Podcasts about Art Ensemble of Chicago

Out on strike and newly single, Roger seeks comfort in sound in the shape of legendary avant-garde, free jazz giants The Art Ensemble of Chicago, on a rare visit to Sheffield in the spring of 1984. Intro and outro music: Simon Elliott-KempArtwork: RionaghEditor: Nigel FloydSound FX courtesy of Freesound.org, with particular thanks to:Concert applause: Recording Hopkins.Djembe: Rutger Muller.Drum loop: Esares.City street ambience: Sage Tyrtle.Jazz drums: Big Joe Drummer.Double bass: El Zozo.Trumpet: Soro Hanro.Saxophones: Uauaua.Church bell: Audeption.Wind chime: Inspector J.Gong: Boss Music.Ian Hall: Splash, Chinese cymbal.David J. Woll: cymbal rolls.Club ambience: Rikus 246.Send us a textNever miss an episode.Follow me at: https://twitter.com/rogerquailhttps://www.instagram.com/rogerquail/RSS feed - https://feeds.buzzsprout.com/289673.rss

-Mandingo Griot Society With Don Cherry “Sounds From The Bush”          -Roy Ayers Ubiquity “Red, Black And Green”        -Philip Cohran & The Artistic Heritage Ensemble “Malcolm X”       -Sarah Webster Fabio “Sweet Songs”      -Phil Ranelin “Vibes From The Tribe”       -Horace Tapscott With The Pan Afrikan Peoples Arkestra “Desert Fairy Princess”  -David McKnight “Strong Men”  -Art Ensemble Of Chicago ”Theme De Yo-Yo”-The Har-You Percussion Group “Welcome To The Party”-The Pharaohs “Damballa”Escuchar audio

Soul Of A Nation 2 (Jazz Is The Teacher Funk Is The Preacher: Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75): -Art Ensemble Of Chicago ”Theme De Yo-Yo” -The Har-You Percussion Group “Welcome To The Party” -The Pharaohs “Damballa” -Baby Huey “Hard Times” -James Mason “Sweet Power Your Embrace” -Byron Morris And Unity “Kitty Bey” -Funkadelic “Nappy Dugout” -Rashied Ali & Frank Lowe “Exchange Part 2” (II) -Gary Bartz NTU Troop “Celestial Blues” -Oneness Of Juju “Space Jungle Funk” Escuchar audio

"I Didn't Look For The Fula Flute; It Came And Got me!"Our guest for this episode of MFM Speaks Out is Sylvain Leroux. Sylvian is a flutist, saxophonist, guitarist, composer, arranger, bandleader, educator, inventor, and prominent member of Musicians for Musicians.Sylvain Leroux grew up in Montreal where he studied classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio where he attended classes by luminaries Don Cherry, the Art Ensemble of Chicago, Karl Berger, Cecil Taylor and many others.A pioneer of African/Jazz collaborations, Sylvain is a foremost player of the Fula flute, the traditional flute from Guinea.He was selected as “Rising Flute Star” by the Downbeat Magazine Critics' Poll for many years, achieving the #2 spot in 2019.As a bandleader, he brought traditional West African music to Zankel Hall with his Fula Flute Ensemble and held the fort for more than a decade at New York City's Zinc Bar with his African Jazz group Source. His 2002 CD Fula Flute achieved cult status, and stimulated a worldwide interest in the instrument. His 2012 album Quatuor Creole was hailed as “a perfect contemporary music release.”He curated New York's “Griot Summits” that featured performances by 25 West African griots from five countries. He has performed and recorded with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, Billy Martin, and many West African stars.As a maker and seller of Fula flutes around the world, he invented and patented the Qromatica, a Fula flute capable of chromatic functionality. This led him to initiate L'ecole Fula Flute, a music literacy project that graduated many excellent young flutists who are now re-energizing an endangered flute tradition.Topics discussed:Sylvain's studies of classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio under Don Cherry, the Art Ensemble of Chicago, Karl Berger, and Cecil Taylor, his time with Adam Rudolph's Orchestra, the jazz and world music Canadian music scene at that time and now, how he became interested in the Fula flute, his band “Source” and their time at New York's Zinc Bar for over a decade. How the combination of Guinean music and jazz has been accepted among Jazz audiences, his 2002 release Fula Flute and how it was received, his new album Qromatica, why he chose Julia Haines on accordion and harp and Mamadou Ba on bass,  his performances at Zankel Hall with the Fula Flute Ensemble and curated New York's “Griot Summits”, his performances and recordings with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, and some of the West African musicians he played with, how and why he founded music literacy program L'ecole Fula Flute, how Covid affected the people's spirit and economy in Guinea, government support of the arts, his business of making and selling Fula flutes,  how he invented and patented the Qromatica, his activities in MFM, the present African/world music scene in NY, the cultural separation between African-American musicians and African musicians, NY's GlobalFest for presenting African bands to the US audience, the Visa fee raise proposal to Congress, and his future plans in the areas of music activism.Music featured in this episode:1) Zoe2) Mane Gauche3) In Walked Bud"Zoe" and  by Sylvain Leroux, used with permission. "In Walked Bud" composed by Thelonious Monk (EMBASSY MUSIC CORPORATION BMI), performed by Sylvain Leroux.  https://www.fulaflute.net/

Steve'o Reicho styginių kvartetai, įrašyti su paties maestro priežiūra, Kurto Weillio orkestriniai kūriniai, legendinio laisvojo džiazo ansamblio „Art Ensemble of Chicago“ jubiliejinis leidinys, australų trio „The Necks“, hipsteriški saksofonininko Samo Gendelio eksperimentai bei Mendelssohno styginių kvartetų ciklo pabaiga.Ved. Domantas Razauskas

There are different ways to unpack this playlist. One of them is looking at it as a travelogue that will take us to that music incubator that Chicago continues to be; to a scene deserving wider recognition like that of Washington D.C.; to Brazil, France and Italy. And it all starts from Free Form Funk Freqs' 3rd Galaxy. The playlist also features Greg Ward's Rogue Parade; Art Ensemble of Chicago; Alune Wade; Gaia Wilmer [pictured]; Janel Leppin; Cristiano Calcagnile; Emmanuel Borghi Trio. Detailed playlist available at (from "Outer Arm" onward). Happy listening!

