Podcasts about Silent Way

For this episode we're joined by veteran music scribe Phil Sutcliffe to discuss his years on Sounds, Q and MOJO. We start by hearing about our guest's Beatles-obsessed adolescence in the North London suburb of Barnet, then follow him up to Manchester University and his subsequent apprenticeship on the Newcastle Evening Chronicle. Phil explains how he got his foot in the door at Sounds in 1974, initially reviewing gigs on Tyneside before moving back to London to become one of the weekly magazine's key '70s writers. We discuss the paper's transition from Gentle Giant and Back Street Crawler to the Damned and the Sex Pistols — and to the interviews Phil did with County Durham punks Penetration and beloved Salford bard John Cooper Clarke.  From JCC's visit to the Oxford Poetry Festival in 1980, we turn our attention to the week's featured act — politicised post-punks Gang of Four — and thence to the more controversially reactionary Eric Clapton. Clips from John Hutchinson's 1981 audio interview with the guitar "God" prompt conversation about his musical evolution and the infamous 1976 outburst that inspired the launch of Rock Against Racism. After Mark quotes from newly-added library pieces about Joe Harriott (1964), Miles Davis (1969) and Al Green (1973), Jasper takes us out with his thoughts on articles about Courtney Love (1991), Snoop Dogg (2003) and Cardi B (2019). Please note that this episode was recorded before we learned of the very sad passings of former Gang Of Four bassist Dave Allen and Malian superstar Amadou Bagayoko — along with Phil Sutcliffe's fellow Sounds contributor Sandy Robertson. Many thanks to special guest Phil Sutcliffe. Pieces discussed: The Beatles: I Was A Beatlemaniac, Penetration: Anarchy In County Durham, The Bard Of Beasley Street At The Seat Of Learning, Gang of Four: Dialectics Meet Disco, Gang Of Four: The Revolution Lightens Up, Andy Gill meets Andy Gill, Eric Clapton audio, Eric Clapton: Out of the Darkness, Joe Harriott: Jazz Abstractionist, Miles Davis: In a Silent Way, Hole: Calling the Tune, Snoop Dogg and Welcome to the Cardi Party.

En este episodio Jota y Luis reseñan In A Silent Way de Miles Davis. Hablan de todo lo que estaba pasando en la escena del jazz para ese momento y toda lo que trajo Miles Davis a su género. Analizan el álbum y a todos sus músicos. www.patreon.com/acordesyrimas

What is the difference between ch*tiya and dusht? Why are vegetarians evil? Why do Indians do the best bench pressing? Krish Ashok and Naren Shenoy join Amit Varma in episode 362 of The Seen and the Unseen for the most fun conversation ever. Really, ever. We got it certified. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Krish Ashok on Twitter, Instagram, YouTube, his own website and Spotify/Apple Music/Soundcloud. 2. Naren Shenoy on Twitter, Instagram and Blogspot. 3. We Are All Amits From Africa -- Episode 343 of The Seen and the Unseen. 4. A Scientist in the Kitchen — Episode 204 of The Seen and the Unseen (w Krish Ashok). 5. Narendra Shenoy and Mr Narendra Shenoy — Episode 250 of The Seen and the Unseen. 6. Masala Lab: The Science of Indian Cooking — Krish Ashok. 7. We want Narendra Shenoy to write a book. 8. Fixing Indian Education — Episode 185 of The Seen and the Unseen (w Karthik Muralidharan). 9. Kashmir and Article 370 — Episode 134 of The Seen and the Unseen (w Srinath Raghavan). 10. Indian Society: The Last 30 Years — Episode 137 of The Seen and the Unseen (w Santosh Desai). 11. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 12. The Life and Times of Jerry Pinto — Episode 314 of The Seen and the Unseen. 13. The Life and Times of KP Krishnan — Episode 355 of The Seen and the Unseen. 14. Natasha Badhwar Lives the Examined Life — Episode 301 of The Seen and the Unseen. 15. The Adda at the End of the Universe — Episode 309 of The Seen and the Unseen (w Vikram Sathaye and Roshan Abbas). 16. Dance Dance For the Halva Waala — Episode 294 of The Seen and the Unseen (w Jai Arjun Singh and Subrat Mohanty). 17. Narendra Modi on climate change. 18. Yes Minister -- Jonathan Lynn and Antony Jay. 19. Yes Prime Minister -- Jonathan Lynn and Antony Jay. 20. The Overview Effect. 21. The Day Ryan Started Masturbating -- Amit Varma. 22. Security Check -- Varun Grover. 23. Nothing is Indian! Everything is Indian! -- Episode 12 of Everything is Everything. 24. The Restaurant at the End of the Universe -- Douglas Adams. 25. Arrival — Denis Villeneuve. 26. The Hidden Life of Trees — Peter Wohlleben. 27. Self-Esteem (and a Puddle) — Amit Varma's post with Douglas Adams's puddle quote. 28. Bittu Sahgal on Wikipedia, Instagram, Twitter and Amazon. 29. I Contain Multitudes -- Ed Yong. 30. Song of Myself — Walt Whitman. 31. How I Reversed My Type 2 Diabetes -- Episode 9 of Everything is Everything. 32. Fat Chance -- Robert Lustig on Fructose 2.0. 33. How Sugar & Processed Foods Impact Your Health -- Robert Lustig on The Huberman Lab Podcast. 34. Rahul Matthan Seeks the Protocol -- Episode 360 of The Seen and the Unseen. 35. Privacy 3.0 — Rahul Matthan. 36. Abby Philips Fights for Science and Medicine — Episode 310 of The Seen and the Unseen. 37. Shruti Jahagirdar's Twitter thread on Bournvita. 38. Shruti Jahagirdar is the Sporty One -- Episode 289 of The Seen and the Unseen. 39. The Incredible Curiosities of Mukulika Banerjee — Episode 276 of The Seen and the Unseen. 40. Seven Stories That Should Be Films -- Episode 23 of Everything is Everything. 41. What's Wrong With Indian Agriculture? -- Episode 18 of Everything is Everything. 42. The Walrus and the Carpenter -- Lewis Carroll. 43. There is no Frigate like a Book -- Emily Dickinson. 44. Why I'm Hopeful About Twitter -- Amit Varma. 45. A decontextualized reel of Dr Pal on The Ranveer Show. 46. The Liver Doctor's feisty response to the reel above. 47. The full interview of Dr Pal on The Ranveer Show. 48. The Gentle Wisdom of Pratap Bhanu Mehta — Episode 300 of The Seen and the Unseen. 49. Aakash Singh Rathore, the Ironman Philosopher — Episode 340 of The Seen and the Unseen. 50. Dunbar's number. 51. Snow Crash --  Neal Stephenson. 52. Carl Sagan and Neil deGrasse Tyson. 53. The Selfish Gene -- Richard Dawkins. 54. GianChand Whisky. 55. Beware of Quacks. Alternative Medicine is Injurious to Health — Amit Varma. 56. Homeopathic Faith — Amit Varma. 57. Homeopathy, quackery and fraud — James Randi. 58. Fallacy of Composition. 59. The Secret to a Happy Marriage -- Mike and Joelle. 60. I Wandered Lonely as a Cloud -- William Wordsworth. 61. WD 40 on Amazon. 62. Dog Songs -- Mary Oliver. 63. The Evolution of Cooperation -- Robert Axelrod. 64. The Interpreter -- Amit Varma (on Michael Gazzaniga's split-brain experiments). 65. Human -- Michael Gazzaniga. 66. The Blank Slate -- Steven Pinker. 67. Minority Report -- Steven Spielberg. 68. Free Will -- Sam Harris. 69. Determined: Life Without Free Will -- Robert Sapolsky. 70. Behave -- Robert Sapolsky. 71. Noise -- Daniel Kahneman, Olivier Sibony and Cass R. Sunstein. 72. Brave New World -- Aldous Huxley. 73. Cicada -- Shaun Tan. 74. Don't think too much of yourself. You're an accident — Amit Varma's column on Chris Cornell's death. 75. Are You Just One Version of Yourself? -- Episode 3 of Everything is Everything. 76. Lat Uljhi Suljha Ja Balam -- Bade Ghulam Ali Khan performs Raag Bihag. 77. Danish Husain and the Multiverse of Culture -- Episode 359 of The Seen and the Unseen. 78. Danish Husain's anecdote about Mahatma Gandhi and Bade Ghulam Ali Khan. 79. Pushpesh Pant Feasts on the Buffet of Life -- Episode 326 of The Seen and the Unseen. 80. Arijit Singh on Autotune. 81. How Music Works -- David Byrne. 82. Raga Lalita Gauri -- Mallikarjun Mansur. 83. Raag Lalita Gauri (1947) -- Kesarbai Kerkar. 84. Raga Vibhas -- Mallikarjun Mansur. 85. Mohe Rang Do Laal -- Song from Bajirao Mastani. 86. Raag Basanti Kedar -- Mallikarjun Mansur. 87. Travelling through Pakistan; from Karachi to K2 -- Salman Rashid on The Pakistan Experience, hosted by Shehzad Ghias Shaikh. 88. A rare video of Balasaraswathi dancing while singing Krishna Nee Begane. 89. Krishna Nee Begane Baro -- Madras String Quartet. 90. Albela Sajan -- Hard rock adaptation by Krish Ashok and Vijay Kannan. 91. [Don't Fear] The Reaper -- Blue Oyster Cult. 92. Krish Ashok's Sanskrit version of the song above. 93. Purple Haze -- Jimi Hendrix. 94. All That She Wants — Ace of Base. 95. Caste, Gender, Karnatik Music — Episode 162 of The Seen and the Unseen (w TM Krishna). 96. Brown Eyed Girl -- Van Morrison. 97. Astral Weeks -- Van Morrison. 98. Moondance -- Van Morrison. 99. Episode on Astral Weeks in the podcast, A History of Rock Music in 500 Songs. 100. In a Silent Way — Episode 316 of The Seen and the Unseen (w Gaurav Chintamani). 101. Advaita on YouTube Music, YouTube, Spotify, Instagram and Twitter. 102. Raman Negi on YouTube Music, YouTube, Spotify, Instagram and Twitter. 103. Greta Van Fleet and The Mars Volta on Spotify. 104. Shakti and Indian Ocean on Spotify. 105. Pink Floyd and Kendrick Lamar on Spotify. 106. Analysis of Food Pairing in Regional Cuisines of India -- Anupam Jain, Rakhi NK and Ganesh Bagler. 107. Krish Ashok's reel explaining the above paper. 108. Amitava Kumar Finds the Breath of Life -- Episode 265 of The Seen and the Unseen. 109. How to Show, Not Tell: The Complete Writing Guide -- Diane Callahan. 110. We Love Vaccines! We Love Freedom! -- Episode 27 of Everything is Everything. 111. Math Is Better Than the Brigadier's Girlfriend -- Episode 15 of Everything is Everything. 112. Chintaman and I -- Durgabai Deshmukh. 113. Kavitha Rao and Our Lady Doctors — Episode 235 of The Seen and the Unseen. 114. Lady Doctors -- Kavitha Rao. 115. Jeff Bezos on The Lex Fridman Podcast talking about one-way doors and two-way doors. 116. It is immoral to have children. Here's why — Amit Varma. 117. Population Is Not a Problem, but Our Greatest Strength — Amit Varma. 118. Our Population Is Our Greatest Asset -- Episode 20 of Everything is Everything. 119. ChuChuTV. 120. A Deep Dive Into Ukraine vs Russia — Episode 335 of The Seen and the Unseen (w Ajay Shah). 121. The State of the Ukraine War -- Episode 14 of Everything is Everything. 122. King Lear -- William Shakespeare. 123. Churchill: Walking with Destiny -- Andrew Roberts. 124. Churchill and the genocide myth — Zareer Masani. 125. Perplexity. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘'Let's Dance" by Simahina.

