Podcasts about Komeda

W jego przypadku w słowie „legenda” nie ma przesady. Opowiedział w skrócie o 65 latach grania. M.in. o tym, co się grało do tańca w Norwegii, czy Finlandii. W rozmowie wielokrotnie padły takie nazwiska jak: Namysłowski, „Ptaszyn” Wróblewski, Komeda, Bem, Niemen, Karolak, bo ze wszystkimi grał. Legendarny perkusista – Czesław „Mały” Bartkowski był gościem NieDoMówień Artura Andrusa.

Recorrido por el jazz reciente que utiliza el violín, el violonchelo, el cuarteto de cuerda e incluso la viola da gamba, que de todo hay, incluso en Aragón. Escuchamos a Mateusz Smoczynski, Hank Roberts, Alex Hargreaves, Mark Feldman, Martín Domínguez (Jazz for Fun), HIDENISI, Muro Kvartet y Pilar Almalé. Temas que suenan en el programa: 01 2023 Andrés Coll Odyssey - Sunbird 01 Es Credo - Majid Bekkas Mateusz Smoczynski Ramón López (5' 15'') 02 2023 Joachim Kühn - Komeda 05 Moja Ballada - Mateusz Smoczynski (6' 32'') 03 2021 Hank Roberts - Science of Love 02 The Sharp Peak of The Science of Love - Brian Drye Mike McGinnis Dana Lyn Jacob Sacks Vinnie Sperrazza (3' 00'') 04 2021 Jim Snidero - Strings 05 River Suite 3 Torrent - Laura Seaton Mark Feldman Joyce Hammann Cenovia Cummings Paul Woodiel, Sue Lorentsen Ralph Farris, Kenji Bunch Thomas Ulrich Mary Wooten Renee Rosnes Paul Gill Billy Drummond (5' 07'') 05 2022 Rufus Reid - Celebration 05 Celestial Dance - Fung Chern Hwei Gregor Huebner Ron Lawrence Jeremy Harmon Steve Allee Duduka Da Fonseca (5' 13'') 06 2005 Mark Feldman - What Exit 02 Father Demo Square - John Taylor Anders Jormin Tom Rainey (5' 50'') 07 2022 Grant Gordy - Peripheral Visions 03 Mobius - Alex Hargreaves Dominick Leslie Aidan O'Donnell (3' 21'') 08 2024 Jazz for Fun - Diez de Diez 02 A través del tiempo - Martín Domínguez Nicolás Mora Jaime Arilla Juan Rebenaque Carlos Álvarez (6' 26'') 09 2024 HIDENISI - Ederlazi - Ana Antón David Urango Carolina Paterson Emiliano Evrard Alejandro Bayo (2' 09'') 10 2024 Muro Kvartet - Chop Machine 04 Hyperfolk - Juan Zalba Àlex Prats Andrés Campos Laura Sorribas (1' 14'') 11 2024 Pilar Almalé - Golondrinas - Nani nani - El Turry y Paco Jarana (4' 12'') Y os recomiendo, como siempre, la web jazzaragon para estar al día del jazz en Aragón.

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 2️⃣✖2️⃣8️⃣ | LA SEMILLA DEL DIABLO Dirigida por Roman Polanski, quien también la guionizaría adaptando la novela de Ira Levin, supuso la película que dio conocer en Hollywood al que luego se convertiría en una de las figuras más importantes de la industria. Protagonizada por Mia Farrow, cuenta la historia de los Woodhouse, un matrimonio neoyorquino, se mudan a un edificio situado frente a Central Park, sobre el cual, según un amigo, pesa una maldición. Una vez instalados, se hacen amigos de Minnie y Roman Castevet, unos vecinos que los colman de atenciones. Ante la perspectiva de un buen futuro, los Woodhouse deciden tener un hijo; pero, cuando Rosemary se queda embarazada, lo único que recuerda es haber hecho el amor con una extraña criatura... Acompañan en el reparto figuras como John Cassavetes o Ruth Gordon, actriz que ganaría el único Oscar de la película. La música de Komeda y la fotografía de William Fraker construyen una de las películas más importantes del género de terror. ¿Sabías que el casting, incluido el director, pudo haber sido muy diferente?. ¿Conoces las historias que rodean al rodaje de esta película que se considera maldita? ¿Conocías la relación que tiene el matrimonio de Mia Farrow y Frank Sinatra con La semilla del diablo?. Y debatimos, ¿Cuál es la película más importante para la filmografía de Polanski? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a La Semilla del Diablo. SECCIONES ▪️ Contexto ▪️ Adaptación, pre-producción y el casting que pudo ser ▪️ El rodaje de una película maldita ▪️ Frank Sinatra y Mia Farrow ▪️ ¿Cuál es la película más importante para la filmografía de Polanski? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/2x28-podcastwood-la-semilla-del-diablo/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga @Juanlu_Uno INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY (PODCASTWOOD JUKEBOX): https://open.spotify.com/playlist/3Pm8vswdhuBW6FeobnQH3F?si=FwqJBIAiSsKO-_aLfqF9FQ&pi=e-kdoptmnIRoSO ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2024

- Krzysztof Komeda buduje przestrzeń, w której można się naprawdę wypowiedzieć. Dając muzykowi nuty, pisał je w sposób tak bezpieczny, ale i zręczny, żeby można było poszukać tego klejnotu, który ma się w sobie ukryty. Tej wrażliwości i poczucia piękna. Tego, co w człowieku jest najważniejsze - mówił w Dwójce Leszek Możdżer o legendarnym jazzmanie, od którego śmierci minęło we wtorek (23.04) 55 lat.

Episodio 40 de este año 2023 que iniciamos con el último proyecto del gran Joachim Kühn liderando su New Trio, el homenaje al maestro Kryzstof Komeda en Komeda, publicado para ACT. Nuestra ración cuasi semanal de John Zorn nos lleva esta vez a 2021, de donde rescatamos Heaven and Earth Magick. Nuestro Clásico de la Semana fue Elvin Jones, al que escuchamos en 1976, en esta rareza llamada The Main Force. Seguir leyendo La Montaña Rusa 40.2023. Joachim Kühn New Trio. John Zorn. Elvin Jones. Filippo Deorsola. The Afro-Caribbean Jazz Collective. Tania Giannouli. en La Montaña Rusa Radio Jazz.

- Zacząłem w 1994 r. albumem "Black & Blue", potem były "Interwały", "Eurofonia", "Baltic Wind", "Komeda In The Chamber Mood" i ostatnia płyta "Copy & Insert". Tak że to jest takie podsumowanie mojej działalności w kwintecie przez ostatnich 30 lat. Będę też jednak niespodzianki, nie tylko moje kompozycje, ale również Komeda, Chopin i Monuszko - zapraszał w Dwójce na najbliższy koncert w ramach Festiwalu Jazz na Starówce (8.07) Leszek Kułakowski.

durée : 00:54:59 - Joachim Kühn - par : Alex Dutilh - Dans le cadre de la série de concerts Jazz at Berlin Philharmonic, organisée par Siggi Loch, Joachim Kühn a rendu un grand hommage à Krzysztof Komeda le 14 octobre 2022, au cours duquel il a joué sous trois formes : piano solo, trio et avec quatuor à cordes. Sortie chez ACT le 30 juin.

durée : 00:54:59 - Joachim Kühn - par : Alex Dutilh - Dans le cadre de la série de concerts Jazz at Berlin Philharmonic, organisée par Siggi Loch, Joachim Kühn a rendu un grand hommage à Krzysztof Komeda le 14 octobre 2022, au cours duquel il a joué sous trois formes : piano solo, trio et avec quatuor à cordes. Sortie chez ACT le 30 juin.

Welcome to our talk on Tajimi City in Gifu LWJ Season 2 Ep 21.  TimeStamp for start of our talk on Tajimi is: 4:51   Buy the show a Ko-Fi :) (:   https://ko-fi.com/lostwithoutjapan Please Consider Kindly Supporting Our Crowd Funded Show By Supporting Us Through Our Shows Patreon: https://patreon.com/lostwithoutjapanpodcast?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator Link to Google Doc that includes Google maps for all cities covered on Lost Without Japan, as well as the link to Amazon for travel purchase recommendations and other useful information for your travel to Japan can be found at: https://docs.google.com/document/d/1WEVbRmvn8jzxOZPDaypl3UAjxbs1OOSWSftFW1BYXpI/edit?usp=sharing  Google Shared Maps For This Episode:  https://goo.gl/maps/pkMfuLxbDDraRp329  Highwaybus.com:  https://www.highwaybus.com/gp/inbound/inbRouteList?rrefNameCd=113&arefNameCd=123#routeSearch   Cafe Restaurant Ueno Breakfast Option: http://j47.jp/ueno/  Pottery Museum and Shopping 陶都創造館:  https://www.toutokan.jp/  Honmachi Oribe Street Ideas:  https://www.oribe-street.com/  Komeda's Coffee: https://www.komeda.co.jp/menu/category.html?cat=1-2&s=180  Mosaic Tile Museum:  https://www.mosaictile-museum.jp/activities/ French Oguchi:  https://www.frenchoguchi.com/home  Song of the Show:  MUG-MO - Wonder by Wonder | "Let's Make a Mug Too" Opening Theme Song, https://youtu.be/jl4fMl9EhBE  Link to Google Doc that includes Google maps for all cities covered on Lost Without Japan, as well as the link to Amazon for travel purchase recommendations and other useful information for your travel to Japan can be found at: https://docs.google.com/document/d/1WEVbRmvn8jzxOZPDaypl3UAjxbs1OOSWSftFW1BYXpI/edit?usp=sharing  INSTA 360 X3 Show Link:  If you would like to help support the show and you're looking to purchase an Insta360 X3 please consider using our affiliate link. https://www.insta360.com/sal/x3?insrc=INRHVML