Aus dem Dschungel der Neuveröffentlichungen - Fred Frith & Susana Santos Silva: Laying demons to rest | Sebastian Rochford: A Short Diary | Art Ensemble of Chicago: The sixth decade from Paris to Paris (Sendung vom 23.1.)

TYSHAWN SOREY “THE OFF-OFF BROADWAY GUIDE TO SYNERGISM” – The Jazz Standard, New York, March 3-6, 2022 Solar, Ask Me Now Greg Osby (sa) Aaron Diehl (p) Russell Hall (b) Tyshawn Sorey (dr)             ART ENSEMBLE OF CHICAGO “URBAN BUSHMEN” – Live “Amerika-Haus”, Munich, Germany, May 5 & 6, 1980 […]

"Aurora" Juan Saiz Pindio II (2022, Leo Records) Juan Saiz, Marco Mezquida, Manel Fortià, Genís Bagés. Composición de Juan Saiz. ¿Sabías que? En Tomajazz tenemos el honor de estrenar "Aurora", un tema adelanto de Pindio II, la nueva grabación de Juan Saiz que se publica el viernes 13 de mayo de 2022. Tanto "Aurora" como el resto de temas del disco (que tiene una duración de cuarenta y cuatro minutos y cuarenta y cuatro segundos), son composiciones de Juan Saiz... aunque en su desarrollo tienen un papel esencial Marco Mezquida, Manel Fortià y Genís Bagés. No es la primera vez que Juan Saiz publica una grabación en Leo Records... H.C., la primera entrega de Pindio lo publicó allí en 2016. También Frágil Gigante junto a Baldo Martínez y Lucía Martínez en 2020. en el sello han grabado Anthony Braxton, Cecil Taylor, The Art Ensemble Of Chicago o Sun Ra por mencionar únicamente a tres de mis héroes jazzísticos particulares. En concreto, los conciertos de la gira británica de Anthony Braxton son unos monumentos de la historia del jazz... lo que allí interpretaron Braxton, Mark Dresser, Marilyn Crispell y Gerry Hemingway es música de otro planeta... en concreto de la constelación Leo... de la de Leo Feigin, el encargado en mantener ese enorme sello. Hay veces en que me da la impresión de que esto de las Matemáticas no es lo mío... © Pachi Tapiz, 2022 En anteriores episodios de JazzX5 / HDO / LODLMA / Maltidos Jazztardos / Tomajazz Remembers /JazzX5 Centennial… https://www.tomajazz.com/web/?p=24764 Más información sobre Juan Saiz https://www.juansaiz.es/ https://www.tomajazz.com/web/?tag=juan-saiz Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com También por WhatsApp en el teléfono de contacto. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Rievocazione in questa serie di Birdland della vera e propria nascita del celebre gruppo dell'avanguardia jazz statunitense anni '60 e ‘70‘.A partire dal 1965, sotto l'impulso di Muhal Richard Amrams, i futuri membri dell'Art Ensemble of Chicago si erano già esibiti e avevano registrato in numerosi gruppi sotto vari nomi. Dopo il plauso della critica sulla stampa nazionale e internazionale per le loro innovative esibizioni, Roscoe Mitchell, Joseph Jarman, Lester Bowie e Malachi Favors decisero di continuare insieme la loro avventura musicale e si recarono a Parigi nel 1969 dove assunsero il nome definitivo di Art Ensemble of Chicago, un'estensione dell'originale Roscoe Mitchell Art Ensemble. Furono subito invitati ad esibirsi per un mese al leggendario Theatre Lucernaire a Montparnasse. Seguirono numerosi concerti in tutta la Francia e la registrazione di diversi album di gruppo ma pure in collaborazione con i tanti musicisti americani della scena parigina di quel periodo.Nel 1970 composero la colonna sonora del film Les Stances à Sophie, un classico di culto con la voce di Fontella Bass e anche la prima registrazione che vede la partecipazione del batterista Don Moye.

Rievocazione in questa serie di Birdland della vera e propria nascita del celebre gruppo dell'avanguardia jazz statunitense anni '60 e ‘70‘.A partire dal 1965, sotto l'impulso di Muhal Richard Amrams, i futuri membri dell'Art Ensemble of Chicago si erano già esibiti e avevano registrato in numerosi gruppi sotto vari nomi. Dopo il plauso della critica sulla stampa nazionale e internazionale per le loro innovative esibizioni, Roscoe Mitchell, Joseph Jarman, Lester Bowie e Malachi Favors decisero di continuare insieme la loro avventura musicale e si recarono a Parigi nel 1969 dove assunsero il nome definitivo di Art Ensemble of Chicago, un'estensione dell'originale Roscoe Mitchell Art Ensemble. Furono subito invitati ad esibirsi per un mese al leggendario Theatre Lucernaire a Montparnasse. Seguirono numerosi concerti in tutta la Francia e la registrazione di diversi album di gruppo ma pure in collaborazione con i tanti musicisti americani della scena parigina di quel periodo.Nel 1970 composero la colonna sonora del film Les Stances à Sophie, un classico di culto con la voce di Fontella Bass e anche la prima registrazione che vede la partecipazione del batterista Don Moye.