Nesse episódio, Gabriel Carvalho (Ciências Sociais - UNIVASF) recebe mais uma vez Deribaldo Santos, graduado em pedagogia pela Universidade Estadual do Vale do Acaraú, especialista em gestão escolar e mestre em políticas públicas e sociedade pela Universidade Estadual do Ceará, doutor em educação brasileira pela Universidade Federal do Ceará, com estágio doutoral na Universidade do Porto e pós-doutoral na Universidade Complutense de Madri, professor da faculdade de educação, ciências e letras do Sertão Central e da pós-graduação em educação da Universidade Estadual do Ceará, pesquisador do Laboratório de Pesquisas sobre Políticas Sociais do Sertão Central e líder do grupo de pesquisa Trabalho, Educação, Estética e Sociedade, para falar sobre a obra de Guido Oldrini a respeito da história do cinema, onde o autor italiano faz um mapeamento da sétima arte relacionada ao mundo social, sob uma análise estética materialista. Trilha sonora: In a Silent Way, Miles Davis

Our statues must eat ice cream, our cities must be designed by cardiovascular surgeons, and we must all go to the fifth temple. Krish Ashok and Naren Shenoy join Amit Varma in episode 343 of The Seen and the Unseen to banter away a few perfectly good hours. What a waste of time, eh? NO! (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Krish Ashok on Twitter, Instagram, YouTube, his own website and Spotify/Apple Music/Soundcloud. 2. Naren Shenoy on Twitter, Instagram and Blogspot. 3. Narendra Shenoy and Mr Narendra Shenoy — Episode 250 of The Seen and the Unseen. 4. A Scientist in the Kitchen — Episode 204 of The Seen and the Unseen (w Krish Ashok). 5. Masala Lab: The Science of Indian Cooking -- Krish Ashok. 6. Simblified, co-hosted by Narendra Shenoy. 7. We want Narendra Shenoy to write a book. 8. Lohapurusha -- Krish Ashok's Sanskrit Heavy Metal album. 9. The Masala Lab Dal Recipe Generator -- Krish Ashok. 10. The Amaklamatic Salad Recipe Generator -- Krish Ashok. 11. The Amaklamatic Chutney Recipe Generator -- Krish Ashok. 12.  Newton the Alchemist. Gandhi the Black Swan -- Episode 7 of Everything is Everything. 13. Krish Ashok hates computers and this is proof. 14. Roshan Abbas and the Creator Economy — Episode 239 of The Seen and the Unseen. 15. The Adda at the End of the Universe — Episode 309 of The Seen and the Unseen (w Vikram Sathaye and Roshan Abbas). 16. The Prem Panicker Files — Episode 217 of The Seen and the Unseen. 17. Caste, Gender, Karnatik Music — Episode 162 of The Seen and the Unseen (w TM Krishna). 18. 4′33″ -- John Cage. 19. Is the Singularity Near? -- Episode 2 of Everything is Everything. 20. The Formula Behind Every Perfect Pop Song — Seeker. 21. I, Pencil -- Leonard Read. 22. The Cadbury Dairy Milk Mystery -- Krish Ashok. 23. A Poetry Handbook — Mary Oliver. 24. Tvam -- Krish Ashok's version of Rammstein's Du Hast. 25. Du Hast -- Rammstein. 26. Early Indians — Episode 112 of The Seen and the Unseen (w Tony Joseph). 27. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 28. Alice Evans Studies the Great Gender Divergence — Episode 297 of The Seen and the Unseen. 29. The Incredible Curiosities of Mukulika Banerjee — Episode 276 of The Seen and the Unseen (w Mukulika Banerjee). 30. The Pathan Unarmed — Mukulika Banerjee. 31. The Country Foods channel. 32. Ulhas Kamathe -- The Chicken Leg Piece Guy. 33. Sell the Tiger to Save It — Barun Mitra. 34. The Poultry Map. 35. The Egg Map. 36. Team Pizza or Team Biryani? 37. Gordon tries to make Pad Thai -- The F Word. 38. The Panchatantra. 39. Varun Grover Is in the House — Episode 292 of The Seen and the Unseen. 40. Kimaham Abhavam -- Krish Ashok's version of Johnny Cash's version of Nine Inch Nails's Hurt. 41. Hurt -- Johnny Cash. 42. Hurt -- Nine Inch Nails. 43. Miss Excel on Instagram and TikTok. 44. How an Excel Tiktoker Manifested Her Way to Making Six Figures a Day — Nilay Patel. 45. The Menu -- Mark Mylod. 46. Cilappatikaram. 47. Dunbar's number. 48. Womaning in India With Mahima Vashisht — Episode 293 of The Seen and the Unseen. 49. Womaning in India — Mahima Vashisht's newsletter. 50. Superforecasting -- Philip Tetlock and Dan Gardner. 51. Essays -- Paul Graham. 52. Nityananda making sense. 53. Uncle Roger. 54. Abby Philips Fights for Science and Medicine — Episode 310 of The Seen and the Unseen. 55. Never Talk About TURMERIC on Social Media — Abby Philips. 56. The Magic Pill -- Rob Tate. 57. Wanting — Luke Burgis. 58. Luke Burgis Sees the Deer at His Window -- Episode 337 of The Seen and the Unseen. 59. Brandolini's law. 60. Foodpharmer on Instagram. 61. 1000 True Fans — Kevin Kelly. 62. 1000 True Fans? Try 100 — Li Jin. 63. The Case Against Sugar — Gary Taubes. 64. The Big Fat Surprise — Nina Teicholz. 65. The Obesity Code — Jason Fung. 66. Addiction by Design: Machine Gambling in Las Vegas — Natasha Dow Schüll. 67. Your Undivided Attention -- Podcast by Tristan Harris and Aza Raskin. 68. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 69. 3Blue1Brown on YouTube. 70. The Life and Times of Abhinandan Sekhri — Episode 254 of The Seen and the Unseen. 71. Jaya Varma and the Chandigarh Choir perform Dhano Dhanne. 72. In a Silent Way — Episode 316 of The Seen and the Unseen (w Gaurav Chintamani). 73. Sonnet 18 -- William Shakespeare. 74. Sonnet 18 -- Harriet Walter. 74. Sonnet 18 -- Akala. 75. Sonnet 18 -- David Gilmour. 76. Raga Ahir Bhairav -- Gangubai Hangal. 77. The Memoirs of Dr Haimabati Sen — Haimabati Sen (translated by Tapan Raychoudhuri). 78. Kavitha Rao and Our Lady Doctors — Episode 235 of The Seen and the Unseen (w Kavitha Rao). 79. Dark Was the Night -- Blind Willie Johnson. 80. Car Wheels on a Gravel Road -- Lucinda Williams. 81. Sweet Old World -- Lucinda Williams. 82. All That She Wants -- Ace of Base. Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Amits' by Simahina.

We'll begin this episode with straight up hard bop from Cannonball, followed by another late great saxophonist Michael Brecker. Then we will explore new releases from Rosenwinkel, David Borgo (from San Diego) and Lakecia Benjamin. We wrap it all up with a mellow Miles fusion. Playlist Artist ~ Name ~ Album Cannonball Adderley Quintet ~ Exodus ~ At the Lighthouse Michael Brecker ~ Slings and Arrows ~ Tales from the Hudson Kurt Rosenwinkel ~ Our Secret World (feat. Aaron Parks, Eric Revis & Greg Hutchinson) [Live at the Village Vanguard] ~ Undercover (Live at the Village Vanguard) [feat. Aaron Parks, Eric Revis & Greg Hutchinson] David Borgo ~ Curiouser and Curiouser ~ Cautiously Optimistic Lakecia Benjamin ~ Basquiat ~ Phoenix Miles Davis ~ Shhh / Peaceful (LP Mix) ~ In a Silent Way

Programmet, hvor vi gennemgår et markant album fra et afgørende årti i musikhistorien.

Kurt has told stories for PBS's Stories from the Stage, the “RISK!” true stories podcast, and for GRIT: True Stories podcast, which he co-founded. He's written for Powder, Paddler, Men's Journal, Canoe & Kayak, Berkshire, and for websites, newspapers, and literary magazines. You can learn more about Kurt by checking out his website or following him on Twitter or Instagram.As always, remember to follow the show on instagram, twitter and facebook and to get over to the website to sign up for the TVK mailing list. 

What is The Silent Way? The Silent Way is a language teaching method developed by Caleb Gattegno in the 1970s that emphasizes learner autonomy and minimal teacher talk. The method is based on the idea that the teacher should remain "silent" as much as possible, allowing the students to discover language for themselves through visual aids and their own experimentation. This approach aims to foster self-expression and independent thinking, rather than relying on rote memorization and repetition. It also employs Cuisenaire rods for demonstration and coloured Fidel charts for pronunciation. In the Teaching Methodology Exposed series, we take a look at notable language-teaching methods which have influenced us and wider education. We, as educational professionals, explain the history and rationale behind these methodologies and analyze a real class example to better weigh each method's pros and cons as an effective teaching approach.

