbean (Jazz) with a touch  more..., I wanna fulfill your need to relax, unwind and shake away this busy day.    I invite you to "visit for the experience"  Smooth Caribbean Jazz, soulful R&B and, music from The Mother Land - Africa . . . how about Lite Rock, as well as a touch of kool modern Jazz.  Looking forward too it.  Check out our music channel 'WatchMusicChannel.com' to catch-up with us or anything you might have missed prior

This is Mike OLi, the host of Smooth Caribbean (Jazz) with a touch  more..., I wanna fulfill your need to relax, unwind and shake away this busy day.    I invite you to "visit for the experience"  Smooth Caribbean Jazz, soulful R&B and, music from The Mother Land - Africa . . . how about Lite Rock, as well as a touch of kool modern Jazz.  Looking forward too it.  Check out our music channel 'WatchMusicChannel.com' to catch-up with us or anything you might have missed prior

This is Mike OLi, I wanna fulfill your need to relax, unwind and shake away this busy day.    I invite you to "visit for the experience"  Smooth Caribbean Jazz, soulful R&B and, music from The Mother Land - Africa . . . how about Lite Rock, as well as a touch of kool modern Jazz.  Looking forward too it.

"Sensational yet subtle. A singer to die for who creates an urgent need for superlatives yet to be invented." Meet Julie Dexter, a world renowned, award winning, British vocalist considered by many to be one of the most influential female vocalists of our generation. She has shared the spotlight with a host of cutting edge artists, including Mint Condition, Jill Scott, Bilal, Omar, Loose Ends, Rachelle Ferrell, Ledisi, Eric Roberson and Raheem DeVaughn to name a few.   Born and raised in Birmingham, England, this classically trained artist composes and arranges her own music.  Influenced by  legends such as Nancy Wilson, Abbey Lincoln, and Bob Marley,  as well as popular icons Omar and Sade, Julie takes classic soul to the heart of Artistry   Fans and critics across the globe have followed her journey  through the circles of  Jazz, Soul, Broken-Beat, Bossa-Nova, Reggae and Afro-Beat. Her dynamic voice was first heard in 1994 on "The Jamaican Beat" Vol I with Jazz Jamaica. Soon after she was invited by Jazz legend Courtney Pine OBE to join him on tour as lead vocalist for his ensemble. She later  became a member of J-Life, a European Jazz quintet formed by Gary Crosby and led by Jason Yarde. They toured several continents as Ambassadors for the British Council winning numerous international a wards and released their debut on Dune Records in 1997.

Born and raised in Birmingham, England, this classically trained artist composes and arranges her own music. Influenced by legends such as Nancy Wilson, Abbey Lincoln, and Bob Marley, as well as popular icons Omar and Sade, Julie takes classic soul to the heart of Artistry. Fans and critics across the globe have followed her journey through the circles of Jazz, Broken-Beat, Bossa-Nova, Reggae, Afro-Beat and Soul. Her dynamic voice was first heard in 1994 on "The Jamaican Beat" Vol 1 with Jazz Jamaica then later in 1997 on Dune Records' release of J-Life, a European Jazz quintet formed by Gary Crosby and led by Jason Yarde. She later toured several continents with Jazz legend Courtney Pine as the lead vocalist for his ensemble. It was in 1999 that Julie took a leap of faith and moved to Atlanta, Georgia. She launched her own label, Ketch A Vibe Records and in 2000 released the critically acclaimed EP Peace of Mind, followed by Dexterity (2002), and Conscious (2005). Moon Bossa, a collaboration with Khari Simmons was released in 2007 and her single "Ketch A Vibe" was featured in national radio ads for Democratic Presidential Candidate Senator Barack Obama. From Jazz to World Music, Soul and beyond, Julie Dexter is one of an elite few whose talent can transcend genres. She makes it all work on her own terms, as an audaciously independent artist with an undeniable connection to her audience. Julie has shared the spotlight with artists Mint Condition, Jill Scott, Bilal, Omar, Loose Ends, Rachelle Ferrell, Ledisi, Eric Roberson and Raheem DeVaughn to name a few, Julie not only holds her own with them but has been praised and respected by them too. Her latest anticipated project with Chicago's own Producer/DJ Steve "Miggedy" Maestro is entitled 'New Again." For more info: http://www.indiereviewcd.com https://twitter.com/IndieRevue https://www.instagram.com/indie.review --- Support this podcast: https://anchor.fm/indie-review/support

  Born and raised in Birmingham, England, this classically trained artist composes and arranges her own music. Influenced by legends such as Nancy Wilson, Abbey Lincoln, and Bob Marley, as well as popular icons Omar and Sade, Julie takes classic soul to the heart of Artistry. Fans and critics across the globe have followed her journey through the circles of Jazz, Broken-Beat, Bossa-Nova, Reggae, Afro-Beat and Soul. Her dynamic voice was first heard in 1994 on "The Jamaican Beat" Vol 1 with Jazz Jamaica then later in 1997 on Dune Records' release of J-Life, a European Jazz quintet formed by Gary Crosby and led by Jason Yarde. She later toured several continents with Jazz legend Courtney Pine as the lead vocalist for his ensemble. It was in 1999 that Julie took a leap of faith and moved to Atlanta, Georgia. She launched her own label, Ketch A Vibe Records and in 2000 released the critically acclaimed EP Peace of Mind, followed by Dexterity (2002), and Conscious (2005). Moon Bossa, a collaboration with Khari Simmons was released in 2007 and her single "Ketch A Vibe" was featured in national radio ads for Democratic Presidential Candidate Senator Barack Obama. From Jazz to World Music, Soul and beyond, Julie Dexter is one of an elite few whose talent can transcend genres. She makes it all work on her own terms, as an audaciously independent artist with an undeniable connection to her audience. Julie has shared the spotlight with artists Mint Condition, Jill Scott, Bilal, Omar, Loose Ends, Rachelle Ferrell, Ledisi, Eric Roberson and Raheem DeVaughn to name a few, Julie not only holds her own with them but has been praised and respected by them too. Her latest anticipated project with Chicago's own Producer/DJ Steve "Miggedy" Maestro is entitled 'New Again."