Rievocazione in questa serie di Birdland della vera e propria nascita del celebre gruppo dell'avanguardia jazz statunitense anni '60 e ‘70‘.A partire dal 1965, sotto l'impulso di Muhal Richard Amrams, i futuri membri dell'Art Ensemble of Chicago si erano già esibiti e avevano registrato in numerosi gruppi sotto vari nomi. Dopo il plauso della critica sulla stampa nazionale e internazionale per le loro innovative esibizioni, Roscoe Mitchell, Joseph Jarman, Lester Bowie e Malachi Favors decisero di continuare insieme la loro avventura musicale e si recarono a Parigi nel 1969 dove assunsero il nome definitivo di Art Ensemble of Chicago, un'estensione dell'originale Roscoe Mitchell Art Ensemble. Furono subito invitati ad esibirsi per un mese al leggendario Theatre Lucernaire a Montparnasse. Seguirono numerosi concerti in tutta la Francia e la registrazione di diversi album di gruppo ma pure in collaborazione con i tanti musicisti americani della scena parigina di quel periodo.Nel 1970 composero la colonna sonora del film Les Stances à Sophie, un classico di culto con la voce di Fontella Bass e anche la prima registrazione che vede la partecipazione del batterista Don Moye.

Rievocazione in questa serie di Birdland della vera e propria nascita del celebre gruppo dell'avanguardia jazz statunitense anni '60 e ‘70‘.A partire dal 1965, sotto l'impulso di Muhal Richard Amrams, i futuri membri dell'Art Ensemble of Chicago si erano già esibiti e avevano registrato in numerosi gruppi sotto vari nomi. Dopo il plauso della critica sulla stampa nazionale e internazionale per le loro innovative esibizioni, Roscoe Mitchell, Joseph Jarman, Lester Bowie e Malachi Favors decisero di continuare insieme la loro avventura musicale e si recarono a Parigi nel 1969 dove assunsero il nome definitivo di Art Ensemble of Chicago, un'estensione dell'originale Roscoe Mitchell Art Ensemble. Furono subito invitati ad esibirsi per un mese al leggendario Theatre Lucernaire a Montparnasse. Seguirono numerosi concerti in tutta la Francia e la registrazione di diversi album di gruppo ma pure in collaborazione con i tanti musicisti americani della scena parigina di quel periodo.Nel 1970 composero la colonna sonora del film Les Stances à Sophie, un classico di culto con la voce di Fontella Bass e anche la prima registrazione che vede la partecipazione del batterista Don Moye.

Let's keep the dance alive! The previous episodes of Deep Focus had us listening to live recordings of The Art Ensemble of Chicago with percussionist Daniel Sadownick. Let's take another view of them (with yet more live, unreleased recordings) with percussionist/bandleader Adam Rudolph. Adam grew up around the members of The Art Ensemble on the South Side of Chicago. Who knew?!   Deep Focus is Monday nights from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Tuesday mornings it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com.   #WKCR #DeepFocus #MitchGoldman #AdamRudolph #ArtEnsembleOfChicago #JazzInterview #JazzRadio #JazzPodcast   Photo credit: fair use.

Let's keep the dance alive! The previous episodes of Deep Focus had us listening to live recordings of The Art Ensemble of Chicago with percussionist Daniel Sadownick. Let's take another view of them (with yet more live, unreleased recordings) with percussionist/bandleader Adam Rudolph. Adam grew up around the members of The Art Ensemble on the South Side of Chicago. Who knew?!   Deep Focus is Monday nights from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Tuesday mornings it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com.   #WKCR #DeepFocus #MitchGoldman #AdamRudolph #ArtEnsembleOfChicago #JazzInterview #JazzRadio #JazzPodcast   Photo credit: no publishing information available.

Let's keep the dance alive! The previous episodes of Deep Focus had us listening to live recordings of The Art Ensemble of Chicago with percussionist Daniel Sadownick. Let's take another view of them (with yet more live, unreleased recordings) with percussionist/bandleader Adam Rudolph. Adam grew up around the members of The Art Ensemble on the South Side of Chicago. Who knew?!   Deep Focus is Monday nights from 6pm to 9pm on WKCR 89.9FM, WKCR HD-1 and wkcr.org. Tuesday mornings it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com.   #WKCR #DeepFocus #MitchGoldman #AdamRudolph #ArtEnsembleOfChicago #JazzInterview #JazzRadio #JazzPodcast   Photo credit: copyright Enid Farber; All Rights Reserved. Check out Enid's fantastic work at https://www.enidfarber.com/enid-farber.../buy-it-now-store/. If you like Deep Focus then we think you will love her work!

What is the Art Ensemble of Chicago?   Are they a band or are they an omen, a signpost marking a new direction down an unexplored road.  Are those stage costumes or is that battle gear?  What are they seeing when they start their concerts silently facing east?   What is this language that they communicate in?  What are they saying to one other?  What are they saying to ME?   These questions gripped Daniel Sadownick when he was a young, aspiring musician from the Bronx trying to make it in Manhattan.  He has since become one of the most accomplished percussionists in both the Jazz and pop music worlds but he has never forgotten those questions.  In fact, he has found some answers and he shares them with host Mitch Goldman on Deep Focus this Monday night on Jazz Alternatives.  We also have some magic from the WKCR archives.    Deep Focus airs Mondays 6pm to 9pm on WKCR 89.9FM, WKCR HD1 and wkcr.org.  Tuesday morning the show goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/   #WKCR #JazzAlternatives #MitchGoldman #DeepFocus #ArtEnsembleOfChicago #DanielSadownick #JazzRadio #JazzInterview #JazzPodcast   Photo credit: publishing info not available. 

What is the Art Ensemble of Chicago?   Are they a band or are they an omen, a signpost marking a new direction down an unexplored road?  Are those stage costumes or is that battle gear?  What are they seeing when they start their concerts silently facing east?   What is this language that they communicate in?  What are they saying to one other?  What are they saying to ME?   These questions gripped Daniel Sadownick when he was a young, aspiring musician from the Bronx trying to make it in Manhattan.  He has since become one of the most accomplished percussionists in both the Jazz and pop music worlds but he has never forgotten those questions.  In fact, he has found some answers and he shares them with host Mitch Goldman on Deep Focus this Monday night on Jazz Alternatives.  We also have some magic from the WKCR archives.    Deep Focus is Mondays 6pm to 9pm on WKCR 89.9FM, WKCR HD1 and wkcr.org.  Tuesday morning the show goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/   #WKCR #JazzAlternatives #MitchGoldman #DeepFocus #ArtEnsembleOfChicago #DanielSadownick #JazzRadio #JazzInterview #JazzPodcast   Photo credit: publishing info not available. 