In this episode we cover the first two parts of A Silent Way, one of our favorite Steel Ball Run arcs... and not just because it features Gyro Zeppeli singing about mozarella cheese. We get some of the best ensemble writing and character development yet. Gyro Zepelli convinces a 14 year old girl to commit treason. Diego Brando decides that a good jockey retirement plan is being Mayor of New York City. And Gyro maybe, finally, sort of figures out that the 2000 year old guy they're digging up parts of might, maybe, be someone he's heard of. -- JoJo's Bizarre Explainer JoJo's Bizarre Adventure! Either you love it, or you've never seen it. But what exactly is JoJo? Why is everyone talking about it? Why is it so great? Whether this is your first foray into Hirohiko Araki's decades-spanning masterpiece, or you're a seasoned JoJo Opinion Haver looking for more of your kind, JoJo's Bizarre Explainer is here for you! Hosted by Elizabeth Simins, Courtney Stanton, and Darius Kazemi, this podcast will tease out the running motifs, fascinating weirdnesses, occasional dog deaths, and ineffable charm of JoJo's Bizarre Adventure—anime-episode by anime-episode, with stops along the way for the manga, the videogames, and whatever else we can get our hands on. Join us as we attempt to do the impossible: Explain JoJo! explainjojo.com @explainjojo @explainjojo@crazynoisybizarre.town Here's where to find the gang on the internet! Eliz: eliz.abeth.net @elizsimins Courtney: superopinionated.com @courtney@friend.camp Darius: tinysubversions.com @tinysubversions @darius@friend.camp

He's a guitarist, a composer, a producer, an audio engineer and a teacher. Gaurav Chintamani joins Amit Varma in episode 316 of The Seen and the Unseen to share his reflections on music and life. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Gaurav Chintamani at Instagram, Twitter, LinkedIn, SACAC and his own website. 2. Advaita on YouTube Music, YouTube, Spotify, Instagram and Twitter. 3. Raman Negi on YouTube Music, YouTube, Spotify, Instagram and Twitter. 4. The Dirt Machine on YouTube Music, YouTube and Spotify. 5. Grounded in Space -- Advaita. 6. The Silent Sea -- Advaita. 7. Shaksiyat -- Raman Negi. 8.  Mehroom -- Raman Negi. 9. Lullaby for the Anxious Bones -- Raman Negi. 10. It's About Time -- The Dirt Machine. 11. Kleptocrat -- The Dirt Machine + Amartya Ghosh (The song that started with dripping water). 12. Carol of the Bells -- Ishaan Chintamani. 13. Gaurav Chintamani on the School of Bass Podcast. 14. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 15. Hard work vs. Long work -- Seth Godin. 16. Warren Mendonsa Plays the Universal Pentatonic — Episode 273 of The Seen and the Unseen. 17. The Beatles on YouTube Music, Spotify and Wikipedia. 18. Bob Dylan on YouTube Music, Spotify and Wikipedia. 19. Choo Lo -- The Local Train. 20. Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 21. Four Thousand Weeks -- Oliver Burkeman. 22. Redemption Song -- Bob Marley. 23. The Beach (book) -- Alex Garland. 24. The Beach (film) -- Danny Boyle. 25. John Cage on YouTube Music, Spotify and Wikipedia. 26. A Scientist in the Kitchen — Episode 204 of The Seen and the Unseen (w Krish Ashok). 27. Over the Hills and Far Away -- Led Zeppelin. 28. Amit Varma's favourite lofi playlists on YouTube and Spotify. 29. Music for Airports -- Brian Eno. 30. The Formula Behind Every Perfect Pop Song — Seeker. 31. The Double ‘Thank-You' Moment — John Stossel. 32. Deezer -- The French streaming service that Gaurav mentions. This is how they pay their artists. 33. Entry and Exit in Agriculture -- Episode 1 of The Seen and the Unseen (w Pavan Srinath and Karthik Shashidhar). 34. Altitude -- Advaita on The Dewarists. 35. A Hard Day's Night -- The Beatles. 36. Thriller -- Michael Jackson. 37. Guns N' Roses, Pantera and The Doors. 38. The Sky is Crying -- Stevie Ray Vaughan. 39. Jai Arjun Singh Lost It at the Movies — Episode 230 of The Seen and the Unseen. 40. Lou Majaw on YouTube Music and Spotify. 41. Acquired Senses (a demo version) -- HFT. 42. Natasha Badhwar Lives the Examined Life — Episode 301 of The Seen and the Unseen. 43. Suyash Rai Embraces India's Complexity -- Episode 307 of The Seen and the Unseen. 44. Jeff Beck on YouTube Music, Spotify and Wikipedia. 45. Jimi Hendrix on YouTube Music, Spotify and Wikipedia. 46. Imposter Syndrome. 47. Aakar Patel on Twitter. 48. A Meditation on Form — Amit Varma. 49. Wanting — Luke Burgis. 50. René Girard on Amazon and Wikipedia. 51. Lifespan: Why We Age – and Why We Don't Have To — David Sinclair. 52. Waking Up - A New Operating System for Your Mind -- Sam Harris. 53. The Adda at the End of the Universe — Episode 309 of The Seen and the Unseen (w Vikram Sathaye and Roshan Abbas). 54. Dirty Mind -- Jeff Beck. 55. The Haas Effect. 56. The Advaita jam in the Kolkata hotel room. 57. Here, There and Everywhere -- Geoff Emerick. 58. Paul McCartney listens to John Lennon's Beautiful Boy. 59. Watching the Wheels -- John Lennon. 60. Chris Cornell's covers of Watching the Wheels, Redemption Song, Long As I Can See The Light, Nothing Compares 2 U, I Will Always Love You and Thunder Road. 61. Penny Lane -- The Beatles. 62. Strawberry Fields Forever -- The Beatles. 63. The Bends -- Radiohead. 64. The White Album -- The Beatles. 65. Sticky Fingers, Exile on Main Street and Goat's Head Soup -- The Rolling Stones. 66. Time out of Mind -- Bob Dylan. 67. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 68. A Day in the Life -- The Beatles. 69. Stevie Wonder on YouTube Music, Spotify and Wikipedia. 70. Friends, Crime, & The Cosmos -- Abhishek Upmanyu. 71. This Be The Verse — Philip Larkin. 72. Somebody That I Used To Know -- Mike Dawes. 73. Happy -- Pharrell Williams. 74. Blow by Blow -- Jeff Beck. 75. Cause We've Ended as Lovers -- Jeff Beck. 76. Miles Davis on YouTube Music, Spotify and Wikipedia. 77. Bitches Brew -- MIles Davis. 78. Pat Metheny on YouTube Music, Spotify and Wikipedia. 79. John Scofield on YouTube Music, Spotify and Wikipedia. 80. I Can See Your House from Here -- Pat Metheny and John Scofield. 81. SD Burman on YouTube Music, Spotify and Wikipedia. 82. John Williams on YouTube Music, Spotify and Wikipedia. 83. The Study of Orchestration -- Samuel Adler. 84. Maurice Ravel on YouTube Music, Spotify and Wikipedia. 85. Claude Debussy on YouTube Music, Spotify and Wikipedia. 86. Johann Sebastian Bach on YouTube Music, Spotify and Wikipedia. 87. Cello Suite No. 1 in G Major -- Johann Sebastian Bach, played by Yo Yo Ma. 88. Thomas Dybdahl on YouTube Music, Spotify and Wikipedia. 89. The Old Man and the Sea -- Ernest Hemingway. 90. The Great Gatsby -- F Scott Fitzgerald. 91. Crime and Punishment — Fyodor Dostoevsky. 92. Atomic Habits — James Clear. 93. Stanley Kubrick on IMDb and Wikipedia. 94. Martin Scorsese on IMDb and Wikipedia. 95. Goodfellas -- Martin Scorsese. 96. Raging Bull -- Martin Scorsese. 97. Bernard Herrmann. 98. Psycho -- Alfred Hitchcock. 99. The Sopranos, Breaking Bad and Better Call Saul. 100. Seven Samurai -- Akira Kurosawa.. 101. The Girl From Kashmir — Episode 295 of The Seen and the Unseen (w Farah Bashir). 102. Dance Dance For the Halva Waala — Episode 294 of The Seen and the Unseen (w Jai Arjun Singh and Subrat Mohanty). 103. Akira Kurosawa and Yasujirō Ozu. 104. Mulholland Drive and Twin Peaks -- David Lynch. 105. Taxi Driver, New York Stories, Casino, Kundun and Silence -- Martin Scorsese. 106. A Whiter Shade of Pale -- Procul Harum. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Pieces of Me' by Simahina.

Dans ce quatrième épisode du Voyage permanent, Nathalie Talec, artiste passionnée par l'exploration polaire, le blanc et le froid, et Marie Dupas, chargée de programmation artistique pour le Voyage à Nantes, nous évoquent l'histoire de l'œuvre qui se dresse dans le quartier de la création à Nantes.L'œuvre de Nathalie Talec, In a silent way, est accessible en transports en commun: ligne de tramway 1 (arrêt Chantier Naval) ou ligne de bus 5 (arrêt Gare de l'État). L'œuvre est composée de deux sculptures d'une hauteur totale de 3,50 mètres. Celles-ci peuvent être partiellement découvertes par le toucher. Une bande de vigilance entoure la pièce, prévenant ainsi de son emprise au sol.Le Voyage permanent vous emmène à la rencontre des œuvres d'art du Voyage à Nantes, de celles et ceux qui les font et de celles et ceux qui les choisissent. La visite sonore d'une ville où l'art est à l'honneur.Le Voyage permanent, un podcast en six épisodes du Voyage à Nantes, produit et réalisé par Slate Studio.Musique: Arnaud Denzler

May 26th is the birthday anniversary of Miles Dewey Davis, the legendary trumpeter and bandleader and Jazz Unlimited with Paul Anthony will celebrate with a special show devoted to his music. We will highlight a few albums which are considered Milestone albums in the jazz world including work from his two great quintets, his collaboration with Gil Evans on Birth of the Cool which ushered in the advent of the cool jazz movement. We'll also listen to his groundbreaking albums which led to Miles immersion into electronic fusion music on In a Silent Way and Bitches Brew and, of course, no survey, would be complete without a cut from in my estimation the greatest album ever recorded…KIND OF BLUE. Join me this week for a birthday tribute to Miles Davis on Jazz Unlimited with Paul Anthony

768. English Teaching Methodologies (with Gabriel Clark) Gabriel Clark from clarkandmiller.com joins me to discuss a short history of teaching methodology in the world of TEFL. The direct method, the grammar translation method, The Audio Lingual Method, the Structural Approach, Suggestopedia, Total Physical Response, Communicative Language Teaching (CLT), The Silent Way, Community Language Learning, Task Based Language Learning, The Lexical Approach and dogme style - all these get described and discussed. Learn how English teachers teach you English! Episode page https://wp.me/p4IuUx-quK My talk at the British Council https://www.britishcouncil.fr/evenements/talks-english-comedie  LEP Premium https://www.teacherluke.co.uk/premiuminfo  LEP Merch etc https://www.teacherluke.co.uk/merch 