Google I/O 2023、Pixel FoldとTablet、QrioとSESAME、PANTONEとDICの違い、注文住宅のセルフビルド、今月のクリプト動向やイベント情報など最近気になったサブトピックスを話しました。

Jaká témata vztahů a intimity jsou ta, která se bojíme otevírat i ve vztahu? Jak hovoří o důtkách? Jak vypadají hraniční emoce? Proč je důležité poznat všechny své závislosti? V čem je důležitá komunikace? Co je vaginální mapování? Mohou vás lidé kolem vás zanést negativní energií? Jan Komeda je lektorem Cest Transformace a současně vede vlastní Školu Umění milování zaměřenou na rozvoj intimity, vztahů a osobních kvalit. Hovořilo se zejména o vnitřním dítěti i o partnerských tématech. Podcast má celkem pět dílů. Dnešní díl byl zaměřen na vztahy a intimitu. Kompletní epizodu naleznete na: https://www.pickey.cz/redline https://herohero.co/redline

Co je transformace stínu? Jak zpracovat svůj stín? Proč je důležité projít svým stínem? Proč jej fascinuje tantra? Jak se dívá na tantrické praktiky? Co je pravda v jeho podání? Jak hovoří o sociálních sítích? Proč společnost potřebuje pravidla? Jan Komeda je lektorem Cest Transformace a současně vede vlastní Školu Umění milování zaměřenou na rozvoj intimity, vztahů a osobních kvalit. Hovořilo se zejména o vnitřním dítěti i o partnerských tématech. Podcast má celkem pět dílů. Dnešní díl byl zaměřen na transformaci stínu.  Kompletní epizodu naleznete na: https://www.pickey.cz/redline https://herohero.co/redline

【其實你應該】遇到恐懼害怕的事，請第一時間面對它，選擇擱置只會養大恐懼！ 甫榮獲金球獎最佳女主角的楊紫瓊曾在訪問中說道：「騎馬若不小心摔馬，一定要第一時間爬起來騎回去，就不會留有陰影，如果你想過幾天後再去騎，你就騎不上去了。」以此一簡短的人生故事，點出她是如何面對恐懼。 #其實你應該 #恐懼 #害怕 #楊紫瓊 #找回自信 #FOMO #自我提升 #心靈雞湯 #走出低潮 #微憂鬱 #正向思考 #找不到方向 #轉念 #面對恐懼 #Podcast #客美多咖啡 Komeda‘s Coffee --- Podcast 收聽平台：https://linktr.ee/Ushould2020 合作聯繫信箱：Ushould2020@gmail.com

En julklapp i form av ett MYCKET fullmatat avsnitt! Robert lyfter fram den nyligen hädangångne Jerry Lee Lewis utmärkta kåntryplattor och spelar lite rykande aktuell antropofagia av Os Mutantes. Love introducerar den förmodade onanisten C Duncan och håller en snabbkurs i Divine Comedy. Robert har gjort en mycket akademisk djupanalys av det norska progmetalbandet Leprous användning av polyrytmik. Love presenterar premiären för det nya fasta inslaget "Skiva sammanfattad som en spänstig och fräsch mix" genom att ge Komeda den uppmärksamhet de förtjänar. Robert presenterar i sin tur sina högstadiepersoner, i synnerhet en som bevisar att det går att vara besatt av Donovaan och Kenneth & the Knutters nästan samtidigt. Love har gjort såväl en hyllad låt som en mashup på Julian Cope och Magnetic Fields. Robert gör en DJ-mix med generösa doser öststatsfunk, turkadelica, HARD DRIVING ROCK och maoism. PJ Proby, Alan Hawkshaw, Tolkien, Iron Maiden, Moonspell, Kim Fowley, Timothy Leary, Allen Ginsberg, The Keffat Liv, Clark Gable, Joe Venuti, Stephane Grappelli, Kurt Weil, Burt Bacharach, Disney och Jussi Björling namecheckas och tungor talas i. I Bisarra hörnan hörs The Crooked Yet Fabulous Onions "vi vill vara Residents"-musik och urval från den avdankade storbandssångaren John Arcesis egenutgivna och mycket personliga lounge-psych-LP under artistnamnet Arcesia. Dessutom hörs valda stycken av The Carter Family, Billie Holiday, Ulf Dageby, Malicorne, Four Tet, Meatloaf, Black Sabbath och Ulf Ekman. ERRATA 1: Robert menade såklart "tenor" fastän han, på tal om Jussi Björling, råkade nämna en helt annan stämma. ERRATA 2: Robert tar tydligt avstånd från sitt underlåtande att nämna Stuff Smith när kända jazzviolinister kom på tal. Gör oss sällskap på Discord: https://discord.gg/Cywtq7vaqZ Gilla, kommentera och recensera på The Facebook: https://facebook.com/musikensmaktpodcast/ Bidra till Loves fysiska överlevnad och få lite bonusmaterial: https://www.patreon.com/musikensmakt

En julklapp i form av ett MYCKET fullmatat avsnitt! Robert lyfter fram den nyligen hädangångne Jerry Lee Lewis utmärkta kåntryplattor och spelar lite rykande aktuell antropofagia av Os Mutantes. Love introducerar den förmodade onanisten C Duncan och håller en snabbkurs i Divine Comedy. Robert har gjort en mycket akademisk djupanalys av det norska progmetalbandet Leprous användning av polyrytmik. Love presenterar premiären för det nya fasta inslaget "Skiva sammanfattad som en spänstig och fräsch mix" genom att ge Komeda den uppmärksamhet de förtjänar. Robert presenterar i sin tur sina högstadiepersoner, i synnerhet en som bevisar att det går att vara besatt av Donovaan och Kenneth & the Knutters nästan samtidigt. Love har gjort såväl en hyllad låt som en mashup på Julian Cope och Magnetic Fields. Robert gör en DJ-mix med generösa doser öststatsfunk, turkadelica, HARD DRIVING ROCK och maoism. PJ Proby, Alan Hawkshaw, Tolkien, Iron Maiden, Moonspell, Kim Fowley, Timothy Leary, Allen Ginsberg, The Keffat Liv, Clark Gable, Joe Venuti, Stephane Grappelli, Kurt Weil, Burt Bacharach, Disney och Jussi Björling namecheckas och tungor talas i. I Bisarra hörnan hörs The Crooked Yet Fabulous Onions "vi vill vara Residents"-musik och urval från den avdankade storbandssångaren John Arcesis egenutgivna och mycket personliga lounge-psych-LP under artistnamnet Arcesia. Dessutom hörs valda stycken av The Carter Family, Billie Holiday, Ulf Dageby, Malicorne, Four Tet, Meatloaf, Black Sabbath och Ulf Ekman. ERRATA 1: Robert menade såklart "tenor" fastän han, på tal om Jussi Björling, råkade nämna en helt annan stämma. ERRATA 2: Robert tar tydligt avstånd från sitt underlåtande att nämna Stuff Smith när kända jazzviolinister kom på tal.

Je možné vlastním rozhodnutím přecházet mezi emocemi? Jak s nimi efektivně nakládat? V čem může být důležitý vášnivý sex? V čem je důležitá dynamika muže a ženy ve vztazích? Proč je nutné získávat dovednosti k tomu, aby intimita mezi partnery neustále vzkvétala – a jak to udělat? Jan Komeda je lektorem Cest Transformace a současně vede vlastní Školu Umění milování zaměřenou na rozvoj intimity, vztahů a osobních kvalit. Hovořilo se zejména o vnitřním dítěti i o partnerských tématech. Podcast má celkem čtyři díly.

Jak rychle se do nás vkládá schopnost chápání světa? Proč někdy začít křičet, když křičí dítě? Kdy je dobré dítě pevně obejmout? Jak se mohou projevovat bloky na fyzické úrovni? Co je podmínečná a co nepodmínečná láska? Kdo má blíže k syndromu vyhoření? Co ovlivňuje partnerské vztahy? Jan Komeda je lektorem Cest Transformace a současně vede vlastní Školu Umění milování zaměřenou na rozvoj intimity, vztahů a osobních kvalit. Hovořilo se zejména o vnitřním dítěti. Podcast má celkem čtyři díly.

Co je vlastně tantra? Jak vznikl web Umění milování? Proč někdy nefungují vztahy? Proč se nemá dětem říkat, co nemají dělat, ale naopak vést příkladem, co mají dělat? Co je zamilování? Jak pracovat s vnitřním dítětem? A jak se vlastně Jan Komeda dostal od Fio banky k tantře? Jan Komeda je lektorem Cest Transformace a současně vede vlastní Školu Umění milování zaměřenou na rozvoj intimity, vztahů a osobních kvalit. Hovořilo se o tantře i transformaci.  Podcast bude mít celkem čtyři díly.