What is the Art Ensemble of Chicago?   Are they a band or are they an omen, a signpost marking a new direction down an unexplored road?  Are those stage costumes or is that battle gear?  What are they seeing when they start their concerts silently facing east?   What is this language that they communicate in?  What are they saying to one other?  What are they saying to ME?   These questions gripped Daniel Sadownick when he was a young, aspiring musician from the Bronx trying to make it in Manhattan.  He has since become one of the most accomplished percussionists in both the Jazz and pop music worlds but he has never forgotten those questions.  In fact, he has found some answers and he shares them with host Mitch Goldman on Deep Focus this Monday night on Jazz Alternatives.  We also have some magic from the WKCR archives.    Deep Focus is Mondays 6pm to 9pm on WKCR 89.9FM, WKCR HD1 and wkcr.org.  Tuesday morning the show goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/   #WKCR #JazzAlternatives #MitchGoldman #DeepFocus #ArtEnsembleOfChicago #DanielSadownick #JazzRadio #JazzInterview #JazzPodcast   Photo credit: fair use. 

Viagra Boys are a Swedish post-punk band from Stockholm. The band was formed in 2015, with several members coming from the bands Les Big Byrd, Pig Eyes, Nine, Nitad and Neu-Ronz. In 2018, they released their first album, Street Worms. Nils Hansson, a journalist at the newspaper Dagens Nyheter described the band favorably, praising their musical style, as well as their use of black humor and satire, and rated the album a five out of five. In 2019, the band won the Independent Music Companies Association (IMPALA) Album of the Year Award for Street Worms. The band's second album, Welfare Jazz, was released in January 2021. Lineup: Tubeway Army, The Jesus and Mary Chain, Chain and The Gang, DEVO, Goran Kajfes Subtropic Arkestra, Goran Kajfes, Roxy Music, Built To Spill, The Stooges, Waylon Jennings, Clap Your Hands Say Yeah, DAF, Broadcast, Container, Run The Jewels, Spacemen 3, Daniel Lanois, Anna Domino, Rocket From The Tombs, Esbjörn Svensson Trio, Missing Persons, Pere Ubu, Christian Scott aTunde Adjuah, Elena Pinderhughes, Tom Tom Club, 13th Floor Elevators, Sleaford Mods, John Coltrane, Art Ensemble Of Chicago, Pixies, Fire! Orchestra, Richard Hell, The Breeders, Daniel Ögren, Sam Rivers, Chris & Cosey, The Soft Boys, Hawkwind, Joni Mitchell

Sometimes there's a fantastic narrative behind these Deep Focus programs and sometimes we are simply reveling in glorious, never-before-heard recordings of history's greatest musicians with a brilliant scholar of the music to lead us through it. And, by golly, that's good enough. Join host Mitch Goldman and his guest, bandleader Eric Anthony Person for a Deep Focus on the Art Ensemble of Chicago with music from the WKCR archives. Mitch says, “If you have heard any of these recordings before, I'll eat my hat!” #WKCR #MitchGoldman #DeepFocus #EricPerson #RahsaanRolandKirk #JohnColtrane #ArtEnsembleOfChicago #jazzinterview #jazzradio #jazzpodcast Photo credit: fair use.

Sometimes there's a fantastic narrative behind these Deep Focus programs and sometimes we are simply reveling in glorious, never-before-heard recordings of history's greatest musicians with a brilliant scholar of the music to lead us through it. And, by golly, that's good enough. Join host Mitch Goldman and his guest, bandleader Eric Anthony Person for a Deep Focus on the Art Ensemble of Chicago with music from the WKCR archives. Mitch says, “If you have heard any of these recordings before, I'll eat my hat!” #WKCR #MitchGoldman #DeepFocus #EricPerson #RahsaanRolandKirk #JohnColtrane #ArtEnsembleOfChicago #jazzinterview #jazzradio #jazzpodcast Photo credit: fair use.

Sometimes there's a fantastic narrative behind these Deep Focus programs and sometimes we are simply reveling in glorious, never-before-heard recordings of history's greatest musicians with a brilliant scholar of the music to lead us through it. And, by golly, that's good enough. Join host Mitch Goldman and his guest, bandleader Eric Anthony Person for a Deep Focus on the Art Ensemble of Chicago with music from the WKCR archives. Mitch says, “If you have heard any of these recordings before, I'll eat my hat!” #WKCR #MitchGoldman #DeepFocus #EricPerson #RahsaanRolandKirk #JohnColtrane #ArtEnsembleOfChicago #jazzinterview #jazzradio #jazzpodcast Photo credit: fair use.

Sometimes there's a fantastic narrative behind these Deep Focus programs and sometimes we are simply reveling in glorious, never-before-heard recordings of history's greatest musicians with a brilliant scholar of the music to lead us through it. And, by golly, that's good enough. Join host Mitch Goldman and his guest, bandleader Eric Anthony Person for a Deep Focus on the Art Ensemble of Chicago with music from the WKCR archives. Mitch says, “If you have heard any of these recordings before, I'll eat my hat!” #WKCR #MitchGoldman #DeepFocus #EricPerson #RahsaanRolandKirk #JohnColtrane #ArtEnsembleOfChicago #jazzinterview #jazzradio #jazzpodcast Photo credit: fair use.

The opposite of politeness, sucky sucky bloodsuckers, ego destruction on the subway. The two improvisatory collaborators discuss their important albums.