 Sunt mari șanse ca, la fel ca și în cazul meu, învățarea limbilor străine să nu fi fost cea mai plăcută experiență din anii de școală. Și poate, la fel ca în cazul multora de vârsta noastră, ți s-a întipărit în minte faptul că dacă nu ai avut șansa și discplina să înveți până acum o limbă străină este deja prea târziu sau foarte greu și ți s-a întipărit în suflet regretul că ai ratat asta, e un tren care s-a dus. Ascultă acest episod în care o am invitată pe Nicoleta Surdu, profesor Silent Way de limba engleză și germană, precum și co-fondatoarea centrului de limbi străine Cursevo, ca să înțelegi de ce învățarea unei noi limbi nu are legătură cu creierul tău de adult, ci cu metodologia potrivită și cu profesorul care ghidează tot acest proces, ca să te convingi de faptul că învățarea unei limbi străine este în primul rând un context de dezvoltare personală și că magia se întâmplă atunci când este înlăturată presiunea socială și ai susținerea unui grup cu oameni ca tine.Așadar, ascultă episodul până la capăt ca să îți faci curaj și să reiei învățarea acelei limbi străine pe care ai abandonat-o, dar de data aceasta într-un sistem care să-ți facă plăcere și să ți se potrivească.Conversația noastră cu drag de învățare și pasiune pentru limbi străine îți oferă tot ceea ce trebuie să știi despre:Cine este Nicoleta Surdu? (04:00)Ce este Cursevo? (07:20)Cum s-a născut pasiunea Nicoletei pentru limbi străine? (9:00)Ce este abordarea Silent Way? (11:00)Ce înseamnă să fii fluent într-o limbă străină? (14:30)Cu ce este diferită abodarea Silent Way față de alte metode? (17:45)De ce nu funcționează manualele în învățarea unei limbi străine la adulți (21:00)Cum învață copiii limba maternă? (29:00)De ce un copil nu învață, de fapt, mai repede o limbă străină decât un adult? (40:00)Abordarea Silent Way, dezvoltare personală prin învățarea unei limbi străine (44:00)Rolul profesorului în Silent Way (46:00)Când uiți o limbă străină? (50:30)Cine sunt clienții Cursevo? (52:40)Structura cursurilor Cursevo (54:20)Mesajul de încurajare pentru persoanele timide sau nehotărâte care vor să învețe o limbă străină (58:30)Care este partea din noi capabilă să învețe, de fapt? (01:07:00)Descoperă modul în care centrul Cursevo redefinește experiența învățării accesând:Website - www.cursevo.roYoutube - CURSEVOFacebook - @cursevoInstagram - @centrulcursevoConectează-te cu Nicoleta Surdu aici:Facebook - Nicoleta SurduInstagram - @surdu.nicoletaLinkedIn - Nicoleta SurduPătrunde în universul despre gândire făcută vizibilă aici:

From James Joyce: To me this is an album unlike any other ever made. It sits in a dreamy part of your subconscious: atmospheric, experimental, abstract, meandering, confusing, cluttered, but always beautiful, surprising and engaging. Like so many of Miles' albums, In a Silent Way set the precedent for entire genres of music, cutting paths that lead to post-rock, post-jazz, post-music, post-everything you have known before. This can be the record you listen to with your friends at 4AM to wind down after a long night of jamming at the practice space, or something to peacefully start your Sunday morning. It is a wonderful soundtrack to long road trips, long plane rides, long periods of inactivity of any kind where you can just let the music wash over you without having to think or act. Just when you think the songs are going to end, they start again and you have wonderful cyclical quality that makes the album seem like it will go on forever. Listen for the rest of your days!

RockerMike and Rob discuss The making of Miles Davis' Bitches Brew Album Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Bitches Brew is the twenty-seventh full-length studio album by American jazz trumpeter Miles Davis, released on March 30, 1970 on Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The album initially received a mixed response, but it gained momentum and became Davis's highest-charting album on the U.S. Billboard 200, peaking at No. 35. In 1971, it won a Grammy Award for Best Large Jazz Ensemble Album.In 1976, it became Davis' first gold album to be certified by the Recording Industry Association of America. https://www.milesdavis.com/ https://open.spotify.com/artist/0kbYTNQb4Pb1rPbbaF0pT4 https://www.arts.gov/honors/jazz/miles-davis https://m.facebook.com/MilesDavis/ https://m.youtube.com/watch?v=zqNTltOGh5c&autoplay=1 https://mobile.twitter.com/milesdavis https://www.instagram.com/milesdavis/?hl=en https://www.iheart.com/artist/miles-davis-2261/ #musicvideo #musicstudio #musiclover #musiclife #musicindustry #musiclovers #musiccover #musician #jazz #Jazzmusicians #musicproducer #musicproduction #musicians #musicislife #musicartist #musicphotography #musicvideos #Music Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ https://app.hashtag.expert/?fpr=roberto-rossi80 https://dc2bfnt-peyeewd4slt50d2x1b.hop.clickbank.net https://8bcded2xph1jdsb8mqp8th3y0n.hop.clickbank.net/?cbpage=nb Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup --- Support this podcast: https://anchor.fm/rob-rossi/support

A fascinating puzzle, with several TIL (Today I Learned) moments. Most notably, the astonishing 30A, Animal whose teeth are the strongest substance in the natural world, SNAIL. For those of us who never even knew that SNAILs had teeth, this was indeed a revelation! Also, the fact that RADIAN is part of the SI (metric system) was also a bit of a stunner. The theme involved standard to metric conversions, so for instance, 16A, "In a Silent Way" trumpeter, [~3:5], KILOMETERSDAVIS (as opposed to MILESDAVIS). Very cute! We liked this puzzle a lot, and give it a 5 squares on the (metric) JAMCR sale.

“… Sitting is the vehicle for discovering innate “awakened-ness.” ...” Description: Case 1 of the Book of Equanimity offers a beautiful example of how an awakened person might expound the dharma from the Zen perspective. We cannot hope to understand it through verbal teachings, rational guidelines or instructions. It has to come through experience, and can […]

In this live recording of the I Will Teach You A Language podcast on YouTube, I answer the question: "When is the right time to start speaking a foreign language?" I also answer: Why is this question asked in the first place? What are the most popular theories and methods? What are people's actual experience in real life with these methods? What is my personal perspective on the best approach to speaking? How can I get my question answered on the podcast or YouTube? Do You Have A Question? This show exists to answer your language learning questions! Send me your questions by: Recording an audio message here: https://www.iwillteachyoualanguage.com/ask Asking me during the next live recording on my YouTube channel (every Friday at 5:30 pm UK time). Make sure to subscribe to the channel and turn on notifications. Resources & Links Mentioned How to develop TRUE spoken fluency in a foreign language My mission to learn Italian in 3 months Stephen Krashen on Language Learning in the Polyglot Community Where to find native speakers to practice speaking with The Silent Way (developed by Caleb Gattegno) The Communicative Approach (a.k.a. Communicative language teaching or "CLT") Free Download: StoryLearning Kit Click below to get free access to my StoryLearning Kit and discover how to learn a new language quickly and naturally through stories: https://iwillteachyoualanguage.com/kit Do You Have A Question? This show exists to answer your language learning questions! Send me your questions by visiting: https://www.iwillteachyoualanguage.com/ask ...and I'll do my best to feature it on the show! Leave a Review If you'd like to support the show, the best way to do that is to: Leave an honest review of the show wherever you get your podcasts. (You can normally do this within the app you're using.) Share this episode with a friend (use the share buttons on your screen) My Language Courses If you're learning a new language, or improving an existing one, then check out my language courses. From complete beginner courses, to grammar and listening training, I've created unique, story-based programmes to help you reach you language goals. Please visit: https://www.iwillteachyoualanguage.com/language-courses-select-your-language --- Send in a voice message: https://anchor.fm/iwillteachyoualanguage/message

Subscribe on Spotify ∙ Stitcher ∙ Apple ∙ Pocket Casts ∙ Google ∙ TuneIn ∙ RSSGav and Tom listen to Side B of In A Silent Way, a milestone album in the music of Miles Davis and a monument marking the beginning of the era of jazz-rock.Media discussed in the show.In the case of recordings, if it says “available in all formats”, that usually means that it's been repressed on vinyl recently. “Available in most formats” will mean that the record is available as a CD, on Spotify or, as a last resort, on Youtube; vinyl will usually be available secondhand through Discogs or your friendly neighborhood record shop.RECORDINGS* 1969 Miles Davis - The Complete “In A Silent Way” Sessions - Sony These are in a boxed set of three CD's for, I kid you not, 129 US dollars on Amazon, although they can be found online for around 50. The complete material is available to stream for the usual Price. The version of “In A Silent Way” that was issued in 1969 is available in all formats.* 1968 Miles Davis - Miles In The Sky - LegacyEasily available in all formats* 1968 Miles Davis - Filles de Kilimanjaro - LegacyEasily available in all formats* 1981 Miles Davis - We Want MilesEasily available in all formats* 1964 Miles Davis - Miles Davis Live in Europe. Columbia (and others)Easily available in most formats.* 1967 Miles Davis - Circle in the Round (Album released 1979)Still available in most formats.* 1985 Miles Davis - Aura (Album released 1989)Available on most formatsYOUTUBE* Miles Davis- Live in Tokyo 1981The band that made “We Want Miles” on Japanese TV. Taken from a VHS, but quite acceptable sound quality.* It's About That Time - The Evolution of the Groove 2007A remixed version of the track, featuring Santana. By all rights, we should hate this, but we really love it!* 1968 Gordon Beck Quartet - Experiments With PopsOriginally released on Major Minor Records in the UK, was remastered and released on CD by CD Baby in the UK and in the US by Art of Life Records. Well worth a listen. A good candidate for a re-release on 180 gram vinyl, if anyone's looking for an idea for a Record Day Drop!* Danny Thompson Trio BBC 1967It looks like this, or something like it, was released on CD but might now not be available. There is, however, a video on YouTube at the moment, a BBC broadcast and well worth a listen.* Frank Zappa - Joe's Garage, Acts 1,2,3. 1978. Zappa RecordsAvailable in any format.* Frank Zappa - Shut Up An' Play Yer Guitar 1981. Zappa RecordsAvailable in any format.* Ilhan Mimaroglu/Freddie Hubbard- Sing Me A Song Of Songmy - Atlantic 1971Was out of print for a while, but is now available in CD and Vinyl format, but you need it in vinyl so that you can read the interior of that gate-fold inner sleeve!* Jon Hassell - Last Night the Moon came dropping its Clothes in the street - ECM Records 2008Available as stream or mp3 download - CD and Vinyl commanding impressive prices secondhand!BOOKS , INTERVIEWS AND OTHER MEDIA* Miles - The Autobiography. Miles Davis with Quincy TroupeSimon and Schuster. 1989* So What: The Life of Miles Davis. John SzwedArrow Books. 2002* Interview with John Mclaughlin about the recording of "In a Silent Way"Subscribe to Gas GiantsRSS https://api.substack.com/feed/podcast/311033.rss This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com

Our Three Albums: Stand! by Sly and the Family Stone; In a Silent Way by Miles Davis; Nashville Skyline by Bob Dylan