Joshua Michael Homme (born May 17, 1973) is an American musician, singer, and songwriter. Homme has been part of two of the most acclaimed stoner rock/metal bands of the late '90s and early 2000s, Kyuss and Queens of the Stone Age. He is best known as the founder, primary songwriter, and only continuous member of the rock band Queens of the Stone Age, which he formed in 1996 and in which he sings lead vocals and plays guitar, as well as occasionally playing bass and drums. He also co-founded Eagles of Death Metal in 1998, playing drums and bass for their studio recordings and occasionally performing live with them. In this episode the full collection of songs played by Homme on Jan 2nd 2014, when filling in for Jarvis Cocker on his BBC Radio 6 radio show called Sunday Service (aired from 2010 to 2017). An eclectic two-hour mix of music from Homme's record collection, with a definite nod towards the darkside and the downright dirty. Lineup: Screamin' Jay Hawkins, WhoMadeWho, The Cramps, The Damned, Björk, Primal Scream, The Saints, The Doors, Iceage, Bill Withers, Bauhaus, Roky Erickson, Sly & The Family Stone, Savages, Komeda, Misfits, Glenn Danzig, Gnonnas Pedro et ses Dadjes, Eagles Of Death Metal, Grimes, Beck, Blonde Redhead, Cat Power, Ramones, ACDC, Iggy Pop, Arctic Monkeys, Bobby 'Boris' Pickett

Suzen Tekla Kruglnska is here with me to discuss minutes 106-110 of Solo: A Star Wars Story! We talk about auditory illusions, the coaxium motif, John Powell's flowing scene transitions, and a potentially awkward music edit. Discussion Guide: 00:00 - Hello there! 04:13 - Beckett's "wheel spinning" music. 08:33 - Cliche or trope? In the ear of the beholder. 16:36 - Is there an abrupt edit here? 26:53 - Paul Bettany as Dryden Vos. 34:33 - Dryden is a villain. Why doesn't he have a musical theme? 45:46 - Everybody's faking it! 53:50 - Coaxium motif at the beginning of "Double Double Cross" 1:06:34 - Bernard Herrmann over Jaws. 1:12:31 - DSCH, Dies Irae motif (hi, Alex Ludwig), people holding axes in movies. 1:20:58 - Ta-da music during the big reveal. 1:27:57 - A spot where the music gets playful. 1:33:27 - Suzen's final thoughts about Solo and Star Wars music in general. 1:41:31 - SWMM Questionnaire Things Mentioned: Shostakovich - String Quartet 8, But Only When The DSCH Motif Is Played: https://youtu.be/DwxAyoy7DMA The Shining 2:37 - Episode 16: For Music Nerds - https://theshining237.com/2018/02/04/episode-16-for-music-nerds-with-musicologist-jonathan-stern/ Rosemary's Baby 6:66 - Episode 14: Komeda's Lullaby - https://theshining237.com/2020/09/19/episode-14-komedas-lullaby/ Witness movie clip (Samuel finds a picture of the murderer in a framed newspaper clipping, and Maurice Jarre's score kicks in) - https://youtu.be/LmdcbtSwX6Q Musical Themes: 1. Young Han Solo (Heroic, comp. JW) 3. Secrets 4. Han & Q'ira 5. The Gang Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Where are we in the soundtrack(s)?: "Qi'Ra Knows a Bit More Than Han (6M36-37-38)" "The Good Guy" Beginning of "Double-Double Cross (6M39-40)" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Droids. Flight. Pew. 2. What's something related to Star Wars music or sound that you want to learn more about? How do they come up with the sound of alien languages? 3. What's a score or soundtrack you're fond of besides anything Star Wars? Rosemary's Baby (composed by Krzysztof Komeda) --------------- Guest: Suzen Tekla Kruglnska Twitter: https://twitter.com/skruglnska The Comedy Film Funnel (podcast with Joe Dator) - https://www.podash.com/podcast/5346477/ The Shining 2:37 (podcast) - https://theshining237.com Rosemary's Baby 6:66 (podcast) - https://theshining237.com/rosemarys-baby-666-episode-list/ ------------------ Want to continue the conversation on Discord? All patrons have access to the Friends of Xanthe Discord server, where we chat about all things Star Wars and music! The server is patron-only, for any level of support. https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

Zapis spotkania z Małgorzatą Szejnert, które 9 kwietnia w Goyki 3 Art Inkubatorze prowadziła Magdalena Grzebałkowska. Małgorzata Szejnert, dziennikarka, przez prawie piętnaście lat szefowa działu reportażu w „Gazecie Wyborczej”. Autorka wielu nagradzanych książek. W Znaku ukazały się: Czarny ogród (2007), Wyspa klucz (2009), Dom żółwia. Zanzibar (2011), Śród żywych duchów (2012), My, właściciele Teksasu. Reportaże z PRL-u (2013), Usypać góry. Historie z Polesia(2015) oraz Wyspa Węży (2018). Magdalena Grzebałkowska, reporterka, autorka bestsellerowych książek: Ksiądz Paradoks. Biografia Jana Twardowskiego, Beksińscy. Portret podwójny, 1945. Wojna i pokój, Komeda. Osobiste życie jazzu oraz Wojenka. O dzieciach, które dorosły bez ostrzeżenia.