// A F R O L O G I C A L   1 0 // // DIÁLOGOS DECOLONIAIS ENTRE TRADIÇÕES E MÚSICA EXPLORATÓRIA DE RAIZ NEGRA // Os artistas, pesquisadores e produtores Edbrass Brasil (BA) e Romulo Alexis (SP) apresentam um repertório de músicas tradicionais e peças sonoras exploratórias… Source

a cura di Alessandro Achilli. Musiche dei Traffic, Fairport Covention, Shadows, Sugarcane Harris, Judy Dyble, San Cisco, Roots Magic, Art Ensemble of Chicago, Saravah Soul, Das Rad, De Tian, No Base Trio, Alessandra Novaga, Ghezzi-Ziarkas

a cura di Alessandro Achilli. Musiche dei Traffic, Fairport Covention, Shadows, Sugarcane Harris, Judy Dyble, San Cisco, Roots Magic, Art Ensemble of Chicago, Saravah Soul, Das Rad, De Tian, No Base Trio, Alessandra Novaga, Ghezzi-Ziarkas

I introduce Laini (born Sylvia Abernathy), Chicago civil rights activist and the first femme graphic designer to be credited with jazz album design. Laini designed for Delmark records in the 1960’s but I also discuss her fame as the art director for the Wall of Respect mural on Chicago’s south side. I discuss her four best-known album designs, including her use of artwork, interesting fonts, and vibrating colors. ---EPISODE PAGE---Support the show (https://www.venmo.com/Clarita-Hinojosa)

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

con Paola De Angelis

durée : 00:59:46 - Comme un samedi - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

Por Pachi Tapiz. Tres propuestas de jazz en gran formato, muy distintas entre sí, suenan en la entrega 519 de HDO. The Art Ensemble Of Chicago, Tom Pierson Orchestra, Fred Hersch con la WDR Big Band. Toda la información en https://www.tomajazz.com/web/?p=44150 Tomajazz: © Pachi Tapiz, 2018 HDO 519 te gustara… si te gusta el jazz… si te gusta el jazz en gran formato… si eres un admirador de The Art Ensemble Of Chicago… si eres seguidor de Fred Hersch… si te gusta cómo se puede llevar al momento actual el concepto de la big band por un creador no demasiado conocido como es Tom Pierson… HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com.

a cura di Alessandro Achilli. Musiche di Regina Spektor, Captain Beefheart, Art Ensemble of Chicago, Prince, Luciano Margorani (prima parte)

a cura di Alessandro Achilli. Musiche di Regina Spektor, Captain Beefheart, Art Ensemble of Chicago, Prince, Luciano Margorani (prima parte)

Following our week a way we return overwhelmed with excellent morsels of global experimental independent sound. We start with Sarathy Korwar's outstanding jazz/Indian MC hybrid that is sure to get noticed by discerning listeners, elsewhere we have choral music, twisted abstract hiphop, splendid psych folk, electric acholi music from central Africa and much more. Tracklisting Sarathy Korwar - Mumbay (feat. MC Mawali) / Pravasis (feat. Deepak Unnikrishnan) (The Leaf Label, UK) Leo Pa-Layeng - Kono Wiye Ocung Otara (self-release, Uganda) The Art Ensemble of Chicago - We Are On The Edge (Erased Tapes, UK) Suzi Analogue - Way Live ft. ZenSoFly (Never Normal Records, USA) Flamingods - Koray (Moshi Moshi Records, UK) Sebastian Reynolds with Solo Collective - Ripeness Is All (Nonostar Records, Germany) The Improvisers' Choir - Stem (self-release, UK) Sea Urchin - Mish Hata'ref tesHa? (Bokeh Versions, UK) Viscount - Reverse Engineering (Warecollective, UK) Death and Vanilla - Let’s Never Leave Here (Fire Records, UK)   Produced and edited by Nick McCorriston. Hit him up for any and all audio work at nickamc.com and follow him on Twitter @nickamc  

Jazzen i 1969 – hørt 50 år efter #1 Radio Jazz studievært Erik Raben vender ørene mod musikken, der blev indspillet i 1969. Der er musik med Duke Ellington, Miles Davis, Charlie Haden Liberation Music Ochestra, Ornette Coleman, Art Ensemble Of Chicago, Wayne Shorter, Herbie Hancock og Abdullah Ibrahim. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

Son itinéraire musical lui a fait croiser les routes de Paul Motian, François Tusques, Gary Peacock, Tyshawn Sorey, Benjamin Duboc et bien d’autres. Chacun de ses disques est l’occasion de nouvelles rencontres débouchant sur de nouvelles histoires. Elle revient en 2019 avec un double cd ambitieux, une illustration musicale inspirée du Naga, créature mythique Hindouiste qui garde les trésors de la terre ou l’elixir d’immortalité dans le Cambodge ancien. Nous ne pouvions donc pas passer à côté d’une rencontre avec Alexandra Grimal. En deuxième heure puisque l’actualité est foisonnante nous vous rapportons ce qu’il y a de meilleur. On commence par le disquaire day et son cortège d’éditions spéciales, l’une se détache clairement du lot, il s’agit de la réédition du 45 t ultra rare d’Alfred Panou et Art Ensemble Of Chicago « je suis un sauvage ». Rééditions toujours avec trois albums du pianiste californien Horace Tapscott, trois chefs d’oeuvre à nouveau accessibles; rééditions encore avec le label « modern harmonic «  qui poursuit son focus sur Sun Ra avec cette fois la publication de la session complète de « Pathway To Unknown Worlds ». Enfin l’excellent pianiste Matthew Shipp poursuit sa collaboration avec le légendaire label ESP et nous propose un nouveau trio: signature. Liste des titres en première heure: -Inti Noun -Rê -Cambium titres extraits de « Naga » http://www.alexandragrimal.com/en/Leader/naga_2 Liste des titres de la deuxième heure -Alfred Panou et The Art Ensemble Of Chicago « le moral nécessaire » https://www.disquaireday.fr/produit/alfred-panou-the-art-ensemble-of-chicago-je-suis-un-sauvage-le-moral-necessaire/ -Matthew Ship « Flying Saucer » de l'album "Signature" http://www.espdisk.com/Matthew%20Shipp/5029.html -Horace Tapscott et The Pan African Peoples Arkestra « breeze » de l’album « flight 17 https://www.discogs.com/fr/master/view/698926 -Horace Tapscott et The Pan African Peoples Arkestra « the call » de l’album « The Call » https://www.discogs.com/fr/master/view/288603 -Sun Ra Arkestra « Of Mythic Worlds » de l’album « Pathway to unknown worlds » http://www.modernharmonic.com/sun-ra-pathways-to-unknown-worlds-cd.aspx