This content is for Members only. Come and join us by subscribing here In the meantime, here’s some more details about the show: It’s a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he’ll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 29th April 2021 Artist - Track - Album - Year Eric Goletz    Cat on the Corner    Into the Night    2021 Ben Patterson    Fear is the Mind-Killer    Push the Limits    2021 Jennifer Wharton's Bonegasm    La Otra Mano    Not a Novelty    2021 Charlie Sepúlveda & The Turnaround    Tales from the Wall    This is Latin Jazz    2021 Ulysses Owens Jr Big Band    Beardom X    Soul Conversations    2021 Vincent Herring    Minor Swing    Preaching to the Choir    2021 Rahsaan Barber    Quarantine Queens    Mosaic    2021 Michael Wolff    Falling Down    Live @ Vitellos    2021 Don Braden/Joris Teepe Quartet    Butterfly    In the Spirit of Herbie Hancock: Live at 'De Witte'    2020 Tobias Meinhart    Movement    The Painter    2021 Tony Monaco/Hendrik Meurkens/Reid Hoyson/Mark Lucas    Aglio e Olio    Strollin'    2021 Michael Waldrop    Three Mediterrean Views: Léon de Palamidi    Time Frames    2021 Wolfgang Lackerschmid    Latino Blue    Lockdown Releases    2020 Michael Waldrop    Three Mediterrean Views: Notte a Venzia    Time Frames    2021 Lücker Schickentanz    Catherdral    Suspicion About the Hidden Realities of Sound    2021 Michael Waldrop    Three Mediterrean Views: Château D'If    Time Frames    2021 Kari Ikonen    Trance Oriental    Impressions, Improvisations and Compositions    2020 Machine Mass Sextet    In a Silent Way    Intrusion    2021 The post The Creative Source (#CreativeSource) – 29th April 2021 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

CAPTAIN BILLY’S MAGIC 8 BALL A new series created by William Mesnik, the mind behind “Mesmerized”. "MY BEST ACID TRIP" EPISODE #5: IN A SILENT WAY by Miles Davis (Columbia, 1969)

A show in tribute to the late, great Chick Corea. Wear headphones.  Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Sorceress - Instrumental by Return To Forever on Romantic Warrior (Sony) 5′00″ Vulcan Worlds - Live by Return To Forever on Returns (Eagle Rock) 21′00″ In a Silent Way by Miles Davis on In A Silent Way (Sony) 40′50″ Con Alma by Stan Getz; Chick Corea; Bill Evans on Sweet Rain (UMG) 53′12″ 500 Miles High - Live by Chick Corea; Christian McBride; Brian Blade on Trilogy 2 (Live) (Concord Jazz) 64′27″ Night Sprite by Chick Corea on The Leprechaun (UMG) 72′44″ Petits Machins (Little Stuff) by Miles Davis on Filles De Kilimanjaro (Sony) 84′06″ Sundance by Chick Corea on The Complete "Is" Sessions (Capitol) 94′00″ Wake-Up Call by Chick Corea; Steve Gadd on Chinese Butterfly (Stretch Records) 112′00″ The Continents by Chick Corea & Tim Garland on Complete Chick Corea On Deutsche Grammophon (Deutsche Grammophon) 124′03″ I've Got The World On A String - Live by Chick Corea; Bobby McFerrin on The Musician (Live) (Stretch Records) Check out the full archives on the website.

1. The Silent Way 教學法 2. 將太的壽司

Jazzvaneio 03, Imersão em quatro atos: Álbuns Década de 70Ato Terceiro: Charles Mingus “Let My Children Hear Music”Terceiro de quatro PodCast que propõem uma desafiadora imersão aos anos 70. Um homem e sua inexorável ânsia de expandir a linguagem da música e da composição improvisada pelos próprios alicerces do Jazz às últimas consequências. Um subversivo e visionário Charles Mingus precipita-se a tal empresa como um Colosso em plena comunhão com a “Terra” e suas raízes. Um impiedoso e ambíguo emaranhado de maiúscula sofisticação irmanado a um “primitivismo” não isento de crueza. “Let My Children Hear Music” é um manifesto compositivo que ainda assombra e apaixona impunemente os amantes de música. Uma obra de arte ímpar, estamos em 1972...Preparem-se!Album: Charles Mingus “Let My Children Hear Music” 1972 - Columbiawww.charlesmingus.comAto gravado no dia 15 de Setembro de 2020Texto da “The Chill of Death” Charles Mingus “Let MY Children Hear Music”:“The chill of death as she clutched my hand.I knew she was coming so I stood like a man. She drew up closer, close enough for me to look into her face, and then began to wonder, "Haven't I seen you some other place?" She beckoned for me to come closer as if to pay an old debt. I knew what she wanted; it wasn't quite time yet. She threw her arms about me as many women had done before. I heard her whisper, "You'll never cheat me, never anymore." Darkness and nothingness clouded my mind. I began to realise death was nothing to fear but something sweet and kind. I pinched to see if I was dreaming but failed to find bodily form. I then began to realize death had worked her charm. Taking myself of nothingness I chose a road to walk. I noticed death's pleasantness with no one to stop me to talk. I remembered stories of heaven as I envisioned the glory ahead. Two roads lay waiting for me to choose one now that I was dead. One road was dark; I could not see clearly such long stretched highway. The other road was golden and glowing, and shined as bright as day. I then remember stories of pearly gates, golden streets... or how... however those stories are told. I knew I'd reach heaven on this highway. If not, I'd have the gold. I took one footstep feeling safe and acting bold. Suddenly, I realised my mistake. My chosen road turned black, bittery, and white cold. No longer was it golden glory nor heaven that it's in. White hot flames were blazing; I saw the devil with his grin. I had taken but one footstep so I turned to hurry back. But there a sound more waited, not a door, nor a crack. Finally, coming to my senses, I walked on to my hell. For long before death had called me, my end was planned. Planned, but well”.Outras Referências Artísticas e “culturais” (por ordem de menção): Third Stream (movimento que buscava a incorporação de influências da música de câmera e sinfônica clássica ao Jazz nos anos 70), Pithecanthropus Erectus (Álbum do Charles Mingus), The Clown (Álbum do Charles Mingus), Mingus Ah Um (Álbum do Charles Mingus), The Black Saint and The Sinner Lady (Álbum do Charles Mingus), Joni Mitchell (Músico), Mingus (Álbum da Joni Mitchell), Herbie Hancock (Músico), Wayne Shorter (Músico), Teo Macero (Produdor Musical), Bitches Brew (Álbum do Miles Davis), In a Silent Way (Álbum do Miles Davis), Kind of Blue (Álbum do Miles Davis), Time Out (Álbum do Dave Brubeck), Miles Davis (Músico), Federico Fellini (Diretor de Cinema), Mr. Bungle (banda de Rock), Cardiacs (Banda de Rock), Duke Ellington (Músico), Edgard Varèse (Músico), Arnold Schoenberg (Músico), Pierre Boulez (Músico), Olivier Messiaen (Músico), Glenn Miller (Músico), Charlie Parker (Músico), Tidal (Plataforma de Streaming), Godfather (Filme Dirigido por Francis For Coppola), Nino Rota (Músico), The Halls of Fear (Música da trilha sonora do filme Godfather de 1972), Frank Zappa (Músico), Studio Tan (Álbum do Frank Zappa), The Adventures Of Greggery Peccary (Música do Frank Zappa) eBaratos Afins (Loja e Selo Musical de São Paulo).Contato: info@jazzvaneio.com

Jazzvaneio 03, Imersão em quatro atos: Álbuns Década de 70Ato Primeiro: Introdução aos 70 e Mahavishnu Orchestra “Inner Mounting Flame”Primeiro de quatro PodCast que propõem uma desafiadora imersão aos anos 70. Visualizamos aqui o contexto do Jazz na década, sua “permeabilidade” artística e capacidade de transformação como propulsores de uma “nova” e inspiradora era musical. Em “choque” adentramos no período com o avassalador e não menos perturbador “Inner Mounting Flame” de um ainda jovem e espiritual John Mclaughlin e seu Mahavishnu Orchestra. Inconsequente, esta obra não deixou pedra sobre pedra ou indiferença pelo caminho. Estamos em 1971...Respiremos!!Album: Mahavishnu Orchestra “Inner Mounting Flame” 1971 - Columbiahttp://www.mahavishnuorchestra.com/Ato gravado no dia 10 de Setembro de 2020Poema inspirado em “A Lotus On Irish Streams”: “Esta obra é para mim um poema, uma chama de profunda e desconhecida nostalgia e tristeza. É um lamento prostrado invocado pela observação da beleza ao diluir-se, um pranto interior oco ao desaparecer de uma inspiração no horizonte e a desconexão eterna de duas mãos entrelaçadas nas memórias do tempo. O lamurio se concebe num sublime conjunto de tranças e danças em trio de piano/teclado, guitarra acústica e violino. Deixo ao ouvinte a batuta interpretativa aqui, não tenho a audácia de dizer nada mais ante tamanha sensibilidade” Marcelo Linuesa Outras Referências Artísticas e “culturais” (por ordem de menção): George Martin (Produtor Musical), Phil Spector (Produtor Musical), Beatles (Banda de Rock), Jimi Hendrix (Músico), The Who (Banda de Rock), Rolling Stones (Banda de Rock), Miles Davis (Músico), Frank Zappa (Músico), Igor Stravinsky (Músico), Gustav Mahler (Músico), Claude Debussy (Músico), Arnold Schoenberg (Músico), Alban Berg (Compositor), Edgard Varèse (Músico), Joao Gilberto (Músico), Stan Getz (Músico), Leonard Bernstein (Músico), West Side Story (Musical composto por Leonard Bernstein e libreto de Arthur Laurents), Al di Meola (Músico), Mainstream (no contexto da música, são trabalhos reconhecidos como “convencionais”, de grande popularidade e sucesso econômico), Yes (Banda de Rock), Billboard (classificação de álbums e músicas baseada em estatísticas de vendas e popularidade), Genesis (Banda de Rock), King Crimson (Banda de Rock), Don Puluse (Engenheiro de Som), Pro Tools (estação de trabajo de áudio digital), Disney (Multinacional norte-americana de Entretenimento), Tony Williams (Músico), In a Silent Way (Álbum do Miles Davis), Bitches Brew (Álbum do Miles Davis), Live-Evil (Álbum do Miles Davis), (Álbum do Miles Davis), On the Corner (Álbum do Miles Davis), My Goal is Beyond (Álbum do John McLaughlin, Sri Chinmoy (Líder espiritual Indiano), Dreams (Banda de Jazz), Randy Brecker (Músico), Michael Brecker (Músico), John Abercrombie (Músico), Sarah Vaughan (Músico), Elvin Jones (Músico), Jeremy Steig (Músico), The Flock (Banda de Rock), The Flock (Álbum do The Flock), Dinosaur Swamps (Álbum do The Flock), Larry Coryell (Músico), Joe Zawinul (Músico), John Coltrane (Músico), Charles Mingus (Músico), Islands (Álbum do King Crimson), Carlos Santana (Músico), Red (Álbum do King Crimson) e Hot Rats (Álbum do Frank Zappa).Contato: info@jazzvaneio.com