 In a world, where the midnight train podcast is at the top of the podcast game, one thing has the power to destroy everything they have worked for. This week their world will come crumbling down as everything they've achieved will be tested and possibly destroyed due to the madness that is (dun dun duuuuuuuunnnnn) cursed Movies!!! Tonight on the midnight train we are combining two of our favorite things…. This podcast and lots and lots of beer…YEAH! Oh wait, we do that every week… Oh, that's right, it's this podcast and….moooovies!! But… In true midnight train fashion, we can't just talk about movies…. We're gonna talk about cursed movies!!! That's right we are going to look at movies that for one reason or another have led to tragedy during and after the movies were made! Everything is on the table from health issues like cancer, accidental deaths while filming, people going crazy after filming, and just about everything else you can think of. Should be a fun and creepy ride discussing all these movies with you passengers and, in case you're wondering, yes we're still going to have a movies list at the end.    Ok so let's get into this and see what we have as far as cursed movies!   We're gonna start it with a big one since we just covered the subject matter of the film! The first cursed movie on our list is the exorcist. The filming of THE EXORCIST was done over nine months. The main set, a reproduction of the Georgetown home, was built in a warehouse in New York. During the filming, several curious incidents and accidents took place on the set and plagued those involved with the production. In addition, the budget of the film rose from $5 million to more than twice that amount. Obviously, any film production that lasts for more than a month or so will see its share of accidents and mishaps, but THE EXORCIST seems to have been particularly affected by unforeseeable calamities. Coincidence? Perhaps, but it left the cast and crew rightfully shaken.    The first incident occurred around 2:30 a.m. one Sunday morning when a fire broke out on the set. There was only one security guard at the Ceco 54th Street Studios when the McNeil house set caught fire and burned. The fire was the result of a bad electrical circuit, but it shut down filming for six weeks while the set was reconstructed from scratch. Ironically, as soon as the new set was ready, the sprinkler system broke down, causing an additional two-week delay.    Few of the actors in the film escaped personal troubles during the shoot. Just as Max Von Sydow (who played Father Merrin) touched down in New York to film his first scenes, he received a phone call saying that his brother died unexpectedly in Sweden. Von Sydow himself later became very ill during the filming. Irish actor Jack MacGowran (who played Burke Dennings) died only one week after his character was killed by the demon in the movie. Jason Miller (who played Father Karras) was stunned when his young son, Jordan, was struck down on an empty beach by a motorcyclist who appeared out of nowhere. The boy ALMOST died. THAT'S GOOD NEWS! Ellen Burstyn (who played Chris McNeill) wrenched her back badly during one scene when she was slapped by the possessed girl. The stunt went badly awry and she was laid up in bed for several weeks afterward, causing more delays in the filming. They had a rig attached to her where a guy offscreen would pull a rope that was tied to her to get that “smacked hard as shit and launched across the room” look the director wanted. Apparently, the director didn't like the first take or two and told the guy with the rope to yoke the living piss out of her. He got his shot. She screwed up her back.    In New York, one of the carpenters accidentally cut off his thumb on the set and one of the lighting technicians lost a toe. This was all over the news at the time due to the mixup at the hospital where they put the wrong appendages on the wrong patients. Yep, they switched the toe for the thumb. And if you believed that, well… I'm not sorry even a little bit. Anyway, The exorcist's location trip to Iraq was delayed from the spring, which is relatively cool, to July, the hottest part of the summer, when the temperature rose to 130 degrees and higher. Out of the eighteen-man crew that was sent there, Friedkin lost the services of nine of them, at one time or another, due to dysentery (which is super shitty) or sunstroke. To make matters worse, the bronze statue of the neo-Assyrian winged demon Pazazu, which was packed in a ten-foot crate, got lost in an air shipment from Los Angeles and ended up in Hong Kong, which caused another two-week delay.    "I don't know if it was a jinx, really," actress Ellen Burstyn later said. "But there were some really strange goings-on during the making of the film. We were dealing with some really heavy material and you don't fool around with that kind of material without it manifesting in some way. There were many deaths in the film. Linda's grandfather died, the assistant cameraman's wife had a baby that died, the man who refrigerated the set died, the janitor who took care of the building was shot and killed … I think overall there were nine deaths during the course of the film, which is an incredible amount… it was scary." Unholy shit, batman!   Things got so bad that William Friedkin took some drastic measures. Father Thomas Bermingham, S.J., from the Jesuit community at Fordham University, had been hired as a technical advisor for the film, along with Father John Nicola, who, while not a Jesuit, had been taught by Jesuit theologians at St. Mary of the Lake Seminary in Mundelein, Illinois. Friedkin came to Bermingham and asked him to exorcise the set. The priest was unable to perform an actual exorcism, but he did give a solemn blessing in a ceremony that was attended by everyone then on the set, from Max Von Sydow to the technicians and grips. "Nothing else happened on the set after the blessing,” Bermingham stated, "but around that time, there was a fire in the Jesuit residence set in Georgetown." And while nothing else tragic occurred on the set, strange events and odd coincidences were reported during the post-production work on the film. "There were strange images and visions that showed up on film that were never planned," Friedkin later claimed. "There are double exposures in the little girl's face at the end of one reel that are unbelievable."   As we talked about in previous episodes, The film opened on December 26, 1973, to massive crowds. Within weeks of the first public screenings of the film, stories started to make the rounds that audience members were fainting and vomiting in the theaters. There were also reports of disturbing nightmares and reportedly, several theater ushers had to be placed under a doctor's care, or quit their jobs, after experiencing successive showings of the movie. In numerous cities that were checked after THE EXORCIST had run for several weeks, reporters found that every major hospital had been forced to deal with patients who reported, after seeing the film, severe cases of vomiting and hallucinations. There were also reports of people being carried out of theaters in stretchers. What do you think, passengers? Mere publicity stunts, or was this the real thing?    The info for this cursed movie came from a great article on americanhauntingsink.com check them out!   Next up we're gonna dive into a sweet little movie about a tree, a child's toy, and REAL SKELETONS IN THE SWIMMING POOL! Yep, you guessed it, poltergeist! The curse of Poltergeist spawned many theories about why the movie and its sequels were cursed with so much tragedy, with one suggesting the use of real-life human bones in the original film caused the hauntings.   Actress JoBeth Williams - who played the mother, Diane Freeling - is seen dropping into a pool of skeletons in one spooky scene and she later reveals the bones were real. She told TVLand: "In my innocence and naiveté, I assumed that these were not real skeletons.   "I assumed that they were prop skeletons made out of plastic or rubber . . . I found out, as did the crew, that they were using real skeletons, because it's far too expensive to make fake skeletons out of rubber."   Just four months after the film's release, tragedy struck with actress Dominique Dunne, who played the family's eldest daughter Dana, who became the victim of a grisly murder. On the day before Halloween in 1982, the actress, 22, was strangled by her ex-boyfriend John Thomas Sweeney outside their home in West Hollywood. She survived the attack but was left in a coma. She never regained consciousness and died five days later. Sweeney was later convicted of voluntary manslaughter and spent three and half years of a six-year sentence behind bars for the killing. He changed his name to John Maura so if you want to let him know what a twat he is, I mean… we can't stop you.   In the years after the film's release movie bosses plowed ahead with plans for a sequel and Poltergeist II: The Other Side hit cinemas in 1986. Among the cast was Will Sampson, best known for playing Chief Bromden in One Flew Over the Cuckoo's Nest opposite Jack Nicholson. The actor - cast as shaman Taylor in the movie - was concerned about the use of real skeletons in the first film and offered to perform a real-life exorcism. He's believed to have conducted the ceremony alone and in the middle of the night, but the cast reportedly felt relieved afterward. However, less than a year after the film's release - the curse had claimed another victim. Sampson had long-term health problems as he suffered from a degenerative condition called scleroderma, which affected his heart and lungs. He underwent a heart and lung transplant in the summer of 1987 but died of post-operative kidney failure on June 3.    Ok, this one is sad and you've probably heard of it. The most famous victim of the Poltergeist curse was Heather O'Rourke. She appeared as Carol Anne in the first two films as well as the third installment, Poltergeist III, which hit cinemas in 1988. She died just four months before the movie's release at only 12 years of age. In January 1988, Heather fell ill with what appeared to be flu-like symptoms. She collapsed at home the following day and was rushed to the hospital. She suffered a cardiac arrest but doctors were able to revive her and they diagnosed her with intestinal stenosis - a partial obstruction of the intestine. She underwent surgery, but went into cardiac arrest again in recovery and doctors were unable to save her. She passed away in February 1988, just weeks after her 12th birthday, and it was later reported she died from congenital stenosis and septic shock. Absolutely heartbreaking.   Character actor Lou Perryman became the second cast member to fall victim to murder. He played Pugsley in the original movie and suffered a brutal end in 1992 when he was hacked to death with an ax aged 67. A convict recently released from prison, Seth Christopher Tatum, confessed he had killed Perryman at his home after coming off his medication and going on a drinking binge. Tatum pleaded guilty to his murder in 2011 and was sentenced to life in prison.   Actor Richard Lawson played one of the parapsychologists, Ryan, in the original film (not the guy who ate the chicken with the maggots… you're welcome) and he came close to becoming another victim of the curse in 1992. He was involved in a terrifying plane crash in 1992 when the USAir Flight 405 crashed into New York City's Flushing Bay on route to guess where? Cleveland friggin Ohio. The crash claimed the lives of 27 of the 51 passengers, but Lawson was among the survivors. He put his lucky escape down to a last-minute seat change that saved his life. Lawson went on to be part of showbiz royalty when he married Beyonce's mother, Tina Knowles in 2015.   Info for this movie was taken from mirror.co.uk.    Next up how about… Hmm…. Oh, I know… The omen! The 2976 version of course. Obviously, Moody is a time traveler and saw the upcoming remake, 955 friggin years in the future! No! It was 1976! Of all the world's cursed film productions, The Omen is considered to have one of the worst movie curses of all time. The 1976 film tells the story of a man who accidentally adopts Damien the Antichrist as his son and the movie remains one of horror's most successful franchises. But what was so odious about the set that led producers to believe the devil was punishing them for making the movie? Is The Omen really cursed? The Omen film set haunting includes death, injury, and lots of lightning bolts: after all, the creator himself warned the cast and crew that Satan wasn't going to like what they were doing. Here's what happened behind the scenes of The Omen movie and why, despite its several sequels and a 2006 remake, it remains one of history's movies that indeed may have angered Satan himself!   In June 1975, Gregory Peck's son, Jonathan Peck, killed himself with a bullet to the head, two months before filming was to start. Several strange events then surrounded the production.   For protection on the set of "The Omen," Bernhard wore a Coptic cross. In an interview, Bernhard spoke about the production's eerie events, which included the death of an animal trainer.   Precisely one day after they shot the sequence involving the baboons at the animal center, Bernhard said that a tiger seized the animal trainer by the head, causing his death immediately. Whhhaat the fuuuuuck?   One of the most haunting stories surrounding The Omen didn't happen during the shoot, but during the production of the World War II epic A Bridge Too Far. John Richardson, who did special effects on The Omen, was involved in a head-on collision that beheaded his girlfriend, eerily mirroring the decapitation scene with David Warner. Supposedly, after the crash, Richardson saw a street sign that said, "Ommen, 66.6 km." This accident occurred after The Omen had wrapped production, but many of course linked it to the evil aura of the film.   Several planes were also set ablaze, including the plane carrying Peck and screenwriter David Seltzer. Meanwhile, Bernhard said they had to land in Nova Scotia after flying back from England. He added:   "We had the film on board... Dick [Donner] and I were very, very nervous." IRA bombs ripped through a hotel, in which executive producer Mace Neufeld and his wife stayed, and another in which prominent executives and stars, including Peck, were to have dinner.   Once word got back to Fox about all the terrible incidents that plagued production, the studio saw it as a great way to drum up a ton of publicity and add to the film's ominous aura. They also put a great tagline into the film's ad campaign:                        You have been warned. If something frightening happens to you today, think about it. It may be The Omen.   As Donner recalled in The Omen: Curse or Coincidence, "If we had been making a comedy, you would have recalled all the funny, great, ridiculous, silly moments that happened in that film. if you were doing a love story, you'd remember all the times somebody left their wife, fell in love... You're doing The Omen, anything that happens on that film, you don't tell about the jokes, you don't talk about the love stories, you don't even think about them. You think about things that coincidentally could have been something to do with The Omen. We had lots of them."   Creepy stuff right there my friends.   Next up we have one of my personal all-time favorites, the crow! The Crow began filming in Wilmington, North Carolina, in 1993. Cursed Films revealed that before production got underway, a mysterious caller left a voicemail message warning the crew not to shoot the movie because bad things would happen. Eerily, two on-set electricians were involved in an accident in which their truck hit a live wire. One of the men experienced second and third-degree burns and lost both ears.   Disaster also struck the entire production when a hurricane destroyed the movie set. That is when the “curse of The Crow” rumors began circulating in Hollywood. The star of The Crow, Brandon Lee, was the son of martial arts legend, Bruce Lee. The elder Lee died during the production of his final film. Some fans speculated that the Chinese mafia had placed a hit on the actor for betraying martial arts secrets. Others suspected that he had been struck by an insidious death blow at an earlier time.   The most popular theory about The Dragon's death is that he was a victim of the Lee Family Curse. His older brother had died, and Lee's parents believed there was a demon targeting the males in the Lee family.   Like his father, Brandon Lee died before he finished filming The Crow. In a fluke accident, the performer was shot while completing an action sequence, as described in Cursed Films. The crew used what are called ‘dummy rounds,' for the scene, but there was something in the barrel of the gun that acted as a lethal projectile, killing Lee.    To complete the final photography for The Crow, the man who had been working as Lee's stunt double wore a mask in his image.   Crazy stuff!   How about some of our patented quick hitters!    The Conqueror" is a whitewashed 1956 film with John Wayne as Genghis Khan. The film was shot at a location downwind from a nuclear testing site, causing dozens of crew members to eventually die of cancer. so maybe not so much a curse as a poor choice of locations.   