Todd Steed talks via phone to legendary jazz artist Roscoe Mitchell about his performance with the Art Ensemble of Chicago at Big Ears Festival. Roscoe is retiring form Mills College. What could be next?

New releases keep coming at an exciting place and Mondo Jazz obliges, sharing tons of exicting new releases, in particular celebrating the 50th anniversary of the Art Ensemble of Chicago and its spiritual offspring as well as some great European projects. The playlist features Marilyn Mazur, The Art Ensemble of Chicago, Echoes of Zoo, James Brandon Lewis, Michael Gregory, Sam Opsovat, Itamar Borochov, Paolo Fresu, Richard Galliano, Jan Lundgren, Bridges with Seamus Blake, Andrea Manzoni, Larry Grenadier, Ran Blake, Claire Ritter, Vijay Iyer, Craig Taborn, Nathan-Paul & The Admirables, Kendrick Scott, Jonathan Blake, Chiara Izzi, Mats Eilertsen, Beppe Scardino, Joe Martin, Jason Palmer, Iro Haarla. Detailed playlist available at https://spinitron.com/RFB/pl/5629978/Mondo-Jazz

JAZZ STORY les lundi, jeudi et dimanche à 17h. Luke Seabright nous raconte l'histoire du jazz. Cette semaine, The Art Ensemble of Chicago et Joseph Jarman, décédé il y a un mois. Ils sont 5 sur scène. Le rugissement de la trompette, batteurs et bassistes en costumes africains, le chapeau à plume et au centre, le doyen Roscoe Mitchell. Tous circulent sur scène s'essayant à différents instruments. Ils forment le noyau de l'Art Ensemble of Chicago qui figure parmi le panthéon des plus grands groupes de musique expérimentale. L'Ensemble fête cette année ses 50 ans et le coup sera marqué par la sortie en novembre prochain d'un coffret collector de 21 CD en édition limitée. Si le groupe tourne toujours, seuls deux membres de la formation originelle sont encore en vie. Le 9 janvier dernier, Joseph Jarman nous quittait à l'âge de 81 ans. Luke Seabright vous raconte la fabuleuse histoire de ce groupe mythique qui vint se produire en France aux côtés de Brigitte Fontaine...

Por Pachi Tapiz. En HDO 488 escuchamos cuatro grabaciones publicadas por el sello francés Le Fondeur de Son, que miran hacia el free jazz. Repeat Please (LFDS, 2018), la nueva grabación de Healing Unit, quinteto dirigido por el pianista Paul Wacrenier, mira hacia el Art Ensemble Of Chicago, Albert Ayler, Archie Shepp, Cecil Taylor o Eric Dolphy. Además, suenan las tres últimas grabaciones del colectivo francés Anti Rubber Brain Fact0ry liderado por el contrabajista Yoram Rosilio, que realiza una interesante fusión entre el free jazz y músicas de distintas partes del mediterráneo: Serious Stuff & Lots Of Lightness (LFDS) junto al colectivo HmAdchA, Reynas Del Mediterraneo. Greece Volume 1 (LFDS) junto a la cantante Xanthoula Dakovanou; y Marokaït (LFDS). Tomajazz: © Pachi Tapiz, 2019 HDO 488 te gustará… si te guta el jazz… si te gusta el free jazz… si te gustan las músicas de origen mediterráneo (de Marruecos y Grecia)… HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com

a cura di Alessandro Achilli. Musiche della Carla Bley Band, Art Ensemble of Chicago, Art Bears, Olivier Messiaen, Art Zoyd (seconda parte)

a cura di Alessandro Achilli. Musiche della Carla Bley Band, Art Ensemble of Chicago, Art Bears, Olivier Messiaen, Art Zoyd (seconda parte)

Por Pachi Tapiz. En HDO 478 Pachi Tapiz homenajea al Art Ensemble Of Chicago revisando las versiones grabadas de “The Theme – Odwalla”, un tema que ha acompañado en directo a lo largo de toda su carrera a este grupo. Sin solución de continuidad suenan las versiones que aparecen en Bap Tizum, Urban Bushmen, Salutes The Chicago Blues Tradition, Coming Home Jamaica, Urban Magic, Fundamental Destiny y Non-Cognitive Aspects Of The City. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com

This week we'll go through a heap of spectacular new releases, with a special emphasis on albums featuring piano and saxophone, and an ecstatic sampling of The Art Ensemble Of Chicago & Associated Ensembles, the definitive 21 CD set which is about to be released by ECM to mark the 50th anniversary of both the German label and of the legendary Art Ensemble of Chicago. The playlist includes: Jane Ira Bloom, The Art Ensemble of Chicago, Don Byron & Aruan Ortiz, Aaron Goldberg, John Medeski's Mad Skillet, Ben Wendel, Kenny Werner, Devin Gray, Michael Formanek Elusion Quartet, Emanuele Maniscalco - Francesco Bigoni - Mark Solborg, Florian Weber, Steve Kuhn, Federica Michisanti, Jacques Schwarz-Bart - Laurent David - Malcolm Braff - Stephane Galland, Jerome Sabbagh & Greg Tuohey, Abstract Orchestra, Marcus Strickland, Jonathan Finlayson. Detailed playlist at: https://spinitron.com/radio/index.php?station=rfb&playlist=8283#here