Chick Corea Time Warp - Álbuns Década de 90 (Part 3)Jazzvaneio 01, Expedição em quatro atos: Álbuns Década de 90Ato Terceiro: Chick Corea “Time Warp”Terceiro de quatro PodCast que compõem uma casual expedição aos anos 90. Pode a concepção artística humana deflagrar uma distorção no tempo e espaço? Quem sabe um salto? Um túnel? Um magistral Chick Corea, através do seu engenhoso “Time Warp”, nos propõe uma reflexão sobre a transcendência do exercício da criatividade em nossas relações com o passado, presente e futuro.Album: Chick Corea “Time Warp” 1995 - GRPhttp://chickcorea.com/Ato gravado no dia 16 de Julho de 2020Outras Referências Artísticas (por ordem de menção): Now He Sings Now He Sobs (Álbum do Chick Corea), Bitches Brew (Álbum do Miles Davis), In a Silent Way (Álbum do Miles Davis), Iron Maiden (Banda de Rock), Steve Harris (Músico), Innocent Exile (Música do Iron Maiden publicada no álbum Killers), Michael Brecker (Músico), Eddie Gomez (Músico), Steve Gadd (Músico), Paco de Lucía (Músico), Wolfgang Amadeus Mozart (Músico), Bobby McFerrin (Músico), Return to Forever (Banda de Jazz/Rock), Neil Peart (Músico) e All Music (Página Web dedicada a música).Contato: info@jazzvaneio.comPodcast gravado no dia 16 de Julho de 2020

Jazzvaneio 01, Expedição em quatro atos: Álbuns Década de 90Ato Primeiro: Introdução e Michael Brecker “Tales From the Hudson”Primeiro de quatro PodCast que compõem uma casual expedição aos anos 90. Inclui, introdução e reflexões à esmo sobre o Jazz nesta década e uma deambulação pelas margens do Hudson em companhia do “enorme” Michael Brecker e o seu brilhante “Tales From The Hudson”.Album: Michael Brecker “Tales From the Hudson” 1996 - Impulse!http://www.michaelbrecker.com/Ato gravado no dia 16 de Julho de 2020Outras Referências Artísticas (por ordem de menção): Lost Tribe (banda Jazz), Nirvana (Banda de Rock), US3 (Banda de Jazz/Rap), Nas (Músico), Kendrick Lamar (Músico), Miles Davis (Músico), Chet Baker (Músico), The Beatles (Banda de Rock), Led Zeppelin (Banda de Rock), Jimi Hendrix (Músico de Rock), Bitches Brew (Álbum do Miles Davis), In a Silent Way (Álbum do Miles Davis), Head Hunters (Álbum do Herbie Hancock), Mahavishnu Orchestra (Banda de Jazz/Rock), Return to Forever (Banda de Jazz/Rock), Weather Report (Banda de Jazz/Rock), Brian Eno (Músico), David Bowie (Músico), King Crimson (Banda de Rock), Chick Corea (Músico), Herbie Hancock (Músico), Living Colour (Banda de Rock), Time´s Up (Álbum do Living Colour), Charlie Parker (Músico), Duke Ellington (Músico), Dizzy Gillespie (Músico), André Cristovam (Músico), Pat Martino (Músico), Yes (Banda de Rock), Rolling Stones (Banda de Rock), Nearness of You (Álbum do Michael Brecker), In Absentia (Álbum do Porcupine Tree), Iron Maiden (Banda de Metal), Mind Games (Álbum do John Lennon), Paul Simon (Músico), James Taylor (Músico), Elton John (Músico), Joni Mitchel (Músico), Zappa in New York (Álbum do Frank Zappa), Randy Brecker (Músico), Parliament (Banda de Funk), Branford Marsalis (Músico), John Coltrane (Músico), Filles de Kilimanjaro (Álbum do Miles Davis), Scriabin (Música gravada por Michael Brecker em seu Álbum Don´t Try this At Home) e Pilgrimage (Álbum do Michael Brecker).Contato: info@jazzvaneio.com

Coming to America: "I came here at the invitation of Tony Williams. Who even today, nobody plays like Tony. The closest drummer to Tony today is Cindy Blackman. I'm over there in Europe. Lets not equate the European Jazz scene with the American Jazz Scene. Today there's a lot more balance between the two continents but in the sixties it was America. You have no idea, since I was fifteen all I dreamt about was going to New York, New York NEW YORK! Not only New York but Harlem! That was the heart of jazz, that's where jazz was born and that was my music. First of all when I arrived in America I nearly kissed the ground. Tony met me at the airport and he was playing with Miles that night up in Harlem so the first day I'm in Harlem and I meet Miles and the next day I saw him again and he invited me to play on "In a Silent Way." How lucky can you get! It's like your dream coming true- literally. I was really struggling to survive but Miles helped more then anyone. He put money in my pocket, he'd say, "make sure you eat. Get by and pay your rent." Working with Tony in those days playing clubs we were making $20 a night. But I was welcome from an artistic music point of view. Jazz has always been marginal. Miles made money, Coltrane made money they were the big jazz stars, not fortunes like the pop people never the less good earnings, records. Surrender- "No one ever said it was easy, man. To be a free spirit in the true sense of the word you have to surrender to just what happens around you. You cannot fight what is, the effort of trying to fight what is is a waste of time. The only thing we can change in my opinion is ourselves. The power of dedication, the power of perseverance are all related to how much you love what you do. How much you care about what you do and how much attention you give to that. In a way what's outside is what it is. We cannot control what is going on outside. We have to surrender to life as its dealt us. You know what Im saying. You don't know how many different jobs I had do you? Driving Trucks, selling instruments, repairing instruments, selling cameras, selling Caviar to a London Hotel. Any number of driving jobs I've had. This is the life of a jazz musician. I never drive a taxi though. I had a lot of jobs just to keep body and soul together.i don't regret it for a second. Whatever happens to us it's part of what should happen to us. If something happens to you, it sounds hard but you have to welcome it at some point. I've had a lot of rough things happen to me but people don't want to know what life was like before I became a public figure. They don't really care to tell you the truth. It's all about whether it makes you or whether it breaks you." --- Support this podcast: https://anchor.fm/jake-feinberg/support

..Miles in the Sky è allo stesso tempo il primo album di Davis in cui fanno la loro comparsa strumenti elettrici, e l'ultimo realizzato dal quintetto con Shorter, Hancok, Carter, Williams; in questa fase comincia anche a perdere peso nella musica di Davis Wayne Shorter come compositore: in Miles in the Sky c'è un solo brano di Shorter, Paraphernalia. Né in Filles de Kilimanjaro né in In a Silent Way ci sono brani di Shorter: per trovarne di nuovo uno bisogna aspettare Bitches brew, a cui Shorter contribuisce con Sanctuary. Shorter suona per l'ultima volta nel gruppo di Davis nel marzo del '70. Joe Zawinul, che Shorter conosce dalla fine degli anni cinquanta, quando entrambi erano nell'orchestra di Maynard ferguson, e che poi Shorter alla fine degli anni sessanta si è ritrovato collaboratore di Davis, nel gennaio del '71 lascia dopo dieci anni il gruppo di cannonball Adderley. Intanto Miroslav Vitous viene richiesto da Miles: non può, ma si fa poi vivo con Shorter e Zawinul con l'idea di formare un nuovo gruppo: è l'inizio dell'avventura dei Weather Report.

Another classic "Mobile Fidelity Sound Lab - UDSACD 2088" CD experience from the original master tapes recorded for "One Side At A Time". Here you find full length lp sides from all music genres with my lovely mumbu-jumbo comments. So the listener can understand how each song is connected (mix, production, song, concept, tension) and engineered to become one lp side. RadioPublic: https://radiopublic.com/lets-get-lost-GybqoZ Podcast.de: https://www.podcast.de/podcast/791768/ Patreon: https://www.patreon.com/Lets_Get_Lost