Apocalypse Now"   The horror! Francis Ford Coppola was tempting fate when he decided to film "Apocalypse Now" during monsoon season. Big mistake. The monsoon destroyed multiple sets, Martin Sheen suffered a heart attack during filming, and Coppola was so stressed that he suffered a seizure, according to The Independent. "Apocalypse Now" (1979) turned out to be a masterpiece anyway, but the documentary "Hearts of Darkness: A Filmmaker's Apocalypse" about its making is just as engrossing.    "Fitzcarraldo"    Dysentery. Injuries. Fights among the crew. Nothing seemed to go right during the filming of 1982's "Fitzcarraldo." The story concerns hauling a boat over a hill, which the crew literally accomplished, but not without the same nightmarish difficulty as is depicted in the film. And in the end, director Werner Herzog looked as mad and overly driven as its hero. Check out the documentary "Burden of Dreams" for more.   The Superman Curse    Comic book movie fans may know about the "Superman Curse," which is said to afflict multiple actors involved in Superman films. Christopher Reeve was paralyzed following a horse accident. And Margot Kidder, who played Lois opposite Reeve, suffered from bipolar disorder, according to TCM. Also, the original Superman, George Reeves, supposedly committed suicide. His death at age 45 from a gunshot remains a controversial subject; the official finding was suicide, but some believe that he was murdered or the victim of an accidental shooting.   "The Lord of the Rings: The Two Towers"    Bad luck ran amok in Middle Earth during the filming of 2002's "The Lord of the Rings: The Two Towers." DVD interviews revealed that multiple actors and stuntmen suffered injuries while shooting the film's elaborate fight sequences. The worst was Viggo Mortensen, who broke his toe and chipped his tooth while filming.   The Exorcism of Emily rose   Dexter star Jennifer Carpenter reported that during the making of The Exorcism of Emily Rose — in which she played a big-screen version of German woman Anneliese Michel, whose poor health and subsequent death was blamed on a failed exorcism — her radio would mysteriously turn on and off. From an interview with Dread Central:   Q: A common question when making a film like this; did anything weird happen during filming?   JC: I thought about that when it happened, and two or three times when I was going to sleep my radio came on by itself. The only time it scared me was once because it was really loud and it was Pearl Jam's “Alive” (laughs). Laura's TV came on a couple of times.   Q: At 3:00 a.m.?   JC: Mine wasn't 3:00 a.m. I was born at 3:00 a.m. but it hasn't happened to me. I did check.   We'll totally do an episode on Analiese one of these days   Psycho Myra Jones (aka Myra Davis) was the uncredited body double/stand-in for Psycho star Janet Leigh during the making of Hitchcock's 1960 film. A handyman named Kenneth Dean Hunt, who was supposedly a Hitchcock “obsessive,” murdered her.   The Conjuring   Real-life ghost hunters Ed and Lorraine Warren, who aided the real-life Amityville Horror case, investigated the haunting of the Perron family home — a farmhouse plagued by generations of death, disaster, and a possessed doll. The case inspired James Wan's supernatural film, which left some audiences in the Philippines with such a fright there were priests available at screenings to bless viewers and provide counseling. On and off-set paranormal incidents — including strange claw marks on star Vera Farmiga's computer, Wan's tormented dog growling at invisible intruders, a strange wind (that apparently put Carolyn Perron in the hospital), and fire — were reported.   The Innkeepers   Filmed at the reportedly haunted hotel the Yankee Pedlar Inn in Torrington, Connecticut, The Innkeepers director Ti West was skeptical about the strange occurrences during the making of his movie. Still, creepy stories from the set became the focus in the press. From an interview with West:   I'm a skeptic so I don't really buy it. But I've definitely seen doors close by themselves; I've seen a TV turn off and on by itself; lights would always burn out in my room. Everyone on the crew has very vivid dreams every night, which is really strange.   The one story that is the most intriguing to me — In the film, the most haunted room is the Honeymoon Suite. That's where the ghost stuff started in the hotel. The only reason I picked the room that I picked to shoot in, was because it was big enough to do a dolly shot. No more thought went into it other than pure technical reasons. So when we're finishing the movie, I find out that the most haunted room in real life is the room I picked to be the haunted room in the movie. It could be a coincidence. It's weird that it happened that way. . . . [Star] Sara Paxton would wake up in the middle of the night thinking someone was in the room with her. Everyone has stories, but I was too busy saying, “Let's shoot this! We have 17 days!   Atuk"    "Atuk" is a movie so cursed that it never got made. The project, based on a 1963 Mordecai Richler novel about an Eskimo in New York, had four different men attached to play the lead while in development hell through the 1970s and '80s: John Belushi, Sam Kinison, John Candy, and Chris Farley. All four died shortly after entering negotiations to be in the film. Holy shit!    Ok how about twilight zone the movie. The 1983 film 'Twilight Zone: The Movie' directed by John Landis and Steven Spielberg gained publicity pre-release because of the deaths of lead actor Vic Morrow and two child extras during the filming of the helicopter crash scene. The children were illegally hired to play the role in this scene, as Landis would go on to reveal in the subsequent trial. It was also prohibited to make children work after a certain hour in the evening. However, Landis insisted that the scene would have to entail a late-night setting to seem more authentic. This was the last scene in the film. It also included explosions as a helicopter flew over the village while Morrow would run across the street to save the Vietnamese children from the explosion. Testing for the scene sparked concerns when the helicopter seemed to vigorously rock at the explosion but despite this, Landis' need to capture the explosion took priority. He reportedly said, "You think that was big? You ain't seen nothing yet." At the controls of this helicopter was a Vietnam War veteran named Dorcey Wingo, who had just joined the movie business. When the cameras began filming, the pyrotechnic fireball that had been fired as part of the explosion hit the helicopter, engulfing it in flames. The helicopter then crashed into the river where the actors were standing — Morrow, 6-year-old Renee Chen, and 7-year-old Myca Dinh Le. Almost a hundred people were present when the tragedy occurred. The helicopter skidded right onto Renee, crushing her to death and when it toppled over, the main blade sliced through Morrow and Myca.   Rosemary's baby is next up on the list. Over the years, the myth surrounding Roman Polanski's 1968 film Rosemary's Baby has only grown in stature. The film is based on the 1967 novel of the same name by American novelist Ira Levin. He came up with the idea for the book in 1965, drawing inspiration from his wife who was pregnant at the time, his New York apartment, and the anxiety of being a parent.   The struggling writer imagined a world where there was no God and the devil was allowed to reign freely. This is evident in the iconic ending where Rosemary finds out that her husband sold her womb to Satan and that her child is the Antichrist. Levin was catapulted into the highest echelons of the literary world due to the success of his novel and a year later, a European auteur who was looking for his own Hollywood break decided to direct the film adaptation of his novel.   However, not everyone was pleased with Levin's attacks on religion. He faced severe backlash from the Catholic Church for his “blasphemy” and his wife left him the year the film was released. He was never the same man again, growing increasingly paranoid over the years. Levin repeatedly had to make public statements denouncing Satanism and told Dick Cavett that he had become “terrified” as he grew older. 30 years after the release of the film, Levin came up with a sequel titled Son of Rosemary but it tanked.   William Castle was the man who first recognized the potential of Levin's work and secured the rights to make a film adaptation. Best known for his work on B-grade horror films, Castle wanted to direct it initially but Paramount Pictures executive Robert Evans agreed to go ahead with the project only if Castle worked as a producer. In April of 1969, Castle was hospitalized because of severe kidney stones. He was already under a lot of stress due to the sheer volume of hate mail he received, a terrible consequence of being attached to Rosemary's Baby. In his autobiography, he claimed that he began to hallucinate scenes from the film during his surgery and even shouted, “Rosemary, for God's sake drop that knife!” Although Castle recovered, he never reached that level of success again.   Producer Robert Evans was not exempt from this alleged curse either. He had risen to the top with major hits like Rosemary's Baby and The Godfather. However, he was convicted of cocaine trafficking in 1980 and got a suspended prison sentence. As a part of his plea bargain, Evans had to make an anti-drug commercial. Three years later, the producer would get caught up in the high-profile murder of Roy Radin which has come to be known as the “Cotton Club murder”. Despite two witnesses testifying that Evans was involved in the case, he was later cleared of the charges. In 1993, he told The New York Times, “I had 10 years of a horrific life, Kafkaesque. There were nights I cried myself to sleep.”   This is arguably the most renowned story that is related to Rosemary's Baby. In autumn of 1968, composer Krzysztof Komeda, who worked on the film, fell off a rocky escarpment while partying and went into a four-month coma. Coincidentally, this affliction is exactly what the witches in Levin's book subject Rosemary's suspicious friend to. Komeda never came out of the coma and died in Poland the following year.   John Lennon was assassinated outside The Dakota in 1980, the famous building where they filmed Rosemary's Baby. Producer Robert Evans claimed that the whole time he was on set at the apartment building he felt a “distinctly eerie feeling”. Lennon was gunned down by alleged “fan” Mark David Chapman who was influenced by Salinger's novel The Catcher in the Rye and the loneliness of protagonist Holden Caulfield. However, the fleeting association with the film has led fans of the film to link Lennon's assassination with the “curse” of the film. It can be said that the primary reason why the myth of the curse came about was the brutal murder of Polanski's wife, actress Sharon Tate. Polanski even wanted to cast Tate as Rosemary but Evans was adamant about Mia Farrow's involvement. A year after the film's release, Tate and her friends were stabbed to death by followers of cult leader Charles Manson. Tate was eight-and-a-half months pregnant at the time of her demise. The members of the Manson Family delivered around 100 stab wounds to the four victims and wrote “Helter Skelter” on the wall in blood.   After his wife and unborn son were killed, Polanski indulged in substance abuse to cope with things but he ended up exemplifying human depravity. While guest editing the French edition of Vogue in 1977, the director preyed upon a 13-year old girl and persuaded her to participate in multiple photoshoots. During the second shoot at Jack Nicholson's house, he incapacitated the minor with champagne and half a Quaalude before sexually violating her multiple times.   Although he was arrested for the felony and spent 42 days in jail, Polanski became a fugitive and fled to France to avoid facing charges. Since then, he has lived the life of a criminal and has avoided traveling to countries where he can be extradited back to the US.   Ok, let's round things out with the wizard of oz. Despite its commercial success, The Wizard of Oz is seen by some as cursed. There were so many serious accidents onset that those Oscar-nominated special effects almost cost cast members their lives, from the two actors playing winged monkeys crashing to the ground when the wires that hoisted them up in the air broke, to the Wicked Witch of the West's stunt double Betty Danko injuring her left leg when the broomstick exploded.   Buddy Ebsen was originally cast in the role of the Tin Woodman, a.k.a. the Tin Man, but he was essentially poisoned by the makeup, which was made of pure aluminum dust. Nine days after filming started he was hospitalized, sitting under an oxygen tent. When he was not getting better fast enough, the filmmakers hired Jack Haley to be the Tin Man instead. This time, instead of applying the aluminum powder, the makeup artists mixed it into a paste and painted it on him. He did develop an infection in his right eye that needed medical attention, but it ended up being treatable.   Margaret Hamilton — who played the Wicked Witch of the West and was the one tipped who Harmetz off to the turmoil on set more than three decades later for her 1977 book — got burns, and the makeup artists had to rush to remove her copper makeup so that it wouldn't seep through her wounds and become toxic. Unlike Ebsen, she didn't get fired because they could live without her on the set for several more weeks.   An actor playing one of the Wicked Witch of the West's soldiers accidentally jumped on top of Dorothy's Toto, Carl Spitz, the dog trainer on set, told Harmetz. The dog (a female Cairn terrier named Terry) sprained its foot, and Spitz had to get a canine double. Terry did recover and returned to the set a few weeks later.   In a memoir by Judy Garland's third husband, Sid Luft, published posthumously in 2017, he writes that, after bar-hopping in Culver City, the actors who played the munchkins “would make Judy's life miserable by putting their hands under her dress.” Harmetz says it's true that the actors would go drinking near the Culver City hotel where they stayed, but she says their interactions with Garland did not rise to the level of what Luft described. “Nobody on the movie ever saw her or heard of a munchkin assaulting her,” said one worker on the film. Garland did say the drinking was annoying in an interview with talk-show host Jack Paar, but experts on Garland's life say that her rant about being scarred by the rowdy behavior on set may have been a deflection from the real damage she suffered during that time, at the hands of the studio. Garland was only 16 when she made The Wizard of Oz, and her struggles with depression and disordered eating started at an early age and continued for the rest of her life. She claimed that the studio executives gave her uppers and sleeping pills so she could keep up with the demanding pace of show business. She struggled with drug addiction and attempted suicide several times before she died of an accidental overdose on June 22, 1969, at just 47 years old.   The film went through four different producers by the time it was through.   Richard Thorpe, the first director, insisted that Judy Garland wear a blonde wig and thick makeup to depict Dorothy. When Buddy Epsen got sick from his Tin Man makeup and filming shut down for two weeks, the studio fired Thorpe and replaced him with George Cukor of My Fair Lady fame. Cukor encouraged Garland to wear natural makeup and play Dorothy less cartoonish and more natural. Cukor later left the film to work on Gone with the Wind instead and Viktor Fleming took his place. However, Cukor came back a few weeks later after getting fired from Gone With the Wind by Clark Gable (supposedly he was fired when Gable found out he was homosexual).   Director King Vidor was responsible for most of the sepia sequences and also helped Mervyn LeRoy with editing in post-production.   Not only did the public think former kindergarten teacher Margaret Hamilton was really evil following the first airing of The Wizard of Oz — she also suffered physically for the role. Hamilton received second and third-degree burns all over her body when the green copper makeup she was wearing got too hot during the fire scene. Her stunt double spent months in the hospital after a prop broom exploded — they were using a double because Hamilton got injured on an earlier take.   Stage makeup and prosthetics in 1939 were nowhere near what they are today. Ray Bolger's Scarecrow makeup left deeply embedded marks in his skin that didn't disappear for more than a year after the movie wrapped up filming. Luckily, this would never happen today.   How bout that hanging munchkin… Well, sorry folks. That seems to be fake. In a scene where Dorothy, the Scarecrow (Ray Bolger), and the Tin Man (Jack Haley) are skipping down the Yellow Brick Road, singing “we're off to see the wizard, the wonderful Wizard of Oz,” some think the dark, moving figure hanging from a tree in the background is an actor who hanged himself on set. More likely, it's one of the exotic birds that the filmmakers borrowed from the Los Angeles Zoo to create a wilderness setting. The rumor has been circulating since around 1989, the time of the 50th anniversary of the film's release. Alright, there you have it… Cursed movies!!!  Obscure 90s horror movies you need to see   https://www.ranker.com/list/obscure-1990s-horror-movies/christopher-myers