Scarica il programma

Once again David and Jacob talk through some of their favorite ECM tracks, now all streaming everywhere except ONE mystery song, one of the earliest recordings Paul Motian ever made... You can only hear it here! Otherwise we've got Sinikka Langeland, Joe Lovano, Bill Frisell, Zakir Hussein, Lester Bowie, Valentin Silvestrov, Craig Taborn and more. Whole playlist we talk about is here: https://tinyurl.com/ycqq6hj9

D’une certaine manière il est le porte parole du jazz de Chicago en France et poursuit en cela une histoire débutée il y a près de 50 ans lorsque l’Art Ensemble Of Chicago a presque débuté sa carrière ici. Pour autant et même si un grand nombre de ses activités ont un lien avec la Windy City, Alexandre Pierrepont a de multiples champs d’intervention allant de l’enseignement à l’écriture en passant par l’organisation d’évènements autour du jazz et la production. Nous allons partir de « The Bridge », réunions musicales transatlantiques qui est son projet le plus récent, pour explorer son travail plus global et ses points de vue sur le jazz actuel. En deuxième heure, Pierre et Olivier s’attardent sur la deuxième édition de la biennale du jazz des bords de Marne avec une interview de son programmateur Jean Marie Machado. Hélène s’intéresse au dernier album en trio du saxophoniste Walter Smith III et Martin joue les archéologues en fouillant le catalogue du label anglais Art yard à la redécouverte de Salah Ragab le père du jazz égyptien. Liste des titres première heure : - Epiphanie « Herevana » - Sonic Communion « a cloud of sparks » - Vent Fort « Avignon - 2048'39" to 2102'44" - Lamps (From Inside the Chrysalis) » - The Sync « Golay » - Escape Lane « Lane Open » https://thebridgesessions.bandcamp.com Liste des titres deuxième heure : - Extraits de The Ellipse Music For Large Ensemble et Stracho Temels-kovski, tous deux invités de la 2ème biennale de jazz du C.D.M : https://biennaledejazz.fr/category/le-programme-en-detail/ - Walter Smith III « Adam’s Apple » : https://fr-fr.facebook.com/waltersmithmusic/ - Salah Ragab et The Cairo Jazz Band « Farewell Theme » : https://artyard.bandcamp.com

The seventh episode of the Burning Ambulance podcast features an interview with cellist Tomeka Reid. She’s been on the avant-garde/free jazz scene since 2002, but has really begun to make her mark in the last few years. She’s got long-standing artistic relationships with flautist Nicole Mitchell, drummer Mike Reed, saxophonists Roscoe Mitchell and Anthony Braxton, and the AACM. She leads her own quartet with guitarist Mary Halvorson, bassist Jason Roebke and drummer Tomas Fujiwara; is a member of the string trio Hear In Now with violinist Mazz Swift and bassist Silvia Bolognesi; and recorded a duo album, Signaling, with saxophonist Nick Mazzarella in 2017. She also performed on trumpeter Jaimie Branch's Fly Or Die, two Nicole Mitchell albums, and Hear In Now's Not Living In Fear, and became a member of the Art Ensemble of Chicago. In our interview, Reid discusses her creative relationships, her recent recordings, and much more. It’s a really interesting conversation I’ve been wanting to have for quite a while—she was one of the first artists I approached about appearing on the podcast—and I hope you’ll enjoy it.

Phil Freeman talks to cellist Tomeka Reid.

The first episode of the Burning Ambulance podcast features an interview with legendary saxophonist and composer Roscoe Mitchell. Mitchell co-founded both the AACM and the Art Ensemble of Chicago, and has been one of jazz’s most forward-looking and inspiring figures since the 1960s. His latest album, Discussions (get it from Amazon), features large-ensemble interpretations of music originally improvised by a trio featuring Mitchell himself, Craig Taborn on keyboards, and Kikanju Baku on percussion. About a week after this interview was recorded, Mitchell led a new incarnation of the Art Ensemble of Chicago in their first New York performance since 2004. The group featured Hugh Ragin on trumpet, Tomeka Reid on cello, Jaribu Shahid and Junius Paul on basses, and Famoudou Don Moye on drums, and former AEOC member Joseph Jarman made a special appearance, reading his poetry accompanied by the others. The interview runs about 45 minutes; Mitchell talks about the Art Ensemble, his composition “Nonaah,” his other solo works, and much more. Stream it or download it below.

Philip Freeman talks to legendary saxophonist and composer Roscoe Mitchell.

Las cosas no son como parecen. Eso es el jazz. Eso es Jazz Up! un podcast dedicado al sonido y el virtuosismo de los que hacen y disfrutan del buen escuchar. Este episodio incluye: Gil Scott-Heron, Antonio Carlos Jobim, Dario Dolci Trio, Cecil Taylor, Pharoah Sanders y Art Ensemble of Chicago.

Las cosas no son como parecen. Eso es el jazz. Eso es Jazz Up! un podcast dedicado al sonido y el virtuosismo de los que hacen y disfrutan del buen escuchar. Este episodio incluye: Gil Scott-Heron, Antonio Carlos Jobim, Dario Dolci Trio, Cecil Taylor, Pharoah Sanders y Art Ensemble of Chicago.