Lots gets said about the value of graded readers, but how can teachers use these in class? We speak with Diploma in TESOL course director Anne Carmichael about using graded readers with students at different levels, how teachers can integrate different skills using graded readers and how teachers can deal with new language from the texts.Ross Thorburn: Hi, everyone, welcome back to "TEFL Training Institute Podcast." This week, we're talking about using literature to teach language. We've talked on the podcast before about using graded readers to help students learn.In this episode, we'll go into a bit more detail about how to actually use a graded reader with a class, almost in a way like you'd use a course book. To do that, we have Anne Carmichael.Anne started off as a teacher in the 1960s. She's taught multiple languages. Since 2008, she has run TESOL Training Scotland, running Trinity diploma and TESOL courses around the world. Anne is based in Aberdeen in Scotland.In this episode, Anne tells us about her experiences, basically throwing out her course book and replacing it with graded readers with her students. Lots of great ideas in this one for activities, for using graded readers to teach language. Enjoy the interview.Ross: Hi, Anne. Tell us about using literature in language classes. We're not talking here about just passing out the original copies of Jane Eyre to the student, are we?Anne Carmichael: No, but they got the B1 version of it, which is still in print, I've checked. It now has ‑‑ which you didn't then ‑‑ an audio version. At the time, these were classes for more casual English learners.Aberdeen had so many incomers with the oil business. Mostly, they were the oil lives, but they were really keen to improve their English, most of them to integrate into the community. I had the idea that our lessons were residing in a course book too much. One day, I'd said to them, "How about we actually read a proper classic English novel, say by Jane Austen?"Now, many of them had heard of Jane Austen. Many of them had perhaps read her in French translation. They all agreed that they would buy a copy. I got the bookstore to make sure they had enough copies.I thought, "Well, each week we can take a different chapter and we can deal with it in a different way." For example, picking out, initially, ideas and reactions to chapter one and feelings. I felt, "Well, what these ladies most need is to somehow relate to feelings, emotions, even the literature, even the writing itself and relate to the characters and so on."We would deal with that. It would be a little bit like a bond tie because one emotion would spark off vocab or more and more experiences. They could describe a time when they had felt overwhelmed. That would be perhaps one response to a chapter.Another chapter, we might look at in terms of narrative and using the past tenses, anecdotes about moving house because Jane had to move from her aunt's rather luxury house to a horrible school, or going to school, things like that, so first impressions of school. We could relate it to that and also enjoy the literature.We could do a little bit of prediction, so predictive stuff. We could also do role play. For the first time, Jane encounters Rochester. We could get the ladies up acting it out, perhaps making up a little bit more of the dialog themselves and learning it.They would write it all down and script it, and then learn it and then come out to the front and perform it. We could then say imagine you were looking at this in a film. I don't think there was a film of Jane Eyre at that point. I'm going back a bit but who would you choose to act in it? Who would be the heroine? Who would be the hero in that film?We would discuss who the best actors at that time were and so on. Perhaps do a mock film review, or disagree or agree with one another, "No, I don't think Meryl Streep would be the best person to act Jane. I think you need somebody thinner and more sad‑looking," or something like that.That again developed. If you were to set it in a film, what background music would you use? If you were looking at old paintings, for example, what paintings would most reflect that particular chapter or scene that you were reading about? They would think about that. They would come with ideas.It was actually developing it in far wider than just the story itself, but including the language and enabling the ladies to express their feelings, emotions, opinions about literature, film, life in general, moving to Aberdeen. How it was different from living in their home countries, for example.Ross: For me, one of the challenges of using semi‑authentic materials like that is finding some language to focus on. Unlike in a course book, obviously in a graded reader, you won't have 30 examples of the past continuous in chapter one and then a dozen examples of the present perfect in chapter two.It's not always so easy to find something to focus on. Do you want to tell us a bit more about how you can use graded readers and really focusing on some language point?Anne: Obviously, it's particularly good for narrative. For the narrative tenses, it's very, very good. For the writing, that spills over into written reviews or written summaries of a chapter.You can also do it written as predictive. I think, next week, [laughs] Charlotte will etc., etc., or I think the strange person in the attic will. [laughs] It's completely possible. Nothing is impossible. That's my philosophy anyway.It can be made relevant and interesting, and yet follow a theme and instructional because they're dealing with English literature. You could do it with Emma. You could do it with Joseph Conrad. There are so many of these lovely really well‑adapted readers that you can use for that.Ross: How then did you deal with new and unfamiliar words when you were teaching then? I think there's those rules that say that students need to know about 98 percent of the words in the text if they're going to be able to understand what they read. How did you make sure that students didn't get lost without too much new vocabulary?Anne: I might have perhaps pre‑taught some of the vocabulary before we went on to a new chapter. In those days, it wasn't so much getting the students to work it out for themselves. In those days, pre‑teaching was quite the fashion.It would have been based on what had gone before, so predicting, and then providing vocab lexis, perhaps expressions that I knew would be coming up in the next chapter.Pre‑teaching is great but not in a sort of table ‑‑ here are 10 words, here are 10 definitions, match them up. Not cold quite like that but as some kind of warmer and elucidation where possible.I also think it needs to be done in some kind of context, so you might be able to elicit some of the vocab through a well‑judged warmer. It can be very useful because if the students are being exposed to that within the last three or four minutes, then they're probably going to remember it when they actually hear it.All that needs to be recycled and elicited at the end so that the grasp can be assessed, that they've actually got it and also that they can pronounce it properly. Obviously, it'd be on the board, it would be transcribed probably, and that it can be personalized.Ross: Those were obviously slightly higher, maybe intermediate students. Do you want to tell us about using literature with lower level learners?Anne: I had another group, also in the '70s, of Vietnamese refugees. Now, they should be in the boat people and for them, I chose Grace Darling. Many of them were near beginners, certainly elementary by the time we had them.It was very personalized. It was very effective and I suppose to some degree with these beginners elementary, quite integrated in a way. I didn't expect them to read or write. It was purely listening and speaking.A lot of them were in a family, so some of their ages range from probably 15 or 16 to about in their 70s. They came as a family and that was security for them. I thought, well, Grace Darling.It's not too threatening about a disaster at sea but it is about a ship wreck, and some of them had been shipwrecked. It is again about feelings and emotions and responses and rescue, and I wanted them to be able to use that when they were talking to their social workers and so on.They couldn't all read. I would sometimes read aloud, and they would simply listen. It was really a facilitating device, again, to compare and contrast their lives at home with their new lives here, which were very difficult, for some of them at the start, adapting.You could barely imagine...You can imagine, you can but many people couldn't. The social workers, I didn't think could. It was important for them to have that resource if you like to draw on and to be able to express.Some of them had been so abused as well during their boat journeys, some of the girls especially. It was hard but they seemed to be happy to talk about it. It was a very protective, very closed little group. That was also very rewarding, and they liked the story. They like the bravery of the rescuers, which again they could relate to.That went on for quite a number of weeks. We ran that maybe 10 weeks for a term. We ran that story and developed it. They could tell the story back, and then they could tell their own stories.Ross: What I found really interesting there, Anne, is that I've heard from teachers who also teach vulnerable people like refugees that usually take great care to avoid any sensitive topics with their students.For example, even just things like talking about family, which is really common topic in the course book. You might want to avoid with groups like that because it's very likely that maybe someone in their family has died.With your example, it sounds like you did the opposite. You really chose the book because it did involve talking about something that was sensitive but also relevant to the students.Anne: They need to speak about it. What I would be very sensitive of, because this happened to me once in a formal Cambridge interview. When I was actually doing the interview, there was a pair of candidates, and I showed them a picture.It was a picture of a beautiful little wooded glade, a beautiful little scene with kind of Greek pillars in it. They were asked to comment on it and reflect what they feel. One of the candidates simply got up and ran out of the room in terrible distress.I paused the interview and told the supervisor, and then went on with the next candidates. Towards the end of the day, I found out that one of the candidates had been in a dreadful situation where she had seen an atrocity take place in a glade very similar to that.That's always stayed in my mind, always, when dealing with traumatized students that you cannot predict what will trigger a response.Ross: Something I noticed whenever I read anything aloud to students is that I tense is a grade whatever I'm reading as I'm reading it. Did you do anything like that when you were reading? How did you go about reading out the text out loud? Any tips there for teachers?Anne: When I was reading aloud, I didn't do gapping or anything like that, especially with beginners. It was sentence by sentence and pausing. Ross, this is something I'm so keen on, is pausing.This is coming from Silent Way but I was doing it before [laughs] I'd read about Silent Way ‑‑ to let the language sink in. People need time to process. I discovered that pretty early on in my teaching. I would always be quite measured and allow time. Just count to three in between sentences for that to sink in.I might even just say "Everybody OK" or give a look or gesture, "Everybody OK with that?" before I would move on. If it's a live listening or an audio, especially audiotape, it's so difficult being deaf. One of the things I so need is to lip read as well. Students can benefit from that as well.Ross: That's so interesting what you say about reading people's lips there, Anne. I found recently with going to meetings at work in Chinese that happened over the phone, I found those so much more difficult to understand than if it's a meeting that I'm in face to face.It also must be the same for students and probably find listening to audio more difficult compared to a live reading or something.Anne: You've hit the nail on the head, Ross. Absolutely. Knowing that this was one of the drawbacks of the audio lingual, that they couldn't see the speakers, they could only hear them.I've even had deaf students in the class and I'm always very careful to face them or anybody who's maybe a wee bit slower to process language. It's a good thing to actually turn round to face them, maybe slow down, just a fraction, keeping it natural but slow down a fraction, and repeat, and check. Again, just that little nod, "Is that OK?" to check.Ross: One more time, that was Anne Carmichael. For more about Anne, check out her website, tesoltrainingscotland.co.uk. Thank you again to Anne for joining us. If you'd like to find more of our podcast, please go to our website www.tefltraininginstitute.com. We'll see you again next time. Bye‑bye.

Our tag team of hosts – Miss Dom, Dr Mark Baynes and Frances Chan – bring you some local gems in The Lockdown Sessions plus some classic 70s jazz and new releases.   Kim Patterson – Peace Ollie Holland – Song for Eeyore Ollie Holland – The D Minor Jam Ben Fernandez & Josh Fernandez –Lock’n’roll Tuxedo Swing Duo – Black Coffee Dan Sperber – Something About Clouds in 7/4 Time Allana Goldsmith – In a Silent Way Allana Goldsmith & Mark Baynes – Tipuna Brian Smith – You Don’t Know What Love Is Henrique Morales – Dark Cloud Tom Dennison – Dewey Square Mark Baynes – Midnight Mambo Duda Moleque – Maracatu Tarcisio Santos – All Feeling (Quarantine Style) - - Bill Withers - Let Us Love The Sorcerers - Opening titles Addis Acoustic Project - Enigenagnalen (We Shall Meet Again) Dr. Lonnie Smith - Spinning Wheel Junius Paul - Baker’s Dozen Clear Path Ensemble – Sacred-7 Manu Dibango - Ceddo Alfa Mist ft. Jordan Rakai - Door Linda Oh – Au Privave Jack Wilkins - Red Clay Thundercat ft. Louis Cole - I Love Louis Cole    

You can find episodes on frondsradio.com and be sure to subscribe on iTunes, Google Play, Stitcher, or wherever you get your podcasts. If you have any suggestions or thoughts, my twitter handle is @stoopkidliveson and I’d love to hear from you. You can find Ryan’s band, Premium Heart, on facebook, twitter, or instagram for upcoming releases and shows. The original column was published on January […]

Whoa!.....uploading 2 shows in the last 2 days! This show was broadcast @ Homegrownradionj.com on Monday 2/3/2020*Opening Salvo - the Usual Suspects- The Contours - First I look at the purse [Gordy 1965] 45 rpm*Bed: Rolling Stones - 2120 S. Michigan AveSet 1: Love, Police and Funk- Everly Brothers - The price of love [Warner Bros 1965] 45 rpm*Soundbite: Mystery Date-The Easybeats - I'll make you happy [Parlophone 1966] EP - Easy Fever*DRR ID- The Equals - Police on my back [President 1967] 45 rpm- The Clash - Overpowered by funk [Epic 1982] LP - Combat Rock*Bed: see aboveSet 2: Dark Fortunes- Tony Jackson & the Vibrations - Fortune Teller [Pye 1965] 45 rpm- Sidney Bechet & the Haitian Orch. - Under the palm trees [Harlequin 1985] LP - Jazz & Dance in Martinique- Pastor John Rydgren - Move out in style [Private Press 1968] LP - Silhouette Segments- Rex Garvin & the Mighty Cravers - Emulsified [Okeh 1961] 45 rpm- Leonard Cohen - You want it darker [Columbia 2016] LP - You Want It Darker* Bed: see aboveSet 3: Want & Heartache- The Kinks - You still want me [Pye 1964] 45 rpm* Marvin Gaye for Teenbeat- Paul Butterfield Blues Band - One more heartache [Elektra 1967] 45 rpm** The Onion Radio News- Bo Diddley - I'm sorry [Checker 1959] 45 rpm- The Eels - What's a fella gotta do [Vagrant 2009] LP - Hombre Lobo*Bed: see aboveOver and Out:- Miles Davis - It's about that time [excerpt] [Columbia 1969] LP - In a Silent Way

On 30 July 1969 Miles Davis released "In a Silent Way". After influencing generations of musicians, its tracks continue to sound as modern 50 years later as when they were first recorded. This week we celebrate the musical trail blazed by that seminal album by focusing on musicians that have embraced Miles' electric legacy. The playlist features Hot Club of Detroit; Médéric Collignon; Don Byron; Animation; Betty Davis; Henry Kaiser, Wadada Leo Smith; Bill Evans; Miles Davis; Jeff Ballard; Yazz Ahmed; Dave Douglas; Mat Maneri; Enrico Merlin; Mark Isham; Jon Hassell; Nicholas Payton; Erik Truffaz; Ben Neill; Nils Petter Molvær; Martux_m. Detailed playlist at https://spinitron.com/RFB/pl/9195145/Mondo-Jazz Photo credit: Lee Friedlander.