In this episode of Interchange we welcome back Holly Buck whose new book is Ending Fossil Fuels: Why Net Zero Is Not Enough, published by Verso. And as we did in our previous show with Buck, which was called “Capturing the Carbon Imaginary,” we'll feature music from Polish jazz pianist and composer Krzysztof Komeda. Komeda …

- Na tych kilka dni Ostrów staje się centrum dowodzenia muzyki filmowej w Polsce i z tego jesteśmy bardzo dumni - mówił w Programie 2 Polskiego Radia o Grand Prix Komeda, Festiwalu Filmowym im. Krzysztofa Komedy w Ostrowie Wielkopolskim jego dyrektor artystyczny Łukasz Maciejewski.

  Like most Polish jazz musicians, Zbigniew Namysłowski learned the basics of jazz listening to Willis Conover's “Jazz Hour”. Originally starting his musical career playing piano, cello and trombone, Namysłowski became infatuated with the saxophone after meeting composer Krzysztof Komeda, who happened to be carrying an alto saxophone with him, on a train. During that chance encounter, Namysłowski gave the instrument a try and hasn't stopped playing the saxophone ever since. His original experiments mixing jazz and folk quickly caught people's attention and in 1962, Willis Conover himself invited Namysłowski and his band to the US to play at the Newport Jazz Festival. This incredible opportunity marked the eve of Namysłowski's brilliant international career. Time stamps [01:00] Jazz and communism [02:00] Sopot festivals [04:30] The alto saxophone [06:06] The Voice of America jazz lessons [10:02]The American tour [12:23] Jazz Jamboree [13:40] Folk [17:17] Komeda [18:52] Favorites [23:28] The passport [26:24] Polish-American jazz [27:00] Young talents Music from the episode [11:00]  Composition:  Kalatówki ‘59  Artist: The Wreckers Album: At the last moment [14:15]  Composition: Piątawka  Artist: Zbigniew Namysłowski Quartet Album: Lola [19:47]  Composition: Winobranie / Jak nie ma szmalu to jest łaź   Artist: Zbigniew Namysłowski Album: Winobranie  Further reading Zbigniew Namysłowski // on Culture.pl Interview with Zbigniew Namysłowski // on londonjazznews.com Further watching Zbigniew Namysłowski performing in 2021 Zbigniew Namysłowski performing “Kujawiak goes Funky” in 1997  Zbigniew Namysłowski performing with folk musians during Jazz Jamboree in 1994 Credits This episode of Rebel Spirits was hosted by Paweł Brodowski. The show is brought to you by Culture.pl, the flagship brand of the Adam Mickiewicz Institute. Written by Wojciech Oleksiak & Monika Proba Produced by Move Me Media Edited by Wojciech Oleksiak Proofread by Adam Żuławski Translated by Mateusz Schmidt Design by Dawid Ryski Scoring & sound design by Wojciech Oleksiak Copyrights The publisher would like to thank all copyright owners for their kind permission to reproduce their material. Should, despite our intensive research, any person entitled to rights have been overlooked, legitimate claims shall be compensated within the usual provisions.

27 kwietnia obchodziliśmy 90. rocznicę urodzin tragicznie zmarłego w 1969 roku Krzysztofa Komedy Trzcińskiego. Legendarny muzyk i prekursor muzyki jazzowej nad Wisłą wciąż inspiruje młodych artystów. Dowodem tego jest wyjątkowy spektakl słowno-muzyczny: Komeda, Ostatnia Retrospekcja. To wspólna inicjatywa muzyków z Weezdob Collective oraz aktorów z Teatru Nowego im. Tadeusza Łomnickiego w Poznaniu. Teksty do niego napisał pasierb muzyka - Tomasz Lach. O szczegółach nasz poznański reporter Mateusz Chłystun rozmawiał z jednym ze współtwórców spektaklu - Adamem Zagórskim.

Der Pianist Krzysztof Komeda hat legendäre Filmmusiken zu "Rosemary's Baby" und "Tanz der Vampire" von Roman Polanski geschrieben. Komeda war aber auch ein wichtiger Musiker und Wegbereiter des polnischen Jazz. Am 27. April 2021 wäre er 90 Jahre alt geworden.

Krzysztof Komeda (born Krzysztof Trzciński; 27 April 1931 – 23 April 1969)  is the single most important artist in the entire history of Polish Jazz and one of the founding fathers of European Jazz as we know it.  Komeda was an incredible artist, a constantly searching poet and he could find ways of individual expression of jazz inside himself, in Slavic lyricism, and in the traditions of Polish music.  He is widely credited as being one of the founding fathers of a uniquely European style in Jazz composition.