Mission encre noire Tome 16 Chapitre 214 Nous nous interessons ce soir à deux icônes de la musique populaire: Oscar Peterson et Kim Gordon. Le premier roman présenté par Éric s'intitule Oscar paru en 2016 aux éditions du Boréal. L'imagination fertile de Mauricio Segura nous entraîne sur les pas du célèbre pianiste de jazz, Oscar Peterson. Montréal vit sous le règne de l'acier, les années cinquante se fument au bout des cheminées des usines, le Canadien Pacifique saigne la ville en deux. Mauricio Segura rend un très bel hommage appuyé à un musicien hors du commun. Le soleil refuse de se coucher sur les mélodies d'Oscar, les femmes paraissent plus belles, même s'il faut pour cela, peut-être, vendre son âme au diable, allez savoir ! Extrait: «Une semaine plus tard, avant de partir en tournée, comme Oscar jouait à quatre pattes dans le salon avec son fils aîné, moins par plaisir que pour se faire pardonner par Beverly ses absences répétées, le téléphone sonna. Au bout du fil, la voix moelleuse de norman G. lui rappela qu'il était l'homme de parole et lui suggéra d'écouter la radio publique avant de raccrocher sans lui dire au revoir. Quand Oscar alluma la radio, tandis que son fils était absorbé dans la construction d'un immeuble en briques emboîtables, une pause publicitaire vantait les vertus d'un savon à vaisselle ; bientôt, un animateur annonça un concours de pianistes de musique classique dédié à Franz Liszt. Si le premier participant le fit bayer au corneilles, il reçut un coup au coeur en écoutant le deuxième, car il reconnut de suite son jeu timide, inimitable.» Kim Gordon Girl in a band paru en 2015 aux éditions Le mot et le reste. La bassiste et ex-chanteuse du groupe phare du mouvement post punk expérimental des années 90 prend la plume pour nous faire explorer son évolution dans le milieu de la musique et des arts. Kim Gordon fascine. Plutôt discrète, au fil des trente ans de carrière avec Sonic Youth, elle a accumulé les rencontres et des anecdotes en pagaille. Dans un conversation inédite avec son lectorat, Kim Gordon nous raconte son parcours atypique de son enfance en Californie à son divorce final d'avec Sonic Youth, un soir de concert sous la pluie, au Brésil. Modèle pour toute une génération, plongez dans l'intimité d'une grande artiste, au coeur des heures les plus brutes du New York des années 1990. Un must. Extrait: « Adolescente, je n'ai jamais chanté, et encore moins chantonné sur de la musique ; je préférais me concentrer sur mes projets artistiques, fumer un peu d'herbe et écouter Bob Dylan, Buffalo Springfiels, Tim Buckley, les Beatles, Archie shepp et l'Art Ensemble Of Chicago. J'aimais les mêmes trucs que mon frère, à l'exception de Joni Mitchell et de Billy Holiday. Après la publication de mon article, Dan m'a demandé si j'avais envie de monter un groupe de filles pour remettre en scène une de ses performances les plus connues, Performer/Audience/ Mirror, qui examine et retourne la relation entre l'artiste et le public.» Young Fathers en show au Fairmount le 31 mars prochain !

Mission encre noire Tome 16 Chapitre 214 Nous nous interessons ce soir à deux icônes de la musique populaire: Oscar Peterson et Kim Gordon. Le premier roman présenté par Éric s'intitule Oscar paru en 2016 aux éditions du Boréal. L'imagination fertile de Mauricio Segura nous entraîne sur les pas du célèbre pianiste de jazz, Oscar Peterson. Montréal vit sous le règne de l'acier, les années cinquante se fument au bout des cheminées des usines, le Canadien Pacifique saigne la ville en deux. Mauricio Segura rend un très bel hommage appuyé à un musicien hors du commun. Le soleil refuse de se coucher sur les mélodies d'Oscar, les femmes paraissent plus belles, même s'il faut pour cela, peut-être, vendre son âme au diable, allez savoir ! Extrait: «Une semaine plus tard, avant de partir en tournée, comme Oscar jouait à quatre pattes dans le salon avec son fils aîné, moins par plaisir que pour se faire pardonner par Beverly ses absences répétées, le téléphone sonna. Au bout du fil, la voix moelleuse de norman G. lui rappela qu'il était l'homme de parole et lui suggéra d'écouter la radio publique avant de raccrocher sans lui dire au revoir. Quand Oscar alluma la radio, tandis que son fils était absorbé dans la construction d'un immeuble en briques emboîtables, une pause publicitaire vantait les vertus d'un savon à vaisselle ; bientôt, un animateur annonça un concours de pianistes de musique classique dédié à Franz Liszt. Si le premier participant le fit bayer au corneilles, il reçut un coup au coeur en écoutant le deuxième, car il reconnut de suite son jeu timide, inimitable.» Kim Gordon Girl in a band paru en 2015 aux éditions Le mot et le reste. La bassiste et ex-chanteuse du groupe phare du mouvement post punk expérimental des années 90 prend la plume pour nous faire explorer son évolution dans le milieu de la musique et des arts. Kim Gordon fascine. Plutôt discrète, au fil des trente ans de carrière avec Sonic Youth, elle a accumulé les rencontres et des anecdotes en pagaille. Dans un conversation inédite avec son lectorat, Kim Gordon nous raconte son parcours atypique de son enfance en Californie à son divorce final d'avec Sonic Youth, un soir de concert sous la pluie, au Brésil. Modèle pour toute une génération, plongez dans l'intimité d'une grande artiste, au coeur des heures les plus brutes du New York des années 1990. Un must. Extrait: « Adolescente, je n'ai jamais chanté, et encore moins chantonné sur de la musique ; je préférais me concentrer sur mes projets artistiques, fumer un peu d'herbe et écouter Bob Dylan, Buffalo Springfiels, Tim Buckley, les Beatles, Archie shepp et l'Art Ensemble Of Chicago. J'aimais les mêmes trucs que mon frère, à l'exception de Joni Mitchell et de Billy Holiday. Après la publication de mon article, Dan m'a demandé si j'avais envie de monter un groupe de filles pour remettre en scène une de ses performances les plus connues, Performer/Audience/ Mirror, qui examine et retourne la relation entre l'artiste et le public.» Young Fathers en show au Fairmount le 31 mars prochain !