Radio Jazz studievært Brian Petro hylder et af jazzhistoriens mest betydningsfulde værker: Miles Davis – In A Silent Way fra 1969, som i 2019 kan fejre 50 års jubilæum. Albummet markerede starten på en stor æra i jazzen, hvor jazz og rock smeltede sammen på en måde, man ikke havde hørt før, og det satte for alvor gang i en bevægelse, der eksploderede op gennem 70´erne: Jazz rock fusionen. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

Upon its release, the album was met by controversy among music critics, particularly those of jazz and rock music, who were divided in their reaction to its experimental musical structure and Davis's electric approach. Grady has a lot to say and Rob thinks he is starting to like Jazz.

Com destaque para grandes álbuns de Miles Davis (In a Silent Way) e Frank Zappa (Hot Rats), conversamos

Our next Dreamcast „My Silent Way“ is coming from our very close Family member Leo. Listen to this dreamy trip!!! Artwork: AF

1. Jacques Dutronc - Les rois de la réforme (France) 2. The Plastic People of the Universe - Podivuhodn‡ mandarin (Czechoslovakia) 3. Piero Umiliani - Synthi Boogie (Italy) 4. Osanna - Non Sei Vissuto Mai (Italy) 5. Joe Zawinul - In A Silent Way (Austria) 6. Les Rallizes Denudes - Strung Out Deeper Than The Night (Japan) 7. Ghédalia Tazartès - Casimodo Tango (France)

In A Silent Way, l'Odyssée électrique de Miles Davis     Ci-dessus: Miles Davis joue en live un extrait de In A Silent Way en 1970.   Cette semaine dans 59 Rue des Archives, nous célébrons les cinquante ans d'un disque qui a tout changé. Lorsqu'il franchit la porte du “Columbia Studio B” de New-York, au matin du 18 Février 1969, Miles Davis ne se doute pas qu'il va ouvrir la boîte de pandore : Claviers, orgues, guitare ? C'est un déluge d'instruments électriques qui s'abat sur je jazz ! Enregistré avec un groupe sensationnel, “In A Silent Way” va réussir cette prouesse de dynamiter les codes tout en douceur: Climats aériens, couleurs chatoyantes et mystérieuses comme une pluie de néons ? “In a Silent Way” serait en quelque sorte le “Kind Of Blue” électrique, préquel au mythique Bitches Brew et pavant la voie pour toute la fusion des années 1970. Pensé par Miles Davis avec son producteur Teo Macero, un chirurgien de la bande magnétique, "In A Silent Way" va changer la donne… Et faire dire à un fameux critique de Rolling Stone : “Ce disque est l'un de ceux qui vous donnent foi dans le futur de la musique”. Étagère n°4... Boite n°1… Dossier MD1969… In A Silent Way, l'Odyssée Électrique de Miles Davis.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Late Night Mind Expanders for Insomniac People.Tracklist:Alice Coltrane - Going HomeJoe Zawinul - In a Silent WaySnowball - Tender StormShirley Horn - Return to ParadiseJoyce - ElaDerrick Hodge - Still the OneFuture Sound of London - MaxJake Bugg - Note to SelfSavath & Savalas - A La NitRiccardo Zappa - CelestionFila Brazilia - Soft Music Under StarsAphex Twin - Petiatil Cx HtduiLuca Flores - How Far Can You FlyWeather Report - The JugglerRobert Glasper - 59 SouthMarcus Miller - Boomerang (Reprise)DownloadApple Podcast

In this episode of She Runs The Show, we're talking about 4 silent ways we give up in business without giving up.

Episode 16 of the Burning Ambulance podcast features an interview with legendary jazz bassist Dave Holland, whose latest album, Uncharted Territories, is out now. Dave Holland has been a respected and admired figure on the international jazz scene since he began playing in London in 1967. He was recruited to join Miles Davis's band in 1968, and stayed with him until 1970, playing on Filles de Kilimanjaro, In a Silent Way, and Bitches Brew. When he left, he formed Circle with Chick Corea, Anthony Braxton, and Barry Altschul. Holland played extensively with Braxton and Sam Rivers during the early 1970s, and recorded the album Conference of the Birds, a crucial avant-garde document, in 1973 for the ECM label. He later formed the Gateway trio with guitarist John Abercrombie and drummer Jack DeJohnette; led two different quintets, in the 1980s and 1990s/2000s; expanded the latter group to an octet and a big band; and much more. Uncharted Territories features saxophonist Evan Parker, with whom Holland first played in 1968, in the Spontaneous Music Ensemble; keyboardist Craig Taborn; and percussionist Ches Smith. In this interview, he discusses old and new projects, his approach to improvisation, running his own Dare2 label, and much more.

Presented and produced by Seán Delaney. On this week's programme my guest is Dr. Alf Coles from the University of Bristol School of Education. Among the topics discussed are:   What teachers learn from using video Responding to video through description versus judgment Using video clubs for teacher professional development The centre for researching education across boundaries Who was Caleb Gattegno What is the Silent Way of learning a language What is an energy budget for learning? Four stages of awareness Inventing the geoboard Book, What we owe children by Caleb Gattegno How he became a teacher educator How he balances his teaching and research work How he practices teacher education Greg Simon's blog: https://gregsimonmusic.com/blog/ Gregory Bateson: https://mri.org/gregory-bateson/

Yes, we're still going STRONG! Well, maybe not strong, more of a timid shuffle. Bethany's comments last week may have scared the pants off of us, and she may be doing something crazy with the old gods, and we may be powering her villainous scheme, but hey. Come on. Come on. What are we supposed to do? We like watching movies and stuff. Get off our backs and listen! Please. Sorry for yelling.     Intro 0:00 - 4:17   Sullivan's Travels 4:17 - 36:23   In a Silent Way 36:24 - 46:59   Spaghetti Squash 46:59 - 57:07   Sally Go 'Round the Roses 57:07 - 1:06:47   The Magic Pocket 1:06:47 - 1:16:20   The Brady Bunch 1:16:20 - 1:36:13   Outro 1:36:13 - 1:44:29   --Leave your own henge ratings in the comments at TheArtImmortal.com --Be sure you leave an iTunes review so Pedro can give you a compliment on air.   Email Twitter iTunes YouTube   Join us Thursday next as we discuss more things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!)   Artwork by Ray Martindale Opening tune and editing by Adam Lord    

Es geht um Stil. In der Musik und im Leben. Wer cool ist, kann aus Jazz und Rock eins machen und zu einer Ikone der Rassenintegration werden. In der Regel geschieht das nicht immer "in a silent way". Autor: Frank Halbach

This class begins with discussion of Miles Davis's "In a Silent Way," including its historical signficance and notes about the recording process. Then students demonstrate their modal melody design assignments, as inspired by the piece.

Expert Sleepers MIDI expansion for a Silent Way - shows four microBrutes - old school poly, MiPuc gets and update, isnt it about time we had no wires? The super dense world of Black MIDI, sample rate accurate MIDI, what's it for? 10 Ableton performance tips sparks a chat about mixing setups in the DAW and finally - how important is a name?

Expert Sleepers MIDI expansion for a Silent Way - shows four microBrutes - old school poly, MiPuc gets and update, isnt it about time we had no wires? The super dense world of Black MIDI, sample rate accurate MIDI, what's it for? 10 Ableton performance tips sparks a chat about mixing setups in the DAW and finally - how important is a name?

Get ready for the biggest single-artist episode we've ever done! We broke the limit for a guy who broke limits in music across the decades: Miles Davis. This is a listener request show, but Jonny is fortunate to have an experienced jazz fan in co-host Jon Rind. They explore this mysterious music together, learning to listen deeply to this true American legend. If you've never tried jazz before, we hope this will be a great entry point! Be sure to also check out the previous DMP episode on John Coltrane, who can be heard on a good portion of this Miles Davis playlist: 1. Boplicity (Birth of the Cool) 2. If I Were a Bell (Relaxin' with the Miles Davis Quintet) 3. Four (Workin' with the Miles Davis Quintet) 4. When I Fall in Love (Steamin') 5. So What (Kind of Blue) 6. In a Silent Way / It's About Time (In a Silent Way) 7. Spanish Key (Bitches Brew) 8. Right Off (Jack Johnson) Encore: Mahavishnu Orchestra - "Miles Beyond" (Birds of Fire)

An interview with Luisa Piemontese, a spanish teacher at SCSU, who uses a diverse teaching style called the silent way to teach her spanish classes.

The inspiration for this mix came from the new Jon Hassell album. If you haven't picked it up yet, do so. It's called "Last Night the Moon Came Dropping Its Clothes in the Street". It's already in my best of 2009 folder. It's very moody, very ambient, just a little jazzy. Very much like the wonderful release from Arve Henriksen last year. I wanted this mix to have a moody, melancholy, late-night jazz feel. Although I have used some of these artists in other mixes this is the first jazz mix for Low Light mIxes. I wasn't sure what to expect when I began but it turned out fairly well. It didn't take long to put together because it's not a sound collage like the last mix. But I think the tunes flow nicely together. Sometimes sitting around with a good scotch, you need soemthing with a jazzy flavor & I hope this works for that while remaining true to the Low Light feel. Next up...an all Eno mix. T R A C K L I S T : 00:00 Arve Henriksen - Migration 05:21 The Necks - Black 10:35 Mort d'un Pourri - Valerie 13:50 Slowhill - Nikos Dream 17:59 boren & der club of gore - Midnight Walker 24:45 Jon Hassell - Courtais 29:40 Miles Davis - In a Silent Way 33:35 Nick B. Ronin - Modul 42 39:30 Duke Ellington - Melancholia 42:25 Arve Henriksen - Recording Angel 48:20 Jon Hassell - Last Night the Moon Came 58:17 Mort d'un Pourri - tout est tranquille 1:00:00 end

Listen to the show. We have a big show this week, so we get right into it. Mark and Ron cover these points concerning the Silent Way methodology: what is the Silent Way Method key aspects of the Silent Method how does the Silent Method work in class using cuisenaire rods, colored blocks and instilling […]