The Memory Palace is a proud member of Radiotopia from PRX. A note on notes: We’d much rather you just went into each episode of The Memory Palace cold. And just let the story take you where it well. So, we don’t suggest looking into the show notes first. Music Sarah in Bath from Komeda's great score to The Fearless Vampire Killers David Goes Hunting from Larry Groupe's great score to Straw Dogs When It's Time to Go by Buddy Fo and His Group (great name for a backing band, btw) Completely Gone from Ludwig Gorannson's score to Everything, Everything Peri Banu vid sjon (Version) by DUNGEN Debut by Christopher Ferreira

Ryktet om poddens död är betydligt överdrivet! Hör bara hur vi, i gammal god stil, avhandlar sovjetisk new romantic, Komeda, Tindersticks, slowcore, en perverterad Al Stewart, Arvid Tuba och en allsångsfavorit av Lars Hollmer. Roberts fortsatta försök att få Love att digga extremmetal går sådär, trots starka insatser från Sigh och Ved buens ende, och detta verk kröner han dessutom med ett mycket förvirrat försök till betalning för gammal ost i form av Native Constructs komiskt överarbetade progmetal. Slutligen får vi höra några sanningens ord från självaste Gud och Jesus Kristus, i form av den köttsliga inkarnationen Dan Ashwander. Gilla, kommentera och recensera på The Facebook: https://facebook.com/musikensmaktpodcast/ Bidra till Loves fysiska överlevnad och få lite bonusmaterial: https://www.patreon.com/musikensmakt

Ryktet om poddens död är betydligt överdrivet! Hör bara hur vi, i gammal god stil, avhandlar sovjetisk new romantic, Komeda, Tindersticks, slowcore, en perverterad Al Stewart, Arvid Tuba och en allsångsfavorit av Lars Hollmer. Roberts fortsatta försök att få Love att digga extremmetal går sådär, trots starka insatser från Sigh och Ved buens ende, och detta verk kröner han dessutom med ett mycket förvirrat försök till betalning för gammal ost i form av Native Constructs komiskt överarbetade progmetal. Slutligen får vi höra några sanningens ord från självaste Gud och Jesus Kristus, i form av den köttsliga inkarnationen Dan Ashwander.

Nella nuova a nuova puntata di #JazzTracks il nuovo disco di Joel Ross, quello di Aquiles Navarro e Tcheser Holmes, un po' di Blue Note Records vecchia e nuova, #ellingtonliveclub con Tomasz Stanko. Ma poi c'è anche qualche piccola novità: per la prima volta una guest star, Gian Luigi Carlone, in veste di annunciatore d'eccezione.

Episodio numero 21 con un ricordo di Viola Smith, il nuovo Rob Mazurek, il solito Shabaka Hutchings, gli Ezra Collective. Il consueto appuntamento con #EllingtonLiveClub ci regala un inedito di Massimo Urbani e poi Horace Parlan, Krzysztof Komeda, Muhal Richard Abrams, Clifford Brown & Max Roach, Dinah Washington. Buon jazz a tutti.

What the heck is Lounge Music?  Steve attempts to explain it as well as the Japanese music genre Shibuya-kei and 90s alternative's short-lived fascination with it. Steve plays songs from these artists: Pizzicato Five, Sterolab, Flipper's Guitar, The Mike Flowers Pops, Komeda, Combustible Edison, Arling & Cameron, Fantastic Plastic Machine, Cibo Matto, Nouvelle Vague, Esquivel, Dave Pell, Sergio Mendes & Brasil '66, Ted Heath & His Music, Richard Cheese & Lounge Against The Machine. Twitter: @SUBedford1051Facebook: SuburbanUndergroundRadioInstagram: SuburbanUnderground And available on demand on your favorite podcast app!  

  WFMU’s “Morricone Island” host Devon E. Levins and DJ Gaylord Fields visit to discuss the soundtrack by Komeda, the details of his untimely death, and Tony Curtis’s phone call. Download the file here: Episode 14: KOMEDA’S LULLABY   The wonderful documentary on Komeda.   The Waxwork LP “Jersey Driver,” an article about my first […]

0:28 渥達尼斯 換菜單? 3:03 客美多 Komeda's Coffee 9:10 做米其林問卷的小小感想 渥達尼斯網誌: https://reurl.cc/0Oj8gx ---- instagram: @superdhuang blog: https://caocaoluveat.net

Supplemental Jeffrey (1.4a) is a companion piece to Jeffrey 1.4 (Komeda) and contains the full interview with their bass player Marcus Holmberg, discussing Koemda's career and music. Marcus also ranks the albums and picks his favourite tracks - the playlist is here on Spotify or here on Deezer. Komeda fans may also be interested in Marcus's current band Woodlands (link opens in Spotify).  

In this episode we head to Sweden, where John & Gordon gush embarrassingly about one of their favourite indie pop bands from the 90s Komeda and rank their albums and ask why they don't get together and record some more stuff FFS!! ... if you don't know the band, here's your big chance. The Komeda Jeffrey Podcast Playlist is available here on Spotify and here on Deezer.   There's very little information anywhere about the great Swedish popsters, so we were very fortunate to get to speak to their bass player Marcus Holmberg. You can hear the full interview here. Komeda fans may also be interested in Marcus's current band Woodlands (link opens in Spotify).  

¡Hola a todos! Últimamente tengo poco tiempo para crear nuevo contenido. Así que, para amenizaros la espera, he decidido abrir poco a poco los episodios exclusivos ✨ De momento ya tenéis disponible este Extra 1. Espero que os guste 😉 Bienvenidos al primer pódcast especial para mecenas de Mayi Chan in Japan. En esta ocasión y, como os prometí, os hablo sobre un pequeño incidente que tuve con una estudiante de la universidad durante una de las clases online. No es algo muy grave pero sí bastante curioso y es una situación que difícilmente podría darse en las clases presenciales o a la que no se le daría tanta importancia. Os dejo el enlace al edificio de Parco en Shibuya, donde podéis encontrar las tiendas de Nintendo Tokyo, Capcom y Shonen Jump, que visité hace unas semanas: https://shibuya.parco.jp/ Y también de la cafetería Komeda "plant based" a la que fui y que comento en este episodio: https://www.komeda-is.com/ Como siempre, agradezco si me dejáis un corazón (los que me escucháis por Ivoox) y, por supuesto, los comentarios son más que bienvenidos ^^ Mayi Recordad que podéis seguirme en Instagram. Me encontraréis como mayi_chan_in_japan: https://www.instagram.com/mayi_chan_in_japan/?hl=es También tengo Twitter: @mayichan Página de Flickr: https://www.flickr.com/photos/mokuren/ Y ahora también podéis escucharme en Spotify: https://open.spotify.com/show/6P9ZU9cJDYrrQHyeXKdURe?si=gQwEsCqtTcGwe0Gh76P5HQ&;;fbclid=IwAR3essRZ6UmDZA5th4ojFTq8m6B7ZxEIU_F5KxMGh0OAKAV7pOQDaQYSbCs Música: 1.The lips of god by urmymuse (c) copyright 2019 Licensed under a Creative Commons Attribution license. https://dig.ccmixter.org/files/urmymuse/60168 Ft: spinningmerkaba 2.~aether theories~ by Vidian (c) copyright 2018 Licensed under a Creative Commons Attribution (3.0) license. https://dig.ccmixter.org/files/Vidian/57398 Ft: Gurdonark, White-throated Sparrow

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! ¡Hola a todos! Bienvenidos al primer pódcast especial para mecenas de Mayi Chan in Japan. En esta ocasión y, como os prometí, os hablo sobre un pequeño incidente que tuve con una estudiante de la universidad durante una de las clases online. No es algo muy grave pero sí bastante curioso y es una situación que difícilmente podría darse en las clases presenciales o a la que no se le daría tanta importancia. Os dejo el enlace al edificio de Parco en Shibuya, donde podéis encontrar las tiendas de Nintendo Tokyo, Capcom y Shonen Jump, que visité hace unas semanas: https://shibuya.parco.jp/ Y también de la cafetería Komeda "plant based" a la que fui y que comento en este episodio: https://www.komeda-is.com/ Como siempre, agradezco si me dejáis un corazón (los que me escucháis por Ivoox) y, por supuesto, los comentarios son más que bienvenidos ^^ Mayi Recordad que podéis seguirme en Instagram. Me encontraréis como mayi_chan_in_japan: https://www.instagram.com/mayi_chan_in_japan/?hl=es También tengo Twitter: @mayichan Página de Flickr: https://www.flickr.com/photos/mokuren/ Y ahora también podéis escucharme en Spotify: https://open.spotify.com/show/6P9ZU9cJDYrrQHyeXKdURe?si=gQwEsCqtTcGwe0Gh76P5HQ&;;fbclid=IwAR3essRZ6UmDZA5th4ojFTq8m6B7ZxEIU_F5KxMGh0OAKAV7pOQDaQYSbCs Música: 1.The lips of god by urmymuse (c) copyright 2019 Licensed under a Creative Commons Attribution license. https://dig.ccmixter.org/files/urmymuse/60168 Ft: spinningmerkaba 2.~aether theories~ by Vidian (c) copyright 2018 Licensed under a Creative Commons Attribution (3.0) license. https://dig.ccmixter.org/files/Vidian/57398 Ft: Gurdonark, White-throated SparrowEscucha este episodio completo y accede a todo el contenido exclusivo de Mayi Chan in Japan. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en http://www.ivoox.com/podcast-mayi-chan-in-japan_sq_f1817777_1.html

Zapraszamy do posłuchania archiwalnej rozmowy Radia Książki z maja 2018 roku, w której autorka książki "Komeda. Osobiste życie jazzu" przyznaje, że praca nad czwartą książką (po biografiach Twardowskiego i Beksińskich oraz zbiorze reportaży o roku 1945) nie należała do najłatwiejszych. Komeda nie pozostawił po sobie dzienników, ci, którzy z nim grali, są w już w dojrzałym wieku, nie pamiętają więc wielu istotnych faktów, a część przyjaciół artysty zmarła kilka lat temu. Grzebałkowska musiała też, pisząc biografię jazzmana, „odczarować” wspomnienia Zofii Komedowej, jak mówi - "jednej z wielkich wdów polskiej kultury". Na podcast zaprasza Michał Nogaś. Więcej odcinków na https://wyborcza.pl/podcast

A music mix to go along with our Rosemary's Baby episode. For the full playlist see soundcloud.com/projectionbooth/rosemarys-music-mix

Kom... skal vi gå på æblerov... ? De bedste æbler finder man i Polen. Kom og vær med, når Radio Jazz studievært Mikael Jensen tager på tur i vores fantastiske naboland, hvor det flyder i mælk og jazz honning. Hør Komeda og Stanko og en hel masse kun meget få kender. En meget fascinerende times underholdning. Hør f. eks. den ordløse polske jazzsangerinde. Ewa Bem har været med i polsk jazz i en menneskealder. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

A music mix to go along with our Rosemary's Baby episode. For the full playlist see soundcloud.com/projectionbooth/rosemarys-music-mix

Les Tympans de Magellan, c'est un podcast mensuel qui fait voyager vos oreilles. Chaque mois, un nouveau pays mis à l'honneur à travers une liste de morceaux soigneusement choisis. Le pays du mois : Pour ce dix-septième épisode, on repart en Europe sur un choix de Flavien. Un pays plus reposant que le précédent en terme de recherches et pour lequel on espère que vous répondrez présent pour l'épisode du public, la Suède ! Tracklist : Eva Rune, Agneta Stolpe, Susanne Rosenberg, Pelle Jakobsson, Anna Aronsson, Jonny Soling - "Vallmusik kring Stångtjärn" Turid - "Bilder" Jay-Jay Johanson - "Make Her Mine" Edge of Sanity - "Incantation" Kultivator - "Vemod" The Knife - "Silent Shout" Stina Nordenstam - "Until" Playmates - "Fine, Fine Day" SHXCXCHCXSH - "Rudimental Retreat" The Coffinshakers - "Last Night Down by the Grave" Komeda - "Happyment" Library Tapes - "The Sound of Emptiness (Part 2)" Bladee - "Jaws" ECCO2K - "I'm Alright" Lars Hollmer - "Yrsa Requiem" José González - "Slow Moves" Varg - "U Control The Ocean (Second Crush)" SoulEye - "Potential for Anything" Envoyez vos morceaux Vous avez jusqu'au 7 juillet 2019 23:59 pour envoyer un titre suédois accompagné de votre commentaire à wazoo@xsilence.net Nous sélectionnerons certains des morceaux reçus pour les diffuser et lirons le commentaire associé. • Générique de début : Depeche Mode - "World in My Eyes"• Générique de fin : Wyatt / Atzmon / Stephen - "What a Wonderful World" Retrouver le podcast : XSilence | Facebook | Twitter | iTunes | Podcloud

Mød musikelskende filmfolk. Instruktører, skuespillere og andre fra filmverdenen spiller på skift filmmusik, som de har et særligt forhold til. Dagens udsendelse bevæger sig fra tidlige Bernhard Hermann-værker over Mancini, Komeda og Michel Legrand til Jonas Strucks egne kompositioner fra blandt andet den dystopiske film QEDA og spillefilmen Idealisten. Struck har en fortid som guitarist i bandet Swan Lee, men har nu ført sin drøm om at komponere filmmusik til succes. Tilrettelæggelse: Kasper Søegaard. Produceret for DR af Wingman Media.

Weekend warto spędzić w dobrym towarzystwie. Zapraszam do Wrzenia Świata na spotkanie z Magdaleną Grzebałkowską. W centrum zainteresowania "Komeda. Osobiste życie jazzu". W tej opowieści oprócz Krzysztofa Trzcińskiego pojawi się pan Stanisław - wielbiciel bobrów, śruba - czyli rozkręcający każdą imprezę Roman Polański, a także Maciej Suzin, którego autorka ma ochotę całować po rękach. Magda Grzebalkowska Wrzenie świata

Serdecznie zapraszamy do wysłuchania kolejnego, szesnastego odcinka podcastu o literaturze wszech treści - Readers Initiative. W dzisiejszej audycji skupiamy się w głównej mierze na cyklu "EKSPANSJA" sygnowanym przez Jamesa S.A. Coreya. Rafał, Piotr (podcasty HISTORIA POLSKI DLA DZIECI I WEDŁUG DZIECI, KSIĄŻKI.AUDIO) i Arek (BOOKBUSTERS.AUDIO) dyskutują nie tylko o wydanych w Polsce książkach "Przebudzenie Lewiatana" i "Wojna Kalibana", ale również szukają różnic pomiędzy powieściami a serialową adaptacją, oraz próbują znaleźć odpowiedź na pytanie - co lepsze: serial czy książkowy oryginał? UWAGA! Od samego początku naszej rozmowy odnosimy się do elementów fabuły książek i dwóch pierwszych sezonów serialu "THE EXPANSE" - więc bądźcie ostrzeżeni, Wy wszyscy, którzy jeszcze nie czytaliście wydanych w Polsce tomów, lub jeszcze nie widzieliście serialu! W odcinku nie mogło również zabraknąć miejsca na podzielenia się kilkoma słowami o aktualnie czytanych i rekomendowanych książkach, oraz planach czytelniczych na najbliższe dni.  Zapraszamy dzielenia się z nami Waszymi opiniami na temat cyklu "Ekspansja", jak również uwagami odnośnie samego podcastu. Jesteśmy otwarci na Wasze propozycje tematów, które moglibyśmy podjąć w kolejnych epizodach Readers Initiative. A tymczasem życzymy miłego odsłuchu! SPIS ZAWARTOŚCI: 00:00:01 - Dyskusja o cyklu "Ekspansja" ("Przebudzenie Lewiatana" i "Wojna Kalibana") Jamesa S.A. Coreya 00:55:04 - Kilka słów o "THE EXPANSE - BOARD GAME" AKTUALNIE CZYTANE / PRZECZYTANE: 01:02:50 - "Masz to jak w banku" i "Milczenie jest srebrem" Ryszarda Ćwirleja (Piotr) 01:08:06 - "Czarny ogród" - Małgorzata Szejnert (Rafał) 01:11:59 - "Outsider" - Stephen King (Arek) 01:17:00 - Kilka słów o książkach Joego Hilla: "NOS4A2", "Strażak", "Dziwna pogoda" (Rafał) 01:20:52 - "Rozmyślania" - Marek Aureliusz (Piotr) 01:27:40 - "Zaufanie, czyli waluta przyszłości" Michał Szafrański / "Gotowi na start" - Pat Flynn (Piotr) 01:32:18 - "A Personal Odyssey" - Thomas Sowell (Piotr) 01:35:10 - Kilka słów o Storytel.pl - serwisie abonamentowym z audiobookami 01:37:12 - "Komeda - osobiste życie jazzu" - Małgorzata Grzebałkowska (Arek) 01:40:19 - Zapowiedź kolejnego odcinka podcastu Readers Initiative  Odcinek podcastu KSIĄŻKI.AUDIO, w którym Piotr omawia polskojęzycznego audiobooka "Przebudzenie Lewiatana", oraz pierwszy sezon serialu THE EXPANSE: http://ksiazki.audio/blog/przebudzenie-lewiatana HISTORIA POLSKI DLA DZIECI na platformie podcastowej Speaker: https://www.spreaker.com/show/historia-dla-dzieciStrona www podcastu HISTORIA POLSKI DLA DZIECI I WEDŁUG DZIECI: http://historiawgdzieci.pl/BLOG I PODCAST KSIĄŻKI.AUDIO: http://ksiazki.audio/blogLink do kanału Readers Initiative w serwisie YouTube: KLIK!Strona www: http://readersinitiative.podbean.com/#Strona www BookBusters.audio: https://bookbusters.audio/Fanpage: https://www.facebook.com/readers.initiative/Grupa na FB: https://www.facebook.com/groups/392355947823710/Twitter: @rafal_readersEmail: readers.initiative@gmail.comiTunes: https://goo.gl/FuTynAYouTube: https://goo.gl/RbCWLQRSS: https://readersinitiative.podbean.com/feed/

O Krzysztofie Komedzie i sposobach na muzyczne interpretacje jego spuścizny rozmawiamy z członkami zespołu EABS, autorami szeroko dyskutowanej płyty „Repetitions. Letters to Krzysztof Komeda”. Marek, Sebastian i Wojto z wrocławskiej grupy EABS (Electro Acoustic Beat Sessions) zdradzają przepis, jak grać dzisiaj utwory Krzysztofa Komedy, aby nie stworzyć kolejnego „tribute to…”.… Czytaj dalej Artykuł EABS – Komeda na nowo odczytany pochodzi z serwisu Audycje Kulturalne.

We’re still full of the joys of spring here on the moon, dear listener as we bring you a show all about blossom and the trees which produce it. The fruiting seed for this idea was the arrival of a … Continue reading →

Notes Research for this story was largely culled from contemporary newspaper accounts. Check back for a list. Music * We start off (and end) with You by Nils Frahm. * We’ve got Krolock on the Sledge from Komeda’s great, great score to The Fearless Vampire Hunters. * Jett Rink Theme from Dimitri Tiomkin’s score to Giant. * A little loop of Bandstand, from Thomas Newman’s Little Children score. * And Opening, the vibes pieces, by Nathan Bartlett (making a return appearance). * Oh! And Meet the Neighbors from Marcelo Zarvo’s score to the lovely, Please Give. Which has become the go to soundtrack for “Some borderline scam artist has a crazy idea,” here on the Memory Palace.

El músico y productor Marco Morgione nos presenta su nueva banda, ELORA, y nos recomienda unas cuantas bandazas muy frescas y personales: DIIV, Polvo, Macha, Mercromina y Komeda. Durante la entrevista también suenan Dinosaur Jr. y Beach Slang, confirmados en el cartel del Primavera Sound 2015, entre otras cosas. ¡Dale al PLAY!

In this fifteenth episode of I Live In Dallas Radio, co-hosted by myself and Jason Channell, we interview principal and CEO of 2pointb Josh Komenda and crew. 2pointb is a innovative app that offers riders quick access to nearby luxury SUVs, luxury sedans, and taxis, without the gaps in insurance, spotty background checks, and privacy protection problems common with other players in the space.